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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,079 --> 00:00:07,500 After weeks of relentless rehearsals and unforgettable performances. 2 00:00:08,000 --> 00:00:11,300 I couldn't take my eyes off you. That could be. I'm dancing with the stars 3 00:00:11,300 --> 00:00:17,160 tomorrow. We're down to the final four. It's the semi-finals. I just want to 4 00:00:17,160 --> 00:00:20,040 show young girls that this dream is possible. 5 00:00:20,420 --> 00:00:21,620 Selena, fire. 6 00:00:22,200 --> 00:00:26,500 This means fulfilling not only my dream, also my mark. It was one of the most 7 00:00:26,500 --> 00:00:31,260 beautiful things I've ever witnessed. I sacrificed so much. I've had to move my 8 00:00:31,260 --> 00:00:32,740 wedding. This had swag. 9 00:00:33,000 --> 00:00:34,000 This had cool. 10 00:00:34,300 --> 00:00:39,020 In this competition, I've learned that there is no limit to what I can do. You 11 00:00:39,020 --> 00:00:42,480 are one of the best dancers I've ever seen in 66 countries. 12 00:00:42,840 --> 00:00:44,960 Who will make it to the final? 13 00:00:59,029 --> 00:01:00,290 Welcome, welcome, welcome. 14 00:01:00,650 --> 00:01:02,350 Now, just because it's semi-finals. 15 00:01:05,230 --> 00:01:06,850 Yes! Yes! 16 00:01:07,790 --> 00:01:08,790 Come on. 17 00:01:09,510 --> 00:01:14,430 Well, let's welcome the judges who will be deciding our finalists tonight. 18 00:01:14,710 --> 00:01:16,770 Mark and Shirley Ballas! 19 00:01:19,250 --> 00:01:20,490 Welcome, Mighty Mark. 20 00:01:20,690 --> 00:01:22,150 Welcome, Shirley. Good to see you. 21 00:01:22,840 --> 00:01:27,980 Tonight's guest judge is twice a Mirrorball winner. She's also a winner 22 00:01:27,980 --> 00:01:32,260 on the Australian Dancing With The Stars as well as a judge. Please give it up 23 00:01:32,260 --> 00:01:33,640 for Kim Johnson. 24 00:01:35,460 --> 00:01:42,260 Kim is a bit of a legend on Dancing With The Stars, so she knows how it works. 25 00:01:42,620 --> 00:01:45,020 I'd say hello, but I think g'day is more appropriate. 26 00:01:45,740 --> 00:01:46,740 G'day, Robert. 27 00:01:47,220 --> 00:01:50,060 I'm honoured to be here. This is going to be so exciting. 28 00:01:50,260 --> 00:01:51,260 So much fun. 29 00:01:51,630 --> 00:01:58,630 Now, just four of you remain, each with your eye on the ultimate prize, a role 30 00:01:58,630 --> 00:02:01,990 on the next season of Dancing With The Stars as the next pro. 31 00:02:02,550 --> 00:02:08,090 Kim, with a place in the finale at stake, how does the game change tonight? 32 00:02:08,710 --> 00:02:12,190 Tonight, all the creative choices in this round will be yours. 33 00:02:12,770 --> 00:02:17,970 We'll be watching to see if you can teach and create to the level expected 34 00:02:17,970 --> 00:02:19,690 for Dancing With The Stars. 35 00:02:20,160 --> 00:02:27,040 You've all proved you're great dancers, but now we need to dig deep to decide 36 00:02:27,040 --> 00:02:32,060 whether you have the choreography, the teaching skills, and the personality. 37 00:02:32,460 --> 00:02:36,980 The last test, teaching amateurs, was a huge step, but there's an even bigger 38 00:02:36,980 --> 00:02:39,240 step to earn that place in the finale. 39 00:02:39,560 --> 00:02:43,900 For the first time on the show, and just like in the semifinals on Dancing With 40 00:02:43,900 --> 00:02:45,960 The Stars, you'll be performing... 41 00:02:46,430 --> 00:02:49,570 Two full dances in just a couple of days. 42 00:02:51,010 --> 00:02:53,930 That's half the time we have on the main show. 43 00:02:54,450 --> 00:02:56,770 Wow. We just doubled the pressure. 44 00:02:57,670 --> 00:03:03,610 Two performances is a lot, but once you get towards the end on Dancing with the 45 00:03:03,610 --> 00:03:06,650 Stars, that's what they do. So I feel like this is a little glimpse. 46 00:03:06,990 --> 00:03:12,510 For the second round, you will dance with one another one last time. 47 00:03:13,110 --> 00:03:17,280 But... For the first round of this challenge, you'll be partnered with the 48 00:03:17,280 --> 00:03:22,200 people that have the role that you all covet. Please welcome the Dancing with 49 00:03:22,200 --> 00:03:23,200 the Stars pros! 50 00:05:07,530 --> 00:05:12,230 Talk about a bit of star power in the room. Holy moly. Well, great to see you. 51 00:05:12,250 --> 00:05:14,470 I feel like I'm back in the ballroom. This is great. 52 00:05:14,830 --> 00:05:18,810 Now, Whitney, what do you and your fellow pros hope to learn by dancing 53 00:05:18,810 --> 00:05:19,810 with them this week? 54 00:05:19,890 --> 00:05:23,690 For this first round, you'll each be dancing a different Latin style with us. 55 00:05:23,770 --> 00:05:29,310 This will give us a close-up opportunity to learn just how expert you all are in 56 00:05:29,310 --> 00:05:32,410 two pro skills that are key on Dancing with the Stars. 57 00:05:32,790 --> 00:05:34,620 Teaching. And choreography. 58 00:05:35,140 --> 00:05:41,300 Well, dancers, earlier, you drew lots to see who would be partnered with who and 59 00:05:41,300 --> 00:05:43,800 also which dance style you'll be performing. 60 00:05:44,020 --> 00:05:46,780 And now it's time to reveal the pairings. 61 00:05:47,420 --> 00:05:53,920 Alan, you will be paired with two-time Mirrorball champion and my dance 62 00:05:53,920 --> 00:05:55,380 partner, Whitney Carson! 63 00:05:57,240 --> 00:06:02,640 Whitney is amazing and a little intimidating. 64 00:06:03,200 --> 00:06:07,480 So I need to take it to another level, to another stratosphere. 65 00:06:07,760 --> 00:06:11,800 And we will be dancing a jive. Let's go. I'm a little jealous, I'm not going to 66 00:06:11,800 --> 00:06:12,800 lie. I know. 67 00:06:12,880 --> 00:06:14,520 I want to dance a jive with Whitney. 68 00:06:16,040 --> 00:06:22,520 Fine. Now, Adele, you will be dancing with... Glenn Savchenko! 69 00:06:24,919 --> 00:06:28,780 Gleb, one of the strongest pros on Dancing with the Stars. When you're 70 00:06:28,780 --> 00:06:32,920 dancing with somebody who is your level, you're pushing like crazy. It's a 71 00:06:32,920 --> 00:06:33,920 different intensity. 