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These are the user uploaded subtitles that are being translated: 1 00:00:02,915 --> 00:00:05,222 SINCE 1970, THE FEDERAL WITNESS PROTECTION PROGRAM 2 00:00:05,266 --> 00:00:06,963 HAS RELOCATED THOUSANDS OF WITNESSES, 3 00:00:07,007 --> 00:00:09,096 SOME CRIMINAL, SOME NOT,. 4 00:00:09,139 --> 00:00:11,011 TO NEIGHBORHOODS ALL ACROSS THE COUNTRY. 5 00:00:11,054 --> 00:00:14,014 EVERY ONE OF THOSE INDIVIDUALS SHARES A UNIQUE ATTRIBUTE, 6 00:00:14,057 --> 00:00:15,319 DISTINGUISHING THEM FROM THE REST 7 00:00:15,363 --> 00:00:16,581 OF THE GENERAL POPULATION. 8 00:00:16,625 --> 00:00:20,281 AND THAT IS, SOMEBODY WANTS THEM DEAD. 9 00:00:38,995 --> 00:00:40,605 WHAT I'M ASKING OF YOU IS VERY SIMPLE. 10 00:00:40,649 --> 00:00:43,391 STOP WORKING FOR THREE DAYS. 11 00:00:43,434 --> 00:00:45,001 THINK OF IT. 12 00:00:45,045 --> 00:00:49,745 THE LARGEST WORK STOPPAGE ON OUR NATION'S HISTORY. 13 00:00:51,921 --> 00:00:53,879 IT'S TIME TO SHOW THIS GOVERNMENT 14 00:00:53,923 --> 00:00:57,187 THE REAL POWER LIES WITH THE PEOPLE. 15 00:00:57,231 --> 00:00:58,971 YEAH! 16 00:00:59,015 --> 00:01:01,104 WITHOUT US, THEY HAVE NOTHING. 17 00:01:01,148 --> 00:01:04,499 WITHOUT US, THEY ARE NOTHING. LUCHA! 18 00:01:04,542 --> 00:01:05,891 LUCHA AHORA! 19 00:01:05,935 --> 00:01:09,199 all: LUCHA AHORA! LUCHA AHORA! 20 00:01:09,243 --> 00:01:10,461 LUCHA AHORA! 21 00:01:10,505 --> 00:01:12,072 LUCHA AHORA! LUCHA AHORA! 22 00:01:12,115 --> 00:01:13,899 LUCHA AHORA! 23 00:01:13,943 --> 00:01:17,990 LUCHA AHORA! LUCHA AHORA! - FRANCESCA GARCIA! 24 00:01:19,905 --> 00:01:21,472 ONLY TWO OF YOU? 25 00:01:21,516 --> 00:01:23,300 I'M--I'M INSULTED. 26 00:01:24,432 --> 00:01:26,869 HANDCUFFS? 27 00:01:26,912 --> 00:01:28,827 OH, COME ON, IS THIS REALLY NECESSARY? 28 00:01:28,871 --> 00:01:30,873 WHAT ARE YOU DOING? HUH? 29 00:01:32,918 --> 00:01:38,141 I'M SORRY, SENORITA. 30 00:01:38,185 --> 00:01:41,318 DROP YOUR WEAPONS. ON THE GROUND. 31 00:01:43,146 --> 00:01:44,930 THIS IS YOUR LAST CHANCE TO WALK AWAY ALIVE. 32 00:01:53,243 --> 00:01:56,377 GOOD AFTERNOON, MISS GARCIA. MY NAME IS MR. DAY. 33 00:01:56,420 --> 00:01:58,379 AH. 34 00:01:58,422 --> 00:02:00,294 THANK YOU, MR. DAY. 35 00:02:00,337 --> 00:02:03,340 NOW IF YOU'LL EXCUSE ME, I HAVE A LABOR STRIKE TO ORGANIZE. 36 00:02:03,384 --> 00:02:06,430 THAT'S PROBABLY NOT YOUR BEST MOVE RIGHT NOW. 37 00:02:06,474 --> 00:02:09,303 THANKS, BUT I DON'T NEED ADVICE FROM AMERICAN SPOOKS. 38 00:02:09,346 --> 00:02:10,913 ACTUALLY, YOU DO. 39 00:02:10,956 --> 00:02:12,741 THOSE MEN WERE SENT TO YOU BY EL PRESIDENTE HIMSELF. 40 00:02:12,784 --> 00:02:16,353 HE NOW SEES YOUR LABOR MOVEMENT AS A LEGITIMATE THREAT. 41 00:02:16,397 --> 00:02:18,486 THOSE MEN WERE GONNA KILL YOU ON HIS DIRECT ORDERS. 42 00:02:18,529 --> 00:02:21,924 WHY? I DON'T UNDERSTAND. 43 00:02:21,967 --> 00:02:24,579 HIS CABINET JUST AGREED TO A MEETING ON LABOR REFORM. 44 00:02:24,622 --> 00:02:27,147 THIS GOVERNMENT HAS NO INTEREST IN REFORM. 45 00:02:27,190 --> 00:02:28,887 THE ONLY WAY YOU'RE GONNA GET ANYTHING YOU WANT 46 00:02:28,931 --> 00:02:31,020 IS BY TOTAL REGIME CHANGE. 47 00:02:31,063 --> 00:02:32,804 AND THAT'S WHERE OUR INTERESTS INTERSECT. 48 00:02:32,848 --> 00:02:36,286 WE NEED YOU SAFE, FRANCESCA. 49 00:02:36,330 --> 00:02:39,333 THERE'S A PLANE WAITING. CHOICE IS YOURS. 50 00:02:52,824 --> 00:02:54,130 HE'S ALREADY GONE? 51 00:02:54,174 --> 00:02:55,479 WHY DIDN'T YOU CALL ME? 52 00:02:55,523 --> 00:02:58,395 YEAH, WELL, A LOT OF GOOD THAT DOES ME NOW. 53 00:02:58,439 --> 00:03:01,006 ALL RIGHT, WELL, I'LL GET BACK TO YOU. 54 00:03:01,050 --> 00:03:03,313 AREN'T YOU RICH? 55 00:03:03,357 --> 00:03:05,228 WHY ISN'T EVERYONE STAYING AT YOUR PLACE? 56 00:03:05,272 --> 00:03:06,490 REMODEL GOING ON. 57 00:03:06,534 --> 00:03:07,883 I LIKE IT WITH EVERYONE HERE. 58 00:03:07,926 --> 00:03:09,406 IT'S COZY. 59 00:03:09,450 --> 00:03:11,234 FEEL LIKE I'M LIVING IN A PICKLE BARREL. 60 00:03:11,278 --> 00:03:12,540 WHO WERE YOU YELLING AT? 61 00:03:12,583 --> 00:03:13,932 MY G.M. 62 00:03:13,976 --> 00:03:15,282 THE ACTOR WE USE FOR OUR SPANISH COMMERCIALS 63 00:03:15,325 --> 00:03:17,458 TOOK A JOB WITH TELEMUNDO IN MIAMI. 64 00:03:17,501 --> 00:03:19,068 EL GUAPO SUAVE? - YEAH. 65 00:03:19,111 --> 00:03:21,070 AND I'VE GOT A CAMERA CREW BOOKED FOR TODAY, 66 00:03:21,113 --> 00:03:22,419 AD TIME PURCHASED FOR TOMORROW, 67 00:03:22,463 --> 00:03:24,813 AND TEN ACRES OF INVENTORY GOING NOWHERE. 68 00:03:24,856 --> 00:03:26,380 I LOVE THAT YOU'RE LIKE A REAL GROWN-UP. 69 00:03:26,423 --> 00:03:28,643 WHY DON'T YOU USE RAPHAEL? 70 00:03:28,686 --> 00:03:29,731 HE SPEAKS SPANISH. 71 00:03:29,774 --> 00:03:31,254 HAVE YOU STARTED DRINKING AGAIN? 72 00:03:31,298 --> 00:03:34,126 WHAT? IT'S A GOOD IDEA. 73 00:03:34,170 --> 00:03:35,432 NO, IT'S NOT. IT'S THE BEGINNING 74 00:03:35,476 --> 00:03:36,825 OF AN I LOVE LUCY EPISODE. 75 00:03:36,868 --> 00:03:38,479 YOU KNOW, I DON'T KNOW. IT MIGHT BE WORTH A TRY. 76 00:03:38,522 --> 00:03:41,264 WHAT DO YOU SAY? 77 00:03:41,308 --> 00:03:42,396 I DON'T THINK SO. 78 00:03:42,439 --> 00:03:43,832 PAYS 2,000 BUCKS. 79 00:03:43,875 --> 00:03:45,050 HE ALREADY SAID NO. 80 00:03:45,094 --> 00:03:46,661 THANKS, BUT I CAN SPEAK FOR MYSELF. 81 00:03:46,704 --> 00:03:47,662 I KNOW THAT. 82 00:03:47,705 --> 00:03:48,924 SORRY, PETER. 83 00:03:48,967 --> 00:03:51,274 THANKS FOR THE OFFER, BUT MY ANSWER IS NO. 84 00:03:51,318 --> 00:03:52,667 YOU DAMN RIGHT IT IS. 85 00:03:52,710 --> 00:03:54,973 WE'RE NOT ALL YOUR DANCING MEAT PUPPETS, YOU KNOW. 86 00:03:55,017 --> 00:03:57,280 I AM. 87 00:04:09,901 --> 00:04:12,121 AND YOU HAVE NO IDEA WHAT THIS IS ABOUT? 88 00:04:12,164 --> 00:04:15,298 NOT A CLUE. IT'S A LITTLE DISCONCERTING. 89 00:04:15,342 --> 00:04:17,344 AM I A WEIGHT AROUND YOUR NECK? 90 00:04:17,387 --> 00:04:18,606 I MEAN, DO I DRAG YOU DOWN? 91 00:04:18,649 --> 00:04:20,172 IS YOUR LIFE WORSE FOR HAVING ME AROUND? 92 00:04:20,216 --> 00:04:21,304 OOH, CAN WE ALL PLAY THIS GAME? 93 00:04:21,348 --> 00:04:24,046 I MIGHT HAVE A FEW EXTRA WORRY LINES. 94 00:04:24,089 --> 00:04:26,918 WHEN I BUY A HOUSE, THE REAL ESTATE MARKET TANKS. 95 00:04:26,962 --> 00:04:28,790 I TAKE IN MY MOM AND SISTER, THEY BOTH GET ARRESTED, 96 00:04:28,833 --> 00:04:29,791 AND MY HOUSE GETS DESTROYED. 97 00:04:29,834 --> 00:04:31,836 GLOBAL WARMING. WAS THAT ME? 98 00:04:31,880 --> 00:04:34,186 WHY DO I THINK THIS ISN'T ABOUT CLIMATE CHANGE? 99 00:04:34,230 --> 00:04:36,537 YOU KNOW, MARY, YOU ARE WHAT YOU PROJECT. 100 00:04:36,580 --> 00:04:39,191 A YEAR AGO, AFTER JOHN DIED, 101 00:04:39,235 --> 00:04:40,671 I WAS IN THE WORST PLACE IMAGINABLE, 102 00:04:40,715 --> 00:04:44,153 BUT THEN I DECIDED JUST TO PROJECT A POSITIVE ATTITUDE, 103 00:04:44,196 --> 00:04:45,372 AND NOW LOOK WHERE I AM. 104 00:04:45,415 --> 00:04:46,938 I'M HERE, I'M WORKING WITH YOU... 105 00:04:48,375 --> 00:04:50,159 OKAY. FORGET I SAID ANYTHING. 106 00:04:50,202 --> 00:04:53,205 SEE, NOT SO ROSY AFTER ALL. 107 00:04:53,249 --> 00:04:54,642 MAYBE IT'S NOT ME. 108 00:04:54,685 --> 00:04:56,383 MAYBE ALL YOU SO-CALLED HAPPY PEOPLE WALKING AROUND 109 00:04:56,426 --> 00:04:58,298 JUST NEED TO TAKE A CLOSER LOOK AT YOUR LIVES. 