All language subtitles for Toomorrow.1970.1080p.WEBRip.x264.AAC-[YTS.BZ]ENG

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(drum banging)

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(upbeat music)

♪ Tomorrow, tomorrow, tomorrow ♪

♪ Tomorrow is the answer
that I will give ♪

♪ If you ask me where do I live ♪

♪ And where do I stay ♪

♪ Yes, tomorrow ♪

♪ There is love all around ♪

♪ Way up high where I'm flying ♪

♪ Playing tag in the sky ever-flying ♪

♪ Tomorrow ♪

♪ Tomorrow, take my hand
and I'll lead the way ♪

♪ You'll forget about yesterday ♪

♪ Right here in my arms ♪

♪ And forever there'd be a new world ♪

♪ Where all our dreams come true ♪

♪ Tomorrow, tomorrow ♪

♪ Tomorrow, tomorrow ♪

♪ With you ♪

♪ And forever there'll be a new world ♪

♪ Where all our dreams come true ♪

♪ Tomorrow, tomorrow ♪

♪ Tomorrow, tomorrow ♪

♪ With you ♪

(upbeat music)

(music whirring)

(upbeat music)

(machine whirring)

(machine beeping)

- Greetings to the
observer for planet Earth.

- And to Galactic Observation Control.

(person whirring)

(gentle music)

- Ready for an observer's report.

- For the last 3000 years,

I have brought you the same
report from the planet Earth.

I will repeat it.

There is still nothing to report.

Not one original element,
not one interesting deviant.

Merely an abortive attempted evolution.

Venus all over again.

(machine whirring)

- End of earth report.

- End of earth report.

- Intergalactic have monitored a new

and remarkable pattern of vibrations

in constant but radiating
from this constellation.

They were expecting your report on that.

- It does not emanate from earth.

- You question Galactic Computer?

- I have complete earth observation.

From their primitive rocket
launchings to nuclear piles,

germ mutators and atomic reactors.

- The power of these vibrations

is curative, not destructive.

- Then they are producing it unknowingly.

- Controlled has found that these waves

act as an antidote to the growing threat

to our own survival.

- I knew of no threat.

- A sterility of sound.

Our electronic vibrations
no longer stimulate

and of all the planets,

earth alone is producing the antidote.

- Are you recording
that that backward ball

of green mud has activated something

which I have not observed?

- I am recording

that earth is producing
curative vibrations,

a new form of electronic harmony.

- Earth music.

- Yes, an electronic element

activated by two long
discarded intangibles,

emotion and heart.

- Yes, I am aware of the sound.

Young earthlings produce a circuit of it.

- So far, only in one case

is the blending of these factors
registered as an antidote.

- You have examples of these vibrations?

- Only fractional scintillas.

(machine whirring)

However, control was able to monitor

brief visuals of those
producing it, observe.

(machine whirring)

(upbeat music)

♪ Tomorrow, tomorrow, tomorrow ♪

♪ Tomorrow is the answer
that I will give ♪

♪ If you ask me where do I live ♪

♪ And where do I stay ♪

(machine whirring)

♪ Taking our own sweet time ♪

♪ Living is breezy ♪

♪ If you know how to slow down ♪

♪ And take a look around ♪

♪ Brothers and sisters ♪

(machine whirring)

♪ You're my baby now ♪

♪ And I wanna take care ♪

♪ And I wanna take care of you ♪

♪ You're my baby now ♪

♪ And I wanna take care ♪

♪ And I wanna take care of you ♪

♪ Gonna make the sunshine ♪

♪ Gonna make the sunshine ♪

♪ Gonna make the sunshine ♪

- Are they well known on earth?

- It is unlikely, they look
too clean and pleasant.

- Galactic control urgently request

that you locate these four

and position them for immediate liftoff.

(upbeat music)

- Do you intend to examine them directly?

- Yes.

- But that involves
revealing our existence

to members of a lower
species, which is forbidden.

- The rule is suspended, this is a crisis.

- Understood.

I shall return to planet earth.

Locate and position these four.

Our flight is pre-programmed
to move out of orbit

in 17 earth hours.

- It doesn't allow much time.

- Time.

- My apologies, of course
time does not exist here.

After 3000 years,

one has had to become
a little conditioned.

(upbeat music)

(alarm ringing)

(upbeat music)

(upbeat music)

- Watch it.

- Sorry, I'm late.

- Morning Olivia.

- Hi Jen.

What's the stool for, a picnic?

- No, we might have a sit
out instead of a sit in.

- Oh no, is that today?

- Well, the dean's got until
noon to make up his mind.

Be kind of fun being able
to fire her own professor.

Ciao.
- Ciao.

- How's the little mother today?

- Get knotted.

(person laughing)

(door knocking)

Benny, Benny boy.

- Livy?

- Can I come in?

- Hold on a minute, Susie.

I'm starkered.

- [Olivia] You usually are.

- What time is it, honey?

- [Olivia] Later than you think.

- Hold it.

Okay.

Hi Livy, boy do I need that.

- There's only enough instant for tomorrow

and it's your turn.

- Okay, I'll buy some today.

Thanks dar.

- Sugar's in the saucer.

(cupboard banging)

(person tutting)

Eight o'clock and all's well.

- I'm sorry.

- How did she know I was in there.

- Intuition, you know what your women are.

- Do you always hide them in there.

- Now Susan?

Do I look the type who would hide?

- Yes, that's why I asked.

(door knocking)

Carl, are you up?

- I'm coming up baby, coming up.

- Oh, I didn't know you
were all nighting it.

- Me too, baby.

Seems it was my turn.

This is one time coffee
won't keep me awake.

- Well, something better.

You've got a class at nine o'clock.

- Two Livvy child, it's Thursday.

It's two o'clock.

- Tell me about Friday.

- Friday, a second year
student at, it's Friday.

- Must have happened during the night.

Are you awake Vic?

- [Vic] Sure, come in Livy.

- Morning love,

coffee's gonna be a bit cold today.

- Soon heat it up again.

- It's all going on down there.

- [Vic] Keep an eye on eggs for me, Liv.

- Sure.

(water whirring)

- Don't let it out.

No time to run another, smells good.

You haven't shaved in it, I
haven't done anything in it.

- Do I make one for the cupboard?

- No, the cupboard's gone.

- One up.

- What's the countdown Livy?

- 35 Minutes.

- Hello?

Hey, I'll buy for them baby.

- You'll get one and it's broken, sorry.

- I'd marry you if you
weren't so damn pale.

- You say that to all the girls.

- How come you are so ready?

- Been out fighting your
course for you, man.

- Not my course, who
wants to run a college?

I can't even run myself.

- Not run it, like active involvement.

We dig academic participation.

- Great, well let's participate with this.

(machine buzzing)

- Hey, I had a really
weird dream last night.

- That you showed up at
college in a shorty nightie.

