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HOST: Tonight's stars,
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Bill Bixby,
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Patricia Sterling,
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00:00:37,650 --> 00:00:39,050
and Vincent Price.
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00:00:41,450 --> 00:00:42,980
Good evening.
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00:00:43,050 --> 00:00:45,180
We are delighted that all of you
could make it this evening,
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00:00:45,260 --> 00:00:47,550
because we have
something special on tap.
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In the area of the occult, it's customary
to preoccupy ourselves with witches.
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00:00:57,470 --> 00:00:58,660
And too infrequently,
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we dabble on the male side of
that time honored profession,
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the Sorceror.
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On display here
is a painting,
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showing the natural habitat
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00:01:07,250 --> 00:01:09,650
of this species
of black eyed practitioner.
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Dark alley, murky light,
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a few sundry skulls,
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and the gentleman himself
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on the right of the picture,
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with the upraised hand and
the funny little goat horns.
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Yes, indeed,
this is a sorcerer.
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00:01:23,500 --> 00:01:26,330
And for those of you
who disbelieve his existence,
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we invite you to check this
out for a little while.
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Our painting is called
The Return of the Sorceror,
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and where better place
to return than right here,
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'm the Night Gallery.
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(WIND HOWLING)
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I called about the ad.
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I'm Noel Evans.
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(RAIN PATTERING)
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He's here.
JOHN: Thank you, Fern.
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Mr. Carnby?
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I'm Noel Evans.
Sit down.
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Write down your name.
Block letters.
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Throw it back.
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Your number is four.
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You don't look four.
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00:03:11,340 --> 00:03:15,830
Fours are solid people,
practical, uninspired.
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00:03:16,880 --> 00:03:18,370
Well, I'm afraid
I won't be suitable.
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Fours are not successful.
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00:03:20,780 --> 00:03:24,440
Four is the number
of poverty and defeat.
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00:03:25,650 --> 00:03:28,310
Well, it was, uh, very nice
talking with you, Mr. Carnby.
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00:03:28,390 --> 00:03:29,850
Look it over.
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Would you care for some
brown sherry and walnuts?
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(sums)
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(NUT CRACKS)
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You making it out?
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Yes, I'm doing okay.
It's 15th century.
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00:04:10,700 --> 00:04:12,790
My guess would be
the school of Samarkand.
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00:04:12,860 --> 00:04:15,960
JOHN: Have you ever
read any um, early Arabic?
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00:04:16,630 --> 00:04:19,730
Anything of Abdul-el-Peinir?
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Yes, I have.
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Which book?
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Le satanisme et la magie.
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00:04:26,380 --> 00:04:27,670
If you work for me,
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the hours are awful
but the money is great.
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00:04:32,180 --> 00:04:33,840
Well. I'm, uh...
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00:04:34,720 --> 00:04:37,090
I'm not saying that I can
translate this for you readily.
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00:04:37,160 --> 00:04:39,180
Um, I'll need
my dictionaries.
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00:04:39,460 --> 00:04:40,980
I'd expect you to live in.
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00:04:42,760 --> 00:04:44,250
We haven't
discussed salary.
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(SCRAPING)
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The salary is $750 a week.
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00:04:58,580 --> 00:05:00,140
700...
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00:05:21,430 --> 00:05:23,530
You will get your clothes
and your...
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00:05:24,470 --> 00:05:27,030
And your dictionaries.
We'll start tonight.
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00:05:27,440 --> 00:05:28,630
(CLEARS THROAT) Uh...
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Uh, look, I'm, uh...
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00:05:31,180 --> 00:05:35,080
I'm not into, uh, occultism or
Satanism or anything like that.
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00:05:35,150 --> 00:05:37,140
I'm really a very
square person.
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00:05:37,220 --> 00:05:39,050
I know Arabic.
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00:05:39,120 --> 00:05:42,850
I happen to have this inner
thing for Arabic. That's all.
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00:05:43,050 --> 00:05:44,350
That's exactly
what I want.
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00:05:44,490 --> 00:05:45,680
Here's a month's salary.
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00:05:47,660 --> 00:05:51,150
(SIGHS) I'm delighted that you
were able to start right away.
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00:05:51,730 --> 00:05:52,890
My...
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00:05:53,460 --> 00:05:55,930
My brother used to live here.
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00:05:56,470 --> 00:05:58,030
We always worked together.