110 00:04:58,341 --> 00:05:00,996 SORT OF LIKE, "WAKE UP AND SMELL THE CESSPOOL"? 111 00:05:01,039 --> 00:05:02,432 YEAH, EXACTLY. 112 00:05:02,476 --> 00:05:03,825 THANKS, ELEANOR. YOU'VE GIVEN ME A WHOLE NEW OUTLOOK. 113 00:05:03,868 --> 00:05:05,087 DON'T MENTION IT. 114 00:05:05,130 --> 00:05:06,393 REALLY. DON'T. 115 00:05:06,436 --> 00:05:08,220 OH, COME ON. CHEER UP. 116 00:05:08,264 --> 00:05:09,831 LIFE SUCKS. WE'RE ALL GONNA DIE. 117 00:05:09,874 --> 00:05:10,832 EMBRACE IT. 118 00:05:10,875 --> 00:05:13,225 WHAT'S WITH THE CONFAB? 119 00:05:13,269 --> 00:05:14,923 THE BALD ONE IS STAN. 120 00:05:14,966 --> 00:05:16,359 OTHERWISE, NOT A CLUE. 121 00:05:16,403 --> 00:05:18,361 WHOEVER SHE IS, SHE'S NOT HAPPY. 122 00:05:18,405 --> 00:05:19,971 I DON'T SUPPOSE YOU READ LIPS. 123 00:05:20,015 --> 00:05:23,410 HMM, LET ME SEE. 124 00:05:23,453 --> 00:05:26,369 HMM, I DIDN'T EVEN REALIZE THAT WAS POSSIBLE. 125 00:05:26,413 --> 00:05:29,459 YOU'RE SADLY MISTAKEN IF YOU THINK I'M GONNA SIT 126 00:05:29,503 --> 00:05:32,027 ON THE SIDELINES WATCHING MY COUNTRY'S REVOLUTION ON CNN 127 00:05:32,070 --> 00:05:36,161 WHILE YOU PEOPLE INSTALL YOUR OWN SELF-SERVING PUPPET REGIME. 128 00:05:36,205 --> 00:05:38,381 - WE STILL DO THAT? - YEAH. 129 00:05:38,425 --> 00:05:40,644 SAD THIS IS WE DON'T EVEN USE REAL PUPPETS ANYMORE, 130 00:05:40,688 --> 00:05:42,298 JUST SOCKS WITH BUTTONS SEWN ON. 131 00:05:42,342 --> 00:05:43,778 WE ARE DOING NO SUCH THING. 132 00:05:43,821 --> 00:05:47,042 RIGHT NOW OUR OPERATIVES ARE QUIETLY SPREADING THE WORD 133 00:05:47,085 --> 00:05:48,783 AMONGST YOUR PEOPLE THAT EL PRESIDENTE 134 00:05:48,826 --> 00:05:50,088 IS HOLDING YOU PRISONER. 135 00:05:50,132 --> 00:05:51,481 HE COULD BE TORTURING YOU. 136 00:05:51,525 --> 00:05:53,744 WE BELIEVE YOUR DISAPPEARANCE MAY BE THE TRIGGER 137 00:05:53,788 --> 00:05:55,442 THAT FINALLY GETS THEM TO RISE UP. 138 00:05:58,445 --> 00:06:01,404 WELL, I GUESS EVERY CAUSE NEEDS ITS MARTYR. 139 00:06:01,448 --> 00:06:02,710 IT'S A TRIED AND TRUE MOTIVATOR. 140 00:06:02,753 --> 00:06:04,233 SO CYNICAL. GIVES ME CHILLS. 141 00:06:04,276 --> 00:06:05,408 I KIND OF LIKE IT. 142 00:06:05,452 --> 00:06:07,802 WHEN DO I GO BACK? 143 00:06:07,845 --> 00:06:09,151 UH, WHEN THE OLD REGIME REALIZES 144 00:06:09,194 --> 00:06:11,414 THAT DEMOCRATIC ELECTIONS ARE PREFERABLE 145 00:06:11,458 --> 00:06:12,546 TO LYNCH MOBS AT THE PALACE GATES. 146 00:06:12,589 --> 00:06:14,330 HOPEFULLY, NO MORE THAN THREE MONTHS. 147 00:06:14,374 --> 00:06:16,245 DOES YOUR INSPECTOR KNOW ABOUT HER NEW ASSIGNMENT? 148 00:06:16,288 --> 00:06:17,464 NOT YET. 149 00:06:17,507 --> 00:06:19,596 I WANT TO KNOW MORE ABOUT IT FIRST. 150 00:06:19,640 --> 00:06:20,641 IS THAT HER? 151 00:06:23,905 --> 00:06:26,081 MM-HMM, AND CONSIDER YOURSELF LUCKY. 152 00:06:26,124 --> 00:06:28,475 SHE'S THE BEST THERE IS. - OH, PLEASE. 153 00:06:28,518 --> 00:06:30,390 WELL, STATING THE OBVIOUS. 154 00:06:30,433 --> 00:06:32,043 SO UNNECESSARY, REALLY. 155 00:06:32,087 --> 00:06:33,871 YOU CAN TELL JUST BY LOOKING. 156 00:06:33,915 --> 00:06:36,570 SHE HOLDS ALL THE POWER IN THAT ROOM. 157 00:06:36,613 --> 00:06:37,571 I MAY BE ILL. 158 00:06:37,614 --> 00:06:39,311 MAY I GO INTRODUCE MYSELF? 159 00:06:39,355 --> 00:06:41,923 YES, ABSOLUTELY. WE'LL FINISH UP IN HERE. 160 00:06:41,966 --> 00:06:43,577 THANK YOU. EXCUSE ME. 161 00:06:43,620 --> 00:06:45,230 TURN IT OFF, TURN IT OFF, TURN IT OFF, TURN IT OFF. 162 00:06:45,274 --> 00:06:47,494 AND THAT IS WHY THEY CALL THEM PUMPKINS. 163 00:06:47,537 --> 00:06:49,278 - OH. - FASCINATING. 164 00:06:49,321 --> 00:06:50,845 HI, I'M FRANCESCA GARCIA. 165 00:06:50,888 --> 00:06:53,935 I'M SO PLEASED TO MEET YOU. 166 00:06:53,978 --> 00:06:55,502 AND I YOU. 167 00:06:55,545 --> 00:06:59,984 AND I WILL CHERISH THIS MOMENT FOREVER AND EVER AND EVER. 168 00:07:02,726 --> 00:07:05,990 THAT'S CUTE. NICE. 169 00:07:12,475 --> 00:07:14,434 AND THE OTHER TWO BEDROOMS BOTH EN SUITE 170 00:07:14,477 --> 00:07:15,957 WITH A FITNESS CENTER COMPLETE WITH SAUNA 171 00:07:16,000 --> 00:07:17,306 ARE DOWN THE OTHER WING. 172 00:07:17,349 --> 00:07:19,308 THE LIBRARY, OFFICE, AND CHEF'S KITCHEN 173 00:07:19,351 --> 00:07:20,570 ARE ALL DOWN HERE. 174 00:07:20,614 --> 00:07:22,224 POOL AND SPA ARE THROUGH THE FRENCH DOORS. 175 00:07:22,267 --> 00:07:24,356 WHEW, SEEMS THE ECONOMIC DOWNTURN 176 00:07:24,400 --> 00:07:26,881 HASN'T ADVERSELY AFFECTED THE REVOLUTIONARY BIZ. 177 00:07:26,924 --> 00:07:30,362 YEAH, BUT ALL THE GOOD ENDORSEMENT DEALS HAVE DRIED UP. 178 00:07:30,406 --> 00:07:31,842 OVER HERE IS THE VIDEO COMMAND CENTER 179 00:07:31,886 --> 00:07:34,410 WITH 500 SATELLITE TV CHANNELS AND A HARD DRIVE SERVER 180 00:07:34,454 --> 00:07:36,194 THAT CAN STREAM UP TO 3,000 MOVIES 181 00:07:36,238 --> 00:07:38,066 TO ANY ROOM IN THE HOUSE. 182 00:07:38,109 --> 00:07:40,503 MR. DAY, YOU COULD BUILD A HOSPITAL IN MY COUNTRY 183 00:07:40,547 --> 00:07:42,723 WITH THE MONEY YOUR GOVERNMENT HAS SPENT ON THIS HOUSE. 184 00:07:42,766 --> 00:07:44,464 YES, AND WE WOULD IF WE THOUGHT THE PEOPLE 185 00:07:44,507 --> 00:07:46,596 OF YOUR COUNTRY WOULD RECEIVE THE BENEFITS FROM IT. 186 00:07:46,640 --> 00:07:47,858 NO, NO, DON'T. 187 00:07:47,902 --> 00:07:49,381 YOUR POINT IS TAKEN. 188 00:07:49,425 --> 00:07:51,035 SO IF THERE'S ANYTHING ELSE YOU NEED 189 00:07:51,079 --> 00:07:52,384 THAT WE HAVEN'T PROVIDED... 190 00:07:52,428 --> 00:07:55,431 LOOKS LIKE WE'RE GOOD ON THE ESSENTIALS. 191 00:07:55,475 --> 00:07:59,827 WE HAVE A NO SMOKING INSURANCE POLICY HERE. 192 00:07:59,870 --> 00:08:03,308 I'LL JUST CALL THE CARRIER AND WORK THAT ONE OUT. 193 00:08:05,354 --> 00:08:06,573 SHE'S USED TO GETTING WHAT SHE WANTS. 194 00:08:06,616 --> 00:08:08,531 YES, AND WE EXPECT THAT TREND TO CONTINUE. 195 00:08:08,575 --> 00:08:11,360 FRANCESCA'S A KEY COMPONENT OF OUR SOUTH AMERICAN STRATEGY 196 00:08:11,403 --> 00:08:12,492 AND YOUR TOP PRIORITY RIGHT NOW. 197 00:08:12,535 --> 00:08:14,406 IN FACT, SHE'S YOUR ONLY PRIORITY. 198 00:08:14,450 --> 00:08:17,540 HERE. LEARN THIS BACKWARDS AND FORWARDS. 199 00:08:17,584 --> 00:08:20,848 ALLIES, ENEMIES, MEDICAL RECORDS, EVERY DETAIL. 200 00:08:20,891 --> 00:08:22,458 HERE'S MY CARD. 201 00:08:22,502 --> 00:08:24,634 FROM THIS POINT FORWARD, YOU'RE HER CONSTANT COMPANION. 202 00:08:24,678 --> 00:08:26,680 GOT IT? - GOT IT. 203 00:08:26,723 --> 00:08:30,074 GOOD. I'LL BE ON CALL 24 HOURS. 204 00:08:30,118 --> 00:08:33,991 FUN. 205 00:08:34,035 --> 00:08:36,385 - HELLO. - I'M FRANCESCA. 206 00:08:36,428 --> 00:08:40,824 WHAT IS IT? 207 00:08:42,783 --> 00:08:43,958 FRANCESCA? 208 00:08:44,001 --> 00:08:45,437 COMING, MISSUS. 209 00:08:45,481 --> 00:08:47,657 OH, THAT SOUNDS GREAT. THANK YOU. 210 00:08:49,311 --> 00:08:53,663 HI...NEIGHBOR. 211 00:08:53,707 --> 00:08:54,751 WHAT WAS ALL THAT ABOUT? 212 00:08:54,795 --> 00:08:56,753 SHE SAW ME IN THE YARD AND ASKED ME 213 00:08:56,797 --> 00:08:58,886 IF I WORK HERE FULL-TIME 214 00:08:58,929 --> 00:09:00,714 OR COULD I CLEAN FOR HER TUESDAYS? 