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(soft dramatic music)
I'm David Wilson, emeritus professor of criminology.
And for over 30 years, I've investigated
the phenomenon of murder and what it is that might
motivate someone to kill.
Every murder case is different, but time and again,
a deadly pattern emerges of warning signs and red flags.
In this new series, I investigate some of the UK's most
harrowing murder cases to understand how and why
these terrible crimes occur.
This is Murder UK.
(whirring)
(clicking)
(gentle ambient music)
It's 2014, and James Fairweather
was no ordinary teenager.
After school, he retreated behind his bedroom door,
choosing dark, violent websites and video games over friends.
For an isolated young man, the internet had become his world.
It was certainly apparent that he was becoming increasingly
obsessed with the material that he was viewing
and accessing on the internet.
(David Wilson) Investigative psychologist Donna Youngs,
whose work helped define 21st-century
criminal investigation, had a unique perspective.
She believed Fairweather didn't fit the classic profile
of a psychopath.
In fact, the presence of empathy may have made him a greater threat.
James Fairweather is actually a highly sensitive,
highly reactive, highly responsive,
and, in fact, highly empathetic individual.
He actually was particularly suggestible,
prone to becoming affected by the material in the way that he was.
(gentle ambient music)
(David) His parents hoped for the best,
but the signs were concerning.
Excluded from school, alone in his room,
15-year-old James nurtured a secret fixation,
learning the methods used by serial killers.
It was a very unhealthy interest that he had developed
and grew from an unhealthy interest into an obsession.
(David) James Fairweather was living
in a world of online make-believe, a world that
was shaping a dangerous teenager.
(Peter Bleksley) Millions of people
play video games quite happily.
It has little or no effect on them at all.
But Fairweather was obsessed with them.
And rather surprisingly, I think, for a 15-year-old,
he was obsessed with violent pornography.
(tense music)
Just the sheer number of hours that he spent looking at this
horrific material... violent sexual material,
glorifying details of... of serial killer cases.
And it was also immersive in the sense that it was prolonged,
so both the number of hours and these
over a prolonged period of time.
(David) You know, the word "obsession"
or "obsessive" gets thrown around a lot in our culture.
And that does seem to me to capture a little of James Fairweather
but not the totality of his identity.
Because I think his obsession is almost akin to an affliction.
He forms his identity by totally immersing himself
in an online world, an online world that's characterised by violence,
by murder, and by serial murder.
No one knew the extent to which James
was immersed in the violent world of the video games
and websites he visited.
An awful lot of it was done in secret.
I don't imagine his parents fully knew quite how much
time he was spending viewing material like this.
(gunfire on TV)
(David) The crucial element in all of this is Fairweather's
prolonged immersion and exposure to an online world of violence,
murder, and serial murder.
Now, that prolonged immersion involves him
wearing headphones, sitting in a darkened room,
staring at a screen for hours on end.
He's almost in a sensory cocoon.
And that sensory cocoon provides for him
a way of internalising a way of being,
internalising how to be James Fairweather.
And that involves him assuming an identity from those things
that he's consuming about how to hurt, about how to kill,
about how to become notorious.
And in that world, killers and serial murderers
become aspirational figures.
They don't become someone to fear.
They become someone to be.
Prolonged exposure to screen violence
was warping Fairweather's mind.
While his peers lived normal teenage lives,
he was plotting to kill, learning his trade
from the most horrific platforms of the new century.
Even at school, the friendless teenager
exhibited odd, violent behaviour in a desperate bid to win popularity.
He searched out friendships by punching other kids
and getting a high five for doing so.
He was a bit of a stooge.
He would do things for other older boys
in order to try and win their friendship,
but nothing really worked.
(David) Fairweather was now gripped
by a cocktail of obsessions...
brutal internet pornography, violent video games,
and the faces of serial killers.
These three fixations combined to form his macabre career ambition.
There was a part of him that wanted to present
as this serial killer seeking fame.
Growing up, Fairweather had been reading about his heroes.
He'd been reading about these murderers
who'd committed heinous crimes.
