Original subtitles

[music]

[music]

[music]

Heat. Heat. [music]

[music]

>> [music]

>> Heat.

[music]

Heat. [music]

>> [music]

[music]

[music]

>> Hey, slow, [music] John.

Here's your hospital release and the

3-day pass. You lucky stiff.

>> Thanks. Now, don't get lost. Manila's a

big city.

>> Okay, mother. Just don't wait up for me.

Huh? Where too, Captain? Downtown. Yes.

[music]

I heard they might declare Manila an

open city. Yeah, that's the way it

looks. All right.

>> Oh, hello, Captain.

Where have you been? We should have been

looking for you.

>> Well, I'll tell her how you're here.

>> Thanks.

Hi.

May I help you?

>> Not now, honey. Sooner or later.

Maybe sooner.

[music]

Hi, honey. Merry Christmas.

Hey, I brought something for you.

>> Merry Christmas. I should crack this

over your thick scar. I let you get away

with [music] murder.

>> How much my sir?

3 weeks. For 3 weeks, I tried to see

you.

>> To see what? To see this.

>> It could have been worse.

>> Not for [music] me. How good is a man

with one hand? I can't even tie my own

shoes. 14 years and in one split second,

I'm a freak.

>> Oh, stop it. The doctors can work

miracles. [music]

>> They can't give me back a hand.

>> There must be a place for you, John.

>> Sure. When I change the rules, every man

fights with one hand tied behind his

back. Oh, come on. You're impossible.

Some ice.

[music]

>> Eye mey mo. Get your pretty girl by the

cell phone.

[music]

[music]

Eeny meeny mo

girl by the show.

>> Hey, you're in.

[music]

[music]

You're a big boy now. You don't [music]

play on the floor.

Wow,

what a head.

Hey, how'd I How'd I get here?

>> Never mind. Here's some black coffee.

>> John, what is it? Get down.

I'm sure not wasting any time.

>> Hello.

>> Larson,

>> all leaves have been cancelled.

>> Look, boy. I just got here. Macarthur's

evacuating Manila.

>> What?

>> Catch the next launch to the base.

>> Okay. Okay, mother.

We got to report back to base.

Now is surrendering. All US personnel

are to pull out immediately.

>> Oh no, John.

When will we ever see each other again?

>> I wish I could answer that.

2.

Good morning, Captain. Manderboard down

below, sir.

Hi, cowboy.

You miserable character. When did you

get in?

>> Minute ago. Where you heading with the

peashooter?

>> I got an old friend to make.

>> Mind if I tag along? I could sure you

some fresh air.

>> You get your fresh air and I'd get my

tail in the sling.

>> Hey. Hey, you got your shipping orders

down to Colonel. You'll be heading home

now if they get you out of here. Yeah,

that's great. Captain John Larson, US

Marine Corps retired.

>> Combat service? Not

14 years. What a croc. The ship's ready

whenever you are, sir. Okay, I'll be

ready in about 10 minutes. I'll see you

when I get back tonight.

And stay away from that nurse of mine

while I'm gone.

Coffee

black.

There you are. Okay, you win. Where you

headed?

>> Down the coast of Luzison.

>> What's the mission?

>> Pick up an army officer parachuted out

of a plane. Top brass a brigadier

general a guy that wants to make sure

the japs don't grab and he's a personal

friend of general. Ah, West Point.

>> Hey Japs, where you're going?

>> Latest reports say it's still clear.

This general was rescued by a kind of a

half bandit character by the name of

Santana. More of a kidnapping if you ask

me, though.

>> Oh, how so?

>> He's asking $5,000 American dollars for

the cost of the operation.

>> $5,000.

Wow. Who's picking up the tab? You know,

>> no kidding. I got it right here.

Hey, uh, funny. Uh, I'm going to trap

game, huh?

>> [music]

>> The place. All right.

Probably on the bus waiting for What

time are you supposed to meet him?

>> Now

he's here. Take a look.

[music]

I can send more. Right. We're ready.

Skipper. I sir. Heat.

[music]

Heat.