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00:05:59,700 --> 00:06:02,170
But he passed away
and well, I'm...
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00:06:03,570 --> 00:06:05,270
I'm swamped.
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00:06:07,050 --> 00:06:08,880
And I might say,
a little lonely.
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00:06:09,880 --> 00:06:11,250
We were twins.
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And we were very close.
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(DOOR OPENS)
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Can you find your
way out all right?
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Darling.
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00:06:51,390 --> 00:06:53,550
Maybe you shouldn't
go through with it.
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00:06:54,330 --> 00:06:56,620
Maybe you shouldn't
have it translated.
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00:06:56,690 --> 00:06:58,490
Shouldn't know.
No.
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00:07:00,000 --> 00:07:01,990
No! I must know!
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00:07:03,740 --> 00:07:05,930
I must! Fern, I must.
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00:07:08,240 --> 00:07:09,500
(SOBBING)
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He's waiting in the study.
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00:07:42,470 --> 00:07:43,870
He wants you
to come right away.
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00:07:43,980 --> 00:07:45,100
Tell me, uh...
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00:07:45,310 --> 00:07:47,440
Have there been any
translators before me?
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00:07:47,950 --> 00:07:49,070
Two.
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00:07:49,150 --> 00:07:50,270
They quit or were they fired?
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00:07:51,150 --> 00:07:52,450
Quit.
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00:07:55,450 --> 00:07:56,480
Fern.
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00:07:59,190 --> 00:08:00,590
L, uh...
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00:08:02,390 --> 00:08:04,330
I don't mind telling you
I'm, I'm a little, uh...
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00:08:04,900 --> 00:08:06,020
I'm a little spooked.
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00:08:06,330 --> 00:08:07,890
Can I depend on you,
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00:08:08,500 --> 00:08:09,630
as a friend?
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00:08:15,210 --> 00:08:16,260
Sure.
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00:08:25,580 --> 00:08:30,040
JOHN: I have made a life study
of demonism and sorcery.
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00:08:30,460 --> 00:08:32,360
Much of the practice
of sorcery
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00:08:32,420 --> 00:08:35,120
is based on Latin work,
the Necronomicon.
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00:08:35,960 --> 00:08:39,120
But that was based
on this Arabic work.
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This one here.
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00:08:41,530 --> 00:08:42,520
Hm...
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00:08:43,030 --> 00:08:44,300
But you see,
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00:08:44,540 --> 00:08:46,660
some of the most,
the most...
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00:08:48,570 --> 00:08:50,600
The most and I use
this word literally,
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00:08:50,680 --> 00:08:53,770
the most
fiendish passages were...
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00:08:54,150 --> 00:08:57,670
Well, they were simply
never rendered into the Latin.
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00:09:00,050 --> 00:09:03,210
Can you tell me why the two
translators before me,
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quit after only one day?
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00:09:05,890 --> 00:09:08,790
Well, there was one passage
in here that they,
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00:09:09,830 --> 00:09:12,460
just refused to translate.
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(SCRAPING)
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Excuse me.
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00:09:43,290 --> 00:09:46,160
Whatever is in the passage
must have terrified them.
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00:09:47,130 --> 00:09:48,220
They left.
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00:09:49,330 --> 00:09:51,360
What makes you think
that I won't leave,
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00:09:51,870 --> 00:09:52,860
after I've read it?
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00:09:53,070 --> 00:09:54,160
Dinner?
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00:10:12,560 --> 00:10:14,890
What a glorious
bloody color.
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00:10:18,830 --> 00:10:20,130
Oh, I beg your pardon,
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00:10:21,100 --> 00:10:22,860
I forgot to
introduce you two.
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00:10:23,770 --> 00:10:27,330
Mr. Evans, this is my
father who built this house
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00:10:27,470 --> 00:10:29,130
and who is back with us.
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00:10:30,340 --> 00:10:32,900
He goes by the name of
"The Falling Tower."
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00:10:34,750 --> 00:10:36,270
How do you do,
Falling Tower?
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00:10:37,480 --> 00:10:38,810
(BLEATING)
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00:10:39,650 --> 00:10:41,480
Here's to you, darling.
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00:10:42,490 --> 00:10:44,610
Fern is indispensible to me.
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00:10:45,220 --> 00:10:46,420
FERN: Did you know,
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00:10:46,890 --> 00:10:51,850
that for every sorcerer there must
be at least a thousand sorceresses?
