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...
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-With his painting,
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Cézanne reinterprets
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what was called a vanity in the 17th century,
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a work that evokes fleeting pleasures.
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In "The Card Players" by the
Le Nain brothers, there is alcohol,
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The game: fleeting pleasures.
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This painting, inevitably,
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Cézanne knew him.
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And in his painting, Cézanne adds
the pipe for the pleasure of smoking.
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He evokes the time
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which is reflected in the
age gap between the players,
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Perhaps father and son.
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Cézanne is over 50 years old,
his father is dead.
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He paints a kind of modern vanitas,
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as if to attain a kind of wisdom,
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as if to remember that he too will die.
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Ah!
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Excuse me.
You can put your things away.
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Yes, darling?
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-I've got it, I've found it!
22
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-What are you talking about?
23
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-Sainte-Victoire, to paint it,
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I didn't want to copy Cézanne.
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But he was right.
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It's magical here.
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I need to explain this to you.
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-Wait, I'm saying goodbye to my
students and I'll call you back.
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Sorry, we'll talk about it again next week.
30
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-Thank you. Have a good day.
-Goodbye.
31
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So, what's going on?
32
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-Can you look through my studies?
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-I'm putting you on speakerphone.
Where are they?
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Your studies?
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*In a red shirt.
-Red shirt.
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Ah, I have one here.
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Is it in gouache?
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-No, with charcoal.
39
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-Jules, I could have done without it.
40
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*And then, there's a mess!
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Um...
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-You think so?
43
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-No, I think...
44
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-Louise ?
45
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*Louise, are you there?
46
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Can you hear me?
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Louise, answer me!
48
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Louise ?
49
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*Louise !
50
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*But what's going on?
51
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*Louise !
52
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*Answer me!
53
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*Louise !
54
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...
55
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-No, no, it's fine.
Let's not stress about it anymore.
56
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Let's not kid ourselves,
we'll never be together.
57
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And to... And to...
58
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There were too many...
59
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-Yeah, problems.
60
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-Yes.
61
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Yes, it was really annoying.
62
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It was too much...
63
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Pff...
-Complicated.
64
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-Yes, it's fine, thank you.
-Complicated, yeah.
65
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That's better.
66
00:04:33,680 --> 00:04:34,480
-Of course.
67
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So... no more arguments?
68
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-No more arguments.
69
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-Are the slamming doors a
thing of the past?
70
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-I promise you.
-Fantastic.
71
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It's fantastic!
72
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-Are you sure you're okay?
-I'm great.
73
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-OK. -Hello. Am I bothering you?
74
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-No way.
75
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-I'm bringing some cream puffs.
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-You can't imagine how happy I am
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to see you together,
fulfilled, serene.
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Ca me...
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Really.
80
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-Okay. -That's cool.
81
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-A cream puff?
-With pleasure.
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I'm sure we'll do excellent, productive work.
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all together.
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Confidence, serenity.
85
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It's obvious. (Ring)
86
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I'm coming.
87
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Oh shit!
88
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This is Adele.
89
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Yes, Adele.
90
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-(Is he on acid or something?)
91
00:05:35,840 --> 00:05:36,880
-No, it's...
92
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(I think he's taking pills.)
93
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-(Patents?)
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(But why?)
- (I don't know. He's tired.)
95
00:05:45,440 --> 00:05:49,200
-We're going to take advantage
of this working atmosphere.
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00:05:49,520 --> 00:05:51,880
There's a homicide at a painter's house.
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The motive is unknown, but the
prosecutor wants us to look into it.
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00:05:56,120 --> 00:05:59,680
So, I want to tell you: it's up to you.
99
00:06:02,640 --> 00:06:05,400
-He must have something wrong.
It's the...
100
00:06:05,720 --> 00:06:07,440
-No, not at all.
-What is it again?
101
00:06:07,760 --> 00:06:10,800
Menopause, but for men?
Andropause!
102
00:06:11,120 --> 00:06:14,800
-What is it?
-Testosterone is making a run for it.
103
00:06:15,120 --> 00:06:17,080
We have mood swings...
104
00:06:17,400 --> 00:06:20,080
-Ms. Chassagne, we just need
to be gentle with him.
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It's nothing.
-We need to take care of him.
106
00:06:23,360 --> 00:06:25,120
-OK.
-I'm worried. Sorry.
107
00:06:25,440 --> 00:06:27,760
-The medical examiner is waiting for you.
-OK.
108
00:06:28,080 --> 00:06:31,360
Are you checking if there are
any drawings that have value?
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Let's go. See you soon.
110
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-Good morning.
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-It's very clear: he strangled her first,
he was behind her.
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Then he gently let her fall to the ground.
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And then he finished her off.
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Three stab wounds to the heart.
115
00:07:01,120 --> 00:07:02,960
-Was there a sexual assault?
116
00:07:03,640 --> 00:07:06,120
-No. He just wanted to kill her.
117
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Or he didn't have time.
-It was his boyfriend who called us.
118
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Jules Pavard.
They were on the phone.
119
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The connection was cut off, and
then there was no further news.
120
00:07:18,480 --> 00:07:21,360
-Where is he?
-On the train. He'll arrive in 2 hours.
121
00:07:21,680 --> 00:07:24,280
-Are you starting the neighborhood
investigation?
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THANKS.
123
00:07:25,680 --> 00:07:28,320
So?
-There's no value table.
124
00:07:28,640 --> 00:07:31,960
But there are one or two
that I really like.
125
00:07:33,680 --> 00:07:34,760
-What is this?
126
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-Small holes.
127
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-OK, I can see that they are small holes.
128
00:07:41,640 --> 00:07:44,200
Stabbings?
-Stabbing?
129
00:07:44,520 --> 00:07:49,280
Well... Actually, no.
Or a spatula, a trowel, or a scraper...
130
00:07:49,600 --> 00:07:52,920
Look, take a spatula, there.
131
00:07:53,680 --> 00:07:55,280
No, it doesn't pierce.
132
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A heart, that's it.
133
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-Mm.
134
00:08:01,760 --> 00:08:03,720
Nevertheless, something is missing.
135
00:08:04,040 --> 00:08:04,840
-What ?
136
00:08:05,160 --> 00:08:08,600
-I don't know, a drawing,
a painting, something.
137
00:08:08,920 --> 00:08:11,800
-Captain, in a workshop, one spends one's time
138
00:08:12,120 --> 00:08:14,640
taking down, hanging up, sticking, sticking again.
139
00:08:14,960 --> 00:08:18,160
-Ms. Chassagne, I understand.
I find it strange.
140
00:08:18,480 --> 00:08:22,760
There are two tracks there,
and nowhere else, so...
141
00:08:24,480 --> 00:08:25,360
What ?
142
00:08:25,680 --> 00:08:29,280
-You wouldn't happen to be prone
to mood swings, would you?
143
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-Brief.
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00:08:35,520 --> 00:08:36,880
Louise Pérec, 40 years old.
145
00:08:37,200 --> 00:08:40,400
She had been in a relationship with
Jules Pavard for 15 years.
146
00:08:40,720 --> 00:08:42,520
-She was a painting teacher.
147
00:08:42,840 --> 00:08:45,360
-And him?
-He's a painter.
148
00:08:45,680 --> 00:08:48,160
-He has a mobile, he has ADN,
149
00:08:48,480 --> 00:08:50,440
Nor the murder weapon?
-That's right.
150
00:08:50,760 --> 00:08:53,440
-You wouldn't happen to have a
little feeling, would you?
151
00:08:53,760 --> 00:08:55,360
A little hunch?
152
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-(Tell him.)
153
00:08:57,880 --> 00:08:59,920
-No, we don't have...
We don't have anything.
154
00:09:00,240 --> 00:09:01,360
-Sure?
-Well, yes.
155
00:09:01,680 --> 00:09:02,680
Ringtone.
156
00:09:03,000 --> 00:09:03,880
-Pardon.
157
00:09:06,080 --> 00:09:06,920
Hello, yes?
158
00:09:09,280 --> 00:09:11,880
-(Aren't you going to tell
him about your intuition?)
159
00:09:12,200 --> 00:09:13,880
-(No, it's pointless.)
160
00:09:14,480 --> 00:09:16,800
-Ah, I've offended you.
-Not at all.
161
00:09:17,120 --> 00:09:20,960
-Yes, when I told you that
we don't kill with spatulas.
162
00:09:21,480 --> 00:09:23,920
I know you inside and out. "Not at all."
163
00:09:24,240 --> 00:09:25,520
-I didn't do that.
164
00:09:25,840 --> 00:09:27,560
-Exactly.
-Let's stop.
165
00:09:27,880 --> 00:09:30,760
-Children, we said we were working
166
00:09:31,080 --> 00:09:33,640
in calmness, confidence and...
167
00:09:33,960 --> 00:09:35,160
-And serenity.
168
00:09:35,480 --> 00:09:37,160
-There you go. That was the PTS.
169
00:09:37,480 --> 00:09:40,400
No DNA, but perhaps a motive.
170
00:09:40,720 --> 00:09:43,240
-Yes? -L. Perec's death insurance,
171
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for the benefit of Jules Pavard.
172
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After his death, he would pocket
173
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200,000 euros.
-Ah yes.
174
00:09:49,760 --> 00:09:52,160
-It can't be him, he was 800km away.
175
00:09:52,480 --> 00:09:55,880
-With 200,000 bucks, you can hire a hitman.
176
00:09:57,040 --> 00:09:59,680
-We're going to question him,
he'll be here soon.
177
00:10:00,520 --> 00:10:03,560
-Antoine, can I talk to you?
-Well, go ahead.
178
00:10:03,880 --> 00:10:06,920
-Over there, I have something to show you.
179
00:10:07,680 --> 00:10:09,320
-OK, coming.
180
00:10:12,560 --> 00:10:15,920
What is it?
-The victim's neighbor heard
181
00:10:16,240 --> 00:10:17,320
a big argument
182
00:10:17,640 --> 00:10:19,920
between her and Jules Pavard, recently.
183
00:10:20,240 --> 00:10:21,960
-Okay, I'm going.
-Wait.
184
00:10:22,280 --> 00:10:25,240
His name is Vincent Doppel.
Do you know him?
185
00:10:26,200 --> 00:10:27,480
-Doppel...
186
00:10:27,800 --> 00:10:29,680
No. Why should I?
187
00:10:30,000 --> 00:10:31,840
-He looks a bit like you.
188
00:10:32,640 --> 00:10:35,120
-What is this nonsense?
Thank you.
189
00:10:37,720 --> 00:10:38,840
Mr. Doppel, good morning.
190
00:10:44,720 --> 00:10:46,440
-Well, hello.
191
00:10:48,520 --> 00:10:51,640
-I am... I am Captain Verlay.
192
00:11:01,080 --> 00:11:02,600
-Well, I didn't expect that...
193
00:11:04,640 --> 00:11:06,640
It's... It's astounding.
194
00:11:08,120 --> 00:11:09,960
-Captain, what is the...
195
00:11:13,880 --> 00:11:14,640
-Madame.
196
00:11:16,200 --> 00:11:17,480
-No, no!
197
00:11:18,400 --> 00:11:20,760
-Mrs. Chassagne.
-Mrs. Chassagne.
198
00:11:21,080 --> 00:11:22,680
-Come back with us.
199
00:11:23,000 --> 00:11:24,920
If you...
-Ooh ooh.
200
00:11:25,240 --> 00:11:27,600
-This is Commander Pardo.
201
00:11:27,920 --> 00:11:28,920
-Ah!
-There you go.
202
00:11:30,080 --> 00:11:32,440
-We were scared.
-What happened?
203
00:11:34,400 --> 00:11:37,080
-I don't know what happened.
All of a sudden...
204
00:11:37,400 --> 00:11:40,720
-Ah yes. It's going to be alright.
We're calm, we're serene.
205
00:11:41,040 --> 00:11:42,720
Here, have a drink.
206
00:11:43,400 --> 00:11:45,080
Wow, that...
207
00:11:45,400 --> 00:11:49,560
-That's understandable. Two Captains Verlay
in one office, it's a hot topic.
208
00:11:49,880 --> 00:11:51,280
Right, Mrs. Chassagne?
209
00:11:54,760 --> 00:11:55,880
-But, uh...
210
00:11:58,120 --> 00:11:59,840
Who is this gentleman?
211
00:12:00,160 --> 00:12:03,880
-Yes, granny, that's it, Verlay.
V, E, R, L, A, Y.
212
00:12:06,200 --> 00:12:08,120
Oh? Does that ring a bell?
213
00:12:09,880 --> 00:12:12,520
What is the name of your mother's first cousin?
214
00:12:14,000 --> 00:12:17,800
That doesn't surprise me.
He's right in front of me, you should see him...
215
00:12:18,120 --> 00:12:18,960
Yes.
216
00:12:20,120 --> 00:12:20,920
You have...
217
00:12:21,240 --> 00:12:24,800
If you have a photo... Listen,
Grandma, if you have a photo,
218
00:12:25,120 --> 00:12:28,560
I'll go pick it up.
I'll take the opportunity to give you a kiss.
219
00:12:28,880 --> 00:12:29,840
I send you a kiss.
220
00:12:30,160 --> 00:12:31,840
Goodbye. Goodbye.
221
00:12:32,720 --> 00:12:34,440
Yes, yes.
Kiss, kiss.
222
00:12:35,440 --> 00:12:37,000
She is... She is 92 years old.
223
00:12:37,320 --> 00:12:41,360
And she has an elephant's memory.
I don't know how she does it.
224
00:12:42,240 --> 00:12:44,160
-So, we are...
225
00:12:45,760 --> 00:12:46,960
-We're cousins.
226
00:12:48,440 --> 00:12:49,520
4th removed.
227
00:12:51,280 --> 00:12:54,200
That's crazy.
That's crazy.
228
00:12:54,720 --> 00:12:56,320
-Yes, it's crazy, yes.
229
00:12:58,280 --> 00:12:59,400
Okay... Uh...
230
00:12:59,880 --> 00:13:02,400
You don't mind if we...
-Wait.
231
00:13:03,560 --> 00:13:07,680
Cousins don't use formal address with each other.
We use informal address.
232
00:13:09,040 --> 00:13:09,800
-OK.
233
00:13:10,120 --> 00:13:11,240
OK. Uh...
234
00:13:12,600 --> 00:13:16,760
Can we revisit your testimony regarding
the murder of Louise Pérec?
235
00:13:17,520 --> 00:13:20,280
-Yes, of course, sorry.
Sorry, excuse me.
236
00:13:20,600 --> 00:13:23,320
Between Louise and me this morning,
that was very difficult,
237
00:13:23,640 --> 00:13:24,960
And you, now...
238
00:13:28,360 --> 00:13:31,640
I'm stuck on an emotional rollercoaster.
239
00:13:33,200 --> 00:13:35,040
-Yes, yes, I understand.
240
00:13:36,320 --> 00:13:37,440
Um...
241
00:13:38,160 --> 00:13:42,080
When did the violent argument between her
and Jules Pavard take place?
242
00:13:43,120 --> 00:13:44,960
-Last week.
Thursday.