[music]

>> [music]

[music]

[bell]

[music]

>> You're back.

A simple milk run. Stinking milk run.

I could take a couple of men ashore and

try to contact Santana. All you'd

contact a belly full of Japanese lead.

They want the general pretty bad,

Captain.

>> Yeah.

Hold on, sailor. I'm expendable with

that with that hand, sir. Drop me off a

couple miles down the coast fast. I'll

send two of my men along with you. No,

nurse maids.

Give me 3 days to find this Santana.

I'll meet you here on the third night at

2200. I'm not here then. Return the next

night at 2300.

Hold it, Catherine.

Take this. You may need it. Thanks.

Good luck, Captain.

[music]

Heat. Heat.

[music]

Heat. [music]

[music]

[music]

Heat.

[music]

>> [music]

>> I'm American.

>> American.

Where? Uh

um Sansi uh Santana.

>> Santana.

>> Yeah, Santana. Gorilla.

>> The mountains

right up right up across there. Huh?

Salam po

salam.

[music]

>> [music]

[music]

>> [ __ ] [music]

[music]

[ __ ]

[music]

>> [music]

[music]

>> Sir, let it go.

>> [music]

[music]

[music]

>> Not enough so bright.

Oh go.

[music]

[music]

[music]

[music]

Woohoo.

Yeah.

Yeah. [music]

[music]

[music]

[music]

Fore! Foreign! Foreign!

[music]

[music]

Captain, forgive my men. They are stupid

peasants. Get their greasy mitts off of

me.

>> In your position, Captain.

How could you command me?

The

>> Marines know I'm here, Santana.

>> Under those circumstances, I believe it

would be better for us to be friends.

Hi.

At your service, Santana.

Patriot. Patriot.

Professional kidnapper and bounty

hunter. I heard this joker. What is my

ransom peg that Santana? $5,000 for a

general thousand for a captain? Enlisted

men must be dirt cheap, huh? Captain,

you agree with me. I love Americans. We

are like brothers.

>> Sure. You love anybody for money and men

must leave. I believe that is addressed

to me. Huh? Only on delivery of General

Fuller. Not one minute sooner.

>> Why weren't you at that pier yesterday?

>> The Japanese were there first.

>> Who tipped him off? Captain, you're a

very suspicious man. Why should I go to

the Japanese when you are paying me

$5,000 American dollars? Maybe they made

you a better offer.

>> Captain,

how can I convince you that I can be

trusted? When the mission is completed

now, where is he?

>> Oh, terrible luck. We almost had him.

Iay.

>> What do you mean almost? You mean you

never had him?

>> Oh, no. We had him for a while, but too

many Japanese. Some things you cannot

help. Fortunes of war.

We went into that rendevous point like

sitting ducks. An American officer was

killed. I'll light a candle for him the

next time I

>> get this straight, Santana. I want that

general and no more double talk. See,

my friend, you are too patient. We will

get it now.

There must be plans.

>> All right, make them.

>> They are holding him at the Suga

Central. Adul,

Mr. Rodriguez is the manager of the Suga

Central before the Japanese took over.

Captain, we overlooked your name.

>> Larson Val Rodriguez. Captain,

you had an accident.

>> Regrettably,

don't let her bother you, Santana. I can

take care of myself.

[music]

[music]

Heat. Heat. [music]

[music]

[music]

[music]

>> [music]

[music]

[music]

>> Captain,

you are a captain?

>> Yes.

>> I hear you're from Manila. Me too.

>> Oh,

>> I have been to Manila Hotel many times

and the officer's club. Funny, I never

met you.

You married maybe?

>> No.

You have girls.

>> Hey, you real Marin?

>> 14 years.

>> What are you doing in Manila? Where you

go?

>> Oh, here and there. Christina's.

>> Ah, girls are beautiful there. Me,

I could get a job there.

>> I can see where you could.

>> Thank you, Captain

>> Larson.

>> Lolita

Lolita

Smith,

>> are you going back to Manila School?

