All language subtitles for The Comeback s01e03 Valerie Bonds With the Cast

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:18,600 --> 00:00:21,834 HOW IMPORTANT IS THE CAST OF A SITCOM? 2 00:00:21,900 --> 00:00:23,967 WELL, THE CAST IS EVERYTHING! 3 00:00:24,033 --> 00:00:25,800 ALL RIGHT? HOW'S THAT? 4 00:00:25,867 --> 00:00:29,567 AND I LOVE BEING IN AN ENSEMBLE COMEDY. 5 00:00:29,633 --> 00:00:33,367 SURROUND ME WITH A GREAT CAST AND I AM IN SITCOM HEAVEN. 6 00:00:33,433 --> 00:00:35,333 YOU KNOW? UH... 7 00:00:35,400 --> 00:00:38,367 AND I'M LUCKY ENOUGH TO HAVE BEEN THROWN IN THE CENTER OF-- 8 00:00:38,433 --> 00:00:40,633 YOU KNOW, NOT JUST ONE, BUT TWO GREAT SHOWS. 9 00:00:40,700 --> 00:00:43,333 SO KNOCK WOOD. ( giggles ) 10 00:00:43,400 --> 00:00:45,567 ARE YOU STILL CLOSE TO THE CAST OF "I'M IT"? 11 00:00:45,633 --> 00:00:49,433 UM, I'M CLOSE WITH THE CAST OF "I'M IT," THAT OLD GANG. 12 00:00:49,500 --> 00:00:52,600 DO YOU THINK YOU'LL BE CLOSER TO THIS CAST OR THE CAST OF "I'M IT"? 13 00:00:52,667 --> 00:00:55,767 WELL, YOU'LL HAVE TO ASK ME THAT IN 97 EPISODES. 14 00:00:55,834 --> 00:00:57,700 ( laughs ) RIGHT? 15 00:00:57,767 --> 00:00:59,500 ( chattering ) 16 00:00:59,567 --> 00:01:01,700 - GOOD MORNING! - AH, GOOD MORNING, JUNA. 17 00:01:01,767 --> 00:01:03,500 HI JANE. HI GUYS! 18 00:01:03,567 --> 00:01:05,467 OH SHIT, I FUCKED UP. I'M SORRY. 19 00:01:05,533 --> 00:01:08,433 - I'M NOT SUPPOSED TO TALK TO THE CREW. - OH NO, THAT'S OKAY. 20 00:01:08,500 --> 00:01:09,900 - DON'T WORRY ABOUT IT. - OKAY. 21 00:01:09,967 --> 00:01:11,900 WELL, LET'S SEE WHAT AUNT SASSY'S UP TO. 22 00:01:11,967 --> 00:01:14,200 OH... IT USUALLY MAKES A POP. 23 00:01:44,033 --> 00:01:46,166 Eddie: OKAY, HERE WE GO, EVERYONE! 24 00:01:46,233 --> 00:01:50,667 - GUYS, SORRY ABOUT THE LATE SCRIPT DELIVERY, EVERYBODY. - GET USED TO IT! 25 00:01:50,734 --> 00:01:52,500 ( laughs ) 26 00:01:52,567 --> 00:01:54,500 UH, I JUST HAVE ONE THING TO SAY. 27 00:01:54,567 --> 00:01:56,767 WE HAVEN'T CAST THE ART CRITIC YET, SO... 28 00:01:56,834 --> 00:01:59,333 OUR MR. PAULIE G HERE WILL BE READING IT. 29 00:01:59,400 --> 00:02:01,667 - Cast: ALL RIGHT. - AND I HAVE ONE THING TO SAY. 30 00:02:01,734 --> 00:02:04,900 - I CAN'T ACT. - ( laughing ) 31 00:02:04,967 --> 00:02:07,834 "EPISODE NUMBER TWO: TWO HOT CHICKS, 32 00:02:07,900 --> 00:02:10,834 ONE HAIRY ASS AND A PAINTBALL GUN." 33 00:02:10,900 --> 00:02:14,066 - TOM? - Eddie: YES, YOU NEED SOMETHING, VAL? 34 00:02:14,133 --> 00:02:16,900 YEAH WELL, AND I HAVE SOMETHING TO SAY. 35 00:02:16,967 --> 00:02:19,233 I-- UM-- 36 00:02:19,300 --> 00:02:22,367 JUST WANTED TO TAKE THIS MOMENT IN, 37 00:02:22,433 --> 00:02:24,333 YOU KNOW, FOR ALL OF US 38 00:02:24,400 --> 00:02:26,533 'CAUSE HERE WE GO! 39 00:02:26,600 --> 00:02:28,834 FIRST OFFICIAL EPISODE, YOU KNOW, 40 00:02:28,900 --> 00:02:30,600 IT'S EXCITING. 41 00:02:30,667 --> 00:02:34,066 WE'RE ALL-- WE'RE JUST SO LUCKY TO HAVE FOUND EACH OTHER. 42 00:02:34,133 --> 00:02:35,834 YOU KNOW? 43 00:02:35,900 --> 00:02:39,133 HERE'S TO YOU, EACH AND EVERY ONE, HUH? 44 00:02:39,200 --> 00:02:41,834 ALL RIGHT. JIMMY, DO YOU WANT TO SAY SOMETHING? 45 00:02:41,900 --> 00:02:43,633 UH, YEAH, UH... 46 00:02:43,700 --> 00:02:45,700 GET THAT CAMERA OFF ME. 47 00:02:45,767 --> 00:02:49,166 - ( all laughing ) - VERY GOOD. TOUCHE. 48 00:02:50,400 --> 00:02:52,800 INTERIOR, AUNT SASSY'S CONDO. 49 00:02:52,867 --> 00:02:55,533 CASSIE AND DYLAN SIT ON THE COUCH IN THEIR BATHING SUITS. 50 00:02:55,600 --> 00:02:58,934 I'M BORED. LET'S PAINT THE ROOM. 51 00:02:59,000 --> 00:03:01,467 WHAT ABOUT THE GESTAPO UPSTAIRS? 52 00:03:01,533 --> 00:03:04,333 UH, NO THANK YOU. I DON'T CARE FOR GAZPACHO. 53 00:03:04,400 --> 00:03:06,266 ( laughing ) 54 00:03:06,333 --> 00:03:10,400 CASSIE, IF WE'RE GOING TO BE ROOMMATES, YOU'VE GOT TO FIGHT YOUR BLONDE. 55 00:03:10,467 --> 00:03:13,333 FIGHT THE BLONDE, RIGHT. 56 00:03:13,400 --> 00:03:16,800 I'M TALKING ABOUT THE CONDO GESTAPO-- YOUR "AUNT" SASSY. 57 00:03:16,867 --> 00:03:19,233 - OH... - Tom: THERE'S A KNOCK ON THE DOOR. 58 00:03:19,300 --> 00:03:22,166 CASSIE REACHES FOR THE PHONE AND ANSWERS IT. 59 00:03:22,233 --> 00:03:24,934 HELLO? 60 00:03:25,000 --> 00:03:27,200 NO, CASSIE, THAT WAS THE DOOR. 61 00:03:27,266 --> 00:03:30,667 OH, RIGHT! PHONE: HELLO; DOOR: COME IN. 62 00:03:30,734 --> 00:03:33,200 THE INTERCOM BUZZES. 63 00:03:33,266 --> 00:03:34,967 - WHO IS IT? - AUNT SASSY. 64 00:03:35,033 --> 00:03:37,066 IT'S "AUNT" SASSY. HIDE THE EVIDENCE. 65 00:03:37,133 --> 00:03:41,000 CASSIE THROWS A BEACH TOWEL OVER MOONER AND STITCH, STILL ASLEEP ON THE COUCH. 66 00:03:41,066 --> 00:03:42,500 THE FRONT DOOR OPENS. 67 00:03:42,567 --> 00:03:45,533 AUNT SASSY STANDS THERE IN HER PATHETIC PINK RUNNING SUIT, 68 00:03:45,600 --> 00:03:48,700 HOLDING PATHETIC PINK PLASTIC WORKOUT WEIGHTS. 