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I thought the seat was empty.
I do hope I didn't hurt you.
It was the most awful man back there
smoking a vile cigar. This is
non-smoking, isn't it?
>> Yes.
>> Thank heaven for that. After last night,
I don't think my head would stand it.
See your tickets, please.
Give us
Oh, you shouldn't be here, sir.
>> Well, this is first class, isn't it?
>> Yes, sir.
>> In that case, I'm all right.
>> Oh, second class ticket. Yes, sir.
>> British Rail doing it again. selling
secondass tickets at first class prices.
>> Yes. I'm bloody sorry, sir.
>> That'll be uh £346.
>> You wouldn't have change for a 50 note,
would you?
>> Yes, sir.
>> In that case, don't bother cuz I haven't
got one.
>> I don't suppose British Rail would
settle for £328p
29p.
Yeah, I suppose they would.
I hate to presume on our short
acquaintance, but um have you any
change?
Well, there you are. That'll do. That's
stamp.
Thank you. £329p
plus 17p.
Well, legal tender, old boy. Legal
tender. Send a postcard to your mother.
Mr. gone. May I?
>> Oh,
>> um,
thank you. Could you let us have just a
little bit of your smile?
>> Well, not at this time in the morning.
>> Yeah, he is. Good morning, Johnny. How
are you?
>> We've been looking at you everywhere,
Johnny. Simply everywhere.
>> Excuse me, please. Do you mind?
>> Oh, of course. I'm so sorry. Come along,
girls. Come on, Jesse. Come on, Alice.
I'll see you later, Johnny. See you,
Johnny. My aren't they bright this
morning?
That's great. Now, great. I wonder could
you let me just have a little bit more
of your smile? Remember,
>> I don't believe it.
Can't be the same girl.
>> Who is she? Do you know her?
>> She's Lord Mccclaid's stepdaughter.
>> Lay off, Johnny. Besides, she's not up
your alley. Well, to tell you the truth,
I'm getting a little bit bored with
people in my alley.
>> Introduce me to her, will you?
>> Certainly not. If
>> you won't do it, then I'll do it myself.
>> Come on, they're going.
Ena
Dina, maybe come here.
>> Yes, come around.
>> May I introduce Mr. John Asgar?
>> How do you do?
>> How do you do?
>> We were passing by and we saw you in the
window.
>> Johnny insisted on meeting you.
>> [laughter]
>> Why?
>> Well, I'm told the sight of a really
eligible male is a rare treat in this
part of the country. Oh,
>> isn't Johnny terrible?
>> Hadn't you better hurry?
>> Hurry about what?
>> Well, you don't want to be late for
church, do you?
>> Oh, you came to take me to church.
>> Well, well, I hadn't really thought of.
>> If you'd like to come, of course.
>> How very kind of you. I think I will
come.
Excuse me a moment.
Well, girls, you better sit down.
>> And where are you rushing to? Oh, I'm
off to church, man.
Oh, but I thought we'd No, no. I've
changed my mind. Oh,
>> I see. Shall I go with you? No, no. I'm
going with the barrooms.
>> The barrooms? I thought you didn't like
them.
>> Oh, I loathe them.
>> [music]
>> You're not really going to church, are
you?
>> Certainly I am.
>> No, you're not. You're coming for a walk
with me.
>> Don't be ridiculous.
>> Well, I tell you what I'll do. I'll toss
you for it. Heads you do, tails you
don't.
Mother,
>> what do you think I was trying to do?
Kill you? Nothing less than murder would
justify such a violent self-defense?
>> Let me go.
>> Oh, I'm just beginning [music] to
understand.
You thought I was trying to kiss you,
>> weren't you? Of
>> course not. I was merely reaching around
you to fix your hair.
>> What's wrong with my hair? Well, I'm
glad you mentioned that. It would have
been extremely dis [music] courteous of
me to bring the subject up myself.
>> I may seem provincial, but frankly, I
don't understand men like you. You
always give me the impression you're
laughing at me.
>> No, I give you my word. But your hair is
all wrong. But it has such wonderful
possibilities that for a moment I became
a passionate hairdresser.
>> What's wrong with it?
>> Let me show you.
Now, let me see.
H.
[music]
>> Now, don't do that.
>> Why not?
>> Because your mapillery is quite
beautiful.
>> What's aipital mapillery?
>> That didn't ask you to touch it.
>> H, [music] you look quite good. Almost
as good as you did on your horse.
>> I must be quite a novelty compared to
most of the women you're photographed
with. H. Well, I must be quite a novelty
compared with your horse.
>> I don't know. If I ever got a bit
between your teeth, I don't think I'd
have any trouble in handling you at all.
>> Well, suppose just [music] as you
thought you had me under perfect
control, I turned around, nade, and
kissed you.
>> Think you've done enough fiddling with
my hair for one day?
>> You don't look very good like that. You
look more like a monkey with a bit of
mirror. What does your family call you?
Monkey face.
Oh, I still think my way was best.
>> I should go. I'll be late for lunch.
Besides, if I walk in, both late and
beautiful, my father might have a
stroke.
>> Thank you for walking me home.
>> My pleasure. I'll be back for you at 3.
>> No, really. I can't go out this
afternoon.
>> Oh, yes, you can.
>> No, really. I have to make some calls
with my mother.
>> Liar.
>> Really?
>> Don't forget
3:00.
>> No, Lena will never marry. She's not the
marrying sort. Anyway, she's no need to
worry. Will be enough to take care of
her for the rest of her life.
>> Yes.
>> Well, I suppose you're right, dear.
She's rather spinsterish.
>> Well, what's wrong with that? Nothing
terrible [snorts] about being an old
maid. Not all women are alike. You know,
has intellect
solid character.
I'm very hungry.
[music]
>> [music]
>> Hello. Sorry I'm late.
Could I have some quite rare, please,
Mr. Jenner?
>> Yes, Miss
>> What kept you so long at church, dear?
>> I didn't go to church, mother. I went
for a walk. Thank you. With a man.
>> A man? Yes. His name is Johnny Asgarth.
>> Johnny Asgarth.
>> Well, is that Tom Asgarth's boy?
How did you meet him? Pity he turned out
so wild. Rough luck on Tom. What's this?
Eh.
Horseradish. I didn't think horseradish
was in season now. It's not out of a
bottle, is it?
>> Of course not.
>> Why do you say Johnny Asgarth is wild?
Father.
>> Well, he was turned out of some club for
uh cheating at cards, wasn't he?
>> I don't know. I didn't ask him.
>> What's he doing down here?
He's staying at Pensayes.
I shouldn't have thought Jeffrey Middle
would have invited him there if he had
been turned out of a club for cheating.
>> Well, perhaps it wasn't cards. May have
been some married woman or
unmarried mother of pop singer.
