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HOST:
Starring tonight,
Sandra Dee,
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00:00:35,480 --> 00:00:37,310
Dane Clark,
3
00:00:38,620 --> 00:00:40,610
and Christopher Conney.
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00:00:43,960 --> 00:00:46,620
Good evening,
and a cordial welcome.
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00:00:46,990 --> 00:00:48,720
For you aficionados
of the arts,
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00:00:48,790 --> 00:00:52,590
we offer you paintings
that run the gamut
of the human experiences,
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00:00:52,660 --> 00:00:55,330
and a few of
the inhuman experiences.
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00:00:59,840 --> 00:01:03,570
Our paintings are in oils,
watercolor, acrylic,
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00:01:03,680 --> 00:01:06,770
charcoal and occasionally,
formaldehyde.
10
00:01:07,280 --> 00:01:09,770
Case in point,
this painting here.
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00:01:09,910 --> 00:01:12,250
It's called
Spectre in Tap Shoes,
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00:01:12,320 --> 00:01:15,480
having to do with
the nearly lost art
of tap-dancing.
13
00:01:15,950 --> 00:01:19,890
Said terpsichorean
pursuit taking on
an intriguing dimension,
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00:01:20,030 --> 00:01:22,620
when the dancer
happens to be a ghost,
15
00:01:22,690 --> 00:01:27,530
as is so often the case
and the sort of thing that
you view in the Night Gallery.
16
00:01:35,310 --> 00:01:36,710
(THUNDER RUMBLING)
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00:02:04,070 --> 00:02:05,800
MAN: Thanks,
glad you made it home okay.
18
00:02:05,870 --> 00:02:07,130
Thank you.
19
00:02:11,310 --> 00:02:13,040
Oh, hi.
Hi, Andy.
20
00:02:13,110 --> 00:02:16,100
I thought you weren't
coming back till
tomorrow, Miss Hardy.
21
00:02:16,180 --> 00:02:18,340
Oh, the weather
on the Cape wasn't
much better.
22
00:02:18,420 --> 00:02:21,550
At $35 a day,
I decided I'd
rather be home.
23
00:02:24,120 --> 00:02:25,560
Hasn't Marion
been here?
24
00:02:25,790 --> 00:02:28,190
She was Saturday.
Anything wrong?
25
00:02:28,990 --> 00:02:29,980
No.
26
00:02:30,630 --> 00:02:32,290
Here.
Thank you.
27
00:02:32,360 --> 00:02:34,160
Good-bye.
Bye-bye.
28
00:02:55,390 --> 00:02:56,550
Marion?
29
00:02:57,790 --> 00:02:58,980
Marion?
30
00:03:21,880 --> 00:03:23,140
(MEOWING)
31
00:03:24,050 --> 00:03:25,850
Persephone!
What are you
doing here?
32
00:03:30,220 --> 00:03:31,210
(DOOR CLOSES)
33
00:03:31,760 --> 00:03:34,420
Poor baby.
You're starving!
34
00:03:38,560 --> 00:03:39,860
Oh, Marion.
35
00:03:43,170 --> 00:03:44,260
(EXHALES LOUDLY)
36
00:03:48,370 --> 00:03:49,640
(SOFT MUSIC PLAYING)
37
00:03:52,940 --> 00:03:54,140
(FEET TAPPING)
38
00:04:06,360 --> 00:04:07,990
Marion, I'm back!
39
00:04:08,830 --> 00:04:10,020
Marion?
40
00:04:11,600 --> 00:04:12,960
(SCREAMING)
41
00:04:53,810 --> 00:04:55,930
(ECHOING)
I'm back. I'm back.
42
00:04:59,610 --> 00:05:00,980
(SCREAMING)
43
00:05:08,620 --> 00:05:10,350
(TELEPHONE RINGING)
44
00:05:24,240 --> 00:05:26,570
Maybe you can
get her to talk
to me, Sam.
45
00:05:26,770 --> 00:05:28,400
Nobody else can get
through to her.
46
00:05:28,640 --> 00:05:30,300
(KNOCKING ON DOOR)
47
00:05:46,260 --> 00:05:47,450
Hello, Michael.
48
00:05:47,530 --> 00:05:48,990
Miss Hardy?
