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I'll take my queue from the monitor,
John.
Uh, camera one. In on, Professor Elliot,
>> one minute to stick on you now. Camera
one.
>> Good. Now, let's see a closeup of
Arnold.
>> Camera one, Arnold.
>> On you now, too. Hold it there.
>> Give us a close shot of Mr. Drake. Where
the hell is this Robertson woman?
>> Is she coming, John? Or isn't she?
>> Oh, well, if she doesn't turn up, we'll
have to press on.
>> Online now.
>> Thank god for that. Wheel her on.
>> On your camera. Stand by to
>> 15 seconds. Studio.
>> Stand by. Studio Robertson. I'm Price
Jones. This is Chester Lake.
>> Hello.
>> I'm terribly sorry about this. I was
held up in traffic.
>> You already had us worried there for a
moment. Oh, this is Professor Elliot.
>> I know.
>> Quad studio.
>> Two one.
>> Right. Go ahead. Studio
>> roll. Tell us any cure. Music.
Good evening. The world this week takes
a look at inflation. Here this evening
to discuss this matter is Professor
Robert Elliot, author and lawyer, senior
lecturer on economic studies at Harvard
University and special adviser on
financial affairs to the United States
Senate Foreign Relations Committee. And
to pose the questions, Mr. Chester
Drake, financial correspondent of the
London Times, and Miss Jean Robertson,
journalist, novelist, last year's winner
of the Kerna Award for journalism and
currently the political correspondent on
the Washington Daily News. Now,
Professor Elliot, the constantly
increasing spiral of wages and prices,
what can we do about it? Can it be
stopped? I know in the United States
last year, uh, the consumer prices rose
at dramatic 8%. But then on the other
hand, the overall prosperity of the
country increased just as dramatically.
>> And yet wages always seem to lag behind
prices.
>> Yes, but they catch you up just as
rapidly. Uh the unions take care of
that.
>> Surely, professor, the only way to stop
the race between costs and wages is to
peg prices, to control the cost of
living.
>> Well, in a free economy, uh control is a
dirty word. Mr.
I know that it's uh very tempting to
introduce rigid controls both prices and
wages, but what level? No one raises
prices just
>> Oh, hello.
>> I hope I'm not too early.
>> A bit. Yes.
>> I'm sorry.
>> Oh, that's all right. Gives us more
time.
>> No, obviously if a manufacturer can
reduce his prices, he'll sell more and
have a bigger profit. But with the
increased costs of overhead, labor, raw
materials, he's forced to meet these
increases correspondingly.
>> Then you are arguing the case for wages,
professor.
>> No, no, no, not at all. The more money
the working population earn, the greater
the spending power.
>> And of course, as the world becomes
smaller, every country, particularly
America,
>> the European community, America has had
to look elsewhere for its expansion.
Russian incident. Oh yes.
>> The desire of both Russia and the United
States of more
than anything the UN has ever done.
>> I imagine they're doing business with
Russian.
>> Yes. They become an extremely
sophisticated department.
>> Mr. Baker, that test up,
>> right? Mr. Clark,
>> are you ready? Well, yes, we are, sir.
>> Okay, let's see it then.
>> All right, you all right, Bill?
>> Here we go then.
What was the frequency? 100,000.
Let me have your figures. I'll check
them. We'll do it again tomorrow. Right.
>> You keep talking about selling. I'm
talking about political pressure.
>> I still didn't think that's quite the
issue.
>> I'm talking about putting the squeeze on
little countries getting involved in
their domestic politics.
>> I know that it's the nature of your
>> who, for instance, was really behind the
military overthrow of the popular
government in Rico last month.
>> I assume the populace.
>> It prevented EDC from losing millions of
dollars.
>> EDC? Isn't your firm involved in EDC? Oh
boy.
>> Involved. They own us. man
>> bought us out two years ago.
>> Oh, take it easy.
>> All right,
>> United States.
>> But in the world market, in order to
maintain the balance, it's essential
that
>> big corporations go to the
underdeveloped countries. I have
developed countries and exert whatever
influence is necessary.
>> I'm talking about
>> I think we've gone far enough on this
point. Mos
call the embassy.