(Peter) Ted Bundy, the notorious killer in America,
and Peter Sutcliffe, the Yorkshire Ripper,
that's who he idolised.
He pored over every word written about them,
every documentary, every book.
He wanted to emulate them.
At 15 years of age, the extent of his ambition
was to be a serial killer.
(David) Ironically, those who would later
examine the workings of Fairweather's mind
found a complex, deeply troubled young man.
James was a very odd young man.
He had convictions.
He'd criminally damaged a house.
He'd beaten up another pupil at school.
Over the following year, his violent behaviour escalated.
One evening, the wannabe serial killer
armed himself with a knife, stealing
30 pounds from a shop cashier.
The violence that defined his online obsessions
had spilled into the very real world.
Despite this twisted development, no one knew
about James Fairweather's serial killer fantasies.
But a man named James Attfield was about to find out.
(ominous music)
Living a few miles away in Colchester,
James Attfield, known as Jim, was rebuilding
his life after a difficult period.
At 33, Jim was a father of four, cherished by his family,
but his life was irrevocably changed
following a catastrophic accident.
He'd been involved in an accident some years previously, which had
left him with some brain damage.
It just completely changed his life.
And he was never fully functional again.
(keyboard clacking)
(David) The lives of Jim Attfield
and the serial-killer-obsessed teenager, James Fairweather,
were destined to intersect.
By 2014, Jim Attfield lived in sheltered accommodation
and enjoyed a local pint.
On the evening of March the 29th, 2014,
James Fairweather was doing what he always did,
staring at a screen watching virtual violence.
(weapons blasting on TV)
While Jim Attfield was out having a beer,
James Fairweather slipped out, climbing from his bedroom window
so his parents wouldn't know he had left so he could stalk the town.
(Donna Youngs) You see him moving across a landscape,
and then he comes across James Attfield lying drunk, disabled.
And he's easy prey.
It's as if he's part of a video game.
(soft dramatic music)
(gunfire on TV)
Cos my voices were talking to me, you need to make a sacrifice
or we're going to come and get you.
You need to do it.
(David) Was James Fairweather
about to turn his digital fantasies into a deadly reality?
(screaming and gunfire on TV)
(whirring)
(clicking)
(ticking)
(David) It was the early hours, mild and misty,
as Jim Attfield walked home along this deserted riverside path
in Colchester.
That time of the morning,
time of the morning that Jim was killed,
the path would have been deserted.
During the day, it was somewhere where people would
walk dogs or take a shortcut.
But after dark and after midnight, it would
just be a deserted park path.
And you can imagine that Jim felt quite safe lying on a bench
or even lying on the floor there, because there was nobody about
and there was no danger to him.
(unsettling music)
I mean, Jim was really vulnerable, absolutely defenceless, really.
(David) James Fairweather was intent
on moving his online passions into the real world,
copying the avatars he controlled to make his obsessions come true.
He'd later claim that voices in his head dictated what happened next.
And I saw him.
He was already lying on the grass, like,
sort of going like that, just like that,
just very... just fast asleep, swear he was drunk.
And then it goes... you're the one.
He's the one. He's the one.
Do it. Do it. So I went up to him.
-Can I stand up? -(Detective) Yes.
Went up to him, stood over like that.
He wasn't moving or nothing.
I stabbed him first here.
And I done it a few times.
When I was doing that, my voices were laughing and laughing
and laughing louder and louder.
With the exception of one individual,
I've never interviewed a serial killer who
wanted to talk about their crimes.
In fact, I've characterised them as being silent and uncommunicative.
Now, compare that with someone who's desperate to talk
about what he has done.
He's desperate to talk about what he's done because he needs
to tell everybody, look at how dangerous I am.
Look at how evil I am.
He's been following a script, and he wants all of us
to know about that script.
He wants all of us to be afraid of James Fairweather.
(birds chirping)
(gentle music)
Shortly before 6:00 that morning,
a passerby discovered Jim's body.
The police were quickly on the bloody scene,
where they found something both gruesome and highly unusual.
He'd received in excess of 100 stab wounds.