72 00:06:34,240 --> 00:06:35,700 We'll be dancing the samba. 73 00:06:35,960 --> 00:06:37,320 And it's a samba. 74 00:06:39,560 --> 00:06:42,820 Samba is my favorite dance. Oh, my gosh. I'm so happy. 75 00:06:43,060 --> 00:06:47,360 AJ, you will be dancing with Riley Arnold. 76 00:06:49,120 --> 00:06:51,060 That's exactly what I wanted. 77 00:06:51,340 --> 00:06:52,340 Riley's amazing. 78 00:06:52,860 --> 00:06:56,500 She has done three seasons on Dancing with Stars, so she really understands 79 00:06:56,500 --> 00:06:59,600 what it takes. It really gives me the opportunity to shine. 80 00:06:59,840 --> 00:07:01,940 And we will be dancing a cha-cha. 81 00:07:02,480 --> 00:07:06,600 And of course, Selena, that means you'll be dancing with Jan Ravnik. 82 00:07:10,040 --> 00:07:12,080 We're both from the commercial world. 83 00:07:12,300 --> 00:07:17,120 He's capable of so much, so I'm really going to use that. The sky is the limit. 84 00:07:17,440 --> 00:07:18,740 We will be dancing salsa. 85 00:07:19,020 --> 00:07:21,060 Oh my, that's absolutely perfect. Oh, absolutely. 86 00:07:22,200 --> 00:07:27,980 Dancers, even though you're dancing with pros, you and you alone are responsible 87 00:07:27,980 --> 00:07:32,240 for all of your routine's creative decisions, including the choreography. 88 00:07:32,620 --> 00:07:36,720 The pros will report their impressions of your teaching and choreography skills 89 00:07:36,720 --> 00:07:41,620 directly to our judges. So they're going to know every single detail. 90 00:07:42,580 --> 00:07:48,920 This is an incredible opportunity to dance with the best as you strive to be 91 00:07:48,920 --> 00:07:49,920 the best. 92 00:07:50,080 --> 00:07:51,540 Good luck with your rehearsals, everyone. 93 00:07:51,800 --> 00:07:55,460 Go get them, guys. We'll see you soon. Thank you. Let's do it. Ready? Ready. 94 00:07:57,800 --> 00:08:01,440 Oh, my God. 95 00:08:03,180 --> 00:08:04,180 Let's go. 96 00:08:04,300 --> 00:08:05,300 Oh, my God. 97 00:08:05,800 --> 00:08:09,240 You're already at the semifinals. It's been absolutely marvelous. You are last 98 00:08:09,240 --> 00:08:11,740 four. The fact that we're up four is crazy. It's incredible. 99 00:08:12,140 --> 00:08:14,960 Congratulations. Thank you. How long have you been dancing? 100 00:08:15,240 --> 00:08:17,520 Since I'm six years old. I was born in Israel. 101 00:08:18,080 --> 00:08:21,500 But my parents are from Ukraine. So I speak Russian, I speak Hebrew, I speak 102 00:08:21,500 --> 00:08:22,500 English. 103 00:08:24,260 --> 00:08:25,260 It's crazy. 104 00:08:25,360 --> 00:08:29,680 We have so many things in common. Feels like we immediately understand each 105 00:08:29,680 --> 00:08:32,500 other. Like I wanted to be like, oh my God, I can't believe they're doing it. 106 00:08:32,700 --> 00:08:35,080 Cool. So then we're going to do that. 107 00:08:35,440 --> 00:08:37,159 Gleb is an amazing leader. 108 00:08:37,380 --> 00:08:38,880 I feel like we have great chemistry. 109 00:08:39,220 --> 00:08:40,580 Teach me that timing right there. 110 00:08:40,960 --> 00:08:45,780 I would be very interested to see how Adele approaches her teaching methods 111 00:08:45,780 --> 00:08:50,190 with... A complete non-dancer, because you need to make sure that your 112 00:08:50,190 --> 00:08:54,150 celebrity, they feel comfortable, they feel confident, they, you know, they 113 00:08:54,150 --> 00:08:55,150 trust you. 114 00:08:56,310 --> 00:09:01,150 Perfect. It feels like I'm practicing with my dance partner from back home. 115 00:09:01,450 --> 00:09:02,369 Love it! 116 00:09:02,370 --> 00:09:04,050 So I feel like, yes, I'm confident. 117 00:09:04,350 --> 00:09:08,470 Obviously, anything can go wrong. I can sleep, I can fall, but we will try our 118 00:09:08,470 --> 00:09:09,870 best to get through with it. 119 00:09:10,130 --> 00:09:12,230 Sorry, it's an intense routine. 120 00:09:12,570 --> 00:09:14,030 We're going to sweat a lot. 121 00:09:15,400 --> 00:09:16,400 Exactly. Cardio. 122 00:09:16,460 --> 00:09:18,940 Should we warm up with some, like, swing action? 123 00:09:19,940 --> 00:09:25,120 The fact that Whitney could be judging my every move, it feels a little 124 00:09:25,120 --> 00:09:28,140 intimidating. Honestly, sometimes my hands get clammy. I get nervous. 125 00:09:28,400 --> 00:09:31,660 Well, I'm so used to it. Are you kidding me? But I believe this is my shot to 126 00:09:31,660 --> 00:09:35,780 prove that I can be a pro on the show. I feel like I'm doing a lot of body rolls. 127 00:09:36,650 --> 00:09:39,650 And I'm not really sure if I can, if I should. 128 00:09:39,970 --> 00:09:42,250 Whatever you want to do. Yeah, whatever I want to do. I got it. 129 00:09:43,090 --> 00:09:46,630 Choreographing is just in my blood. It's been really hard not to put in my two 130 00:09:46,630 --> 00:09:49,850 cents. But I think that he's done a good job with the meat of the choreography. 131 00:09:50,230 --> 00:09:51,230 How do you feel with the choreo, though? 132 00:09:51,370 --> 00:09:55,110 It's great, Alan. Yeah. You having fun? Yeah. One thing I think he could work on 133 00:09:55,110 --> 00:09:56,230 is confidence. 134 00:09:56,470 --> 00:09:57,490 Yeah, and then let go. 135 00:09:58,180 --> 00:09:59,340 Cute. That's the idea. 136 00:09:59,820 --> 00:10:05,160 Just to let go a little bit and have fun and enjoy it. 137 00:10:05,540 --> 00:10:06,660 Sorry. Right? 138 00:10:06,900 --> 00:10:07,839 Yeah, you're right. 139 00:10:07,840 --> 00:10:09,260 God couldn't have been better. 140 00:10:09,520 --> 00:10:10,680 Maybe we'll skip that one. We'll see. 141 00:10:10,900 --> 00:10:11,819 No, it's great. 