215 00:09:00,757 --> 00:09:02,411 WHAT DID YOU SAY? 216 00:09:02,454 --> 00:09:05,545 I SAID, I'LL BE THERE AT 9:00 TO CLEAN HER HOUSE. 217 00:09:07,938 --> 00:09:10,550 GOOD. THAT'S GOOD. 218 00:09:10,593 --> 00:09:13,727 NO, MR. DAY, I DON'T HAVE A DEATH WISH. 219 00:09:13,770 --> 00:09:15,337 AND I WON'T SIT AROUND AND WATCH 220 00:09:15,380 --> 00:09:19,167 WHILE THE PEOPLE WHO STOOD BY MY SIDE ARE EXECUTED. 221 00:09:21,343 --> 00:09:22,953 EITHER FIND A WAY TO STOP IT, 222 00:09:22,997 --> 00:09:27,305 OR I AM ON THE NEXT FLIGHT HOME. 223 00:09:27,349 --> 00:09:30,526 THANK YOU, THANK YOU. GOOD NIGHT. 224 00:09:30,570 --> 00:09:32,136 DID THAT SOUND BITCHY? 225 00:09:32,180 --> 00:09:35,444 YOU KNOW, PROBABLY NOT THE BEST PERSON TO ASK. 226 00:09:35,487 --> 00:09:37,315 ARRESTED 37 TIMES. 227 00:09:37,359 --> 00:09:39,535 THAT'S IMPRESSIVE. 228 00:09:39,579 --> 00:09:42,625 NOT REALLY. HALF OF THOSE, THEY PUT ME AT THE HOLIDAY INN. 229 00:09:42,669 --> 00:09:44,322 AFTER A WHILE, 230 00:09:44,366 --> 00:09:45,672 IT GET TO BE A GAME. 231 00:09:45,715 --> 00:09:48,065 I WAS MAKING THE SAME OLD SPEECHES. 232 00:09:48,109 --> 00:09:50,938 THEY THROW ME IN JAIL FOR A FEW DAYS. 233 00:09:50,981 --> 00:09:52,243 YOU SHOULD KNOW WE HAVE SOMETHING CALLED 234 00:09:52,287 --> 00:09:53,418 A THREE STRIKES LAW HERE, SO YOU MIGHT WANT 235 00:09:53,462 --> 00:09:54,637 TO PULL BACK ON THE CIVIL DISOBEDIENCE 236 00:09:54,681 --> 00:09:55,812 FOR A WHILE. 237 00:09:55,856 --> 00:09:58,380 I'LL THINK ABOUT IT. 238 00:09:58,423 --> 00:09:59,860 NOW PUT THAT DOWN AND DRINK THIS. 239 00:09:59,903 --> 00:10:00,861 NO. 240 00:10:00,904 --> 00:10:02,123 AND DON'T GIVE ME ANY 241 00:10:02,166 --> 00:10:04,168 OF THAT "I CAN'T, I'M WORKING" CRAP. 242 00:10:04,212 --> 00:10:07,476 ALL RIGHT. JUST ONE. 243 00:10:07,519 --> 00:10:08,956 WE'LL SEE. 244 00:10:08,999 --> 00:10:11,654 MY LINE OF WORK, YOU LEARN EVERYTHING IS NEGOTIABLE. 245 00:10:11,698 --> 00:10:14,309 YEAH, WELL, IN MINE, NOTHING'S NEGOTIABLE. 246 00:10:17,355 --> 00:10:20,315 AYE-YI-YI. THEY SENT ME A NUN. 247 00:10:20,358 --> 00:10:23,318 THAT'S ME. OUR LADY OF THE HOLY MACKEREL. 248 00:10:33,154 --> 00:10:34,982 OKAY, YOU'RE NOT GONNA DRINK, 249 00:10:35,025 --> 00:10:36,723 HOW ABOUT THIS? 250 00:10:36,766 --> 00:10:39,421 CIGARS. 251 00:10:39,464 --> 00:10:40,901 HAND-ROLLED FROM HAVANA. 252 00:10:40,944 --> 00:10:44,426 THEY WERE A WELCOME TO AMERICA GIFT FROM MR. DAY. 253 00:10:44,469 --> 00:10:48,212 NOT SURPRISED IN THE LEAST. 254 00:10:48,256 --> 00:10:51,259 WHAT THE HELL. 255 00:11:00,834 --> 00:11:03,227 SO HOW DOES ONE BECOME THE LEADER OF A CAUSE? 256 00:11:03,271 --> 00:11:05,273 DID YOU ANSWER AN AD IN THE PAPER? 257 00:11:05,316 --> 00:11:09,407 "WANTED, SOCIALIST TROUBLEMAKER. NO EXPERIENCE NECESSARY"? 258 00:11:09,451 --> 00:11:12,715 NOTHING SO EXCITING. 259 00:11:12,759 --> 00:11:17,111 AFTER COLLEGE, I HAD A SUMMER JOB IN A BAKERY. 260 00:11:17,154 --> 00:11:20,201 ONE DAY THERE, A WORKER CUT OFF THE TIP OF HIS FINGER 261 00:11:20,244 --> 00:11:21,637 IN THE BREAD SLICER. 262 00:11:21,681 --> 00:11:23,900 TEACH HIM TO LOAF ON THE JOB. 263 00:11:23,944 --> 00:11:26,555 - WHAT? - NOTHING. I'M AN IDIOT. GO ON. 264 00:11:26,598 --> 00:11:31,255 THE MAN ASKED THE OWNER TO PAY FOR HIS MEDICAL BILLS. 265 00:11:31,299 --> 00:11:34,389 THE POOR GUY GOT FIRED. 266 00:11:34,432 --> 00:11:38,262 SO I TOLD THE OWNER THAT IT WAS UNFAIR. 267 00:11:38,306 --> 00:11:40,264 THEN I GOT FIRED. 268 00:11:40,308 --> 00:11:42,397 THE NEXT THING I KNOW, 269 00:11:42,440 --> 00:11:45,400 I'M ORGANIZING A BOYCOTT OF THE BAKERY. 270 00:11:45,443 --> 00:11:46,967 THE REST IS HISTORY. 271 00:11:48,795 --> 00:11:50,622 SOMEDAY, THE CHILDREN IN YOUR COUNTRY 272 00:11:50,666 --> 00:11:52,755 WILL BE TAUGHT THE STORY OF THE FINGERTIP 273 00:11:52,799 --> 00:11:55,236 THAT SPARKED A REVOLUTION. 274 00:11:55,279 --> 00:11:57,586 AND ON YOUR COUNTRY'S INDEPENDENCE DAY, 275 00:11:57,629 --> 00:12:00,110 EVERYONE CAN WALK AROUND GIVING EACH OTHER THE FINGER 276 00:12:00,154 --> 00:12:03,026 IN HONOR OF... WHAT'S THE GUY'S NAME? 277 00:12:03,070 --> 00:12:06,856 I HAVE NO IDEA. 278 00:12:06,900 --> 00:12:09,250 I REMEMBER HE SMELLED BAD ALL THE TIME. 279 00:12:10,294 --> 00:12:11,382 AND ONCE HE TRIED 280 00:12:11,426 --> 00:12:12,470 TO GRAB ME IN THE FREEZER. 281 00:12:14,472 --> 00:12:18,259 WE'LL HAVE TO RETHINK THAT HOLIDAY. 282 00:12:18,302 --> 00:12:20,740 AH, JESUS, THESE THINGS ARE STRONG. 283 00:12:20,783 --> 00:12:21,915 MIGHT AS WELL BE DRINKING. 284 00:12:21,958 --> 00:12:24,439 OH, GOOD. FINALLY. 285 00:12:24,482 --> 00:12:26,223 I'LL MAKE YOU ONE. - NO, NO, NO. 286 00:12:26,267 --> 00:12:28,138 NO, I DIDN'T MEAN--NEVER MIND. 287 00:12:28,182 --> 00:12:29,270 I STILL CAN'T DRINK. 288 00:12:29,313 --> 00:12:30,880 IN FACT, I GOT TO GET GOING. 289 00:12:30,924 --> 00:12:34,928 OH, NO, BUT WE DIDN'T EVEN GET IN THE JACUZZI YET. 290 00:12:34,971 --> 00:12:37,626 MAN, YOU'RE LIKE THE SNAKE IN THE APPLE TREE. 291 00:12:37,669 --> 00:12:39,889 COME ON. GET INSIDE, SO I CAN SET THE ALARM AND GO HOME. 292 00:12:39,933 --> 00:12:43,284 FINE. 293 00:12:43,327 --> 00:12:46,026 BUT I'M GOING TO SEE YOU DRUNK BEFORE I GO. 294 00:12:46,069 --> 00:12:47,854 IT'S NEVER GONNA HAPPEN. 295 00:12:47,897 --> 00:12:50,247 WE'LL SEE. 296 00:13:20,147 --> 00:13:21,409 IS HE GREAT OR WHAT? 297 00:13:21,452 --> 00:13:25,630 ALPERT! WHOO-HOO! 298 00:13:32,028 --> 00:13:34,291 HEY, WE DISCUSSED THIS, 299 00:13:34,335 --> 00:13:35,684 AND I THOUGHT WE AGREED YOU WEREN'T GONNA DO IT. 300 00:13:35,727 --> 00:13:37,468 WHAT, THE COMMERCIAL? 301 00:13:37,512 --> 00:13:39,993 YEAH, THE COMMERCIAL. 302 00:13:40,036 --> 00:13:41,864 I CAN'T BELIEVE YOU WHORED YOURSELF OUT LIKE THAT 303 00:13:41,908 --> 00:13:43,605 AND WITH REAL WHORES NO LESS. 304 00:13:43,648 --> 00:13:44,911 THE GIRLS WEREN'T MY IDEA. 305 00:13:44,954 --> 00:13:46,608 LOOK, I DON'T CARE WHO GETS CREATIVE CREDIT. 306 00:13:46,651 --> 00:13:48,044 IT'S STILL YOUR FACE UP ON THE SCREEN. 307 00:13:48,088 --> 00:13:50,873 PETER UPPED HIS OFFER TO $3,000. 308 00:13:50,917 --> 00:13:52,048 I CAN HELP YOU PAY THE MORTGAGE. 309 00:13:52,092 --> 00:13:53,876 HONEY, I DON'T NEED YOUR GODDAMN HELP. 310 00:13:53,920 --> 00:13:56,226 BUT I WANT TO HELP YOU. 311 00:13:56,270 --> 00:13:58,228 WHY IS THIS SUCH A BIG DEAL FOR YOU? 312 00:13:58,272 --> 00:14:00,970 IT'S A BIG DEAL BECAUSE THAT'S NOT THE GUY I GOT ENGAGED TO. 313 00:14:01,014 --> 00:14:03,016 I MEAN, WHAT'S NEXT? A COWBOY HAT AND A MONKEY? 314 00:14:03,059 --> 00:14:04,844 CHRIST, RAPH. 315 00:14:04,887 --> 00:14:06,454 I MEAN, YOU'RE EMBARRASSING YOURSELF ON TV, 316 00:14:06,497 --> 00:14:08,543 AND YOU DON'T EVEN KNOW IT. - NO, I'M NOT. 317 00:14:08,586 --> 00:14:10,284 BUT, OBVIOUSLY, I'M EMBARRASSING YOU. 318 00:14:10,327 --> 00:14:12,112 YEAH, AS A MATTER OF FACT, YOU ARE. 319 00:14:12,155 --> 00:14:14,114 WELL, TOO BAD. 320 00:14:14,157 --> 00:14:16,986 WHAT MAKES YOU THINK YOU GET TO DECIDE 321 00:14:17,030 --> 00:14:18,292 WHAT JOB I TAKE OR I DON'T TAKE? 322 00:14:18,335 --> 00:14:19,902 I HATE YOUR JOB, 323 00:14:19,946 --> 00:14:21,904 BUT THAT'S WHAT YOU LOVE, SO I KEEP MY MOUTH SHUT. 324 00:14:21,948 --> 00:14:26,082 WHO GAVE YOU THE RIGHT TO TELL ME WHAT I CAN 325 00:14:26,126 --> 00:14:27,257 OR CANNOT DO FOR A LIVING? 