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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:56,273 --> 00:00:59,015 NAOMI! NAOMI, STOP! 2 00:01:02,192 --> 00:01:05,108 ANY PERSON WITH A HALF A BRAIN CELL CAN SHOOT A GUN. 3 00:01:05,152 --> 00:01:06,805 IT'S AN IDIOT'S WEAPON OF CHOICE. 4 00:01:06,849 --> 00:01:09,069 RIGGING A FIRE TO A BOMB-- 5 00:01:09,112 --> 00:01:11,288 NOW THAT TAKES PATIENCE AND PRECISION. 6 00:01:11,332 --> 00:01:13,290 CAR IGNITIONS ARE GOOD IGNITERS-- 7 00:01:13,334 --> 00:01:16,728 LIGHT SWITCHES, EVEN JUST A DOOR OPENING. 8 00:01:16,772 --> 00:01:19,644 DID THE DEFENDANT, LOUIS DIFAZZIO, 9 00:01:19,688 --> 00:01:22,169 HIRE YOU TO EXECUTE JOSEPH BUFFALINI? 10 00:01:22,212 --> 00:01:23,170 YES. 11 00:01:23,213 --> 00:01:24,954 AND YOU DID IT? 12 00:01:24,997 --> 00:01:26,129 YES. 13 00:01:26,173 --> 00:01:28,044 - HOW? - EXPLOSION. 14 00:01:28,088 --> 00:01:31,830 DESCRIBE YOUR RELATIONSHIP WITH MR. DIFAZZIO. 15 00:01:31,874 --> 00:01:34,181 HE'S MY UNCLE AND THE BOSS OF THE FAMILY. 16 00:01:34,224 --> 00:01:36,835 AND HOW MANY PEOPLE HAVE YOU KILLED FOR YOUR UNCLE? 17 00:01:36,879 --> 00:01:39,447 MR. BUFFALINI MADE, UH... 18 00:01:39,490 --> 00:01:41,144 26. 19 00:01:42,667 --> 00:01:44,016 AND AFTER YOU KILLED BUFFALINI, 20 00:01:44,060 --> 00:01:45,975 WHAT HAPPENED THEN? 21 00:01:46,018 --> 00:01:48,195 MY UNCLE ASKED ME 22 00:01:48,238 --> 00:01:52,808 TO KILL MR. BUFFALINI'S WIFE AND KIDS. 23 00:01:52,851 --> 00:01:55,637 HE SAID THEY KNEW TOO MUCH. 24 00:01:57,247 --> 00:01:58,596 BUT, UH... 25 00:01:58,640 --> 00:02:00,772 I COULDN'T DO THAT. 26 00:02:00,816 --> 00:02:02,774 AND WHEN YOU REFUSED YOUR UNCLE'S ORDERS, 27 00:02:02,818 --> 00:02:04,733 WHAT HAPPENED THEN? 28 00:02:04,776 --> 00:02:07,997 THERE WAS A FIGHT, ME AND HIM. 29 00:02:08,040 --> 00:02:11,043 AND THAT WAS IT. 30 00:02:11,087 --> 00:02:13,002 I WAS OUT. 31 00:02:13,045 --> 00:02:15,135 THANK YOU, MR. DIFAZZIO. 32 00:02:15,178 --> 00:02:16,658 I HAVE NO FURTHER QUESTIONS. 33 00:02:16,701 --> 00:02:19,530 YOUR WITNESS. 34 00:02:23,404 --> 00:02:25,623 MAYBE THE THREE TRUEST WORDS EVER WRITTEN 35 00:02:25,667 --> 00:02:27,799 ARE "CHARACTER IS DESTINY." 36 00:02:27,843 --> 00:02:29,540 I ALWAYS THINK ABOUT THAT WHEN IT COMES TIME 37 00:02:29,584 --> 00:02:31,194 TO SIT WITH A WITNESS-- 38 00:02:31,238 --> 00:02:34,110 STRIP AWAY WHAT'S OLD AND TRY TO BUILD WHAT'S NEW. 39 00:02:34,154 --> 00:02:37,374 WHEN THE RECORDS, MEMENTOS, AND PICTURES ARE ALL GONE, 40 00:02:37,418 --> 00:02:39,202 THE ONLY THING LEFT IS THE PERSON-- 41 00:02:39,246 --> 00:02:40,247 THEIR CHARACTER. 42 00:02:40,290 --> 00:02:42,336 AND AT THAT MOMENT, 43 00:02:42,379 --> 00:02:44,642 WHOEVER THAT PERSON REALLY IS DEEP DOWN 44 00:02:44,686 --> 00:02:47,645 STARTS BUILDING THEIR NEW FUTURE BIT BY BIT. 45 00:02:47,689 --> 00:02:48,733 THESE ARE AMAZING. 46 00:02:48,777 --> 00:02:49,995 I'VE NEVER SEEN SUCH GOOD FORGERIES. 47 00:02:50,039 --> 00:02:52,041 YOUR COUSIN'S GOT SERIOUS TALENT. 48 00:02:52,084 --> 00:02:54,783 DOM'S COUSIN LEONARD IS THE FAMILY COUNTERFEITER. 49 00:02:54,826 --> 00:02:56,828 MONEY, PASSPORTS, 50 00:02:56,872 --> 00:02:58,656 EVEN LOTTERY TICKETS WITH WINNING NUMBERS. 51 00:02:58,700 --> 00:03:00,528 FASCINATING. CAN WE MOVE IT ALONG? 52 00:03:00,571 --> 00:03:02,138 WHERE IS HE NOW, YOUR COUSIN? 53 00:03:02,182 --> 00:03:03,400 DON'T KNOW. 54 00:03:03,444 --> 00:03:05,837 HE, UH--HE TOOK OFF SIX MONTHS BEFORE I DID, 55 00:03:05,881 --> 00:03:07,230 DISAPPEARED. 56 00:03:07,274 --> 00:03:09,014 FOR ALL I KNOW, MY UNCLE HAD HIM, UH... 57 00:03:09,058 --> 00:03:11,103 YOU KNOW. 58 00:03:12,104 --> 00:03:13,976 IT'S WEIRD. 59 00:03:14,019 --> 00:03:17,545 I ONLY EVER HAD MY FAMILY-- MY UNCLES, MY AUNTS, COUSINS, 60 00:03:17,588 --> 00:03:20,678 EVERY DAY, EVERY MEAL, BIG AND LOUD. 61 00:03:20,722 --> 00:03:23,072 NOW I WAKE UP, IT'S NOTHING BUT QUIET. 62 00:03:23,115 --> 00:03:25,640 PRETTY QUIET FOR ALL THE PEOPLE YOU KILLED TOO. 63 00:03:25,683 --> 00:03:27,076 I'M HERE TO START OVER, FRESH. 64 00:03:27,119 --> 00:03:29,426 YEAH, WELL, LUCKY FOR YOU, YOU HAD A LOT TO TRADE. 65 00:03:29,470 --> 00:03:31,254 SO INSTEAD OF DOING LIFE TIMES 26, 66 00:03:31,298 --> 00:03:33,517 HERE WE ARE MAKING ALL YOUR DREAMS COME TRUE. 67 00:03:33,561 --> 00:03:35,563 - I KNOW WHAT YOU THINK OF ME. - MM-HMM. 68 00:03:35,606 --> 00:03:37,217 I'M GONNA BE DIFFERENT. 69 00:03:37,260 --> 00:03:39,871 THERE'S NOTHING ABOUT WHO I WAS THAT I EVER WANT TO BE AGAIN. 70 00:03:39,915 --> 00:03:41,046 UH-HUH. 71 00:03:41,090 --> 00:03:44,528 SO, DOM, LET'S TALK JOBS. 72 00:03:44,572 --> 00:03:47,139 BESIDES MAKING INCENDIARY DEVICES, 73 00:03:47,183 --> 00:03:49,707 WHAT SORT OF SKILLS MIGHT YOU HAVE IN THE WORKPLACE? 74 00:03:51,709 --> 00:03:56,018 I ALWAYS WANTED TO WORK WITH FISH. 75 00:03:56,061 --> 00:03:58,629 FISH. GOOD. 76 00:04:05,636 --> 00:04:08,160 SO TODAY'S THE DAY. 77 00:04:08,204 --> 00:04:11,642 YEP. 78 00:04:11,686 --> 00:04:13,078 YOU OKAY? 79 00:04:13,122 --> 00:04:15,907 SURE. IT'S JUST A COUPLE BOXES OF STUFF. 80 00:04:15,951 --> 00:04:18,170 OR A COUPLE YEARS OF YOUR LIFE 81 00:04:18,214 --> 00:04:19,998 IN A COUPLE BOXES OF STUFF 82 00:04:20,042 --> 00:04:22,697 ABOUT TO MOVE OUT OF YOUR LIFE FOREVER. 83 00:04:22,740 --> 00:04:24,133 LOOK, WE BROKE UP. IT WAS WEEKS AGO. 84 00:04:24,176 --> 00:04:25,743 I'M FINE. 85 00:04:25,787 --> 00:04:27,876 - YOU'RE FINE? - FINE. 86 00:04:27,919 --> 00:04:30,487 WHAT TIME DO THE BOXES LEAVE THE HOUSE? 87 00:04:30,531 --> 00:04:32,141 11:45. 88 00:04:32,184 --> 00:04:33,621 YOU GONNA BE THERE? 89 00:04:33,664 --> 00:04:35,013 I NEED TO DO THIS, 90 00:04:35,057 --> 00:04:36,624 AND, NO, I DON'T NEED BACKUP, 91 00:04:36,667 --> 00:04:39,017 AND, YES, I APPRECIATE YOUR TELEPATHIC OFFER. 92 00:04:39,061 --> 00:04:41,106 HERE WE ARE. 93 00:04:47,330 --> 00:04:49,985 NOT BAD. HOW LONG'S HE BEEN OPEN? 94 00:04:50,028 --> 00:04:51,465 A COUPLE WEEKS. 95 00:04:51,508 --> 00:04:53,684 HE'S SURE BEEN A MODEL WITNESS THE LAST THREE MONTHS. 96 00:04:53,728 --> 00:04:55,033 OH, YEAH, 97 00:04:55,077 --> 00:04:58,123 NICE, QUIET, COOPERATIVE CONTRACT KILLER. 98 00:04:58,167 --> 00:05:01,039 I ALMOST ADMIRE YOUR RESISTANCE TO THE IDEA 99 00:05:01,083 --> 00:05:02,867 THAT PEOPLE GROW. 100 00:05:02,911 --> 00:05:04,913 I THINK PEOPLE GROW... 101 00:05:04,956 --> 00:05:06,784 WORSE. 102 00:05:11,398 --> 00:05:14,139 HUH. 103 00:05:14,183 --> 00:05:16,141 MARY. MARSHALL. 104 00:05:16,185 --> 00:05:17,404 WHAT DO YOU THINK? 105 00:05:17,447 --> 00:05:19,493 IT'S NICE. 106 00:05:19,536 --> 00:05:21,364 LOOK, WE'RE JUST HERE TO CHECK YOUR LEASE 107 00:05:21,408 --> 00:05:22,713 AND YOUR LOAN DOCUMENTS. 