>> Yes, sir. Lunch Wednesday 12:30. Can I
make that?
>> Yes. You're meeting with
Internationalism until 3. Then you have
a trade reception at 7.
>> Thank you very much. You two for using
my show to pick a fight on.
>> Oh, we're old protagonists, aren't we?
>> Yes, I gather. You're coming upstairs
for a drink.
>> You have a conference call with
Washington booked for 11:30.
>> Well, there's your answer. I'm sorry. I
quite understand. Goodbye.
>> I'm so sorry.
>> Goodbye. Thank you.
>> Byebye.
>> Goodbye. Thank you.
>> Good night, professor.
>> Good night.
>> Very nice, Jean.
>> Thank you.
>> Coming on pretty strong to me in there.
>> Oh, there was nothing personal. I was
just trying to get at the truth.
>> The truth?
>> That's what my paper prints is. It's the
truth.
>> For 5,000 years, men and women all over
the world have been trying to discover
what the truth is. You tell me your
paper prints it.
>> Oh, come. It's my job.
>> Your job?
>> Listen, you're a bright, beautiful lady.
Why don't you find a job that suits your
talents better? What?
>> Write a cookbook.
>> Oh, you chauvinist.
>> There's nothing that drives me up the
wall more than crusading lady
journalists.
>> Especially this one.
>> Carl's just outside, professor.
>> Thank you, fella. Good night, Jean.
Um,
Brother,
>> what is it?
>> Uh, well, could I uh have a lift,
please?
>> You know, there is one thing I'll be
thankful for. When women finally achieve
their equality, it'll give me a right to
punch you right in that nose.
>> I get a lift.
>> Get in.
Well,
what brings you to London?
>> You.
>> Me? Come on.
>> No, I was serious. Your news.
>> That was no um
coincidence that you were at that
television interview, was it?
>> Oh, no. No. I used my charms.
>> Yes, I
I remember your charms.
>> How long has it been?
Two years.
>> Two years doesn't seem that long.
>> No, it doesn't, does it?
>> You've gone a long way.
>> I would like an interview with you.
Would you like to have dinner with me?
>> I'd love to have dinner with you.
I'll be staying at the Dorchester.
>> Uh, driver, would you drop the lady at
the Dorchester, please?
>> Yes, sir.
>> Will I call you?
>> Good.
>> Good night.
>> Sure.
>> What?
Well, of course I talked to Ellie.
>> What you get out of it?
>> Nothing.
>> Nothing?
>> Well, Charlie, he's just not a very
communicative kind of person.
>> And I want to know how.
>> I'll try.
>> Barnsworth is flying out there tomorrow.
>> Who's coming in tomorrow?
>> Hello.
>> I can't hear a thing. Betty, would you
hold that for a minute? I just can't
hear Washington.
>> DJ Farnsworth coming in tomorrow.
>> BJ Farnsworth is coming to London. Huh?
The plot does thicken,
>> right,
>> Charlie? Will you tell X me everything
you've got on Farnsworth? The whole
shmear.
>> It's already on its way.
>> All right. Bye.
>> Do what you can, will you, honey?
>> I'll try, Charlie.
>> Betty, get me anything you have in the
files on EJ Forth.
>> EJ F?
>> Don't worry. There's no problem. There's
only one EJ Farnsworth.
>> Excuse me, Mr. Fonsworth. Can you call
us?
>> Oh, certainly. Certainly. Thank you very
much.
I hope you enjoyed your trip.
>> Splendid, Margaret. Splendid.
>> It's nice having you board. Well, thank
you, Rogers. I'll be sure to ask for you
in the return trip.
>> Thank you. Goodbye, sir.
>> Good morning, Mr. Farnsworth.
>> Morning, Christopher.
>> Welcome to London.
>> Thank you.
>> Did you have a nice trip, sir?
>> Splendid. Splendid.
>> Charlie. Good.
When I was a kid, they used to say
anybody could be president. You know,
I'm beginning to believe him. Oh, see
Bob. Bob, pardon me. Excuse me, just a
minute. Hey, Bob Elliot. How are you?
It's really good to see you. You're
looking wonderful. Things are really
hoting up and I've got a lot to tell
you.