326 00:14:27,301 --> 00:14:29,216 HUH? 327 00:14:32,915 --> 00:14:37,398 WHEN YOU THINK OF A GOOD ANSWER, CALL ME. 328 00:14:37,441 --> 00:14:39,139 WHAT? 329 00:14:39,182 --> 00:14:41,054 - PLANNING ON COMING IN TODAY? - GIVE ME A BREAK. 330 00:14:41,097 --> 00:14:42,882 FRANCESCA KEPT ME UP TILL 5:00 IN THE MORNING. 331 00:14:42,925 --> 00:14:44,666 WHAT'D I MISS? - NOTHING MUCH. 332 00:14:44,709 --> 00:14:47,538 FRANCESCA JUST MOVED HERSELF INTO A NEW HOUSE. 333 00:14:47,582 --> 00:14:50,628 WHAT? WHEN? HOW? 334 00:14:50,672 --> 00:14:52,804 DON'T FORGET WHO, WHY, AND WHERE. 335 00:15:03,554 --> 00:15:04,991 THIS IS NOT GOOD. 336 00:15:05,034 --> 00:15:06,514 WHAT WAS SHE THINKING? 337 00:15:06,557 --> 00:15:07,950 AND HOW THE HELL'D THEY MOVE HER SO QUICKLY? 338 00:15:07,994 --> 00:15:09,865 THEY DON'T CALL 'EM SPOOKS FOR NOTHING. 339 00:15:09,909 --> 00:15:11,388 SO HOW DO YOU LIKE IT? 340 00:15:11,432 --> 00:15:13,173 I DON'T LIKE IT ONE BIT, FRANCESCA. 341 00:15:13,216 --> 00:15:15,044 YOU CAN'T STAY HERE. 342 00:15:15,088 --> 00:15:17,917 SURE, I CAN. THE LANDLORD GAVE US A MONTH-TO-MONTH. 343 00:15:17,960 --> 00:15:19,570 IS SHE ALWAYS SO NEGATIVE? 344 00:15:19,614 --> 00:15:22,051 PRETTY MUCH, BUT IN THIS CASE, IT'S JUSTIFIED. 345 00:15:22,095 --> 00:15:23,879 THIS IS A DANGEROUS NEIGHBORHOOD. 346 00:15:23,923 --> 00:15:25,359 I'M SORRY YOU DON'T LIKE IT HERE. 347 00:15:25,402 --> 00:15:27,187 BUT THESE ARE MY PEOPLE. 348 00:15:27,230 --> 00:15:30,842 THOSE BOYS OVER THERE, I GREW UP WITH BOYS JUST LIKE THEM. 349 00:15:30,886 --> 00:15:32,061 - YEAH, BUT... - MARY, YOU KNOW 350 00:15:32,105 --> 00:15:33,845 I DON'T BELONG IN THAT OTHER PLACE. 351 00:15:33,889 --> 00:15:35,978 FRANCESCA, THE STATE DEPARTMENT'S NEVER GONNA 352 00:15:36,022 --> 00:15:37,458 APPROVE THIS. - MR. DAY ALREADY DID. 353 00:15:37,501 --> 00:15:39,112 THE OTHER PLACE WAS SO NICE. 354 00:15:39,155 --> 00:15:40,591 I LIKE THIS BETTER. 355 00:15:40,635 --> 00:15:43,420 NO, I REALLY LIKE THE OTHER PLACE. 356 00:15:43,464 --> 00:15:45,031 NO, NO, WHOA, WHOA, WHOA. 357 00:15:45,074 --> 00:15:47,816 STOP. THOSE WORK A LOT BETTER IF THEY'RE ATTACHED, CHAMP. 358 00:15:47,859 --> 00:15:49,644 NO, PERO NO SON NECESARIAS. 359 00:15:49,687 --> 00:15:50,993 THEY'RE VERY NECESARIAS. 360 00:15:51,037 --> 00:15:52,081 AND THEY'RE STAYING ON. 361 00:15:52,125 --> 00:15:54,040 OKAY, IF IT MAKES YOU FEEL SAFER 362 00:15:54,083 --> 00:15:55,389 THAT I LIVE IN A PRISON, 363 00:15:55,432 --> 00:15:56,738 I'LL DO IT FOR YOU. - THANKS, YOU'RE A SAINT. 364 00:15:56,781 --> 00:15:57,869 HOLA, CHICAS. 365 00:15:57,913 --> 00:15:59,001 HOLA. 366 00:15:59,045 --> 00:16:00,742 SO YOU WANT TO GET HIGH? 367 00:16:00,785 --> 00:16:02,657 EXCELLENT. THE WELCOME WAGON. 368 00:16:02,700 --> 00:16:04,615 HEY, HERE'S AN IDEA. GET LOST. 369 00:16:04,659 --> 00:16:07,401 IT'S OKAY. HE'S JUST BEING FRIENDLY. 370 00:16:07,444 --> 00:16:09,969 YEAH, PAPI, CHILL. I'M JUST BEING FRIENDLY. 371 00:16:11,927 --> 00:16:13,276 SO HOW ABOUT IT? WANT TO COME OVER? 372 00:16:13,320 --> 00:16:14,886 OH, NOT TODAY, HIJITO. 373 00:16:14,930 --> 00:16:16,627 BUT ONCE I'VE MOVED IN, 374 00:16:16,671 --> 00:16:18,673 YOU AND YOUR FRIENDS SHOULD COME OVER HERE. 375 00:16:18,716 --> 00:16:20,414 OKAY, FRESA. 376 00:16:20,457 --> 00:16:22,024 WE WILL. WE WILL. 377 00:16:22,068 --> 00:16:24,070 GREAT. LIKE A MIXER. 378 00:16:24,113 --> 00:16:25,897 - MY NAME'S MARIO. - FRANCESCA. 379 00:16:25,941 --> 00:16:27,899 WHAT ARE YOU DOING, MAN? 380 00:16:27,943 --> 00:16:30,598 - YOUR DADDY'S CALLING. - THAT'S LALA. 381 00:16:30,641 --> 00:16:34,210 YOU'LL GET TO MEET HIM. LATER, PAPI. 382 00:16:34,254 --> 00:16:38,084 UH-HUH. 383 00:16:38,127 --> 00:16:40,695 WELL, HE SEEMS NICE. 384 00:16:40,738 --> 00:16:43,480 LOOK AT HOW THE TWO OF YOU ACT THE SECOND YOU SEE BROWN SKIN. 385 00:16:43,524 --> 00:16:45,961 - ARE YOU SERIOUS? - MM-HMM. 386 00:16:46,005 --> 00:16:47,919 DON'T GIVE ME THAT BROWN SKIN CRAP. 387 00:16:47,963 --> 00:16:49,443 I'M ENGAGED TO SOMEONE WITH BROWN SKIN, 388 00:16:49,486 --> 00:16:51,575 BUT THAT KID AND HIS FRIENDS OVER THERE ARE CRIMINALS, 389 00:16:51,619 --> 00:16:52,881 AND ANYONE WHO'S BEEN A COP 390 00:16:52,924 --> 00:16:53,795 FOR FIVE SECONDS WILL TELL YOU THE SAME THING. 391 00:16:53,838 --> 00:16:55,144 THEY'RE ONLY CRIMINALS 392 00:16:55,188 --> 00:16:56,145 BECAUSE OF DRUG LAWS 393 00:16:56,189 --> 00:16:57,886 THAT TARGET POOR PEOPLE 394 00:16:57,929 --> 00:16:59,801 AND BECAUSE THIS IS THE ONLY THING THEY'VE EVER KNOWN. 395 00:16:59,844 --> 00:17:02,021 FRANCESCA. 396 00:17:02,064 --> 00:17:03,631 IF YOU DON'T LIKE IT HERE, 397 00:17:03,674 --> 00:17:05,459 YOU CAN LEAVE. 398 00:17:37,012 --> 00:17:38,579 YOU CALLING IT IN? 399 00:17:38,622 --> 00:17:40,711 YUP. 400 00:17:40,755 --> 00:17:43,714 HI, THIS IS MARGARET STERLING. 401 00:17:43,758 --> 00:17:46,195 I'M AT 7384 MESA RIDGE, 402 00:17:46,239 --> 00:17:48,980 AND THERE'S SOME BOYS ACROSS THE STREET SMASHING BOTTLES, 403 00:17:49,024 --> 00:17:49,894 AND I THINK THEY MIGHT BE HIGH ON DRUGS. 404 00:17:49,938 --> 00:17:51,461 SO IF YOU COULD... 405 00:17:51,505 --> 00:17:52,854 PLEASE, PLEASE HURRY. THANK YOU. 406 00:17:52,897 --> 00:17:55,248 THANK YOU SO MUCH. 407 00:17:55,291 --> 00:17:58,381 THANK YOU. THANKS. THANKS A LOT. BYE. 408 00:18:01,123 --> 00:18:02,603 MAYBE A PATROL WILL COOL THINGS DOWN. 409 00:18:02,646 --> 00:18:03,647 MAYBE. 410 00:18:03,691 --> 00:18:06,041 THINK YOU'RE GONNA BE OKAY HERE? 411 00:18:06,085 --> 00:18:08,870 I'VE GOT A, SORT OF A DATE THING. 412 00:18:08,913 --> 00:18:10,959 SURE, I'LL BE FINE. 413 00:18:11,002 --> 00:18:12,047 WHO'S THE LUCKY GUY? 414 00:18:12,091 --> 00:18:13,309 SHUT UP. 415 00:18:19,010 --> 00:18:22,710 OH, NO, NO, NO, PUT THAT INSIDE. 416 00:18:22,753 --> 00:18:24,146 HEY, HERE'S AN IDEA. 417 00:18:24,190 --> 00:18:25,713 WHAT DO YOU SAY, AS SOON AS THE MOVERS ARE FINISHED, 418 00:18:25,756 --> 00:18:27,671 WE GO GET SOME DINNER? THERE'S A PLACE NEARBY. 419 00:18:27,715 --> 00:18:28,933 I THINK IT'S RIGHT UP YOUR ALLEY. 420 00:18:28,977 --> 00:18:32,589 OH, YEAH? THERE'S MUSIC IN THIS PLACE? 421 00:18:32,633 --> 00:18:33,982 - THERE MIGHT BE. - DANCING? 422 00:18:34,025 --> 00:18:37,464 - POSSIBLY. - OKAY, I'M IN. 423 00:18:37,507 --> 00:18:39,509 OKAY. 424 00:18:56,918 --> 00:19:01,227 SO TELL ME ABOUT YOUR BROWN SKIN FIANCE. 425 00:19:01,270 --> 00:19:04,969 THERE'S NOT MUCH TO TELL. 426 00:19:05,013 --> 00:19:10,323 HE'S DOMINICAN, HE'S HANDSOME, VERY SWEET. 427 00:19:10,366 --> 00:19:12,368 USED TO BE A BASEBALL PLAYER. 428 00:19:12,412 --> 00:19:14,457 ALL DOMINICANS ARE BASEBALL PLAYERS. 429 00:19:14,501 --> 00:19:16,459 WOW, TALK ABOUT STEREOTYPING. YOU'RE WORSE THAN I AM. 430 00:19:16,503 --> 00:19:19,070 HOW ABOUT YOU? 431 00:19:19,114 --> 00:19:22,726 BOYFRIEND? HUSBAND? EX-HUSBAND? 