108 00:05:22,757 --> 00:05:24,193 WE HAVE TO MAKE SURE THERE'S NO SECURITY ISSUES 109 00:05:24,236 --> 00:05:25,803 ON THERE THAT MIGHT CAUSE A BREACH, OKAY? 110 00:05:25,847 --> 00:05:27,239 OKAY. 111 00:05:27,283 --> 00:05:29,851 AN ALBINO CATFISH. 112 00:05:29,894 --> 00:05:32,941 YOU KNOW, THE ALBINISM TRAIT MAKES THEM EASIER TARGETS 113 00:05:32,984 --> 00:05:34,290 FOR PREDATORS, 114 00:05:34,334 --> 00:05:35,987 SO THEY'RE RARELY FOUND OUTSIDE OF CAPTIVITY. 115 00:05:36,031 --> 00:05:37,815 - HERE YOU GO. - THANKS. 116 00:05:37,859 --> 00:05:40,209 - YOU LIKE FISH? - HE LIKES EVERYTHING. 117 00:05:40,252 --> 00:05:41,689 FISH ARE THE ONLY PETS I CAN HAVE. 118 00:05:41,732 --> 00:05:44,256 I'M ALLERGIC TO ANYTHING THAT DEFECATES IN THE OPEN AIR. 119 00:05:44,300 --> 00:05:46,868 OH. 120 00:05:46,911 --> 00:05:49,174 PEOPLE ALWAYS THINK FISH SWIM IN SCHOOLS. 121 00:05:49,218 --> 00:05:52,221 BUT THERE ARE SPECIES THAT, UH, PREFER TO BE ALONE, 122 00:05:52,264 --> 00:05:55,180 THAT HAVE TO BE ALONE... 123 00:05:55,224 --> 00:05:56,834 LIKE BETTA. 124 00:05:56,878 --> 00:05:58,183 YOU PUT A BETTA WITH ANOTHER BETTA, 125 00:05:58,227 --> 00:05:59,924 YOU GET A FIGHT TO THE DEATH. 126 00:05:59,968 --> 00:06:02,666 REALLY? THEY'RE KIND OF PRETTY. 127 00:06:02,710 --> 00:06:04,538 - AND VICIOUS. - SOUND FAMILIAR? 128 00:06:04,581 --> 00:06:06,148 THANKS. 129 00:06:06,191 --> 00:06:07,932 SO, WELL, LOOK, I'M GLAD YOU'RE HERE. 130 00:06:07,976 --> 00:06:09,586 I NEED YOUR ADVICE ABOUT SOMETHING. 131 00:06:09,630 --> 00:06:11,762 I'M TOTALLY NOT SURE HOW TO HANDLE THIS. 132 00:06:11,806 --> 00:06:14,112 WHAT? 133 00:06:14,156 --> 00:06:16,245 I'M IN LOVE. 134 00:06:16,288 --> 00:06:18,900 I MEAN, I'M REALLY IN LOVE FOR THE FIRST TIME IN MY LIFE, 135 00:06:18,943 --> 00:06:21,250 AND, UH, I DON'T KNOW WHAT TO DO. 136 00:06:28,910 --> 00:06:30,259 NAOMI, HI. 137 00:06:30,302 --> 00:06:32,130 HI. 138 00:06:32,174 --> 00:06:33,697 HI. 139 00:06:37,484 --> 00:06:40,965 SINCE 1970, THE FEDERAL WITNESS PROTECTION PROGRAM 140 00:06:41,009 --> 00:06:43,054 HAS RELOCATED THOUSANDS OF WITNESSES, 141 00:06:43,098 --> 00:06:44,926 SOME CRIMINAL, SOME NOT, 142 00:06:44,969 --> 00:06:47,145 TO NEIGHBORHOODS ALL ACROSS THE COUNTRY. 143 00:06:47,189 --> 00:06:49,887 EVERY ONE OF THOSE INDIVIDUALS SHARES A UNIQUE ATTRIBUTE 144 00:06:49,931 --> 00:06:51,019 DISTINGUISHING THEM FROM THE REST OF 145 00:06:51,062 --> 00:06:53,151 THE GENERAL POPULATION. 146 00:06:53,195 --> 00:06:56,372 AND THAT IS, SOMEBODY WANTS THEM DEAD. 147 00:07:07,078 --> 00:07:10,604 SO, UM, HOW DO YOU GUYS KNOW DOM? 148 00:07:10,647 --> 00:07:13,041 DIVING. WE'RE ALL IN A LOCAL DIVE CLUB. 149 00:07:13,084 --> 00:07:14,434 WE GO ON THESE JUNKETS. 150 00:07:14,477 --> 00:07:16,827 I THINK IT WAS THE COZUMEL TRIP, RIGHT? 151 00:07:16,871 --> 00:07:20,918 THE PALANCAR REEF IS ONE OF THE AQUATIC NATURAL WONDERS 152 00:07:20,962 --> 00:07:23,225 OF THE WORLD, RIGHT DOM? 153 00:07:24,400 --> 00:07:26,402 SO HOW DO YOU TWO KNOW EACH OTHER? 154 00:07:26,446 --> 00:07:28,926 UH, CAN I TALK TO YOU A SEC? 155 00:07:28,970 --> 00:07:31,451 SURE. 156 00:07:36,499 --> 00:07:37,892 I DON'T KNOW WHAT TO DO. 157 00:07:37,935 --> 00:07:39,981 - WHAT DO YOU MEAN? - I MEAN, WHEN I'M WITH HER. 158 00:07:40,024 --> 00:07:41,678 I DON'T KNOW WHAT TO SAY. I CAN'T BE MYSELF. 159 00:07:41,722 --> 00:07:43,158 I DON'T EVEN KNOW WHO THAT IS ANYMORE. 160 00:07:43,201 --> 00:07:44,768 OKAY, LOOK, LOOK, DOM, TAKE IT EASY. 161 00:07:44,812 --> 00:07:46,074 I LOVE HER. 162 00:07:46,117 --> 00:07:47,945 HOW LONG HAVE YOU BEEN GOING OUT? 163 00:07:47,989 --> 00:07:49,164 WE'RE NOT. WE'VE NEVER BEEN OUT. 164 00:07:49,207 --> 00:07:51,645 I MEAN, I DON'T EVEN KNOW HOW TO DO THAT. 165 00:07:51,688 --> 00:07:53,124 - DO WHAT? - ASK HER OUT. 166 00:07:53,168 --> 00:07:54,517 WELL, I DON'T KNOW. HOW'D YOU DO IT BEFORE 167 00:07:54,561 --> 00:07:56,040 WITH OTHER GIRLS? 168 00:07:56,084 --> 00:07:58,913 YOU'VE BEEN OUT... 169 00:07:58,956 --> 00:08:01,002 WITH GIRLS, RIGHT? 170 00:08:01,045 --> 00:08:03,308 NOT--NOT EXACTLY. 171 00:08:03,352 --> 00:08:05,572 HOLD ON. HOLD ON. YOU'VE NEVER... 172 00:08:05,615 --> 00:08:07,051 - I CAN'T TALK ABOUT THIS. - NO, NO, I'M NOT TRYING 173 00:08:07,095 --> 00:08:08,879 TO EMBARRASS YOU. I JUST--I... 174 00:08:08,923 --> 00:08:10,794 I MEAN, I'VE ALWAYS JUST PAID BEFORE, 175 00:08:10,838 --> 00:08:13,188 YOU KNOW, FOR... - YEAH, YEAH. 176 00:08:13,231 --> 00:08:16,365 NO, GOT IT. WOW. 177 00:08:16,408 --> 00:08:20,151 MY UNCLE ALWAYS TOLD ME, WHO'D WANT ME UNLESS I PAID? 178 00:08:20,195 --> 00:08:22,589 AND HE ALWAYS HAD THOSE KIND OF GIRLS AROUND. 179 00:08:22,632 --> 00:08:26,897 I MEAN, EVER SINCE I WAS 12, I JUST PAID, YOU KNOW? 180 00:08:26,941 --> 00:08:28,420 THAT'S WHAT I DID. 181 00:08:28,464 --> 00:08:30,858 BUT NOW... 182 00:08:30,901 --> 00:08:32,512 THIS IS STUPID. I CAN'T DO THIS. 183 00:08:32,555 --> 00:08:34,296 NO, DOM, DOM, IT'S GONNA BE FINE, OKAY? 184 00:08:34,339 --> 00:08:35,863 EVERY TIME I SEE HER, 185 00:08:35,906 --> 00:08:37,081 I WANT TO TELL HER HOW I'M FEELING, 186 00:08:37,125 --> 00:08:38,909 THAT I LOVE HER, 187 00:08:38,953 --> 00:08:40,476 THAT I WANT TO MARRY HER. - YEAH, YEAH, DOM. 188 00:08:40,520 --> 00:08:41,869 BUT MAYBE NOT BEFORE THE FIRST DATE. 189 00:08:41,912 --> 00:08:44,088 OKAY, JUST SETTLE DOWN. JUST TALK TO HER. 190 00:08:44,132 --> 00:08:46,526 AND SOMEWHERE IN THERE SAY, "HEY, YOU WANNA GRAB DINNER?" 191 00:08:46,569 --> 00:08:48,049 AND WHAT IF SHE SAYS NO? 192 00:08:48,092 --> 00:08:50,312 - WELL, THAT'S A POSSIBILITY. - I DON'T LIKE THAT. 193 00:08:50,355 --> 00:08:52,401 I DON'T LIKE WHEN PEOPLE SAY NO TO ME. 194 00:08:52,444 --> 00:08:53,097 IT MAKES ME VERY, VERY-- - YEAH, YEAH, UPSET. 195 00:08:53,141 --> 00:08:54,577 I KNOW. 196 00:08:54,621 --> 00:08:56,536 I'M SURE YOU HAD YOUR OWN WAY OF HANDLING THAT BEFORE, 197 00:08:56,579 --> 00:08:58,276 AND IT'D MAKE A REALLY GREAT SCORSESE MOVIE. 198 00:08:58,320 --> 00:09:00,888 BUT, DOM, FROM NOW ON, YOU DON'T PAY FOR SEX, 199 00:09:00,931 --> 00:09:02,629 AND YOU DON'T KILL PEOPLE WHO SAY NO TO DINNER. 200 00:09:02,672 --> 00:09:05,283 GOT IT? 201 00:09:05,327 --> 00:09:07,459 I GOT IT. 202 00:09:07,503 --> 00:09:09,766 GO. 203 00:09:09,810 --> 00:09:12,464 I OWN THE STATIONERY STORE DOWN THE STREET. 204 00:09:12,508 --> 00:09:15,729 I COME IN A LOT, NEVER BUY ANYTHING. 205 00:09:15,772 --> 00:09:18,732 BUT THEY ARE SO BEAUTIFUL. 206 00:09:18,775 --> 00:09:21,952 YOU, UH--YOU CAN HAVE ANYTHING YOU WANT, UH, NO CHARGE. 207 00:09:21,996 --> 00:09:24,085 DOM, THAT'S SO SWEET, 208 00:09:24,128 --> 00:09:25,869 BUT I-I COULDN'T. 209 00:09:25,913 --> 00:09:27,131 PLEASE? 