Most victims of murder who are stabbed
tend to suffer one or possibly two wounds.
In this case, Jim suffered over 100 separate stab wounds.
That's a really frenzied attack.
(dramatic music)
(David) Criminologists use the term "overkill"
to describe what we see here.
You know, stabbing someone 100 times
is using much greater violence than would be necessary
to achieve the death of the victim.
So the fact that there's overkill present
means that we're dealing with some unexpressed psychological need
to use that many stab wounds.
And in relation to what's happening with Fairweather,
we see some of those stab wounds aimed directly
at the eyes of the victim.
And that brings us into the territory of that immersive
behaviour that we know that Fairweather engaged in, where he
had become obsessed with the crimes committed by the Yorkshire Ripper
and, therefore, how this can be seen as emulating one of those
people that he saw as heroic, one of those people that he aspired to.
(Donna) There's almost something of the avatar
about the way in which James Fairweather
is conducting himself.
It's almost as if he is imagining himself in a game.
(David) An autopsy revealed a highly distinctive,
savage style of stabbing.
Not all these wounds were life-threatening.
Some of them were superficial, almost like little jabbing wounds.
(David) It was too early to make the link,
but had detectives known about Fairweather's obsession
with serial killers, the style of the attack might have rung a bell.
Fairweather had picked this up from Peter Sutcliffe,
the notorious Yorkshire Ripper,
because he'd done exactly the same.
Sutcliffe also stabbed his victims in the eyes.
And guess what.
Fairweather did exactly the same.
(water running)
The manner of the killing
was horrific.
And in particular, the pathologist who gave evidence
remarked that it was highly unusual for the eyes themselves
to be made the subject of stabbings.
He was carrying out things that he'd copied from things
he'd read on the internet or in books.
You know, he was a wannabe serial killer,
and he was acting out that fantasy.
(David) For investigative psychologist Donna Youngs,
the nature of the attack itself revealed the inner workings
of the mind of the killer.
It doesn't suggest somebody dealing with another person
in the way that we're used to, trying to understand
murderous interactions.
It doesn't suggest a real interpersonal encounter.
What it suggests to me is somebody acting out a role themselves,
as if they are in a virtual reality, acting out a role,
almost irrespective of the victim.
(David) Early signs indicated
this was going to be a profoundly difficult investigation
for the Essex Police.
This type of attack, this type of murder
where it's obvious it's a stranger attack
and there's no reason for it, they're the very difficult ones.
They're the most difficult ones for detectives to solve.
And you have to gather in every possible piece of evidence
and take your time and go through it.
You know, the detectives would have been horrified and shocked
by the severity of the attack, but that doesn't tell you who did it.
(David) There was simply insufficient evidence from the body
found near the bench.
This was a crime like no other.
It's a psychological style of murder from somebody
who's learnt to murder on the internet.
They are seeing themselves as some kind of avatar,
rather than the regular murders that the police
are probably used to.
(David) Aside from the brutal method of the murder,
police had little to go on.
The killer had worn gloves, leaving no fingerprints.
There were no immediate suspects in the frame.
When you get an investigation like this, the adage is,
show me how he lived and I'll tell you how he died.
You have to look into the victim's contacts,
friends, acquaintances, enemies, you know,
see if anybody had some reason to kill him.
And if that draws a blank, you start looking at things like,
you know, was it a robbery?
Well, here, there was no evidence of Jim being robbed.
Was he involved in drugs at all?
There was no evidence of that.
You start looking for a motive and find none.
And you realise you've just got a random killing
with this immense savagery.
And you know it's going to be a really long haul
and it's going to be a really difficult job to investigate.
The first one remained unsolved but was a single murder.
And as somebody in my line of work, that's not uncommon.
(Peter) It's fair to say that
in the early days of the investigation,
the police were struggling a bit.
They had no murder weapon.
They didn't have a suspect in mind.
You know, they were... they were really up against it.
(David) Fairweather had, in fact, left a scene often associated
with an experienced killer.
He was using the forensic awareness skills he
had meticulously learned online.