- No I'm serious.

- So am I.

Because that's what's gonna
happen if you don't get dressed.

(person groaning)

- Hurry up.

- Bye bye.

- Did you fix your Tweety box.

- Yes, don't unfix it.

- It's not a Tweety box, it's a tonalizer.

- Okay, so tonalize me man.

Tonalize me.

Yeah.

(upbeat music)

- Hey, what about tonight?

Are we playing the festival or not?

- I won't know until later.

They're gonna call me at the school.

I think we better take the
gear with us though anyway.

- We better play somewhere,

like Friday's instalment day
and my drums need the bread.

- When did you do this?

- Last night, thought we
could use it for billing.

I mean, we can't be in a pop
festival not sure who we are.

- Well, it shows we're
littered if nothing else.

- Makes it different.

- Tomorrow, do you think
that's a good name for us?

- Sure, I dig it.

We are too much, we're tomorrow.

(upbeat music)

- What class are we about to miss?

- Phrasing and we won't miss it,

have faith in the driver.

- Are you okay Vic?

- Look, about tonight,
I've got a problem tonight.

- Amy.

- All right, yes, Amy.

- Crisis.

- What's happened?

- Amy.

- She's pregnant?

- Do you mind, today's her birthday.

- So what's the problem?

- I promised to take her
to the ballet tonight.

- No.

- I mean, if it comes up for us.

- She'll have the grooviest
freak out of the year.

Five grooves to turn her on

and a lover a boy to turn her off.

- But it's not Amy's thing.

You know she doesn't dig
pop, she digs classical.

- Now listen Vic, if we get
the spot tonight, it's a must.

We make the scene and I can book the stage

right through to the finals.

- Just think of that bread.

- Tell Amy to think of that bread.

(upbeat music)

(car whirring)

- So relax, huh?

- Listen, I'm breaking a
date with Matt tonight.

- Yes, but it isn't his birthday.

- But Amy will understand.

- She won't.

- She will because
Livvy's gonna talk to her.

- I am?

- Sure, woman to woman.

- 600 chicks in this college
and he has to pick the freaky.

(upbeat music)

- Miss, from my window box.

A touch of colour for the office.

- Thank you.

- Look, I hope you don't mind,

but there might be a call coming.

Students are not allowed calls except in.

- An emergency of course Miss.

This just may be an emergency.

My that's a pretty broach
you have on there, ciao.

(upbeat music)

- Wow.

- No time for wows, come on.

(upbeat music)

- Amy.

Lunch break.

♪ Happy birthday to you ♪

♪ Happy birthday to you ♪

♪ Happy birthday dear Amy ♪

♪ Happy birthday ♪

(upbeat music)

Pussy cats.

- Benny.

- I'm late Fran.

- Yeah about 12 hours late.

It was great fun, dance with myself

paid for myself, chatting myself up.

- Gee Fran, I'm sorry, but
we'll have a rehearsal.

- Who got the performance?

- I'll talk to you later.

- The passage from Demist to Singer

is probably the most striking example

of contra punctual skill.

You'll observe how Wagner
merges the three main themes

of his overture into a
progression of vertical chords,

and yet he never allows
this web of counterpoint

to interfere with the harmonic framework.

(paper banging)

We can best analyse this technique

by separating the melodic shape

from the contra punctual harmony.

So if we play theme one only
on the piano, Mr. Davis.

(gentle music)

And now theme two from Miss Broshard.

(upbeat music)

(object banging)

Good morning, Mr. Thomas.

We started without you,
I hope that's all right.

- Well, I'm sorry Dr. Gilmore,

it's just been one of those mornings.

- Continue please, themes one and two.

(upbeat music)

Now listen how Wagner
built the three themes

into an harmonic
combination and progression.

Telephone call for Mr. Thomas.

- Oh, great, thank you.

Sorry about this, it's an emergency.

- I hope she hasn't left it too late.

The successful interplay
of parts, however,

is not always as easy as
Wagner makes it appear.

- Hello?

Yes, this is he.

Oh, that's great.

That's wild.

Yes, of course we can do eight minutes.

We have enough material for eight days.

Okay, eight minutes.

Yes we're four and one of us is a girl.

No, nobody's in drag.

It's a real girl.

Yes sir, eight o'clock.

Yes sir.

(person shouting)

Oh, I'm sorry, Miss,

just that the emergency's over.

(upbeat music)

- I pointed out that the
majority of senior staff

do no teaching at all.

Their functions are almost
entirely administrative,

and yet they control
all academic decisions.

Following your committee's decision,

we ask the principal for
20% student and 20% staff

for participation in the governing body.

You now know his answer.

(people shouting)

All right, cool it.

- Isn't he lovely?

- Let's take a final show
of hands, against, for.

(people cheering)

All right, all right.

Now they'll probably try and
present this as an attempt

to instal anarchy in place of authority.

So if we think we're so
smart, let's show it.

Let's keep public sympathy
by proving this to be wrong.

(people clapping)

(people chattering)

Well?

- Did you know that your
ears wiggle when you shout?

- Doesn't everybody's?

- Matthew.

- Go on shout, let's have a look.

- So what happens now, Matt?

Classes go on.

- No, it would only embarrass the staff

because most of them are on our side.

- Okay let's get the gear in,

our lunchtime rehearsal's
not gonna embarrass anyone.

- Lunchtime's your time.

- Canteen rotor, in case they
pull the kitchen staff out,

it's in two our shifts.

- Okay, let's go.

- See you later.

Yes, Olivia, I shall look forward to that.

- Okay, come here baby.

Now, what's your problem?

- No problem.

I've already been kissed
twice on the ear this morning.

- Oh, well that moves it around a bit.

- Available supplies.

- More.

- Not you you.

- Come here, Livvy.

Put the man down, drag Vic off

while I go and find Carl.

- But at least tonight

we'll have a different
kind of celebration.

A birthday sit-in.

- Amy, what if tonight
as it's a special night?

I suggested taking you
somewhere quite different.

Not the ballet.

- You're right.

Not the ballet.

- Hi Amy.

- Oh, good morning, Olivia.

- Can I remove your man for a while?

- You may borrow him until lunch.

I'm gonna erase him and pick up some bits.

We'll need blankets
and things for tonight.

- Okay tutu, canteen, one o'clock.

- And this time be there.

- Come on Tutu, we're unloading.

(upbeat music)

- Kyle, come on, let's go to rehearsal.

- Yeah, rehearsal.

- My hat, right, thank you.

- Look here, this is Savannah.

- This is Benjamin.

- Hi, Silvie, how are you?

Come on pal, let's go.

- One second, one sec.

(upbeat music)

- What are your views on this situation?

- Oh, I don't have any views.

- Well you're obviously
prepared for a long sit in.

- Oh I'm prepared for anything.

- You're all set up for a seat.

- Yes.

- What's in your box?