69 00:03:48,767 --> 00:03:52,000 LADIES, I'M TRUCKING ON DOWN TO THE BEACH TO JAZZERCISE, 70 00:03:52,066 --> 00:03:54,567 - ANY TAKERS? - NO WAY! 71 00:03:54,633 --> 00:03:56,633 I MEAN, I HAVE TO STUDY FOR MY LAW FINALS. 72 00:03:56,700 --> 00:03:59,633 - MMM. - YEAH, AND I'M ALLERGIC TO SAND. 73 00:03:59,700 --> 00:04:03,300 - ( laughing ) - HEY, HOW WAS YOUR BLIND DATE LAST NIGHT, AUNT SASSY? 74 00:04:03,367 --> 00:04:07,667 HE WAS HANDSOME, HE WAS SEXY. HE DIDN'T SHOW! 75 00:04:07,734 --> 00:04:12,834 CASSIE AND SHAYNE MAKE POOR-PATHETIC-AUNT-SASSY FACES. 76 00:04:12,900 --> 00:04:15,333 ( crowd "awwws" ) 77 00:04:19,367 --> 00:04:23,467 VERY GOOD, VERY GOOD, EVERYONE. THE WRITERS STILL HAVEN'T FIGURED OUT A TAG. 78 00:04:23,533 --> 00:04:26,734 - GET USED TO IT! - LET'S TAKE A BREAK AND WE'LL START. 79 00:04:26,800 --> 00:04:28,533 Eddie: ACTORS 30 MINUTES! 80 00:04:29,600 --> 00:04:31,867 Val: LISTEN, GANG-- HEY, GUYS! 81 00:04:31,934 --> 00:04:34,367 - JESSE, CHRIS-- CHRIS! - WHAT'S UP? 82 00:04:34,433 --> 00:04:37,767 LISTEN, I WANT TO TAKE YOU ALL TO LUNCH THIS WEEK. 83 00:04:37,834 --> 00:04:39,600 - OHH, THAT'S NICE. - GREAT! 84 00:04:39,667 --> 00:04:42,133 YEAH, HAVE, LIKE, A SPECIAL CAST-BONDING LUNCH. 85 00:04:42,200 --> 00:04:44,700 - I DO IT WITH ALL MY SHOWS. - Juna: OKAY. 86 00:04:44,767 --> 00:04:47,166 - I'M THINKING WEDNESDAY. - I CAN'T DO IT WEDNESDAY. 87 00:04:47,233 --> 00:04:50,567 - TUESDAY? - Shayne: I CAN'T DO IT TUESDAY BECAUSE I HAVE AN APPOINTMENT. 88 00:04:50,633 --> 00:04:53,367 - ( all discussing ) - YOU KNOW, I'M GONNA TALK TO THE WRITERS. 89 00:04:53,433 --> 00:04:57,000 WHY DON'T YOU FIGURE IT OUT AND THEN YOU LET ME KNOW. IT'S GONNA BE FINE. 90 00:04:57,066 --> 00:04:59,266 OKAY. 91 00:05:01,734 --> 00:05:03,867 Jimmy: WE CAN'T REALLY RELY ON THAT VISUAL BLOW. 92 00:05:03,934 --> 00:05:06,066 YEAH, BUT THEY SHOWED ASS IN "N.Y.P.D. BLUE." 93 00:05:06,133 --> 00:05:09,300 - 10 YEARS AGO AND A DRAMA. - FUCKING DRAMA. 94 00:05:09,367 --> 00:05:12,000 YOU KNOW WHAT? I SWEAR TO GOD, IF I HEAR FUCKING DRAMA 95 00:05:12,066 --> 00:05:13,667 - ONE MORE FUCKING TIME-- - JIMMY! 96 00:05:13,734 --> 00:05:15,934 - SEE YOU IN 30 MINUTES, DOLL. - OKAY, YEAH. 97 00:05:16,000 --> 00:05:18,967 - NO, SERIOUSLY, FUCK THEM! - LISTEN, GUYS, REALLY-- 98 00:05:19,033 --> 00:05:22,000 LET'S BE FORENSICS PEOPLE AND FIND FUCKING DEAD HOOKERS 99 00:05:22,066 --> 00:05:23,734 FOR FIVE FUCKING SHOWS! 