210 00:09:27,175 --> 00:09:28,611 IT'D, UH-- IT'D MEAN A LOT TO ME. 211 00:09:28,655 --> 00:09:30,657 OKAY. 212 00:09:30,700 --> 00:09:32,702 CAN I SHOW YOU SOMETHING SPECIAL? 213 00:09:32,746 --> 00:09:34,574 SURE. 214 00:09:37,489 --> 00:09:39,013 THIS IS FULLY WEIRD. 215 00:09:39,056 --> 00:09:41,058 I BELIEVE WE'RE SEEING CHANGE AND GROWTH 216 00:09:41,102 --> 00:09:42,669 BEFORE OUR VERY EYES. 217 00:09:42,712 --> 00:09:44,235 HE'S ALMOST SMILING. 218 00:09:44,279 --> 00:09:47,543 I THINK IT'S THE FIRST TIME I'VE SEEN HIS TEETH. 219 00:09:47,587 --> 00:09:50,328 OH, CRAP, I GOTTA MEET RAPH. 220 00:09:50,372 --> 00:09:52,766 HEY, DOM. 221 00:09:52,809 --> 00:09:54,245 LISTEN, I'M RUNNING LATE. I GOTTA GO. 222 00:09:54,289 --> 00:09:55,507 EVERYTHING GOOD? - UH, WELL, UM... 223 00:09:55,551 --> 00:09:58,162 GREAT. SEE YOU. 224 00:10:12,133 --> 00:10:14,135 HOW'S BRANDI? 225 00:10:14,178 --> 00:10:15,963 I DON'T KNOW. I HAVEN'T HEARD FROM HER. 226 00:10:16,006 --> 00:10:18,095 REALLY? 227 00:10:18,139 --> 00:10:20,054 YOU WORRIED? 228 00:10:20,097 --> 00:10:21,533 I'M GETTING THERE. 229 00:10:21,577 --> 00:10:23,144 YOU KNOW, WHEN SHE GOES OFF THE GRID, 230 00:10:23,187 --> 00:10:25,102 IT'S USUALLY VERY UNGOOD. 231 00:10:25,146 --> 00:10:27,801 - WELL, IF I CAN HELP... - HOW? 232 00:10:30,107 --> 00:10:32,066 - RIGHT. - THANKS. 233 00:10:32,109 --> 00:10:34,198 I MEAN, IF I NEED TO CALL YOU IN ON THIS, I WILL. 234 00:10:34,242 --> 00:10:38,899 YOU ALWAYS WERE REALLY GOOD WITH HER. 235 00:10:38,942 --> 00:10:42,424 I GUESS THIS IS EVERYTHING, SO... 236 00:10:47,951 --> 00:10:50,519 SURE DIDN'T SEE YOU PLAY ENOUGH. 237 00:10:54,610 --> 00:10:57,134 I DON'T KNOW, RAPH. 238 00:10:59,093 --> 00:11:01,182 I DON'T KNOW. I JUST FEEL LIKE SAYING, "I'M SORRY." 239 00:11:01,225 --> 00:11:02,313 NO, NO, NO, NO APOLOGIES. 240 00:11:02,357 --> 00:11:06,187 WE'RE WAY PAST THAT. 241 00:11:07,754 --> 00:11:10,495 IT'S WEIRD, RIGHT? 242 00:11:10,539 --> 00:11:13,716 ISN'T IT WEIRD HAVING THIS BIG BLANK SPACE 243 00:11:13,760 --> 00:11:16,632 WHERE OUR LIFE TOGETHER USED TO BE? 244 00:11:18,634 --> 00:11:20,375 YEAH. 245 00:11:25,206 --> 00:11:27,599 NO HAY MAL QUE POR BIEN NO VENGA. 246 00:11:27,643 --> 00:11:30,690 WHAT'S THAT MEAN? 247 00:11:30,733 --> 00:11:35,216 THERE'S NOTHING BAD FROM WHICH GOOD DOESN'T COME. 248 00:11:35,259 --> 00:11:37,740 THAT'S REALLY... 249 00:11:37,784 --> 00:11:40,090 STRANGE GRAMMAR. 250 00:11:40,134 --> 00:11:41,396 WELL, I GUESS 251 00:11:41,439 --> 00:11:44,051 THERE'S SOMETHING LOST IN THE TRANSLATION. 252 00:11:44,094 --> 00:11:46,053 THE STORY OF OUR LIFE, RIGHT? 253 00:11:46,096 --> 00:11:49,578 YEAH. 254 00:11:57,107 --> 00:11:58,718 BYE. 255 00:12:23,351 --> 00:12:24,874 OH, CRAP. 256 00:12:37,104 --> 00:12:38,801 HEY, BRANDI, IT'S ME, 257 00:12:38,845 --> 00:12:42,109 CALLING AGAIN TO SEE HOW YOU'RE DOING, 258 00:12:42,152 --> 00:12:44,111 WHAT YOU'RE DOING. 259 00:12:44,154 --> 00:12:45,982 LOOK, SQUISH, MOM'S REALLY WORRIED, 260 00:12:46,026 --> 00:12:47,897 AND PETER'S A LOST PUPPY, AND I'M... 261 00:12:47,941 --> 00:12:50,291 CONCERNED. 262 00:12:50,334 --> 00:12:54,034 SO CALL ME BACK, OKAY? 263 00:12:58,342 --> 00:13:01,476 YOU JUST GONNA SIT THERE STARING INTO SPACE ALL NIGHT? 264 00:13:03,086 --> 00:13:04,566 JUST MIGHT. 265 00:13:04,609 --> 00:13:06,916 WHY, YOU GONNA LEAVE EARLY AND PRETEND YOU HAVE A LIFE? 266 00:13:06,960 --> 00:13:09,092 - I HAVE MANY LIVES. - DO I WANT TO KNOW? 267 00:13:09,136 --> 00:13:10,964 TONIGHT I STUDY WITH THE MASTER. 268 00:13:11,007 --> 00:13:13,357 STUDY WHAT? 269 00:13:13,401 --> 00:13:15,403 OH, GOD. SERIOUSLY? 270 00:13:15,446 --> 00:13:17,971 I WAS REALLY HOPING THAT WAS SOMETHING YOU'D GROW OUT OF. 271 00:13:18,014 --> 00:13:19,537 SADLY, IT'S BECOMING A BIGGER AND BIGGER PART 272 00:13:19,581 --> 00:13:20,756 OF MY WAKING LIFE. 273 00:13:20,800 --> 00:13:22,105 YOU HAVE TO ADMIT, IT'S GOOD, THOUGH. 274 00:13:22,149 --> 00:13:23,890 YOU'RE A GROWN MAN FOLDING AND CUTTING PAPER. 275 00:13:23,933 --> 00:13:25,717 CORRECTION-- FOLDING ONLY. 276 00:13:25,761 --> 00:13:27,850 CUTTING IS KIRIGAMI, 277 00:13:27,894 --> 00:13:30,200 CONSIDERED BY ORIGAMI ARTISTS TO BE THE EASIER 278 00:13:30,244 --> 00:13:31,898 AND THEREFORE, INFERIOR PATH. 279 00:13:31,941 --> 00:13:33,334 OH, ORIGAMI. 280 00:13:33,377 --> 00:13:35,684 SEE, I THOUGHT YOU WERE DOING KIRIGAMI. 281 00:13:35,727 --> 00:13:38,382 SO ORIGAMI'S THE SEXY ONE, RIGHT? 282 00:13:38,426 --> 00:13:42,256 - GOOD NIGHT. - NIGHT. 283 00:13:53,049 --> 00:13:54,094 HELLO? 284 00:13:54,137 --> 00:13:55,617 - YOU HAVE TO GET OVER HERE. - DOM? 285 00:13:55,660 --> 00:13:58,011 SOMETHING'S WRONG. YOU GOTTA GET HERE RIGHT NOW. 286 00:13:58,054 --> 00:13:59,403 DOM, CALM DOWN. JUST CALM DOWN. 287 00:13:59,447 --> 00:14:01,188 WHAT HAPPENED? - PLEASE, I NEED YOU. 288 00:14:01,231 --> 00:14:03,146 IT'S REALLY, REALLY BAD. 289 00:14:04,756 --> 00:14:06,802 DOM? DOM? 290 00:14:06,846 --> 00:14:09,065 - MARY? - WHAT HAPPENED? 291 00:14:09,109 --> 00:14:10,588 WHAT IS IT? WHAT? WHAT? WHAT? 292 00:14:10,632 --> 00:14:12,373 I DID IT. I ASKED HER OUT LIKE YOU SAID. 293 00:14:12,416 --> 00:14:13,853 "DO YOU WANT TO GO FOR DINNER?" 294 00:14:13,896 --> 00:14:15,898 AND SHE SAID YES. 295 00:14:15,942 --> 00:14:17,073 WHAT? 296 00:14:17,117 --> 00:14:18,814 THAT'S WHY YOU BROUGHT ME HERE? 297 00:14:18,858 --> 00:14:19,902 THAT'S WHY YOU CALLED ME? 298 00:14:19,946 --> 00:14:21,034 - I CAN'T DO THIS, MARY. - OH, MY GOD. 299 00:14:21,077 --> 00:14:22,600 I'M GONNA SAY SOMETHING STUPID. 300 00:14:22,644 --> 00:14:23,950 SHE'S GONNA HATE ME. - YOU'VE GOTTA BE KIDDING ME. 301 00:14:23,993 --> 00:14:25,473 I CAN'T BREATHE, SERIOUSLY. 302 00:14:25,516 --> 00:14:27,214 DOM. HEY, HEY, COME ON. HEY. 303 00:14:27,257 --> 00:14:28,824 CALM DOWN. LOOK AT ME. LOOK AT ME. 304 00:14:28,868 --> 00:14:30,130 TAKE A DEEP BREATH, OKAY? 305 00:14:30,173 --> 00:14:32,132 TAKE A DEEP BREATH. 306 00:14:32,175 --> 00:14:34,177 NOW LET IT OUT. 307 00:14:34,221 --> 00:14:36,353 OKAY, YOU'RE OKAY. 308 00:14:36,397 --> 00:14:38,225 YOU'RE GOOD. YOU'RE GREAT. 309 00:14:38,268 --> 00:14:40,140 NOW HAVE FUN. - NO, NO, NO. 310 00:14:40,183 --> 00:14:41,315 WILL YOU JUST COME WITH ME, PLEASE? 311 00:14:41,358 --> 00:14:42,446 WALK ME THROUGH THE DOOR? 312 00:14:42,490 --> 00:14:43,926 SIT WITH ME TILL SHE GETS THERE? 313 00:14:43,970 --> 00:14:45,667 GIVE ME SOME MORE TIPS? - LOOK, DOM, YOU DON'T NEED ME. 314 00:14:45,710 --> 00:14:48,452 PLEASE. I NEED YOUR HELP. 315 00:14:48,496 --> 00:14:50,106 I'VE NEVER ASKED 316 00:14:50,150 --> 00:14:52,108 FOR ANYBODY'S HELP IN MY ENTIRE LIFE. 317 00:14:52,152 --> 00:14:55,198 I DON'T KNOW HOW TO BE NORMAL. 