- Everything you need for sit in.

- This way, put camera on.

Oh, hold a minute, right.

Thank you very much indeed sir.

- Thank you.

- Can I ask you a question, sir?

- No, you ask.

- Tell me what's your opinion of this?

- No, I don't have any,
ask the man with the drum.

- Gentleman with the drum.

Give me your opinion of the sit in.

- Me?

- Well, this is a good thing or a bad?

- It's a groovy thing.

- Is that a good thing or a bad?

- Always good.

(upbeat music)

- Mr. Thomas?

- Hi Sue, doctor.

- You asked for a paper on
14th century Counterpoint.

- I did?

- You did.

- Oh, sure, sure.

What's cooking Sue?

- Tonight's off.

- What?

- They've called an
emergency staff meeting

and I can't make it.

- Oh that, well, I mean it was gonna be

a problem anyway, listen,

I've pulled off something
really exciting for tonight.

- You pulled the bed on the phone?

- Right, no, no, no, no.

Come on, Sue.

That wasn't a chick,
it was a pop festival.

We're in it Sue.

A group went sick and we're
the replacement, is that great?

- It is great Benny.

Lots of luck and you will return

the paper. Mr. Thomas.

- Of course Dr. Gilmore.

- But why lunchtime?

What did we just tell Amy?

- I heard that name somewhere.

- No big swipe Carly can't stand her up

for dinner and lunch.

At least not in a birthday.

- What's a problem.

- Amy.

- Why don't we start
now, there's no classes.

We might as well play a sit.

- I'm easy.

- Hey, any you cats mind a groove?

(people cheering)

You got it.

(upbeat music)

♪ Taking our own sweet time ♪

♪ Love, it comes easy ♪

♪ Nothing better to do ♪

♪ Baby, just me and you ♪

♪ Taking our own sweet time ♪

♪ People forget that they're young ♪

♪ Everything's old pat ♪

♪ 'Cause they don't know where it's at ♪

♪ We got the secret of life
in the palm of our hand ♪

♪ We don't bury our heads in the sand ♪

♪ And we don't make any plans ♪

♪ Taking our own sweet time ♪

♪ Living is breezy ♪

♪ If you know how to slow down ♪

♪ And take a look around ♪

♪ Brothers and sisters ♪

♪ Taking our own sweet time ♪

♪ Love, it comes easy ♪

♪ Nothing better to do ♪

♪ Baby, just me and you ♪

♪ Taking our own sweet time ♪

♪ Why run around like a
chicken without a head ♪

♪ When you can relax in your bed ♪

♪ Why should we go by the
clock each and every day ♪

♪ Just let your heart lead the way ♪

♪ And think of the games we can play ♪

♪ Taking our own sweet time ♪

♪ Living is breezy ♪

♪ If you know how to slow down ♪

♪ And take a look around ♪

♪ Brothers and sisters ♪

♪ Taking our own sweet time ♪

♪ Love, it comes easy ♪

♪ Nothing better to do ♪

♪ Baby, just me and you ♪

♪ Taking our own sweet time ♪

♪ Taking our own sweet time ♪

♪ Taking our own sweet time ♪

♪ Yeah yeah ♪

♪ Yeah, yeah, yeah ♪

♪ Taking our own sweet time ♪

(upbeat music)

(people cheering)

- Oh, there's no juice.

- We just overload with the fuse, man.

- Maybe just a power cut.

- It is a power cut, I cut it.

How dare you stage an exhibition like this

in the curriculum time.

- We really didn't mean
to disturb anyone, doctor.

- We thought as there were
no more classes today.

- I haven't stopped any
classes, young lady.

And while this college still has rules,

I will not have them flagrantly disobeyed.

You'll kindly take all that out
of the building immediately.

If the rest of you wish to continue

your ill-advised sit-in,

from henceforth you will do it outside.

(people cheering)

- I'm sure it's a misunderstanding doctor.

- Then let us avoid any misunderstanding

about this. Mr. Matthew.

I want every non-working student

out of this college by lunchtime.

(people cheering)

- All right, cool it, cool it.

- And I should be most
unhappy, Mr. Matthew,

if this has to be accomplished by force.

(people shouting)

- This is our own bloody.

- You're not seriously suggesting

we should do what the man says.

- I'm suggesting it's
the smartest thing to do.

(people shouting)

- It can only put us further in the wrong.

(people shouting)

- Sit in, sit down.

Just as long as we can
do our own thing, baby.

- Well, they won't let
us do it in the streets.

- We gotta find somewhere else, man.

Like we must make this
run through tonight.

- You know Livy, I've
never seen Matt so uptight.

- Oh I have, he's on one of his ego trips.

- Forgive me.

May I say what a tremendous
sound you all make together.

- Yes, please.

If you can say that as often as you like.

- No, seriously, I mean it.

After all you lured me in off the street.

Oh, may I.

Thank you.

(people chattering)

- Don't drop it for gall's sake,

that's my life's work there.

- I've never seen anything quite like it.

What is it, an amplifier.

- Bit of amplifier, bit of synthesiser.

- That little thing

makes it sound different
than other groups see?

- Yes, it certainly does.

I must say I'd like to
buy some of your records.

- You may if you live long enough.

Come on baby face.

- Do you play too?

- No, I strip.

- Savannah, she's an art model.

- And a very good one, I'm sure.

- Hey, are you at Presso TV?

- Oh, nothing's so romantic.

I'm an anthropologist.

- Well, we all have to do something.

(people chattering)

- Of course, anthropology is my work,

but my hobby is modern music.

- That's our hobby too, but
we'd like it to be our work.

- Oh I see, you're not professionals.

- Just amateurs.

- But tonight we're professionals.

- Yeah, in the Roundhouse Pop Festival.

- Oh, that sounds very exciting.

- It won't be if wet rehearse, man.

- Look, at the risk of
sounding presumptuous.

I have quite a large
conservatory and I'd be delighted

if you care to use it,
for your rehearsal I mean,

I couldn't help overhearing your problem.

- It's very kind of you, Mr. Williams

but with our noise and your neighbours.

- Oh, I have no neighbours.

I live in the middle of Hampstead Heath.

I mean it.

Here we are, West Heath Drive.

Very easy to find from
here by car, 20 minutes.

- Gee, this is wild of you, Mr. Williams.

But I don't think we should.

- Oh, you might be interested
in my stereo equipment.

I have a four track tape
deck with sink recording.

- Reox.

- Yes, so if there's
anything you wish to take.

- Okay, what are we waiting for?

- Well, it looks like you
bought yourself a group.

- I couldn't be more delighted.

- Oh, someone will have to sit
on somebody's knee I afraid.

- Don't worry about me,
I have my own transport.

- We're not going now.

- Why not?

- One o'clock Livvy, I have
to be here one o'clock.

That's the whole point.

- Okay Vic, you'll be here.

Get in.