Some of the things that he's done, the forensic awareness,
some of the... the ways in which he's used the knife are things
which we would have taken as indications
of somebody much older,
somebody with much, much more criminal experience.
(Peter) The police interviewed a number of witnesses.
In fact, three people drew up E-FITs of a potential suspect.
(soft dramatic music)
(David) The E-FITs were accurate
portrayals of men seen nearby, but none were the killer.
Fairweather had learned all too well from the internet
how to avoid detection.
He'd clearly spent a long time thinking
about when was the right time to go out,
how he was going to carry out the killing,
and how he was going to cover his tracks afterwards.
And the fact that he was able to avoid detection for so long
does show how carefully he'd thought it through...
disposing of weapons, disposing of clothing, and so forth.
(Peter) So the police made a public appeal.
They've recovered 38 knives.
They've taken 106 statements.
They've visited over 300 houses.
The reward was taken up to 10,000 pounds.
And still, they didn't have their man.
(tense music)
(David) As the investigation intensified, Fairweather
tracked the police's progress from the comfort of his bedroom,
using the internet and TV.
The released E-FITs, looking nothing like him,
offered him comfort.
He was free to kill again,
and that was his plan.
Just two miles from the first murder scene,
students from across the globe attended Essex University.
It was here that 31-year-old science graduate Nahid Almanea
was completing her PhD in 2014.
She was a highly intelligent and caring young woman.
She had high hopes and ambitions for her life, both back at home
in Saudi Arabia, but had come to England, loved it in England,
and come here to complete her studies.
Nahid had been in England for six months.
She'd been at the university for six months.
She'd found it the welcoming and friendly and relaxing place
that university campuses often are.
And she felt absolutely at home there.
And she was popular with her other students
and fellow students and friends and was enjoying life there.
(tense music)
(ticking)
(David) It was a drab, grey day when
Nahid set off for her lectures.
At half past 10:00 in the morning, in broad daylight,
she is on her way to her lectures.
Nahid Almanea wasn't even 5 foot tall.
She was wearing sunglasses and had a headscarf on.
She was tiny.
(David) Her diminutive size may have made
her appear vulnerable, an easy target.
The other thing that strikes me...
and again, it's a subtle psychological aspect...
is that the victims that James Fairweather picks on
are very vulnerable.
Fairweather had these ideas to be a serial killer,
but he wasn't brave about it.
He chose people that he knew he could
easily overpower... the disabled, the small in stature.
You know, he didn't want to fight.
He just wanted to kill.
(David) So what he's seeking are victims who
are not going to put up a fight.
He wants to dominate. He wants to control.
He doesn't want somebody to challenge what he's doing.
Because remember, he's been a victim himself at school.
He himself knows what it's like to have been bullied, so he wants
to choose people he feels he'll be able to overcome
without them putting up much resistance.
As she studied for a career in health care,
Nahid had only known kindness in Essex.
She was oblivious to the threat lurking
adjacent to the riverside walk...
James Fairweather, who had now begun his chosen career
as a serial killer and who needed another victim
for his resume of violence.
My voices were laughing and laughing and laughing louder and louder.
(suspenseful music)
(whirring)
(clicking)
(David) James Fairweather had decided
he would kill the next person who walked
along the Salary Brook trail.
He was skulking in broad daylight adjacent to the riverside path.
Hiding in the bushes as if it's a game, a hunting game...
I think he'd been empowered by murdering Attfield and thinking
that he'd got away with it.
That attack was at night.
This attack was in the day.
He was getting bolder.
..equipped with his gloves...
(Colin Sutton) This was around 10:30 in the morning.
Nahid was in her traditional Islamic dress.
And she's just making her way towards
her lectures and just going about
her everyday business as a student,
not knowing that Fairweather is lying in wait for her.
... and ready to pounce.
Fairweather was wearing gloves, latex gloves.
He came up behind Nahid silently
and attacked her.
And he spun her round.
As he did that, her sunglasses fell off
and he stabbed her through the eye.
She went to the ground.
He stabbed her again through the other eye.
And she actually suffered a fracture of the base of her skull.