>> Say, uh, how about a game of golf
tomorrow?
>> Sounds great, EJ.
>> Mr. Elliot,
>> I
>> and the busy Mr. Farnsworth.
>> You know, Miss Robertson.
>> Yes. Yes, indeed.
>> Yes. Whenever I end up at one of these
receptions, you always seem to be there.
I'm beginning to think there are two of
you, Mr. Farnsworth.
>> There are really three of me, but who's
counting?
>> One's enough.
>> Well, I wonder what could be going on
between the two of you. You have a nasty
suspicious mind.
>> When the vice president of international
oil flies to London to meet the adviser
for the Senate committee, something's
happening.
>> I was just speaking with an army general
from Red China. I suppose that makes me
a communist. If
>> there was something in it for you, Mr.
Farnsworth, I wouldn't be a bit
surprised.
>> Oh, come on.
>> Excuse me. I'll get a drink.
>> Well, that was subtle. Gene,
>> I don't like him. I don't like what he
stands for.
>> That you news persons are supposed to be
objective.
>> I don't like what he does to people.
Let me freshen your drink.
>> You must know what you're doing
getting involved with people like that.
>> You used to be such a nice guy.
>> Wow, your game's improving.
say, uh, do you ever hear of a
Senator McCaulay?
>> Oh, hell.
If you keep your left arm a little stiff
right now.
>> I spend a fortune taking lessons from
the pro here. I don't need advice from
you.
>> Well, what about him?
>> You're nearly on the green.
>> Senator McCauley. What about him?
>> You got a real friend there, boy. Let me
tell you.
>> I've never met the man. He's got 10,000
reasons for liking you in cash.
>> I think I'll uh use a number five.
>> Oh, you should try seven. You'll knock
it all the way over the green.
>> Who's making this shot? You or me? Who I
do with that?
>> Used a seven. EJ,
>> you know we're working hard for you,
boy.
How would you like to be chairman of the
president's economic advisory committee?
Huh?
You know, our friends upstairs have put
on a lot of effort to get to this job.
It's what we've both been looking
forward to for some time.
You know,
power is no damn good unless it comes
from the top. Of
course, there's a few loose ends that
have to be tidied up. Skeletons and
closets that have to be buried.
By the way, this uh little network you
put together here in Europe, is it big?
How big is it?
>> No, no, no. It's small. Poor people.
>> Oh, well then everything can be taken
care of, right?
Is it really necessary?
Bob,
I wouldn't want one guy walking around
who knows things about you he's not
supposed to know. Certainly not four.
EJ,
now I know just about everything there
is to know about you.
If I stood in your way, would you
kill me?
>> I wouldn't think twice about it.
Hello there.
Elliot.
>> Elliot, is that you?
>> You're late again, Alex. It's getting to
be
>> No, I'm sorry. It was the traffic
>> time ago. What traffic?
>> I couldn't get a cab.
>> You weren't followed, were you?
>> No, I don't think so.
>> What?
>> No, I'm sure I wasn't followed.
>> Well, something important's come up.
>> Important?
>> Critical, perhaps, is a better word.
>> Seems your diplomatic career is about to
come to an untimely end.
What are you talking about?
>> What does the British government do to
top foreign office officials who take
money from big corporations like EDC?
>> I
mean, nobody knows. Only you and me.
>> No, there's one other person that knows
now.
>> One other person who?
>> Well, at least they won't shoot you,
will they?
>> What are you talking about?
>> Perhaps a few years in jail, maybe.
>> Now, look, is this some kind of a joke?
No, I'm not joking, Alex. I'm in this
just as deeply as you are. But what the
hell are you talking about?
>> You must have said something to someone
about that $3 million you passed to the
military hunter in Morocco.
>> No, I didn't. I mean, that deal was well
and truly covered. I
>> was truly covered.
>> I was most careful.
>> You weren't careful enough,
>> Alex.
>> What you mean?
>> Do you ever go to the director's club?
>> Oh, yes. Yes, of course.
>> You know Msure there named Bert?
>> Yes, I know Bert.
>> Yes, so do I. I've used him occasionally
for information I need about the
executives. I paid him a few pounds, but
he wants more than a few pounds for this
information. He wants £10,000, Alex.