100 00:05:23,800 --> 00:05:25,734 YEAH YEAH, RIGHT RIGHT. BLAH BLAH BLAH-- 101 00:05:25,800 --> 00:05:27,567 - GUYS, REALLY GREAT. - --FUCKING BLAH! 102 00:05:27,633 --> 00:05:30,500 - TOM, GREAT FIRST SCRIPT. - WE'RE ALL FUCKING FORENSICS PEOPLE. 103 00:05:30,567 --> 00:05:33,633 - LET'S DO FIVE SHOWS ABOUT IT! - IT WAS REALLY FUN, AND THAT BLIND DATE? 104 00:05:33,700 --> 00:05:37,266 SO FUNNY. YOU KNOW WHAT WOULD BE REALLY GREAT IS TO, UM-- 105 00:05:37,333 --> 00:05:39,533 SEE AUNT SASSY ON A DATE SOMETIME. 106 00:05:39,600 --> 00:05:41,734 - OH YEAH YEAH YEAH. - RIGHT? 107 00:05:41,800 --> 00:05:44,333 WELL, I GOT-- THAT WAS A GREAT READ. 108 00:05:44,400 --> 00:05:46,600 AW, THANKS! QUICK QUESTION-- I'LL WALK WITH YOU. 109 00:05:46,667 --> 00:05:50,200 - I HAVE A QUESTION. - GUYS, GO BACK AND GET STARTED. I'LL BE THERE IN A SEC! 110 00:05:50,266 --> 00:05:53,600 - GREAT SCRIPT! - HEY, VAL, CHECK OUT MY NEW DRESSING ROOM! 111 00:05:53,667 --> 00:05:56,100 - OH, THAT'S GREAT. - ISN'T IT GREAT? 112 00:05:56,166 --> 00:05:58,834 THAT'S GREAT. LISTEN, HERE'S THE QUESTION. 113 00:05:58,900 --> 00:06:01,033 IS IT AUNT SASSY OR "AUNT" SASSY? 114 00:06:01,100 --> 00:06:03,333 - AUNT SASSY. - OKAY, SOME OF US 115 00:06:03,400 --> 00:06:06,033 ARE SAYING "AUNT" SASSY. 116 00:06:06,100 --> 00:06:09,000 BUT, YEAH, THAT'S WHAT I THOUGHT IT WAS. OKAY, GOOD. 117 00:06:09,066 --> 00:06:11,900 I'M GLAD THAT'S CLEARED UP. NOW, WHILE WE'RE ON THE SUBJECT, 118 00:06:11,967 --> 00:06:15,500 IS CASSIE MY BROTHER'S OR MY SISTER'S CHILD? 119 00:06:16,834 --> 00:06:19,000 - YOU'RE HER AUNT. - RIGHT, YES, 120 00:06:19,066 --> 00:06:21,367 BUT IS IT MY BROTHER'S DAUGHTER OR MY SISTER'S? 121 00:06:21,433 --> 00:06:23,567 IT MAKES A DIFFERENCE, YOU KNOW? 122 00:06:23,633 --> 00:06:27,133 PAULIE, WHAT DO YOU THINK, BROTHER, SISTER? 123 00:06:27,200 --> 00:06:29,400 YEAH, UH... 124 00:06:29,467 --> 00:06:31,333 BROTHER OR SISTER, I DON'T KNOW. 125 00:06:31,400 --> 00:06:35,033 - WE DIDN'T REALLY GIVE IT THAT MUCH THOUGHT. - THAT'S WHAT I'M HERE FOR. 126 00:06:35,100 --> 00:06:38,100 - DIDN'T MEAN TO STEP ON TOES. - OH NO NO NO. 127 00:06:38,166 --> 00:06:39,500 NO, NO TOES, NO TOES. 128 00:06:39,567 --> 00:06:41,100 - Val: OKAY. - ( both laugh ) 129 00:06:41,166 --> 00:06:43,166 NO, YOU CAN'T TAKE IT PERSONALLY. HE'S-- 130 00:06:43,233 --> 00:06:45,100 HE'S JUST NOT COMFORTABLE WITH