142 00:10:11,820 --> 00:10:15,040 Let's really, like, touch up the connection parts so you feel very 143 00:10:15,040 --> 00:10:18,380 comfortable. You know, I keep thinking about my mom. You know, she's just 144 00:10:18,380 --> 00:10:19,820 looking down on me. Yeah. 145 00:10:20,900 --> 00:10:24,180 I'm going to do everything in my power to get to the finale for her. 146 00:10:26,350 --> 00:10:29,970 I mean, we come from the same background, so I feel like this is going 147 00:10:29,970 --> 00:10:34,910 to be really fun and we can add some commercial dance to it. I want this to 148 00:10:34,910 --> 00:10:36,750 be just like boom, boom, boom, boom, bam. 149 00:10:36,970 --> 00:10:37,970 Salsa is lift. 150 00:10:37,990 --> 00:10:40,530 You're bending your knees. You're in it. It's fun. 151 00:10:40,890 --> 00:10:43,310 It's like the rules kind of leave the door. 152 00:10:43,510 --> 00:10:46,710 Have I ever done this? No, but let's just try it. Five, six, seven, eight. 153 00:10:48,440 --> 00:10:49,440 Are you okay? 154 00:10:49,840 --> 00:10:53,280 Yeah, but it gave me an idea. Okay, okay, okay, okay. She loves wild 155 00:10:53,280 --> 00:10:56,820 effects, which is, I think, incredible for Dancing with the Stars show because 156 00:10:56,820 --> 00:10:57,880 people love to see that. 157 00:10:58,120 --> 00:10:59,920 Baby cradle here, like, boom. 158 00:11:00,400 --> 00:11:04,100 Yeah, boom. And then I'm going to swing my body, I think, this way. You're going 159 00:11:04,100 --> 00:11:05,039 to hold it. 160 00:11:05,040 --> 00:11:06,160 And you're going to go around. 161 00:11:06,500 --> 00:11:07,500 Yeah! 162 00:11:09,520 --> 00:11:13,580 Oh, I actually like ending like that. We're going full out for this salsa. 163 00:11:14,400 --> 00:11:18,020 I like that. I'm dancing with a professional dancer this time, so there 164 00:11:18,020 --> 00:11:19,800 has to be more difficulty in it. 165 00:11:20,020 --> 00:11:24,980 Oh, yeah. Okay, great. This is all just my brains, what I can come up with. And 166 00:11:24,980 --> 00:11:25,980 you want me to run. 167 00:11:27,120 --> 00:11:28,120 Yeah. 168 00:11:28,660 --> 00:11:33,800 I think that's cool. I like that. I want Shirley to not have anything bad to say 169 00:11:33,800 --> 00:11:34,800 about this dance. 170 00:11:34,820 --> 00:11:35,820 Okay. 171 00:11:39,180 --> 00:11:40,300 In my dreams, it works. 172 00:11:41,790 --> 00:11:45,650 I want to show that we dance together, like there's two professionals, not me 173 00:11:45,650 --> 00:11:47,910 having to lead, follow, but we want the action reaction. 174 00:11:48,330 --> 00:11:51,590 Yeah. It doesn't really end to my brain that I'm being judged by Riley. 175 00:11:51,890 --> 00:11:55,490 We are two professionals, but I have to choreograph. I've got the pressure. 176 00:11:55,690 --> 00:11:59,570 She is just being the beautiful foil for my ideas. 177 00:11:59,990 --> 00:12:03,970 If I'm going to throw you, I want you to be able to go, catch, 178 00:12:05,030 --> 00:12:08,750 not catch. You know what I mean? Yep. 179 00:12:09,210 --> 00:12:10,810 AJ's very much a thinker. 180 00:12:11,450 --> 00:12:15,590 However many turns, I probably want to do more than the music allows me. He's 181 00:12:15,590 --> 00:12:18,950 constantly thinking while he's teaching me and going through the process. 182 00:12:19,330 --> 00:12:20,330 But it can be better. 183 00:12:20,710 --> 00:12:25,790 I can see that he could get strict with a celebrity if they were messing up at 184 00:12:25,790 --> 00:12:27,890 some times. I could see him losing that patience. 185 00:12:28,450 --> 00:12:33,010 It feels a little bit negative, though. It's important for me as a dancer and as 186 00:12:33,010 --> 00:12:38,330 a professional to showcase I can do Latin, I can do Borum. I am the next pro 187 00:12:38,330 --> 00:12:39,289 in dancing with stars. 188 00:12:39,290 --> 00:12:40,550 Wherever you throw at me... 189 00:12:40,800 --> 00:12:42,600 I will eat it up. Perfect. Yeah. 190 00:12:48,440 --> 00:12:49,440 Hi. 191 00:12:49,700 --> 00:12:50,700 Hi. 192 00:12:50,980 --> 00:12:52,540 This is so exciting. 193 00:12:52,880 --> 00:12:54,800 So fun. Can't wait to hear. 194 00:12:55,100 --> 00:12:59,660 I'm very excited to meet up with our Dancing with the Stars pros. They're 195 00:12:59,660 --> 00:13:03,640 going to tell us exactly what's going on. Nian, how was your experience? 196 00:13:04,080 --> 00:13:06,000 I absolutely loved Selena. 197 00:13:06,240 --> 00:13:10,880 Okay. She took the lead right away. Her eye is very TV. 198 00:13:11,160 --> 00:13:13,400 It's very entertaining. And we want entertainment. 199 00:13:13,720 --> 00:13:17,300 That's what people want. We definitely need that. On the first night, she was 200 00:13:17,300 --> 00:13:20,720 in my top four. Really? She made a huge impression on me. She was an amazing 201 00:13:20,720 --> 00:13:21,980 person. Gleb. 202 00:13:22,240 --> 00:13:25,680 I felt like I was back into my competition days with Adele. 203 00:13:26,810 --> 00:13:31,230 because she's so well trained in ballroom to be able to create that 204 00:13:31,230 --> 00:13:35,550 choreography that's authentic to the style i wish it could have been a little 205 00:13:35,550 --> 00:13:39,570 bit a wow moment in the routine okay but she definitely left you with a wow 206 00:13:39,570 --> 00:13:44,610 moment then eh oh 100 i was like i'm flying private jet right now i'm not 207 00:13:44,610 --> 00:13:50,380 even a roller toy whitney your experience with alan I just enjoyed the 208 00:13:50,380 --> 00:13:55,780 entire process. He's so nice to dance with, but I think he could work on 209 00:13:55,780 --> 00:14:01,080 believing in himself a little bit more, and that will allow him to really make 210 00:14:01,080 --> 00:14:02,120 the choreography pop. 211 00:14:02,480 --> 00:14:05,940 Alan does need to bite down on the mouthpiece and come fighting for it, 212 00:14:05,960 --> 00:14:08,300 because this is a hard job. 213 00:14:08,760 --> 00:14:11,320 And how did you get along with AJ? 214 00:14:11,600 --> 00:14:16,480 At the beginning, I felt that lightheartedness, but I will say he's 215 00:14:16,480 --> 00:14:17,640 kind of intense. 216 00:14:18,870 --> 00:14:21,310 I'm concerned with the AJ feedback. 217 00:14:21,730 --> 00:14:25,510 I don't know if he's, like, going to be able to give affirmation to somebody. It 218 00:14:25,510 --> 00:14:27,150 was just constant, like, critique. 219 00:14:27,470 --> 00:14:28,470 So under pressure. 