>> Bert. 10?
>> Yes, B. Well, you have £10,000.
>> Yes, I do.
>> No, I mean you have £10,000 for this
month, £10,000 for next month, the month
after, and the month after that, because
that's the way it'll be. Alex,
>> don't understand.
>> He has some tapes.
>> Tapes?
It's impossible.
Never said anything to anyone.
>> What's the matter with you?
>> Are you sick?
>> No. No. I just don't feel very well.
Now,
>> he represents a threat to us, Alex.
Very dangerous situation. Now, we have a
great deal at stake here. You realize
that, don't you?
>> Yes, of course I realize what you said.
>> Yes. Well, of course it must. Yes. Yes.
>> What about killing?
>> You ever killed a man, Alex?
>> What?
Have you ever
killed a man before, Alex?
>> No, cuz I haven't. What do you mean?
>> Well, it looks like somebody's going to
have to be killed.
And I'm afraid you're the one that's
going to have to do it.
David,
>> how'd it go?
>> It took some doing to get it down to
size,
>> but it does work.
>> It works. This is a damn side more
lethal than a bomb.
>> What's its range?
>> 20 ft. Ahead of the specifications of
the original model,
>> right?
>> You switch it on here. This is a timing
device. You set it like an alarm clock,
>> but be careful how you handle it.
>> Right. There's no uh markings
identification or anything.
>> No, no. I assembled it myself.
>> Really very good, David. Thank you. I
don't imagine you need that to kill rats
with.
>> No. Can you get your drink?
>> Yeah.
>> No, no, no. It's a simple matter of
bartering. Boys in the Middle East are
screaming for something they can trade
for some oil. That may be just the
device to do it.
>> Scotch. Yes, please.
I'll have your
V sent the usual address in Switzerland.
Thank you. Cheers. Cheers.
Well, David, do you have a minute? I
would like to talk to you about
something. Yeah, fine.
I'm in a
perhaps I should say we are in a little
trouble.
Little organization that we've built
together over the past few years is
about to crumble. A little group, people
like yourselves
given us invaluable information. I want
to thank you and do everything that I
possibly can to protect you.
There's a weak link in the organization
and I'm afraid it's about to break.
A man
who I thought I could trust because he
has too much to lose now knows
everything there is to know about you,
me, the organization, EDC, the whole
works. But what does he want? Money?
>> No, but with just money, we could take
care of that. I'm afraid he's been
smitten by
moral conscience.
>> Do I know him?
>> I don't know. Alex Hillman
>> Warren office.
You see, that's what I thought had sewed
up.
Well, now he's begun to drink. He's
sick. He's frightened. I'm afraid he's
going to blow the whole scene.
afraid
we're going to have to get rid of him.
Of course, as we know, there's a
morality in business,
killing a man,
something else.
But there's no other way that I can
think of that you can stop a man from
talking permanently.
Don't you agree?
Well, one thing will make it easier for
you. And you don't know the man.
And the way I have it worked out, you'll
never have to meet him.
>> You're asking me to kill somebody.
>> Well, I have no other choice.
>> But I thought there were people you'd
pay to do that kind of thing.
>> No, but that's the whole point. We can't
risk involving someone from the outside.
Now, I have a plan worked out here. All
you have to do is follow the
instructions on this car. Follow them
implicitly and you'll be protected. I
promise you.
We'll stay in touch with a series of
phone calls on my private line here.
>> Elliot, don't ask me to do this.
>> I have no other choice, David. You're
the only one I can trust.
>> I'm a scientist.
>> My work is creative, not destructive.
>> Creative? What the hell you call this
little creation?
>> That's for defensive purposes. It's a
deterrent.
>> That's what they said about the atomic
bomb.
>> I don't want anything to do with this.
Well, I'm sorry to hear you say that,
David.
What the hell do you think you were
involved in here?
I mean, we have paid you quite well for
your services, I believe. I've never
heard you complain about that.
How are you living anyway, David?
Big house,
couple of cars in the garage, lovely
wife,
children in expensive schools.
Huh?
Time for you to pay up, David.
Nothing is for nothing.
Right.
Friday night. That's this Friday night.