>> I don't think any of us will be going

back there for a while. You shouldn't

have any trouble. Manila's been to

Cardon Open city,

>> but there's no boat.

There's no way to go back.

>> I'll be heading for Coridor myself.

>> Hey, Captain. I go with you. Okay,

>> Captain. You see, I'm a part American.

>> I see. Well, I uh I don't think it would

be possible to take you with me.

>> This is not really my home. I only came

here when a relative died.

>> I'm afraid there isn't much I could do

about that, Miss Smith. Captain, I'm not

just a Filipino. I told you I'm part

American.

>> Sure.

Look, I'll uh I'll see what I can do.

Now, if you don't mind, Miss Smith, I

I've got to meet Santana and Mr.

Rodriguez.

>> Thank you, Captain.

We have prepared this crude map but I

think it will serve your purpose. We are

here about 45 km from the central. This

is the central area and this is where

the general is being held. The man you

look for the central being operated now.

>> Well the Japanese are trying to operate.

We got to find some kind of fuel

alcohol.

>> What are the routes into the central?

The road is heavily guarded, but this

railroad runs through the whole

plantation. Before the Japanese, it was

used for transporting the sugar.

We're going to have to scout this

railroad.

Huh?

antenna. What's wrong?

>> Hi, Captain. I'm very sorry. These old

men are trying to get out of a bugling.

I paid for it, miserable pigs.

>> He pays with Japanese pas money.

Come here.

>> Santana's already taken four other pigs

belonging to him and pays in Wless pay.

>> That's true. Santana, I kept fortunes of

war. We have no other money.

>> M Smith asked him if he'll take American

dollars for this pig and the other four

that Santana took.

>> He feels embarrassed that you are so

concerned.

>> Well, he needn't be. Here's $25. asking

if that'll cover it.

Take it.

He would likely to have dinner at his

home this evening.

>> I'm afraid that's not possible. Thank

him. He will be terribly offended.

>> We will have plenty of time,

but it's okay.

What did he say? Well, he's expecting

both of us if you don't mind.

>> I don't mind. Don't mind translating.

>> I'm sorry about this unpleasantness,

Captain.

>> Uh-huh.

That's $25 less I owe you, Santana.

The fortunes of war.

>> In a way,

the Smith, I'll see you later.

>> Yes, Captain.

>> Rodriguez, let's take a look at that

track. At your convenience, Captain.

>> Why [music] the rope? Oh, uh, the cle we

climb down. You ever [music] mentioned

this before? I I forgot. There is

another way. That true, Santana?

>> Yes, but it's too far from here. We'll

have to go back halfway to the burial.

>> Okay, you've proved your point, Santana.

[music]

>> You know what I mean?

>> Perhaps if we helped you.

>> No, I'll wait here for you. [music]

>> [music]

>> Captain, you can still go. Get back as

soon as you can.

[music]

[music]

Heat. Heat.

[music]

[music]

[music]

[music]

Heat. Heat.

[music]

Heat. Heat.

[music]

[music]

[music]

>> [music]

>> You haven't [music] beaten me yet.

Well,

well, we're lucky. The train came by

just after we got there.

What's the layout? There's no rust on

the radio. That means this train goes to

at least once a day. It's filled with

supplies. How about soldiers? 12. Two

engineers.

Good. We'll be on our way tomorrow.

>> Tomorrow? So soon time is one thing we

don't have much of. Trains our answer.

Let's go.

[music]

[music]

his [music] wife and then the grandchild

[music]

like this [music] captain

[music]

that's in memory of his older son and

his wife the baby's veterans. They were

both killed when the Japanese land.

>> Tell him I'm sorry, but I hope the war

will end soon.

>> He speaks of your hand in the mysteries

of war. [music]

He says the real pain must be in your

heart. foreign.

[music]

[music]

>> [music]

>> What did he say? He talks about me.

I tell you later.

He wants to be soldier like you and

fight the Japanese.

A good farmer is as important as a

soldier.

[music]

What did the farmer say about you?

>> He asked if I was your woman.

>> Oh, what did you tell him?

that we are friends.