432 00:19:22,770 --> 00:19:25,294 NO. I ALMOST GOT MARRIED ONCE. 433 00:19:25,338 --> 00:19:27,078 HOW CLOSE? 434 00:19:27,122 --> 00:19:28,689 CHURCH DOOR. 435 00:19:28,732 --> 00:19:31,779 AH, AND, LET ME GUESS, 436 00:19:31,822 --> 00:19:33,824 YOU HAD TO CHOOSE BETWEEN HIM AND YOUR WORK? 437 00:19:33,868 --> 00:19:35,043 NO, IT WASN'T LIKE THAT. 438 00:19:35,086 --> 00:19:37,437 - THEN WHAT? - HE DIDN'T GET THE JOKES. 439 00:19:37,480 --> 00:19:40,135 THAT'S A TOUGH ONE. 440 00:19:40,179 --> 00:19:41,223 DOES YOURS? 441 00:19:41,267 --> 00:19:45,140 MM, SOMETIMES. 442 00:19:45,184 --> 00:19:47,969 ENOUGH OF THE TIME. 443 00:19:48,012 --> 00:19:50,014 REALLY. IF YOU MET HIM, YOU'D KNOW WHAT I MEAN. 444 00:19:50,058 --> 00:19:51,451 CAN I MEET HIM? 445 00:19:51,494 --> 00:19:52,495 NO. 446 00:19:52,539 --> 00:19:55,063 OH, ARE YOU ASHAMED OF HIM? 447 00:19:55,106 --> 00:19:56,934 DOES HE HAVE A HUMPBACK? 448 00:19:56,978 --> 00:19:59,676 A SMALL ONE. 449 00:20:04,290 --> 00:20:07,075 I LOVE THIS MUSIC. COME ON, LET'S DANCE. 450 00:20:07,118 --> 00:20:09,338 FRANCESCA, GIVE ME A BREAK. MY JOB IS TO PROTECT YOU. 451 00:20:09,382 --> 00:20:11,732 I CAN'T DO IT IF I'M DRINKING OR DANCING. 452 00:20:11,775 --> 00:20:12,994 OKAY, I UNDERSTAND, 453 00:20:13,037 --> 00:20:15,997 BUT I'VE BEEN UNDER A LOT OF STRESS LATELY, 454 00:20:16,040 --> 00:20:18,304 AND DRINKING AND DANCING IS THE BEST WAY 455 00:20:18,347 --> 00:20:20,175 I KNOW TO RELEASE IT. 456 00:20:23,134 --> 00:20:25,702 - OH, NO. - WHAT? 457 00:20:28,749 --> 00:20:33,144 IT'S MY FIANCE. 458 00:20:33,188 --> 00:20:36,800 - THAT'S? - YEAH. 459 00:20:36,844 --> 00:20:38,672 CHICA, GOOD FOR YOU. 460 00:20:38,715 --> 00:20:42,284 - REALLY? - YEAH. 461 00:20:42,328 --> 00:20:46,114 YOU DON'T THINK THIS IS HUMILIATING? 462 00:20:46,157 --> 00:20:47,724 OH, NO, BUT IF YOU DO, 463 00:20:47,768 --> 00:20:51,598 I KNOW HOW I'M SPENDING THE NEXT THREE MONTHS. 464 00:20:51,641 --> 00:20:55,428 OKAY. 465 00:20:58,169 --> 00:21:00,781 GODDAMN, I WISH I COULD DRINK. 466 00:21:06,961 --> 00:21:09,050 DERSHOWITZ, IT'S MARY. 467 00:21:09,093 --> 00:21:11,313 IS THERE SOMEONE YOU CAN TALK TO FOR ME OVER THERE? 468 00:21:11,357 --> 00:21:12,793 I CALLED IN A CIVILIAN COMPLAINT 469 00:21:12,836 --> 00:21:15,056 ABOUT DRUG DEALS AND VANDALISM A FEW HOURS AGO. 470 00:21:15,099 --> 00:21:17,754 JUDGING BY THE NOISE LEVEL AND CONTINUING DRUG ACTIVITY, 471 00:21:17,798 --> 00:21:19,016 I'M GUESSING NO ONE'S SHOWN UP. 472 00:21:19,060 --> 00:21:20,322 IS THERE A REASON WHY IT TAKES SO LONG 473 00:21:20,366 --> 00:21:21,323 TO GET A CRUISER TO ROLL BY? 474 00:21:21,367 --> 00:21:22,542 GEE, I DON'T KNOW. 475 00:21:22,585 --> 00:21:23,934 MAYBE THERE'S MORE THAN ONE DRUG DEAL 476 00:21:23,978 --> 00:21:25,414 GOING DOWN IN ALBUQUERQUE. 477 00:21:25,458 --> 00:21:28,678 WHERE ARE YOU? - 7384 MESA RIDGE. 478 00:21:28,722 --> 00:21:30,332 IS IT POSSIBLE TO LIGHT A FIRE UNDER SOMEONE'S ASS? 479 00:21:30,376 --> 00:21:33,553 ALL I WANT IS A BLACK AND WHITE TO ROLL BY, FLASH ITS LIGHTS, 480 00:21:33,596 --> 00:21:34,989 JUST TO SCARE SOME OF THE UNFRIENDLIES AWAY. 481 00:21:35,032 --> 00:21:36,251 I'LL SEE WHAT I CAN DO. 482 00:21:36,295 --> 00:21:38,035 BUT IT IS A BUSY NIGHT. - ALL RIGHT, THANKS. 483 00:21:38,079 --> 00:21:40,124 WHY ARE YOU CALLING THE POLICE? 484 00:21:40,168 --> 00:21:41,387 WHAT ARE YOU AFRAID OF? 485 00:21:41,430 --> 00:21:43,867 YOU DYING, ME GETTING FIRED. 486 00:21:43,911 --> 00:21:45,086 I HOPE YOU KNOW YOU'RE MAKING THIS 487 00:21:45,129 --> 00:21:46,000 INCREDIBLY DIFFICULT FOR ME. 488 00:21:47,958 --> 00:21:50,526 I THINK YOU ARE MAKING IT DIFFICULT FOR YOURSELF. 489 00:21:50,570 --> 00:21:52,920 I LIKED YOU SO MUCH MORE IN THE NICE HOUSE. 490 00:21:57,272 --> 00:21:59,492 I CAN'T GET THIS THING TO WORK. 491 00:21:59,535 --> 00:22:01,232 OYE, MAMACITA. 492 00:22:01,276 --> 00:22:03,974 EXCELLENT. JUST WHAT WE NEED. 493 00:22:04,018 --> 00:22:07,935 MARY, IT'S FINE. 494 00:22:07,978 --> 00:22:09,415 STAY BACK. 495 00:22:09,458 --> 00:22:11,068 COME ON, FRESA. 496 00:22:11,112 --> 00:22:13,114 I KNOW YOU IN THERE. 497 00:22:13,157 --> 00:22:15,725 INVITE ME IN. I'M THIRSTY. 498 00:22:15,769 --> 00:22:17,031 PRIVATE PARTY. 499 00:22:17,074 --> 00:22:18,467 YOU'VE HAD ENOUGH ALREADY. 500 00:22:18,511 --> 00:22:22,341 DON'T YOU KNOW NOTHING ABOUT HOSPITALITY? 501 00:22:22,384 --> 00:22:23,342 SURE I DO. 502 00:22:23,385 --> 00:22:24,343 THANKS SO MUCH FOR COMING. 503 00:22:24,386 --> 00:22:25,474 HAVE A WONDERFUL EVENING. 504 00:22:27,084 --> 00:22:28,042 OPEN THE DOOR, BLANCA. 505 00:22:28,085 --> 00:22:29,913 LET'S TALK ABOUT IT. 506 00:22:29,957 --> 00:22:31,001 COME ON. HE'S HARMLESS. 507 00:22:31,045 --> 00:22:32,176 YEAH, YOU DIDN'T SMELL HIM. 508 00:22:32,220 --> 00:22:33,352 I'M TELLING YOU, 509 00:22:33,395 --> 00:22:35,266 YOU JUST IGNORE THEM, THEY'LL GO AWAY. 510 00:22:35,310 --> 00:22:37,617 ALL RIGHT, FINE. I'LL TAKE YOUR ADVICE. 511 00:22:37,660 --> 00:22:38,922 WE'LL IGNORE HIM TILL HE GETS BORED. 512 00:22:38,966 --> 00:22:40,315 - OKAY. - 5-0. 5-0. 513 00:22:40,359 --> 00:22:42,883 - ALBUQUERQUE POLICE. - GET IN THE BATHROOM NOW. 514 00:22:42,926 --> 00:22:44,624 - OFF THE PORCH NOW. - GO. GO. 515 00:22:44,667 --> 00:22:45,886 GET IN THE BATHROOM. DON'T MOVE TILL I TELL YOU. 516 00:22:45,929 --> 00:22:47,278 KEEP YOUR HANDS WHERE I CAN SEE 'EM. 517 00:22:47,322 --> 00:22:48,671 COULD YOU SAY THAT A LITTLE BIT LOUDER, HOMES? 518 00:22:48,715 --> 00:22:51,108 I DON'T THINK MY FRIENDS HEARD YOU. 519 00:22:51,152 --> 00:22:53,067 YOU HEARD THE MAN, MARIO. 520 00:22:53,110 --> 00:22:54,982 GET OFF THE DAMN PORCH. - YOU CALLED THE COPS, BITCH? 521 00:22:55,025 --> 00:22:56,897 YOU THINK I NEED COPS TO HANDLE A CABRON LIKE YOU? 522 00:22:56,940 --> 00:22:58,507 GO. - WHOA! 523 00:22:58,551 --> 00:23:00,770 PUSHED BY A GIRL. 524 00:23:02,685 --> 00:23:05,122 CROSSING THE STREET. 525 00:23:05,166 --> 00:23:07,386 COME ON, CHICA. TRY IT AGAIN. 526 00:23:07,429 --> 00:23:08,909 I'LL GIVE YOU FIRST SHOT. COME ON. 527 00:23:08,952 --> 00:23:10,345 OKAY, OKAY, COME ON. LET'S NOT GET CRAZY. 528 00:23:10,389 --> 00:23:12,129 I DON'T WANT TO FIGHT YOU. - EVERYBODY STOP. 529 00:23:12,173 --> 00:23:13,609 KEEP YOUR HANDS WHERE I CAN SEE 'EM. 530 00:23:13,653 --> 00:23:17,308 SEVEN TO TWO. SOUNDS LIKE BAD ODDS TO ME. 531 00:23:17,352 --> 00:23:19,920 I'M NOT GONNA SAY IT AGAIN. 532 00:23:19,963 --> 00:23:22,705 GO. JOIN YOUR FRIENDS. 533 00:23:22,749 --> 00:23:25,099 ALL RIGHT, BACK TO THE FENCE. BACK UP TOWARDS THE FENCE. 534 00:23:25,142 --> 00:23:28,537 TURN AROUND. TURN AROUND. 535 00:23:28,581 --> 00:23:30,713 PUT YOUR HANDS BEHIND YOUR NECK. 536 00:23:30,757 --> 00:23:34,282 GUN! 537 00:23:34,325 --> 00:23:37,241 YO, MAN, LET'S GO! LET'S GO! 538 00:23:37,285 --> 00:23:42,072 MARY! MARY! 539 00:23:42,116 --> 00:23:43,465 THIS IS DETECTIVE DERSHOWITZ. 540 00:23:43,509 --> 00:23:45,554 ALBUQUERQUE POLICE. I GOT A CODE 108. 541 00:23:45,598 --> 00:23:47,991 OFFICER DOWN. REPEAT, OFFICER DOWN! 542 00:23:48,035 --> 00:23:50,080 OFFICER DOWN. 543 00:23:55,738 --> 00:23:57,087 U.S. MARSHAL MARY SHANNON, GUNSHOT WOUND 544 00:23:57,131 --> 00:23:59,089 TO THE ABDOMEN APPROXIMATELY EIGHT MINUTES AGO. 545 00:23:59,133 --> 00:24:00,613 LOST CONSCIOUSNESS IMMEDIATELY. 