I don't know. Good heavens I can't be
expected to know every detail about
everybody. Can I? Anyway,
>> Anyway, I'm going out with him this
afternoon.
He's calling for me at 3:00.
>> Excuse me. Telephone call, miss.
>> Hello. Yes.
Oh, hello, Johnny.
You can't.
Yes, I understand.
Thank you for calling.
No, I'd love to the next time you come
down again.
Bye.
[music]
>> [music]
>> I've been trying [music] to reach London
2351982.
Could you try it for me, please?
A couple of hours,
disconnected.
Is Mr. John Agarth there?
No, he isn't.
Well, I thought perhaps.
Aren't you expecting him down for the
hunt, Paul?
But this is No, it doesn't matter. I'll
call again.
>> Lena.
Lena.
Well, it's 7:00.
Aren't you going to wear your new dress?
>> No, mother. I'm not in the mood. My
head's splitting. I'm not going to go to
the ball. Mother,
>> not going. Well, what will your father
say?
>> Perhaps an aspirin. You haven't got a
temperature, have you?
>> Well, where's your aspirin? I'll get it.
>> It's in the bathroom. Come in.
>> This has just come for you.
>> Oh, thank you, Mrs. Ch.
Here
you are, sweetheart. The asthma. What
for? Your headache. Oh, that's gone.
Tell father I'll be down in 2 seconds. I
simply will never understand you.
Come on.
I see Lena.
>> Lena.
>> Yes, Richie.
>> Do you want to dance?
>> All right.
>> That's not Lena dancing with weather, is
it?
>> Yes, it is. My Joe. Didn't recognize him
at first. Didn't recognize her myself.
>> I beg your pardon, my lord.
>> Huh?
>> There's a gentleman at the door outside
who says he's with your party. He has no
card. The name is Agarth.
>> Agarth.
Must be a mistake.
>> Lord Mlanor.
>> Yes.
>> I'm John Asgar.
I'm sorry, Mr. Asgard, but I don't
recall inviting you to join my party.
>> How awkward I thought you had.
Otherwise, I would never have come all
the way from London.
>> Well, I
don't know what to say.
>> Well, I suggest you say something, sir,
before you embarrass this poor man to
death.
>> Hello, Lena.
Sorry, I'm late.
>> Hello, Johnny. Johnny,
isn't this our danc
>> [music]
[music]
[music]
>> Hello, monkey face.
>> Hello.
[music]
>> Hello, monkey face.
Hello Johnny. [music]
[music]
>> Johnny, we can do this. Where are we
going?
>> Which is your car?
>> Don't be ridiculous.
That one.
>> Where are the keys?
>> They're in it. Oh,
>> come on. Quick before you catch cold.
Nice car.
Have you ever [music] been kissed in a
car?
>> Of course.
>> Did you like it?
>> It varied.
>> Well, would you like to try it again?
>> Yes.
Well, [clears throat]
the first woman I ever met who says yes
when she meant yes.
>> What do the others say?
>> Hang anything but yes.
>> But they kiss you
>> usually.
>> Have you been involved with many women?
Well, the other night when I couldn't
sleep, [music] I started to count them.
You know, the way one counts sheep
jumping over a fence. I think I got to
79 before I passed out.
>> Are you always as frank with them as you
are with me?
>> No.
>> Why are you frank with me? Am I
different?
>> Not exactly.
I'm honest. Because with you, I think
it's the best way to get results.
>> I hope I'm not saying the wrong thing.
But I think I love you.
>> No, you're not saying the wrong thing,
Monkeyface. [clears throat]
>> Where are we going?
>> I don't know. Anywhere.
I think I'm falling in love with you,
and I don't quite like it.
That's why I stayed away from you for a
week. I was afraid of you.
Well, I didn't think it would happen
like this.
>> Neither did I. I pictured an entirely
different kind of man.
>> Me, too.
>> We're coming to my house. Would you like
to stop in for a drink? There's no one
home but Mr. and Mrs. Jenner.
>> No, no. I'm going to get you back to
that ball as fast as I can.
Why did you stop?
>> I'm sure I don't know.
Well, come on then. Get out.
Why don't you sit down and I'll pour you
a drink?
I think you need one.
[snorts]
>> You must be made of iron.
>> Why?
>> How can you be so calm? Look at me. My
hands shaking. At least you could do his
faint or something.
>> I know. I'm rather surprised at myself.
I think it's because for the first time
in my life, I know what I want.
[music]
>> Are you really serious about me?
>> I'm afraid I am.
I think I do need that drink.
What are you doing here?
I say your boy, isn't that going a bit
too far?
He doesn't like me.
>> I know.
[snorts]
>> He doesn't trust me from here to there,
do you?
Well, you're right. Stop it before it's
too late. Tell her everything you're
thinking,
but I'm no good to her. But I can only
bring her unhappiness.
Well, go on, man. Warner, speak up.
Looks like it's your last chance.
>> Can you hear him?
>> Very distinctly.
>> He's not exaggerating a thing, darling.
It's all true. Every word he is insane.
>> I love him, father. [snorts]
>> Do you see him jump?
>> I do.
>> On your own head. Be it. Watch this.
Sir, I have the honor of asking for your
daughter's hand in marriage.
Well, what do you think of that?
>> You heard in that time, didn't you?
>> It doesn't matter.
It doesn't matter.
Poor monkey face.
Is everything satisfactory, Mu?
>> Oh, very satisfactory. Thank you.
>> Perfect.
>> What time do we get to Paris?
>> Well, M. We left Venice at 11:00. We
should arrive 7 minutes past 9.
>> Oh, that's too soon.
>> Too soon?
>> I want this to last forever.
>> Just pop that down there, would you?
>> Well, Mrs. Agarth, how do you like it?
Because if you don't like it, blame it
all on Mr. Bailey [music] again. He
rented the place while we were on
honeymoon. He arranged the whole thing.
>> But if you do like it,
>> I adore it. It's terrific. It's
wonderful.
>> In that case, you're talking to the
right man. I engage, Mr. Bailey.
>> Johnny, you're a genius.
>> I shall have to be getting along now,
Mr. Ask. So, what shall we do about the
bill?
Well, why don't you
drop it on that pretty little table on
your way out, barely old boy?
>> Oh, Johnny, I never dreamt we'd have
such a gorgeous house.
>> Well, it's not exactly ours. It's
rented.
>> Are you sure you can afford it?
I'm sorry. I've forgotten your name.
>> Sarah Phillips. Mr. Asgard.
>> Sarah.
Darling, this is Sarah. Sarah is going
to be my secretary.
>> Hello. Pleased to meet you, Mrs.
Asgarth.
>> Would you be kind enough to make us some
tea?
>> Of course.
>> What do you think of Sarah?
>> She seems nice enough. What is she going
to do?
>> Are you sure you can afford?
>> Follow me.
Now, where are we?
>> At the Hunt ball.
>> Where else?