243
00:13:45,280 --> 00:13:49,280
The next day, I was giving a linguistics
lecture at the Sorbonne.
244
00:13:49,600 --> 00:13:51,520
-Thursday suited me very well.
245
00:13:53,080 --> 00:13:54,200
Um...
246
00:13:55,080 --> 00:13:57,880
How violent was it?
-How violent?
247
00:13:59,480 --> 00:14:00,600
He was angry,
248
00:14:00,920 --> 00:14:03,360
vehement, impassioned.
249
00:14:04,000 --> 00:14:07,760
I heard the sound of breaking dishes.
That, I...
250
00:14:08,360 --> 00:14:12,720
And then dull thuds against the walls: bang!
251
00:14:13,040 --> 00:14:16,960
As if someone were planning...
-I get the general idea.
252
00:14:17,280 --> 00:14:18,520
-Of course, sorry.
253
00:14:19,240 --> 00:14:22,680
-Jules Pavard, is he usually violent?
254
00:14:23,000 --> 00:14:26,280
-Jules? Not at all.
Not at all. Not at all.
255
00:14:26,600 --> 00:14:28,680
He is a charming man.
256
00:14:30,000 --> 00:14:32,320
Well, that being said...
257
00:14:34,240 --> 00:14:35,520
-What?
Go on.
258
00:14:35,840 --> 00:14:39,480
-It seems to me that things weren't going
very well between them anymore.
259
00:14:39,800 --> 00:14:43,600
-Louise confided in me.
Sometimes we chatted.
260
00:14:43,920 --> 00:14:45,200
I thought I understood
261
00:14:45,520 --> 00:14:47,800
that he had money problems.
262
00:14:48,360 --> 00:14:52,000
She had to put her artistic career on hold.
263
00:14:52,320 --> 00:14:56,120
giving lessons, providing for the household.
264
00:14:56,680 --> 00:14:59,040
Something heavy for her.
265
00:15:01,840 --> 00:15:03,320
-Sorry
266
00:15:03,640 --> 00:15:04,840
to bother you.
267
00:15:05,160 --> 00:15:06,480
-You are welcome.
268
00:15:06,800 --> 00:15:08,080
Are you feeling better?
269
00:15:08,640 --> 00:15:10,120
-Yes, it's fine, thank you.
270
00:15:10,760 --> 00:15:14,720
Mr. Pavard has just arrived.
He is waiting for you in the interview room.
271
00:15:15,040 --> 00:15:16,080
-OK.
272
00:15:17,040 --> 00:15:18,040
Okay, I'll tell you...
273
00:15:18,360 --> 00:15:19,760
Um, I'll...
274
00:15:20,080 --> 00:15:22,240
I'll walk you home. Adele!
275
00:15:22,560 --> 00:15:25,200
-Yes? -Are you walking the gentleman home?
276
00:15:25,520 --> 00:15:26,680
-Yes. -Cousin,
277
00:15:27,000 --> 00:15:29,560
It was a pleasure meeting you.
278
00:15:31,480 --> 00:15:33,160
See you soon, then?
279
00:15:33,480 --> 00:15:34,360
Bye.
280
00:15:35,400 --> 00:15:37,200
-Uh...
-Dear madam...
281
00:15:39,240 --> 00:15:40,480
-Florence Chassagne.
282
00:15:40,800 --> 00:15:43,120
-I am delighted to have met you.
283
00:15:43,440 --> 00:15:46,040
Heartbeats.
284
00:15:46,360 --> 00:15:51,280
...
285
00:15:51,680 --> 00:15:53,280
Goodbye.
See you soon.
286
00:15:57,840 --> 00:15:59,160
Antoine sighed.
287
00:15:59,480 --> 00:16:02,400
"See you soon."
Is he serious? Forever, yeah.
288
00:16:02,720 --> 00:16:06,560
It's awful, I feel like
I'm talking to a dictionary.
289
00:16:07,520 --> 00:16:08,440
No ?
290
00:16:08,760 --> 00:16:09,520
-What ?
291
00:16:11,000 --> 00:16:12,320
I'll pick it up.
292
00:16:13,800 --> 00:16:16,840
-I never forced Louise to give lessons.
293
00:16:17,160 --> 00:16:19,960
She loved it.
She used Cézanne
294
00:16:20,280 --> 00:16:23,960
to teach the students about
composition and colors.
295
00:16:24,280 --> 00:16:25,720
She was great.
296
00:16:31,600 --> 00:16:36,000
-But for you, giving lessons
isn't your thing?
297
00:16:36,320 --> 00:16:40,640
-I really don't have time for that.
-Mm. You're painting.
298
00:16:44,440 --> 00:16:45,760
It doesn't work
299
00:16:46,080 --> 00:16:47,280
Pretty strong, isn't it?
300
00:16:48,000 --> 00:16:49,120
You owe €5,000
301
00:16:49,440 --> 00:16:51,360
to one of your gallery owners.
302
00:16:51,680 --> 00:16:54,840
-I was going to reimburse him with
the next sale.
303
00:16:55,160 --> 00:16:57,280
-With the Sainte-Victoire?
-Mm.
304
00:16:58,280 --> 00:17:00,440
-I know nothing about painting,
305
00:17:00,760 --> 00:17:03,480
But my colleague knows a lot about it.
306
00:17:03,800 --> 00:17:06,720
*and she says it's far from a done deal.
307
00:17:08,160 --> 00:17:09,640
-That's disgusting.
308
00:17:10,440 --> 00:17:12,560
-What's disgusting?
309
00:17:12,880 --> 00:17:15,240
-To insinuate that I killed Louise.
310
00:17:15,560 --> 00:17:18,400
Yes, she was the one who kept us alive.
311
00:17:18,720 --> 00:17:21,800
Yes, we argued, like all couples.
312
00:17:22,120 --> 00:17:23,360
But I loved her.
313
00:17:23,880 --> 00:17:27,120
Who kills the woman he just proposed to?
314
00:17:30,560 --> 00:17:33,360
-But she wanted to get married?
315
00:17:37,320 --> 00:17:40,080
-She didn't answer me.
She was thinking.
316
00:17:42,600 --> 00:17:43,480
-All right.
317
00:17:46,640 --> 00:17:49,280
Okay, you're going to do exactly the same thing.
318
00:17:49,880 --> 00:17:52,000
*You will think about it for a little while.
319
00:18:06,080 --> 00:18:08,560
-You proposed to Hortense
320
00:18:08,880 --> 00:18:10,920
After 17 years of living together, right?
321
00:18:11,240 --> 00:18:12,680
-Finally, commune,
322
00:18:14,040 --> 00:18:15,400
more or less.
323
00:18:16,000 --> 00:18:17,840
-It's disturbing, all the same.
324
00:18:18,440 --> 00:18:22,480
He also, doesn't make a living from his painting. Him too,
325
00:18:22,800 --> 00:18:26,160
He started painting Sainte-Victoire like that.
326
00:18:26,840 --> 00:18:28,400
-You're not going to compare
327
00:18:28,720 --> 00:18:30,720
My paint with this molasses?
328
00:18:31,040 --> 00:18:32,560
-No, I'm not comparing.
329
00:18:33,240 --> 00:18:35,560
But I have the feeling that...
330
00:18:36,320 --> 00:18:41,120
He thought that by following your path,
his life would change.
331
00:18:41,440 --> 00:18:43,360
-He's a nutcase.
A beautiful nutcase.
332
00:18:43,680 --> 00:18:45,240
-Not so crazy after all.
333
00:18:45,560 --> 00:18:49,480
At 47, even Zola, your best friend,
no longer believed in you.
334
00:18:49,800 --> 00:18:51,320
There, you get married.
335
00:18:51,640 --> 00:18:55,520
You break with Zola, you inherit
from your father, and begin
336
00:18:55,840 --> 00:18:57,560
to paint this mountain.
337
00:18:57,880 --> 00:19:02,240
-And this gentleman said to himself,
"I'm going to do it like Cézanne"?
338
00:19:02,560 --> 00:19:05,880
-Yes.
-"This mountain will be my victory."
339
00:19:06,200 --> 00:19:06,840
-No ?
340
00:19:07,160 --> 00:19:09,440
-Selling the paintings, I didn't care!
341
00:19:09,760 --> 00:19:12,840
I got married because we had our little one.
342
00:19:13,160 --> 00:19:15,440
and that I wanted to paint in peace.
343
00:19:16,160 --> 00:19:17,640
Painting in peace.
344
00:19:18,480 --> 00:19:19,880
Your type, there,
345
00:19:21,400 --> 00:19:25,240
He's crazy, but on top of that,
he knows nothing about painting.
346
00:19:25,960 --> 00:19:27,560
-You're stubborn.
-A mule.
347
00:19:27,880 --> 00:19:29,480
-Well, me too.
348
00:19:35,320 --> 00:19:38,160
He clings to the story of Cézanne.
349
00:19:38,480 --> 00:19:40,320
It's as if he believed
350
00:19:40,640 --> 00:19:44,840
that this mountain could have a
magical power over his life.
351
00:19:45,160 --> 00:19:46,360
On his career.
352
00:19:48,680 --> 00:19:51,600
-That's an interesting theory, Ms. Chassagne.
353
00:19:51,920 --> 00:19:54,480
It's a bit far-fetched, but...
354
00:19:54,800 --> 00:20:00,120
-If Louise had refused the marriage,
that could be a motive, right?
355
00:20:00,440 --> 00:20:05,160
-The more time passes, the less
I believe in this hitman story.
356
00:20:05,960 --> 00:20:07,680
-Can we know why?
357
00:20:08,320 --> 00:20:10,760
-First, we didn't find anything on the phone
358
00:20:11,080 --> 00:20:12,600
Pavard, and two,
359
00:20:12,920 --> 00:20:17,440
For me, something's missing.
-More of your spatula strokes?
360
00:20:18,200 --> 00:20:19,880
-Spatula strokes?
361
00:20:20,200 --> 00:20:22,120
-Something has been removed
362
00:20:22,440 --> 00:20:23,800
from the workshop wall.
363
00:20:24,120 --> 00:20:26,600
I can't imagine a hitman doing that.
364
00:20:26,920 --> 00:20:29,520
-It's not necessarily the killer's doing.
365
00:20:29,840 --> 00:20:32,720
-OK, Ms. Chassagne, but...
-Explain to him
366
00:20:33,040 --> 00:20:36,200
that in a workshop...
-I would like to be sure of that.
367
00:20:36,520 --> 00:20:38,680
-We're going back downstairs right away
368
00:20:39,000 --> 00:20:40,480
in peace
369
00:20:40,800 --> 00:20:42,000
and serenity...
370
00:20:42,800 --> 00:20:44,600
-What's he doing here?
371
00:20:48,640 --> 00:20:54,000
-A somewhat incongruous question:
has he been bald for a long time?
372
00:20:54,320 --> 00:20:59,680
-I've always known him bald.
-(I'm the one who stole his hair.)
373
00:21:00,000 --> 00:21:01,080
Adele laughs.
374
00:21:01,600 --> 00:21:05,760
-He can't come here every hour,
that's not going to work.
375
00:21:08,040 --> 00:21:11,160
We're not going to start...
-Cousin!
376
00:21:11,480 --> 00:21:13,760
Excuse me, I don't want to bother you.
377
00:21:14,080 --> 00:21:16,240
But I wanted to show you this.
378
00:21:16,920 --> 00:21:19,960
-You'll see, it's crazy.
-OK, who is it?
379
00:21:20,280 --> 00:21:25,800
-Grandma gave it to me.
It belonged to our great-great-great-grandfather.
380
00:21:26,120 --> 00:21:27,320
-That's crazy!
381
00:21:28,200 --> 00:21:29,480
It's striking.
382
00:21:29,800 --> 00:21:31,160
-It's phenomenal.
383
00:21:32,160 --> 00:21:36,120
Do you have children?
-Two. They don't look like that.
384
00:21:36,440 --> 00:21:37,240
Not to you.
385
00:21:37,560 --> 00:21:38,880
That has nothing to do with it.
386
00:21:39,200 --> 00:21:41,280
-Luckily for them.
387
00:21:42,640 --> 00:21:44,240
Ah, Madame Chassagne!
388
00:21:44,560 --> 00:21:45,520
Keep it.
389
00:21:46,080 --> 00:21:47,280
Um...
390
00:21:48,000 --> 00:21:50,440
I apologize again for earlier.
391
00:21:50,760 --> 00:21:54,080
-Don't be sorry, I don't know what happened to me.
392
00:21:54,720 --> 00:21:57,520
-You could say that it had an effect on her.
393
00:21:57,840 --> 00:21:58,600
(He wanted
394
00:21:58,920 --> 00:22:01,400
To know how long you've been bald.)
395
00:22:01,720 --> 00:22:05,080
-Shall we have coffee or tea?
-With pleasure.
396
00:22:05,400 --> 00:22:06,400
My pleasure.
397
00:22:12,480 --> 00:22:15,600
-(Ah, damn, he's going to piss me off. I'm sure of it.)
398
00:22:15,920 --> 00:22:20,240
-I don't know if you know this,
but I'm an art historian.
399
00:22:20,560 --> 00:22:21,720
It's my passion.
400
00:22:22,040 --> 00:22:26,200
If I hadn't been a historian...
-Am I dreaming or is this flirting?
401
00:22:26,520 --> 00:22:28,440
-I would have loved to do that.
402
00:22:28,760 --> 00:22:30,800
Coffee or tea?
No, sorry.
403
00:22:31,120 --> 00:22:33,560
You must taste the tea.
404
00:22:33,880 --> 00:22:35,240
-Here, take this.
405
00:22:36,040 --> 00:22:38,320
-It's a happy coincidence:
406
00:22:38,640 --> 00:22:41,960
I would have liked to create and offer a course
407
00:22:42,280 --> 00:22:45,280
"Painting and the structure of language".
408
00:22:47,480 --> 00:22:48,560
Do you see?
409
00:22:49,520 --> 00:22:52,880
-That's a great idea.
-I think so too.
410
00:22:53,600 --> 00:22:54,600
It's ready.
411
00:22:55,280 --> 00:22:56,280
-Oh, fuck!
412
00:22:56,600 --> 00:22:57,880
-Yes, absolutely.
413
00:23:03,880 --> 00:23:07,840
Come to my office at the Louvre
to choose some paintings.
414
00:23:08,160 --> 00:23:09,560
-That's fantastic.
415
00:23:09,880 --> 00:23:11,920
My students are going to be thrilled.
416
00:23:13,000 --> 00:23:16,680
-Captain Verlay, put me through
to the prosecutor's office.
417
00:23:17,520 --> 00:23:18,400
Yes, Verlay.
418
00:23:18,920 --> 00:23:19,680
Mm.
419
00:23:29,040 --> 00:23:30,960
What is this nonsense?
420
00:23:33,000 --> 00:23:36,200
-Did you have your cousin bugged?
421
00:23:41,200 --> 00:23:42,400
-Yes, that's true.
422
00:23:42,920 --> 00:23:44,600
-Can we know why?
423
00:23:45,120 --> 00:23:46,320
-Well, why not...
424
00:23:46,640 --> 00:23:47,600
Because...