318 00:14:55,242 --> 00:14:56,721 YOU KNOW? 319 00:14:56,765 --> 00:14:59,246 - I CAN'T. - WHAT? 320 00:14:59,289 --> 00:15:00,508 YOU GOT PLANS? 321 00:15:00,551 --> 00:15:03,293 YEAH. YES, I HAVE PLANS, HUGE PLANS, SO-- 322 00:15:03,337 --> 00:15:05,208 CAN YOU MAYBE CHANGE THEM A LITTLE BIT? 323 00:15:05,252 --> 00:15:08,037 PLEASE, MARY. I DON'T WANT TO SCREW THIS UP. 324 00:15:11,040 --> 00:15:12,128 OKAY. 325 00:15:12,172 --> 00:15:14,304 BUT I AM IN AND OUT, YOU GOT IT? 326 00:15:14,348 --> 00:15:15,915 ALL RIGHT. 327 00:15:15,958 --> 00:15:18,134 WHERE ARE YOU TAKING HER? - HUGO'S HOMESTYLE BUFFET. 328 00:15:18,178 --> 00:15:19,440 NO, YOU'RE NOT. 329 00:15:19,483 --> 00:15:21,094 THEY GOT TEN DIFFERENT KINDS OF POTATO SALAD. 330 00:15:21,137 --> 00:15:22,486 YOU HAVE TO TAKE HER SOMEWHERE NICE, DOM, 331 00:15:22,530 --> 00:15:24,010 NOT SOMEWHERE SHE HAS TO STAND IN LINE FOR FOOD. 332 00:15:24,053 --> 00:15:27,013 THAT'S WHAT I MEAN. YOU KNOW THESE THINGS. 333 00:15:27,056 --> 00:15:30,103 YOU PICK. - NO--I DON'T KNOW. 334 00:15:30,146 --> 00:15:31,931 ALL RIGHT. 335 00:15:31,974 --> 00:15:33,323 NOB HILL BAR & GRILL. 336 00:15:33,367 --> 00:15:35,195 GREAT. LET ME JUST GET MY JACKET. 337 00:15:35,238 --> 00:15:38,067 HURRY UP. 338 00:15:42,071 --> 00:15:43,246 OKAY, HERE YOU GO. 339 00:15:43,290 --> 00:15:44,987 HAVE FUN. 340 00:15:45,031 --> 00:15:46,162 NO, CAN YOU HANG ON TILL I GET A TABLE? 341 00:15:46,206 --> 00:15:48,121 FINE. 342 00:15:48,164 --> 00:15:49,165 SATURDAY 8:00 P.M. FOR THREE. WE'LL SEE YOU THEN. 343 00:15:49,209 --> 00:15:53,996 - TABLE FOR TWO? - ONE SEC. 344 00:15:54,040 --> 00:15:56,129 DO YOU HAVE A RESERVATION? 345 00:15:56,172 --> 00:15:57,217 DO I NEED ONE? 346 00:15:57,260 --> 00:15:59,349 UNFORTUNATELY, WE'RE FULLY BOOKED. 347 00:15:59,393 --> 00:16:00,872 ONE SEC. 348 00:16:00,916 --> 00:16:01,917 - IT'S OKAY. - NOB HILL BAR & GRILL. 349 00:16:01,961 --> 00:16:03,005 WOULD YOU HOLD FOR A MOMENT? 350 00:16:03,049 --> 00:16:04,137 HEY, WHAT DOES THAT MEAN, 351 00:16:04,180 --> 00:16:05,660 FULLY BOOKED? 352 00:16:05,703 --> 00:16:07,053 I'M AFRAID IT'LL BE A TWO-HOUR WAIT. 353 00:16:07,096 --> 00:16:08,271 I'M AFRAID I'M GONNA HAVE TO SHOVE THAT PHONE 354 00:16:08,315 --> 00:16:09,751 DOWN YOUR THROAT. - HEY, HEY, HEY, DOM. 355 00:16:09,794 --> 00:16:11,013 JUST COME HERE. CALM DOWN. 356 00:16:11,057 --> 00:16:12,841 JUST GIVE HIM SOME MONEY. - FOR A TABLE? 357 00:16:12,884 --> 00:16:14,190 YEAH. YOU PAID FOR SEX. 358 00:16:14,234 --> 00:16:15,496 WELCOME TO THE UNRELIABLE, SOCIALLY ACCEPTABLE 359 00:16:15,539 --> 00:16:16,976 DATING WORLD VERSION. 360 00:16:17,019 --> 00:16:17,977 SO WHAT DO YOU THINK, 50? 361 00:16:18,020 --> 00:16:19,021 NO, 50? GOD, NO. 362 00:16:19,065 --> 00:16:20,153 YOU'RE NOT TRYING TO BAG HIM. 363 00:16:20,196 --> 00:16:21,458 GIVE HIM A 20. 20'S FINE. 364 00:16:21,502 --> 00:16:24,026 COME ON. 365 00:16:28,988 --> 00:16:30,685 YOUR TABLE WILL BE AVAILABLE SHORTLY. 366 00:16:30,728 --> 00:16:32,034 WOULD YOU LIKE TO WAIT AT THE BAR? 367 00:16:32,078 --> 00:16:34,994 YEAH. DOM. COME ON. 368 00:16:37,300 --> 00:16:40,173 THANKS, MARY. 369 00:16:40,216 --> 00:16:42,566 I WAS ABOUT TO STAB HIM IN THE EYE WITH HIS PEN. 370 00:16:42,610 --> 00:16:45,613 KIDDING. 371 00:16:49,138 --> 00:16:51,793 DOM, HAVE A DRINK. TAKE THE EDGE OFF. 372 00:16:51,836 --> 00:16:54,535 I DON'T DRINK. IT MAKES YOU CARELESS. 373 00:16:54,578 --> 00:16:57,407 MY UNCLE ALWAYS USED TO SAY I WAS BORN DUMB ENOUGH, 374 00:16:57,451 --> 00:16:58,887 I DON'T NEED TO GO AROUND DRINKING THINGS 375 00:16:58,930 --> 00:17:00,106 THAT MADE ME DUMBER. 376 00:17:00,149 --> 00:17:01,672 YOUR UNCLE SOUNDS LIKE A REAL WINNER. 377 00:17:01,716 --> 00:17:05,502 I ALWAYS THOUGHT THE WORLD STARTED AND ENDED WITH HIM. 378 00:17:05,546 --> 00:17:08,940 EVERY THOUGHT I HAD IN MY HEAD HE PUT THERE. 379 00:17:08,984 --> 00:17:11,943 WHICH YOU CAN NOW START OFFLOADING. 380 00:17:11,987 --> 00:17:15,295 HE USED TO SAY HOW LUCKY I WAS, 381 00:17:15,338 --> 00:17:18,646 HOW HE TOOK ME IN AFTER MY MOM DIED, 382 00:17:18,689 --> 00:17:21,431 THAT I COULD NEVER PAY HIM BACK, NO MATTER HOW HARD I WORKED. 383 00:17:26,132 --> 00:17:30,005 DID MY FIRST JOB FOR HIM, ON A UNION BOSS. 384 00:17:30,049 --> 00:17:32,442 I TRIP-WIRED HIS CAR. 385 00:17:32,486 --> 00:17:34,096 I WAS 14. 386 00:17:34,140 --> 00:17:35,271 GEEZ. 387 00:17:38,231 --> 00:17:40,059 IT WASN'T ALL BAD. 388 00:17:40,102 --> 00:17:42,235 AND THERE WAS MY GRANDMA. 389 00:17:42,278 --> 00:17:45,064 SHE WAS NICE. 390 00:17:45,107 --> 00:17:48,023 ANYWAYS, THAT WAS THEN, AND THIS IS NOW. 391 00:17:48,067 --> 00:17:49,633 - YES. - I ALWAYS WANTED 392 00:17:49,677 --> 00:17:51,548 TO TRY A MARTINI. - NO, LET'S TAKE IT 393 00:17:51,592 --> 00:17:53,028 ONE AMATEUR STEP AT A TIME. 394 00:17:53,072 --> 00:17:55,552 CAN I GET A RUM AND COKE FOR THE MAN, LIGHT ON THE RUM? 395 00:17:55,596 --> 00:17:58,642 MY HANDS WON'T STOP SWEATING. 396 00:17:58,686 --> 00:18:01,689 HERE. STICK THESE IN YOUR POCKET. 397 00:18:05,345 --> 00:18:10,132 THANKS, MARY. 398 00:18:10,176 --> 00:18:13,179 ARE YOU MARRIED? 399 00:18:13,222 --> 00:18:16,791 NO, I'M... 400 00:18:16,834 --> 00:18:19,054 NOT ALLOWED TO TALK ABOUT IT. 401 00:18:19,098 --> 00:18:20,795 I WANT TO BE MARRIED SO BAD. 402 00:18:20,838 --> 00:18:24,277 I MISS THOSE FEELINGS I HAD WHEN I WAS A LITTLE KID-- 403 00:18:24,320 --> 00:18:26,192 HOW MY MOM SMELLED, 404 00:18:26,235 --> 00:18:30,021 HOW SHE WOULD SING ME TO SLEEP IN THE DARK... 405 00:18:30,065 --> 00:18:32,763 JUST THOSE FEELINGS. 406 00:18:32,807 --> 00:18:35,505 LOVED. SAFE. 407 00:18:35,549 --> 00:18:38,378 REAL. 408 00:18:38,421 --> 00:18:41,120 I MEAN, THAT'S NORMAL, RIGHT? 409 00:18:42,773 --> 00:18:44,035 HI, DOM. 410 00:18:44,079 --> 00:18:45,428 HI. 411 00:18:45,472 --> 00:18:47,474 - HI. - YOU REMEMBER MARY, RIGHT? 412 00:18:47,517 --> 00:18:49,345 - OH, SURE. HI. - HI. 413 00:18:49,389 --> 00:18:51,347 - WE JUST RAN INTO EACH OTHER. - YEAH, AND I WAS JUST LEAVING. 414 00:18:51,391 --> 00:18:52,609 SO... 415 00:18:52,653 --> 00:18:53,871 I'VE HEARD THIS PLACE IS GREAT. 416 00:18:53,915 --> 00:18:55,395 IT IS. YOU'LL LIKE IT. 417 00:18:55,438 --> 00:18:56,613 I'VE ALWAYS WANTED TO TRY IT. 418 00:18:56,657 --> 00:18:58,137 YOUR TABLE'S READY. 419 00:18:58,180 --> 00:19:00,008 CAN YOU MAKE THAT FOR THREE? 420 00:19:00,051 --> 00:19:01,618 IT'D BE A BIT TIGHT. 421 00:19:01,662 --> 00:19:02,750 NO, NO, I CAN'T STAY. 422 00:19:02,793 --> 00:19:04,055 I CAN'T. I CAN'T STAY. 423 00:19:04,099 --> 00:19:05,144 PLEASE. JUST FOR APPETIZERS? 