You'll have a key to his apartment. And
if you're there at exactly 7:30, he
won't be there. I'll make sure of that.
Now, he's a diabetic.
He must take his regular dose of
insulin.
All you have to do
is find out where he keeps his insulin
and replace it with this.
What exactly is in this? 10 times
regular dose. An accident.
Well, David, if you can find an easier
way of doing it, please tell me now.
You know what?
You're quite good.
>> I mean, for your age,
>> I do 20 push-ups every morning
>> by yourself.
>> Oh, must you go so soon?
>> Afford I have to catch the 9:00 plane
for Paris.
>> Oh, Paris, take me with you.
>> I'd love to. Afraid my wife wouldn't
like it.
I tell you what, I'll bring you a very
nice little press back.
>> You're very kind
>> and you are very pretty.
>> Call you as soon as I get back.
>> Bye-bye.
>> Goodbye, darling.
Christine.
>> Yes.
Oh, Robert. Hello.
>> I just about ran into your lover on the
way up the stairs.
>> Oh, but you know that's nothing. I have
some tapes for you.
>> Go ahead.
>> And some film.
>> Really?
>> Yeah.
But I get a kick out of some of those
shots.
>> You know that I don't go for that scene.
>> I know.
Well, there was this Japanese man went
on and on about some new phone system
they're developing. Didn't understand a
word of it.
>> Yeah.
>> And then there was this German man, this
kind of German Israeli merger or
something. I really don't know. This is
the film to go with it.
>> Should be fun.
>> Mhm.
>> And that's for the rent.
>> Thank you.
>> Now, listen, Christine. I have a job for
you Friday night. Oh, but I thought we
were having dinner Friday night.
>> Oh, I'm sorry. This thing came up. It's
It's very important. I can make it up to
you.
>> Yeah, right.
>> Now, what's that?
>> This is a radio transmitter.
>> You're a regular little CIA all on your
own, aren't you?
It's your instructions
now. Pay very close attention.
You want a drink?
>> Oh, no. No, thank you.
Now,
>> you leave the apartment at 7:15.
Before you go,
call that number there. But ring three
times, then hang up.
>> Can I just call to say I'm leaving?
>> Come on, Christine. Three times. Now,
that's the gate.
>> They are right. Three times.
>> Now, you arrive at the apartment at
8:00. 8:00 exactly. Not before, not
after.
Before you go up, there's a phone booth
in front. Go into the phone booth, call
that number again, let it ring three
times, and hang up just as before.
>> God, I never remember all this.
>> Sure you would.
>> Who lives there anyway?
>> You don't really want to know that, do
you?
>> No, not really.
>> The key will let you into the apartment
indicated.
Now, as soon as you've entered, you take
the radio transmitter.
Now, you take the device and uh
place it in some concealed spot anywhere
in the room, under a table, behind a
chair, anywhere, just as long as it's
pointed in this direction toward the
middle of the room. Now, that's very
important. You understand that?
>> Yes, I think so. Now, just before you
leave, you remove the tape, switch it to
one, and nothing will happen. But don't
touch it. Don't meddle with it. Just
leave the room. Go down to the phone
booth. Call me one more time to let me
know that you finished the job. Let it
ring three times, then out back to the
apartment here. You should be here at
9:00. Call me just as soon as you've
arrived.
>> You expect me to remember all that?
>> Oh, well, not right away, perhaps.
But I'll be here till you do, even if it
takes all night. Now, let's start at the
beginning. What's the phone number?
>> No, no, no, no. Don't look at it.
>> 7944240.
>> Very good.
>> I leave this appointment at 7:15. Before
leaving, I phone that number three
times.
I have to be there 8:00. Now, before
going in, I go to the phone booth and
phone that number three times again.
Right.
My my this is a surprise.
>> Hello B.
>> Well a pleasure sir. A real pleasure.
>> May I come in?
>> Please
sir.
Yes. My little managerie and uh some of
my trophies. I was in the East African
rifles, you know. 15 years.
>> Were you really?
>> Yes. Dean years. Good lord. I was just
about to make a pot of tea. If you fancy
some tea, sir.