425
00:23:49,920 --> 00:23:53,360
He was close to the victim,
he knows Pavard.
426
00:23:53,680 --> 00:23:55,080
It might be him
427
00:23:55,400 --> 00:23:56,280
the accomplices.
428
00:23:56,600 --> 00:23:59,840
-Antoine, I don't need that right now.
429
00:24:00,640 --> 00:24:02,560
-OK, but he's a key witness.
430
00:24:02,880 --> 00:24:05,600
You can't deny that.
-Of course.
431
00:24:05,920 --> 00:24:07,320
-There you go.
-No relation
432
00:24:07,640 --> 00:24:10,560
to the fact that he
left with Florence?
433
00:24:10,880 --> 00:24:13,160
-No, that has nothing to do with it.
434
00:24:13,480 --> 00:24:14,480
-Nothing.
-Nothing.
435
00:24:14,800 --> 00:24:15,640
-Nothing !
436
00:24:18,440 --> 00:24:23,000
-Okay, listen, Alex... I need it, okay?
437
00:24:23,320 --> 00:24:26,960
Who says he's not trying to
get his hands on her?
438
00:24:27,280 --> 00:24:28,960
Who told you that?
-No-one.
439
00:24:29,280 --> 00:24:30,360
-So.
440
00:24:31,240 --> 00:24:36,160
-And of course, there's no need to inform
Florence about this procedural point?
441
00:24:37,680 --> 00:24:40,920
-No, she doesn't necessarily need to know.
442
00:24:42,520 --> 00:24:44,840
-Pavard's lawyer has arrived.
443
00:24:46,080 --> 00:24:48,800
-That's good. I'll keep you posted.
444
00:24:49,120 --> 00:24:50,160
-Yes, that's it.
445
00:24:59,680 --> 00:25:00,760
-It'll be OK.
446
00:25:02,280 --> 00:25:03,720
Calm and serene.
447
00:25:06,680 --> 00:25:11,040
-He is in police custody for a life
insurance policy and testimony
448
00:25:11,360 --> 00:25:12,520
from an argument?
449
00:25:12,840 --> 00:25:16,840
Is this what you call serious evidence?
-The prosecutor hasn't decided yet
450
00:25:17,160 --> 00:25:20,560
of the indictment.
-That would be the last straw.
451
00:25:22,440 --> 00:25:27,000
-We are trying to find out if Mr. Pavard
could have hired an accomplice.
452
00:25:27,320 --> 00:25:30,000
-On what basis?
You have no proof.
453
00:25:30,320 --> 00:25:33,160
My client should be with
his loved ones.
454
00:25:33,960 --> 00:25:38,960
-I need your client to rule
out that possibility.
455
00:25:42,560 --> 00:25:43,520
Was there
456
00:25:43,840 --> 00:25:46,800
Something in that spot, on that wall?
457
00:25:50,480 --> 00:25:51,560
-I don't know,
458
00:25:51,880 --> 00:25:53,000
I don't know.
459
00:25:53,560 --> 00:25:55,840
I'm sorry, I...
-The killer
460
00:25:56,160 --> 00:26:00,240
Could they have taken something?
A valuable painting?
461
00:26:00,800 --> 00:26:04,280
-No, I'm sure of it.
There was no valuable painting.
462
00:26:04,600 --> 00:26:08,520
-It's strange, this empty place,
don't you think?
463
00:26:10,760 --> 00:26:14,400
-Things always change in
the workshop, I don't know.
464
00:26:14,720 --> 00:26:19,160
Louise displayed the paintings
according to her classes.
465
00:26:19,480 --> 00:26:21,360
Ask the students.
466
00:26:29,040 --> 00:26:31,400
-You stay with him, I'll come back.
467
00:26:32,920 --> 00:26:36,960
Adèle, did you interview the students
who were there before the murder?
468
00:26:37,280 --> 00:26:39,200
-No, they were summoned.
469
00:26:39,520 --> 00:26:43,120
-No, I want to see them
at the crime scene.
470
00:26:43,440 --> 00:26:45,120
Is the PTS finished?
-Yes, yes.
471
00:26:45,440 --> 00:26:46,400
-OK, perfect.
472
00:26:51,560 --> 00:26:54,600
-Dad, I know you don't know Vincent Doppel.
473
00:26:54,920 --> 00:26:57,920
I'm asking you to investigate
at the Sorbonne.
474
00:26:58,240 --> 00:27:03,160
You can inquire about his reputation
and whether he can be trusted.
475
00:27:03,480 --> 00:27:06,000
-You think I'm a Stasi agent?
476
00:27:06,320 --> 00:27:09,640
-Right away, the big words.
-And your Captain Verlay,
477
00:27:09,960 --> 00:27:13,760
Can't he handle it?
-Absolutely not. No Captain Verlay!
478
00:27:14,080 --> 00:27:17,000
This mission requires discretion and tact.
479
00:27:17,320 --> 00:27:19,560
Delicacy isn't his strong suit.
480
00:27:19,880 --> 00:27:22,360
Find out about his family situation.
481
00:27:22,680 --> 00:27:24,960
-His family situation?
-Absolutely.
482
00:27:25,280 --> 00:27:28,560
-Do you want to know if he's married?
-Well, uh...
483
00:27:28,880 --> 00:27:33,240
Yes, good idea.
Yes, if he's married, has children.
484
00:27:33,560 --> 00:27:37,160
-He has beautiful eyes.
Your investigation: is a bit delicate.
485
00:27:37,480 --> 00:27:38,320
-Pardon ?
486
00:27:38,640 --> 00:27:41,240
-Do the cops also want his measurements?
487
00:27:41,560 --> 00:27:44,760
Perhaps you already have them?
-It's a real mission.
488
00:27:45,080 --> 00:27:46,840
Only you can fill it out.
489
00:27:47,160 --> 00:27:50,760
-It's been a long time since
you introduced me to someone.
490
00:27:51,080 --> 00:27:54,160
-Ultimately, I think you're not up to the task.
491
00:27:54,480 --> 00:27:58,400
I'll find someone else.
-No, darling, I'll take care of it.
492
00:27:58,720 --> 00:28:01,720
Count on me.
You've piqued my curiosity.
493
00:28:02,040 --> 00:28:03,840
-Are you sure?
Dad, Dad...
494
00:28:04,360 --> 00:28:06,040
Discretion, eh?
-Yes, yes.
495
00:28:06,360 --> 00:28:31,400
...
496
00:28:31,800 --> 00:28:34,840
"Vice-President of the Research Group..."
497
00:28:36,520 --> 00:28:38,120
-Ah, love!
498
00:28:39,040 --> 00:28:39,920
Love.
499
00:28:40,240 --> 00:28:42,280
Our hearts are pounding.
500
00:28:43,080 --> 00:28:45,000
That's all we can think about anymore.
501
00:28:46,160 --> 00:28:47,520
-Go ahead and make fun of me.
502
00:28:48,720 --> 00:28:50,960
Am I telling you about your adventures?
503
00:28:51,600 --> 00:28:53,320
I'm not talking to you either
504
00:28:53,640 --> 00:28:58,240
of those to whom you secretly
wrote passionate letters.
505
00:28:58,560 --> 00:29:01,680
-Don't even mention it to me, then.
-Zola was acting as intermediary.
506
00:29:04,240 --> 00:29:08,360
Did you fall out over this?
-Mind your own business!
507
00:29:08,680 --> 00:29:09,960
-OK.
-Me, anyway,
508
00:29:10,280 --> 00:29:12,960
I don't go falling in love with
my wife's lookalike.
509
00:29:13,640 --> 00:29:14,920
-Are you out of your mind or what?
510
00:29:18,880 --> 00:29:20,520
I don't see the connection.
511
00:29:22,040 --> 00:29:23,680
I'm curious.
512
00:29:24,200 --> 00:29:24,960
That's all.
513
00:29:38,440 --> 00:29:41,800
-It's crazy, the resemblance.
-Are you just cousins?
514
00:29:42,320 --> 00:29:45,880
-You're not here to talk about
my family tree.
515
00:29:46,200 --> 00:29:47,520
I would like to know
516
00:29:47,840 --> 00:29:51,640
If there was something right there.
A painting, a drawing.
517
00:29:51,960 --> 00:29:55,200
You know?
-Yes, a self-portrait by Cézanne.
518
00:29:55,520 --> 00:29:58,000
An exercise we had done.
519
00:29:58,320 --> 00:29:59,360
-Yes, that's it.
520
00:29:59,680 --> 00:30:02,280
-And this exercise, can I see it?
521
00:30:02,600 --> 00:30:04,480
-Louise put everything away here.
522
00:30:04,800 --> 00:30:07,080
-Wait, I'll do it.
523
00:30:13,360 --> 00:30:14,960
-It's the blue card.
524
00:30:15,280 --> 00:30:16,600
-That one, in front?
525
00:30:16,920 --> 00:30:18,320
-No, the little one.
526
00:30:24,800 --> 00:30:28,080
-Is this the size of the original?
-Yes.
527
00:30:28,400 --> 00:30:29,400
-At 1:1 scale.
528
00:30:30,920 --> 00:30:31,920
-Pardon.
529
00:30:32,240 --> 00:31:07,920
...
530
00:31:08,240 --> 00:31:11,280
-As if he couldn't stand the
way she looked at him.
531
00:31:11,600 --> 00:31:14,280
-Do you really think it's a hitman
532
00:31:14,600 --> 00:31:17,000
Would Pavard have done that?
533
00:31:17,320 --> 00:31:18,640
-No, it makes no sense.
534
00:31:18,960 --> 00:31:22,360
It's more like a deranged person who would
have a grudge against Cézanne.
535
00:31:22,680 --> 00:31:23,960
-Obsessed with Cézanne.
536
00:31:24,280 --> 00:31:25,360
-If you want.
537
00:31:25,680 --> 00:31:29,840
-In short, he's not a hitman,
so he's not Jules Pavard.
538
00:31:30,160 --> 00:31:32,000
-We're going to free him.
539
00:31:32,320 --> 00:31:33,080
Yes?
540
00:31:33,400 --> 00:31:35,960
-We're OK for the wiretap.
-Hop hop!
541
00:31:36,280 --> 00:31:37,640
Excuse me, I...
542
00:31:37,960 --> 00:31:39,520
-Are you alright, Commander?
-Yes.
543
00:31:39,840 --> 00:31:41,400
Yes, no... I'll be back.
544
00:31:42,240 --> 00:31:45,320
-Is it andropause again?
-No, they are
545
00:31:45,640 --> 00:31:47,480
on a big case.
546
00:31:47,800 --> 00:31:51,040
-In any case, he's not in his normal state.
547
00:31:51,360 --> 00:31:53,400
Okay, see you later.
-Wait!
548
00:31:53,720 --> 00:31:56,000
Have you heard from my cousin?
549
00:31:56,520 --> 00:31:57,520
-No, why?
550
00:31:58,720 --> 00:32:00,400
-No, uh... like this.
551
00:32:00,920 --> 00:32:03,560
Perhaps he might have called you.
552
00:32:03,880 --> 00:32:05,400
I don't know.
-Oh no.
553
00:32:05,720 --> 00:32:08,080
-No?
-No, he didn't call me.
554
00:32:09,440 --> 00:32:10,400
I'm going.
555
00:32:10,720 --> 00:32:12,160
See you later.
556
00:32:14,120 --> 00:32:15,840
-What's it saying?
-Come and see.
557
00:32:18,880 --> 00:32:22,520
Listen to this.
It's a message on your cousin's cell phone.
558
00:32:22,840 --> 00:32:25,000
-OK.
-He hasn't listened to it yet.
559
00:32:25,320 --> 00:32:28,640
*-Mr. Doppel, Arthur Dulac.
We've met before,
560
00:32:28,960 --> 00:32:31,240
*I was a student of Louise.
-Dulac?
561
00:32:31,560 --> 00:32:33,680
*-I'm in a big mess.
562
00:32:34,000 --> 00:32:37,360
*Could we meet soon?
It's important.
563
00:32:37,680 --> 00:32:39,840
*Call me back at this number.
Thank you.
564
00:32:41,560 --> 00:32:45,120
-That's weird.
He was with me at the crime scene.
565
00:32:45,440 --> 00:32:46,280
Should we summon him?
566
00:32:46,600 --> 00:32:51,040
-No, he's going to lead us on.
And we can't say anything to Doppel.
567
00:32:53,040 --> 00:32:56,160
-You see?
I was right to bug him.
568
00:32:56,480 --> 00:33:00,080
We might have something.
I had a hunch.
569
00:33:01,520 --> 00:33:02,960
Okay, so what do we do?
570
00:33:04,160 --> 00:33:06,600
-The best approach is to use infiltration.
571
00:33:07,320 --> 00:33:08,560
-That's to say ?
572
00:33:08,880 --> 00:33:13,800
-We're going to make Dulac believe
he has a date with your cousin.
573
00:33:15,040 --> 00:33:16,800
But it won't be your cousin.
574
00:33:21,680 --> 00:33:24,960
Come to the interview room tomorrow at dawn.
575
00:33:29,960 --> 00:33:34,960
I know a makeup artist, a real pro.
She works miracles.
576
00:33:41,080 --> 00:33:46,080
Doppel will suspect nothing.
Adele will delete the message remotely.
577
00:33:46,400 --> 00:34:10,960
...
578
00:34:11,560 --> 00:34:14,200
Tomorrow morning, he's off to the Sorbonne.
579
00:34:14,520 --> 00:34:16,680
We'll meet in Dulac.
580
00:34:17,000 --> 00:34:19,360
And you'll pretend to be Doppel.
581
00:34:20,480 --> 00:34:21,520
-OK.
582
00:34:35,680 --> 00:34:37,960
And what do we tell Florence?
583
00:34:38,280 --> 00:34:40,560
-Nothing. Regarding the story
about the gouged-out eyes,
584
00:34:40,880 --> 00:34:42,160
She has a job to do.
585
00:34:46,560 --> 00:34:49,240
-Who could possibly hate you like that?
586
00:34:52,040 --> 00:34:54,080
-I was dragged through the mud.
587
00:34:54,840 --> 00:34:56,520
I was called a failure,
588
00:34:57,640 --> 00:34:58,760
savage.
589
00:34:59,840 --> 00:35:02,640
I was even told that I couldn't draw.
590
00:35:04,600 --> 00:35:05,880
But that, never.
591
00:35:06,840 --> 00:35:10,120
-It's so violent.
-That too, yes.
592
00:35:11,040 --> 00:35:13,040
I was told I was violent.
593
00:35:13,640 --> 00:35:14,520
that I had
594
00:35:14,840 --> 00:35:15,880
impulses.
595
00:35:17,320 --> 00:35:19,480
A vast collection of nonsense.
596
00:35:19,800 --> 00:35:21,080
-Nonsense...
597
00:35:22,160 --> 00:35:24,880
There are some early works that...
598
00:35:25,200 --> 00:35:26,280
-Who what?
599
00:35:28,400 --> 00:35:29,280
-So.
600
00:35:34,320 --> 00:35:37,760
-Yes, I may have gone through a darker period.
601
00:35:38,280 --> 00:35:39,760
But that was the era.