424 00:19:05,187 --> 00:19:06,232 - YEAH. JOIN US. - NO, I CAN'T. 425 00:19:06,275 --> 00:19:08,886 REALLY. I CAN'T. I GOTTA--I GOTTA GO. 426 00:19:20,028 --> 00:19:23,031 WE'LL SQUEEZE. 427 00:19:28,384 --> 00:19:29,385 SO, UM, WHAT DID YOU DO 428 00:19:29,429 --> 00:19:31,213 BEFORE YOU OPENED THE AQUARIUM? 429 00:19:31,257 --> 00:19:32,867 - TRAVELED. - OH. 430 00:19:32,910 --> 00:19:33,998 FOR WORK? 431 00:19:34,042 --> 00:19:35,609 SALES, YEAH. 432 00:19:35,652 --> 00:19:37,611 CONSTRUCTION EQUIPMENT. 433 00:19:37,654 --> 00:19:39,178 GOD. 434 00:19:39,221 --> 00:19:40,396 YOU OKAY, MARY? 435 00:19:40,440 --> 00:19:42,093 HUH? YEAH, FINE. 436 00:19:42,137 --> 00:19:44,052 I'M GOOD. 437 00:19:44,095 --> 00:19:47,098 IT'S NICE. IT'S NICE, ISN'T IT, DOM? 438 00:19:47,142 --> 00:19:49,666 I'M SORRY. I--I GOTTA TAKE THIS. 439 00:19:49,710 --> 00:19:51,190 EXCUSE ME. - SURE. 440 00:19:51,233 --> 00:19:54,149 I DON'T KNOW WHAT TO DO WITH ALL THESE FEELINGS. 441 00:19:54,193 --> 00:19:56,020 I LIKE IT. I HATE IT. 442 00:19:56,064 --> 00:19:58,762 THEN IT JUST HURTS SO BAD. 443 00:19:58,806 --> 00:20:01,069 YEAH, WELL, GET USED TO IT. 444 00:20:01,112 --> 00:20:02,679 YOU'RE NOW OFFICIALLY PART OF THE HUMAN RACE. 445 00:20:02,723 --> 00:20:04,464 IT'S GOOD DAYS, BAD DAYS, AND NO MATTER WHAT YOU DO, 446 00:20:04,507 --> 00:20:07,684 THERE'S NO REAL SENSE YOU EVER DID THE RIGHT THING. 447 00:20:09,208 --> 00:20:10,644 I DON'T KNOW WHAT I'D DO WITHOUT YOU, MARY. 448 00:20:10,687 --> 00:20:12,341 SERIOUSLY. 449 00:20:12,385 --> 00:20:14,822 LOOK, DOM, I JUST WANT YOU TO TAKE IT SLOW. 450 00:20:14,865 --> 00:20:16,432 OKAY? PROMISE. 451 00:20:16,476 --> 00:20:18,042 I PROMISE. 452 00:20:18,086 --> 00:20:19,435 ALL RIGHT. 453 00:20:19,479 --> 00:20:21,045 SO WHEN DO YOU THINK I CAN ASK HER TO MARRY ME? 454 00:20:21,089 --> 00:20:23,396 - DOM. - THAT WAS A JOKE. 455 00:20:33,580 --> 00:20:34,755 HEY. 456 00:20:34,798 --> 00:20:36,235 JUST GOT YOUR TEXT. YOU OKAY? 457 00:20:36,278 --> 00:20:37,845 YEAH, I'M FINE. 458 00:20:37,888 --> 00:20:41,065 JUST, UM... DO YOU WANT TO COME IN? 459 00:20:47,202 --> 00:20:48,290 I DON'T KNOW. 460 00:20:48,334 --> 00:20:49,900 I THINK I JUST, UM, 461 00:20:49,944 --> 00:20:52,163 I THINK I JUST WANTED TO TALK A LITTLE BIT. 462 00:20:52,207 --> 00:20:54,557 BUT THAT'S ALL. 463 00:20:54,601 --> 00:20:57,256 I HOPE IT'S NOT AN INCONVENIENT TIME. 464 00:20:57,299 --> 00:21:00,171 IT'S 2:00 IN THE MORNING. 465 00:21:00,215 --> 00:21:02,696 FIGURED YOU'D BE UP. 466 00:21:07,178 --> 00:21:09,964 I SAW YOU THERE. 467 00:21:15,186 --> 00:21:17,014 OH, MAN. 468 00:21:17,058 --> 00:21:18,799 REALLY? 469 00:21:18,842 --> 00:21:20,670 IT'S OKAY. 470 00:21:20,714 --> 00:21:23,064 I WANTED TO CALL AND EXPLAIN. 471 00:21:23,107 --> 00:21:24,979 GOD, NO, PLEASE, DON'T. 472 00:21:25,022 --> 00:21:28,243 NO. NO, THERE'S NO EXPLAINING TO DO. 473 00:21:28,287 --> 00:21:33,248 YOU KNOW, I'M FREE, YOU'RE FREE. 474 00:21:33,292 --> 00:21:37,426 I JUST... 475 00:21:37,470 --> 00:21:40,995 WHAT? 476 00:21:41,038 --> 00:21:42,779 I DON'T KNOW. 477 00:21:42,823 --> 00:21:45,739 JUST SEEING YOU WITH HER, 478 00:21:45,782 --> 00:21:49,220 ALL OF A SUDDEN, IT JUST HIT ME. 479 00:21:49,264 --> 00:21:51,135 YOU KNOW... 480 00:21:51,179 --> 00:21:52,963 US BEING APART DOESN'T JUST SEEM REAL, 481 00:21:53,007 --> 00:21:56,227 IT'S...IT'S REAL. 482 00:21:58,273 --> 00:22:01,450 I KNOW. 483 00:22:01,494 --> 00:22:04,540 I KNOW. 484 00:22:04,584 --> 00:22:07,500 OKAY. LOOK, I'M FINE. 485 00:22:07,543 --> 00:22:10,024 I'M SORRY. THIS WILL NOT HAPPEN AGAIN. 486 00:22:10,067 --> 00:22:13,810 I PROMISE. - OKAY. 487 00:22:45,015 --> 00:22:47,714 MM. 488 00:22:53,850 --> 00:22:56,853 OH. 489 00:23:14,393 --> 00:23:17,091 SO HOW OFF DO YOU THINK DOM IS? 490 00:23:17,134 --> 00:23:18,832 - WHY? - I DON'T KNOW. 491 00:23:18,875 --> 00:23:20,224 I CAN'T QUITE PUT MY FINGER ON IT, 492 00:23:20,268 --> 00:23:22,836 BUT THE MORE I GET TO KNOW HIM, THE MORE I JUST... 493 00:23:22,879 --> 00:23:24,577 WHAT? 494 00:23:24,620 --> 00:23:26,492 WELL, THERE'S A SWEETNESS THERE, RIGHT? 495 00:23:26,535 --> 00:23:30,191 AND THIS KIND OF WEIRDLY... - ENDEARING AWKWARDNESS. 496 00:23:30,234 --> 00:23:32,236 YEAH. THEN SOMETIMES HE'S TALKING, 497 00:23:32,280 --> 00:23:35,152 AND YOU SEE THIS ANGRY FLASH 498 00:23:35,196 --> 00:23:36,937 IN HIS EYE. 499 00:23:36,980 --> 00:23:38,765 WHERE HE JUST SAYS SOMETHING THAT'S JUST OFF, 500 00:23:38,808 --> 00:23:40,288 YOU KNOW, JUST WRONG. 501 00:23:40,331 --> 00:23:42,246 WHAT DO YOU WANT TO DO? 502 00:23:42,290 --> 00:23:43,596 LET'S FIND OUT EXACTLY 503 00:23:43,639 --> 00:23:45,119 WHAT HE SAID TO NAOMI FROM NAOMI. 504 00:23:45,162 --> 00:23:46,599 MARY, MARSHALL. 505 00:23:46,642 --> 00:23:48,427 I'D LIKE YOU TO MEET TERESA SIMMONS, 506 00:23:48,470 --> 00:23:50,385 OUR NEW FINANCIAL MANAGER. 507 00:23:50,429 --> 00:23:51,778 FINANCIAL MANAGER. WOW. 508 00:23:51,821 --> 00:23:53,954 SO YOU HANDLE REIMBURSEMENTS AND STUFF? 509 00:23:53,997 --> 00:23:55,782 - AMONG OTHER THINGS. - RIGHT ON. 510 00:23:55,825 --> 00:23:57,610 'CAUSE I GOTTA TELL YOU, 511 00:23:57,653 --> 00:23:59,133 THE GOVERNMENT IS MORE THAN A LITTLE BEHIND 512 00:23:59,176 --> 00:24:01,701 WITH MY REIMBURSEMENT CHECK, SO... 513 00:24:01,744 --> 00:24:05,922 HERE YOU GO. THAT AND...YUP, YEAH. 514 00:24:05,966 --> 00:24:08,011 THOSE TOO. 515 00:24:08,055 --> 00:24:12,494 THIS IS A PILE OF INCOHERENT SCRIBBLES. 516 00:24:12,538 --> 00:24:14,931 YUP. WHICH YOU COULD NOW MAGICALLY TURN INTO MONEY. 517 00:24:17,281 --> 00:24:19,240 LOOK, INSPECTOR, I'M NOT YOUR SECRETARY. 518 00:24:19,283 --> 00:24:21,198 AND I DON'T WORK FOR ANY OF YOU. 519 00:24:21,242 --> 00:24:22,809 I ANSWER DIRECTLY TO ALLISON PEARSON, 520 00:24:22,852 --> 00:24:25,638 SO, FROM NOW ON, GO AHEAD AND TAPE ALL RECEIPTS 521 00:24:25,681 --> 00:24:26,682 TO LETTER-SIZED WHITE PAPER 522 00:24:26,726 --> 00:24:28,292 AND LEGIBLY WRITE THE PURPOSE 523 00:24:28,336 --> 00:24:29,642 FOR THE EXPENSE UNDER EACH RECEIPT 524 00:24:29,685 --> 00:24:31,600 IN BLACK PEN. 525 00:24:31,644 --> 00:24:34,342 OH, AND YOU CAN KEEP THE STARBUCKS RECEIPTS. 526 00:24:34,385 --> 00:24:39,216 WE NO LONGER PAY FOR YOUR CAFFEINE ADDICTION. 527 00:24:39,260 --> 00:24:41,610 MARY, I BEG YOU. NOT DAY ONE. 528 00:24:41,654 --> 00:24:43,307 SO SHE'S RUNNING THE STORE NOW? 529 00:24:43,351 --> 00:24:45,309 NO, NO, NO, SHE JUST GOT HER HAND ON THE CASH REGISTER, 530 00:24:45,353 --> 00:24:50,271 SO JUST BACK IT UP TILL I CAN NUDGE IT OFF, OKAY? 531 00:25:12,902 --> 00:25:15,731 OKAY, WHAT? 532 00:25:15,775 --> 00:25:17,907 - WHAT, WHAT? - THERE'S SOMETHING ELSE. 533 00:25:17,951 --> 00:25:19,561 - NO, THERE'S NOT. - THERE IS. 534 00:25:19,605 --> 00:25:21,041 - LIKE WHAT? - I DON'T KNOW. 535 00:25:21,084 --> 00:25:22,738 I JUST KNOW THERE'S SOMETHING YOU'RE NOT TELLING ME. 536 00:25:22,782 --> 00:25:24,392 STOP. IT'S LIKE YOU RENT A ROOM IN MY HEAD. 537 00:25:24,435 --> 00:25:27,526 AND SOMEWHERE IN MINE, YOU OCCUPY A SMALL PIED-A-TERRE. 