Mmm-hmm?
49
00:05:49,060 --> 00:05:52,290
Aren't you ever gonna
put those rocking
horses outside again?
50
00:05:54,270 --> 00:05:55,430
You think I should?
51
00:05:55,500 --> 00:05:58,940
Well, if you wanna
move the merchandise,
you gotta advertise.
52
00:06:01,040 --> 00:06:02,200
You're right.
53
00:06:02,270 --> 00:06:05,610
And maybe I'll get
around to it, but,
not for a little while.
54
00:06:06,380 --> 00:06:07,470
Okay.
55
00:06:11,650 --> 00:06:12,640
Miss Hardy?
56
00:06:13,020 --> 00:06:14,010
Yeah?
57
00:06:14,450 --> 00:06:16,010
I'm sorry
about your sister.
58
00:06:42,180 --> 00:06:43,440
(MEOWING)
59
00:06:51,490 --> 00:06:53,690
Persephone?
What are you
doing in here?
60
00:06:53,990 --> 00:06:55,360
(SCREAMING)
61
00:06:59,200 --> 00:07:00,530
I'm sorry.
62
00:07:02,700 --> 00:07:04,030
I'm sorry.
63
00:07:05,340 --> 00:07:06,860
SAM: Millicent?
64
00:07:13,110 --> 00:07:14,880
Please,
just take it easy.
65
00:07:14,950 --> 00:07:16,970
She's here,
dear God, she's here!
66
00:07:17,050 --> 00:07:18,910
In her room!
I saw her!
67
00:07:19,180 --> 00:07:20,380
No, no.
68
00:07:21,190 --> 00:07:22,380
This is what you saw.
69
00:07:30,060 --> 00:07:32,090
I've gone
over it in my mind
a hundred times.
70
00:07:33,030 --> 00:07:35,630
Trying to understand
what you're putting
yourself through.
71
00:07:35,700 --> 00:07:39,100
What I'm putting
myself through?
It's been hell.
72
00:07:39,200 --> 00:07:41,200
It's been sheer,
absolute torture!
73
00:07:41,640 --> 00:07:44,910
Every night,
I get down on my knees
and I pray for it to stop!
74
00:07:45,540 --> 00:07:48,480
Sam, Marion's been dead
six weeks now,
75
00:07:48,550 --> 00:07:51,070
and yet every day...
Wait.
76
00:07:53,150 --> 00:07:54,240
Look!
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00:07:55,050 --> 00:07:56,780
Her dress
in my closet!
78
00:07:57,120 --> 00:07:58,680
I didn't put it there!
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00:07:59,920 --> 00:08:01,360
And my brush.
80
00:08:02,460 --> 00:08:03,590
It's Marion's hair!
81
00:08:03,660 --> 00:08:04,920
The jars.
82
00:08:06,000 --> 00:08:08,360
Marion was
an applesauce freak.
I loathe it.
83
00:08:08,430 --> 00:08:11,430
And yet, I just seem to
find them all over the place.
84
00:08:13,570 --> 00:08:15,770
Oh, look,
the cigarette butts.
85
00:08:16,170 --> 00:08:18,410
They're tipped in Marion's
favorite shade of lipstick.
86
00:08:18,480 --> 00:08:20,470
Sam, I don't smoke,
and you know it.
87
00:08:20,550 --> 00:08:22,910
It's her!
Marion's still here.
88
00:08:23,820 --> 00:08:25,480
Sam, she just
won't let go!
89
00:08:25,550 --> 00:08:27,280
It's you that
won't let go.
90
00:08:27,520 --> 00:08:30,320
Suppose that you
didn't go to the Cape,
would Marion still be alive?
91
00:08:30,790 --> 00:08:34,560
Yes!
Whatever drove her
to this desperate act,
92
00:08:35,090 --> 00:08:37,560
I know she would have
come to talk to me.
93
00:08:38,260 --> 00:08:40,460
Like she used to,
in the past.
94
00:08:43,070 --> 00:08:44,400
That's what you
want to believe.
95
00:08:44,470 --> 00:08:47,670
What your gnawing sense
of guilt is commanding
you to believe.
96
00:08:48,470 --> 00:08:51,100
We were this close!
Born minutes apart.