>> Uh, no, thank you, Bird. I really don't
have the time. Oh, Pushkin Red. Off off
you go. Let the professor sit down. Here
we are, sir. Or a nice glass of beer if
you fancy a beer, sir.
What a nice cup of scotch.
>> No, thank you, Burke. Not right now.
>> Well, this is an honor, sir. A real
honor. Well, there's no need to tell you
how much we value the information that
you've given us.
>> Thank you, sir. Only too glad to be of
service, sir, and we appreciate that.
>> Well, that reminds me. I made some notes
somewhere. I overheard this
conversation. Very interesting. It was
very interesting.
>> There were these two gents from this
steel company.
>> Oh, there's no need to worry about that
now, Bert.
>> Oh, no, sir. No, I believe in being
thorough.
>> Ah, here we are. It's all down here.
Every detail. I think you'll be pleased
with that, sir.
Oh, yes. Yes. Very efficient. I like to
be methodical, sir.
Well, now,
what can I do for you this time, sir?
>> Well, I have quite a serious problem,
Bert. I was hoping that perhaps you
would be able to help me solve it.
>> You can rely on me, sir. You know that.
>> It seems there's been a security leak.
Could affect the entire operation.
That is serious.
Very serious.
There's a woman involved.
>> A woman?
>> Yes. I thought I could trust her. But uh
>> sorry you made a mistake, sir. If you
forgive me saying, sir.
>> They're not to be trusted, sir.
>> This one is a uh a high class [ __ ]
>> They're all [ __ ] sir.
>> Well, I thought you'd be useful to us
for a while, and she was. But now she
seems to be playing both sides of the
fence. And
>> typical.
>> Yes.
>> Well,
seems I made a
a bad mistake. Nothing we can't put
right. Huh?
>> What would you suggest we do?
>> Well, if you ask me, I think we'd be
better off without her.
Uh,
could I have a drink now? A nice drop of
scotch, sir.
>> Thank you.
>> Yes, women are all the same. Going about
showing themselves off.
They don't clean, sir. That's what they
are. Unclean. I hate them. Every one of
them. I hate them.
Do you think that you could
take care of her for me? I dare say so.
Any particular planning, man, sir?
Friday? Uh, are you working Friday?
>> Till 8:00? Huh?
>> 8:00.
Yes. Well,
I'll get a key for her apartment.
Oh, this has to be very carefully
planned. Now, I don't want you
incriminated. You're far too valuable to
us for that. I
>> trust you, sir. No, I'll work something
out and get the details to you just as
soon as I can.
We can deal with it, sir. Don't you
worry.
>> Yes. Thank you, Bert.
Bob,
>> I don't know. Four murders in one night
doesn't seem to be a very reasonable way
to approach this thing. I mean, the
police
>> There's not going to be four murders.
Two at the most.
>> But you just told me there was four
people.
>> It's no longer your problem, EJ.
>> Well, we got a hell of a lot of stuff.
>> Responsibility, right?
And uh it won't be connected with us.
>> No.
>> Okay. When I mean when does this take
place?
>> Friday nights.
>> I better leave right away tonight for
Washington.
>> Yes, I think you should.
>> Well, I can't afford to hang around.
>> No, you can't.
>> Well, of course I can't. You must
understand that.
>> I do.
Well, you got to be a very important,
powerful man, Bob.
One day you would have forgotten all
about this little unpleasantness. You
know what I mean?
>> Listen, the government raised me.
remember that uh at that restaurant down
on the beach in uh what the hell was the
name of? Yeah, it was kind of a club. Uh
the L elopo
el too.
>> It was something else that day.
>> Oh yeah,
>> that night too as I recall.
>> Ah you like
>> Mhm. to Costa del
>> to happy memories.
>> I loved you. Did you know that?
>> Yeah, I know that.
>> Did you know you loved me?
>> Yeah, I know that, too.
>> Is that why you walked out on me?
Oh, Jean.
>> I don't know. Maybe
>> one
travels fast. You're alone.
I'm sorry about that. I mean,
Sorry.
Well,
>> maybe you were right. You certainly
travel fast. Right
up to the top.
>> No, no, it's the top.
>> Almost to the top. Right up there. Right
where all the power is.
That's where the power is.
>> It's a good thing they can't see you
now.