538 00:25:27,569 --> 00:25:28,962 OH, DON'T SAY PIED-A-TERRE. 539 00:25:29,005 --> 00:25:31,138 AND WE'RE ALLOWED TO CLOSE THE DOORS NOW AND THEN, 540 00:25:31,181 --> 00:25:32,879 SO TO SPEAK, BUT IT CAN'T LAST. 541 00:25:32,922 --> 00:25:34,445 YOU WON'T BE ABLE TO HOLD OUT. 542 00:25:34,489 --> 00:25:36,056 YOU'RE JUST GONNA BLURT IT OUT AT SOME POINT. 543 00:25:36,099 --> 00:25:37,579 I'M GIVING YOU THE CHANCE NOW TO BLURT. 544 00:25:37,623 --> 00:25:38,798 THERE'S NO NEWS. NOTHING HAPPENED. 545 00:25:38,841 --> 00:25:40,016 NO BLURTING. OKAY? 546 00:25:40,060 --> 00:25:42,976 OKAY. 547 00:25:43,019 --> 00:25:46,675 OH, MY GOD. WOULD YOU LOOK AT THAT? 548 00:25:46,719 --> 00:25:48,808 WELL, THERE WAS A FULL MOON LAST NIGHT. 549 00:25:48,851 --> 00:25:52,638 WHICH, AS WE KNOW, TENDS TO HEIGHTEN EMOTIONAL STATES 550 00:25:52,681 --> 00:25:56,293 AND BRING ABOUT BEHAVIOR THAT'S AS RECKLESS 551 00:25:56,337 --> 00:25:57,686 AS IT IS FREEING. 552 00:25:57,730 --> 00:25:58,861 WE DON'T KNOW THAT. YOU THINK THAT. 553 00:25:58,905 --> 00:26:00,210 HERE'S WHAT I KNOW. 554 00:26:00,254 --> 00:26:01,995 DOM GOT A LITTLE ACTION, 555 00:26:02,038 --> 00:26:05,651 SO NOW WE CAN STEP BACK AND... - OH, BOY. 556 00:26:05,694 --> 00:26:06,695 THAT'S NOT DOM. 557 00:26:06,739 --> 00:26:09,655 WHERE'S DOM? 558 00:26:19,142 --> 00:26:21,449 OH, MARY. 559 00:26:21,492 --> 00:26:22,668 HI. 560 00:26:22,711 --> 00:26:24,626 GOOD MORNING. HOW ARE YOU? 561 00:26:24,670 --> 00:26:25,888 HIYA. 562 00:26:25,932 --> 00:26:28,238 - UH, THIS IS BILL. - NICE TO MEET YOU. 563 00:26:28,282 --> 00:26:29,500 YOU TOO. 564 00:26:29,544 --> 00:26:30,632 CAN WE TALK? 565 00:26:30,676 --> 00:26:33,635 JUST BE A SEC. 566 00:26:33,679 --> 00:26:35,811 I REALLY DIDN'T COME OVER TO SPY, 567 00:26:35,855 --> 00:26:38,771 BUT I NEEDED TO TALK TO YOU ABOUT DOM AND LAST NIGHT. 568 00:26:38,814 --> 00:26:41,643 OH, THIS IS REALLY EMBARRASSING. 569 00:26:41,687 --> 00:26:42,688 BILL IS MY EX. 570 00:26:42,731 --> 00:26:44,037 WE BROKE UP A MONTH AGO. 571 00:26:44,080 --> 00:26:47,040 HE FOUND OUT I WAS ON A DATE, TOTALLY FLIPPED, 572 00:26:47,083 --> 00:26:48,432 AND SAID HE WANTED TO GET BACK TOGETHER. 573 00:26:48,476 --> 00:26:50,260 SO HE CAME OVER, AND WE TALKED. 574 00:26:50,304 --> 00:26:52,872 I GET IT. I DO. IT HAPPENS. 575 00:26:52,915 --> 00:26:56,310 BUT, WELL, LOOK, THIS IS NONE OF MY BUSINESS, 576 00:26:56,353 --> 00:26:57,659 BUT WHERE'S IT LEAVE DOM? 577 00:26:57,703 --> 00:27:00,401 I LIKE DOM. I LOVE BILL. 578 00:27:00,444 --> 00:27:04,448 OKAY, JUST 'CAUSE DOM TEXTED ME AFTER DINNER LAST NIGHT 579 00:27:04,492 --> 00:27:06,799 AND SORT OF INDICATED THAT IT WAS GETTING PRETTY SERIOUS 580 00:27:06,842 --> 00:27:08,017 WITH YOU GUYS. 581 00:27:08,061 --> 00:27:12,239 YEAH, DOM IS, UH, NOT WHAT I EXPECTED. 582 00:27:12,282 --> 00:27:15,634 IN THE STORE, HE IS SO SWEET AND SHY, 583 00:27:15,677 --> 00:27:19,202 BUT THEN THERE'S THIS... - OTHER SIDE. 584 00:27:19,246 --> 00:27:21,683 I KNOW. 585 00:27:21,727 --> 00:27:23,642 LOOK, MARY, I GET IT. 586 00:27:23,685 --> 00:27:25,382 GET WHAT? 587 00:27:25,426 --> 00:27:27,689 HE IS ALL YOURS. SO GO FOR IT. 588 00:27:27,733 --> 00:27:29,691 NO. NO. NO. NO. 589 00:27:29,735 --> 00:27:31,084 THAT'S NOT WHAT THIS IS, OKAY? 590 00:27:31,127 --> 00:27:32,912 JUST YOU SEEM TO BE AROUND A LOT. 591 00:27:32,955 --> 00:27:35,218 YEAH, WELL, GOOD GUESS. NOT IT. 592 00:27:35,262 --> 00:27:38,134 LOOK, NAOMI, JUST ONE THING. 593 00:27:38,178 --> 00:27:39,701 DID DOM EVER SAY ANYTHING OR DO ANYTHING 594 00:27:39,745 --> 00:27:41,747 THAT SCARED YOU OR UPSET YOU? 595 00:27:41,790 --> 00:27:44,750 NO. I MEAN, NOTHING SCARY. 596 00:27:44,793 --> 00:27:46,316 WEIRD, MAYBE. 597 00:27:46,360 --> 00:27:48,014 HE SAID WE WERE GETTING MARRIED, 598 00:27:48,057 --> 00:27:50,364 AND WHEN I JUST LOOKED AT HIM, HE LAUGHED 599 00:27:50,407 --> 00:27:52,235 AND SAID HE WAS JUST KIDDING. 600 00:27:52,279 --> 00:27:54,673 OKAY. WELL, THANKS. 601 00:27:54,716 --> 00:27:56,500 I--I WAS GONNA GO OVER THERE 602 00:27:56,544 --> 00:27:58,328 AND TELL HIM ABOUT BILL. 603 00:27:58,372 --> 00:28:00,417 YOU KNOW WHAT? I'LL, I'LL DO IT. 604 00:28:00,461 --> 00:28:04,291 YEAH, I THINK, COMING FROM ME, IT'LL JUST BE EASIER. 605 00:28:04,334 --> 00:28:06,075 OKAY, WELL, JUST PLEASE TELL HIM 606 00:28:06,119 --> 00:28:07,686 THAT I ALWAYS WANT TO BE FRIENDS. 607 00:28:07,729 --> 00:28:10,036 - YOU BET. - OKAY, THANKS. 608 00:28:10,079 --> 00:28:11,733 FRIENDS. 609 00:28:11,777 --> 00:28:13,343 'CAUSE GUYS LOVE THAT, RIGHT? 610 00:28:13,387 --> 00:28:14,867 IF DOM WANTS A NORMAL LIFE, 611 00:28:14,910 --> 00:28:16,651 HE HAS TO EXPERIENCE NORMAL LOSS. 612 00:28:16,695 --> 00:28:18,697 BUT THE GIRL LETTING THE WITSEC INSPECTOR 613 00:28:18,740 --> 00:28:20,699 BREAK UP FOR HER, THAT'S NOT NORMAL. 614 00:28:20,742 --> 00:28:22,309 IT'S A MOLIERE PLAY. 615 00:28:22,352 --> 00:28:24,180 YEAH, IT'S VERY MOLIERE. 616 00:28:25,791 --> 00:28:28,358 JESUS. 617 00:28:35,714 --> 00:28:36,845 HEY. 618 00:28:36,889 --> 00:28:38,717 HEY, GOOD MORNING. 619 00:28:38,760 --> 00:28:40,588 HEY, YOU GUYS GOT MY TEXT, HUH? 620 00:28:40,631 --> 00:28:42,982 YEAH, WE DID. LISTEN, DOM. 621 00:28:43,025 --> 00:28:44,200 PRETTY EXCITING, HUH? 622 00:28:44,244 --> 00:28:46,028 I'VE BEEN ONLINE LOOKING AT DIAMOND CUTS. 623 00:28:46,072 --> 00:28:47,769 HEY, DO YOU LIKE EMERALD OR PEAR? 624 00:28:47,813 --> 00:28:50,163 WELL, DOM, LISTEN, ABOUT THAT... 625 00:28:50,206 --> 00:28:52,731 MARY, THIS IS FOR YOU FOR LAST NIGHT. 626 00:28:52,774 --> 00:28:54,645 OH, YEAH, NO. 627 00:28:54,689 --> 00:28:55,821 WELL, WE'RE NOT ALLOWED TO ACCEPT GIFTS 628 00:28:55,864 --> 00:28:57,648 FROM WITNESSES. - PLEASE, I WANT YOU TO. 629 00:28:57,692 --> 00:28:59,085 AND I'M REALLY NOT A PET PERSON. 630 00:28:59,128 --> 00:29:03,785 TAKE THE FISH. 631 00:29:03,829 --> 00:29:05,787 OKAY. 632 00:29:05,831 --> 00:29:08,790 I GUESS I COULD BUY IT. 633 00:29:08,834 --> 00:29:10,313 MY WALLET'S IN THE CAR. COULD YOU... 634 00:29:10,357 --> 00:29:11,532 BUT IT'S A GIFT. 635 00:29:11,575 --> 00:29:13,055 NO, I KNOW, BUT I HAVE TO PAY FOR IT. 636 00:29:13,099 --> 00:29:14,143 JUST SPOT ME. - HOW MUCH? 637 00:29:14,187 --> 00:29:16,624 - THREE BUCKS. - I ONLY HAVE A 20. 638 00:29:16,667 --> 00:29:17,973 I DON'T HAVE ANY CHANGE YET. 639 00:29:18,017 --> 00:29:19,758 OH, MY GOD. HERE. 640 00:29:19,801 --> 00:29:21,237 YOU CAN OWE ME. 641 00:29:21,281 --> 00:29:23,065 LISTEN, DOM, THE REASON WE STOPPED BY... 642 00:29:23,109 --> 00:29:24,763 YOU'RE HERE TO TELL ME SOMETHING. 