>> Monte Carlo
>> and
>> and Nice [music] and Positana and Pompei
and Venice and Paris.
>> And Paris.
I'm sorry to interrupt. There is a lot
of mail on your desk, Mr. Asoff, but
this came express yesterday.
>> Thank you, Sarah.
>> Is it bad news, dear?
>> Oh, it's from an old friend of mine.
Stupid fell. He wants £10,000. You
[music] couldn't spare £10,000, could
you, darling?
>> 10,000? What does he want it for?
>> Hango. Probably because I borrowed it
from him.
>> He borrowed it? Why?
>> Because I was going on honeymoon with
the loveliest girl in the world, and I
wanted her to be happy.
Was she happy?
>> But didn't you have any money of your
own?
>> Not a penny.
Well, I thought I had the impression
that
>> No, now don't worry your darling little
head about that today of all days. I'll
pay old Henry somehow.
>> But I don't understand.
Are you broke,
>> monkey face? I've been [music] broke all
my life.
>> Well, why didn't you tell me? Every time
I brought the subject up, you
>> Oh, Johnny, why [music] did you take
such an extravagant house?
>> Well, I didn't think you want to live in
a shack. Girl like you was going to come
into plenty of money someday. Hm.
>> No, wait a minute. I can't get this into
my head. Were you thinking of my
inheritance when you
I don't know what to say?
>> Oh, now, darling. Really? Isn't it silly
to spend the best years of our lives
waiting? Why not be comfortable now?
>> Oh, Johnny. I'm just beginning to
understand you. You're a baby.
Now, I know you didn't marry me for my
money. You could have done much better
elsewhere. Besides, my income could
never pay for all of this. Never.
>> Well, what about your father?
>> I couldn't possibly ask my father
>> or my mother. You saw how restrained she
was at the station. Besides, you
wouldn't want to live off your wife's
income, would you?
>> Oh, darling.
>> Well, then
answer me, Johnny.
Well,
I suppose if the worst comes to the
worst,
if there's no other way out of it,
well, I suppose I'll have to uh
>> well, borrow some more. Haven't touched
old Midland yet. He ought to be good for
a month or two's housekeeping.
>> I think you must be mad,
>> monkey face.
Marrying you was the sest thing I ever
did in my life.
Oh, and give it to me.
Much too heavy for a pretty little girl
like you.
>> Thank you.
>> Well, clear the table.
>> Would you like to join us for some tea?
>> Uh, no. I don't think so. Thank you.
>> There's going to be no more borrowing,
Johnny.
Well, what else is there to do?
>> You're going to have to go to work?
>> Work?
>> Yes, work?
>> What do you mean? Put on old clothes and
go out with a shovel.
>> Don't be flippant.
>> Well, what do you mean? Well, I'm afraid
you're a bit of a dreamer, darling.
Let's be practical about this. Do you
know the statistics on unemployment? Do
you realize that in order to be a
carpenter or electrician or a plumber?
Oh, darling, you haven't been around.
Why? [clears throat] They have to be
apprentices first and even after that.
Oh, darling.
>> There are all sorts of jobs, Johnny.
>> Oh, well, I'm broad-minded. Let's have
some tea and talk it over.
We got to make out a list of jobs. Might
be fun. I'll get a pencil and paper.
Excuse me, darling.
Hello. Oh, hello, mother. Oh, mother. It
is the most wonderful house. Would you
tell father how badly I felt about
>> Hold on a minute while I tell Johnny.
Father's sending us a wedding present.
Mother told him how happy I looked at.
Oh, Johnny. I can't tell you what this
means to me.
>> Me, too.
>> Yes, father.
Yes.
>> Well, go on. Ask him when he's sending
it.
>> Hold on, father. It's coming over right
away by messenger.
>> Well, invite them over to dinner and ask
him if he'd like to play a round of golf
someday. And if you can slip it in, just
tell him we're in the throws of job
hunting. Doesn't hurt to impress the old
boy, eh?
>> Really, Johnny, you are the limit. How
can you be so cheerful without something
you should be ashamed of?
>> What, father?
Yes. Johnny and I were just having a
sober and comprehensive discussion on
that very subject.
Well, yes, he has several ideas about
the kind of job he'd like and several
good opportunities.
>> There's a delivery here from Lord
Mclaidaw. Well, bring it in.
>> Hold on a minute, father. It's just
arrived. I think I know what it is. And
if it is what I think it is, oh, you'll
be thrilled, Johnny. Oh, it is. How
wonderful of it. These chairs have been
in Father's family for generations.
>> How many more, for heaven's sake?
>> Only these two. Oh, he sent us both of
them. These are Father's most precious
possessions.
>> You don't say.
These will be our first heirlooms to be
handed down to our children and then to
their children.
>> Well, that's the thing to do with them.
All right.
>> Oh, father, you're so good to me. You
make me want to cry.
What was that?
>> Oh, you've made me very, very happy.
You've made Johnny very [music] happy,
too.
Hold on a minute. He wants to speak to
you.
Say something nice. These chairs really
belong in the museum.
>> Hello, sir.
Yes, but really, shouldn't you have sent
them to a museum?
Well, naturally, we're thrilled. Who
wouldn't be?
What's that? A job?
Lena and I were just uh talking about
that.
>> Yes, I have some excellent
opportunities.
What? What are they?
Well, I've had a letter from my cousin,
Captain Melb.
Yes. Yes, he is a splendid ch.
Yes, but he wants someone to run his
estates.
I thought I'd take the job myself.
Well, I'm glad you approve.
Yes, we'll get together soon. I'll leave
that up to Lena, shall I?
Yes. Goodbye, sir.
That was a fib about Captain Melbeck,
wasn't it?
>> Was it?
>> Have you had this letter all the along?
>> I have.
>> Why didn't you tell me?
Because, darling, I never dreamt I'd be
using it any more than I ever dreamt I'd
be receiving these two
beautiful chairs.
Okay, Kathy, I'll see you tomorrow.
Hello.
Funny place old Johnny's got here. What
was it? Must have got a packet to do it
up.
>> Who are you?
>> I'm Beaky. Think. You must be old
Johnny's wife.
>> Yes, I am.
>> Didn't he ever tell you about me?
>> Beaky?
>> Oh, you're Beaky?
>> That's what they used to call me at
school. Didn't Johnny tell you I was
coming? I've heard so much about you.
>> Johnny told me about you, too. I ran
into him at Newbie Races last week.
>> The races?
[laughter]
>> Yes. I put my foot in there as usual,
have I? I mean, didn't he tell you?
>> Johnny has a job. He couldn't possibly
have been at the races. Besides, he's
given up betting.
>> Oh, he has. Has he? Don't you believe
it? Not Johnny. Fat chance.
He mustn't mind that. This will make him
Johnny. Besides, you think you're
smashing? She does. I think so, too.