THE-- 131 00:06:45,166 --> 00:06:47,166 - CAMERAS. YEAH. - YEAH. 132 00:06:47,233 --> 00:06:50,333 ( whispers ) OR THE REALITY SHOW? 133 00:06:50,400 --> 00:06:52,300 I KNOW A LOT OF WRITERS ARE UPSET 134 00:06:52,367 --> 00:06:55,800 BECAUSE REALITY SHOWS ARE PUTTING THEM OUT OF WORK. 135 00:06:55,867 --> 00:06:57,800 IS THAT WHAT IT IS? 136 00:06:57,867 --> 00:07:01,400 WELL, I DON'T THINK HE'S... WORRIED ABOUT THAT. 137 00:07:01,467 --> 00:07:04,467 HE HAD AN EMMY WHEN HE WAS LIKE 22. 138 00:07:04,533 --> 00:07:07,066 - OH, HE HAS AN EMMY?! - WELL, WE BOTH DO. 139 00:07:07,133 --> 00:07:09,934 YEAH, WE WON IT FOR OUR FIRST "SIMPSONS" SCRIPT. 140 00:07:10,000 --> 00:07:11,467 WOW! 141 00:07:11,533 --> 00:07:13,600 OH... I'M SURROUNDED BY EMMYS. I DIDN'T EVEN KNOW. 142 00:07:13,667 --> 00:07:15,967 EXCUSE ME. TOM, WHENEVER YOU'RE FINISHED WITH VALERIE, 143 00:07:16,033 --> 00:07:18,533 - I'LL SHOW HER HER DRESSING ROOM. - OKAY, WE'RE DONE. 144 00:07:18,600 --> 00:07:20,066 - OH, I MEAN, ARE WE--? - SURE, YEAH. 145 00:07:20,133 --> 00:07:21,867 YOU GO, THAT'S FINE. SO, BROTHER? 146 00:07:21,934 --> 00:07:24,333 JUST IT MIGHT MAKE A BETTER GUEST STAR DOWN THE ROAD. 147 00:07:24,400 --> 00:07:26,400 - I THINK. - BROTHER? 148 00:07:26,467 --> 00:07:28,967 - UH, LET ME THINK ABOUT IT. - YEAH, THINK ABOUT IT. 149 00:07:29,033 --> 00:07:30,333 - I'LL-- YEAH. - OKAY. 150 00:07:30,400 --> 00:07:32,300 YEAH. OKAY, THANKS. 151 00:07:32,367 --> 00:07:34,467 - VALERIE, IT'S THIS WAY. - THIS WAY. 152 00:07:34,533 --> 00:07:37,734 I THINK YOU'RE GONNA LIKE IT. WE GAVE YOU THE ONE WITH THE PRIVATE BATHROOM. 153 00:07:37,800 --> 00:07:39,667 - RIGHT UP THERE. - UP? 154 00:07:39,734 --> 00:07:42,166 YEAH, I MEAN THAT WAY THE KIDS WON'T BOTHER YOU, YOU KNOW? 155 00:07:42,233 --> 00:07:44,700 THAT CHRIS IS DRIVING ME FRICKING CRAZY. 156 00:07:44,767 --> 00:07:47,100 RIGHT. NOW, I KNOW THAT ONE HAS A BATHROOM. 157 00:07:47,166 --> 00:07:51,300 YES, TOM AND PAULIE G WANTED THAT FOR THEIR HANGOUT ROOM 158 00:07:51,367 --> 00:07:53,667 - ON SHOW NIGHTS, YOU KNOW? - UH-HUH. 159 00:07:53,734 --> 00:07:56,734 - RIGHT RIGHT. - I GOTTA GO TO PROPS. 160 00:07:57,967 --> 00:07:59,600 ALL RIGHT, YEAH. 161 00:08:03,400 --> 00:08:05,333 BRING YOUR SHERPA! 