220 00:14:28,670 --> 00:14:32,730 Yes. Everything is always under pressure, how you can handle yourself. 221 00:14:33,010 --> 00:14:36,390 And there's nothing like the pressure of dancing with the stars. 222 00:14:37,210 --> 00:14:38,710 This is the semifinal. 223 00:14:39,070 --> 00:14:41,150 The best four dancers are standing. 224 00:14:41,390 --> 00:14:46,370 They're going to have to be absolutely outstanding to make the final. They're 225 00:14:46,370 --> 00:14:50,710 going to have to be the complete package to be the next pro on Dancing with the 226 00:14:50,710 --> 00:14:51,710 Stars. 227 00:15:01,890 --> 00:15:05,510 It's the semi-final. We're minutes away from performing. 228 00:15:06,560 --> 00:15:12,300 Welcome back to the next pro semi-final. Tonight, our final four are dancing with 229 00:15:12,300 --> 00:15:14,900 pros from Dancing With The Stars. Shirley. 230 00:15:15,240 --> 00:15:19,760 Well, I want to see that you make the most of these fantastic Dancing With The 231 00:15:19,760 --> 00:15:23,860 Stars professionals, and we wish you the very, very best of luck. 232 00:15:24,820 --> 00:15:28,180 Our first couple dancing tonight is Alan and Whitney. 233 00:15:29,880 --> 00:15:32,060 Whitney is the ultimate pro. 234 00:15:33,040 --> 00:15:37,780 I want to make sure that there is nothing that is left on the table. 235 00:15:57,340 --> 00:15:58,340 Nice. 236 00:16:07,050 --> 00:16:10,050 Steve, I can't get chemistry because it's side by side. 237 00:17:03,050 --> 00:17:08,750 Well, Alan, I can only imagine how it is to dance with Whitney, the 2025 Dancing 238 00:17:08,750 --> 00:17:09,849 With The Stars champion. 239 00:17:10,089 --> 00:17:15,150 If it comes down to a jive action and side-by-side work, I'd have to say it 240 00:17:15,150 --> 00:17:19,109 was really excellent what you did. But do you think you got the most out of 241 00:17:19,109 --> 00:17:22,130 Whitney? This girl can do anything. 242 00:17:22,349 --> 00:17:27,270 She can jump, she can flip, she can split. For me, she's got a lot more wow 243 00:17:27,270 --> 00:17:30,310 moments that perhaps we didn't show. Absolutely. Thanks. 244 00:17:30,570 --> 00:17:32,260 Alan. Well done. 245 00:17:32,480 --> 00:17:37,080 It was jam-packed full of jive content, which is amazing. But I've got to agree 246 00:17:37,080 --> 00:17:37,919 with Shirley. 247 00:17:37,920 --> 00:17:42,200 I would have liked some more Whitney moments. Whitney is the queen of working 248 00:17:42,200 --> 00:17:44,620 the camera. No one knows how to do that like Whitney. Absolutely. 249 00:17:45,280 --> 00:17:46,740 I kind of disagree. 250 00:17:47,580 --> 00:17:49,500 That's my favorite jive I've seen this season. 251 00:17:49,760 --> 00:17:53,220 So, like, when I'm watching a jive, if I'm not doing this, that's a problem. 252 00:17:53,360 --> 00:17:56,480 And I was doing that the whole time. So I love that it kept trucking. I love the 253 00:17:56,480 --> 00:17:58,940 kicks and flicks. I love that it didn't die. 254 00:17:59,140 --> 00:18:03,140 Like, the steam kept rolling the whole time. I love the shaping on the pivot. I 255 00:18:03,140 --> 00:18:05,680 really enjoyed it. Good job, brother. Thank you. Thank you so much. 256 00:18:06,160 --> 00:18:07,160 Really good. 257 00:18:08,420 --> 00:18:11,020 Next to hit the floor, Selena and Yawn. 258 00:18:11,780 --> 00:18:16,380 Dancing with Yawn. I'm feeling nervous, but I'm not holding anything back. 259 00:18:17,020 --> 00:18:20,160 It's semifinals. We feel like I deserve to be here. 260 00:19:03,880 --> 00:19:06,460 Ha ha ha ha ha! 261 00:19:20,479 --> 00:19:23,280 Thank you. 262 00:19:46,280 --> 00:19:49,320 I can see it now, hearing the announcement, it's Latin night on 263 00:19:49,320 --> 00:19:52,860 Dancing with the Stars, and then going into that. Thank you. You nailed the 264 00:19:52,860 --> 00:19:56,780 brief. This was exactly what we wanted to see. What I love the most is that 265 00:19:56,780 --> 00:20:00,680 you're both commercial dancers, and you cleaned it like commercial dancers. 266 00:20:00,800 --> 00:20:06,120 Every look, every accent, every head move, every arm was perfectly in sync 267 00:20:06,120 --> 00:20:10,160 together. It's all the things like a really fun salsa should be. Great job, 268 00:20:10,280 --> 00:20:11,420 Selena. Thank you so much. 269 00:20:11,640 --> 00:20:17,240 Selena, you are a star. Duh. Oh, my goodness. It was such clever 270 00:20:17,240 --> 00:20:19,420 choreography, so rhythmical. 271 00:20:19,760 --> 00:20:22,460 That is the kind of dance that will get you into the finale. 272 00:20:22,660 --> 00:20:23,840 It was so good. 273 00:20:24,040 --> 00:20:28,040 Thank you. Selena, your balance is extraordinary. 274 00:20:28,920 --> 00:20:32,280 Every single step you take, you nail. 275 00:20:32,480 --> 00:20:34,540 The chemistry was fantastic. 276 00:20:34,920 --> 00:20:38,920 I mean, we were here on the desk dancing with you. We were cheering. We were 277 00:20:38,920 --> 00:20:41,580 laughing. And when we see something like that. 278 00:20:41,870 --> 00:20:45,810 We know we got a next pro. Well done. Thank you. Thank you so much. 279 00:20:46,590 --> 00:20:49,510 Selena, she great, dude. She's a killer. 280 00:20:50,010 --> 00:20:50,889 Oh, yeah. 281 00:20:50,890 --> 00:20:52,830 Next up, Adele and Gleb. 282 00:20:53,690 --> 00:20:58,030 Every time before I go on stage, I'm freaking out. Always trust me for this. 283 00:20:58,090 --> 00:21:03,530 Yeah. But this time I freaked out more because Gleb has an amazing dance 284 00:21:03,530 --> 00:21:07,950 quality. So I just hope that I can keep up with him. I love it. 285 00:21:08,670 --> 00:21:10,530 Wow. He's so focused. 286 00:21:17,020 --> 00:21:21,780 Welcome back to the next pro semi-final. Next on the floor, Adele and Glenn. 287 00:21:32,680 --> 00:21:33,160 Good 288 00:21:33,160 --> 00:21:39,820 Lord. 289 00:21:40,020 --> 00:21:41,020 Oh, my God. 290 00:22:08,070 --> 00:22:09,070 Oh, my God. 291 00:22:46,590 --> 00:22:48,890 Adele, you absolutely nailed it. 292 00:22:49,310 --> 00:22:53,030 That was like a professional number you would see on Dancing with the Stars. 