>> Who can't see me? Why
>> the committee?
>> The committee uh the presidential
advisory committee,
>> right?
>> Good. I'm in almost.
>> Why?
>> Why?
>> Why?
>> I mean, uh,
I took every
>> Now, why was that?
>> Why? Because they might realize that
you're human. You're a human being. They
wouldn't like that.
That's because I'm feeling
particularly human tonight.
What do you think?
>> I think you're beautiful.
>> You're really stoned.
>> Yes, but you do look beautiful.
I know something.
You're bastard.
You're real.
>> The enclosed key will let you into the
woman's apartment. Phone me from the
call box by the apartment as soon as you
arrive. The girl will be alone. I will
arrange that. And in this cellophane
packet is a tiny fragment of human skin.
Skin invariably collects beneath the
nails of a woman who has been savagely
attacked.
Place the skin under the fingernails.
This should keep the police pathologist
busy for a time. So you see, I am doing
all I can to protect you.
With these instructions, you will find a
key to a left luggage locker at Marabone
Station.
The number is on the key. You go to
Marleone Station directly from your
apartment.
>> Anything else I can get you before I go?
>> No.
Good night.
>> Good night, Miss Robertson.
Yes. Hello.
>> Oh, Robert, I'd like to see you.
>> I'm right in the middle of something. I
I've got to finish it by tomorrow. So,
>> please, Robert, I want to talk to you.
>> Jean, listen. I'll I'll call you in the
morning. Huh? Good night.
Heat. Heat.
Are
you okay?
David. David. Damn it. Where are you?
Jean,
>> I'm sorry I had to. I
>> Well, listen. I uh What the hell? I told
you I was busy.
Well, you going to slam the door or
what?
>> No, no, no. Come on in. I'm sorry.
>> Are you expecting something? I mean, do
you have a date?
>> No, I don't have a date. I'm simply
working on my speech.
Now, what is it that can't wait till
morning?
What am I? Am I a one night stand?
>> Oh, Jean.
>> Sorry.
Look at me. Please.
>> Listen. Come on.
Listen. You're going to get the hell out
of here so I can get back to work.
Come on.
>> Yes.
>> It's David.
Where have you been?
>> I was seen. Some woman, she saw me.
>> Well, you get home as quick as you can.
Call me when you get there.
>> I put you in a terribly embarrassing
position. I'm sorry.
>> No, no, no. I was just an associate that
uh
Jean,
>> there's no need to explain. Really, no
explanation is necessary.
David
Christina.
Heat.
HEAT.
What do you do?
Yes,
>> Ellis.
>> Alex, what's the matter?
>> Yes. Well, I can't go through with it.
>> What?
>> Can't go through with it. I I just can't
do it. That's all. You'll You'll just
You'll just have to find someone else.
Where are you?
>> I'm uh I I'm I'm outside the club. Um
now, look, you you must try and
understand it.
>> Alex, you're going to go through with it
just as we planned.
>> I don't care anymore. You see, I mean,
what happens to me? It it I I just
cannot go through with it.
>> Alex, I'll tell you what's going to
happen to you. You're going to be
finished, wiped out. I thought I made
that clear. We've been through all of
this before.
>> Uh you wouldn't do that, would you? I
you you wouldn't do that.
You just try me
now. You go around the back of the
clock. You wait for him. He should be
there any minute now. Do what you have
to do. And then you call him five times
just as we planned.
>> I know all that. Is it?
>> Listen to me. Godamn it.
It's either you or him now. What's it
going to be?
Alex. All right.
All right, Alex.
>> All right.
Heat. Heat.
That was God damn it.
Come on, Alex.
What's up?
Alex.
Alex.
>> Elliot.
>> Why the hell didn't you call me?
>> Yeah. I I uh I I I was going I was going
to call you. Um
I meant I meant to call you. It was just
that I um the um
>> Doesn't matter with you. Are you drunk?
>> I I just don't feel
>> sick. Just don't feel too grand. You
know, I I uh the diabetes, you know.
>> Well, maybe you're better to take your
injection. No,
>> I did. I did. Um, I I before I um
I
go
>> what she um
>> would you do it?
>> Yes, I did it.
did it.