643 00:29:24,806 --> 00:29:26,677 YEAH. 644 00:29:26,721 --> 00:29:27,983 ABOUT NAOMI? 645 00:29:28,027 --> 00:29:29,593 YES. 646 00:29:29,637 --> 00:29:31,682 OH, MY GOD, IS SHE DEAD? 647 00:29:31,726 --> 00:29:33,119 NO. WHAT? NO. 648 00:29:33,162 --> 00:29:34,773 DOM, IT'S NOT THAT. IT'S NOT THAT. 649 00:29:34,816 --> 00:29:36,644 OH, JESUS. 650 00:29:36,687 --> 00:29:39,647 YOU SCARED ME THERE. - YEAH, WELL... 651 00:29:39,690 --> 00:29:43,738 LOOK, DOM, NAOMI'S SEEING SOMEBODY ELSE. 652 00:29:46,697 --> 00:29:48,395 SEEING THEM TO WHAT? 653 00:29:48,438 --> 00:29:50,789 NO, SHE'S SEEING SOMEONE. 654 00:29:50,832 --> 00:29:52,834 SHE HAS A BOYFRIEND. - YEAH, ME. 655 00:29:52,878 --> 00:29:54,270 NO, YOU'RE NOT HER BOYFRIEND, DOM. 656 00:29:54,314 --> 00:29:55,532 YOU NEVER WERE. 657 00:29:55,576 --> 00:29:57,404 LOOK, I'M REALLY SORRY TO SAY IT 658 00:29:57,447 --> 00:29:59,580 LIKE THIS, OKAY, I REALLY AM. 659 00:29:59,623 --> 00:30:01,625 BUT NAOMI LOVES SOMEONE ELSE. 660 00:30:05,325 --> 00:30:06,630 ANOTHER MAN. 661 00:30:06,674 --> 00:30:11,200 NOT YOU. HIM. 662 00:30:14,682 --> 00:30:18,120 DOM, YOU OKAY? 663 00:30:18,164 --> 00:30:19,513 YEAH, I'M FINE. 664 00:30:19,556 --> 00:30:21,080 DOM, COME ON. LET'S TALK ABOUT IT. 665 00:30:21,123 --> 00:30:22,646 - TALK ABOUT WHAT? - I DON'T KNOW. 666 00:30:22,690 --> 00:30:24,083 HOW YOU'RE FEELING. HOW YOU WANT TO HANDLE THIS. 667 00:30:24,126 --> 00:30:26,607 LOOK, DOM, IT'S HARD, OKAY? 668 00:30:26,650 --> 00:30:27,695 I KNOW. IT'S REALLY, REALLY HARD. 669 00:30:27,738 --> 00:30:28,827 I'VE BEEN THROUGH IT. 670 00:30:28,870 --> 00:30:30,829 MARSHALL'S BEEN THROUGH IT. A LOT. 671 00:30:30,872 --> 00:30:33,179 AND IT NEVER GETS EASIER. 672 00:30:33,222 --> 00:30:35,834 THAT'S NICE TO HEAR, HUH? 673 00:30:35,877 --> 00:30:38,097 SO WHAT DO I HAVE TO LOOK FORWARD TO, MORE OF THIS? 674 00:30:38,140 --> 00:30:40,534 HUH? FEELING LIKE A FAT, STUPID, UGLY NOTHING? 675 00:30:40,577 --> 00:30:41,840 DOM, COME ON. 676 00:30:41,883 --> 00:30:44,233 NO, HEY, EVERYTHING MY UNCLE SAID IS TRUE. 677 00:30:44,277 --> 00:30:45,713 WHO'D WANT ME UNLESS I PAID, RIGHT? 678 00:30:45,756 --> 00:30:47,846 AND WHO WOULD? HUH? 679 00:30:47,889 --> 00:30:49,891 WHAT DO I HAVE? FISH? 680 00:30:49,935 --> 00:30:51,762 ANIMALS SO DUMB THEY DON'T EVEN KNOW THEY'RE FOOD IN A CAGE? 681 00:30:51,806 --> 00:30:53,329 DOM, I HEAR YOU, BUT CALM DOWN. 682 00:30:53,373 --> 00:30:54,853 - GET OUT! - DOM. 683 00:30:54,896 --> 00:30:56,724 LISTEN. THIS IS MY STORE, 684 00:30:56,767 --> 00:30:57,856 AND IT'S PRIVATE PROPERTY. 685 00:30:57,899 --> 00:30:59,945 AND UNLESS I'VE DONE SOMETHING WRONG, 686 00:30:59,988 --> 00:31:01,685 GET OUT NOW! 687 00:31:01,729 --> 00:31:04,210 BOTH OF YOU. 688 00:31:13,828 --> 00:31:15,656 I KNOW, BUT, STAN, THAT'S THE PROBLEM. 689 00:31:15,699 --> 00:31:17,353 I KNOW OUR JOB IS TO PROTECT THE WITNESS, 690 00:31:17,397 --> 00:31:18,528 BUT WHAT DO WE DO IF WE FEEL THAT WE HAVE 691 00:31:18,572 --> 00:31:20,095 TO PROTECT SOMEBODY FROM THE WITNESS? 692 00:31:20,139 --> 00:31:21,792 HE HASN'T DONE ANYTHING, AND FROM WHAT YOU'VE TOLD ME, 693 00:31:21,836 --> 00:31:23,882 THERE'S NO REAL EVIDENCE HE WILL. 694 00:31:23,925 --> 00:31:25,361 STAN, WE BOTH SEE IT. 695 00:31:25,405 --> 00:31:26,841 WHAT WE THINK MIGHT BE THE BEST COURSE OF ACTION HERE 696 00:31:26,885 --> 00:31:28,625 IS ALSO THE MOST RADICALLY OFF-BOOK. 697 00:31:28,669 --> 00:31:30,714 NO, NO, YOU CAN'T TELL THE GIRL WHO DOM REALLY IS. 698 00:31:30,758 --> 00:31:32,412 - STAN. - THAT VIOLATES HIS SAFETY. 699 00:31:32,455 --> 00:31:34,762 WE CAN'T ARREST DOM. IT VIOLATES HIS RIGHTS. 700 00:31:34,805 --> 00:31:36,720 AND WE DON'T HAVE THE MANPOWER BUDGET 701 00:31:36,764 --> 00:31:37,852 TO WATCH HIM AROUND THE CLOCK. 702 00:31:37,896 --> 00:31:39,332 GREAT, SO LET'S DO NOTHING. 703 00:31:39,375 --> 00:31:40,942 SERIOUSLY, LET'S JUST SIT HERE AND DO NOTHING AND WAIT 704 00:31:40,986 --> 00:31:42,117 FOR THE PHONE CALL TELLING US NAOMI'S BEEN BLOWN TO BITS. 705 00:31:42,161 --> 00:31:43,379 MARY, JUST CALM DOWN. 706 00:31:43,423 --> 00:31:44,511 CALM DOWN? WHY? 707 00:31:44,554 --> 00:31:45,816 WHAT'S SO GREAT ABOUT CALM? 708 00:31:45,860 --> 00:31:46,861 I MEAN, IS IT GONNA MAKE ANYTHING WORSE FOR US 709 00:31:46,905 --> 00:31:47,993 TO TAKE A GOOD, HARD LOOK 710 00:31:48,036 --> 00:31:49,646 AT THE HOMICIDAL RIDICULOUSNESS OF THIS? 711 00:31:49,690 --> 00:31:50,909 HONESTLY, STAN. 712 00:31:50,952 --> 00:31:52,127 INSPECTOR, WE HAVE A JOB TO DO HERE. 713 00:31:52,171 --> 00:31:54,260 SOMETIMES IT FEELS GREAT, SOMETIMES LOUSY. 714 00:31:54,303 --> 00:31:56,392 WE DO WHAT WE CAN. ANYTHING ELSE? 715 00:31:56,436 --> 00:31:58,307 NO. GUESS NOT. 716 00:32:05,053 --> 00:32:06,968 WHATEVER YOU WANT TO DO HERE, I'LL BACK YOU. 717 00:32:07,012 --> 00:32:08,970 NO, 'CAUSE WHAT I'M GONNA DO WILL PROBABLY GET ME FIRED, 718 00:32:09,014 --> 00:32:10,841 AND IF YOU GET FIRED TOO, I'LL HAVE NO ONE TO MOVE IN WITH 719 00:32:10,885 --> 00:32:12,147 AND MOOCH OFF OF. 720 00:32:12,191 --> 00:32:14,019 LUCKY FOR YOU, MY INTERESTS ARE VARIED 721 00:32:14,062 --> 00:32:15,759 AND MY CAREER OPTIONS INFINITE 722 00:32:15,803 --> 00:32:18,980 IF THIS WHOLE THING GOES HORRIBLY PEAR-SHAPED. 723 00:32:19,024 --> 00:32:20,112 WHATEVER'S NEXT FOR ME, 724 00:32:20,155 --> 00:32:21,983 MY COATTAILS ARE ALWAYS THERE FOR YOU. 725 00:32:22,027 --> 00:32:25,378 OH, YEAH? WHAT'S ORIGAMI PAY THESE DAYS? 726 00:33:42,629 --> 00:33:44,109 THE LAKERS HAD NO TROUBLE... 727 00:33:50,332 --> 00:33:52,204 HEY, BILL, IS NAOMI HERE? 728 00:33:52,247 --> 00:33:53,727 YOU JUST MISSED HER. 729 00:33:53,770 --> 00:33:55,033 - DO YOU KNOW WHERE SHE WENT? - YEAH, THE STORE. 730 00:33:55,076 --> 00:33:56,686 SECURITY ALARM KEEPS GOING OFF. 731 00:33:56,730 --> 00:33:58,427 SHE HAD TO GO RESET IT. - CALL HER. 732 00:33:58,471 --> 00:33:59,602 CALL HER ON HER CELL. COULD YOU DO THAT FOR ME? 733 00:33:59,646 --> 00:34:01,126 SHE DIDN'T TAKE IT. IT'S CHARGING. 734 00:34:01,169 --> 00:34:02,257 SO CALL THE STORE. PLEASE. 735 00:34:02,301 --> 00:34:03,519 WHY? IT GOES STRAIGHT TO VOICE MAIL. 736 00:34:03,563 --> 00:34:04,738 - I'LL CALL THE BOMB SQUAD. - STAY WITH HIM. 737 00:34:04,781 --> 00:34:06,000 COME ON OUT, SIR. 738 00:34:06,044 --> 00:34:07,784 BOMB SQUAD! WHAT ARE YOU TALKING ABOUT? 739 00:34:31,808 --> 00:34:33,767 NAOMI, STOP! 740 00:34:33,810 --> 00:34:36,987 NAOMI, COME ON, GET OUT. GET OUT. 741 00:34:44,778 --> 00:34:47,911 ARE YOU OKAY? 742 00:34:47,955 --> 00:34:50,218 - WHAT HAPPENED? - SHH. SHH. IT'S OKAY. 743 00:34:50,262 --> 00:34:52,829 IT'S OKAY. IT'S OKAY. IT'S OKAY. 744 00:34:59,227 --> 00:35:00,750 HE WON'T GET ANYWHERE WITHOUT I.D. 745 00:35:00,794 --> 00:35:01,664 IF HE WANTS TO GET OUT OF THE COUNTRY, 746 00:35:01,708 --> 00:35:03,144 HE NEEDS A PASSPORT, RIGHT? 