>> Uh-huh. Is that all?

>> He says we make fine couple.

>> Uh-huh. [music]

>> We make fine misty children.

>> Yes, we would at that. [music]

>> When I was a little girl, I used to play

all over this field with his older son.

>> I thought you were from Manila.

>> I was born in the bario.

The farmer is my uncle.

Here in the Philippines, we have big

families. [music]

Is it so in America?

>> There are some.

[music]

>> I have aunt in Manila.

My mother was there sick. I had to make

[music] some money. No jobs here. So I

go to Manila.

[music]

I met a man named Smith.

He treated me very nice. [music] He gave

me money for mother.

>> How long have you been married?

>> Oh, no. No.

But he promised we would.

He has wife and some children.

I haven't seen him for 8 months. When he

went away, I had [music] to work. I had

no training.

Did Santana tell you what I did in

Manila? [music]

You

>> said you were an actress.

>> That's a story. [music]

It's like my being an American or my

name is Smith.

Sure, I'm an actress like Christina's

girl.

Hostless captain.

I entertained men,

but only gentlemen,

high class. I made good money. My

mother,

she would have moved to Manila.

She want to die here.

[music]

Now I'm alone.

>> Sorry, Lolita.

>> Many people suffer,

not only in war like you.

>> War had nothing to do with this. [music]

It happened 3 days before the Japanese

attack.

>> An accident.

>> Yeah. after you call being crazy drunk

an accident. I was on the officer's

launch headed back to base and see we'd

got caught in the prop.

You ever been plastered?

[music]

>> Plastered?

>> Yeah. Pieed drunk.

>> Oh, once. It makes me sleepy.

>> Out of a boatload of drunken clowns, I

had to be the prize idiot. Dove in with

my clothes on. I was working on the

prop. The Bosam accidentally started the

engine. [music]

He was drunk, too.

[music]

[music]

Can he help you?

me help you like soldier.

>> Okay.

Anyone?

Yeah.

Nobody's done it.

How many men can you count on for

tomorrow? Well, armed 45 maybe more.

>> That all the guns you have?

>> With luck, we get plenty from the

Japanese. We have a lot of grenades. Two

silk machine guns in there. US Army.

Any other gorillas in the area?

>> Yes, but they are not patriots. They may

cause.

>> Yeah. When can we meet them?

>> I expect to myself first. Huh? Maybe

Chuck Price.

>> Nothing doing I'll be there too. No more

pig swindles.

>> Oh, nothing like that, Captain. It's

sort of a personal thing in a way.

[music]

[music]

John.

John. [screaming] Oh, John.

I dreamt you have already left.

>> I wouldn't leave without saying goodbye.

Lolita,

>> please take me. I I'll be your woman.

>> What?

>> Please take me. Take me.

>> Well, Letha, I'm not going on a picnic.

>> I won't be afraid with you.

When we get the general, we'll be coming

back through here. I'll see you then.

Understand?

>> I'll be your woman.

>> Yes. Yes, Lolita, if you wish.

[music]

>> Oh, I'm late.

[music]

>> [music]

[music]

[music]

>> Be careful.

John

please

later. H

>> morning

Santana. You ready to move?

>> Yes, Captain. Good morning, John.

>> Morning, Darth. Thanks for the shirt.

the first

[music]

[music]

one.

>> [music]

[music]

>> Come on.

>> [music]

[music]

>> Woohoo!

Woohoo!

Rosa. Rosa, my pet. It's been a long

time. Hey, you glad to see me? I've

brought wonderful news to Rosa. I've got

an American officer. He wants to talk to

you. Hey, Rosa. Now, Rosa,

>> I should kill you.

>> Hi, Rosa. What'd you do to me? Do you

know how much you embarrass me in front

of my people? I have no more pride in

there.

Does this American know what a snake you

are? Does he know what a snake you are?

>> You dare hold it there now. We've got

important business to discuss.

>> You are an American. How can you have

anything to do with this?

>> The fortunes of war.

>> Thief bandit. Where is the money you owe

me?

>> Soon, Rosa. Soon.