546 00:24:00,656 --> 00:24:02,658 WE LOST HER PULSE ROUGHLY TWO MINUTES AGO 547 00:24:02,702 --> 00:24:03,659 AND BEGAN BREATHING AND COMPRESSIONS. 548 00:24:03,703 --> 00:24:04,660 MARY, LISTEN TO ME, YOU NEED 549 00:24:04,704 --> 00:24:05,618 TO HANG AROUND FOR A WHILE. 550 00:24:05,661 --> 00:24:07,315 IT'S NOT TIME TO GO YET. 551 00:24:07,358 --> 00:24:08,490 OKAY, WE'RE GONNA FIX YOU UP BUT IT MIGHT TAKE SOME TIME... 552 00:24:08,534 --> 00:24:10,492 PAGE BRONSTEIN. CLEAR TRAUMA THREE. 553 00:24:10,536 --> 00:24:14,540 SORRY, SIR, YOU HAVE TO WAIT OUTSIDE. 554 00:24:14,583 --> 00:24:19,022 MARSHALL! 555 00:24:19,066 --> 00:24:23,200 MARSHALL. - SHE WASN'T BREATHING, STAN. 556 00:24:23,244 --> 00:24:26,377 IT'S ALL RIGHT. 557 00:24:29,729 --> 00:24:31,774 IT WAS A BAD NEIGHBORHOOD. 558 00:24:31,818 --> 00:24:34,168 A BAD SITUATION FROM THE GET-GO. 559 00:24:34,211 --> 00:24:37,171 THE WITNESS SHOULD NEVER HAVE BEEN ALLOWED TO MOVE THERE. 560 00:24:37,214 --> 00:24:38,955 MARY SHOULD NEVER HAVE BEEN PUT IN THAT POSITION, 561 00:24:38,999 --> 00:24:41,305 MANAGING A WITNESS OVER WHOM SHE HAD NO AUTHORITY. 562 00:24:41,349 --> 00:24:43,743 I KNOW. I KNOW. I SHOULDN'T HAVE ALLOWED IT. 563 00:24:43,786 --> 00:24:45,440 I SHOULD HAVE STAYED. 564 00:24:45,484 --> 00:24:46,789 I SAW WHAT WAS GOING ON THERE. 565 00:24:46,833 --> 00:24:48,051 IT JUST DIDN'T OCCUR TO ME. 566 00:24:48,095 --> 00:24:49,705 WHY WOULD IT? IT'S MARY. 567 00:24:49,749 --> 00:24:52,534 SHE'S LIKE...I DON'T KNOW. 568 00:24:52,578 --> 00:24:54,667 - I KNOW. - FIERCE, YOU KNOW. 569 00:24:54,710 --> 00:24:56,582 SHE'S ALWAYS GOING TO BE THE TOUGHEST DOG IN THE FIGHT. 570 00:24:56,625 --> 00:24:59,802 BOXERS CALL IT THE AIR OF INVINCIBILITY. 571 00:24:59,846 --> 00:25:01,369 THAT'S EXACTLY IT. 572 00:25:01,412 --> 00:25:03,371 ALL GREAT FIGHTERS HAVE IT. 573 00:25:03,414 --> 00:25:04,590 YEAH. 574 00:25:04,633 --> 00:25:06,374 RIGHT UP TO THE MINUTE THEY'RE BEATEN. 575 00:25:08,594 --> 00:25:12,293 OH. OH, NO. 576 00:25:12,336 --> 00:25:13,381 SHE'S ALIVE. 577 00:25:13,424 --> 00:25:15,601 SHE'S IN SURGERY. - WHAT HAPPENED? 578 00:25:15,644 --> 00:25:16,950 WE'RE STILL TRYING TO SORT IT OUT. 579 00:25:16,993 --> 00:25:17,951 ALL WE KNOW RIGHT NOW 580 00:25:17,994 --> 00:25:19,430 IS SHE WAS SHOT IN THE ABDOMEN. 581 00:25:19,474 --> 00:25:21,824 DID THEY GET THE GUY WHO DID THIS? 582 00:25:21,868 --> 00:25:22,825 NOT YET. 583 00:25:22,869 --> 00:25:24,479 BUT WE WILL. I PROMISE. 584 00:25:24,523 --> 00:25:25,959 SIT DOWN. SIT DOWN. 585 00:25:26,002 --> 00:25:28,222 COME HERE. SIT DOWN. SIT DOWN. 586 00:25:28,265 --> 00:25:29,615 I'M HEADED OVER TO THE CRIME SCENE. 587 00:25:29,658 --> 00:25:31,268 SEE WHAT I CAN FIND OUT. 588 00:25:31,312 --> 00:25:32,574 I'LL CALL AS SOON AS I KNOW ANYTHING. 589 00:25:32,618 --> 00:25:35,403 YOU DO THE SAME. - LOOK FOR A PUNK CALLED MARIO 590 00:25:35,446 --> 00:25:37,797 FROM THE CRACK HOUSE ACROSS THE STREET. 591 00:25:37,840 --> 00:25:40,495 HE WAS SNIFFING AROUND FRANCESCA AND MARY. 592 00:25:40,539 --> 00:25:41,496 I RAN HIM OFF. 593 00:25:41,540 --> 00:25:42,628 ALL RIGHT, I'LL MAKE SURE 594 00:25:42,671 --> 00:25:43,672 HE'S ON THE SUSPECT LIST. 595 00:25:47,981 --> 00:25:49,330 UH-HUH? 596 00:25:49,373 --> 00:25:50,592 WE'RE GONNA NEED A PRIVATE WAITING AREA. 597 00:25:50,636 --> 00:25:52,028 OH, SURE, I'LL GET RIGHT ON THAT. 598 00:25:52,072 --> 00:25:53,943 WE NEED TO GET YOU OUT OF HERE AS SOON AS POSSIBLE. 599 00:25:53,987 --> 00:25:55,771 I LEAVE WHEN I KNOW SHE'S OKAY. 600 00:25:59,296 --> 00:26:02,343 WE NEED TO TALK. 601 00:26:02,386 --> 00:26:08,654 DO WE KNOW HOW SHE'S DOING? 602 00:26:08,697 --> 00:26:10,481 YOUR INSPECTOR SCREWED THE POOCH. 603 00:26:10,525 --> 00:26:12,527 I GAVE HER ONE JOB. THAT WAS IT. 604 00:26:12,571 --> 00:26:16,226 ONE JOB. I'M TELLING YOU, WHEN I GET DONE WITH HER... 605 00:26:16,270 --> 00:26:17,967 YEAH, WHAT ARE YOU GONNA DO? HUH? 606 00:26:18,011 --> 00:26:19,795 WHAT ARE YOU GONNA DO? HUH? 607 00:26:19,839 --> 00:26:21,144 GO AHEAD, SAY IT. 608 00:26:21,188 --> 00:26:22,885 GO AHEAD, SAY ONE MORE WORD. SAY IT. 609 00:26:22,929 --> 00:26:25,279 OPEN YOUR MOUTH AGAIN, YOU MORON! 610 00:26:25,322 --> 00:26:27,542 MY INSPECTOR ALMOST GOT KILLED-- 611 00:26:27,586 --> 00:26:29,413 SHE MAY NOT MAKE IT-- BECAUSE OF YOUR STUPIDITY. 612 00:26:29,457 --> 00:26:30,501 BECAUSE AGAINST HER ADVICE, 613 00:26:30,545 --> 00:26:31,807 YOU ALLOWED THAT WOMAN TO MOVE 614 00:26:31,851 --> 00:26:33,896 INTO THE WORST NEIGHBORHOOD IN ALBUQUERQUE. 615 00:26:33,940 --> 00:26:36,159 I'VE ALREADY FILED A COMPLAINT, ASS[bleep]. 616 00:26:36,203 --> 00:26:37,160 GO AHEAD, GO AHEAD. 617 00:26:37,204 --> 00:26:38,292 PLEASE OPEN YOUR MOUTH AGAIN. 618 00:26:38,335 --> 00:26:39,554 I SWEAR I'LL BOUNCE YOUR HEAD 619 00:26:39,598 --> 00:26:40,599 OFF EVERY WALL IN THIS FRIGGIN' HOSPITAL. 620 00:26:40,642 --> 00:26:42,601 SAY IT. GO AHEAD! 621 00:26:56,179 --> 00:26:59,443 THIS IS A LITTLE MORE PRIVATE. 622 00:27:17,157 --> 00:27:20,073 I WAS WITH HER BEFORE THIS HAPPENED. 623 00:27:20,116 --> 00:27:21,552 SHE TOLD ME ALL ABOUT YOU. 624 00:27:21,596 --> 00:27:23,685 ABOUT THE TWO OF YOU. 625 00:27:23,729 --> 00:27:25,513 - REALLY? - SI. 626 00:27:25,556 --> 00:27:26,645 YOU WORK WITH HER? 627 00:27:26,688 --> 00:27:28,516 NOT REALLY. 628 00:27:28,559 --> 00:27:30,779 WE ARE MORE JUST FRIENDS. 629 00:27:33,216 --> 00:27:34,870 SHE WAS PROTECTING YOU? 630 00:27:34,914 --> 00:27:36,524 SI. 631 00:27:39,179 --> 00:27:41,094 EXCUSE ME. 632 00:27:41,137 --> 00:27:43,183 DO YOU KNOW MY DAUGHTER? 633 00:27:43,226 --> 00:27:46,403 YES, MY NAME IS FRANCESCA. 634 00:27:46,447 --> 00:27:49,624 FRANCESCA'S A FRIEND OF MARY'S FROM THE COURTHOUSE. 635 00:27:49,668 --> 00:27:52,845 SI, WE WORK TOGETHER. 636 00:27:52,888 --> 00:27:54,977 SHE'S A WONDERFUL, WONDERFUL PERSON. 637 00:27:56,457 --> 00:27:59,416 EXCUSE ME, ARE YOU THE FAMILY OF MARY SHANNON? 638 00:27:59,460 --> 00:28:01,592 YES. I'M HER MOTHER. 639 00:28:01,636 --> 00:28:02,898 I'M DR. BRONSTEIN. 640 00:28:02,942 --> 00:28:04,987 PLEASE, SIT DOWN. 641 00:28:08,774 --> 00:28:12,560 MS. SHANNON, YOUR DAUGHTER SUFFERED SIGNIFICANT LOSS 642 00:28:12,603 --> 00:28:15,432 OF BLOOD AS THE RESULT OF A GUNSHOT WOUND TO THE ABDOMEN. 643 00:28:15,476 --> 00:28:18,087 SHE WAS IN FULL CARDIAC ARREST WHEN THEY BROUGHT HER IN. 644 00:28:18,131 --> 00:28:20,655 WE DID MANAGE TO SHOCK HER HEART 645 00:28:20,699 --> 00:28:23,005 BACK INTO A SOMEWHAT REGULAR SINUS RHYTHM. 646 00:28:23,049 --> 00:28:25,486 AND I'VE CLAMPED OFF ALL THE BLEEDING THAT I CAN. 647 00:28:25,529 --> 00:28:29,577 BUT BEFORE WE CAN ATTEMPT ANY FURTHER SURGERY, 648 00:28:29,620 --> 00:28:32,406 WE GOT TO GET HER BLOOD VOLUME UP TO AN ACCEPTABLE LEVEL 649 00:28:32,449 --> 00:28:35,757 AND GET THAT HEART STABILIZED. 650 00:28:35,801 --> 00:28:37,498 BUT YOU CAN DO THAT, RIGHT? 651 00:28:37,541 --> 00:28:39,543 WE HOPE SO. 652 00:28:44,723 --> 00:28:49,728 IS THERE ANY WAY TO KNOW IF THERE'S PERMANENT DAMAGE? 