293 00:22:53,270 --> 00:22:56,550 Thank you. You're an incredible teacher, and you're an amazing dancer, so 294 00:22:56,550 --> 00:22:58,230 congratulations. Thank you so much. 295 00:22:58,790 --> 00:23:04,990 Adele, you move like this hooded cobra that's just slowly waiting to strike and 296 00:23:04,990 --> 00:23:08,350 then take it. You could have played with the musicality a little bit, but other 297 00:23:08,350 --> 00:23:11,530 than that, that was damn near perfect. Oh, my God. Thank you so much. Thank 298 00:23:11,530 --> 00:23:14,780 you. Adele, I like that you included Gleb. 299 00:23:15,200 --> 00:23:18,280 Gleb, you look phenomenal out there. 300 00:23:18,580 --> 00:23:23,520 Together, you just look like a power couple. If I gave you one little tip, I 301 00:23:23,520 --> 00:23:27,440 would say, remember, it's a Dancing with the Stars audience. And I would have 302 00:23:27,440 --> 00:23:32,060 just liked one or two more wow moments. But other than that, you're a 303 00:23:32,060 --> 00:23:33,620 masterpiece. Well done. 304 00:23:33,960 --> 00:23:39,300 Thanks. Three impressive dancers and one more to come. The last couple to perform 305 00:23:39,300 --> 00:23:40,800 in this first round. 306 00:23:41,200 --> 00:23:42,360 It's AJ and Riley. 307 00:23:42,740 --> 00:23:46,960 I will not stop until I am the next pro on Dancing With The Stars. 308 00:23:47,200 --> 00:23:48,500 This is my dream. 309 00:23:48,720 --> 00:23:51,100 I've worked so hard for it. I deserve it. 310 00:23:52,140 --> 00:23:53,140 Nice job. 311 00:23:55,220 --> 00:23:57,080 Let me tell you. 312 00:23:58,020 --> 00:24:00,020 You're my little pooter. 313 00:24:00,640 --> 00:24:04,120 So I'll give a hoot what you do to that girl I know. You a little too tight. 314 00:24:04,300 --> 00:24:08,140 I'll be shooting that shot like you take her. I know. Tell him I'm telling my 315 00:24:08,140 --> 00:24:10,800 neck. Tell him you found a little something to shine on. 316 00:24:11,040 --> 00:24:14,560 Tell him I'm telling my neck. Tell him you found a little something to shine 317 00:24:14,560 --> 00:24:18,240 on. Put a little gold in the teeth, and it fit good, so I took the doors off the 318 00:24:18,240 --> 00:24:21,280 beach floor. Hey, I see your brother holding your feet, no beef, but I'm 319 00:24:21,280 --> 00:24:24,360 trying to get to know you at least. Don't take my talking to you wrong. I 320 00:24:24,360 --> 00:24:27,420 can keep it chill like a full-blown blonde. I'ma keep it real when your man 321 00:24:27,420 --> 00:24:30,480 long gone. If you get the poor friend, then you get the wrong song, baby. Girl, 322 00:24:30,520 --> 00:24:31,399 what's good? 323 00:24:31,400 --> 00:24:34,200 What's with judge? If you booked tonight, that's big shush. 324 00:24:34,440 --> 00:24:36,000 I'm out, got no pictures. 325 00:24:36,380 --> 00:24:38,120 You want me, it's dopey good. 326 00:24:38,480 --> 00:24:39,940 I'm to the back, to the front. 327 00:24:40,260 --> 00:24:42,940 You attend, maybe throw it. I don't know why. Hey, I'm to the back. 328 00:24:43,370 --> 00:24:45,010 Oh, guys. 329 00:24:45,310 --> 00:24:46,310 Whoa. 330 00:24:48,290 --> 00:24:49,690 Yeah. 331 00:25:10,030 --> 00:25:14,630 AJ, on week two, I asked you to look outside your comfort zone, to jam 332 00:25:14,630 --> 00:25:18,290 packers with different things. I felt like you put everything in but the 333 00:25:18,290 --> 00:25:23,410 kitchen sink. And because the leading was so good, you enabled our Riley to 334 00:25:23,410 --> 00:25:28,170 get right in your face, to kick her hips back, and to do all those things that 335 00:25:28,170 --> 00:25:30,690 I've come to expect from this gorgeous girl. 336 00:25:30,910 --> 00:25:35,890 You really captured the essence of Chacha, and you showcased Riley. Well 337 00:25:35,890 --> 00:25:41,250 done. Thank you. AJ, you are technically such a great dancer and a great leader. 338 00:25:41,310 --> 00:25:44,450 I did love the fact that you gave Riley her moments. 339 00:25:44,650 --> 00:25:48,490 It's finding those little moments in the dance that people at home will go, oh, 340 00:25:48,530 --> 00:25:51,790 my gosh. You get to see more of your personality shine. 341 00:25:51,990 --> 00:25:52,990 I really loved it. 342 00:25:53,270 --> 00:25:54,129 Thank you. 343 00:25:54,130 --> 00:25:55,870 For me, it lacked a little bit of... 344 00:25:56,090 --> 00:26:00,570 soul and funk and grit. We know you're a great dancer. You shine in the ballroom 345 00:26:00,570 --> 00:26:03,890 rounds. But when you're doing opening numbers, we do a lot of these things 346 00:26:03,890 --> 00:26:07,410 with the boys and the girls side by side. I'd like to see a little bit more 347 00:26:07,410 --> 00:26:09,310 of that funkier side. 348 00:26:09,550 --> 00:26:10,810 Got it. 349 00:26:11,830 --> 00:26:13,030 Honestly, thank you so much. 350 00:26:13,670 --> 00:26:19,810 I think for him to even attempt to take a girl that's bigger than him and shook 351 00:26:19,810 --> 00:26:23,050 her from pillar to post and land in lines like that's extraordinary. 352 00:26:24,110 --> 00:26:25,110 Extraordinary? Sorry. 353 00:26:26,120 --> 00:26:29,940 We've just seen four exceptional performances, but remember, our 354 00:26:29,940 --> 00:26:35,560 contestants are only halfway through. So, much more to come on the semi-final 355 00:26:35,560 --> 00:26:36,560 of the next pro. 356 00:26:42,180 --> 00:26:45,460 Welcome back to the semi-final of the next pro. 357 00:26:45,660 --> 00:26:49,800 Before the break, you and your pro partners from Dancing With The Stars 358 00:26:49,800 --> 00:26:54,240 blew us away, but there is one more challenge. 359 00:26:54,680 --> 00:26:59,040 For your second dance of the semi-final, you will be dancing with each other to a 360 00:26:59,040 --> 00:27:00,040 ballroom style. 361 00:27:00,180 --> 00:27:04,040 So the question is then, who will be dancing with who? 362 00:27:04,660 --> 00:27:06,820 Ladies, take your pick. Okay. 363 00:27:07,440 --> 00:27:11,640 All right. Adele, you'll be dancing with... AJ. 364 00:27:11,940 --> 00:27:18,340 AJ. Getting AJ is great because he is the ballroom expert. But to get to the 365 00:27:18,340 --> 00:27:23,080 finale, I have to show the judges my personality and that I'm not just a 366 00:27:23,080 --> 00:27:24,080 technical dancer. 