What?
>> Won't you sit down, Mr. Thuait?
>> Beaky
and see. Why not?
>> Anything wrong?
>> Yes. There were two Empire chairs here
this morning before I left.
>> Chairs disappeared, have they?
>> Apparently.
>> Were they expensive?
>> Yes, they were museum pieces.
[laughter]
Oh, that Johnny will be the death of me
yet. [laughter]
>> Don't you understand?
>> No, I don't.
>> I bet you 20 to1 old Johnny has sold
them.
>> Sold them? What for?
>> Well, for money, of course. Chap has to
pay his racing debt, hasn't he? Old
Johnny lost a packet at Newbury last
week. I can tell you. Those bookies
don't trust a chap for long. Not a chap
like Johnny, anyway.
>> I don't believe you. I don't believe a
word you say.
>> Put my foot in it again, have I? My
dear, you mustn't take it so seriously.
After all, it's Johnny. Wonderful chap
Johnny. None like him. Then I didn't
tell you that.
>> He couldn't have sold them. He wouldn't
without asking me.
>> Lena,
>> here he comes. Now, don't tell him I've
said a word. Now, if you want to see old
Johnny at his very best, just say
something about chairs.
>> He doesn't need more than one second to
invent the most howling lie you've ever
heard. I wouldn't have missed this for
the world.
Beaky
>> Johnny, how are you?
>> Glad to see you. My my.
And how's my little monkey face? H.
>> Well, what's the matter, darling?
>> Nothing. My
>> You sure?
>> Your wife seems to be missing some
chairs. I'll be
>> Picky.
Your pipe's not lit. Let me get you a
match.
>> Thanks.
He won't be he catch
about the chairs. Obine h the missing
chairs.
>> Oh yes, the chairs. Well, I imagine the
American came to collect them this
morning.
>> What American?
>> Well, didn't I tell you about him,
darling?
>> Well, how stupid of me.
Well, he dropped by about a week ago.
friend of Melbs.
I think you were out riding.
>> Go [clears throat] on about the chairs,
old bean.
>> Well, he admired the chairs. Antiques
expert he was. He said they might be
worth 2,000 a piece. He wanted them for
an exhibition.
>> Well, can you imagine? Anyone would
agree to that.
>> I wouldn't.
>> Oh, wouldn't you really, darling?
Well, that never occurred to me.
I uh as a matter of fact, I told him
that you would.
>> Why didn't you mention it to me?
>> I'm sorry, darling. I I thought I had.
>> Well, that's all right. If they're gone,
they're gone.
>> They're gone. All right.
>> Shall we get ready for dinner?
>> You are an angel.
>> Hold on a minute. He said they were
worth 2,000 a piece.
>> That's right. [clears throat]
>> Let's have a look at the receipt.
>> Well, he'll send it along. I bet you a
100 quid you wouldn't dare let your wife
pick up the phone and ask old Melbeck or
whatever his name is if he ever even saw
this American.
>> You're implying that my husband is a
liar, Mr. Thuait.
>> Oh no, monkey face. Don't mind. He's
just joking.
>> I prefer jokes on other subjects.
You're staying for dinner, are you?
>> Dinner? Johnny invited me to spend the
weekend with you. Unless you're throwing
me out. [laughter]
Johnny's friends are always welcome as
long as they remain his friends.
>> Hello, Isabelle.
>> I'll see you tomorrow.
>> Admiring your display. It is nice, isn't
it? Well, we have to do well by our only
local celebrity.
>> You going my way?
>> Yes, I am.
>> How's Johnny?
>> Oh, he's fine.
>> I just bought your latest for him. He's
an ardent admirer. I don't think there's
one of your stories he hasn't read.
What's the matter,
>> Vicki? I owe you an apology.
>> Hey, good. I mean, what for?
>> I'll explain it to you later. I'm afraid
I've done you an injustice.
>> An injustice? Well, whatever it is, I
forgive you.
>> You seem a bit hot under the cover. Not
angry, are you? Don't answer. You are.
Must be about old Johnny.
>> Will you excuse?
>> My dear, you mustn't be angry with
Johnny. A waste of time. If you want to
get cross with me, that's a different
thing altogether. I mean, I annoy
everyone. Always did. But not Johnny.
No, no, no. You mustn't really.
>> Would you excuse me?
>> Lena,
Sarah, where are you? Where is
everybody?
>> Hello. Hello. Hello. Don't move. Just
stay exactly where you are. I want to
see the expressions on your faces.
>> Sarah,
>> what have we got there, old bean?
>> You'll find out soon enough. Bey, this
is a red letter day. SARAH. SARAH.
DARLING, WHAT HAVE WE GOT TO DRINK IN
the house?
>> Gin, brandy, champagne, everything.
>> Sarah, bring the lunch.
>> Stand aside, Begi. Stand aside.
>> Darling, do you remember that necklace
that you admired in the shop window in
Bond Street? It's yours.
And here. Oh, no. That's for Sarah.
Oh, Beiki. Little present for you.
>> What is it?
>> It's a secret.
>> Shooting.
>> The finest money can buy.
>> Now, darling, remember this? I saw the
hungry look that you gave it the last
time we were in London.
It's yours.
>> But Johnny, I I don't understand. Why
did you do all this?
>> Oh, now darling, don't be angry. Oh, I
got a little present for myself. Do you
mind?
>> Nice stick.
Good quality, eh?
Oh, well done.
But Johnny, you you still haven't told
us what this is all about.
>> Yeah. What's it all mean, Obie?
>> Well, my friends, I have the pleasure of
announcing that the Goodwood Cup was
round today and I happen to have backed
the winner. A 10 to one shot and I had
£4,000 on him.
>> Good God. 10 to That's £40,000.
>> Bey, that's amazing.
>> Follow me.
>> Well, the way you work that out so
quickly.
>> That's some how you pulling my leg on
me. Darling, what's happened to your
tongue?
>> I suppose you disapprove of my betting.
>> Not with £40,000 in her lap. She
doesn't.
>> Oh, come on, darling. Smile.
I know I've been naughty. I suppose, but
look, it's all for you.
>> There you are. That's Johnny.
>> Come on, darling. Smile.
>> Johnny, where did you get the £4,000?
>> I say, old girl, that's not a very
tactful question.
>> Where did you get it? M you know very
well there wasn't any American. I got it
for the chairs. Of course.
>> You sold the chairs to gamble your money
on a horse.
>> Well, not exactly. You see, I owed the
bookie some money. But it's an ancient
story. Oh, you know how bookies are.
>> What did I tell you?
>> See, I got the 4,000 to pay him off, but
then along came this hot tip.
>> Yeah. Come on, darling. Smile.
>> Bey, can you make a smile?
>> I could leave. Would that do it?
>> Wait, I forgot.
This is a receipt from a certain shop
for a certain pair of chairs paid in
full. They'll deliver within the hour.