>> Soon.

>> I have many expenses.

>> Expenses? What expenses? For whiskey and

for the women.

>> Hey, the captain. If we help him, he

will pay us.

>> Is this true?

>> We have agreed to pay $5,000 for the

delivery of an American general.

>> You want me to help?

>> That's right.

>> I have many men with good guns, and I am

the best shot.

>> I will take half of the money.

>> You're half,

>> please. Half?

>> Oh, sir. We can discuss that when we get

the general. Now, how many men do you

have?

>> 50, 60, 100. You need

>> We could use 50. Well armed.

>> That will be easy.

>> We need them by 2:00.

>> We can be ready.

>> Fine. Santana, tell the men where we'll

meet.

I'll explain the mission to you on the

way.

[music]

[music]

John.

John. [music]

[music]

Oh my god.

>> [music]

[music]

[music]

[music]

>> I'm going to kill

>> [music]

>> John

Liam, what is it?

>> They [crying] come killed my uncle and

>> what?

>> They found that makes money.

Lousy 25 bucks. We must get back and

make events.

>> Hold them, Santana.

>> How many men would you say were there?

>> Two truck loads, man. Gun.

>> You'd only get yourselves killed. It's

too late. We've got to move on and fast.

Rosa, have a couple of your men take her

back to a bario where she'll be safe

until we get back.

>> No. Please take me. Take me.

Look, I want you to go back so you'll be

safe. You understand?

>> Please take me. Please take me.

>> The truck is just below the big aass

tree. We'll have a look at it.

The train is coming from the central.

Are you sure?

>> Oh, yes.

>> Hold the men back here. Let's take a

good look at it. [music]

[music]

Something must have gone haywire.

John, they must have heard the lace.

They won't return to the central until

tomorrow. How many hours to make this

run? About 5 6.

With 2 three hours to load supplies,

they could be through here anytime after

3:00 in the morning.

Well, it looks like we'll be here most

the night. Move the men on down to the

river and relax.

Santana, do you suppose they could

rustle up some grub?

>> Sure. Bananas and papayas are fine.

We're moving up.

Let's

go in.

Hey

Hello there, Captain.

Oh, hi, Santana.

>> Hey. What do they call it in America?

Cooling off dogs.

>> Yeah, that's what they call it. All

right. Got a little hot.

>> Hey, papayas. Yeah, don't mind. Thanks.

Okay.

What?

>> [screaming]

>> doesn't do much good to talk to you,

does it? You're just a child and there's

only one way to take care of a child.

>> Now, maybe next time you'll listen to

me.

>> Child, am I?

>> No. Am I a child?

[laughter]

Oh,

>> you

I hope I never see you again.

>> Lolita, come back here.

>> No, go to hell.

>> Lita, come back.

Where's your home, John? Where do you

live?

>> How good are you in American geography?

>> Geography?

Oh, I was terrible. I hate it. And the

teacher. [music]

>> You probably never heard of Montana.

Montana

mountain. You live in a mountain?

>> Well, no, not not right in the

mountains. In the valley on a cow ranch.

>> Oh, you're a cowboy

like Palon Cassidy in the movie.

>> No, not exactly. But when I was 19 years

old, I won the Montana State

Championship writing.

My buddy and I, we took two days to

drink up my prize money. [music]

Yeah. When we sobered up, we found

ourselves in Marine Corps.

>> Your buddy, is he here in the province

with you

>> now?

Now he was killed in Nicaragua

fighting against corona bandits.

>> Tell me about it. [music]

>> Some of the time. You better try to get

some sleep now. I could sure use some.

>> Good night, John.

>> Good night. [music]

Move the men in along the track.

[music]

>> [music]

>> Rosa,

think you can keep those caravan on the

track long enough to slow that train

down.

>> Hello.

>> Don't take any chances. As the train

slows down, you head for cover.

Look, there's a tree about halfway up

that cut. Move the carabel under that.

Better get rid of that artillery, too.

Santana,

get all the men in that cane. Get them

on both sides of the track.

Wow. Wow.