367 00:27:24,670 --> 00:27:25,790 That is my main focus. 368 00:27:26,330 --> 00:27:27,770 Alan. Alan. 369 00:27:28,270 --> 00:27:31,770 Well, guys, you have the pick of a ballroom style. 370 00:27:32,210 --> 00:27:33,210 Top pick. 371 00:27:33,610 --> 00:27:34,690 That one's yours, Ben. 372 00:27:34,970 --> 00:27:38,110 Dancing the Foxtrot. 373 00:27:38,570 --> 00:27:40,210 I'm happy about that. Alan. 374 00:27:40,870 --> 00:27:41,870 The quick steps. 375 00:27:42,070 --> 00:27:43,070 Again. 376 00:27:43,320 --> 00:27:47,540 After last week, I'm really happy that I have a second chance at the Quick Step. 377 00:27:47,720 --> 00:27:49,440 It has to get around the floor. 378 00:27:49,640 --> 00:27:53,580 Out of all the dancers, this is the one that can travel. I'm excited to be able 379 00:27:53,580 --> 00:27:56,180 to show the judges exactly what they want. 380 00:27:57,220 --> 00:28:03,340 Dancers, this is your last chance to convince the judges that you deserve a 381 00:28:03,340 --> 00:28:04,780 place in the finale. 382 00:28:05,200 --> 00:28:06,660 Good luck. Thank you. 383 00:28:17,880 --> 00:28:19,500 Back to the studio. 384 00:28:19,800 --> 00:28:20,800 Let's go. 385 00:28:21,080 --> 00:28:26,280 After the Latin round, we are exhausted. Our bodies are feeling it, but it's 386 00:28:26,280 --> 00:28:27,280 round two, baby. 387 00:28:27,380 --> 00:28:29,080 I'm honestly so excited. 388 00:28:29,640 --> 00:28:31,200 A ballroom dance to start off with. Yeah. 389 00:28:31,420 --> 00:28:32,520 And I love a fox shot. 390 00:28:32,900 --> 00:28:36,220 Choreographically, like, we need to tick the boxes doing the actual technique. 391 00:28:36,500 --> 00:28:40,600 We're in the semi-final. This is the final opportunity to make the finale and 392 00:28:40,600 --> 00:28:44,700 showcase why I should be the next pro. One, two, dance, three, four. It will 393 00:28:44,700 --> 00:28:45,700 run through time. 394 00:28:45,760 --> 00:28:51,060 This will be fantastic. And I will travel around this room more than any 395 00:28:51,060 --> 00:28:54,600 other dance, especially my competitors, attempting to do a quick step. 396 00:28:55,230 --> 00:28:59,610 We have quick steps, which is stressful because I just did a quick step last 397 00:28:59,610 --> 00:29:03,370 week, so I kind of have to show the difference. I know Mark had a lot of 398 00:29:03,370 --> 00:29:08,250 feedback. Mark's like, yo, move, corner, hit something. Yeah, so I feel like we 399 00:29:08,250 --> 00:29:12,510 should incorporate that. Selena and I, our feedback from the judges has been a 400 00:29:12,510 --> 00:29:17,810 little mixed, so we're adding all the things that the judges commented on into 401 00:29:17,810 --> 00:29:21,890 the choreography. We should start further back. Okay. That way we can 402 00:29:21,890 --> 00:29:22,890 really move. 403 00:29:23,420 --> 00:29:24,259 Yeah. Okay. 404 00:29:24,260 --> 00:29:28,560 The competition is very tough. AJ and Adele are top-notch professionals. But 405 00:29:28,560 --> 00:29:32,300 part of being a pro in dancing with a star is understanding how you can handle 406 00:29:32,300 --> 00:29:33,300 the pressure. 407 00:29:34,600 --> 00:29:37,320 I like actually if... Oh, we just did that? Yeah, that was good. 408 00:29:37,520 --> 00:29:39,760 So I'm excited to be dancing with Selena. 409 00:29:39,980 --> 00:29:41,240 This girl can do everything. 410 00:29:42,700 --> 00:29:43,780 I'm so nervous! 411 00:29:44,380 --> 00:29:45,600 We're at the final four. 412 00:29:45,800 --> 00:29:46,800 This is my dream. 413 00:29:47,230 --> 00:29:51,210 To be the only commercial dancer left is a lot of pressure. It's mentally 414 00:29:51,210 --> 00:29:56,030 grueling. And if I don't do the quick step like the judges want me to, I could 415 00:29:56,030 --> 00:29:56,769 be going home. 416 00:29:56,770 --> 00:29:57,930 I'm so nervous. 417 00:29:59,050 --> 00:30:02,470 Oh, one, two, three, four. Pivot, pivot. 418 00:30:03,270 --> 00:30:04,270 Yes, 419 00:30:04,710 --> 00:30:06,270 yes, yes, yes. Okay. Great. 420 00:30:06,570 --> 00:30:08,290 AJ wants to make the finale. 421 00:30:08,710 --> 00:30:12,710 Adele knows that. So if AJ wants to make the finale, he's going to produce the 422 00:30:12,710 --> 00:30:13,970 best work he has ever done. 423 00:30:14,300 --> 00:30:15,540 and especially in ballroom. 424 00:30:15,940 --> 00:30:17,080 Loving your work. 425 00:30:18,800 --> 00:30:20,460 I loved it now, no? 426 00:30:20,700 --> 00:30:21,579 Yeah, that was good. 427 00:30:21,580 --> 00:30:25,920 I think our partnership is working because she knows that this is my 428 00:30:25,920 --> 00:30:28,220 background. I am not going to hold back in the choreography. 429 00:30:28,520 --> 00:30:32,400 I want to show that I can take my ballroom experience and make this a 430 00:30:32,400 --> 00:30:33,400 great dance. 431 00:30:33,580 --> 00:30:36,920 Wait for AJ to do it for you. I just want the judges to be like, that's a 432 00:30:36,920 --> 00:30:38,540 dance I can see on Dancing With The Stars. 433 00:30:38,900 --> 00:30:40,020 I'm going to control you. 434 00:30:40,350 --> 00:30:42,830 and you're going to rise onto a toe and you're going to take the head back. 435 00:30:43,030 --> 00:30:44,370 I have danced with AJ before. 436 00:30:44,570 --> 00:30:47,110 We did the Roomba. He is the ballroom king. 437 00:30:47,550 --> 00:30:48,830 Bend. You see how you sat there? 438 00:30:49,050 --> 00:30:50,550 Why do I want to bend? It's not so beautiful. 439 00:30:50,750 --> 00:30:51,689 Don't you want it straight? 440 00:30:51,690 --> 00:30:53,050 Bend, bend, bend, bend. 441 00:30:53,270 --> 00:30:57,110 Knowing that I'm really, really close to the finale, the bar for me is set 442 00:30:57,110 --> 00:31:00,230 really, really high. I've never been in the bottom two. Straighten this arm 443 00:31:00,230 --> 00:31:01,430 naturally. Yeah, push away. 444 00:31:01,710 --> 00:31:06,130 Straighten it, straighten it. Foxtrot is one of the hardest ballroom dances, but 445 00:31:06,130 --> 00:31:08,290 I want to fight for this role for a lifetime. 