A
>> look, she's smiling.
>> There she is.
>> Oh, Johnny.
>> Well done, O.
>> Sarah's done her stuff. What about
celebrating?
Go on, Bean. Time for a beaker.
>> Little present for you, Sarah.
>> Thank you very much, Mr. Hayes.
>> Suits you.
This is yours
and yours.
Time for a toast.
>> Hey Beaky, that's alcohol.
>> Oh Johnny, just this once.
>> You know you're allergic.
>> One won't hurt.
>> It's up to you. Monkey face. I drink to
the last bet on the last horse that will
ever be made by Johnny Asgarth.
>> The last bet I'll be.
[laughter]
>> [laughter]
>> Quick, Johnny, some water.
>> It won't help.
>> I've seen this happen before. It's no
use, darling.
It'll either kill him or it'll go away
by itself.
>> Sorry. Albby,
>> one of these days it will kill him.
Good afternoon.
>> Good afternoon, Mrs. Acegarth.
>> He's Mr. Agarth.
>> Mr. Agarth? Why? No, he isn't.
>> When do you expect him?
>> Really couldn't say.
Perhaps you'd like to talk to Captain
Nelc.
Yes, I would very much.
>> Mrs. Agarth is downstairs to see you.
I'll show her right up.
You come this way.
>> Mrs. Agarth,
>> what a pleasure to see you.
>> Good afternoon.
>> Do sit down.
Captain Melbec, I don't mean to impose,
but as you're Johnny's cousin, as well
as his employer, I I wanted to talk to
you. I'm very worried about him.
>> I can understand that.
But on the other hand, I told him I
wouldn't prosecute.
>> What on earth are you talking about?
>> How does he get away with it?
What reason did he give you when I
discharged him?
>> When did you discharge him?
>> 6 weeks ago.
>> Captain Melbeck, I don't have a very
keen sense of humor. If this is a joke,
I wish you'd tell me.
>> It's not funny to me either.
We had an unexpected audit about 6 weeks
ago, and the account showed a deficit of
£20,000.
When I looked into Johnny's records,
I'm terribly sorry.
He should have told you.
>> That's perfectly all right. And you said
you wouldn't prosecute?
>> Not for the time being.
I shall give him every opportunity to
replace the money.
>> Is Mr. Asgarth Hall yet?
>> No, Mrs. days ago. I'm most terribly
sorry.
>> Oh, so you know
Heat. Heat.
Oh, [music]
So, you've heard?
>> Yes, I've heard.
Even Sarah knew. Everyone except me,
apparently.
>> I'm so sorry, darling.
I'm terribly sorry.
I know how close you and your father
were.
I spoke to the doctor. It was a heart
attack. He died instantly. He wouldn't
have suffered.
Anyway, your mother wants you to come
home at once.
>> And to my dear sister Emily Skewer, I
bequeath an annuity of £10,000 for the
duration of her lifetime.
To my niece, Miss Elsie Chilling, the
sum of £50,000.
To my two dear cousins, Robert and Jane
Atwood, £5,000 each.
The residue of my estate, my house, and
all the property contained therein, I
leave to my beloved wife Martha with the
wish that she continue the present
allowance of £10,000 a year to my
step-daughter Lena.
Also to my stepdaughter Lena and her
husband John Asgarth, I bequeath the
portrait of myself painted by the
distinguished Sir Joshua Nettlewood.
>> I think I need a drink.
>> I'll get it for you.
>> No, no, I'll get it myself. It's in the
study, isn't it?
You win, old boy.
Lena.
>> Yes, dear.
>> Do you ever have any regrets that you
married me?
>> Why do you ask that?
>> Well, it's pretty obvious that your
father would have left you a great deal
more than his portrait if you'd been
anybody else but Mrs. John Asgarth.
What about you? Have you any regrets?
>> I want nothing more than to spend the
rest of my life with you.
If you were to die before me, I
>> Yes. If I were to die before you.
>> How do you feel?
>> I couldn't stop loving you if I tried.
>> Have you tried?
>> Yes, once.
>> When?
when I found out you'd lost your job
with Captain Melbeck.
>> How long have you known?
>> Since last Friday.
>> Who told you?
>> Captain Melbeck.
I met him.
Did he tell you why?
>> No.
Suppose you tell me, Johnny.
>> Oh, well, we just didn't get along.
Quite nice here. Should we stop and have
a look at the sea?
>> Why didn't you get along with him,
Johnny?
>> Oh, I don't know. He's a bit of an old
fogy, you know. I suppose my ideas were
too well, too daring for him.
Monkey face. I've always had a notion
that the secret of success is to start
at the top.
>> You think I'm talking out of my heart,
don't you? Well, I'm not. The way to
make money is to think big.
Just look at all this land for instance.
Why isn't something done about it? If I
could get planning permission, I could
start a development here. If I had
£100,000 or even £200,000, just imagine.
All you need is £200,000.
>> Well, maybe £300,000.
The extra £100,000 will hurt a bit.
>> You see, Beiki, this is the grand plan.
>> Wonderful old be. We can put the hotel
there. There.
>> Mhm.
>> And then down below here, we can build
the swimming pool.
>> No.
>> Hello. What's going on in here?
>> Mikey face. We're organizing a real
estate company, and we're about to buy
up the most beautiful piece of land
right by the sea. What a view. What sun?
What air?
>> And we're going to sell part of it at a
profit.
>> Well, yes, but all this would need
financing, wouldn't it?
>> Of course.
>> Have you found someone to put up the
money?
>> Well, of course.
>> Who?
>> Me.
>> Oh, I see.
>> Well, the idea is mine, but the money is
Beaky's. And the corporation, well,
Bicki borrows against some securities in
Paris, and then we issue stocks.
Let me show you.
Now the company's going to be in my
name.
>> Yes.
>> Look, darling.
>> Let me show you how simple it is.
>> Does Beaky understand it?
>> Well, perfectly.
>> Think.
>> Excuse me. Captain Melbec is on the
telephone for you, Mr. Asgarth.
>> Thank you, Sarah.
I'll take it in the study.
>> Excuse me, Vicki.
>> All right, OP.
Vicki, explain it to me, would you?
>> Yes.
>> Well, [clears throat]
you see, my dear girl,
I say I rather like this feeling. Big
business and all that kind of thing.
>> George, I keep telling you not to worry.
I've got something on now that'll make
it certain I can pay you back within a
couple of weeks.
You see, we buy up this land and then we
sell part of it. That gives us 100%
profit in no time. Then on the other
part, we build something or other.
>> From whom do you buy the land? How much
does it cost? To whom do you sell it?
>> It shouldn't be difficult, should it?
>> Beaky, when are you going to grow up?
You know,
>> you're scolding me.
>> Well, you need scolding. Oh,
>> do I?
>> Yes, you do.