602
00:35:40,520 --> 00:35:43,440
And Zola kept nagging me about his naturalism.
603
00:35:44,280 --> 00:35:47,840
"The artist has the right to delve into
the very heart of human nature,
604
00:35:48,160 --> 00:35:52,640
"to conceal nothing of the human corpse."
That, Emile bored me to death, too.
605
00:35:53,400 --> 00:36:16,960
...
606
00:36:17,720 --> 00:36:19,680
-Murder and strangulation.
607
00:36:20,000 --> 00:36:41,440
...
608
00:36:42,360 --> 00:36:44,440
-What an idiotic face.
609
00:36:46,440 --> 00:36:47,960
Oh fuck, what a nightmare.
610
00:36:52,000 --> 00:36:55,000
-Antoine, where are you at?
*-I'm back.
611
00:36:55,320 --> 00:36:58,280
*I still have some time.
-Keep me informed.
612
00:36:58,600 --> 00:37:00,680
-OK. Let's hope it works.
613
00:37:01,000 --> 00:37:03,760
-Let's hope so.
-Where is the captain?
614
00:37:04,280 --> 00:37:08,080
-I don't know, he hasn't called.
Do you have any news?
615
00:37:08,400 --> 00:37:10,440
-Yes. Shall I show you?
-Yes.
616
00:37:13,040 --> 00:37:16,640
-This painting is "The Murder".
You can see the knife wound.
617
00:37:16,960 --> 00:37:19,240
This one: "The Strangled Woman".
618
00:37:19,560 --> 00:37:23,840
Strangulation. Stabbing. Wait.
Do you see her hair?
619
00:37:24,160 --> 00:37:25,280
Look closely.
620
00:37:25,880 --> 00:37:31,200
The killer arranged the
victim's hair exactly
621
00:37:31,520 --> 00:37:32,880
as in the painting.
622
00:37:33,200 --> 00:37:35,920
-Why would he have done that?
-I don't know.
623
00:37:36,240 --> 00:37:38,560
This guy is obsessed with Cézanne.
624
00:37:38,880 --> 00:37:41,880
-I'll borrow them.
-Will you give them back?
625
00:37:42,200 --> 00:37:43,000
-Yes.
626
00:37:43,320 --> 00:37:46,280
Adele?
627
00:37:47,560 --> 00:37:50,160
Ah, Adele.
Call the IT department.
628
00:37:50,480 --> 00:37:54,160
I want to know if these two paintings
were posted at the same time
629
00:37:54,480 --> 00:37:57,600
on social networks, or simply
downloaded from the Internet.
630
00:38:07,120 --> 00:38:08,800
-Vincent, 10am at his place?
631
00:38:09,440 --> 00:38:12,120
-Isn't he allowed to be curious?
632
00:38:12,440 --> 00:38:14,040
That's his cousin, isn't it?
633
00:38:14,360 --> 00:38:17,040
-He's not curious, he can't stand it.
634
00:38:18,080 --> 00:38:22,120
He's jealous. He's going to tell her
to stop trying to seduce me.
635
00:38:23,960 --> 00:38:25,160
-I'll take care of it.
636
00:38:26,480 --> 00:38:27,760
Is she leaving already?
637
00:38:28,080 --> 00:38:30,520
-Yeah, apparently.
-Yeah.
638
00:38:31,360 --> 00:38:35,280
Probably for a course at the
Sorbonne on the language of love.
639
00:38:35,600 --> 00:38:38,000
-I asked you to...
-Yes, I...
640
00:38:38,320 --> 00:38:40,560
"Any news from my cousin?"
641
00:38:41,600 --> 00:38:44,800
I'll give you some news about your cousin.
642
00:38:54,800 --> 00:38:59,000
-Listen, he's still not here.
Can you check if...
643
00:38:59,320 --> 00:39:00,320
There's a knock.
644
00:39:02,080 --> 00:39:05,560
If nothing. Never mind, he's here.
I'll leave you.
645
00:39:10,960 --> 00:39:12,480
...
646
00:39:15,960 --> 00:39:16,920
(Oh, fuck.)
647
00:39:17,240 --> 00:39:20,080
-Excuse me, I'll be 2 minutes.
648
00:39:21,080 --> 00:39:23,360
Captain, I know you're there.
649
00:39:23,680 --> 00:39:25,200
Excuse me. Captain!
650
00:39:25,720 --> 00:39:26,840
Captain!
651
00:39:27,360 --> 00:39:30,760
Excuse me, sorry to burst in like
this, at your place.
652
00:39:31,080 --> 00:39:32,720
The captain is coming
653
00:39:33,040 --> 00:39:38,320
I'm telling you not to see me again,
and I really want to see you again.
654
00:39:39,200 --> 00:39:41,760
Sorry, I don't know why I'm saying that.
655
00:39:42,080 --> 00:39:43,760
-Wait.
-Yes, I know.
656
00:39:44,080 --> 00:39:46,840
I really want to see you again.
657
00:39:47,160 --> 00:39:51,640
It might seem strange, because you look like Antoine,
658
00:39:51,960 --> 00:39:54,320
But you are very, very different.
659
00:39:55,080 --> 00:39:56,280
And I...
660
00:39:57,160 --> 00:39:58,400
How can I put this?
661
00:39:58,720 --> 00:39:59,760
It's like...
662
00:40:00,680 --> 00:40:03,680
It was like a revelation, I thought to myself...
663
00:40:04,000 --> 00:40:04,760
-It's me.
664
00:40:05,080 --> 00:40:07,200
-Yes, I thought to myself, it's you.
665
00:40:07,520 --> 00:40:10,600
-No, it's me.
-I thought to myself: "It's him."
666
00:40:10,920 --> 00:40:12,200
-It's me !
667
00:40:12,520 --> 00:40:14,040
-Ah!
-It's Antoine.
668
00:40:14,840 --> 00:40:15,680
It's me.
669
00:40:17,960 --> 00:40:18,760
Pardon.
670
00:40:19,080 --> 00:40:22,280
I'm sorry. We... we should have...
671
00:40:22,600 --> 00:40:23,800
There's a knock.
672
00:40:26,440 --> 00:40:28,280
It's him.
-Is that Vincent?
673
00:40:28,600 --> 00:40:30,920
-No, it's Arthur Dulac.
674
00:40:31,240 --> 00:40:34,360
-Who is it?
-It might be the murderer.
675
00:40:34,680 --> 00:40:37,080
-I don't feel well.
-Listen.
676
00:40:37,400 --> 00:40:39,760
You need to act as if I were Vincent.
677
00:40:40,080 --> 00:40:43,080
This is very important.
I'll explain everything later.
678
00:40:43,400 --> 00:40:45,000
-As if you are Vincent.
679
00:40:45,320 --> 00:40:47,600
-Take off some clothes.
-Take off my clothes?
680
00:40:47,920 --> 00:40:50,880
-As if you'd been here the whole time.
681
00:40:51,200 --> 00:40:52,720
-Okay.
-Be natural.
682
00:40:55,720 --> 00:40:56,840
(Damn!)
683
00:41:06,800 --> 00:41:09,480
-Hello.
-Young man, come in.
684
00:41:10,080 --> 00:41:10,960
-Thanks.
685
00:41:13,880 --> 00:41:14,720
-Florence,
686
00:41:15,040 --> 00:41:16,760
My good friend.
-Hello.
687
00:41:17,080 --> 00:41:18,240
-Hello.
688
00:41:19,520 --> 00:41:23,960
-Ms. Chassagne took the photo and the post-it
note from Dulac's meeting.
689
00:41:24,280 --> 00:41:27,280
-What?
-She's at Doppel's. It seems like
690
00:41:27,600 --> 00:41:32,320
Linguistics at the Sorbonne is like a showdown at the OK Corral.
691
00:41:34,120 --> 00:41:35,640
*-Captain Verlay,
692
00:41:35,960 --> 00:41:37,720
*Leave a message.
693
00:41:38,040 --> 00:41:40,480
-It's crazy how much this cop looks like you.
694
00:41:41,560 --> 00:41:43,960
-You hid this from me?
You'll have to
695
00:41:44,280 --> 00:41:45,800
-Introduce him to me.
-Yes.
696
00:41:46,120 --> 00:41:49,440
-You didn't know him?
-No. Anyway, you want
697
00:41:49,760 --> 00:41:51,800
To pick up a bag from Louise's.
-Yes.
698
00:41:52,120 --> 00:41:54,080
This whole story has moved me deeply.
699
00:41:54,400 --> 00:41:56,360
My whole life is in it.
700
00:41:56,680 --> 00:42:00,760
My credit card and my documents are there;
I need to get them back.
701
00:42:01,080 --> 00:42:02,360
-What can I do?
702
00:42:02,680 --> 00:42:06,520
-You have the keys.
You spoke about it once with Louise.
703
00:42:06,840 --> 00:42:09,320
-Yes, sweetie.
-I have the keys...
704
00:42:09,640 --> 00:42:10,960
-Look, there.
No.
705
00:42:11,280 --> 00:42:14,640
Look there, in your pot.
-Wait.
706
00:42:14,960 --> 00:42:17,320
It seems to me... It seems to me...
707
00:42:18,160 --> 00:42:19,520
Ah, the box is empty.
708
00:42:19,840 --> 00:42:22,840
-The jar where all your keys are.
-They're here.
709
00:42:23,160 --> 00:42:24,960
Should we warn
710
00:42:25,280 --> 00:42:26,480
the police?
711
00:42:26,800 --> 00:42:28,200
-Ah, for so little?
712
00:42:29,160 --> 00:42:30,000
-I have it.
713
00:42:30,600 --> 00:42:31,440
"Louise".
714
00:42:31,760 --> 00:42:33,440
-Shall we go?
-Yes, thank you.
715
00:42:34,080 --> 00:42:36,720
-I'll take you there, okay?
-Yes.
716
00:42:38,920 --> 00:42:40,040
-I'm coming too.
717
00:42:40,360 --> 00:42:41,800
Since I'm here.
718
00:42:49,640 --> 00:42:52,040
-Thank you, anyway.
-You're welcome.
719
00:42:54,760 --> 00:42:55,720
After you.
720
00:42:58,680 --> 00:43:01,520
(I need to check what he wants to get back
721
00:43:01,840 --> 00:43:02,960
(from his bag.
722
00:43:03,280 --> 00:43:04,680
(Create a diversion.)
723
00:43:05,400 --> 00:43:06,200
So ?
724
00:43:06,520 --> 00:43:08,600
-It was near the entrance.
725
00:43:08,920 --> 00:43:13,040
-Come and search with me.
-I'll go get it.
726
00:43:13,360 --> 00:43:14,400
-What's it like?
727
00:43:14,720 --> 00:43:17,800
-It's a canvas bag with a leather flap.
728
00:43:18,560 --> 00:43:19,440
-Arthur ?
729
00:43:19,760 --> 00:43:22,120
I think I've got it.
-Great!
730
00:43:22,440 --> 00:43:23,480
-Isn't that it?
731
00:43:23,800 --> 00:43:24,560
-No, no.
732
00:43:24,880 --> 00:43:27,080
It's a backpack.
-A backpack?
733
00:43:27,400 --> 00:43:30,440
-Yeah.
-Okay, I was looking for a bag...
734
00:43:30,760 --> 00:43:33,760
Come with me, come. Follow me.
-Yes.
735
00:43:39,800 --> 00:43:41,240
-No, not yet.
736
00:43:43,040 --> 00:43:44,160
So, wait.
737
00:43:44,480 --> 00:43:47,680
You know, Arthur...
-It would never be there.
738
00:43:48,000 --> 00:43:50,400
-No, no, but maybe here.
739
00:43:50,720 --> 00:43:54,400
When I look, I'll find it.
What's the bag like?
740
00:43:54,720 --> 00:43:56,640
What's the leather like?
741
00:43:56,960 --> 00:44:00,280
-It's brown leather.
-Okay, okay.
742
00:44:00,600 --> 00:44:02,440
I'm going to help you. There!
743
00:44:03,240 --> 00:44:04,080
-No,
744
00:44:04,400 --> 00:44:06,160
It won't be there.
-Still not there.
745
00:44:08,240 --> 00:44:11,320
You know that when I look, I'll find it.
746
00:44:11,640 --> 00:44:14,800
-Yes, you told me.
-Would this be it?
747
00:44:15,400 --> 00:44:17,120
-Yes, that's it.
Yes.
748
00:44:17,440 --> 00:44:18,400
THANKS.
749
00:44:20,080 --> 00:44:21,680
-I had a hunch.
750
00:44:22,520 --> 00:44:25,960
-For once you've found something without me...
751
00:44:27,200 --> 00:44:29,040
-Phew! Thank you.
-Is everything there?
752
00:44:30,640 --> 00:44:34,160
-Have a good day.
-Yes. You have a good day too.
753
00:44:36,800 --> 00:44:38,320
-(Damn!) -So?
754
00:44:39,200 --> 00:44:40,120
-So nothing.
755
00:44:40,440 --> 00:44:44,200
He'd really forgotten his bag, the idiot.
There was nothing in it!
756
00:44:44,520 --> 00:44:45,320
-How are you?
757
00:44:45,640 --> 00:44:49,880
Did you enjoy this?
I could have done without it.
758
00:44:50,200 --> 00:44:53,400
-Well, I could have done without it too.
759
00:44:53,720 --> 00:44:54,800
-Florence.
-Damn.
760
00:44:55,120 --> 00:44:56,160
-My father.
761
00:44:56,480 --> 00:44:58,400
(What is he doing here?)
762
00:44:58,720 --> 00:45:02,880
-What are you doing here?
Captain, why are you in disguise?
763
00:45:05,000 --> 00:45:08,720
-People keep mistaking me for my cousin.
764
00:45:09,040 --> 00:45:10,440
-A cousin?
-Antoine.
765
00:45:10,760 --> 00:45:13,600
We have the same great-great-great-grandfather.
766
00:45:13,920 --> 00:45:15,400
-You're not ready for this!
767
00:45:15,720 --> 00:45:17,920
They share a common ancestor.
768
00:45:19,480 --> 00:45:20,320
That's crazy!
769
00:45:23,280 --> 00:45:24,440
-Vincent Doppel.
770
00:45:24,760 --> 00:45:25,760
My respects.
771
00:45:26,080 --> 00:45:28,640
-You two look very much alike.
772
00:45:28,960 --> 00:45:32,720
I feel like I have Captain Verlay
in front of me.
773
00:45:33,040 --> 00:45:36,160
But with a tie and general knowledge.
774
00:45:38,560 --> 00:45:40,000
Vibrator.
775
00:45:43,120 --> 00:45:44,080
-Excuse me.
776
00:45:44,400 --> 00:45:45,720
Hello?
*-Yes, Antoine.
777
00:45:46,040 --> 00:45:49,440
*Did you manage with Florence?
-I'm handling it, it's fine.
778
00:45:49,760 --> 00:45:52,080
-What are you doing here?
-I still have
779
00:45:52,400 --> 00:45:56,800
the right to see where my
daughter's suitor lives.
780
00:45:57,120 --> 00:45:59,480
-My suitor?