446 00:31:09,919 --> 00:31:11,860 Quick. Let the steps be difficult. 447 00:31:12,200 --> 00:31:16,380 Let them be challenging. I want to prove them that I am a full package. 448 00:31:17,060 --> 00:31:18,980 It's so hard to do the folk show. 449 00:31:19,700 --> 00:31:20,740 I love the folk show. 450 00:31:27,340 --> 00:31:33,660 It's been a long journey. 451 00:31:34,220 --> 00:31:37,660 Congratulations on being a semi-finalist. There's only four of us. 452 00:31:37,880 --> 00:31:40,140 Yeah. And it's going to be three soon. 453 00:31:40,480 --> 00:31:43,000 We all deserve to be here. We fought. 454 00:31:43,200 --> 00:31:47,700 We worked our butts off. Every single person has this desire to win. 455 00:31:48,020 --> 00:31:49,220 That is fine. Yeah, yeah. 456 00:31:49,700 --> 00:31:52,260 Yeah, that's good. But there's only one winner. 457 00:31:52,520 --> 00:31:55,060 So tomorrow is someone's dream. 458 00:31:55,300 --> 00:31:56,300 It's over. 459 00:32:11,720 --> 00:32:17,900 Welcome back to the next pro semi-final. The training is complete and now it's 460 00:32:17,900 --> 00:32:23,500 time for the final challenge that will ultimately see one member of our final 461 00:32:23,500 --> 00:32:25,400 four miss out on the finale. 462 00:32:27,260 --> 00:32:28,960 Are you pumped for this last dance? 463 00:32:29,160 --> 00:32:32,620 Yeah, absolutely. Shirley? Well, I want to be able to tell in your ballroom 464 00:32:32,620 --> 00:32:36,840 dancer what the character is. I want to see some good postural positions, some 465 00:32:36,840 --> 00:32:40,080 good frames, but most of all, I want you all to enjoy. 466 00:32:40,700 --> 00:32:42,400 And have a brilliant time. Thank you. 467 00:32:42,720 --> 00:32:46,520 Thank you. Our first couple is Alan and Selena. 468 00:32:50,760 --> 00:32:51,760 Come on, you two. 469 00:32:52,260 --> 00:32:54,520 Me and Alan's chemistry is amazing. 470 00:32:54,880 --> 00:32:59,060 I couldn't ask for a better last partner. He's one of my best friends in 471 00:32:59,060 --> 00:32:59,959 this house. 472 00:32:59,960 --> 00:33:02,800 And I can't wait to show that in our dance. 473 00:33:03,120 --> 00:33:04,520 Just focus on the dance right now. 474 00:33:04,900 --> 00:33:08,580 This is the final dance between now and the finale. 475 00:33:09,310 --> 00:33:12,730 I want to prove that I can be a pro at Dancing with the Stars tomorrow. 476 00:33:13,070 --> 00:33:16,290 Get me on there, and I swear to you I'll work harder than anybody. 477 00:33:18,410 --> 00:33:20,790 I can feel the intensity before it even starts. 478 00:33:21,270 --> 00:33:22,270 Mm-hmm. 479 00:33:49,259 --> 00:33:52,360 Thank you. Thank you. 480 00:34:58,060 --> 00:35:02,920 first of all we are one step away from the final and you are doing immensely 481 00:35:02,920 --> 00:35:08,900 well because the hardest thing to teach is a personality and you both shine like 482 00:35:08,900 --> 00:35:13,540 bright lights when it comes to that i mean you both know how to sell without a 483 00:35:13,540 --> 00:35:18,200 doubt alan selena what i was really impressed with was the musicality the 484 00:35:18,200 --> 00:35:21,910 creativeness that you had with hitting all those accents I can see that you 485 00:35:21,910 --> 00:35:25,510 would both be so fun to be partnered with as a celebrity. 486 00:35:25,870 --> 00:35:28,250 And I think he would do a great job on the show. 487 00:35:28,550 --> 00:35:30,770 Thank you. Quick step. It's fun. 488 00:35:30,990 --> 00:35:34,870 It's bright. It's bubbly. You guys did all that. Like, when you started in the 489 00:35:34,870 --> 00:35:36,530 frame, the first hit, like, it had intention. 490 00:35:36,890 --> 00:35:41,250 It hit hard. I love the interpretation of the music and the mood. Like, 491 00:35:41,250 --> 00:35:43,350 honestly, I enjoy both of you as performers. 492 00:35:43,930 --> 00:35:47,790 What makes a great pro isn't just the teaching and the dancing. You really 493 00:35:47,790 --> 00:35:49,810 have to shine. You both pop. 494 00:35:50,160 --> 00:35:51,460 You both have charisma. 495 00:35:51,740 --> 00:35:54,720 And I could genuinely see either of you on the show tomorrow. 496 00:35:55,260 --> 00:35:56,260 Thank you. Thank you. 497 00:35:56,600 --> 00:35:57,600 Thank you so much. 498 00:35:57,700 --> 00:35:58,700 Thank you. 499 00:35:59,220 --> 00:36:05,920 Our final dance of the night with a 500 00:36:05,920 --> 00:36:08,220 foxtrot is AJ and Adele. 501 00:36:09,220 --> 00:36:12,900 I've wanted to do this show in America the whole of my dance career. And the 502 00:36:12,900 --> 00:36:14,980 finale is in touching distance. 503 00:36:15,280 --> 00:36:16,500 I just have to give everything. 504 00:36:17,520 --> 00:36:18,880 This process is hard. 505 00:36:19,260 --> 00:36:22,460 But you want to get to the finale. You want to fight for this role of a 506 00:36:22,460 --> 00:36:23,460 lifetime. 507 00:36:23,580 --> 00:36:26,480 I've learned that there is no limit to what I can do. 508 00:36:26,960 --> 00:36:28,860 There is no such thing as not being ready. 509 00:36:29,800 --> 00:36:30,800 Locked in. 510 00:36:41,790 --> 00:36:45,710 Baby, I can never tell. How do you sleep so well? 511 00:36:45,970 --> 00:36:49,710 Don't you just want to wake up dark as a lake? 512 00:36:50,050 --> 00:36:56,930 Smelling like bonfire, lost in the haze. It's your joke on life, babe. I 513 00:36:56,930 --> 00:36:57,930 think it's great. 514 00:36:58,210 --> 00:37:04,190 But while in this world, I think I'll take my whiskey and leave. 515 00:37:05,130 --> 00:37:09,270 My coffee back in my bed at three. 516 00:37:11,100 --> 00:37:12,100 Oh, my God. 517 00:38:09,000 --> 00:38:13,320 AJ and Adele, Dancing with the Stars has changed over the years and it's evolved 518 00:38:13,320 --> 00:38:15,360 and we have all these new styles that we add. 519 00:38:15,980 --> 00:38:20,500 But there's one thing that will just never go out of style and that is true 520 00:38:20,500 --> 00:38:23,300 classic ballroom. That was gorgeous. 