653 00:28:49,771 --> 00:28:52,121 I MEAN, HER BRAIN, IS... 654 00:28:52,165 --> 00:28:54,471 IT'S REALLY TOO EARLY TO TELL. 655 00:28:54,515 --> 00:28:57,910 SHE'S ON THE VENTILATOR FOR NOW. 656 00:28:57,953 --> 00:29:00,956 WE'LL CHECK HER CONDITION IN A FEW HOURS 657 00:29:01,000 --> 00:29:02,523 AND SEE IF WE CAN CONTINUE. 658 00:29:03,829 --> 00:29:06,092 WHAT IF YOU CAN'T? 659 00:29:06,135 --> 00:29:08,355 THAT'S NOT REALLY AN OPTION. 660 00:29:08,398 --> 00:29:12,141 YOU SHOULD ALL TRY AND GET SOME REST. 661 00:29:12,185 --> 00:29:14,709 WE'VE GOT A LONG WAY TO GO HERE. 662 00:29:20,889 --> 00:29:23,718 DOCTOR, I'M MARSHALL MANN. 663 00:29:23,762 --> 00:29:25,807 CAN YOU HAVE THE SLUG BAGGED AND SENT OUT 664 00:29:25,851 --> 00:29:27,766 AS SOON AS IT'S REMOVED? THE FASTER WE CAN RUN BALLISTICS... 665 00:29:27,809 --> 00:29:30,333 THERE IS NO SLUG. THE BULLET WENT THROUGH AND THROUGH. 666 00:29:36,949 --> 00:29:38,864 - HELLO? - STAN, IT'S ME. 667 00:29:38,907 --> 00:29:40,300 THE SLUG WENT THROUGH AND THROUGH. 668 00:29:40,343 --> 00:29:42,171 I'LL MAKE SURE CSIs LOOK FOR THE SLUG. 669 00:29:42,215 --> 00:29:45,566 AND ABQPD CONFIRMED MARY'S GUN FIRED ONE ROUND. 670 00:29:45,609 --> 00:29:47,437 GOOD. MAYBE SHE GOT A PIECE OF THE SHOOTER. 671 00:29:47,481 --> 00:29:48,917 YEAH, IF SHE DID, THE MOPE'S PROBABLY LOOKING 672 00:29:48,961 --> 00:29:50,179 FOR A SURGEON THAT WON'T CALL THE COPS. 673 00:29:50,223 --> 00:29:51,398 SO WHAT ARE YOU GONNA DO NOW? 674 00:29:51,441 --> 00:29:53,792 WAIT HERE UNTIL MARY'S OUT OF THE WOODS, 675 00:29:53,835 --> 00:29:55,489 THEN GO FIND THE SON OF A BITCH WHO DID THIS. 676 00:29:55,532 --> 00:29:56,751 MARSHALL, LISTEN TO ME. 677 00:29:56,795 --> 00:29:59,145 I GOT TWO DOZEN DEPUTIES COVERING THE SCENE 678 00:29:59,188 --> 00:30:00,363 AND GOD KNOWS HOW MANY REGULAR POLICE. 679 00:30:00,407 --> 00:30:02,496 THIS IS NOT THE TIME TO PLAY RAMBO. 680 00:30:02,539 --> 00:30:04,411 WHEN SHE WAKES UP, SHE'S GONNA WANT YOU THERE. 681 00:30:04,454 --> 00:30:07,544 YOU UNDERSTAND? 682 00:30:07,588 --> 00:30:09,938 MARSHALL? 683 00:30:09,982 --> 00:30:11,940 MA...MARSHALL? 684 00:30:20,688 --> 00:30:24,126 WHAT'S A SIX-LETTER WORD FOR RAPID DIETER? 685 00:30:24,170 --> 00:30:26,781 IN QUOTES? 686 00:30:26,825 --> 00:30:28,304 FASTER. 687 00:30:30,698 --> 00:30:32,526 HONEY, YOU SHOULDN'T DO THAT IN INK. 688 00:30:35,311 --> 00:30:37,661 HOW YOU ALL DOING? 689 00:30:37,705 --> 00:30:38,793 YOU NEED ANYTHING? 690 00:30:38,837 --> 00:30:41,100 NO, NO THANKS. 691 00:30:41,143 --> 00:30:47,193 COULD USE AN INK ERASER. 692 00:30:47,236 --> 00:30:49,064 HOW ABOUT YOU? 693 00:30:49,108 --> 00:30:50,805 ARE YOU DOING OKAY? 694 00:30:50,849 --> 00:30:52,676 I'M NOT SURE. 695 00:30:52,720 --> 00:30:56,593 IT'S A LITTLE LIKE TIME HAS STOPPED. 696 00:30:56,637 --> 00:31:01,120 I KNOW EXACTLY WHAT YOU MEAN. 697 00:31:01,163 --> 00:31:02,338 HOW DID THIS HAPPEN TO HER? 698 00:31:02,382 --> 00:31:04,166 SHE GOT SHOT. 699 00:31:04,210 --> 00:31:06,690 IT'S PRETTY MUCH ALL I KNOW RIGHT NOW. 700 00:31:06,734 --> 00:31:13,175 MM, I SEE. 701 00:31:13,219 --> 00:31:16,657 MARY TOLD ME WHAT SHE REALLY DOES AT WORK. 702 00:31:16,700 --> 00:31:18,702 I KNOW. SHE TOLD ME SHE TOLD YOU. 703 00:31:18,746 --> 00:31:21,749 SO I THINK IT'S OKAY IF YOU TELL ME WHAT HAPPENED. 704 00:31:21,792 --> 00:31:26,101 RAPHAEL, I'M NOT KEEPING ANYTHING FROM YOU 705 00:31:26,145 --> 00:31:29,365 BECAUSE I'M TRYING TO KEEP THINGS FROM YOU. 706 00:31:29,409 --> 00:31:33,500 I HONESTLY DON'T KNOW THE DETAILS OF WHAT HAPPENED. 707 00:31:35,241 --> 00:31:39,288 I'M NOT A VIOLENT PERSON, 708 00:31:39,332 --> 00:31:41,812 BUT I CAN'T STOP THINKING ABOUT FINDING THE GUY 709 00:31:41,856 --> 00:31:46,252 WHO DID THIS AND... 710 00:31:46,295 --> 00:31:48,645 I WANT HIM TO SUFFER. 711 00:31:48,689 --> 00:31:51,518 I KNOW. 712 00:31:51,561 --> 00:31:55,130 OUR ANIMAL INSTINCT IS TO... 713 00:31:55,174 --> 00:31:59,830 SAVAGE ANY THREAT TO OUR LOVED ONES. 714 00:31:59,874 --> 00:32:01,876 IT'S HOW WE'RE WIRED. 715 00:32:18,414 --> 00:32:20,764 CAN YOU I.D. THE SHOOTER, DETECTIVE? 716 00:32:20,808 --> 00:32:24,812 I DIDN'T SEE HIM TAKE THE SHOT. 717 00:32:24,855 --> 00:32:26,945 BASED ON THE DIRECTIONS OF THE TWO REPORTS, 718 00:32:26,988 --> 00:32:29,512 ONE SHOT SOUNDED LIKE IT CAME FROM MARSHAL SHANNON 719 00:32:29,556 --> 00:32:31,514 AND THE OTHER FROM THE ONE SHE CALLED MARIO. 720 00:32:31,558 --> 00:32:33,125 CAN YOU I.D. HIM? 721 00:32:36,693 --> 00:32:39,305 YES. DEFINITELY. 722 00:32:39,348 --> 00:32:42,047 ALL RIGHT, LET'S GET SOME PHOTOS IN FRONT OF HIM NOW. 723 00:32:42,090 --> 00:32:45,702 - CAPTAIN BELL. - CHIEF. 724 00:32:45,746 --> 00:32:49,315 WE ARE DEBRIEFING THE DETECTIVE HERE. 725 00:32:49,358 --> 00:32:50,664 ANYTHING YOU WANT TO ASK? 726 00:32:50,707 --> 00:32:52,187 I'LL READ THE REPORT. 727 00:32:52,231 --> 00:32:55,495 I DON'T WANT TO SLOW THIS TASKFORCE DOWN. 728 00:32:55,538 --> 00:32:57,714 JUST ONE QUESTION, BOBBY. 729 00:32:57,758 --> 00:32:59,499 WHO SHOT FIRST? 730 00:32:59,542 --> 00:33:00,979 HIM. 731 00:33:01,022 --> 00:33:02,589 HE DEFINITELY FIRED FIRST. 732 00:33:02,632 --> 00:33:06,027 ALL RIGHT. 733 00:33:06,071 --> 00:33:07,681 I'LL BE YOUR CONTACT WITH THE MARSHALS SERVICE. 734 00:33:07,724 --> 00:33:10,989 I'M FINE WITH BASING OUR FUGITIVE TASK FORCE HERE. 735 00:33:11,032 --> 00:33:13,817 DO YOU HAVE A COPY OF FRANCESCA LEANDRA'S STATEMENT? 736 00:33:20,737 --> 00:33:22,739 HEY, STAN, WHAT'S GOING ON? 737 00:33:22,783 --> 00:33:25,394 NO, SHE STEPPED OUT FOR COFFEE. 738 00:33:25,438 --> 00:33:29,616 I DON'T KNOW. I'LL CALL YOU BACK. 739 00:33:34,055 --> 00:33:37,102 THERE ARE TWO MARSHALS WAITING TO TAKE YOU TO ABQPD 740 00:33:37,145 --> 00:33:38,320 SO YOU CAN GIVE YOUR STATEMENT. 741 00:33:38,364 --> 00:33:39,669 WHICH BEGS THE QUESTION, 742 00:33:39,713 --> 00:33:41,584 WHY HAVEN'T YOU GIVEN YOUR STATEMENT YET? 743 00:33:41,628 --> 00:33:42,977 WEREN'T YOU THERE? 744 00:33:43,021 --> 00:33:47,025 MY STATEMENT IS NOT GOING TO HELP ANYONE. 745 00:33:49,418 --> 00:33:50,985 WHY IS THAT? 746 00:33:51,029 --> 00:33:52,856 BECAUSE I DIDN'T SEE WHO SHOT MARY. 747 00:33:52,900 --> 00:33:55,076 HOW IS THAT POSSIBLE? 748 00:33:55,120 --> 00:33:56,643 YOU WERE STANDING ON THE PORCH. 749 00:33:56,686 --> 00:33:58,036 I STOOD IN THAT EXACT SPOT. 750 00:33:58,079 --> 00:33:59,689 YOU HAD TO BE LOOKING RIGHT AT MARIO. 751 00:33:59,733 --> 00:34:00,734 I WAS. 752 00:34:00,777 --> 00:34:01,909 BUT HE DIDN'T SHOOT HER. 753 00:34:01,952 --> 00:34:04,607 HE DIDN'T EVEN HAVE A GUN IN HIS HAND. 754 00:34:04,651 --> 00:34:07,697 I DON'T BELIEVE YOU. 755 00:34:07,741 --> 00:34:10,744 YOU'RE PROTECTING THAT GANGBANGER 756 00:34:10,787 --> 00:34:13,660 BECAUSE HE REMINDS YOU OF THE BOYS YOU GREW UP WITH 757 00:34:13,703 --> 00:34:15,314 WHEN YOU SHOULD BE STANDING UP FOR THE WOMAN 758 00:34:15,357 --> 00:34:17,446 WHO GOT SHOT PROTECTING YOU. 759 00:34:17,490 --> 00:34:19,057 YOU'RE RIGHT. 760 00:34:19,100 --> 00:34:21,711 HE DOES REMIND ME OF THE BOYS I GREW UP WITH. 761 00:34:21,755 --> 00:34:23,539 BUT HE IS NOT THE ONE I'M PROTECTING. 