162 00:08:07,000 --> 00:08:11,567 ...AND THEY GAVE ME THIS PRIVATE DRESSING ROOM WAY ABOVE EVERYONE ELSE. 163 00:08:11,633 --> 00:08:14,033 IT'S A LOVELY GESTURE AND I APPRECIATE IT, 164 00:08:14,100 --> 00:08:16,700 BUT, YOU KNOW, IT PUTS ME ON A PEDESTAL 165 00:08:16,767 --> 00:08:19,467 AND I HAVE TO CLIMB DOWN OFF OF IT. 166 00:08:21,433 --> 00:08:23,767 HEY, SHOULDN'T YOU GET UP? 167 00:08:23,834 --> 00:08:27,033 NO, I'M GONNA WAIT UNTIL YOU FINISH GETTING DRESSED. 168 00:08:27,100 --> 00:08:29,900 Sound man: THE BOOM ISN'T PICKING HIM UP. I SHOULD MIC HIM. 169 00:08:29,967 --> 00:08:32,967 YOU'RE GONNA WAIT? MARK, IT'S 7:00. 170 00:08:33,033 --> 00:08:35,066 YOU HAVE TO TAKE FRANCHESCA TO SCHOOL. 171 00:08:35,133 --> 00:08:37,100 YEAH, I-- BUT-- 172 00:08:37,967 --> 00:08:39,867 WELL, YOU KNOW, JUST-- 173 00:08:39,934 --> 00:08:42,266 ACT LIKE YOURSELF. PRETEND THEY'RE NOT HERE. 174 00:08:42,333 --> 00:08:44,467 YEAH, WELL, HOW AM I NOT SUPPOSED TO SEE THAT? 175 00:08:44,533 --> 00:08:47,133 Jane: AL, WHAT THE FUCK? YOUR HAND'S IN THE SHOT. 176 00:08:47,200 --> 00:08:50,333 - THE SHEETS KEEP MOVING. CAN WE JUST GET HIM A T-SHIRT? - SURE, YEAH. 177 00:08:50,400 --> 00:08:55,200 RIGHT, CAN WE MAKE A DEAL THAT WE DON'T START UNTIL AFTER BREAKFAST? 178 00:08:56,500 --> 00:08:58,867 THERE YOU GO. THERE. 179 00:08:58,934 --> 00:09:01,834 - THANK YOU. - YEAH, IT'S NO BIG DEAL. 180 00:09:01,900 --> 00:09:04,834 YOU KNOW, JUST US, YOU AND ME IN THE MORNING. 181 00:09:04,900 --> 00:09:09,100 WHAT ABOUT THIS FOR THE HAIR? VERY "THAT GIRL"! 182 00:09:09,166 --> 00:09:11,266 A LITTLE TOO MUCH. YEAH. 183 00:09:11,333 --> 00:09:13,967 - ( knocking ) - DADDY, CAN I COME IN? 184 00:09:14,033 --> 00:09:16,667 YEAH, COME IN, FRANCHESCA. 185 00:09:18,433 --> 00:09:21,767 WE'RE RUNNING A LITTLE LATE, SO YOUR FATHER WILL GET READY IN A MINUTE. 186 00:09:21,834 --> 00:09:25,400 OH WELL, I WAS WONDERING IF YOU COULD DRIVE ME, VALERIE? 187 00:09:26,567 --> 00:09:28,433 YOU WANT ME TO DRIVE YOU TO SCHOOL? 188 00:09:28,500 --> 00:09:30,800 AND I THOUGHT WE COULD, LIKE, TALK ON THE WAY. 189 00:09:30,867 --> 00:09:32,567 THAT'S GREAT. 190 00:09:32,633 --> 00:09:35,633 WHY DON'T YOU GO DOWN TO THE KITCHEN AND I'LL BE DOWN IN A MINUTE. 191 00:09:38,467 --> 00:09:40,533 ( chuckles ) ALL RIGHT. 192 00:09:40,600 --> 00:09:42,700 HOW DO YOU LIKE THAT, HUH? 193 00:09:42,767 --> 00:09:44,800 ( giggles ) 194 00:09:44,867 --> 00:09:47,600 ? CH-CH-CH-CHANGES! ? 195 00:09:49,066 --> 00:09:51,200 BIG DAY AT THE BERMAN HOUSE. 