97
00:08:51,340 --> 00:08:54,640
Two different people,
but with the same
flesh and blood.
98
00:08:58,380 --> 00:09:00,010
I knew something
was wrong.
99
00:09:00,690 --> 00:09:03,420
I was miles away but I knew it!
100
00:09:03,790 --> 00:09:06,420
I could hear Marion
calling out for me
101
00:09:07,190 --> 00:09:08,180
(MOUTHING)
102
00:09:08,890 --> 00:09:11,160
SAM: And you heard her
dancing, too, Millicent.
103
00:09:11,230 --> 00:09:13,220
Before you went upstairs.
104
00:09:13,600 --> 00:09:16,970
When we both know that
you couldn't have
heard her dancing.
105
00:09:17,870 --> 00:09:20,460
I can't explain it.
Not to you, anyway.
106
00:09:20,540 --> 00:09:22,230
Well, then, talk
to Dr. Coolidge.
107
00:09:22,310 --> 00:09:24,000
Maybe he can
make you see
what you're doing.
108
00:09:24,080 --> 00:09:25,980
And what's that, Sam?
Tripping out?
109
00:09:26,040 --> 00:09:29,140
Working my way through
a lifetime supply
of paranoid schizophrenia?
110
00:09:34,420 --> 00:09:35,610
(SIGHS)
111
00:09:37,660 --> 00:09:39,990
Bill Jason spoke
to me today.
112
00:09:42,090 --> 00:09:45,390
He's prepared to
offer $23,000
for this property.
113
00:09:47,770 --> 00:09:49,890
Let him have it.
Let him tear it down.
114
00:09:50,670 --> 00:09:52,570
Let him bury the ghost.
115
00:09:52,970 --> 00:09:54,500
Good night, Sam.
116
00:09:57,440 --> 00:09:59,210
Millicent, please...
117
00:09:59,280 --> 00:10:00,870
Good night, Sam.
118
00:10:08,590 --> 00:10:09,850
(SOBBING)
119
00:10:31,610 --> 00:10:33,370
(SOFT MUSIC PLAYING)
120
00:10:34,880 --> 00:10:36,370
(FEET TAPPING)
121
00:11:27,500 --> 00:11:29,160
Marion, please.
122
00:11:29,400 --> 00:11:31,130
Why are you
doing this to me?
123
00:11:31,200 --> 00:11:34,760
I'm sorry I wasn't here.
Oh, Marion, I swear it.
124
00:11:34,840 --> 00:11:38,040
I'm sorry.
Please, Marion.
125
00:11:38,780 --> 00:11:41,270
Please,
won't you leave me alone?
126
00:11:41,980 --> 00:11:44,510
Please, leave me alone,
I'm so sorry.
127
00:11:45,750 --> 00:11:47,450
Please, Marion.
128
00:11:55,690 --> 00:11:57,360
(KNOCKING ON DOOR)
129
00:12:01,500 --> 00:12:03,130
BILL: Miss Hardy?
130
00:12:09,740 --> 00:12:13,370
Miss Hardy, please.
Just one minute, please?
131
00:12:18,350 --> 00:12:20,840
Mr. Jason, if it's
about this property...
132
00:12:20,920 --> 00:12:24,410
Miss Hardy, will you
hear me out? Just this
one time, please?
133
00:12:29,130 --> 00:12:30,320
(SIGHS)
134
00:12:34,470 --> 00:12:37,660
I know that, perhaps,
this is not quite
the right time to...
135
00:12:48,050 --> 00:12:51,170
Miss Hardy, Sam Davis has
made it quite clear to me
136
00:12:51,250 --> 00:12:52,840
how fond you are
of this place.
137
00:12:53,220 --> 00:12:55,020
After all,
it is your own home.
138
00:12:55,750 --> 00:12:56,950
However, it...
139
00:12:57,020 --> 00:12:58,110
(SOFT MUSIC PLAYING)
140
00:12:58,190 --> 00:13:02,090
It would be advantageous
for me if I could control
this entire block. And so...
141
00:13:02,160 --> 00:13:03,350
(FEET TAPPING)
142
00:13:08,030 --> 00:13:09,400
Miss Hardy?
143
00:13:13,070 --> 00:13:14,440
Miss Hardy?