I um I uh
I I I I hit him. Oh, it's easy easier
than I expected.
We We've done it. We've done it. We've
done it. See, we've done it. So, and
then we
I sent you there.
>> Well, I understand your problem, but
there must be somebody who can take over
this assignment.
>> Well, there isn't.
>> Well, I can't get any place with Elliot.
>> What's the hang up to you? Personal.
>> Personal? Yes. I mean, it is. It's
personal.
>> You don't want to believe Elliot sold
out.
>> Yes.
>> Am I wrong, Jean?
>> No. You're right as always.
>> Are you going to do your job?
>> Yes.
>> Tell Elliot he's on borrowed time.
>> Whatever you say.
>> I'm sure it's something you'll be able
to live with.
>> Yes. Well, for £800, I certainly hope
so.
>> It has an abstract quality which is most
original. Don't you find so?
>> Yes. It's quite interesting.
>> This just arrived by special delivery.
Professor,
>> what is it?
>> I have no idea. Here you are.
>> Thank you, sir. I
>> I'll take these bags down. Professor, we
are having an exhibition of Margarit's
work in January. I'm sure you'd be
interested.
>> Thank you. I'll make a point of that.
>> Well, good day to you, sir.
>> Good day.
>> Your plan's at 2:00, which means you
must leave here not later than 12:45.
>> 12:45.
>> Oh, madam.
Ah,
>> professor at home. Uh,
>> yes, he's in the study.
Well,
>> oh, Jean,
>> you made it.
Just came over the till. A special
statement from the PR office of the
White House. Congratulations.
>> Well, thank you.
>> I think that calls for a drink.
>> I've got a 2:00 plane to catch. That
means I have to leave at 1:00.
>> Okay, you'll make it. You always do.
>> Granny.
>> Fine. Oh, I am sorry about last night.
Uh, I realize I couldn't have been more
wrong.
>> Oh, the only thing that you're involved
with is uh yourself.
>> Yourself? It's your work.
>> What is that?
>> Well, when are you coming back to
Washington?
H.
>> They've really got you, haven't they?
They've got their man right up there
where it counts.
EDC and Farnsworth can run the
government any way they want because
good old Professor Elliot is right in
there next to the president.
>> I hope they're paying you a lot of
money.
>> Yes, they are. Oh.
Jean, there are a hell of a lot of
things in this world need to be done.
>> And to do them, the right man has to be
in the right place at the right time.
>> Are you the right man?
>> Yes.
>> You know, it's usual in a civilized
society to wait until you're elected to
a post, not smash your way through
whether you're wanted or not.
>> That's why the whole world is falling
around all about us because we're
waiting for the right man to be elected.
>> That's called democracy. Don't you
remember?
>> Yes. The whole world's governed by a
bunch of democratically elected
amateurs. There's no time for that
anymore.
>> Or a little fascism can go a long way.
>> You don't seem to understand that there
are things that I believe in. I believe
in very deeply.
Not about to wait around for a bunch of
halfass politicians to screw things up
when I know that I can do a hell of a
lot better job. And that's not vanity or
conceit or a damn thing. That's pure
honest conviction.
>> The end justifies the means. You know,
there's a lot of us poor downtrodden
peasants who don't happen to agree with
you.
>> That's why you're peasants.
>> This particular peasant doesn't attempt
to stay down.
>> Oh, well, Jean, you're stuck in time.
Kind of an argument went out with a cold
warn children.
>> Well, there's something else. You know,
I've been digging up a lot of stuff and
the more I kept digging, the more I kept
finding out that you were involved. I'm
going to write about it, Robert. I'm
going to write about it. I'm going to
throw the mut against the wall and some
of it is going to stick to you.
Well, write it then, Jean.
>> I damn well will.
I have never ever really trusted you,
Elliot, and it would be reasonable,
therefore, to suppose, that should I die
an unnatural death, you and your
organization are likely to be
responsible.
I've been working for some months now on
a highly toxic substance under a war
office contract. The poison is
longlasting and will penetrate the skin.
The pages of this notebook are
completely saturated in this poison.
By the time you've read this far,
you have about 5 minutes left to live.
Could
you give me your opinion on
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