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00:10:53,730 --> 00:10:55,100
Um...
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00:10:56,130 --> 00:10:58,930
You said that she was indispensible
to you, in what way?
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00:10:59,640 --> 00:11:01,400
FERN: In the Black Arts,
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00:11:01,470 --> 00:11:03,570
women are always
the dominant ones.
144
00:11:03,840 --> 00:11:05,370
And enslaved by men,
145
00:11:06,410 --> 00:11:08,610
they developed sorcery
as a way to power.
146
00:11:09,280 --> 00:11:11,110
You see
what Fern does for me.
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00:11:11,680 --> 00:11:13,120
I'm sorry, um...
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00:11:13,990 --> 00:11:15,280
I don't understand.
149
00:11:15,350 --> 00:11:17,650
(STAMMERING) Exactly,
what does she do for you?
150
00:11:17,860 --> 00:11:19,550
(SCRAPING)
151
00:11:20,490 --> 00:11:21,650
(WHISPERING) Listen.
152
00:11:23,260 --> 00:11:24,250
Do you hear that?
153
00:11:24,600 --> 00:11:25,650
Rats.
154
00:11:26,730 --> 00:11:28,500
I'm afraid
we have rats.
155
00:11:28,930 --> 00:11:31,100
No, it isn't rats,
I tell you it isn't!
156
00:11:32,400 --> 00:11:35,170
FERN: Yes, it is, dear.
What else could it be?
157
00:11:36,840 --> 00:11:38,070
You see,
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00:11:38,610 --> 00:11:42,140
it was despair that
brought on the Black Mass.
159
00:11:42,780 --> 00:11:45,550
Life in the Middle Ages
was saturated with despair,
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00:11:46,180 --> 00:11:49,950
and the feeling of helplessness
against the establishment,
161
00:11:50,550 --> 00:11:52,750
and nobles,
and the clergy
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00:11:53,290 --> 00:11:54,520
and...
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00:11:59,300 --> 00:12:00,560
Fern,
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00:12:01,770 --> 00:12:03,230
the way you say that.
165
00:12:04,740 --> 00:12:06,100
You're really into this.
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00:12:06,800 --> 00:12:08,360
Don't you really hear that?
167
00:12:09,370 --> 00:12:10,360
(SCRAPING CONTINUES)
168
00:12:12,740 --> 00:12:14,370
Are you expecting somebody?
169
00:12:19,180 --> 00:12:20,670
Is he expecting somebody?
170
00:12:32,160 --> 00:12:33,390
(BLEATING)
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00:12:34,600 --> 00:12:35,930
(CROAKING)
172
00:12:37,670 --> 00:12:40,000
Are you gonna give
mommy a kiss, huh?
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00:12:40,200 --> 00:12:41,540
(CROAKING)
174
00:12:57,960 --> 00:13:00,450
NOEL: Well, uh, I have it.
175
00:13:01,130 --> 00:13:02,590
Well, go ahead.
176
00:13:04,760 --> 00:13:06,090
NOEL: It's grisly.
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00:13:06,160 --> 00:13:07,560
Read it!
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00:13:10,070 --> 00:13:11,660
Mr. Carnby, I, uh...
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00:13:13,800 --> 00:13:15,100
I can see why they quit,
180
00:13:15,170 --> 00:13:17,230
and in fact,
if you don't mind...
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00:13:18,410 --> 00:13:19,570
Here's your check.
182
00:13:19,780 --> 00:13:22,750
If you don't read that you'll
never leave this house.
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00:13:24,080 --> 00:13:25,910
Sit down, Noel.
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00:13:36,930 --> 00:13:40,230
"It is verily known by few
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00:13:41,770 --> 00:13:43,330
"that the will
of a dead sorcerer
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00:13:43,400 --> 00:13:45,800
"has powers upon
his own body,
187
00:13:46,470 --> 00:13:48,460
"and can raise it up
from the tomb
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00:13:50,170 --> 00:13:55,310
"and perform therewith whatever actions
were unfulfilled in his life."
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00:13:55,680 --> 00:13:56,740
You see?
190
00:13:56,810 --> 00:13:59,010
Those were the sounds
you said were the rats!
191
00:13:59,220 --> 00:14:03,380
"Such resurrections are invariably
for the detriment of others."
192
00:14:05,160 --> 00:14:07,650
And this part is
really incredible.