747 00:35:03,188 --> 00:35:04,798 AND IF HE KNOWS YOU'RE ALIVE, TRUST ME, 748 00:35:04,841 --> 00:35:06,626 HE WANTS OUT OF THE COUNTRY. 749 00:35:06,669 --> 00:35:09,411 YOU KNOW THAT COUSIN OF HIS, LENNY DIFAZZIO, THE FORGER? 750 00:35:09,455 --> 00:35:11,326 THE ONE WHO DISAPPEARED? 751 00:35:11,370 --> 00:35:13,111 I'M NOT GETTING ANYTHING ON HIM. 752 00:35:13,154 --> 00:35:15,113 FBI, SECRET SERVICE, STATE, LOCAL. 753 00:35:15,156 --> 00:35:18,594 NO LEADS. NOT ONE INVESTIGATION INTO... 754 00:35:18,638 --> 00:35:20,988 WAIT. YOU DON'T THINK? 755 00:35:26,385 --> 00:35:29,649 TOM'S COUSIN'S IN WITSEC. 756 00:35:29,692 --> 00:35:31,607 YOU WANT ME TO APPROVE FUNDS FOR TRAVEL 757 00:35:31,651 --> 00:35:32,826 AND THE MANPOWER BECAUSE... 758 00:35:32,869 --> 00:35:35,045 BECAUSE BACK IN THE DAY, DOM HAD LENNY DO 759 00:35:35,089 --> 00:35:36,656 ALL HIS FAKE IDs. 760 00:35:36,699 --> 00:35:38,092 TO GET NEW ONES, HE'LL REACH OUT TO LENNY, 761 00:35:38,136 --> 00:35:40,703 WHO'S NOW LIVING IN HOUSTON UNDER OUR PROTECTION. 762 00:35:40,747 --> 00:35:43,750 HOUSTON'S HIS THIRD RELOCATION ON A SECURITY VIOLATION 763 00:35:43,793 --> 00:35:45,795 BECAUSE HE KEPT CALLING HIS GRANDMA... 764 00:35:45,839 --> 00:35:47,362 WHO WAS ALSO DOM'S GRANDMA. 765 00:35:47,406 --> 00:35:49,277 AND LATELY THERE HAVE BEEN A LOT OF PHONE CALLS 766 00:35:49,321 --> 00:35:51,801 BETWEEN LEONARD AND GRANDMA, 767 00:35:51,845 --> 00:35:53,716 AND BETWEEN LEONARD AND AN UNIDENTIFIED, 768 00:35:53,760 --> 00:35:55,370 WHO'S USING A DISPOSABLE CELL. 769 00:35:55,414 --> 00:35:57,720 DOM'S IN TOUCH WITH COUSIN LEONARD THROUGH GRANDMA. 770 00:35:57,764 --> 00:35:59,722 - MM-HMM. - GOOD WORK, GUYS. 771 00:35:59,766 --> 00:36:02,116 WITSEC IS NOT IN THE MANHUNT BUSINESS. 772 00:36:02,160 --> 00:36:03,813 DOMINIC'S NOT OUR PROBLEM ANYMORE. 773 00:36:03,857 --> 00:36:05,902 HAND THIS OVER TO THE FUGITIVE TASKFORCE. 774 00:36:05,946 --> 00:36:08,775 INSPECTORS, YOU HAVE YOUR ORDERS, 775 00:36:08,818 --> 00:36:11,517 WHICH ARE TAKE ALL THE TIME YOU WANT 776 00:36:11,560 --> 00:36:14,781 AND ALL THE MONEY YOU NEED AND BAG THIS SON OF A BITCH. 777 00:36:14,824 --> 00:36:17,087 AND WHILE YOU'RE GONE, TERESA AND I ARE GONNA TAKE 778 00:36:17,131 --> 00:36:18,872 A LITTLE TRIP UP THE FOOD CHAIN PAST ALLISON, 779 00:36:18,915 --> 00:36:21,527 UP WHERE THE AIR IS THIN AND THE DROP IS LONG 780 00:36:21,570 --> 00:36:22,919 AND EVERYONE PLAYS FOR KEEPS. 781 00:36:22,963 --> 00:36:24,878 AND SHE'S GONNA LEARN NEVER, EVER TO GIVE ORDERS 782 00:36:24,921 --> 00:36:26,184 TO MY INSPECTORS AGAIN. 783 00:36:26,227 --> 00:36:27,968 OKAY? 784 00:36:28,011 --> 00:36:29,274 SO GO. 785 00:36:29,317 --> 00:36:30,971 I LOVE KNOWING WHY I LOVE YOU. 786 00:36:58,477 --> 00:37:00,261 HI, LEONARD. 787 00:37:00,305 --> 00:37:02,176 WE'RE HERE TO TALK ABOUT YOUR FRIENDS AND FAMILY PLAN. 788 00:37:02,220 --> 00:37:04,613 YOU'VE USED UP ALL YOUR MINUTES. 789 00:37:04,657 --> 00:37:07,094 I DON'T KNOW YOU. WHAT DO YOU WANT? 790 00:37:07,137 --> 00:37:08,182 WHERE'S MY INSPECTOR? 791 00:37:08,226 --> 00:37:10,663 BACK AT THE OFFICE. PISSED. 792 00:37:10,706 --> 00:37:11,794 WHY? 793 00:37:11,838 --> 00:37:13,666 GRANDMA AGAIN. 794 00:37:13,709 --> 00:37:14,797 ONLY THIS TIME YOU WEREN'T CALLING 795 00:37:14,841 --> 00:37:17,365 FOR HER BAKED ZITI RECIPE, WERE YOU? 796 00:37:17,409 --> 00:37:20,673 WELL, IT'S MY GRANDMA FOR CHRIST'S SAKE. 797 00:37:20,716 --> 00:37:22,414 SHE CONNECTED YOU AND DOM. 798 00:37:22,457 --> 00:37:24,720 RIGHT? CAREFUL HOW YOU ANSWER, LEONARD. 799 00:37:24,764 --> 00:37:28,811 YOUR FREEDOM DEPENDS ON IT. 800 00:37:36,645 --> 00:37:38,517 HE'S IN TOWN. 801 00:37:38,560 --> 00:37:42,782 WHEN I'M DONE MAKING THE IDs, 802 00:37:42,825 --> 00:37:44,305 I'M SUPPOSED TO MEET HIM. 803 00:37:44,349 --> 00:37:46,394 WHERE? 804 00:38:17,469 --> 00:38:19,645 YOU'RE EARLY. 805 00:38:19,688 --> 00:38:22,648 I'M SORRY, DOM. 806 00:38:26,521 --> 00:38:28,131 STOP RIGHT THERE, DOM. LET ME SEE YOUR HANDS. 807 00:38:30,656 --> 00:38:31,744 YOU KNOW, SOMETIMES I FORGET, 808 00:38:31,787 --> 00:38:33,615 PEOPLE AREN'T WORDS AND WISHES. 809 00:38:33,659 --> 00:38:36,444 PEOPLE ARE WHAT THEY ARE. 810 00:38:36,488 --> 00:38:40,622 THANKS FOR THE REMINDER. 811 00:38:40,666 --> 00:38:42,842 ALL YOURS, GUYS. 812 00:38:54,201 --> 00:38:56,246 I WONDER IF THEY LOOK AT US AND THINK, 813 00:38:56,290 --> 00:38:58,814 "THOSE POOR PEOPLE OUT THERE TRAPPED IN THAT WALKWAY." 814 00:38:58,858 --> 00:39:01,991 I SLEPT WITH RAPH. 815 00:39:02,035 --> 00:39:03,645 I KNOW. 816 00:39:03,689 --> 00:39:06,822 OH, RIGHT. 817 00:39:06,866 --> 00:39:08,998 YOU GONNA GET BACK TOGETHER? 818 00:39:09,042 --> 00:39:11,479 I DON'T KNOW. 819 00:39:11,523 --> 00:39:13,742 MAYBE FIGHT ALL YOU WANT, 820 00:39:13,786 --> 00:39:15,788 YOU STILL GOTTA GO THE WAY YOUR BLOOD BEATS. 821 00:39:31,891 --> 00:39:35,460 - HI. - HEY. 822 00:39:49,474 --> 00:39:52,259 WHAT? 823 00:39:52,302 --> 00:39:55,305 RAPH, I CAN'T. 824 00:39:57,656 --> 00:39:59,832 WE CAN'T. 825 00:40:02,835 --> 00:40:04,663 IT WILL JUST BE 826 00:40:04,706 --> 00:40:07,709 THE SAME THING ALL OVER AGAIN, RIGHT? 827 00:40:10,364 --> 00:40:11,974 SOME OF WHICH WAS GOOD. 828 00:40:12,018 --> 00:40:14,281 SOME OF WHICH WAS GREAT. 829 00:40:14,324 --> 00:40:16,588 SOME. 830 00:40:16,631 --> 00:40:19,634 SOME NOT. 831 00:40:23,159 --> 00:40:26,162 HOW ABOUT YOUR GIRL FROM THE OTHER NIGHT? 832 00:40:26,206 --> 00:40:29,165 GREAT? 833 00:40:29,209 --> 00:40:32,473 IT'S TOO EARLY TO TELL. 834 00:40:32,517 --> 00:40:36,956 SHE SEEMS SWEET. 835 00:40:36,999 --> 00:40:41,482 I HOPE SHE STAYS THAT WAY. 836 00:40:41,526 --> 00:40:43,615 YOU DESERVE IT. 837 00:41:07,726 --> 00:41:09,858 "CHARACTER IS DESTINY." 838 00:41:09,902 --> 00:41:12,731 THREE BRUTAL WORDS THAT CAN LEAD YOU FAR, FAR AWAY 839 00:41:12,774 --> 00:41:15,298 FROM WHEREVER IT IS YOU THOUGHT YOU WERE HEADED 840 00:41:15,342 --> 00:41:17,692 OR RIGHT BACK TO WHERE YOU STARTED. 841 00:41:17,736 --> 00:41:18,867 TOUGH TO SEE THE DIFFERENCE 842 00:41:18,911 --> 00:41:20,782 WHEN YOU'RE IN THE MIDDLE OF IT ALL. 843 00:41:20,826 --> 00:41:22,958 BUT IN THE MEANTIME, I TRY TO REMEMBER 844 00:41:23,002 --> 00:41:26,788 IT'S THE LITTLE THINGS THAT GET US THROUGH. 845 00:41:26,832 --> 00:41:28,311 MARSHALL. 846 00:41:28,355 --> 00:41:31,184 I'M STARVING. 847 00:41:31,227 --> 00:41:32,620 SUSHI? 58503

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