We have an hour's work out
and you'll be back easy.

- Right, up Heath Street,

turn left at the white stone pond.

You'll find it all right.

- Sure.

- Well, I'll see you all there.

I'll go on ahead.

- Thanks Mr. Williams.

- Hold it Liv, where's Carl?

- Okay, repeat it, what time?

- Five o'clock.

- Where?

- Your pad.

- You're grooving baby.

The address, I'm there.

The address Sav.

- You wrote it down.

- Show me, show me.

- You're gonna make me late.

- A lot of the students
are preparing themselves

for an all night affair, are you?

- I guess so.

(upbeat music)

(music whirring)

(birds chirping)

(dramatic music)

(machine whirring)

(upbeat music)

- Oh, I do apologise.

I've only just realised the
drive gates were locked.

- We made it anyway.

- Well do go in will you?

Oh, please, allow me.

- Thanks a lot.

- Have you lived here long?

- It seems like forever.

- Can't be bad.

- Please.

- Hey, dig this man.

- It's part of my collection.

The Evolution of Man, from
Anthropoid to Homosapien.

- Well, it's quite a collection.

Imagine, this cat was once
around here doing his thing.

- 12 Million years ago.

It's the Neanderthal man,

but the earliest homosapien was the man.

Now he only started doing his thing

less than 500,000 years ago.

- Half a million years.

- You'd think we'd have
learned some sense by now.

- Where we're going, man,

we ain't gonna learn it in a million.

- Oh Carl.

- Strange, I was saying the
same thing only this morning.

But you came here to rehearse
not to listen to all this.

Now go straight on down
through the lounge.

Oh please, may I take that for you?

- Thank you.

- Look shall I?
- Yes.

- I'll lead the way, shall I?

Right, you go first now, right?

- Isn't it fantastic?

- Good, come along.

- Do you live in this house all alone?

- Through here.

- No, no, I have a
couple who look after me,

but today's their day off.

- Man, what a pad.

Oh boy, look at that equipment.

If that isn't something,

you have some collector's items here.

- I just found one.

- How about collecting this?

- Victor, and you're going steady.

- Well, I can dream, can't I?

- I dig your records, Mr.
Williams, you really grew.

Hey, this is my bag, man.

Sighing the future sounds, can we play it?

- Please, go ahead.

- Solid.

No.

- The man say yes.

- We just don't have the time.

- Yeah Vic's right Carl.

We have a lot to do.

- Yeah, right, Vic's right, okay.

- Maybe if Mr. Williams
invites us again sometime.

- Oh my dear,

I hope we're gonna see a
great deal of each other.

You take all this with you everywhere?

- Doesn't everybody?

- Well, is this all right?

- It's perfect.

- I thought it might be.

- Man, what a place for happening.

- This is really.

- You know you're beautiful

doing all this for us.

- On the contrary,

You four are doing a lot
for me too, here we are.

Now this goes on here, does it?

- Yes, thanks, but it's
the other way round.

- Oh, I'm sorry.

- Is there PowerPoint anywhere?

- PowerPoint, yes.

- Over there behind.

- Now that is a pretty
powerful piece of Stone.

- That's not stone, that is Claudius,

excavated from the ruins of Pompeii.

He's completely petrified of course.

- I know how he feels.

- Well, make as much noise as you like.

You won't disturb.

- I think Mr. Williams is cool.

- That's because at the moment
you think Matt's uncool.

- Come on baby, let's get together.

(upbeat music)

- Why don't we run through the new one?

Okay, let's start blind.

♪ Show me the way ♪

- We'll never get this done in 45 minutes.

- [Olivia] Sure we will.

- We gotta groove it baby.

- Right.

(upbeat music)

♪ Show me the way to Happiness Valley ♪

♪ Where there's sunshine
and laughter every day ♪

♪ Show me the way to Happiness Valley ♪

♪ Where a smile can
chase heartbreak away ♪

♪ It's a place in your mind ♪

♪ That's not so hard to find ♪

♪ If somebody's there to care, yeah ♪

♪ So, show me the way
to Happiness Valley ♪

♪ 'Cause I've never been there before ♪

♪ Just give me the love
I've been dreaming of ♪

♪ And you'll open up the door ♪

♪ To Happiness Valley forever more ♪

♪ So, show me the way
to Happiness Valley ♪

♪ 'Cause I've never been there before ♪

♪ Just give me the love
I've been dreaming of ♪

♪ And you'll open up the door ♪

♪ To Happiness Valley forever more ♪

♪ Show me the way, show me the way ♪

- Overall balance isn't bad.

- We get to the end.

♪ Open up the door ♪

I think we could put a bit.

- Yeah, we could use a little bit of harm.

- Also give you a little more.

- No, but I can dig it.

I can dig it, solid.

- Hello, I told you we were loud.

- Yes, I'm amazed that
such a small amplifier

can produce so much sound.

- Oh, we just.

- Look, I wanna break this up,

but it You're supposed to
be back by one o'clock.

- One o'clock.

(objects clattering)

(upbeat music)

- Thank you.

- Do come again.

- Watch it.

(upbeat music)

(machine whirring)

- Man, what a trip.

- Hey, is everybody all right, Livvy?

- I'm all right, but I'm scared.

- Don't worry, honey.

We're with you.

- We are with you, but
we are we, what is this?

- Looks like we're up in space, man.

- This can't be real, this
sort of thing doesn't happen.

- Maybe it's a dream.

- Well, if it is, then we're all in it.

(machine whirring)

- Cool it, we've got things.

- Please do not be alarmed,
nothing will harm you.

We are here to offer
you galactic greetings.

You are now being adjusted
to our atmosphere.

After you have been adjusted
and cleansed of earth germs,

you will be free to join us.

(machine whirring)

- Hey, dig that walk.

- Now that is really wild.

- But where are we?

- In an aloid spacecraft
orbiting your planet,

for the moment, please stand quite still.

You are about to leave
the adjustment chambers.

(machine whirring)

- Cor, take a look at that view.

- Take a look, but don't
fall out of it, man.

- I will repeat my assurance,
you are all quite safe.

Indeed you're much safer up here

than you have ever been down there.

- But why?

I mean, what are we
doing up here in space?

- I'm impressed by your acceptance

of the fact that you are up here in space.

- We have to accept it, man.

Like where else are we?

- The logic of youth.

It is probably our only
contact with your planet.

- Our civilization is old,

but is directed by minds that are young.

Your civilization is young,

but is controlled by minds that are old.

- Which is why we have never revealed

our existence to your species.

- So why make us the exception?

- Because you generate certain vibrations

in your music and we need to study them.

- You must be joking.

- We also employ vibrations.

Ours however are mathematically selected.

What you would call computerised,
certain permutations

to relax the mind, others
to stimulate the body.

- Music by computer.

- But we are becoming
immune to these vibrations.