144
00:13:18,480 --> 00:13:20,270
You don't hear her,
do you?
145
00:13:22,150 --> 00:13:23,240
Um...
146
00:13:26,850 --> 00:13:28,720
Well, as I was saying,
147
00:13:29,550 --> 00:13:33,050
I've acquired
the Gardner house.
Now, it's an old building.
148
00:13:33,120 --> 00:13:35,860
Victorian. Very
much like this place.
The same feeling.
149
00:13:36,190 --> 00:13:38,160
Now, what
I propose is a swap.
150
00:13:38,230 --> 00:13:40,490
Your place
for the Gardner house.
151
00:13:40,560 --> 00:13:44,160
Plus, I'll also throw in
a check for $8,000
as well. Now, I've...
152
00:13:54,410 --> 00:13:56,440
Possibly,
in another house,
153
00:13:57,380 --> 00:13:59,180
you could be
free of your
sister's memory.
154
00:14:01,890 --> 00:14:04,320
Twins are never
free of each other.
155
00:14:10,330 --> 00:14:11,490
Well, you think about it.
156
00:14:12,600 --> 00:14:15,230
And whichever way you
make up your mind,
157
00:14:15,300 --> 00:14:17,060
it's all right with me.
158
00:14:17,130 --> 00:14:20,070
If it's no, I'll just have to
make other plans.
I'll...
159
00:14:38,520 --> 00:14:39,990
(MUSIC STOPS)
160
00:14:40,060 --> 00:14:41,530
(DOOR CLOSES)
161
00:14:43,360 --> 00:14:45,160
(CAR ENGINE STARTING)
162
00:15:03,750 --> 00:15:05,480
(TELEPHONE RINGING)
163
00:15:24,770 --> 00:15:26,130
(SCREAMING)
164
00:15:37,980 --> 00:15:39,710
(TELEPHONE RINGING)
165
00:15:50,130 --> 00:15:51,150
Hello?
166
00:15:51,230 --> 00:15:52,860
Millicent,
it's Dr. Coolidge...
167
00:15:52,930 --> 00:15:55,630
Doctor!
Doctor, help me!
168
00:15:56,430 --> 00:15:57,530
Help me!
169
00:15:57,940 --> 00:16:00,300
It was Marion's.
It was buried with her.
170
00:16:00,370 --> 00:16:02,430
I placed it
around her neck myself!
171
00:16:03,110 --> 00:16:05,980
Now, Millicent,
we both know that's
not possible, don't we?
172
00:16:06,040 --> 00:16:07,200
Open it.
173
00:16:11,080 --> 00:16:14,140
Oh, seems to have been
cut out of some magazine.
174
00:16:14,220 --> 00:16:15,520
An illustration,
that's all.
175
00:16:15,590 --> 00:16:16,920
I don't care what it was.
176
00:16:16,990 --> 00:16:18,150
I didn't do it!
177
00:16:18,220 --> 00:16:19,750
No, you didn't.
178
00:16:20,260 --> 00:16:21,590
Not exactly.
179
00:16:21,660 --> 00:16:24,530
But, there's
a part of you that's
feeding your delusion.
180
00:16:25,100 --> 00:16:28,070
It's creating these
sounds that you hear,
in your head.
181
00:16:28,330 --> 00:16:30,130
It's playing mischievous
jokes on you,
182
00:16:31,340 --> 00:16:34,670
provoking you into doing
things that later on
you've no recollection of.
183
00:16:34,740 --> 00:16:37,730
Well, don't just tiptoe
around it. Why not
come out and say it?
184
00:16:37,810 --> 00:16:39,800
You think I'm
losing my mind!
185
00:16:39,880 --> 00:16:45,410
This morbid delusion of
yours can prove to be
as lethal as a carcinoma.
186
00:16:45,720 --> 00:16:48,410
Millicent,
Marion is dead,
187
00:16:48,920 --> 00:16:50,550
but it's not
your fault!
188
00:16:50,620 --> 00:16:54,220
Then why did she kill
herself? Answer me that!
Why did she kill herself?
189
00:16:56,590 --> 00:16:58,590
Possibly some man.
190
00:16:59,500 --> 00:17:00,990
Some man?
What man?
191
00:17:01,630 --> 00:17:03,730
Oh, I'd give anything
to spare you this.