-You're sleeping at his place.
781
00:45:59,800 --> 00:46:01,480
-What?
-As for physical appearance,
782
00:46:01,800 --> 00:46:03,680
There is continuity.
783
00:46:04,000 --> 00:46:07,080
-I'm asking you to investigate,
not to give your opinion.
784
00:46:07,400 --> 00:46:08,560
-I'm sorry,
785
00:46:08,880 --> 00:46:11,400
It was the Sorbonne, we absolutely must
786
00:46:11,720 --> 00:46:13,560
Let's go.
-Shall I come?
787
00:46:13,880 --> 00:46:15,240
-Yes of course.
788
00:46:15,560 --> 00:46:16,360
-Sorry.
789
00:46:16,680 --> 00:46:19,840
-Do you work for the Sorbonne?
-I'll happily explain
790
00:46:22,080 --> 00:46:23,280
-it later.
791
00:46:27,280 --> 00:46:29,600
-Yes, Vincent was bugged.
792
00:46:29,920 --> 00:46:33,560
We thought he might be an accomplice.
We didn't tell you anything.
793
00:46:33,880 --> 00:46:35,520
-Can I know why?
794
00:46:35,840 --> 00:46:40,800
-We knew you wouldn't be objective.
And I wasn't wrong.
795
00:46:41,120 --> 00:46:43,720
-What did you have on him, to put him
796
00:46:44,040 --> 00:46:46,440
under surveillance?
-What did we have?
797
00:46:46,760 --> 00:46:49,320
He was a key witness.
That's all.
798
00:46:51,440 --> 00:46:52,520
-A key witness.
799
00:46:55,080 --> 00:46:56,320
You have nothing.
800
00:46:58,040 --> 00:46:59,240
You know what?
801
00:46:59,560 --> 00:47:01,360
-What?
-I was right.
802
00:47:03,240 --> 00:47:04,520
You're jealous.
803
00:47:05,360 --> 00:47:07,040
-I'm not jealous at all.
804
00:47:07,360 --> 00:47:11,760
You do what you want.
-Exactly, I'll do what I want.
805
00:47:14,360 --> 00:47:15,360
-Yes yes.
806
00:47:31,880 --> 00:47:34,280
What do you have that I don't?
807
00:47:35,800 --> 00:47:38,120
What do you have that I don't?
808
00:47:40,680 --> 00:47:42,680
You have nothing more than me.
809
00:47:46,400 --> 00:47:47,400
Damn.
810
00:47:50,440 --> 00:47:51,360
(Nothing.)
811
00:47:58,240 --> 00:47:59,240
There's a knock.
812
00:47:59,760 --> 00:48:03,560
-Ah, Antoine. We have some new information
on the paintings that have been identified
813
00:48:03,880 --> 00:48:05,120
by Florence.
814
00:48:05,680 --> 00:48:09,360
They were posted 5 months ago.
-Who is Aline Costa?
815
00:48:09,680 --> 00:48:11,800
-A student in Aix.
-In Aix?
816
00:48:12,120 --> 00:48:16,560
-Yes. And she lives 200m from the
room Pavard rents there.
817
00:48:24,680 --> 00:48:25,880
You go down to Aix
818
00:48:26,200 --> 00:48:29,320
search that girl's place and question her
819
00:48:29,640 --> 00:48:30,400
on site.
820
00:48:30,720 --> 00:48:31,480
Florence
821
00:48:31,800 --> 00:48:34,800
She will accompany you for the expert assessments.
-Me too?
822
00:48:35,120 --> 00:48:37,960
-Yes.
We need to understand the connection
823
00:48:38,280 --> 00:48:41,000
between Cézanne, Aline Costa and Jules Pavard.
824
00:48:41,320 --> 00:48:43,040
-Are you sure?
-Yes, why?
825
00:48:43,360 --> 00:48:47,720
-I thought Pavard was innocent.
I must have been wrong.
826
00:48:48,040 --> 00:48:51,960
-We're checking everything.
Apparently, Pavard was seeing this girl.
827
00:48:52,280 --> 00:48:54,360
-His accomplice?
-I don't know.
828
00:48:54,680 --> 00:48:58,520
-Maybe. That doesn't tell us why she
would have wanted to gouge out
829
00:48:58,840 --> 00:49:00,480
your painter's eyes.
830
00:49:02,400 --> 00:49:04,160
What do we do with Pavard?
831
00:49:04,480 --> 00:49:07,600
-I called him back in.
Your train is in 2 hours.
832
00:49:08,480 --> 00:49:09,400
Come on, let's go!
833
00:49:30,120 --> 00:49:32,800
-Why would I put Vincent back under surveillance?
834
00:49:33,120 --> 00:49:35,640
-Of course. You think I'm a fool.
835
00:49:37,000 --> 00:49:38,040
-It's this way.
836
00:49:38,520 --> 00:49:42,120
I have no intention of listening
to your petty pronouncements.
837
00:49:42,440 --> 00:49:45,600
Yesterday was more than enough for me.
-I'm sorry.
838
00:49:45,920 --> 00:49:47,920
-Hello. Captain Verlay.
839
00:49:48,240 --> 00:49:49,920
OCBC. Ms. Chassagne.
840
00:49:50,240 --> 00:49:52,440
-You have crossed the line.
841
00:49:52,760 --> 00:49:54,960
-Go ahead.
-To the back of the courtyard.
842
00:49:55,280 --> 00:49:57,880
-I'm not going to let you down.
-Thank you.
843
00:50:02,760 --> 00:50:04,880
-I didn't know she was dead.
844
00:50:05,200 --> 00:50:07,960
I'm sorry, but I didn't know her.
845
00:50:08,760 --> 00:50:12,160
-Jules Pavard, do you know him?
-Yes, I know him.
846
00:50:12,840 --> 00:50:16,520
I met him 6 or 7 months ago,
in a bar near here.
847
00:50:16,840 --> 00:50:19,280
He asked me to pose for him.
848
00:50:20,200 --> 00:50:21,400
-Is that all?
849
00:50:21,720 --> 00:50:23,000
-No, we had sex.
850
00:50:23,320 --> 00:50:24,520
Is it forbidden?
851
00:50:25,360 --> 00:50:27,200
-No, it's not forbidden.
852
00:50:28,600 --> 00:50:30,040
OK, so what next?
853
00:50:30,360 --> 00:50:33,360
-It lasted a few weeks and that's all.
854
00:50:33,680 --> 00:50:35,120
-Excuse me.
-Yes?
855
00:50:37,320 --> 00:50:40,840
-Are you interested in painting?
-Not particularly.
856
00:50:41,160 --> 00:50:44,600
-Why are there 2 Cézanne paintings
on your page?
857
00:50:44,920 --> 00:50:46,440
-Ah! That was just for fun.
858
00:50:46,760 --> 00:50:48,880
And for the clicks.
859
00:50:49,840 --> 00:50:51,280
-Fun and clicks?
860
00:50:51,600 --> 00:50:52,880
-If you put
861
00:50:53,200 --> 00:50:55,240
something a bit clickbait-y, like:
862
00:50:55,560 --> 00:50:58,520
"Cézanne, hashtag violence against women",
863
00:50:58,840 --> 00:51:01,040
It generates clicks.
-That's disgusting.
864
00:51:01,360 --> 00:51:03,360
-He said he was only interested
865
00:51:03,680 --> 00:51:06,440
in lemonade, and then he tortured her
866
00:51:06,760 --> 00:51:09,880
by making her pose for hours.
-On the contrary,
867
00:51:10,200 --> 00:51:13,320
Hortense was a free woman, truly very free.
868
00:51:13,640 --> 00:51:14,440
and Cézanne
869
00:51:14,760 --> 00:51:17,360
He greatly respected this freedom.
870
00:51:17,680 --> 00:51:19,360
They were a couple...
871
00:51:19,680 --> 00:51:21,560
Well, not like the others.
872
00:51:21,880 --> 00:51:24,880
-I don't care about any of that.
However, I did get
873
00:51:25,200 --> 00:51:27,320
13,000 views for this page.
874
00:51:28,040 --> 00:51:29,200
-She annoys me.
875
00:51:29,880 --> 00:51:31,000
-L. Perec is dead
876
00:51:31,320 --> 00:51:34,400
strangled and stabbed just like in those paintings.
877
00:51:34,720 --> 00:51:35,560
-What ?
878
00:51:37,320 --> 00:51:38,320
-Look.
879
00:51:39,160 --> 00:51:41,920
The hair, does that ring a bell?
880
00:51:42,240 --> 00:51:43,080
Or not?
881
00:51:45,360 --> 00:51:47,560
-Do you think I killed Louise?
882
00:51:48,400 --> 00:51:50,840
-No, I don't believe anything,
we're still looking.
883
00:51:51,160 --> 00:51:54,440
-It's been over for months.
I have another boyfriend.
884
00:51:54,760 --> 00:51:57,360
Would I have killed Louise out of jealousy?
No.
885
00:51:57,680 --> 00:51:59,440
I don't care about that guy.
886
00:52:01,440 --> 00:52:02,320
-M. Pavard,
887
00:52:02,640 --> 00:52:05,840
Did you know that Aline Costa had
posted these paintings?
888
00:52:06,160 --> 00:52:08,480
-No, I don't watch that stuff.
889
00:52:09,040 --> 00:52:12,560
-But you know them?
-Yes, of course.
890
00:52:12,880 --> 00:52:16,720
-I don't see the connection between
these paintings and the murder.
891
00:52:17,040 --> 00:52:21,280
-Sorry to show this to your client,
but we have no choice.
892
00:52:21,600 --> 00:52:24,400
Louise was strangled and then stabbed.
893
00:52:24,720 --> 00:52:26,440
As in these two paintings.
894
00:52:26,760 --> 00:52:28,560
A disturbing coincidence, isn't it?
895
00:52:28,880 --> 00:52:30,600
-The murderer also
896
00:52:30,920 --> 00:52:32,800
pierced the eyes of this portrait,
897
00:52:33,120 --> 00:52:35,560
as if he held a grudge against Cézanne.
898
00:52:36,600 --> 00:52:37,680
Does that ring a bell?
899
00:52:38,000 --> 00:52:40,840
Does the name Mr. Pavard ring a bell?
900
00:52:41,920 --> 00:52:44,680
-If you know something, you should speak up.
901
00:52:45,440 --> 00:52:46,600
-SO ?
902
00:52:47,720 --> 00:52:49,000
-Yes. Yes, yes.
903
00:52:50,160 --> 00:52:52,520
Aline told me about those paintings, yes.
904
00:52:53,920 --> 00:52:57,000
In January, I had organized a private viewing.
905
00:52:57,320 --> 00:53:00,080
We were still seeing each
other back then, with Aline.
906
00:53:03,120 --> 00:53:05,320
(You want to kill her? You're delusional!)
907
00:53:05,640 --> 00:53:07,640
-Calm down a little, look.
908
00:53:08,800 --> 00:53:11,040
Your beloved little painter, look.
909
00:53:11,360 --> 00:53:15,400
He was only thinking about that. You see?
-(That's not it at all. Stop.)
910
00:53:16,160 --> 00:53:17,480
She wanted to come.
911
00:53:17,800 --> 00:53:21,160
She wanted to take advantage of the opportunity
to do some shopping in Paris.
912
00:53:21,480 --> 00:53:22,560
My ass, yeah!
913
00:53:24,600 --> 00:53:28,360
-(Do you want to live with me or not?)
-(That's not the question.)
914
00:53:28,680 --> 00:53:30,720
-(With the insurance money,
915
00:53:31,040 --> 00:53:33,320
(Anything is possible.)
-(You're crazy!)
916
00:53:33,640 --> 00:53:35,120
-(Just relax.)
917
00:53:35,640 --> 00:53:37,440
(You're not fun anymore.)
918
00:53:37,760 --> 00:53:40,360
-The next day, I left her.
919
00:53:40,680 --> 00:53:44,200
-I never told him that!
-Why would he lie?
920
00:53:44,520 --> 00:53:48,560
He's getting revenge because I dumped him.
He says it's him
921
00:53:48,880 --> 00:53:51,680
who dumped you.
-Nonsense.
922
00:53:52,000 --> 00:53:54,400
-We're going to the police station. Jeremy.
923
00:53:54,720 --> 00:53:55,880
-You're crazy!
924
00:53:56,200 --> 00:53:57,880
Okay, don't touch me!
925
00:54:00,600 --> 00:54:03,960
-You didn't say anything?
-Why would she have done that?
926
00:54:04,280 --> 00:54:07,840
She's twisted, that's for sure.
It turned her on
927
00:54:08,160 --> 00:54:10,040
telling me to kill Louise,
928
00:54:10,360 --> 00:54:13,120
But she's not completely crazy.
929
00:54:14,080 --> 00:54:14,880
And?
930
00:54:18,600 --> 00:54:19,760
-Okay, let's go.
931
00:54:20,600 --> 00:54:22,840
-Give me one, I'll help you.
932
00:54:23,600 --> 00:54:27,080
His computer is here, I'd like to check something.
933
00:54:27,400 --> 00:54:29,800
-You only touch it with them.
-Yes.
934
00:54:30,120 --> 00:54:32,800
I'm getting used to it, now.
935
00:54:44,080 --> 00:54:44,920
-It's there.
936
00:54:45,480 --> 00:54:48,160
Seriously, I'm sure she's just messing with us.
937
00:54:48,800 --> 00:54:51,560
-She may have told Pavard to kill Louise.
938
00:54:51,880 --> 00:54:54,040
I don't see her doing it herself.
939
00:54:54,360 --> 00:54:57,120
-That's the only thing we have for now.
940
00:54:57,440 --> 00:55:01,120
-As for gouging out Cézanne's eyes, I... She doesn't care.
941
00:55:01,440 --> 00:55:05,080
-Maybe she's bluffing. -At her place, there's nothing about Cézanne.
942
00:55:05,400 --> 00:55:08,320
Nothing on his computer, nothing in his belongings.
943
00:55:08,640 --> 00:55:11,000
-That's all for today.
944
00:55:11,320 --> 00:55:13,720
Our heads are full of stuff, we...
945
00:55:14,040 --> 00:55:15,240
We'll resume tomorrow.
946
00:55:15,560 --> 00:55:17,360
The hotel is this way.
-Uh...
947
00:55:18,160 --> 00:55:22,480
You go, I'll join you.
I'll only be 2 minutes, okay?
948
00:55:23,240 --> 00:55:25,000
-That's Vincent, right?
949
00:55:25,320 --> 00:55:26,960
...
950
00:55:27,280 --> 00:55:28,880
-That's none of your business.
951
00:55:29,200 --> 00:55:32,560
...
952
00:55:32,880 --> 00:55:34,480
-Why are you doing this?
953
00:55:37,280 --> 00:55:39,880
-What?
-We're trying to find
954
00:55:40,200 --> 00:55:42,160
a balance here and it isn't easy.
955
00:55:42,480 --> 00:55:45,680
And you, are you falling in love with my double?
956
00:55:46,000 --> 00:55:46,960
-Captain,
957
00:55:47,280 --> 00:55:49,200
I am so sorry.