I mean, this is a terrible, cowardly attack
on a defenceless person, resulting in horrible injuries
but also injuries that were just there for sadism, I guess.
(soft dramatic music)
(sombre music)
Nahid was found with 16 stab wounds,
a lot less than he'd inflicted on Attfield.
Maybe he'd spent longer stabbing Attfield because it was dark
and he felt he was unlikely to be seen, whereas his attack on Nahid
was in broad daylight.
Perhaps he had to act more quickly in order to do what he wanted
to do and then make his escape.
These stab wounds were just as lethal as the fractured skull.
His initial stabbing went through the liver,
just separated Nahid's liver.
He stabbed her in the breast with such force
that it broke the ribs beneath her chest.
And the stab wounds he inflicted on her eyes
were so deep that the knife actually
penetrated through to her brain.
I mean, this was an attack of,
you know, unusual and shocking savagery.
(water running)
(David) Fairweather disposed of the weapon
in the fast-flowing stream
and binned his bloody clothing, copying his behaviour
from the first murder.
Fairweather's home contained the book "The World's Worst Crimes,"
which detailed Peter Sutcliffe, the Yorkshire Ripper,
stabbing a victim in the eye.
In his pursuit of infamy, Fairweather had
again copied one of his heroes.
We wouldn't have seen that, that style.
That subtle psychological style,
we wouldn't have seen a few years ago.
To my mind, there's something about this
which suggests somebody acting
not from a visceral, angry, internal drive
but somebody slightly tentatively
trying out things that they've seen,
that they've learnt about for the first time,
and therefore they pick an easy... easy target.
(David) We can see an escalation between Fairweather's
first and second murders.
You know, he kills Jim Attfield at night, but in his second murder,
he's going to kill Nahid Almanea during the day.
Now, that, in itself, is an escalation,
because the risks of committing a crime during the day
are quite clearly greater than the risks of committing
a crime at nighttime.
Why does he engage in that risky behaviour?
Well, it gives a greater sense of thrill.
It gives to him a greater sense that he
really is the frightening serial killer
that he's always aspired to be.
The danger, though, is, with that kind of escalation,
it won't simply stop.
It will continue.
And therefore, there might be a third, a fourth,
or, indeed, a fifth murder.
Though separate teams initially dealt with each murder,
the commonality of features and the methods used
meant that they had to be linked.
This was now a hunt for a double murderer.
The first issue that Essex Police would have thought about
is, has he stopped?
Is there going to be another one?
You know, we've had these two horrific murders in the same area
with a commonality of method and, you know, features
that make you think, yes, it's probably the same person.
Is there literally a killer on the loose?
How long have we got?
Can we stop him before he strikes again?
When you're looking at this situation and worrying about,
is there going to be another offence,
it's kind of, will we get a lead?
Will we get something that will take us to him
before he does strike again?
Has he made a mistake?
How much planning has he done?
Is there a chink in his armour?
Can we get there?
And one thing that the officer in charge will be thinking is,
do I need to put more resources into this?
Is this such a danger... is such a danger posed to the public
that I need to put as many resources as I can
possibly lay my hands on to to make sure we catch this man
before somebody else is murdered?
140 knives were submitted for forensic examination.
550 hours of CCTV footage
was pored over and examined.
Over 1,500 police officers and 180 police staff
worked on those inquiries in the search for truth.
There were significant searches in parks,
waterways, and open public spaces.
The inquiry that was carried out into those two murders
was the largest type of inquiry carried out by Essex Police
for over a decade.
(David) Yet another E-FIT was produced from witnesses.
Police then initiated an operation to interview anyone
with a history of knife crime in the area
over the previous two years.
The police scooped up 70 people, all of whom
had a history of committing offences with knives.
(David) Two weeks after the murder,
James Fairweather was interviewed as part of the operation.
He told police he'd been at home all day playing video games
and trawling the internet.
He was not arrested.
(Peter) The police interviewed Fairweather,
so there they had him, a double killer sitting in front of them.
(unsettling music)
They didn't have the evidence.
And they let him go.
You need some evidence. You need fingerprints.
You need DNA. You need eyewitness sightings.