>> Just around the corner.
>> You're not being fair to Johnny. It's a
bit thick. I mean, he's chairman of the
whole bloody thingamajig. Gets a salary,
writes out his own checks.
>> That's exactly what I mean.
>> What's wrong about that?
>> Beaky, why don't you go and get ready
for dinner?
>> Be staying with us for a couple of days,
darling.
>> All right, I'll be
>> see you at dinner.
>> Look here. What right of you to
interfere in my affairs? No, I wasn't. I
was only
>> You were only what?
>> I was only trying to tell Beaky that he
shouldn't leave everything to you. That
if something went wrong, he should take
some responsibility, too. It's not as if
you were both experienced businessmen.
>> What the devil do you know about
business?
>> Nothing. I was only
>> suppose Beaki had taken you seriously.
You could have ruined the whole scheme.
Do you realize that?
>> But if the plan is no good,
>> that's my business, not yours. If I say
it's good, it's good. I'm going through
with this deal and I don't want any
interference from you or anyone else. Is
that clear?
>> Yes, that's clear.
>> Hello, monkey face.
>> You startled me. I didn't hear you
coming.
>> I thought you might like to know. I'm
calling off the real estate plan.
>> Why? What happened?
>> Nothing happened.
>> Does Beaki know about it?
>> No, not yet.
>> Why are you doing it?
>> Oh, I don't know. Perhaps the land isn't
any good. Who knows? Or perhaps I don't
like the idea of risking Beaki's money.
Or perhaps it's just a stiff job and I'm
too lazy.
>> Are you still angry about last night?
>> No, I'm not angry.
>> Are you sure? I couldn't sleep at all
last night. You'd never spoken so
sharply to me before.
And I was afraid.
>> Afraid of what?
>> I was afraid you stopped loving me.
>> No, Monkey Face.
I'm not angry
and I love you very much.
D O U B T. Doubt. Every time I play
Scrabble, I can only make three letter
words. F U L. Doubtful.
Add it up, old girl.
Personally, old Bean, I don't see what's
wrong with the scheme. And if you say
there's no point in going ahead with it,
then don't go ahead. I still don't
understand why we have to go all the way
out there to look at it. My turn.
Because Beaky, I won't be responsible
for calling the whole thing off without
first proving to you that it's no good.
>> Well, personally, Albean, if you say
it's no good, that satisfies me. After
all, you discovered the land. It was
your idea. Hang at it all. If a fellow
gets an idea, the job of ought to follow
it up.
>> Nevertheless, you must go up there
tomorrow morning and take a look.
>> Why are you so insistent?
>> I told you I won't be responsible.
>> That's a long one. I say, girl, there's
no such word, but you have an hour.
Besides, I don't want to go up there in
the morning. It will be nasty and cold
and wet
>> now. Beaky.
>> Well, if we do have to go, what time
should we have to start?
If I had an er, I could make that
murderer.
>> I'd say the earlier the better. About
7:00. There won't be so much traffic on
the roads.
>> That's about pig's tail.
>> Pig's tail.
>> Too early. Too early.
[laughter]
>> [screaming]
>> Is Mr. Asgarth having breakfast?
>> No, Mrs. Asgarth. He wouldn't wait. He
said he would have some on the road. He
left about 2 hours ago with Mr. Thuait.
>> [music]
[music]
>> Down.
Heat.
That ought to do it. Put the plug in
now.
>> How's that all been?
Hello, Lena.
>> Hello, darling.
>> Well, well, well. What's all this? I've
only been away a few hours.
>> It seems like a thousand years.
>> Seems like that to me, too.
>> Shut up, BK. It was nothing.
>> Nothing? I came very close to losing my
life. You call that nothing.
You nearly lost your life.
>> Came that close to it.
>> Let's change the subject, [music] shall
we?
>> No, no, Vicki. Go on. I want to hear.
>> Well, there we were on top of the cliff.
Finally agreed old Johnny was right.
There was a little too much chalk in the
soil. Well, I was trying to turn the car
around near the edge of [music] the
cliff. I never was very handy with the
car.
>> Was Johnny in the car?
>> No, he was a few feet away looking over
at the view.
>> It's hardly worth talking about. We'll
have a drink.
>> Go on, Vicki.
Well, I didn't realize I was backing the
car towards the edge, but I was right up
to it. If old Johnny hadn't taken a
flying leap and grabbed the handbrake,
I'd have been in Kingdom Come by now.
>> Johnny saved your life?
>> Certainly did. And jolly close to losing
his own, too.
>> Oh, Johnny. How can I ever tell you what
this means to me?
>> To you, darling?
>> Means quite a bit to me, too. What about
a spot of celebrating a night out on me,
O?
>> Well, that's very kind of you, Beaky.
So, don't you have to go to Paris?
>> Paris?
>> Yes. Yes. My securities are over there.
Got to go over there and cancel all the
arrangements. Why don't you come over
with me?
>> He seems to forget I'm a married man.
Tell you what I might do, Beaky. I might
drive up as far as London with you. Take
you up on that evening out. What about
that monkey face?
>> Well, it seems to me that
>> I know. It seems to you that I ought to
be looking for a job. Well, it seems to
me that I might have much more chance of
finding one in London than I would
anywhere around here.
>> Yeah, of course you would. Do let him
come. Monkey fina.
Sorry, girl. Only put my foot in it
again, eh?
>> That's all right, [ __ ] I don't see how
I can stop him.
>> Great.
>> There's an inspector Hodson in the hall.
He wanted to see Mr. Agarth. And when I
said he was away, he asked if he might
speak to you.
>> Show him in, Sarah.
>> Come this way, please.
>> Thank you.
>> Mrs. Agarth.
>> Yes.
>> How do you do? My name is Hodson,
Inspector Hodson. This is my colleague,
Mr. Benson. We're from the county
police.
>> How do you do, Mr. Benson? I'd either.
>> Won't you sit down?
>> Thank you.
>> I understand your husband is not in at
the moment, Mrs. Aggoth.
>> No, he's up in London for two days.
>> Well, since he's not here, I thought
perhaps you might be able to help us.
>> Certainly. Would you like some tea or
something?
>> No, thank you. I believe you know Mr.
Thuait.
>> Yes. He's a very close friend of my
husband.
>> H. It's difficult to know how to put
this, Mrs. Agarth,
perhaps it would be easier if I showed
you this in this evening's paper.
>> Excuse me.
What do the Paris police believe caused
the death?
>> I have a TEDex here from them.
Thuait visited the place in the company
of another Englishman. Both men had
evidently been drinking. On arrival,
Thuait ordered a bottle of brandy.
According to the statement of one of the
waiters belonging to the establishment,
Thuait's companion asked for the brandy
to be served in large beers.