193
00:14:08,890 --> 00:14:12,060
"But he can only do this
damage to another person
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00:14:12,200 --> 00:14:16,930
"if that person knows
of his peculiar power."
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00:14:18,470 --> 00:14:19,730
Go on.
196
00:14:21,870 --> 00:14:26,070
"There are cases in which the will
of the wizard was so powerful
197
00:14:27,480 --> 00:14:29,500
"that even though
his body had been...
198
00:14:30,280 --> 00:14:32,750
"Hewn in many...
199
00:14:33,880 --> 00:14:35,350
"Fragments or segments,
200
00:14:36,090 --> 00:14:39,850
"these fragments
can rise either separately,
201
00:14:41,790 --> 00:14:44,890
"or in concert to serve
the Wizard's end."
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00:14:45,200 --> 00:14:47,630
Uh, well, that's it.
203
00:14:53,700 --> 00:14:54,900
Mr. Carnby?
204
00:14:59,140 --> 00:15:00,610
Is there anything
we can do for him?
205
00:15:05,620 --> 00:15:07,310
Have you finished
with the passage?
206
00:15:08,850 --> 00:15:10,380
Where there is a Preamble,
207
00:15:11,990 --> 00:15:13,290
it's a curse.
208
00:15:14,230 --> 00:15:16,020
I suppose that's why
the other two left.
209
00:15:16,860 --> 00:15:18,190
Well, let's hear it.
210
00:15:26,470 --> 00:15:29,170
"By all the Dark Powers
of this world,
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00:15:29,940 --> 00:15:31,840
"may he who reveals
this secret
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00:15:33,040 --> 00:15:35,740
"be flayed slowly
over burning coals."
213
00:15:37,010 --> 00:15:38,070
Uh...
214
00:15:38,150 --> 00:15:39,510
"And then
215
00:15:42,890 --> 00:15:44,410
"thoroughly dismembered."
216
00:15:45,690 --> 00:15:47,380
Well, it's been
quite an evening.
217
00:15:49,790 --> 00:15:51,350
I think I'll leave now.
218
00:15:53,800 --> 00:15:55,160
NOEL: Fern?
219
00:16:00,640 --> 00:16:02,610
Don't you feel
as if there's some
220
00:16:03,740 --> 00:16:05,570
hidden horror in this house?
221
00:16:11,020 --> 00:16:12,280
(MOUTHING)
222
00:16:24,090 --> 00:16:25,490
He killed his brother.
223
00:16:25,930 --> 00:16:28,260
He cut his twin brother
up into pieces.
224
00:16:28,830 --> 00:16:30,130
Oh, my God.
225
00:16:30,230 --> 00:16:32,230
He buried the pieces
in the oak grove.
226
00:16:32,740 --> 00:16:33,930
Except for his head.
227
00:16:34,240 --> 00:16:35,300
His head?
(SHUSHING)
228
00:16:35,370 --> 00:16:36,430
What did he do
with his head?
229
00:16:36,510 --> 00:16:37,910
Cool it, man.
230
00:16:37,980 --> 00:16:39,310
Believe in the
oneness.
231
00:16:40,080 --> 00:16:42,980
Terror is joy,
joy is terror.
232
00:16:43,350 --> 00:16:47,010
Life is death
and torture is ecstasy!
233
00:16:48,450 --> 00:16:50,320
We're holding
Black Mass later.
234
00:16:50,390 --> 00:16:52,250
(SOFTLY) I'll see you then.
235
00:16:53,190 --> 00:16:56,320
Uh, no, I, I can't kiss
you with that frog.
236
00:16:57,900 --> 00:16:58,990
But it's beauty.
237
00:16:59,400 --> 00:17:00,960
I mean, life is beauty.
238
00:17:02,530 --> 00:17:03,590
Kiss the toad.
239
00:17:03,670 --> 00:17:04,730
(CROAKING)
240
00:17:05,340 --> 00:17:07,570
Oh, some
other time maybe.
241
00:17:15,110 --> 00:17:18,140
You didn't finish
the translation, dear boy.
242
00:17:19,620 --> 00:17:23,080
JOHN:
Astoroth, protect me.
243
00:17:23,750 --> 00:17:24,950
Three.
244
00:17:25,020 --> 00:17:26,110
Three.
245
00:17:26,420 --> 00:17:27,650
Three.