196 00:09:52,533 --> 00:09:54,734 THAT LITTLE GIRL IS FINALLY REACHING OUT TO ME. 197 00:09:56,533 --> 00:09:58,633 A LITTLE OVERWHELMED. 198 00:09:58,700 --> 00:10:00,734 JANE-- UM-- 199 00:10:00,800 --> 00:10:03,600 THIS MIGHT BE A GOOD MOMENT FOR A PERSONAL VIDEO DIARY. 200 00:10:03,667 --> 00:10:06,000 SHOULD I JUST RUN IN THE BATHROOM, KNOCK THAT OUT? 201 00:10:06,066 --> 00:10:09,066 - SHE'S WAITING FOR A RIDE. - SHE'LL BE FINE. WON'T TAKE FIVE. 202 00:10:09,133 --> 00:10:12,033 - REALLY FEELING IT. - WHY DON'T WE JUST HEAD DOWNSTAIRS 203 00:10:12,100 --> 00:10:14,600 - AND WE CAN GET IT O.T.F. - WHAT'S O.T.F.? 204 00:10:14,667 --> 00:10:16,600 - ON THE FLY. - GREAT! 205 00:10:16,667 --> 00:10:20,133 MICKEY, WILL YOU GRAB MY PURSE, DEAR? WE'RE GONNA GET THIS O.T.F. 206 00:10:20,200 --> 00:10:22,533 Val: MARKY-MARK, HAVE A GREAT DAY. 207 00:10:25,033 --> 00:10:27,100 BYE, MICKEY. 208 00:10:28,233 --> 00:10:30,900 Val: GO AHEAD. 209 00:10:33,867 --> 00:10:38,967 WELL, TODAY IS A DAY THAT I'VE BEEN WORKING TOWARD FOR A VERY VERY LONG TIME. 210 00:10:39,033 --> 00:10:42,533 UH... FRANCHESCA AND I ARE STARTING TO BOND. 211 00:10:42,600 --> 00:10:46,934 AND WE'RE CROSSING FROM STEPMOM TO FRIEND. 212 00:10:47,000 --> 00:10:48,767 I'M SORRY. JANE! I THINK-- WE-- 213 00:10:48,834 --> 00:10:51,033 COULD WE SWITCH SO I'M LOOKING UP AT CAMERA? 214 00:10:51,100 --> 00:10:52,967 IT'LL BE A BETTER ANGLE, THAT'S ALL. 215 00:10:53,033 --> 00:10:54,800 YEAH, LET'S SWITCH IT OUT. 216 00:10:56,533 --> 00:10:58,600 OKAY, THAT'S TOO CLOSE. 217 00:10:58,667 --> 00:11:00,200 YEAH, OKAY. 218 00:11:02,100 --> 00:11:07,200 WELL, TODAY'S A DAY THAT I'VE BEEN WORKING TOWARD FOR A VERY LONG TIME. 219 00:11:07,266 --> 00:11:10,800 FRANCHESCA AND I ARE FINALLY STARTING TO BOND. 220 00:11:10,867 --> 00:11:13,033 MAYBE YOU JUST STAY THERE AND I--? 221 00:11:13,100 --> 00:11:18,967 UM, WELL, TODAY'S A DAY THAT I'VE BEEN WORKING TOWARD FOR A VERY LONG TIME. 222 00:11:19,033 --> 00:11:21,033 FRANCHESCA AND I ARE... 223 00:11:21,100 --> 00:11:23,266 FINALLY STARTING TO BOND, 224 00:11:23,333 --> 00:11:26,834 UH, CROSSING FROM STEPMOM TO FRIEND. 225 00:11:28,000 --> 00:11:30,600 IT SHOULD-- "ON THE FLY" IS MOVING, RIGHT? 226 00:11:30,667 --> 00:11:33,400 I CAN'T JUST BE STANDING. LET'S START AT THE TOP THEN. 227 00:11:36,800 --> 00:11:39,266 Man: ROLLING. 228 00:11:41,200 --> 00:11:43,700 Val: JANE, WE'RE COMING UP ON HER SCHOOL. 229 00:11:43,767 --> 00:11:46,834 DID ANY OF YOU GUYS WORK ON "THE REAL WORLD"? 