192
00:17:03,800 --> 00:17:04,930
Go on. Say it.
193
00:17:08,140 --> 00:17:09,900
Yes, there were men.
194
00:17:10,110 --> 00:17:11,270
Many of them.
195
00:17:11,980 --> 00:17:13,500
Some of them married.
196
00:17:13,940 --> 00:17:15,810
I don't believe you!
197
00:17:16,280 --> 00:17:18,310
I was her physician
too, remember?
198
00:17:18,480 --> 00:17:22,940
There were times when
your sister was very
open with me.
199
00:17:23,550 --> 00:17:24,750
Could I have a cigarette?
200
00:17:24,820 --> 00:17:26,520
I'm sorry, I don't smoke.
201
00:17:27,730 --> 00:17:29,250
Neither do you.
202
00:17:32,330 --> 00:17:35,360
Millicent, I have a colleague
in Boston. An old friend...
203
00:17:35,430 --> 00:17:36,530
A shrink, right?
204
00:17:37,100 --> 00:17:39,900
Well, you can 86 that
notion right out of
your head, Doctor!
205
00:17:39,970 --> 00:17:42,870
Nobody's shipping
my sister to
a head hunter!
206
00:17:43,010 --> 00:17:45,770
Any hang-ups we have,
we'll just work 'em
out on our own.
207
00:17:49,080 --> 00:17:52,780
Some men, huh?
You can bet your
sweet bippy there were!
208
00:17:55,390 --> 00:17:56,380
(DOOR CLOSES)
209
00:18:03,560 --> 00:18:04,820
Did you see that?
210
00:18:04,930 --> 00:18:06,450
See what, Ms. Hardy?
211
00:18:16,270 --> 00:18:17,640
Good night.
212
00:18:30,290 --> 00:18:31,620
(THUDDING)
213
00:18:33,520 --> 00:18:36,720
Persephone?
Here, kitty, kitty.
214
00:18:40,000 --> 00:18:42,520
(THUMPING)
215
00:19:13,930 --> 00:19:15,300
Oh, Marion!
216
00:19:15,730 --> 00:19:18,230
Marion, please,
if you're here, speak to me!
217
00:19:18,300 --> 00:19:21,000
Oh, dear God,
what is it you
want of me?
218
00:19:26,480 --> 00:19:30,380
Oh, Sam, dear sweet Sam.
Please be home!
219
00:19:31,450 --> 00:19:32,810
Oh, please!
220
00:19:35,190 --> 00:19:36,950
(SOFT MUSIC PLAYING)
221
00:19:37,020 --> 00:19:38,510
(FEET TAPPING)
222
00:20:12,490 --> 00:20:14,620
MARION: (WHISPERING EERILY)
Millicent!
223
00:20:16,860 --> 00:20:18,690
Millicent!
224
00:20:22,000 --> 00:20:24,130
Go on, Millicent.
225
00:20:25,100 --> 00:20:26,330
Open it.
226
00:20:31,210 --> 00:20:33,300
Don’t be afraid, Millicent.
227
00:20:34,610 --> 00:20:37,380
Just put on the costume
and come to me.
228
00:20:39,220 --> 00:20:41,240
Come to me, Millicent.
229
00:20:42,550 --> 00:20:43,920
Come to me.
230
00:21:03,840 --> 00:21:05,780
Come to me, Millicent.
231
00:21:06,840 --> 00:21:08,810
Come to me.
232
00:21:14,420 --> 00:21:15,750
Millicent.
233
00:21:19,860 --> 00:21:21,590
Millicent.
234
00:21:27,760 --> 00:21:32,530
You know what you have to do.
Why do you hesitate now!>
235
00:21:34,140 --> 00:21:37,130
This is only what
everyone’s expecting of you.
236
00:21:40,810 --> 00:21:42,440
Hurry, Millicent
237
00:21:43,750 --> 00:21:45,510
I' 00:21:50,710
A moment of pain,
that's all it is.
239
00:21:51,960 --> 00:21:55,590
And then we'll be together
again for all eternity.
240
00:21:58,760 --> 00:22:00,320
Millicent.
241
00:22:00,460 --> 00:22:02,090
Millicent
242
00:22:08,870 --> 00:22:10,640
I can't! I can't!