They had none of that.
(David) With Fairweather, we see this almost autodidactic,
self-taught forensic awareness.
He knows how to ensure that the forensic evidence
won't connect him to the crime.
He knows about putting various materials in water
to flush away forensic evidence.
He's immersed himself not just in the world of serial killers.
He's immersed himself in an online world that
would tell him how to avoid being caught for any crime
that he'd like to commit.
11 agonising months followed.
Fairweather's obsessions continued to dictate his life.
Meanwhile, police issued appeals for help,
releasing a photograph of a distinctive Italian-made jacket
described by a witness as worn by a man in the area
after the second murder.
Now, here's a great lesson in the value
of public appeals by the police.
About a year later, a woman is out walking
and she sees somebody wearing a jacket.
And she thinks, there's that distinctive Italian jacket.
I've heard about that.
She picks up the phone and she calls the police.
(Witness) Hi, I wonder if you can help me.
I'm actually on Salary Brook, the Longbridge end of the trail
where that murder was last year.
And there's a very suspicious guy down there
who's just standing there.
And it's like, obviously a dog trail, and he's just on his own.
And it's quite a secluded area.
I don't think there's anyone around to have a look.
And he's got, like, a...
I don't know, I could be wrong... but he's got
a jacket that looks very similar to what was
all over the paper and everything.
And it's on the same trail as what happened almost a year ago.
(David) The caller stayed on the line, bravely observing the man
she suspected of being the killer.
(Witness) Well, to be honest with you, he's on the bridge,
yeah, not a footpath.
He was stood behind some of the trees, and there it's obviously...
it's only, like, a dog place.
I saw him sort of hiding.
And it made me freeze.
(David) Concerned it was the killer,
she walked away, found a friend with a large dog,
and cautiously walked back towards the spot.
The man she was describing was standing yards
from the scene of the two murders.
(Witness) Now, actually, he's hiding.
He's practically... he's on a bridge, just practically...
yeah.
He's in a secluded area.
It's the Longbridge end of the Salary Brook trail.
Yeah, so it's a little bridge that goes
across into the Bowman's Ford.
(David) It was James Fairweather,
and he was looking for his third kill.
(whirring)
(clicking)
(David) The caller who recognised the distinctive
jacket left the scene.
Police arrived quickly, located Fairweather, and arrested him.
Fairweather is searched.
He's got a lock knife.
He's got latex gloves.
He's prepared.
He's plotting. He's planning.
He's lying in wait.
That woman who made that phone call is a hero.
Almost a year after his second victim and on the very day
he planned a third kill, Fairweather was finally in custody.
The screen-violence obsessive seemed eager to claim
his moment of fame, to be acknowledged, like his heroes,
as a serial killer.
(Peter) When Fairweather was interviewed,
he admitted both murders, and he claimed
he was going to kill and kill and kill again.
He wanted to claim the lives of another 15 people.
Fortunately, he was denied that opportunity.
(David) Fairweather's claim that he wanted to kill another 15
people is part of his fantasy.
Frankly, he's a wannabe.
Serial killers themselves are not these incredible,
sophisticated predators.
Serial killers are often what I call betas
desperate to become alphas.
They desperately want to have power and control
in a culture in which they feel they have been rendered powerless.
With Fairweather, we've just got somebody who's desperate for fame.
And murder, the use of lethal violence,
is the way that he believes he can become famous.
Fairweather would have murdered again.
It excited him.
He loved doing it.
He wanted to go on and on until he was caught.
If Fairweather hadn't been caught,
he would have gone on to kill again,
probably on that very same day.
When the police searched Fairweather's home,
they found all the books and DVDs about serial killers,
all the evidence of his obsession.
They found Nahid's DNA.
They found a knife and a latex glove.
And they also found a file which contained
all the newspaper cuttings about the murders that he'd committed.
(David) Fairweather had achieved fame through infamy,
but there was a twist to his story.
After admitting to the killings, he returned
to his web world, this time for inspiration
in seeking legal defence.
We know that James Fairweather looked online for a potential
defence for his crimes.