Rosa, remember what I said. No chances.

>> No chances.

>> Get back to your man.

Come on. Come.

Rosa, get out of there. Get out.

>> Rosa, are you undercover?

>> Yes, Captain. Oh no.

Heat.

Yeah.

Heat.

Heat.

Heat.

Heat.

Heat.

Heat

Yes, Captain. Get some of your men in

those Japanese uniforms.

Captain,

there are a couple down here. Move them

out.

Oh, so

yes. You know how to run this thing? I

used to come over here and run it.

Antenna, have the men in uniform take

the same positions we found the Japanese

soldiers in.

Move the rest of your men out of sight

and keep them there.

We've only begun today.

Is that as fast as you'll go?

>> Maybe a little faster, Captain.

>> Captain, ahead. Must be a checkpoint.

>> Santana, get four men in uniform. Two on

the controls and two to cover us.

Slow

her down. Stop if we have to.

Santana

make it look like we're prisoners.

Everybody move back where you were.

Seat. Get her moving.

Give her the gun. Santana Ro.

Now we'll throw up just outside the

central. Rosa, you'll take about 30 of

your men. You'll go in there. Santana,

you will take your men this way. We'll

take the train through as slow as

possible. Give you a chance to get into

position. When we're right about in

here, I'll give you two short blasts on

the whistle. By that time, you should be

ready for the attack. You understand?

All right. Get back to your men.

center. Roger.

Okay, Cissson, take her in.

8.

Heat.

Heat.

Heat.

Heat.

Heat.

Heat.

You hurt.

You are a woman. My woman.

>> I'm a woman.

>> But I can still fight.

>> [music]

>> Heat. Heat.

[music]

>> [music]

>> They've got the general. Hold it. Find

them.

[music]

They've pulled out with a general. Get

back to our train. [music]

[music]

Heat.

Heat.

They dropped a couple of bars.

floor down. Pick them up.

It was a gentleman.

Stop.

Bring her back.

General puller.

Hold it. Pull her.

Ah, General. Glad to see you again.

Welcome aboard, General.

Glad to see you, man. Well, the feeling

is mutual, sir. How'd you find me?

>> Navy Intelligence in Manila got word

through Santana here. Captain John

Larson, Fourth Marine Regiment, Sir

Brigadier General William R. Fuller.

Were

you hit, sir? Sprayed it while I jumped.

The guy cigarettes had a generous sir.

Would you try one of these? I would be

honored.

With your permission, sir, we'd better

move on. By all means, Captain.

Back up.

Make yourself comfortable, sir. Thanks.

Heat. Heat.

Nice work, Captain. Thank you, sir.

Santana, move all your men in that front

car. Drop that last one.

They give you a rough time, General. 3

days and three nights without sleep. But

they didn't crack me. I'll leave in the

store.

>> By the way, General Albbright will be on

hand to greet you at Corrior when we get

in.

>> All right.

>> Yes. Your old school chum, West Point.

>> Oh, yes. Yes. I hadn't realized he made

general already.

I think you'll be a lot safer up in that

car ahead of the engine. Your valuable

cargo, sir.

Are we going back through the central?

There is no other way.

Captain, what kind of tactics are these?

We can't go back through the central.

They'll blow us off the tracks. We've

got to pick up as many men as possible,

sir. They're not worth the risk,

Captain. They can make their own way

back.

Shooting may start any time. You better

take cover, sir. Captain, I'll hold you

responsible. Yes, sir.

You step on my toes, Captain. I may have

to take over. If it weren't for these

men, General, you'd still be riding

north.

Jump patrol. Jump patrol.

Get control. No. Get down there. Keep it

going.

John

back.

I'll be right back.

>> We've got the same ammunition, General.

>> The jungle's full of them. Stop this

train. We can't let him get away.

Captain, I ordered you to stop this

train. We can wipe them out in no time.

>> You've wiped out quite enough, General.

My orders are to try to get you back

alive. Till that's over, I'm in command.

I'll have you court marshal captain if

and when we get back general

how is it unconscious

stop the bleeding?