- Then you just have to
change your computer, man.

- Now wait a minute, Carl, wait a minute.

This is interesting.

I've never heard
computerised music before.

- Me neither, what's it like?

- Could you play us a few bars?

(machine whirring)

- Hey, that's a great trick.

- Could you do it again slowly?

- Where did it come from?

- From an energy field,

we learn to use energy just
as you use air for breathing.

- Can anyone do it?

- Regrettably, you're not
attuned to such fields.

- Well do your things for us Ghosters,

permeate those vibrations.

(music whirring)

- Real spooky, isn't it?

- Is that meant to stimulate or relax?

- Those vibrations are stimulate.

- Look, man, music's my bag.

See, I dig upbeats, downbeats.

Huge frogs, even dig classical.

But that that wouldn't
stimulate a drunken zombie.

- Carl.

- What do you want me
to do, put the guy on.

How do you turn it off?

- Please don't think that
we are putting it down.

It's just that to us, well,

we're used to music with some shape.

- Yes, there's nothing
wrong with electronics.

Used right, they can really turn you on.

- But they gotta have beat man.

- And emotion and heart.

- Right, you're grooving.

- That is why you are here.

You have managed to combine these elements

with an electronic mode of expression

to which we respond.

- Huh?

- We wish to study, learn
and analyse these elements.

- You mean you want us to?

- Hey, that's out of this world.

Us teaching people from outer space.

- It's the only thing
planet earth can teach us.

The vibrations of youth.

- Yes, but we couldn't make
them anyway without our gear.

(machine whirring)

- Wow, he's a real gas at this.

- Hey, my drums have been bumped around

like I'm still paying for those skins man.

- You have our assurance that
nothing has been damaged.

- Now look, we'd like to help you,

but will you see we're
just music students?

- Sure, we have a lot of
work and things to do.

- Maybe if you brought
us up next vacation.

- Unfortunately our needs are immediate.

Galactic control is awaiting your arrival.

- Would you take that
last bit again please?

- Just to be hoped you would not object

to returning with us.

That you may teach our civilization

how to rejuvenate itself.

- Now wait a minute.

(footsteps whirring)

- Blimey is that us?

- That is your planet, yes.

- And it is now 200,000 Earth miles away.

- Look, you just can't
hijack people like this.

- You'll all be returned safe and unharmed

when your work is completed.

- But I could be 2000 years old by then.

- Special is ageless.

- But that's not the point.

What about our work down there?

- Sure, what about our work?

- Look, it may seem strange to you, man,

but I just don't dig doing
my thing in space, right?

- We've got lives to get our way.

- Sure, what about our lives?

- Amy, oh my God.

- You'll have my assurance

that nothing will have
changed when you return.

- But we don't wanna return.

- We do.

- I mean, we don't want to go.

- Look sir, Mr.

Our music won't be any
good to you out there,

we won't be able to cure anything.

You just can't switch on
feeling heart or emotion.

It comes through the people you play to.

You turn on together.

Don't you understand?

We're no good without the environment.

- Anything you need will be arranged.

- We need to go back
to earth, arrange that.

- Flight trajectory cannot
be altered from here.

We are pre-programmed to reach
galactic control in your time

at one minute past tomorrow.

- He's not receiving you Carl.

- There's thousands of groups down there,

why pick us?

- Because none of them
invented the tonalizer.

- Don't you things ever sit down?

(machine whirring)

- I hope you are now ready to cooperate.

May we prepare your bodies first.

- For what?

- The human body must be
covered without Elfoid skins

you cannot exist in our aerosphere,

in deference to your humanoid custom.

Shall we take the lady first?

Please do not be alarmed.

(upbeat music)

- Hey, you keep your hands off her.

- Get up man, move it, quick Livvy, run.

(upbeat music)

(machine whirring)

(gentle music)

Well, anyone got any ideas?

- Yes, just find the radio man.

- Radio won't help us.

- Sure, we call Houston Texas

and say, what do we do now man?

- What module will be redacted?

- Earth observer questions
the wisdom of this decision.

The humanoid problem still remains,

their inability to produce
the required sound elements

outside their own environment.

- Agreed.

- Therefore, the right environment

must be readied for immediate
descent on our next orbit.

- The right environment can
only be of their own choosing.

- They will be asked to choose.

They have already chosen,
at 20 hours earth time,

they would've been
playing to 1000 humanoids

at a festival of pattern
popular vibrations.

- This observer suggests they
be allowed to return to earth

to complete this function.

- And when they and their environment

reach the moment of fusion.

- We elevate the entire
festival into orbit.

- Agreed.

Prepare the module for reentry to earth.

♪ I wanna go back, going back
to those sweet and simple days ♪

♪ Goin' back to that
cheerful little place ♪

♪ Goin' back, back through time ♪

♪ Back through space, goin' back ♪

(rocket whirring)

♪ Do you remember when we had such fun ♪

♪ Playing all those
happy games in the sun ♪

♪ We didn't have too much to think about ♪

♪ All our problems had
a way of working out ♪

♪ I wanna go back, going back
to those sweet and simple days ♪

♪ Goin' back to that
cheerful little place ♪

♪ Goin' back, back through time ♪

♪ Back through space, goin' back ♪

(upbeat music)

♪ Everything was rosy way back then ♪

♪ Oh, come on, let's
make it happen again ♪

♪ I wanna go back, going back
to those sweet and simple days ♪

♪ Goin' back to that
cheerful little place ♪

♪ Goin' back, back through time ♪

♪ Back through space, goin' back ♪

♪ I'm going back, going back ♪

♪ I'm going back, going back ♪

♪ I'm going back, going back ♪

♪ I'm going back, going back ♪

(machine whirring)

(birds chirping)

(door banging)

- Do you think they took him too?

- Why would they need an anthropologist?

- Like why would they need my drums?

- That's right, we've got no instruments.

- We might not even have a car.

- Oh no.

- You kidding.

(footsteps walking)

- Well, hello.

- Mr. Williams.

Boy am I glad to see you.

- Well, what did you do?

Forget them.

- Forget what?

- Your instruments.

I found them out here on
the lawn after you'd gone.

So I took them into the hall for safety.

- Ah, thank heaven us for that.

- We didn't forget Mr.
Williams, who suddenly.

- Hold it, Livy.

He won't believe us any
anymore than the others.

- Everyone's gonna think
we're a bunch of nutters.

- And I'm getting ready to believe him.

- You come in, please.

(birds chirping)

I think you'll find everything's here.

- But what I don't understand is.

- Mr. Williams, this might
sound like a stupid question,

but when did you find these?

- Well, just after you left.

What was it, quarter of an hour ago.

- But we left about 12:30.

- That's right.

- 12:45, it can only be 12:45.

- 12:48 to be precise, oh, by the way,

I took great care of your tonalizer,

I hope it's all right.

- I still don't get it, to start with.