762 00:34:23,583 --> 00:34:25,063 SHE IS. 763 00:34:25,106 --> 00:34:26,760 WHAT ARE YOU TALKING ABOUT? 764 00:34:26,803 --> 00:34:28,805 IF MARY DIDN'T CALL THE POLICE, 765 00:34:28,849 --> 00:34:30,546 THOSE BOYS WOULD HAVE GONE HOME. 766 00:34:30,590 --> 00:34:33,332 MARY DIDN'T GET SHOT BECAUSE SHE WAS PROTECTING ME. 767 00:34:33,375 --> 00:34:37,118 SHE GOT SHOT BECAUSE SHE OVERREACTED. 768 00:34:37,162 --> 00:34:40,295 IT WAS HER FAULT THIS HAPPENED. 769 00:34:51,350 --> 00:34:52,438 EXCUSE ME. 770 00:34:52,481 --> 00:34:54,222 EXCUSE ME. 771 00:34:56,659 --> 00:34:59,662 FRANCESCA LEANDRA IS CLAIMING MARIO ISN'T THE SHOOTER 772 00:34:59,706 --> 00:35:01,795 AND THAT SHE DIDN'T SEE WHO IT WAS. 773 00:35:01,838 --> 00:35:04,058 WHAT? THAT IS NOT POSSIBLE. 774 00:35:04,102 --> 00:35:05,190 TELL ME ABOUT IT. 775 00:35:05,233 --> 00:35:06,191 ALL RIGHT. LET'S NOT WORRY 776 00:35:06,234 --> 00:35:07,322 ABOUT WHAT WE DON'T HAVE. 777 00:35:07,366 --> 00:35:08,410 WHOEVER IT IS, 778 00:35:08,454 --> 00:35:09,498 WE'LL KNOW HIM WHEN WE SEE HIM. 779 00:35:09,542 --> 00:35:10,630 WHY IS THAT? 780 00:35:10,673 --> 00:35:13,067 ABQPD FOUND A TRAIL OF FRESH BLOOD 781 00:35:13,111 --> 00:35:14,503 LEADING AWAY FROM THE CRIME SCENE. 782 00:35:14,547 --> 00:35:15,504 THAT SON OF A BITCH IS CARRYING AROUND 783 00:35:15,548 --> 00:35:16,723 ONE OF MARY'S SLUGS IN HIM. 784 00:35:16,766 --> 00:35:18,594 OKAY, THAT'S SOMETHING. THAT'S A START. 785 00:35:18,638 --> 00:35:19,682 I ALREADY BROUGHT THAT LALA GUY IN. 786 00:35:19,726 --> 00:35:21,554 I'M THINKING HE MUST KNOW SOMETHING. 787 00:35:21,597 --> 00:35:22,729 GUY'S GOT NO REASON TO GIVE US ANYTHING, 788 00:35:22,772 --> 00:35:24,513 AND HE'S NOT GONNA BE INTIMIDATED. 789 00:35:24,557 --> 00:35:26,254 HE'S BEEN IN THAT INTERROGATION ROOM MORE THAN YOU. 790 00:35:26,298 --> 00:35:27,386 CAN I TALK TO HIM? 791 00:35:27,429 --> 00:35:28,517 FINE BY ME. 792 00:35:28,561 --> 00:35:30,693 MARSHALL, MARSHALL, BE SMART. 793 00:35:30,737 --> 00:35:33,174 DO NOT LET YOUR EMOTIONS KEEP YOU FROM DOING YOUR JOB RIGHT. 794 00:35:33,218 --> 00:35:35,350 I NEED YOU TO BE YOU RIGHT NOW. 795 00:35:35,394 --> 00:35:36,743 YOU UNDERSTAND? 796 00:35:41,400 --> 00:35:42,531 I DIDN'T DO NOTHING. 797 00:35:42,575 --> 00:35:43,619 I DIDN'T SHOOT YOUR GIRL. 798 00:35:43,663 --> 00:35:45,317 NOBODY HERE THINKS YOU DID. 799 00:35:45,360 --> 00:35:47,145 THEN HOW COME I'M STILL HERE? 800 00:35:47,188 --> 00:35:48,320 WHAT DO YOU WANT? 801 00:35:55,544 --> 00:35:58,199 I WANT TO KNOW WHAT YOU DREAM ABOUT. 802 00:35:58,243 --> 00:35:59,853 HUH? 803 00:35:59,896 --> 00:36:05,511 I SAW YOU ON YOUR PORCH YESTERDAY RUNNING YOUR CREW, 804 00:36:05,554 --> 00:36:08,644 DOING WHAT I IMAGINE YOU DO PRETTY MUCH EVERY DAY, 805 00:36:08,688 --> 00:36:10,559 AND I WAS JUST CURIOUS, 806 00:36:10,603 --> 00:36:12,344 WHEN YOU GO TO SLEEP AT NIGHT, 807 00:36:12,387 --> 00:36:15,825 DO YOU DREAM OF OTHER PLACES? DOING SOMETHING ELSE? 808 00:36:15,869 --> 00:36:19,177 OR DO YOU DREAM ABOUT SITTING ON YOUR PORCH RUNNING YOUR CREW? 809 00:36:19,220 --> 00:36:22,310 UH, YOU NEED TO GET TO THE POINT. 810 00:36:22,354 --> 00:36:24,530 THE POINT IS, EVERYBODY HERE KNOWS 811 00:36:24,573 --> 00:36:25,574 YOU'RE TOO SMART TO SHOOT A COP 812 00:36:25,618 --> 00:36:28,011 FOR NO GOOD REASON 813 00:36:28,055 --> 00:36:30,275 AND THAT NOTHING HAPPENS ON THAT STREET 814 00:36:30,318 --> 00:36:31,580 WITHOUT YOU KNOWING ABOUT IT. 815 00:36:31,624 --> 00:36:33,713 WHAT'S THAT GOT TO DO WITH DREAMS? 816 00:36:33,756 --> 00:36:39,458 WELL, THIS KIND OF THING IS GONNA BE REALLY BAD 817 00:36:39,501 --> 00:36:40,633 FOR YOUR BUSINESS. 818 00:36:40,676 --> 00:36:43,549 AND IF THERE WERE SOME OTHER PLACE 819 00:36:43,592 --> 00:36:48,641 YOU DREAMED OF OR SOMETHING YOU ALWAYS WANTED TO BE... 820 00:36:48,684 --> 00:36:51,252 WHAT? 821 00:36:51,296 --> 00:36:53,211 YOU'RE GONNA WAVE YOUR MAGIC WAND 822 00:36:53,254 --> 00:36:55,996 AND TOMORROW I'M ON A BEACH IN HAWAII? 823 00:36:56,039 --> 00:37:00,261 NO, BUT I HAVE FRIENDS WHO MAKE 824 00:37:00,305 --> 00:37:02,568 THAT SORT OF THING HAPPEN ALL THE TIME. 825 00:37:02,611 --> 00:37:08,443 ALL WE NEED FROM YOU IS THE RIGHT INFORMATION. 826 00:37:08,487 --> 00:37:10,576 WOULD YOU LIKE TO BE IN HAWAII TOMORROW? 827 00:37:10,619 --> 00:37:15,450 WITH A NEW NAME? 828 00:37:15,494 --> 00:37:17,800 WHOLE NEW LIFE. 829 00:37:17,844 --> 00:37:20,890 I CAN HAVE A U.S. ATTORNEY HERE IN FIVE MINUTES 830 00:37:20,934 --> 00:37:21,978 MAKING THAT HAPPEN. 831 00:37:22,022 --> 00:37:23,589 JUST TELL ME WHO THE SHOOTER IS 832 00:37:23,632 --> 00:37:25,678 AND HOW TO FIND HIM. 833 00:37:34,904 --> 00:37:37,080 WE'RE BORN WHERE WE'RE BORN. 834 00:37:37,124 --> 00:37:39,909 WE IS WHAT WE IS. AND THAT'S THAT. 835 00:37:39,953 --> 00:37:43,609 I AIN'T GOING NOWHERE. 836 00:37:43,652 --> 00:37:46,873 AND I AIN'T TELL YOU NOTHING. 837 00:38:42,755 --> 00:38:44,017 ANY WORD? 838 00:38:44,060 --> 00:38:46,367 HEY. NOTHING. 839 00:38:46,411 --> 00:38:48,500 IT'S BEEN ALMOST 12 HOURS. 840 00:38:48,543 --> 00:38:50,676 WHY CAN'T SOMEONE JUST COME AND TELL US WHAT'S GOING ON? 841 00:38:50,719 --> 00:38:51,677 I HATE THIS. 842 00:38:51,720 --> 00:38:52,939 I'M SURE HE'LL TELL US 843 00:38:52,982 --> 00:38:54,288 AS SOON AS SHE'S STABLE ENOUGH 844 00:38:54,332 --> 00:39:00,555 TO RETURN TO SURGERY. 845 00:39:00,599 --> 00:39:01,513 WHAT'S GOING ON? 846 00:39:01,556 --> 00:39:03,602 WE'RE LEAVING. 847 00:39:03,645 --> 00:39:06,518 I'M TAKING FRANCESCA TO A NEW LOCATION, SOMEPLACE SAFE. 848 00:39:06,561 --> 00:39:08,215 TELL MARY I'M SORRY. 849 00:39:08,258 --> 00:39:10,696 BUT MR. DAY'S WORRIED ABOUT MY PICTURE 850 00:39:10,739 --> 00:39:12,437 WINDING UP IN THE NEWSPAPER. 851 00:39:12,480 --> 00:39:13,742 THAT COULD RUIN EVERYTHING. 852 00:39:13,786 --> 00:39:16,745 BY EVERYTHING, YOU MEAN 853 00:39:16,789 --> 00:39:19,618 THE CAREFULLY CONSTRUCTED PR CAMPAIGN DEPICTING YOU 854 00:39:19,661 --> 00:39:21,184 AS THE SELF-SACRIFICING MARTYR? 855 00:39:21,228 --> 00:39:24,536 THAT'S WHY YOU MOVED TO THAT NEIGHBORHOOD, ISN'T IT? 856 00:39:24,579 --> 00:39:27,495 GOD FORBID YOUR BIOGRAPHER WRITE THAT WHILE YOUR LOYAL FOLLOWERS 857 00:39:27,539 --> 00:39:29,497 WERE DYING FIGHTING FOR YOUR CAUSE, 858 00:39:29,541 --> 00:39:31,369 YOU WERE HIDING OUT IN AN AMERICAN MANSION. 859 00:39:32,892 --> 00:39:35,895 GO ON. I'LL TELL MARY YOU SAID GOOD-BYE. 860 00:39:37,723 --> 00:39:40,769 THEY PICKED UP MARIO. IT WASN'T HIM. 861 00:39:40,813 --> 00:39:42,989 HE WASN'T THE SHOOTER. - HOW DO THEY KNOW? 862 00:39:43,032 --> 00:39:45,557 FORENSICS FOUND A SHELL CASING AND GUNSHOT RESIDUE 863 00:39:45,600 --> 00:39:46,949 ON THE TREE IN THE FRONT YARD. 864 00:39:46,993 --> 00:39:48,995 FROM WHERE YOU WERE, YOU COULDN'T HAVE SEEN HIM. 865 00:39:49,038 --> 00:39:55,523 COME ON. WE GOT TO LEAVE. 866 00:39:55,567 --> 00:39:58,874 MARY'S LUCKY TO HAVE YOU IN HER LIFE. 867 00:39:58,918 --> 00:40:05,185 YOU ARE ALL VERY LUCKY. 868 00:40:43,266 --> 00:40:46,269 Captioning byCaptionMax www.captionmax.com 62230

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