>> Yes.

It would take to train three more miles

to be closer than the missing village I

told you about.

>> All right. Pull up when we get there.

Okay.

Lolita.

Lolita, can you hear me?

Lolita

2 complete.

>> [music]

[music]

>> Captain. Captain, I need help. You think

of killing me.

[music]

The train is old, I think. All right,

open her up and cut her loose. [music]

Dolph, give me some water.

[music]

Santana

Rosa.

[music]

From here on in, we'll travel late.

We'll take about a dozen men, send the

rest back to their families.

>> I, Captain.

>> Oh, uh,

[music] Rosa, tell them thanks.

Captain, I'm sorry.

>> I must have lost my head for a moment.

>> This ankle,

have a couple men help him, right?

[music]

>> Captain, we're ready.

>> All right, let's move. We're going to

get that boat tonight.

Yeah, please.

>> [music]

>> We must be careful in crossing this

city.

>> Kevin,

I've got to rest. I ain't going to kill

me.

>> John, we will have to stop soon. There's

a stream on the other side of this

clinic. We can rest there. [music]

>> Send four men ahead to cover us. We'll

go across in small groups.

>> We'll go across first. [music]

Woo! Woo!

Let's go out. [music]

>> [music]

>> My wake up.

[music]

[music]

Sorry it was so rough.

Woohoo.

Captain, it's safe. Heat.

[music]

[music]

Heat.

[music] Heat.

[music]

[music]

[music]

Heat.

>> [music]

>> Oh, how generous. This good for you. It

will help you.

How's it go? Critical. There's some

things you've got to expect.

Staff Sergeant.

Sergeant Frank Powers.

Heat.

Heat.

Get

a move.

Heat.

Heat.

I'm coming

the

Get it on,

>> John.

I better address it first. I said get it

on.

Get the men ready to move.

Where's the general?

>> Where's the general? What did you do

with him?

dead died.

>> How did he die?

>> Parachute broke his neck. I I didn't

kill him.

So, you decided to play general.

What about him? Drag him along.

Hey Zyla. Hey. Hey Tyler.

[music]

Hey. Hey. Hey. [music] Captain. I

figured this would be possible.

[music]

Uh, nothing.

I believe we're going to move now.

>> All right. Sean. [music]

>> [music]

[music]

>> Hey, give me a hand, will you? Huh?

[music]

Let's

[music]

go.

[music]

[music]

[music]

>> [music]

[music]

>> Captain, when the general broke his neck

in a fall, I figured [clears throat] I

had a better chance of staying alive if

I put on his outfit.

Three non-coms were killed by the Japs

the minute they caught up to us.

Can't you see this piece of tin saved

me?

>> Why didn't you drop the act when we

picked you up?

>> But I know who you really were. That

steel hook, bunch of guys in jab

outfits. You could have been a lousy

cowboy.

>> Knock it off, Sergeant. You could tell

it to a court marshal if we get back.

>> [music]

>> How you guys take orders from that one

armed marine, huh?

Captain, lousy officers and all alike.

[music]

[bell]

[music]

>> [music]

>> Hey fellas, give me a hand.

You heard me. I said give me a hand.

How about here? You yellow bellies kaka.

I'll blow your heads off.

I'll loosen that up.

>> I'll catch up to you and when I do, I'll

blow you all to hell. You and your hook

armed captain.

[music]

You're not going to

sergeant. Do take over.

Keep moving.

[music]

>> [music]

>> When you see the whites of their eyes,

[music]

three days, three nights.

That's [music]

the sergeant got four. I might have

killed the last two.

How does he know there were only six?

Have the sergeant buried first chance

you get. Let's move.

[music]

>> How is she? I'm afraid the fever is

slipping in.

>> Any more sulfur powder on that first aid

kit?

>> No. Do you use it within heed the wound?

>> We need pills.

>> Yes.

>> Give me a couple. Just give her. We are

very close to visiting village. I go

take a look. Fine.

Lita, these pills, you you must take

them.