- Livvy.

- No, I won't be shushed,

How can all this have
happened in 15 minutes?

- Well I must admit it
was a good deal heavier

than I had anticipated,
especially the organ.

- Well, that's that.

You just have to find a replacement.

- For what?

- Me, tonight.

You can use Frank, he swings.

- Are you kidding?

You couldn't even swing a hammer.

- Vic, are you serious?

- I'm sorry kids, I really am.

You said it yourself, Liv.

If I don't take her for lunch,

I just have to take her to dinner.

- All right, then why can't you eat later?

- Because for her ballet,
she needs 12 hours sleep.

- When you had Amy trouble,
you just clubbed her man.

- Listen, once a year's her birthday.

- This is our biggest job.

- Listen Ben.

Finding another job's easy,
finding another girl isn't.

We don't all have your
pulling power, you know?

- Look, it can't be all that late now.

You can still take it to lunch.

- By the time we stow
the gear away everything.

- Don't stow it, we will.

- You mean that?

- Yeah, just get your can
into a cab and move it, man.

- Oh on, shoo, shoo.

- Sorry about all this.

- I'm sorry for your friend.

I gather he is suffering from mild amore.

- He's just Lovesick man.

- Poor Vic's hooked on the wrong girl.

Oh, she's very nice.

But they'll never be compatible.

- Well what Vic needs is a
groovy girl that digs big beat.

- And Amy doesn't dig big beat?

- Swan Lake.

- Sad thing is Vic
could dig Swan Lake too.

- But she just won't let him swing it man.

- It'll take a couple of trips this time.

Oregon gearing guitar's first car.

- Look it'll be a great deal easier

if I open the drive gates,

then you can drive your car
right down to that corner.

- Oh, great, I'll come and get it.

- You must think me a very bad host.

The least I can do is
off your parting drink.

- No, you've done enough for us already.

Just open the gates and
we'll get out of your hair.

- There's one thing I like Mr. Williams.

That is, if you don't mind.

- What?

- A quick listen to Sign the Future Sound.

- Go ahead, I'm sure you
know how the machine works.

- Solid.

(person laughing)

- Solid.

- Solid.

- I was wondering about your friend Vic.

What happens if he isn't with you tonight?

- We'll get by, but it won't be the same,

not without Vic on the organ.

- And the Tonalizer.

- He might still make it.

We'll just have to keep
our fingers crossed.

- Well, perhaps we can think of some way

of making him change his mind.

- Mr. Williams.

- Yes.

- May I ask you a personal question?

- Go ahead.

- Now, you've been around a long time.

I don't mean that to sound rude.

- No, it wasn't rude.

It happens to be true.

- Well, do you believe there
are other people in space.

- Shall we say, I see no
reason why there shouldn't be.

- And if somebody told
you that they'd been up

in a spacecraft from another planet,

would you think they were nutters?

- Would you?

- No, no, I wouldn't.

- Oh, it means you have
a healthy, open mind.

- [Speaker] Olivia, Livy, come here quick.

- Excuse me.

- It's on the radio.

- What is?

- [Announcer] And so for
the London College of Arts,

it's back to normal again.

This sudden reversal of
decision by the principal

and governing board is said
to Purdue in no small measure

to the persuasiveness of
25 year old Matt Matthew,

leader of the Student Action Committee.

- Matt, that's my fella.

- Senior members of the administration

strongly deny that the trouble
was caused through lack of.

- Man, this is a busy day.

- Let's hope it'll be a lucky one too.

Tell you.

- About that after tonight's round house.

- Yes, I'm looking forward to that.

- Are you coming?

- I should be there if I can get a ticket.

- We'll get you a ticket, Benny.

- Well, I'll try.

But most of these shows
are sold out weeks ahead.

- You come as a road manager.

- Great idea, okay.

- Okay, what do I have to do?

- As a road manager, nothing.

- Hey, we aught to get
back, there'll be classes.

- Classes, right.

Thanks for everything.

- Meet you outside the college
seven o'clock sharp, right?

- Right.

(door banging)

(upbeat music)

- Required, one Earth female,

generously proportioned, long blonde fur.

Immediate delivery.

(machine whirring)

- You asked for me.

- Yes, I should have
asked for clothes too.

- I was not instructed.

- And whilst you are down here,

you will use the voice of an earth female.

Do you understand?

- Yes, I understand.

(upbeat music)

- Your name will be Johnson.

Stand up please Johnson.

(machine whirring)

Whilst you are down here, Johnson,

you will wear clothes at all times,

except perhaps in certain circumstances

connected with your mission.

- I was not instructed on my mission.

- It is to meet, charm,
arouse and if necessary,

seduce a male humanoid
known as Vic Cooper.

- Vic Cooper.

- Vic Cooper.

- Vic Cooper.

What is seduce?

- It's one of the few humanoid procedures

in which they found word superfluous.

- I have not been instructed on seduce.

- In that case, we must arrange

what is known as a crash course.

(upbeat music)

(footsteps walking)

- Victor.

- You're not mad about lunch.

- No, not anymore.

- When I tell you the reason

- Don't have to Victor,

I'm sure you've a reason as ever.

- Better, no, I don't
mean better in that sense.

- I know I heard you all went
off to rehearse somewhere.

- But that wasn't why I was late.

- Victor, you have perfect right

to what you like, when you like.

And that's what you should
do, starting this evening.

- What's all that mean?

- Francois' throwing a
party for me tonight.

Isn't that sweet of her?

- A party?

- Yes, it's my birthday, you know?

- Of course I know.

- I just thought I'd tell you

so you wouldn't be waiting around for me.

I must go.

- Amy, what's all this acid?

- I'm not acid Victor,

I'm very fond of you,
and I always shall be,

but we're just not compatible.

- We're talking about music,
is that what you mean?

My music?

There's room for all kinds of music, Amy.

- Yes, but that doesn't mean
that I have to keep playing

second fiddle to a bloody tonalizer.

- You've been a great help.

♪ Show me the way ♪

♪ - Whatever happened to lunch, man? ♪

- Kinda slipped by, didn't it?

- Well, I'm gonna get me a meal.

- Okay.

- All right.

- You do that once more and I'll.

Matt.

- Mr. Matt, please.

I've been invited to sit on
the administration board.

- No.

- By the governor no less, start tomorrow.

- Well give us a kiss then.

- That's great, Matt.

We'll make tonight a double celebration.

- We're playing at the
round house, how about that?

- Bush baby?

- Miss. Bush baby, please.

- What time?

- Eight o'clock.

I'll try my damdest to make it.

- You'll try to make it?

- There's a staff
meeting at seven o'clock.

- Oh of course, well,
you mustn't missed that.

- You sound just like Amy.

- Thank you.

- And talking of Amy.

(footsteps walking)

What's so funny?

- Me and Amy have had it.

- Is that good or bad?