246
00:17:28,130 --> 00:17:29,560
Eleheu,
247
00:17:29,860 --> 00:17:31,330
Eleheu,
248
00:17:31,730 --> 00:17:33,130
Eleheu,
249
00:17:33,630 --> 00:17:35,220
Asmodeus,
250
00:17:35,800 --> 00:17:37,320
destroy him!
251
00:17:37,940 --> 00:17:41,390
Five, five, five,
252
00:17:41,910 --> 00:17:44,340
five, five.
253
00:17:45,280 --> 00:17:46,740
Eleheu,
254
00:17:47,110 --> 00:17:48,600
Eleheu,
255
00:17:49,150 --> 00:17:50,480
Eleheu.
256
00:17:50,910 --> 00:17:53,510
Baal, protect me!
257
00:17:53,850 --> 00:17:59,260
Nine, nine, nine,
nine, nine, nine...
258
00:17:59,320 --> 00:18:00,720
(SCRAPING)
259
00:18:03,160 --> 00:18:05,320
(THUMPING)
260
00:18:06,000 --> 00:18:07,360
Mr. Carnby?
261
00:18:13,770 --> 00:18:14,930
(THUMPING ON DOOR)
262
00:18:18,380 --> 00:18:19,740
Mr. Carnby.
263
00:18:21,810 --> 00:18:23,040
What is that?
264
00:18:23,150 --> 00:18:24,640
You heard what Fern said?
265
00:18:25,820 --> 00:18:27,340
It's the rats!
266
00:18:27,580 --> 00:18:29,420
It's only the rats,
I tell you.
267
00:18:54,980 --> 00:18:56,240
(GASPS)
268
00:18:58,420 --> 00:18:59,510
You saw them?
269
00:19:00,980 --> 00:19:02,040
Shh!
270
00:19:03,820 --> 00:19:05,050
It's my brother.
271
00:19:05,390 --> 00:19:07,790
(THUMPING ON DOOR)
272
00:19:09,390 --> 00:19:10,990
Your brother's dead.
273
00:19:11,200 --> 00:19:13,600
Don't you think
I know that?
274
00:19:14,630 --> 00:19:18,430
I buried him in pieces
in the oak grove!
275
00:19:20,270 --> 00:19:22,000
Except his head!
276
00:19:22,910 --> 00:19:24,500
His head is in the closet!
277
00:19:25,640 --> 00:19:27,540
I hated him.
278
00:19:28,580 --> 00:19:30,510
He was stronger than me!
279
00:19:31,120 --> 00:19:32,980
His magic was stronger!
280
00:19:33,780 --> 00:19:35,380
But it was Fern.
281
00:19:35,520 --> 00:19:37,210
Fern, she caused that.
282
00:19:37,820 --> 00:19:40,480
She wanted to be
stronger than both of us!
283
00:19:41,560 --> 00:19:43,460
The woman is insatiable!
284
00:19:43,990 --> 00:19:47,260
She taunted me
by loving him!
285
00:19:47,730 --> 00:19:49,060
For power!
286
00:19:49,270 --> 00:19:51,060
For power over both of us!
287
00:19:52,070 --> 00:19:53,260
Well,
288
00:19:54,070 --> 00:19:56,270
I can put a stop to that!
289
00:19:59,440 --> 00:20:00,910
Mr. Carnby! No, don't do it!
290
00:20:16,930 --> 00:20:18,450
Go to the study.
291
00:20:19,230 --> 00:20:20,700
Your brother is waiting.
292
00:20:23,230 --> 00:20:25,260
(THUMPING)
293
00:20:27,470 --> 00:20:28,960
That's my brother!
294
00:20:30,640 --> 00:20:32,910
He's calling me to Mass!
295
00:20:33,840 --> 00:20:37,800
And you will preside!
For power!
296
00:20:38,550 --> 00:20:39,850
Don't I always?
297
00:20:47,660 --> 00:20:49,220
The woman is insatiable.
298
00:20:51,730 --> 00:20:53,390
(THUMPING CONTINUES)
299
00:21:02,670 --> 00:21:04,110
Come in, Noel.
300
00:21:04,240 --> 00:21:06,610
It's an experience
one ought not to miss.
301
00:21:07,610 --> 00:21:10,080
Uh, If it's all
the same to you, um...