243
00:22:13,440 --> 00:22:15,570
MAN: Then I'll have to
help you, won't I?
244
00:22:18,720 --> 00:22:20,580
The way I had to
help your sister.
245
00:22:22,290 --> 00:22:27,090
Poor Marion, she never
understood how tired I was.
246
00:22:27,220 --> 00:22:29,660
Not of the blackmail
I paid her every month,
247
00:22:29,730 --> 00:22:33,460
but of the constant fear
of being humiliated
by my own words.
248
00:22:34,400 --> 00:22:36,700
You should've
accepted my offer.
249
00:22:38,240 --> 00:22:41,210
Now, I'll buy the building
back after you're gone.
250
00:22:42,770 --> 00:22:47,970
And I'll tear it down
piece by piece if I have to,
until I find those letters.
251
00:22:50,280 --> 00:22:51,300
No!
252
00:22:51,550 --> 00:22:53,070
Now, don't struggle.
253
00:22:53,350 --> 00:22:55,550
Don't struggle.
She struggled,
but you...
254
00:22:55,620 --> 00:22:56,640
Wait. Wait a minute.
255
00:22:56,720 --> 00:22:58,090
If it's the letters
you want, I'll give
them to you.
256
00:22:58,160 --> 00:22:59,490
I know where they are!
257
00:23:09,530 --> 00:23:12,230
No, you don't, Billy!
Not again!
258
00:23:13,070 --> 00:23:15,200
This time,
I'm ready for you!
259
00:23:15,510 --> 00:23:16,600
Wait!
260
00:23:31,220 --> 00:23:33,050
Well, he didn't
miss a trick!
261
00:23:33,120 --> 00:23:34,890
There are devices
all over the house.
262
00:23:34,960 --> 00:23:37,830
And except for this,
all he had to do was
tap into the phone
263
00:23:37,890 --> 00:23:39,290
and the power line
in the basement.
264
00:23:56,610 --> 00:23:59,380
It wasn't my imagination.
None of it was.
265
00:24:00,750 --> 00:24:01,780
No.
266
00:24:02,890 --> 00:24:05,380
Jason had his back
against the wall.
267
00:24:05,690 --> 00:24:07,850
His wife's family had
set him up in business.
268
00:24:08,430 --> 00:24:10,050
Everything in her name.
269
00:24:10,130 --> 00:24:12,360
If word of his affair with
Marion ever leaked out...
270
00:24:13,130 --> 00:24:14,220
Well,
271
00:24:16,800 --> 00:24:18,330
he'd be ruined.
272
00:24:18,700 --> 00:24:21,670
That's why he had
to locate those
letters he'd written her.
273
00:24:22,970 --> 00:24:25,070
That's why he was
trying to buy you out.
274
00:24:25,210 --> 00:24:28,040
And, if he couldn't
buy you out, he'd
drive you out.
275
00:24:28,450 --> 00:24:29,640
I know.
276
00:24:30,580 --> 00:24:33,050
That's all it
was, Millicent.
All it ever was.
277
00:24:34,050 --> 00:24:35,820
A lot of manufactured effects.
278
00:24:37,220 --> 00:24:39,280
No messages
from beyond the grave.
279
00:24:39,520 --> 00:24:41,550
No ghostly visitations
from Marion.
280
00:24:43,060 --> 00:24:44,530
You see that now,
don't you?
281
00:24:44,590 --> 00:24:45,860
Then how, Sam?
282
00:24:45,930 --> 00:24:46,950
Just tell me how.
283
00:24:47,030 --> 00:24:48,790
How? How what, Millicent?
284
00:24:49,530 --> 00:24:51,630
I had no idea the letters
were there in the piano.
285
00:24:51,700 --> 00:24:54,300
How could I?
I never even
knew they existed.
286
00:24:54,540 --> 00:24:56,030
Or the revolver, either.
287
00:24:58,240 --> 00:24:59,470
How Sam?
288
00:24:59,680 --> 00:25:01,470
How did I know right
where to go for them?
289
00:25:03,650 --> 00:25:05,410
(SOFT MUSIC PLAYING)
290
00:25:05,480 --> 00:25:06,970
(FEET TAPPING)
19098
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