I just don't understand you women,

you don't behave like men.

- Well, look, I know a couple.

- Listen, I'll make a deal with you.

I'll promise to smooth
things over with Amy.

You promise to play tonight.

- The way I feel now, you'll
be better off without me.

- I'll tell you what to do.

You go home and have a nice long hot bath.

It's the best relaxer I know.

Just let your mind go blank.

- It already has.

- So what do you got to lose, Vic?

- Deal?

- Deal.
- Deal.

(footsteps walking)

(door knocking)

- Susan?

- And suddenly came the door.

- Oh, hi Fran.

- You two are having it off, aren't you?

- Fran, for Pete's sakes.

- Talk to you later the man said.

- Well listen, I was going to but well,

I got tied up with
something rather unusual.

- It would only be unusual
if it wasn't the usual.

- Look Fran, why don't you meet me

at the pad at 5:30

and I'll try to get you
some tickets for tonight.

- You know something?

I like you you old stinker
in spite of yourself.

- Not in the corner doors, please.

- Don't worry.

Probably put your stock up.

- Fran, please.

(door knocking)

- Yes.

(door banging)

- Come in Benjamin.

- Susan, don't call me Benjamin, tell.

- Me what do you wanna
be when you grow up?

- It was just an impulsive
gesture on her part.

I got her some tickets for this evening.

- Is she on the bed waggon too?

- Now Susie, don't be that way.

Listen, I have so many things to tell you.

- Sorry, confession will have to be later.

- To start with,

I want you to be my
guest at the roundhouse.

- Why is it Hareem night?

- Intuition tells me you'd rather I left.

- And don't slam the door Benjamin.

(footsteps walking)

- Hiya Fran, are you classes over over?

- Classical's still at it.

But if you're off to
chat up Amy, forget it.

- Look, this morning
really wasn't Vic's fault.

- Oh, it's not the no
lunch that's bugging her.

It's the no birthday card,
no prezi, no nothing.

Not even a bloody buttercup.

- He got a lot on his
mind Fran, he just forgot.

- All men are stinkers love,

some just stink more than others.

(upbeat music)

Having a good meal?

(person laughing)

- Oh Johnson, I know that
this form of stimulation

has long ceased to exist on our planet.

On this one, they still
take it very seriously.

(door knocking)

- Who is it?

- [Johnson] Vic Cooper.

- Yes.

Cor Stone me.

- I'm Johnson.

- Okay, but you just can't
walk into someone's room

like this, they might be
in the bath or something.

- Vic Cooper.

- That's right, get me that.

- Vic Cooper, you're known as Vic Cooper.

- Yes, and just don't stand
there looking at me like that.

It's embarrassing.

Now, what do you want?

- You have my respect.

What more do you want?

(person laughing)

- All right, that's enough.

Turn it up, now look Johnson.

Miss. Johnson, what's all this in aid of,

what are you doing here anyway?

- I have come to charm you, arouse you.

And if necessary, oh,
I've forgotten the word.

(person laughing)

- Oh, well that explains everything.

You've got the wrong room
love, one floor down.

Benny Thomas, that's who
you want, not Vic Cooper.

- I want Vic Cooper.

- Do you?

- Do you know what else I dig?

- You do.

- I dig big beat.

- Me too.

- I also dig you.

- Me too.

(person growling)

(person laughing)

What's the matter?

- Does that really stimulate you?

- What doesn't it you?

- Let's try some of the others.

- Victor, Victor, it's Amy.

- Amy, just getting out the
bath, won't be a moment.

(water whirring)

Amy, what a wonderful surprise.

- I had to come Victor.

Victor, I behaved like a
horrible, spoilt child.

We're going downstairs.

Victor, I think we all just sit down

and have a really hot dart.

- Olivia, are you in?

- Benny.

- Oh, hi Amy.

- Hi.

- You're a real slob.

- Who me?

- Look at that innocent face.

You're always leaving
your junk about in my pad,

Amy and I can't even sit down.

- Oh, I'm sorry Amy.

- Okay, so while you
straighten things out,

we use your room.

- Yeah, sure, sure.

Wow.

- Hello Vic Cooper.

- Hello, except that I'm.

- Come on, we were gonna
try some of the others.

- Some of what others?

- Stimulants.

- Okay, but well,

first I think I ought to tell
you that I'm not Vic Cooper.

- You're not.

- No, I'm not.

(person laughing)

What's so funny.

You all look alike to me.

- Oh, well we shouldn't let a little thing

like that stand in the way.

- Isn't Billy back yet?

- Yes, he's in a Vic's room.

- Why, you got a bigger bed?

- Yes, but.

- Victor, darling Olivia's told me

how you were going to give
up tonight, just for my sake.

- Oh, she shouldn't have done that.

- Yes, she should.

And you're not to do anything of the sort,

of course you must play,

I realise it's only way of
making some extra pennies.

- Well more than that, Amy.

(objects banging)

- How many women do you ride?

- Tell you Fran.

- What are you, some kind of sex maniac?

- I've never even seen
this girl in my life.

- Then you're a sex maniac.

- Hold on, Fran, don't throw that.

- Resolution, what gives man?

- Everything and it's in there.

- I'm sick and tired.

- Why do you keep leaving me Vic Cooper?

- Vic who?

- I'm all for integration
babe but not with my Cal.

(people chattering)

(person shouting)

- Benny, Cal, Vic.

(person whistling)

They've locked up the college.

- Done what?

- Who locked it?

- The administration.

They're having a sit in now.

- About what?

- Who care what, our
gear's still in there.

- You can't get it.

(upbeat music)

- No person may enter
without the authority

of the chief executive town clerk,

chief education officer, or the principal.

- Well that's great.

By the time we found any of those.

- Hey, little man's still in there

having a shouting match
with some of his staff.

- If you're hoping to get in to get it.

- We don't want to get in, man.

Like we want to get our gear out.

- Well you can forget that.

- I'm sure he could fix it.

- Matt's trying to talk
some sending the chairman

of the board of Governors.

- Right, it's over the railings.

And pray for an open window.

- Oh sure, why don't
you ask the cop to help?

- The cop won't see us because
Livy's gonna chat him up.

- Right.

- And a Merry Christmas to you too.

- Livy honey, it's our only chance

if we wanna make it tonight.

- Start moving babe, here he comes.

- I've never chatted up a policeman.

- Nick, in the car quick.

- But I'm come in with you.

- Like that, you'll get
done for indecent exposure.

- Hello, hello?

- Hello.

- Do you know anything about cars?

- Cars, a little, what's the trouble?

- Would you have a look at mine please?

- Standby.

- Whoa.

- Well I know how to open that.

- Does that look right to you?

- Well, what seems to be wrong?

- I don't know.

(bell ringing)

- Could be a loose sleeve.

- It could?

- Good evening.

- Hi.

Vic.

Oh, aren't you clever.