302
00:21:22,860 --> 00:21:24,950
(THUMPING LOUDLY)
303
00:21:28,270 --> 00:21:29,890
(CRASHING)
304
00:21:34,370 --> 00:21:37,640
(FERN CHANTING) Eleheu,
Eleheu, Eleheu,
305
00:21:37,710 --> 00:21:40,440
Eleheu, Eleheu, Eleheu.
306
00:21:40,880 --> 00:21:42,940
Abracadabra.
307
00:21:44,180 --> 00:21:45,410
(DOOR SLAMS)
308
00:21:45,480 --> 00:21:51,620
(FERN CHANTING) Arepo-opera!
Arepo-opera! Arepo-opera!
309
00:21:52,020 --> 00:21:57,930
Arepo-opera! Arepo-opera!
Arepo-opera!
310
00:21:58,560 --> 00:22:02,860
Arepo-opera!
Arepo-opera!
311
00:22:03,030 --> 00:22:04,930
Arepo-opera!
312
00:22:06,040 --> 00:22:07,770
Sartor-Rotras!
313
00:22:09,010 --> 00:22:11,340
Sartor-Rotras!
314
00:22:11,910 --> 00:22:14,140
Sartor-Rotras!
315
00:22:14,310 --> 00:22:16,540
Sartor-Rotras!
316
00:22:17,210 --> 00:22:19,380
Sartor-Rotras!
317
00:22:19,680 --> 00:22:21,580
Sartor-Rotras!
318
00:22:22,350 --> 00:22:24,450
Sartor-Rotras!
319
00:22:24,550 --> 00:22:29,960
(FERN AND JOHN CHANTING) Eleheu,
Eleheu, Eleheu, Abracadabra!
320
00:22:30,460 --> 00:22:34,090
Eleheu, Eleheu, Eleheu,
321
00:22:36,670 --> 00:22:42,630
Eleheu, Eleheu,
Eleheu, Abracadabra!
322
00:22:44,610 --> 00:22:47,940
Eleheu, Eleheu, Eleheu,
323
00:22:48,210 --> 00:22:50,840
Astoroth,
my body and my blood!
324
00:22:52,520 --> 00:22:56,040
Astoroth, my body, my blood!
325
00:22:57,250 --> 00:23:02,520
Eleheu, Eleheu,
Eleheu, Abracadabra!
326
00:23:04,430 --> 00:23:08,920
Astoroth, my soul
and my suffering!
327
00:23:09,870 --> 00:23:14,360
Astoroth,
my body and my blood!
328
00:23:14,740 --> 00:23:17,900
Astoroth, my body, my blood!
329
00:23:19,940 --> 00:23:21,810
(SHOUTS)
330
00:23:24,050 --> 00:23:25,520
Mr. Carnby?
331
00:23:26,420 --> 00:23:28,080
(BLEATING)
332
00:23:32,220 --> 00:23:33,550
Fern?
333
00:23:43,400 --> 00:23:44,390
(BLEATING CONTINUES)
334
00:23:54,340 --> 00:23:55,940
You're too late
for Mass.
335
00:23:56,950 --> 00:23:58,470
I'm sorry
you missed it.
336
00:23:59,880 --> 00:24:01,180
It was far out.
337
00:24:01,750 --> 00:24:03,620
The brothers
are together again.
338
00:24:04,520 --> 00:24:06,960
Fragmented,
but together.
339
00:24:09,460 --> 00:24:10,720
Oneness,
340
00:24:11,900 --> 00:24:13,290
is all.
341
00:24:14,970 --> 00:24:16,430
Let's go to my room.
342
00:24:18,270 --> 00:24:20,790
You wouldn't want to leave me on
a night like this, would you?
343
00:24:21,870 --> 00:24:22,860
I mean...
344
00:24:23,340 --> 00:24:25,710
Not after everything
that's happened.
345
00:24:44,760 --> 00:24:45,820
Uh, Fern?
346
00:24:46,930 --> 00:24:48,160
Darling?
347
00:24:49,670 --> 00:24:51,260
In the Preamble,
348
00:24:52,400 --> 00:24:53,840
in the Necronomicon,
349
00:24:54,400 --> 00:24:57,400
threatening anyone who
translated the passages
350
00:24:57,470 --> 00:25:01,710
from Arabic with fire
and dismemberment?
351
00:25:03,210 --> 00:25:05,550
You don't suppose there's
anything to that, do you?
352
00:25:12,820 --> 00:25:14,420
(BLEATING)
21524
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