958
00:55:49,760 --> 00:55:53,040
My comments were directed at Vincent,
but they were sincere.
959
00:55:53,360 --> 00:55:54,880
You are very different.
960
00:55:55,200 --> 00:55:58,040
-Why didn't you choose another teacher?
961
00:55:58,360 --> 00:56:01,360
Why choose a teacher who looks like me?
962
00:56:01,680 --> 00:56:04,000
Why a guy who looks like me?
963
00:56:04,320 --> 00:56:07,280
How many teachers have you met?
964
00:56:07,600 --> 00:56:10,000
-You don't understand what I'm telling you.
965
00:56:13,080 --> 00:56:15,160
-It's you who doesn't understand.
966
00:56:15,480 --> 00:56:43,120
...
967
00:56:43,720 --> 00:56:47,840
-Yes, I told Jules that there was a
solution for the money.
968
00:56:48,520 --> 00:56:50,600
-By killing Louise.
-Yes.
969
00:56:50,920 --> 00:56:54,600
I said it just like that, it was nothing.
It was like a joke.
970
00:56:55,360 --> 00:56:56,480
-Like a game.
971
00:56:56,800 --> 00:56:57,600
-Exactly.
972
00:57:00,280 --> 00:57:04,040
-The problem is that it can't be Jules Pavard.
973
00:57:04,360 --> 00:57:07,000
We can't know where you were.
974
00:57:07,320 --> 00:57:11,520
-What? Jules had a motive,
but I'm the one being accused?
975
00:57:12,040 --> 00:57:12,800
What a game,
976
00:57:13,120 --> 00:57:15,040
He's a fucking child
977
00:57:15,360 --> 00:57:16,280
immature !
978
00:57:16,600 --> 00:57:18,440
It could be him
979
00:57:18,760 --> 00:57:19,960
who raped me!
980
00:57:20,280 --> 00:57:21,960
-Raped you?
-Yes!
981
00:57:23,120 --> 00:57:25,000
-After the opening in Paris,
982
00:57:25,320 --> 00:57:28,600
A guy grabbed me from behind in an alley here.
983
00:57:28,920 --> 00:57:29,720
-And ?
984
00:57:30,040 --> 00:57:34,200
-A couple arrived, and then he ran away.
I didn't see his face.
985
00:57:37,160 --> 00:57:38,840
-Did you file a complaint?
986
00:57:39,160 --> 00:57:42,440
-No!
Since when does justice do anything
987
00:57:42,760 --> 00:57:47,360
useful about violence against women?
Who would I have filed a complaint against?
988
00:57:47,680 --> 00:57:51,200
-Do you think it was Jules?
-I don't know!
989
00:57:51,720 --> 00:57:52,680
It's possible.
990
00:57:53,000 --> 00:57:54,720
-You know the painting
991
00:57:55,040 --> 00:57:56,640
"The Abduction"?
-No.
992
00:57:57,880 --> 00:57:58,800
What about it ?
993
00:58:01,240 --> 00:58:03,640
-Shall we take a break, please?
994
00:58:20,480 --> 00:58:23,720
I know you need help to see it.
995
00:58:24,040 --> 00:58:25,560
I'll show you.
996
00:58:27,120 --> 00:58:29,040
-So that's rape?
997
00:58:29,360 --> 00:58:31,840
-That's one possible interpretation.
998
00:58:32,160 --> 00:58:34,280
-So, if she knew Cézanne,
999
00:58:34,600 --> 00:58:38,600
She would be putting Pavard down,
like he's into paintings of rapists?
1000
00:58:38,920 --> 00:58:42,960
-She doesn't know Cézanne,
so it doesn't fit the crime scene.
1001
00:58:45,800 --> 00:58:46,960
Vibrator.
1002
00:58:48,480 --> 00:58:49,280
What ?
1003
00:58:49,840 --> 00:58:50,760
What is it?
1004
00:58:51,080 --> 00:58:53,600
-Pavard was not in Aix on the day of the rape.
1005
00:58:54,520 --> 00:58:56,280
It can't be him.
1006
00:58:58,680 --> 00:59:02,720
She's bluffing, she's crazy.
She wanted Pavard to kill his wife.
1007
00:59:03,040 --> 00:59:06,760
That's our only lead.
-You have no idea how much
1008
00:59:07,080 --> 00:59:08,280
That annoys me.
-What?
1009
00:59:08,600 --> 00:59:11,280
-I feel like we're missing something.
1010
00:59:12,840 --> 00:59:14,320
I need to think about it.
1011
00:59:15,400 --> 00:59:18,680
-You know what?
Think about it, and I'll go back.
1012
00:59:32,680 --> 00:59:34,680
-It was said that this woman,
1013
00:59:35,680 --> 00:59:38,280
she was a metaphor for painting.
1014
00:59:39,480 --> 00:59:42,120
She's dead and you wanted
1015
00:59:42,440 --> 00:59:45,840
to revive her by heading towards Sainte-Victoire,
1016
00:59:46,160 --> 00:59:49,080
To find another way to paint.
Is that it?
1017
00:59:50,560 --> 00:59:53,120
-It took me 40 years to get there.
1018
00:59:55,440 --> 00:59:58,120
It's a long journey, don't you think?
1019
01:00:13,960 --> 01:00:15,320
-Hello Sir,
1020
01:00:15,640 --> 01:00:19,920
I would like a car to the
Place des Martyrs de la Résistance.
1021
01:00:20,680 --> 01:00:21,720
Absolutely.
1022
01:00:24,000 --> 01:00:25,920
Okay, thank you very much.
1023
01:00:42,560 --> 01:00:44,160
The sound of cicadas.
1024
01:01:00,320 --> 01:01:03,320
-I carried it with all my might, my painting.
1025
01:01:04,160 --> 01:01:07,200
It's as if she's too heavy for me.
1026
01:01:08,360 --> 01:01:09,840
I was so angry.
1027
01:01:11,320 --> 01:01:13,000
Sainte-Victoire is
1028
01:01:13,320 --> 01:01:16,200
as if she were taking some of that weight off my shoulders.
1029
01:01:31,000 --> 01:01:33,000
Little by little, it came.
1030
01:01:33,560 --> 01:01:34,560
The mountain.
1031
01:01:36,560 --> 01:01:38,120
Ochre, green.
1032
01:01:40,000 --> 01:01:43,120
The earth, the trees. The horizontal and the vertical.
1033
01:01:45,520 --> 01:01:46,480
Geometry.
1034
01:01:54,280 --> 01:01:55,280
-The feminine form.
1035
01:01:59,200 --> 01:02:00,440
The masculine form.
1036
01:02:04,400 --> 01:02:06,680
-Everything ended up becoming confused.
1037
01:02:07,360 --> 01:02:09,760
And I found a little peace.
1038
01:02:11,480 --> 01:02:12,560
A little bit of harmony.
1039
01:02:12,880 --> 01:02:15,320
-You invented modern art.
1040
01:02:15,640 --> 01:02:17,680
It was like therapy.
1041
01:02:19,680 --> 01:02:20,440
Huh ?
1042
01:02:27,440 --> 01:02:28,600
(A therapy session.)
1043
01:02:31,360 --> 01:02:32,560
(Of course.)
1044
01:02:32,880 --> 01:02:54,240
...
1045
01:02:54,560 --> 01:02:55,960
Excuse me, pardon me.
1046
01:02:56,280 --> 01:02:59,400
I have a question for you.
-What are you doing?
1047
01:02:59,720 --> 01:03:01,600
-Never mind. I have 2 questions.
1048
01:03:01,920 --> 01:03:06,080
Did your attacker do anything to your hair?
1049
01:03:08,680 --> 01:03:09,440
-Yes.
1050
01:03:11,120 --> 01:03:12,240
He stroked it.
1051
01:03:12,560 --> 01:03:13,320
-All right.
1052
01:03:13,640 --> 01:03:15,120
And then,
1053
01:03:15,440 --> 01:03:20,240
Did he put his hands on your neck as
if he wanted to strangle you?
1054
01:03:23,480 --> 01:03:26,000
-It lasted a few seconds
and then he ran away.
1055
01:03:26,320 --> 01:03:29,120
-Okay. Thank you.
You can take her.
1056
01:03:34,880 --> 01:03:37,320
-Can we know what you're doing here?
1057
01:03:37,640 --> 01:03:41,800
-It's not her.
Her attacker is the murderer of Louise Pérec.
1058
01:03:42,120 --> 01:03:45,040
The hair, the strangulation, it's not a coincidence.
1059
01:03:45,360 --> 01:03:49,120
The murderer knows both of Cézanne's
paintings by heart.
1060
01:03:49,440 --> 01:03:50,880
And it obsesses him.
-OK.
1061
01:03:51,200 --> 01:03:55,400
Um... Where did you get that from?
-Art therapy.
1062
01:03:55,720 --> 01:04:00,360
-What do you mean? I don't understand.
-He thinks that Cézanne, like him,
1063
01:04:00,680 --> 01:04:03,080
had murderous impulses,
1064
01:04:03,400 --> 01:04:05,560
and that, thanks to painting,
1065
01:04:05,880 --> 01:04:09,480
He got through it. Art therapy.
-It doesn't work for him.
1066
01:04:09,800 --> 01:04:11,600
-He's delusional.
1067
01:04:11,920 --> 01:04:15,560
He blames Cézanne because it failed,
and he kills him.
1068
01:04:15,880 --> 01:04:17,000
The eyes.
1069
01:04:17,320 --> 01:04:21,440
This gesture highlights his inability
to control his impulses.
1070
01:04:25,640 --> 01:04:27,080
-OK. Well, then...
1071
01:04:27,680 --> 01:04:31,600
He assaulted Aline Costa, and
5 months later, he killed Louise Pérec.
1072
01:04:32,120 --> 01:04:34,880
-And he might not stop there.
1073
01:04:36,160 --> 01:04:39,400
-Wait, art therapy?
-Otherwise, I don't know what explains
1074
01:04:39,720 --> 01:04:42,080
why he gouged out Cézanne's eyes.
1075
01:04:43,240 --> 01:04:47,760
-And I'll tell the prosecutor that we
have a killer who does art therapy?
1076
01:04:48,080 --> 01:04:52,280
-Yes, why not?
-He tried to assault Aline Costa
1077
01:04:52,600 --> 01:04:55,160
with the same modus operandi as L. Perec.
1078
01:04:55,480 --> 01:04:56,840
The explanations
1079
01:04:57,160 --> 01:04:58,080
artistic
1080
01:04:58,400 --> 01:05:02,160
Psycho-thingy, who cares.
-Thanks for the thingy.
1081
01:05:03,040 --> 01:05:05,760
-I didn't mean that...
-You said it.
1082
01:05:06,080 --> 01:05:07,760
-It's just that, well...
1083
01:05:08,280 --> 01:05:11,800
It can be assumed that the killer knew both A. Costa
1084
01:05:12,120 --> 01:05:13,160
and Louise Pérec.
1085
01:05:13,480 --> 01:05:15,080
That's the main point.
1086
01:05:15,600 --> 01:05:17,240
-And who makes the connection?
1087
01:05:17,560 --> 01:05:21,400
-I didn't tell anyone that I
had this affair with her.
1088
01:05:22,720 --> 01:05:26,840
-You think I bragged about sleeping
with a failed painter?
1089
01:05:27,160 --> 01:05:30,680
Who didn't want to leave his wife?
-You're just a bitch!
1090
01:05:31,000 --> 01:05:32,080
-Hey, easy now!
1091
01:05:33,400 --> 01:05:35,560
Do you want to find the murderer?
1092
01:05:38,680 --> 01:05:39,600
*Good...
1093
01:05:40,880 --> 01:05:45,000
Did anyone know both the lady and your partner?
1094
01:05:46,680 --> 01:05:49,280
-I'm sorry, but I don't see it.
1095
01:05:49,600 --> 01:05:52,080
-Was Louise there at the opening?
1096
01:05:56,560 --> 01:05:58,040
-Yes, she was there.
1097
01:05:58,680 --> 01:06:01,040
So what?
I avoided her.
1098
01:06:01,360 --> 01:06:04,400
All evening.
-Did you talk to anyone?
1099
01:06:04,720 --> 01:06:08,040
-Yes, of course.
I wasn't just a pretty face.
1100
01:06:08,360 --> 01:06:11,280
*Do you think she spoke to the murderer?
1101
01:06:13,080 --> 01:06:14,080
-The aggression,
1102
01:06:14,400 --> 01:06:16,280
Was that shortly after?
-Mm.
1103
01:06:16,600 --> 01:06:17,480
-I see
1104
01:06:17,800 --> 01:06:19,480
That's all, for now.
1105
01:06:20,680 --> 01:06:23,360
-Cheers.
-To you.
1106
01:06:23,680 --> 01:06:25,160
-Bravo.
-Thank you very much.
1107
01:06:26,720 --> 01:06:30,480
-Louise, I wanted to ask you something regarding...
1108
01:06:30,800 --> 01:06:32,000
-I'll be back.
-OK.
1109
01:06:33,200 --> 01:06:35,800
-Do you paint?
-No, I'm just a friend.
1110
01:06:36,120 --> 01:06:37,880
-Who did you speak to?
1111
01:06:38,200 --> 01:06:40,000
-To 15, 20 people!
1112
01:06:40,320 --> 01:06:44,200
*Do you think I asked them for their ID cards?
1113
01:06:44,520 --> 01:06:46,280
*-That's a lot of people.
1114
01:06:46,600 --> 01:06:48,920
*I'm sociable.*
*This is the first time*
1115
01:06:49,240 --> 01:06:52,080
*That she was coming to an opening?
*-Yes.
1116
01:06:52,400 --> 01:06:53,680
-Hello, Vincent?
1117
01:06:54,560 --> 01:06:56,560
Yeah, I'm interviewing.
1118
01:06:57,400 --> 01:06:58,480
Right away ?
1119
01:06:59,400 --> 01:07:01,280
There?
*-Obviously not.
1120
01:07:01,600 --> 01:07:03,480
*I was being extremely careful.
-No.
1121
01:07:03,800 --> 01:07:05,880
I'll see what I can do.
1122
01:07:06,400 --> 01:07:07,200
OK.
1123
01:07:08,400 --> 01:07:10,000
Me too. Me too.
1124
01:07:10,320 --> 01:07:14,640
*If we showed you a photo, would you
be able to recognize them?
1125
01:07:15,480 --> 01:07:18,600
-Yes, I think so.
-Do you have a guest list?
1126
01:07:18,920 --> 01:07:20,440
-From my guests, yes.
1127
01:07:20,760 --> 01:07:24,560
Louise had hers.
It's probably on her computer.
1128
01:07:28,960 --> 01:07:30,160
-You keep an eye on them.
1129
01:07:30,480 --> 01:07:34,680
I need the guest list for the opening.
Search the computers
1130
01:07:35,000 --> 01:07:36,840
of Pavard and Louise.
1131
01:07:37,160 --> 01:07:40,160
-OK. -With the photos. We'll show them
1132
01:07:40,480 --> 01:07:41,400
to Aline Costa.
1133
01:07:41,720 --> 01:07:43,440
-I'll take care of it.
-Thank you.