Apparently, as a result of a bet between
the two men, Thuait filled one of these
beers to the brim and drank it all. The
other man was not present when the
actual tragedy happened, having left the
place a few minutes before. French
police have not yet succeeded in
establishing his identity. According to
the waiter who has a slight
understanding of English, his name would
appear to be all beam or obe.
[music]
[music]
>> [music]
>> He didn't go to Paris.
He didn't go to Paris.
[music]
[bell]
>> Hold out the club.
>> Mr. Jones, please.
>> [music]
>> When do you expect him?
Left yesterday morning.
[music]
No, no, it's not important. Thank you.
[music]
[music]
Hello monkey face.
You've read about Beaky, have you?
I was terribly fond of Bicki.
>> Were you?
>> Yes.
>> I love that silly, generous,
good-hearted fool.
>> Did you?
>> Of course I did.
Next to you, I loved him more than
anybody else in the world.
>> Next to me.
Oh,
>> poor monkey face. Here
I am thinking only about myself [snorts]
and forgetting all about you.
You liked him too, didn't you?
>> I liked him very, very much.
>> The police were here.
>> What did they want?
>> They wanted you to help them.
They received a TX from Paris.
It seems there was an Englishman who
made
who bit
>> I know
the whole story was in the late edition.
What else?
>> Inspector Hodgson wants you to phone
him.
>> He thought perhaps you could help him
identify the Englishman.
What did you tell him?
>> Did you tell him about the corporation?
>> Well, naturally, I told him Beiki was
about to dissolve it.
>> I wish you'd left all that to me.
What else did you tell him?
>> Nothing. Just that I expected you back
from London any moment.
Inspector Hodson, please.
Hello, Inspector. This is John Asgarth.
I just got home.
Yes. We drove up to London together on
Tuesday evening.
We had dinner at the Seavoy.
No.
Yes. Then I saw him off at Heathrow.
Yes.
No, I stayed in London until this
afternoon
at my club.
Yeah.
Yes.
Not at all, Inspector. If I can help in
any other way, please do let me know.
>> Hello, Isabelle. May I come in?
>> Lena, how nice. I was thinking only
yesterday. I don't see half as much of
you as I'd like.
>> Oh, how sweet of you. I couldn't put my
light out until 3 this morning. I was so
taken by your latest book, I had to come
over and talk to you about it.
>> That's the most thrilling compliment I
ever had. Won't you come in?
>> Would you like some tea?
>> No, thank you. I didn't know you were
such a Murder Story fan. Did you really
like it?
>> Oh, I couldn't put it down. I was
especially fascinated by the way your
villain
>> villain. You mean my hero? I always
think of my murderers as my heroes. I
didn't mean to interrupt. You were
saying you were completely fascinated.
>> Well, when he enticed his victim to
cross the foot bridge, knowing full well
that the foot bridge had been sawned
through, and he also knew his victim
couldn't swim. Don't forget that.
>> Well, what I wanted to ask you
[clears throat] was this. Would it be
considered an actual murder?
>> Well, from a moral standpoint, no
question at all. It is murder.
>> I suppose it is.
>> What does Johnny think?
>> Johnny I I haven't discussed it with
him.
>> I should think he'd be interested. Same
situation with this friend of his in
Paris.
>> The same
>> that allergy business just like my foot
bridge. Now, if they ever get his
companion, the question will be, was it
murder or an accident? That alcohol
thing isn't new. You know,
>> it's been done before.
>> Oh, yes. In real life, too. I have it
here. Richard Palmer got rid of one of
his victims that way. A man called Abby.
Was he hanged? Trial of Richard Palmer.
Trial Richard Palmer.
Well, they got him eventually after he'd
killed half a dozen other people with
poison. Maybe I put it under the tease.
Is it considered murder or an accident
if you encourage someone to take a
substance you know they're allergic to?
>> That's an interesting question.
supposing I ask my brother about it.
He's the home office pathologist, you
know, conducts postmortems, all that
sort of thing. I get some of my neatest
ideas from him.
>> Oh, no. Isabelle be
>> it really doesn't matter. It's not that
important. I don't want to bother you.
>> T here we are.
>> I'll run along, Isabelle. I don't want
to trouble you.
>> Palmer.
>> Oh, I remember. It's in your own house.
What is
>> the trial of Richard Balmer? The book
about the alcohol allergy. Johnny
borrowed it a couple of weeks ago.
Bye-bye, Isabelle.
Goodbye, my dear.
Hello.
Well, he's not in. This is Mrs. Agarth
speaking.
>> This is the guarantor's insurance
company. Could you tell Mr. Agarth
there's been a slight delay replying to
his inquiry? We have written to him
fully on the matter and he should get
our letter by tomorrow morning.
Yes, thank you.
>> Good morning, Sarah. My magazine
and these two for Mr. Eco. Thank you.
Hello, darling. Any letters for me?
>> Three.
>> Oh, thank you.
Well, well, well. Letter from Old
Spotty.
Well, well.
Mind if I take my bath before you,
darling?
You got any more soap, monkey face? This
bit's nearly gone.
>> I think there's a bar in the cupboard
above the wash basin.
Mr.
[clears throat]
>> You're telling me that a fellow comes
into a room, locks the door, then sits
down and plays the piano, then someone
shoots him through the locked door. Is
that the idea? Well, that's ridiculous.
Why would he do that? Why would he lock
the door just to play the piano? Is he
ashamed of his playing?
>> Well, a certain note on the piano was
wired to a revolver concealed in the
wall paneling. Then, when the victim
strikes this note, well, there you are.
>> Well, I don't get much for that. You're
slipping, old girl.
>> Then what's wrong with it, my dear chap?
>> Too complicated. If you're going to kill
someone, do it simply. Don't you agree,
Dr. Sedwisk? Oh, yes. Quite right. So
long as you don't get caught.
>> Do the wine, will you?
>> Oh, yes, I do.
>> How would you do it simply, Johnny?
>> Oh, I don't know, darling. I'd choose
the most obvious method. The important
thing is that no one should suspect me.
>> For instance,
>> for instance, poison. I choose the first
one that came to mind. Say arsenic.
>> Ah, arsenic.
I remember in Gloucester where we exumed
body after 4 years and there was still
enough poison in the fingernails and the
hair. [music]
>> Yes, but did you get the murderer?
>> Let me see. No, I don't think we did.
>> There you are.
>> Think of it. This very minute there are
hundreds of people who've committed a
murder and they're walking about quite
freely.
>> Thousands.
>> Do you think those murderers are happy,
Johnny?
Well, I don't know, darling. I don't see
why they shouldn't be.
>> Fear of discovery, my lad. So long as
the bullets marked by the barrel [music]
of the gun and arsenic leaves traces and
the tiniest hair of your head can be
identified.
>> Yes, but it seems to me that by now
someone would have discovered a poison
that can't be traced.
>> What about it, Dr. Sebusk?