(upbeat music)

(upbeat music)

- We're in, get the car
to the main entrance

and be ready when I call you.

- You're groovin, man.

(window knocking)

(door whirring)

- Are you out of your mind?

- Susan, listen, I need your help.

- If we get caught in here.

- Susan, listen, we're
due at the roundhouse

in a half an hour.

All our gear is in the assembly hall.

Honey, I need your help to get it out.

- You are mad.

- For me, Susie.

- Don't try and sex me up Benny Thomas.

- Susan, do you know
what tonight means to us?

- Do you know what my job means to me?

And I can't afford to lose it Benny,

however much I'd like to help.

- Yeah, you're right.

It's not fair to involve you.

- Now look, ring the night bell.

Explain the situation.

- Wait, wait, I have a better idea.

Look, you haven't seen me.

I'm not here, right?

Just stay put and know nothing.

- Benny.

(upbeat music)

Ben, what are you playing at?

- You're a naughty girl.

You promised you'd stay in your room.

- I promised nothing of.

- Relax Susan, relax.

- How can I relax with
you creeping around like.

- I stopped creeping, it's all fixed.

- The instruments?

- Sure, the panic's over.

How did you fix it so quickly?

- I'm a fast worker.

- I don't want a biography.

Susan, you're not usually this uptight.

- I'm not usually pinned
to a wall in reception.

- Can I help it honey, if you turn me on?

(objects banging)

- Hello.

- It was for your sake Susan.

What you don't know can't
get you into trouble.

- So I turn you on, do I?

- You know you do.

(doors banging)

- Good old Amy.

- Come on, come on.

Let's go baby.

(car whirring)

(footsteps walking)

- Oh, you must be Dr. Gilmore.

- Yes, I am.

- Susan.

- Yes.

- Do you know you are just as attractive

as he said you were.

Benny I mean, what a great
pleasure it is to meet you.

- Everything all right Miss?

- Yes, yes, better than I thought.

(upbeat music)

(car engine whirring)

(person whirring)

- Johnson, you must not travel
our way unless you're told.

- Did I do all right?

Did Vic that I dug?

(car engine whirring)

(objects whirring)

(person screaming)

- Vic Cooper, hello.

- I'm with Ben Thomas
of the Tomorrow Group.

- Not here yet.

- But I thought they were due on in 10.

- 10 minutes, yes, I'd say they'd had it.

- Oh, sorry.

- Now we must keep this clear dear.

I've got them coming in and out,

up and down all the time, I can't, no, no.

Not allowed, performers
only through there dear.

Do you perform?

- Frequently, I'm their road manager.

- Oh.

(car whirring)

- Hello.

- Hey, Johnson.

- I know you can't all be Vic Cooper.

- Advised we're on.

- Tomorrow.

- You're not gonna make it, are you?

Hey, just a minute, there's
only supposed to be four of you.

- Mr. Williams is our road manager.

- But she just went in.

- She?

- That was our assistant road manager man.

- And Amy's her assistant.

- She's mine.

(upbeat music)

(audience cheering)

- Do something.

- Where do I change?

- Behind the car, over there.

- Come back, come back.

Sam Apple pie, ladies and gentlemen.

Sam Apple Pie right there.

All right.

All the news I've brought you tonight

my friends has been good news, yeah.

(people cheering)

Now in the pop business,

peace can get very hectic and
sometimes somebody gets ill.

And that is what has happened
to Ricky of Compass Mentus.

But in their place, you're gonna see

the first ever professional
of a new group.

You're gonna see a new
group with a new sound,

Sound For Tomorrow,

produced by a group called Tomorrow.

(car engine whirring)

- Yes.

- I'm with Carl Chambers,
The Tomorrow Group.

- I suppose you're his road manager.

- No, I'm his number one chick.

(people cheering)

- The friends, we're now
gonna get some action

going here because the group

is already waiting in the wings.

Here they are.

Three guys, one beautiful Dolly

that all gentlemen are gonna
want for Christmas tomorrow.

Come on now.

(people cheering)

(audience clapping)

- Rather have breakfast
with her than you mate.

- Go Cal baby, go, go.

- One, two, three, four.

(upbeat music)

♪ If you can't be hurt,
you can't be happy ♪

♪ How you gonna laugh if you can't cry ♪

♪ If you can't be hurt,
you can't be happy ♪

♪ You can't be happy unless you try ♪

♪ Life is a gamble, it's true ♪

♪ For every highway
there's a rocky road, too ♪

♪ And you're gonna stub your toe ♪

♪ Somewhere down the line, yeah ♪

♪ But chalk it up to living ♪

♪ If you can take what
this life is giving ♪

♪ That's a very good sign, yeah ♪

♪ If you can't be hurt,
you can't be happy ♪

♪ How you gonna laugh if you can't cry ♪

♪ If you can't be hurt,
you can't be happy ♪

♪ You can't be happy unless you try ♪

♪ If you can't be hurt,
you can't be happy ♪

♪ How you gonna laugh if you can't cry ♪

♪ If you can't be hurt,
you can't be happy ♪

♪ You can't be happy unless you try ♪

- You got groove.

♪ Baby, I know you been beat ♪

♪ You've had too much bitter
and not enough sweet ♪

♪ But if you tried it with me ♪

♪ Maybe you'll be glad ♪

♪ It's up to you to choose, now ♪

♪ If you want a chance to win or lose ♪

♪ Now don't you play
the game scared, yeah ♪

♪ If you can't be hurt,
you can't be happy ♪

♪ How you gonna laugh if you can't cry ♪

♪ If you can't be hurt,
you can't be happy ♪

♪ You can't be happy unless you try ♪

(audience cheering)

- Come on.

♪ If you can't be hurt,
you can't be happy ♪

♪ How you gonna laugh if you can't cry ♪

♪ If you can't be hurt,
you can't be happy ♪

♪ You can't be happy unless you try ♪

♪ If you can't be hurt,
you can't be happy ♪

♪ How you gonna laugh if you can't cry ♪

♪ If you can't be hurt,
you can't be happy ♪

♪ You can't be happy unless you try ♪

(upbeat music)

(alarm ringing)

(upbeat music)

- I had a really weird dream last night.

- How do I look girls?

- Oh, they're yours.

- Mine, they were lying right here man.

- Yeah, I found them when I got up.

I know they're not Amy's.

- Your secret's safe with me, Victor.

- There's no secret.

It's just a bloody mystery.

- Did you fix your Tweety box, man?

- Yes.

Fix it, it's not a Tweety
box, it's a tonalizer.

- So tonalize me, man, tonalize me.

(upbeat music)

♪ And forever there'd be a new world ♪

♪ Where all our dreams come true ♪

♪ Tomorrow, tomorrow ♪

♪ Tomorrow, tomorrow ♪

♪ With you ♪

♪ Tomorrow, tomorrow ♪