1134
01:07:43,760 --> 01:07:46,360
Will you call me when you have all that?
-Yeah.
1135
01:07:48,360 --> 01:07:50,040
-All we have to do is wait.
1136
01:07:50,360 --> 01:07:54,880
-Well, I'm going out to do an errand
for two or three hours.
1137
01:07:55,200 --> 01:07:57,040
-2 or 3 hours?
-Yes, an errand.
1138
01:07:58,160 --> 01:08:00,800
-OK, go ahead, no problem.
1139
01:08:01,120 --> 01:08:02,640
-Are you sure?
-Mm.
1140
01:08:20,320 --> 01:08:21,440
(Ah, damn!)
1141
01:08:32,320 --> 01:08:33,560
-Adele called
1142
01:08:33,880 --> 01:08:37,560
the PTS to retrieve Louise Pérec's computer.
1143
01:08:37,880 --> 01:08:39,040
-OK, perfect.
1144
01:08:39,360 --> 01:08:42,280
-What are you doing?
-I'm going to do an errand.
1145
01:08:42,600 --> 01:08:46,000
Since there's nothing left to do but wait...
-An errand?
1146
01:08:46,320 --> 01:08:49,840
-An errand, yes. See you soon.
-See you soon.
1147
01:09:08,840 --> 01:09:10,760
*Upbeat music.
1148
01:09:12,160 --> 01:09:14,360
-Here you go.
-Thank you very much.
1149
01:09:14,680 --> 01:09:17,360
Goodbye.
-Have a good day, goodbye.
1150
01:09:22,800 --> 01:09:26,320
-You know your father called me?
-My father?
1151
01:09:26,640 --> 01:09:27,400
-Yes.
1152
01:09:28,440 --> 01:09:31,720
He seemed a little strange to me.
Is he alright?
1153
01:09:32,040 --> 01:09:33,640
-Yes, yes. Why?
1154
01:09:39,840 --> 01:09:42,600
-He was convinced he had
seen me yesterday.
1155
01:09:44,120 --> 01:09:47,760
And he asked me if I had been
with you, at the Sorbonne.
1156
01:09:48,080 --> 01:09:51,840
-Okay. Don't worry.
He's losing... He's not losing his mind.
1157
01:09:52,160 --> 01:09:55,440
But...
-I can't hear anything, damn it!
1158
01:09:55,760 --> 01:09:57,960
*...
1159
01:09:58,280 --> 01:10:00,560
-He's a bit crazy, but he's okay.
1160
01:10:00,880 --> 01:10:02,360
And you, how are you doing?
1161
01:10:02,680 --> 01:10:10,800
*...
1162
01:10:11,120 --> 01:10:12,480
-Criminal investigation department.
1163
01:10:12,800 --> 01:10:18,640
*...
1164
01:10:34,480 --> 01:10:38,360
-Tell me about your hidden talent.
-I'm very happy to pass
1165
01:10:38,680 --> 01:10:40,440
time with you.
1166
01:10:43,800 --> 01:10:44,680
-Yes, hello?
1167
01:10:45,000 --> 01:10:48,800
-Yes, Antoine. Am I bothering you?
Still doing your errand?
1168
01:10:49,120 --> 01:10:51,600
-No, you're not bothering me.
Go ahead.
1169
01:10:51,920 --> 01:10:54,600
-Adèle returned with the guest list.
1170
01:10:54,920 --> 01:10:57,840
She is currently retrieving the photos and...
1171
01:10:58,160 --> 01:11:00,520
We already have a picture of one of them.
1172
01:11:02,000 --> 01:11:03,760
-OK, who is it?
1173
01:11:04,080 --> 01:11:05,560
-It's your cousin.
1174
01:11:06,440 --> 01:11:08,320
-What? But that idiot
1175
01:11:08,640 --> 01:11:09,480
is everywhere!
1176
01:11:09,800 --> 01:11:11,960
That doesn't mean he spoke
1177
01:11:12,280 --> 01:11:13,880
to Aline Costa.
1178
01:11:14,200 --> 01:11:17,160
-That's exactly why I'm calling you.
1179
01:11:17,480 --> 01:11:19,560
She remembers him very well.
1180
01:11:19,880 --> 01:11:20,680
Yes.
1181
01:11:21,000 --> 01:11:24,600
He would have latched on to her.
Like, annoying.
1182
01:11:27,080 --> 01:11:30,880
*You know what I mean?
-Yes, annoying, I see.
1183
01:11:31,200 --> 01:11:32,360
You didn't feel it.
1184
01:11:32,680 --> 01:11:33,960
*from the beginning.
1185
01:11:38,360 --> 01:11:40,120
*Perhaps it would be necessary
1186
01:11:40,440 --> 01:11:42,400
*Question him, right?
1187
01:11:42,720 --> 01:11:44,160
Can you summon him?
1188
01:11:44,480 --> 01:11:47,560
Unless it interferes with your little run.
1189
01:11:48,240 --> 01:11:51,240
-No, it doesn't bother me.
*-Are you sure?
1190
01:11:52,160 --> 01:11:53,480
-Yes, I'm sure.
1191
01:11:53,800 --> 01:11:54,840
*-Wonderful.
1192
01:11:55,160 --> 01:11:57,400
*See you later.
-See you.
1193
01:12:02,000 --> 01:12:05,480
-I didn't plan on giving you away.
-What were you doing, then?
1194
01:12:05,800 --> 01:12:08,400
You continued listening.
-No!
1195
01:12:08,720 --> 01:12:11,240
Not at all. -You smell like cotton candy.
1196
01:12:11,560 --> 01:12:14,280
-Sorry, I smell like cotton candy.
1197
01:12:14,600 --> 01:12:15,640
I'm sorry.
1198
01:12:15,960 --> 01:12:16,800
-I'm shocked.
1199
01:12:18,920 --> 01:12:20,640
-Do you see this painting?
1200
01:12:21,320 --> 01:12:23,640
It's a fake; we brought it in today.
1201
01:12:23,960 --> 01:12:27,960
-I know, it's my job.
-Some guy bought it for 2 million.
1202
01:12:28,280 --> 01:12:30,880
2 million euros. Isn't that crazy?
1203
01:12:31,200 --> 01:12:34,000
-Yes, but pigeons have always been around.
1204
01:12:34,320 --> 01:12:36,640
-Yeah. Except he was warned:
1205
01:12:36,960 --> 01:12:40,800
"There are lots of fakes circulating."
And he bought it anyway.
1206
01:12:41,120 --> 01:12:44,320
He fell in love with the fake. You see?
1207
01:12:47,280 --> 01:12:48,280
-Lover ?
1208
01:12:53,120 --> 01:12:56,440
-I'm sure that if we put the real thing in front of him,
1209
01:12:57,480 --> 01:12:59,320
He would like to keep that one.
1210
01:12:59,640 --> 01:13:03,800
As if he were afraid of living with
an object too precious to him.
1211
01:13:04,120 --> 01:13:07,120
Do you see what I mean, or not?
1212
01:13:09,600 --> 01:13:12,320
-I see perfectly what you mean.
1213
01:13:13,560 --> 01:13:16,240
Vincent is not a pale imitation.
1214
01:13:18,160 --> 01:13:19,920
I know what I'm doing.
1215
01:13:22,440 --> 01:13:25,200
-What are you doing?
Doppel is waiting for us.
1216
01:13:27,520 --> 01:13:28,320
Huh?
1217
01:13:28,640 --> 01:13:29,480
Everything is fine ?
1218
01:13:29,800 --> 01:13:30,680
Remember,
1219
01:13:31,000 --> 01:13:32,440
we work in...
1220
01:13:32,760 --> 01:13:35,480
-If you talk to me again about calm, about serenity,
1221
01:13:35,800 --> 01:13:38,160
I swear, it's not going to work.
1222
01:13:39,000 --> 01:13:41,760
-Are we bothering you with andropause?
1223
01:13:43,880 --> 01:13:47,640
-Excuse me. It's... I know you're having problems,
1224
01:13:47,960 --> 01:13:49,320
But you're not the only one.
1225
01:13:49,640 --> 01:13:50,760
The others too.
1226
01:13:51,360 --> 01:13:52,400
You see?
-Mm.
1227
01:13:53,160 --> 01:13:56,520
-Commander, you are wanted in your office.
1228
01:13:57,080 --> 01:13:58,600
Are you okay?
-Yes, I'm okay.
1229
01:13:58,920 --> 01:13:59,960
I'm coming.
1230
01:14:06,200 --> 01:14:07,360
What is...
1231
01:14:07,680 --> 01:14:09,280
How many have I taken?
1232
01:14:16,640 --> 01:14:20,200
-Listen, Antoine, this is ridiculous.
Ridiculous.
1233
01:14:21,480 --> 01:14:22,800
-Did you talk to her?
1234
01:14:23,400 --> 01:14:24,920
-Yes, a little.
1235
01:14:25,520 --> 01:14:27,240
*-Did you flirt with her?
*-Well,
1236
01:14:27,560 --> 01:14:30,920
I was just trying to get to know her.
1237
01:14:31,240 --> 01:14:32,840
-So, you flirted with her.
1238
01:14:33,160 --> 01:14:35,760
-I find this painting absolutely...
1239
01:14:36,080 --> 01:14:39,400
It's fantastical.
It's like a dream.
1240
01:14:40,880 --> 01:14:42,440
She made me understand
1241
01:14:42,760 --> 01:14:46,640
that she did not want to continue the conversation.
1242
01:14:46,960 --> 01:14:50,520
I like it very much.
You want to step into his paintings.
1243
01:14:50,840 --> 01:14:53,000
-Ah yes!
You love them very much.
1244
01:14:53,320 --> 01:14:54,600
-I love it, yes.
1245
01:14:54,920 --> 01:14:57,920
-I have to go, see you later, OK?
1246
01:15:01,520 --> 01:15:02,880
-On the other hand...
1247
01:15:05,560 --> 01:15:06,600
-What? Go ahead.
1248
01:15:06,920 --> 01:15:11,040
She went to talk to a young man, and she seemed
1249
01:15:11,360 --> 01:15:14,000
*much more interested. She was very...
1250
01:15:15,240 --> 01:15:17,600
-Very what?
Spit it out, damn it.
1251
01:15:18,640 --> 01:15:20,080
-Entrepreneurial.
1252
01:15:20,400 --> 01:15:23,080
-Do you know this young man?
-Yes,
1253
01:15:23,400 --> 01:15:26,400
Well, vaguely.
He was one of Louise's students.
1254
01:15:27,160 --> 01:15:28,120
-Hello.
1255
01:15:29,200 --> 01:15:33,480
I got you a beer. Would you like one?
-Yes, thank you, that's kind of you.
1256
01:15:33,800 --> 01:15:35,640
-Are you an artist?
-Absolutely.
1257
01:15:35,960 --> 01:15:38,880
-I'm a model.
If you need anything,
1258
01:15:39,200 --> 01:15:40,480
that would be cool.
1259
01:15:43,000 --> 01:15:44,840
-She turned it on, didn't she?
1260
01:15:45,800 --> 01:15:46,720
-Yes.
1261
01:15:48,160 --> 01:15:50,560
I felt for him, I can say that.
1262
01:15:50,880 --> 01:15:51,800
-You ask...
1263
01:15:52,120 --> 01:15:55,960
-I model for painters, photographers...
1264
01:15:56,280 --> 01:15:57,760
-OK.
-Lots of different things.
1265
01:15:59,440 --> 01:16:02,160
-That's great, do you live in Paris?
-I live in Aix.
1266
01:16:03,120 --> 01:16:04,040
-We talked.
1267
01:16:04,360 --> 01:16:06,760
We talked for... ten minutes.
1268
01:16:07,600 --> 01:16:08,760
And that's it.
1269
01:16:09,280 --> 01:16:10,040
Why ?
1270
01:16:11,760 --> 01:16:15,560
-She was attacked five days later in Aix-en-Provence.
1271
01:16:16,280 --> 01:16:17,920
-How does this concern me?
1272
01:16:18,240 --> 01:16:20,040
-In that you were
1273
01:16:20,360 --> 01:16:22,040
in Aix, that day.
1274
01:16:22,360 --> 01:16:23,520
-No.
-Yes.
1275
01:16:23,840 --> 01:16:25,840
You have turned off your mobile phone.
1276
01:16:26,640 --> 01:16:30,080
and the tickets weren't in your name.
1277
01:16:31,160 --> 01:16:33,520
But the computer that was used
1278
01:16:33,840 --> 01:16:37,400
To go to the SNCF website, it's your computer.
1279
01:16:38,280 --> 01:16:39,560
It's crazy, isn't it?
1280
01:16:39,880 --> 01:16:42,000
We'll see your face soon.
1281
01:16:42,320 --> 01:16:44,920
on the CCTV cameras at the station.
1282
01:16:47,040 --> 01:16:48,760
What happened?
1283
01:16:51,840 --> 01:16:52,840
-I...
1284
01:16:55,240 --> 01:16:56,320
I lost my mind.
1285
01:16:58,680 --> 01:17:01,200
She flirted with me all evening.
1286
01:17:01,520 --> 01:17:03,720
And I couldn't forget her.
1287
01:17:04,040 --> 01:17:07,040
So, I absolutely had to see her again.
1288
01:17:07,360 --> 01:17:09,800
-So, you thought to yourself: "Hey...
1289
01:17:11,080 --> 01:17:13,040
"What if I went down to Aix?"
1290
01:17:13,560 --> 01:17:16,480
"If I were to attack her, she would be pleased."
1291
01:17:16,800 --> 01:17:19,680
-That's not it. I completely lost it, I...
1292
01:17:20,000 --> 01:17:22,080
But nothing happened.
1293
01:17:22,400 --> 01:17:24,840
I stopped immediately.
That's it.
1294
01:17:25,160 --> 01:17:28,160
-If that couple hadn't passed by,
you would have killed her.
1295
01:17:28,480 --> 01:17:32,240
-What? Are you out of your mind?
-Are you familiar with these paintings?
1296
01:17:34,960 --> 01:17:35,920
This one?
1297
01:17:36,240 --> 01:17:37,120
-Yes.
1298
01:17:38,240 --> 01:17:39,200
-And...
1299
01:17:40,200 --> 01:17:41,280
this one?
1300
01:17:41,960 --> 01:17:42,960
-Yes.
1301
01:17:46,080 --> 01:17:49,760
These are by Cézanne.
They are early paintings.
1302
01:17:50,080 --> 01:17:53,880
-You must have noticed that Cézanne insisted
1303
01:17:54,200 --> 01:17:56,480
on the hair in this one.
1304
01:17:56,800 --> 01:17:59,760
-No. Not... Not particularly.
1305
01:18:00,080 --> 01:18:01,080
-All right.
1306
01:18:03,480 --> 01:18:04,480
-Why ?
1307
01:18:09,160 --> 01:18:11,680
-Aline Costa told us that...
1308
01:18:13,680 --> 01:18:15,960
You stroked her hair.
1309
01:18:17,640 --> 01:18:18,480
-All right.
1310
01:18:18,800 --> 01:18:19,560
Yes.
1311
01:18:20,160 --> 01:18:22,320
Probably. I don't remember.