521 00:38:23,980 --> 00:38:28,580 You are so sultry and sexy, Adele. The connection between the two of you, I'm 522 00:38:28,580 --> 00:38:31,920 like, where is this going? What is happening? I was blown away by the whole 523 00:38:31,920 --> 00:38:33,760 thing and you guys, perfection. 524 00:38:34,340 --> 00:38:35,339 Thank you. 525 00:38:35,340 --> 00:38:38,300 Thank you so much. AJ, you truly are a star. 526 00:38:38,780 --> 00:38:42,660 The quality of what you do, the softness in your legs, the direction with which 527 00:38:42,660 --> 00:38:46,760 you allow your lady to go is exceptional. I only hope that you have 528 00:38:46,760 --> 00:38:50,980 appreciated this lovely lady on the end of your arm. 529 00:38:51,280 --> 00:38:56,240 You are the new generation for Dancing with the Stars. Well done. Thank you so 530 00:38:56,240 --> 00:38:57,240 much. 531 00:39:01,540 --> 00:39:04,660 At this stage, I feel like the four we have. 532 00:39:05,310 --> 00:39:07,270 Could all succeed, yes. Oh, yeah, of course. 533 00:39:07,670 --> 00:39:10,330 It's a ten-dance competition. It is a ten-dance competition. It's primarily 534 00:39:10,330 --> 00:39:14,050 ball and matting. The show has evolved. It's changed. It's different. 535 00:39:14,350 --> 00:39:18,010 There's a lot more to it than just that. So I find that difficult. 536 00:39:27,250 --> 00:39:31,270 Welcome back. We have arrived at the semi-final elimination. 537 00:39:32,510 --> 00:39:34,150 Congratulations, all four of you. 538 00:39:36,680 --> 00:39:39,120 The judges have conferred. 539 00:39:46,280 --> 00:39:52,140 Shirley, of our final four dancers, taking into account both performances, 540 00:39:52,440 --> 00:39:58,840 which dancer's performances impressed you the least and unfortunately will 541 00:39:58,840 --> 00:40:00,320 miss out on the finale? 542 00:40:01,900 --> 00:40:07,070 Well, first of all, I want to say to all four of you, this was... An absolute 543 00:40:07,070 --> 00:40:13,350 exceptional semi-final. Alan, you've given heart, reliability. 544 00:40:13,650 --> 00:40:15,990 You are a remarkable dancer. 545 00:40:16,610 --> 00:40:20,830 Selena, fire, passion, charisma. 546 00:40:21,490 --> 00:40:22,690 Absolutely a star. 547 00:40:23,090 --> 00:40:28,730 AJ, I don't think we've ever seen this kind of quality in ballroom dancing that 548 00:40:28,730 --> 00:40:29,709 you have given us. 549 00:40:29,710 --> 00:40:30,710 And Adele? 550 00:40:30,970 --> 00:40:37,190 It doesn't matter what you put your hand to, you are giving 110%. And therefore 551 00:40:37,190 --> 00:40:41,750 with all these things, it makes this so difficult. 552 00:40:45,590 --> 00:40:46,390 Having 553 00:40:46,390 --> 00:40:57,470 taken 554 00:40:57,470 --> 00:40:58,850 everything into account, 555 00:40:59,760 --> 00:41:05,220 There is one dancer that has ever so slightly underperformed. 556 00:41:06,380 --> 00:41:11,200 So unfortunately, this is going to be the last dance for... 557 00:41:11,200 --> 00:41:17,820 Alan. 558 00:41:19,800 --> 00:41:20,800 Thank you. 559 00:41:21,680 --> 00:41:27,260 I'm very sad and devastated to be going home. But at the same time, I felt like 560 00:41:27,260 --> 00:41:28,320 I left it all out there. 561 00:41:28,890 --> 00:41:32,790 This has been the most exciting and phenomenal experience. I think my mom 562 00:41:32,790 --> 00:41:35,730 would have enjoyed watching me here. I just hope I made her proud. 563 00:41:36,770 --> 00:41:43,110 Alan, your story of legacy has been something that I know has touched me 564 00:41:43,110 --> 00:41:44,630 very personally. 565 00:41:45,250 --> 00:41:48,050 What has that meant to you to represent your passion? 566 00:41:48,450 --> 00:41:52,570 Yeah, it means the world to me that I was able to tell my mom's story and 567 00:41:52,570 --> 00:41:55,990 hopefully it inspires many, many people out there too. 568 00:41:56,840 --> 00:42:00,420 continue with their dreams, even when they're at the lowest point of their 569 00:42:00,420 --> 00:42:03,500 life. You should be incredibly, incredibly proud. 570 00:42:03,760 --> 00:42:07,820 Thank you. You have shown what Dancing with the Stars is all about. Thank you. 571 00:42:07,860 --> 00:42:09,480 To just never stop. 572 00:42:10,020 --> 00:42:15,640 Alan, you are loved by everybody that you come into contact with. Thank you 573 00:42:15,640 --> 00:42:17,380 guys so much. It's been an honor, mate. 574 00:42:17,860 --> 00:42:18,860 It's been an honor, brother. 575 00:42:21,860 --> 00:42:23,540 So proud of you. Thanks so much. 576 00:42:24,620 --> 00:42:30,760 We now have, Our three finalists. That's it for a truly unforgettable 577 00:42:30,760 --> 00:42:36,680 semi-final night. A huge thank you to our pros, Whitney, Gleb, Riley and Yarn, 578 00:42:36,760 --> 00:42:41,240 along with our judges, Shirley, Mark and guest judge, Tim Johnson. 579 00:42:41,440 --> 00:42:47,900 Next time, it's our season finale when one of Adele, AJ or Selena will be 580 00:42:47,900 --> 00:42:53,160 crowned the next pro and land that role of a lifetime as a pro on Dancing With 581 00:42:53,160 --> 00:42:53,859 The Stars. 582 00:42:53,860 --> 00:42:55,300 I look forward to seeing you then. 583 00:42:55,690 --> 00:42:57,290 I'm Robert Irwin. Good night. 584 00:43:00,810 --> 00:43:06,270 Next time. Welcome to the season finale of The Next Pro. We've even got a live 585 00:43:06,270 --> 00:43:10,430 audience. You'll each be paired with a special celebrity. 586 00:43:10,690 --> 00:43:12,310 Everything I've worked for. 587 00:43:12,680 --> 00:43:15,880 Come down to this. We're going to campaign. Hire me. Yes, ma'am. Every 588 00:43:15,880 --> 00:43:17,260 single step has to be perfect. 589 00:43:17,480 --> 00:43:20,040 That was not good. Bold move to do a song in the finale. 590 00:43:20,320 --> 00:43:24,400 Oh, God. Becoming a pro will change my life. You'll be an instant fan favorite. 591 00:43:24,620 --> 00:43:26,080 Let's get this girl in front of a crowd. 592 00:43:26,480 --> 00:43:28,760 The next pro is... 49615

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