Lita,

give me the top of the canteen

[music]

[music]

water. [music]

[music]

All right, hold her head up.

>> More

[music]

counting.

[music]

All right, let her head down.

Move her under cover.

[music]

>> [music]

[music]

>> Santana over here.

>> We've got to look past.

>> Hold it. Santana, where too?

>> A funeral procession is crossing the bay

for the graveyard. I have made

arrangements to join them. A jet across

the area. We must be careful, fast and

quiet. They have taken the pillars, but

the mil for the headquarters.

>> Just how do you figure to get us across?

>> You will be dead. The what? I meant to

say, skipper, you were going to play

dead. We'll have to put you and coffins.

This another one of your hairbrain

ideas, Santana.

>> Skipper, aren't you ever going to trust

me?

>> Yeah. Be right back.

You got to move fast.

>> [music]

>> Santana behind that tree.

>> [music]

>> Hurry.

They will meet us here.

If we move in closer, when their

preparations [music] are made, they'll

come for us.

[music]

[music]

>> Keep it. They're coming.

[music] Heat. Heat.

[music]

>> [music]

[music]

>> Okay.

Understand

Santa keeper. Keep your voice down.

Where is Maria? A few feet ahead. We'll

be pulling you up within a couple of

minutes.

Take it easy, Santana. Quiet, skip.

[music]

[music]

Heat.

[music]

[music]

Heat.

>> [music]

>> Santana, did I hear motors? Yes,

but I think they're guessing. How far

are we? Halfway across the bank. We're

catching up with the other position. We

are trying to work our way to the

middle. [music]

We're almost there, Skipper.

We'll make our way to the far side of

the station.

As soon as we are out of sight of the

town, where will we start tomorrow?

Well, that'll sure be music to my ears.

[music]

[music]

[music]

>> [music]

>> Can I come up now, Santana? In a minute,

I'll help you.

Oh,

what a relief that is

[music]

going to find the

>> [music]

>> Alita,

our luck holds out. We should be on that

ship in a few hours. [music]

>> Separate.

>> [music]

[music]

[music]

>> Santa,

come back here.

[music]

Heat.

[music]

Heat.

[music]

>> [music]

>> Move out.

Move out the sea.

[music]

[music]

>> [music]

>> We're about 3 mi out. The ship should

pass within a mile of us.

Keep listening and listen hard.

>> [cough]

>> Don't eat that. Please

drink

must stop this coughing so we can hear

the ship.

Still,

that's coming from that direction.

40 mm. When they pull out, they'll be

going like a bat out of hell. We've got

to find a way to signal them.

CE, get me about a half a gallon of gas

out of the tank. Rosa, give me a hand.

Hold on to her.

Santana, throw me the black robes out of

your boat.

>> I think it's almost passing us.

Have you got a match?

>> I don't have any.

>> Santana,

>> I did have some.

>> Grab on to it.

>> Can you reach it now? A little further.

That's it.

Get it lit. Hurry.

Quiet.

their turn.

>> Let us hope it's one of ours.

>> Circle around the coffin.

[music]

>> It is Captain Lawson. Man, the luck of

the Marines. Captain L. [music]

Welcome back, Captain. Good to be back,

sailor. She's pretty bad hit. [music]

Bring a stretcher.

Any luck with the general, sir?

>> That's a long story, sailor.

>> [music]

>> You're in good hands now. Take her to

sick pay,

[music]

>> Rosa. Thank you.

>> Thank you. See, son.

Thanks. Salamat, skipper.

Skipper,

it's a shame you're leaving. Things have

been very exciting for you. Santana, if

it were any more exciting, I'm afraid

none of us would be leaving. [music] Oh,

by the way,

you burned this.

Up to me, you'd get a darn sight more.

[music]

You have many things, both more than

money.

I'm afraid you don't need this anymore.

>> No, but your families do. [music]

Let's hope soon you can use it. Good

luck,

>> Rosa. I think you have a new man.

[music]

>> So long, do goodbye, Captain John. Got

speed. [music]

>> Santana,

hang on to this for me

with my life.

[music]

[music]