1312
01:18:23,200 --> 01:18:25,040
What's the connection?
1313
01:18:25,360 --> 01:18:28,360
-Louise Pérec was found with her hair styled
1314
01:18:28,680 --> 01:18:31,480
exactly the same way.
-And she was
1315
01:18:31,800 --> 01:18:35,400
strangled exactly like in the painting. Yes.
1316
01:18:36,440 --> 01:18:38,840
-Do you think I killed Louise?
1317
01:18:39,160 --> 01:18:40,680
-What do you think?
-No.
1318
01:18:42,640 --> 01:18:43,400
No.
1319
01:18:44,720 --> 01:18:47,080
Finally, I... This is insane.
1320
01:18:48,480 --> 01:18:50,120
OK, I'm sorry.
1321
01:18:50,440 --> 01:18:53,840
I messed up with Aline.
I blame myself.
1322
01:18:55,400 --> 01:18:56,440
But Louise...
1323
01:18:58,400 --> 01:18:59,280
No.
1324
01:19:01,200 --> 01:19:05,440
You can ask the students.
We got along really well. OK?
1325
01:19:05,760 --> 01:19:07,880
I've been taking those classes for 2 years.
1326
01:19:08,200 --> 01:19:11,600
If I had wanted to attack her,
I would have done it sooner.
1327
01:19:11,920 --> 01:19:13,960
Why now?
-Everything fits.
1328
01:19:14,280 --> 01:19:15,800
Arthur must have thought to himself
1329
01:19:16,120 --> 01:19:20,000
that by following Cézanne's example,
he would master his impulses.
1330
01:19:20,320 --> 01:19:24,400
-Everything might fit for you,
but we can't prove anything.
1331
01:19:24,720 --> 01:19:26,440
-I am sure of myself.
1332
01:19:26,760 --> 01:19:28,920
-There was an attempted attack
1333
01:19:29,240 --> 01:19:31,720
of Aline Costa. That's all we have.
1334
01:19:32,040 --> 01:19:34,640
Nothing about the murder.
He won't go to prison.
1335
01:19:34,960 --> 01:19:35,760
-It's true.
1336
01:19:37,920 --> 01:19:40,680
-Did you interview the other students?
1337
01:19:41,000 --> 01:19:44,360
-Yes. They didn't notice anything suspicious.
Nothing.
1338
01:19:45,360 --> 01:19:49,560
-Okay. We don't know why he had
an impulse after 2 years.
1339
01:19:49,880 --> 01:19:52,840
-The end of police custody is in 15 hours.
1340
01:19:53,160 --> 01:19:54,080
-What?
-Yes.
1341
01:19:54,400 --> 01:19:56,080
What do we do?
1342
01:19:56,400 --> 01:19:59,000
-We need to go back to the crime scene.
1343
01:20:00,320 --> 01:20:01,760
-What are you thinking about?
1344
01:20:02,080 --> 01:20:04,880
-Sorry, but we'll have to turn
everything upside down.
1345
01:20:05,200 --> 01:20:09,200
I find it hard to believe that
he went back there to retrieve his bag.
1346
01:20:09,520 --> 01:20:13,000
I must have missed something,
it's impossible.
1347
01:20:14,480 --> 01:20:17,200
Have you looked at the easels?
-Where?
1348
01:20:17,520 --> 01:20:18,360
-There, there.
-No.
1349
01:20:18,680 --> 01:20:19,960
-Look everywhere.
1350
01:20:24,960 --> 01:20:25,920
-Captain?
1351
01:20:26,240 --> 01:20:27,520
No, not yet.
1352
01:20:32,960 --> 01:20:34,640
-Do you have anything?
1353
01:20:34,960 --> 01:20:38,120
-I'm sorry, I feel like I'm not
doing anything right.
1354
01:20:38,440 --> 01:20:42,040
I didn't hang out with them,
Louise's students.
1355
01:20:43,360 --> 01:20:44,160
You think
1356
01:20:44,480 --> 01:20:46,200
Is it him?
-We don't know.
1357
01:20:46,520 --> 01:20:50,120
We're looking for proof.
That's why we're here.
1358
01:20:50,440 --> 01:20:51,800
-Wait, excuse me.
1359
01:20:56,920 --> 01:21:00,520
-A copy of Cézanne.
-Did you paint this?
1360
01:21:00,840 --> 01:21:03,720
-A student did.
She displayed the most successful ones.
1361
01:21:04,280 --> 01:21:06,160
-Yes, it's very well done.
1362
01:21:07,120 --> 01:21:09,000
-What's this bag like?
1363
01:21:09,320 --> 01:21:13,240
-Canvas, with a leather reverse.
-A leather reverse.
1364
01:21:19,240 --> 01:21:21,200
I've seen that before.
-Where?
1365
01:21:21,800 --> 01:21:24,880
-In Arthur Dulac's bag, which was there.
1366
01:21:27,440 --> 01:21:29,320
-This painting?
-On a scarf.
1367
01:21:29,640 --> 01:21:31,560
May I?
-Yes.
1368
01:21:39,360 --> 01:21:41,160
"Caroline Albert."
-What?
1369
01:21:42,120 --> 01:21:44,360
-It says "Caroline Albert".
1370
01:21:45,680 --> 01:21:47,000
-Does that ring a bell?
1371
01:21:47,680 --> 01:21:48,720
-No.
1372
01:21:49,040 --> 01:21:50,600
-That's the student
1373
01:21:50,920 --> 01:21:52,280
who did it.
-Mm.
1374
01:21:55,640 --> 01:21:56,640
Ah, damn.
1375
01:21:56,960 --> 01:21:57,760
-What ?
1376
01:21:58,080 --> 01:22:00,520
-She was raped and killed 3 years ago.
1377
01:22:00,840 --> 01:22:05,040
Her murderer hasn't been found.
-Were you aware of that?
1378
01:22:05,360 --> 01:22:06,840
-I don't know, I...
1379
01:22:07,160 --> 01:22:08,200
-Look. Her.
1380
01:22:08,520 --> 01:22:12,800
-That might ring a bell.
-Didn't she mention it to you?
1381
01:22:13,320 --> 01:22:15,360
-I don't think I was in Paris.
1382
01:22:30,240 --> 01:22:32,960
-This scarf belonged to Caroline Albert.
1383
01:22:33,280 --> 01:22:35,400
We are waiting for the DNA results.
1384
01:22:36,160 --> 01:22:38,080
What was it doing at your place?
1385
01:22:39,040 --> 01:22:39,880
Huh ?
1386
01:22:41,800 --> 01:22:45,600
-I have nothing to say to you.
I want to see my lawyer.
1387
01:22:52,360 --> 01:22:53,640
-Listen...
1388
01:22:54,520 --> 01:22:57,720
We know you wanted to get treatment,
1389
01:22:59,560 --> 01:23:01,080
that you tried.
1390
01:23:03,040 --> 01:23:04,000
-Maybe.
1391
01:23:07,840 --> 01:23:09,360
But it's pointless.
1392
01:23:12,040 --> 01:23:13,280
It's in my head.
1393
01:23:14,000 --> 01:23:15,160
It won't go away.
1394
01:23:15,480 --> 01:23:18,760
-According to your classmates,
the day before Louise's death,
1395
01:23:19,080 --> 01:23:22,320
You all went to paint in Auvers-sur-Oise.
1396
01:23:25,080 --> 01:23:27,640
And you drove her home.
1397
01:23:29,360 --> 01:23:30,760
What happened?
1398
01:23:33,440 --> 01:23:36,360
-OK. I'll be a minute.
-No problem.
1399
01:23:36,680 --> 01:23:37,680
I'll wait for you.
1400
01:23:58,600 --> 01:23:59,520
Oh!
1401
01:23:59,840 --> 01:24:00,680
Shit !
1402
01:24:07,680 --> 01:24:10,560
-Caroline Albert wore this scarf
1403
01:24:10,880 --> 01:24:15,080
the day of her death.
I think Louise Pérec knew that.
1404
01:24:15,400 --> 01:24:45,800
...
1405
01:24:46,120 --> 01:24:48,040
-She looked in my bag.
1406
01:24:51,920 --> 01:24:53,360
She didn't put it back exactly.
1407
01:24:54,440 --> 01:24:56,280
It wasn't folded the same way.
1408
01:25:14,600 --> 01:25:18,160
The next day, she avoided my gaze.
I understood.
1409
01:25:22,280 --> 01:25:26,360
-You knew that if she talked,
you would get 20 years, or even 30.
1410
01:25:28,720 --> 01:25:29,680
-Yes.
1411
01:25:32,720 --> 01:25:35,160
-She didn't even try to talk to me about it.
1412
01:25:35,480 --> 01:25:39,640
I was so... I was only thinking
about my fucking painting.
1413
01:25:42,320 --> 01:25:44,440
-Come, I'll walk you out.
1414
01:25:53,960 --> 01:25:56,240
-I wasn't listening to her much, Hortense.
1415
01:25:56,560 --> 01:26:00,360
But I watched her a lot.
-Along with Sainte-Victoire,
1416
01:26:00,680 --> 01:26:02,960
She's the one you painted the most.
1417
01:26:03,280 --> 01:26:06,800
It is said that she alone had the
patience to pose for you.
1418
01:26:07,120 --> 01:26:07,880
-Patience ?
1419
01:26:09,400 --> 01:26:13,400
You need to have painted many landscapes
to succeed at a portrait.
1420
01:26:13,720 --> 01:26:16,840
A model that doesn't change much.
1421
01:26:18,520 --> 01:26:19,640
-Did you love her?
1422
01:26:22,400 --> 01:26:25,080
-Solitude loved me even more.
1423
01:26:25,800 --> 01:26:27,000
And what about you?
1424
01:26:27,760 --> 01:26:28,720
-What, and what about me?
1425
01:26:29,040 --> 01:26:48,000
...
1426
01:26:48,320 --> 01:26:49,280
-Yes.
1427
01:26:50,880 --> 01:26:51,960
I love him.
1428
01:26:52,280 --> 01:27:15,680
...
1429
01:27:16,000 --> 01:27:17,600
There's a knock at the door.
1430
01:27:18,240 --> 01:27:19,920
-Hi, my darling.
1431
01:27:20,600 --> 01:27:21,840
-Hello, Dad.
1432
01:27:22,920 --> 01:27:26,680
-That's it. We were able to have
a drink together.
1433
01:27:27,360 --> 01:27:29,720
-We? Who are you talking about?
1434
01:27:30,240 --> 01:27:33,800
-Vincent.
-Your specialty is taking people down.
1435
01:27:34,120 --> 01:27:37,520
My suitors, but that one, you don't touch.
1436
01:27:37,840 --> 01:27:39,440
It makes me feel good.
1437
01:27:39,760 --> 01:27:43,160
He is kind, gentle, and sensitive.
1438
01:27:43,480 --> 01:27:47,120
-He is charming, he is brilliant, he is witty.
1439
01:27:47,440 --> 01:27:48,520
I agree.
1440
01:27:49,320 --> 01:27:50,920
-Do you agree?
-Yes.
1441
01:27:51,240 --> 01:27:55,320
-What do you mean, you agree?
-Florence, that's wonderful.
1442
01:27:55,640 --> 01:28:00,320
To find the ideal man like this,
now, is unexpected.
1443
01:28:00,640 --> 01:28:02,960
Please, you should keep this one.
1444
01:28:05,600 --> 01:28:06,600
-What ?
1445
01:28:06,920 --> 01:28:09,400
-This is the first time in my entire life
1446
01:28:09,720 --> 01:28:11,000
that you tell me that.
1447
01:28:12,160 --> 01:28:14,320
-This might be the first time
1448
01:28:14,640 --> 01:28:18,840
that you introduce me to an almost
perfect suitor.
1449
01:28:19,160 --> 01:28:23,160
-Ah! Ah, there it is! I was scared,
I was worried.
1450
01:28:23,480 --> 01:28:27,200
It was too good to be true.
Expand on the "almost".
1451
01:28:27,720 --> 01:28:29,920
-Florence, the question
1452
01:28:30,240 --> 01:28:33,240
Physical fitness.
-Oh no, you're not going to start that.
1453
01:28:33,560 --> 01:28:38,080
-They look alike, but did you find
that they were the same?
1454
01:28:38,400 --> 01:28:41,680
-No, they're not the same at all.
-Question settled.
1455
01:28:42,480 --> 01:28:43,640
-I agree.
1456
01:28:43,960 --> 01:28:47,000
Me neither, I've never been attached
to physical appearance.
1457
01:28:47,320 --> 01:28:50,120
And as they say: nobody's perfect.
1458
01:28:51,320 --> 01:28:52,200
What ?
1459
01:28:56,800 --> 01:28:58,640
-No, I'm not used to it.
1460
01:28:59,560 --> 01:29:01,840
You're the only one who understands me.
1461
01:29:03,280 --> 01:29:04,480
That makes me wonder.
1462
01:29:05,440 --> 01:29:08,520
-Perhaps it's because the others are idiots.
1463
01:29:08,840 --> 01:29:12,400
And maybe you, too, will finally become...
1464
01:29:13,720 --> 01:29:14,600
reasonable.
1465
01:29:14,920 --> 01:29:16,760
Okay, fine, I'll leave you now.
1466
01:29:17,080 --> 01:29:20,680
I'm taking this opportunity to say
hello to my colleagues.
1467
01:29:21,000 --> 01:29:22,360
And remember,
1468
01:29:23,160 --> 01:29:24,720
Nobody is perfect.
1469
01:29:25,040 --> 01:29:26,400
Nobody's perfect.
1470
01:29:26,720 --> 01:30:03,000
...
1471
01:30:03,320 --> 01:30:05,240
-That's Psyche, right?
1472
01:30:05,720 --> 01:30:06,600
-Yes.
1473
01:30:08,040 --> 01:30:12,240
-We think she is asleep,
but she is dying.
1474
01:30:13,240 --> 01:30:15,880
And only love can save her.
1475
01:30:20,360 --> 01:30:22,080
Without love, we die.
1476
01:30:22,400 --> 01:30:23,440
-Captain.
1477
01:30:23,760 --> 01:30:49,480
...
1478
01:30:49,800 --> 01:30:54,080
-I was pretty sure those
pretty legs were yours.
1479
01:30:56,920 --> 01:30:57,800
Cuckoo.
1480
01:30:58,520 --> 01:30:59,640
-Cuckoo.
1481
01:31:04,400 --> 01:31:05,840
-Shall we go?
-Let's go.
1482
01:31:08,360 --> 01:31:09,320
Ah. -Ah.
1483
01:31:13,000 --> 01:31:17,600
I feel extremely lucky to be
able to do this with you.
1484
01:31:17,920 --> 01:31:43,080
...
1485
01:31:43,400 --> 01:31:47,600
-Commander, you can talk about it.
There's no shame in it. It's not taboo.
1486
01:31:47,920 --> 01:31:50,360
-Adèle, Adèle.
It's not andropause.
1487
01:31:50,680 --> 01:31:52,360
-Okay. Okay.
-There you go.
1488
01:31:57,720 --> 01:31:59,960
How are you all?
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