We know that he researched the case of the Stockwell Strangler,
who pleaded diminished responsibility in court
and got his murder charges reduced to manslaughter.
(David) The man tasked with Fairweather's defence
was Simon Spence.
His job was clear...
argue for a reduction from murder to manslaughter on the grounds
of diminished responsibility.
My first involvement with James Fairweather's case
was shortly after he'd been arrested.
He was arrested on the 26th of May of 2015
and had a solicitor present in his interviews.
And the solicitor then instructed me
to represent James at his trial.
He was clearly a very troubled young man when I first met him.
(James) When I was doing that, my voices were laughing
and laughing louder and louder.
He accepted the killings.
He'd given a very detailed account.
And he'd also said in his interviews
that he was hearing voices in his head,
and they were telling him to go out and make sacrifices.
The issue was whether those claims were genuine or not
and, if they were, whether that amounted to the defence
of diminished responsibility.
According to his defence, Fairweather's isolated lifestyle...
friendless, obsessive... and his autism diagnosis were key factors.
To Simon Spence, that condition amplified
the dangerous obsessions, suggesting a case
for diminished responsibility.
(keyboard clacking)
(Simon Spence) And of course, obsession is a very recognised
characteristic of somebody suffering from autism,
and the obsession was clearly growing.
We had provided to us by the prosecution a schedule
of the websites he'd accessed, how long he'd been on them,
when he'd accessed them.
And you could see a growing trend of this material being accessed.
Somebody being autistic does not make them violent.
The difficulty is that somebody suffering from autism
can be more obsessive than somebody who is not.
And if the thing they become obsessed with is extreme violence,
then that is what can put their obsession with extreme violence
and make it a reality.
And that's the role that I felt James' autism had to play.
(David) Four psychiatrists accepted Fairweather was autistic,
but critically, this is neither a defence nor an excuse for murder.
Most autistic people manage perfectly well without committing
acts of violence.
The consensus was that the voices in the head were a charade.
(Donna) I don't subscribe to the view that killing is
motivated by voices in the head.
Clearly, there's no direct relationship
between autism and violence.
But I think, in this case, his autistic challenges
put him in a position where he fell into a lifestyle
of being immersed in this material,
which was highly dangerous.
(gunfire on TV)
He was convicted of murder and sent to prison for life.
(David) On being told he would
serve a minimum of 27 years in prison,
Fairweather showed no emotion.
He was a very unemotional individual.
Anybody who saw the way he described what
was happening in his police interviews
could see how unemotional he was.
'Cause my voices were talking to me, you need to make a sacrifice
or we're going to come and get you.
You need to do it.
That was what he was actually like.
Until I saw him after he'd been sentenced,
I'd never seen him frightened or shed a tear or anything.
He was remarkably matter-of-fact about what had happened.
Now, whether that was part of his mental problems
or whether he was just cold and callous...
and that's what led the prosecution expert
to say he was an emergent psychopath...
perhaps only time will tell.
But he was remarkably unemotional and detached
from the whole proceedings all of the times that I saw him.
(David) James Fairweather was born in 1999,
the eve of the new millennium.
He craved notoriety, sought it through becoming a serial killer,
and learned his trade on the internet.
His mind was warped by the violent pornography and video games
that he played in his room.
With James Fairweather, I'm not sure
that he had those very early experiences
which we would normally expect to see in somebody
that became a serial killer.
So actually, what made him a serial killer, I am convinced,
was the material that he was exposed to
rather than anything about his predisposition
or his very early life.
(David) Fairweather's story tells us how some people will react
when we elevate the serial killer into becoming
an aspirational figure, when we begin to see the serial killer
as somebody who possesses incredible intelligence,
somebody who we can admire.
That's the problem about how our media
sometimes reacts to the phenomenon of serial murder
and serial killers.
Now, that having been said, we've got to remember,
a serial killer is still defined as somebody
who will kill three or more people in a period
of greater than 30 days.
But I've got no doubt that if Fairweather hadn't been stopped,
he would have continued to have killed,
because that was his dream.
That was his aspiration.
That's who he wanted to be.
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