>> A most interesting corpse dropped in the
other day. Do let's hear about it. No,
no, no, no. Don't change the subject. I
saw that look. There is a poison that
can't be traced, isn't there?
>> Nonsense. No such thing.
>> I'll bet you know, doctor, what is it?
>> Not in a million years.
>> Oh, come on.
Do I look like a murderer?
>> Well, that's an interesting question.
What do you think, Izzy? Izzy can always
tell from a person's face whether he or
she is capable of murder. Can't you,
Izzy? I don't want to sound conceited,
but I usually can.
>> What about me? Could I murder anyone?
>> You couldn't hurt a fly, Bertram.
Unless, of course, it was already dead.
>> What about Lena? She has a strange
[music] glint in her eye. Afraid not.
Lena hasn't the nerve any more than I
have. And as for you, you silly old
thing. Look at the expression on his
face. Trying to look mysterious. Well,
you can't fool me. You couldn't commit a
murder if you tried for a hundred years.
>> No,
>> I don't believe I could.
>> Why are you bolting the door, Johnny?
Sarah won't be able to get in tomorrow.
>> You've forgotten, darling. Tomorrow is
Sarah's day off.
Darling, you're shivering again.
>> You suppose you could be catching cold?
>> Yes, that's what I think it must be.
>> Well, I'll tuck you up in bed nice and
warm.
Come on, take off your coat.
>> No, please, Johnny. Don't.
>> Well, this reminds me of the day we
first met on top of the hill.
Do you remember?
>> I'll never forget.
>> Well, come on, old girl. Get undressed.
What are you waiting for?
Johnny,
I'm in a state tonight. I I don't know
why, but I'd like to be alone.
Would you mind sleeping in your dressing
room?
>> Of course I'd mind.
>> Oh, please, Johnny. I haven't been
sleeping well lately.
>> Oh, now I understand.
You used to sleep badly when I wasn't
here. And now you
all right?
That's the way you feel.
Good night.
feeling better, darling.
>> Hello, Isabelle.
>> How are you, my dear?
>> All right. I've been asleep all day,
haven't I?
>> Isabelle's brother gave you a sleeping
pill this morning. Your nerves seemed
all on edge. We were quite worried about
you.
>> Cheer up. Bertrram's had a good look at
you. Although he usually doesn't attend
living people, I must say he's a very
able doctor. He says all you needed was
a little sleep.
>> I'll go and fix something for your
supper.
>> He's one in a million.
>> Is me.
>> Do you mind if I smoke?
Have you been here all afternoon?
>> Naturally, ever since Johnny phoned.
>> And I warn you, you'd better get well
because if you leave me alone much
longer with that husband of yours, my
career will soon be over.
>> He flirted with you, I suppose.
>> Flirt? Worse than that, he's worming all
my secrets out of me.
I suspect him of writing a detective
story on the side.
>> What secrets? Oh, he's always pestering
me, you know, and I always swear I won't
tell him, and I always do.
>> Did you tell him anything today?
>> Did I? Bertram was furious. He said he'd
never confide in me again. Honestly,
have you ever been able to deny Johnny
anything?
>> Never.
>> It was about that poison, wasn't it?
>> Oh, don't remind me of it. I'm ashamed
and mortified and disgraced. I'm just a
fool. That's all. If he writes a story
on that one before I do, I suppose I'll
deserve it. Imagine a substance in daily
use everywhere. Anyone can lay his hands
on it. And within a minute after taking,
the victim is beautifully out of the
way. And mind you, it's undetectable
after death.
Is whatever it is painful?
>> Not in the least. In fact, I should
think it would be a most pleasant death.
Oh yeah.
Heat. Heat.
Good night, Luna.
>> [music]
>> Heat. Heat.
>> [music]
[music]
[music]
>> You're still annoyed with me, aren't
you?
>> No, really, Johnny.
I'm just not feeling well. Just not
myself.
>> And a few days at your mother's house
will do more good than staying here.
It's not just that. You don't
understand. Mother telephoned me.
>> I think you got on that phone awfully
early, it seems to me.
>> Mother gets up early. Anyway, she she's
feeling a bit lonely all by herself and
I happened to mention that I'm feeling a
bit nervy and before I knew it, I had
agreed to stay with her for a couple of
days.
>> All right,
I'll go down and get the car ready.
>> No, you needn't drive me.
>> I prefer to drive you.
My seat belt's broke.
>> Is it there?
[music]
Heat.
[music]
[music]
Heat.
[music]
Heat.
[music]
[music]
Heat.
[music]
Johnny, don't.
[music]
>> No, Johnny. No, Johnny.
>> No, Johnny. No,
>> Lena. Lena, stop being a little fool.
Stop coming like
>> listen to me. How much you think a man
could bear? First you turf me out of
your bed, then you go running off to
your mothers, and now you cringe and
pull away from me as though you hated
me. You're my wife, Lena.
>> I thought that you
>> You nearly killed us both back there
because you had to pull away from me
when I was trying to reach out to save
you from falling out of the car.
Well,
>> you'd have to put up with me any longer.
>> Where are you going, Johnny?
>> First, I'm taking you to your mother.
>> And then what?
>> Don't worry, I'll never bother you
again.
>> What does that mean, Johnny? Why did you
ask Isabelle about that poison?
>> What else is there for me to do?
I'm no good to you or to anyone.
I warned you before we were married.
Well, you didn't get rid of me then. So,
I thought I'd do the job for you. In 6
months, you'd have forgotten all about
me.
>> Why? Why would you do that?
>> There are so many reasons I don't know
where to begin.
I started our marriage out on the wrong
foot.
I bought things I couldn't afford to
please you.
Then I got in deeper. I knew Melbeck
would find me out, but I was desperate.
Then I made a last attempt to raise some
money when I went away with Bicki.
>> Parents?
>> No. I went to Liverpool to borrow money
on your insurance, but it wouldn't work.
>> You were in Liverpool when
you didn't go to Paris.
>> Of course not.
Do you think I'd have let some idiot
give poor old Beaky that brandy?
>> Why didn't you tell me? How could you go
through this with
>> As long as you love me, it was all
right.
>> What do you mean?
>> Let's face it, darling.
>> You don't love me.
>> Johnny,
>> the way that you looked at me last
night,
then again this morning when you were
off to your mother's.
>> Johnny, look at me.
Do you think I could live without you?
>> I may have to go to jail.
>> No. No. We won't let that happen. We'll
find the money for Melbec somehow.
Mother has money. We'll get it somehow.
>> I won't do it. This is something I have
to do myself.
>> Well, you will, Johnny. We'll do it
together.
>> You don't understand.
>> You'd have nowhere to live. I'd have to
get a real job. You'd have no nice
clothes.
It doesn't matter.
All I ever wanted was to be with you.
>> No, Lena.
>> Please, Johnny,
>> take me home.
>> [music]
[music]
[music]
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