230 00:11:46,900 --> 00:11:48,767 "THE ASHLEE SIMPSON SHOW"? 231 00:11:48,834 --> 00:11:52,033 Man on radio: Jane, there's another reality show filming at the school. 232 00:11:52,100 --> 00:11:54,066 Jane: UNIT, WE'RE PULLING UP ON THE SCHOOL. 233 00:11:54,133 --> 00:11:56,600 Some father and son trading places thing. 234 00:11:57,834 --> 00:12:00,700 - WHO IS THIS? - "SWITCHEROO" FOR NICKELODEON. 235 00:12:00,767 --> 00:12:02,266 OH, MOVE IT! YOU'RE IN OUR SHOT! 236 00:12:02,333 --> 00:12:05,400 RELAX, MAN, WE'RE SHOOTING A REALITY SHOW TOO. 237 00:12:05,467 --> 00:12:09,166 - WHICH ONE? - "THE COMEBACK" WITH VALERIE CHERISH. 238 00:12:09,233 --> 00:12:11,600 - WHO?! - VALERIE CHERISH. 239 00:12:11,667 --> 00:12:14,934 - COME AGAIN. - VALERIE CHERISH! 240 00:12:15,033 --> 00:12:17,500 JANE, I DON'T WANT TO BE LATE FOR REHEARSAL, SO... 241 00:12:17,567 --> 00:12:20,333 YEAH, WE'LL JUST SHOOT VALERIE SAYING GOODBYE FROM THE CAR. 242 00:12:20,400 --> 00:12:21,734 - YEAH. - YOU'RE NOT COMING IN? 243 00:12:21,800 --> 00:12:25,667 CAN'T DO IT. WE HAVE ANOTHER CREW AND REHEARSAL, SO-- 244 00:12:25,734 --> 00:12:29,467 "SWITCHEROO" IS STUPID. BIG DEAL, AN ADULT DRESSES LIKE A KID. 245 00:12:33,967 --> 00:12:38,834 ( distant voices goofing around ) 246 00:12:38,900 --> 00:12:41,533 - ( knocks ) - COME IN! 247 00:12:41,600 --> 00:12:44,033 - READY FOR ME? - Eddie: ACTUALLY NO. 248 00:12:44,100 --> 00:12:46,166 JIMMY'S STILL WORKING THE BITS OUT WITH THE KIDS. 249 00:12:46,233 --> 00:12:49,066 - OH OKAY. - WE'RE NOT GETTING TO YOUR SCENE TILL AFTER LUNCH. 250 00:12:49,133 --> 00:12:52,800 - YOU'RE RELEASED, OKAY? - WELL, WE'RE HAVING OUR SPECIAL CAST LUNCH TODAY. 251 00:12:52,867 --> 00:12:55,000 - SO I'M GONNA WAIT HERE. - GREAT. 252 00:12:55,066 --> 00:12:57,633 ( distant laughter and horseplaying ) 253 00:13:11,400 --> 00:13:13,000 WHAT DO YOU THINK, JIMMY? 254 00:13:13,066 --> 00:13:15,266 - OW! - OOH, SSSS! 255 00:13:19,300 --> 00:13:22,867 - LET'S TRY THE T-SHIRT BIT. - REHEARSAL, T-SHIRT! 256 00:13:22,934 --> 00:13:24,600 Cassie: BOYS, WHOO! 257 00:13:24,667 --> 00:13:25,867 TIME OUT. 258 00:13:27,066 --> 00:13:29,900 - ( screams ) - ( crew laughing ) 259 00:13:29,967 --> 00:13:32,100 DOES THAT WORK? 260 00:13:32,166 --> 00:13:33,967 WOW, I'D SAY THAT WORKED. 261 00:13:34,033 --> 00:13:37,667 - Man: SHAZAM! - DOES IT WORK? IS IT HOT IN HERE? 262 00:13:39,667 --> 00:13:42,000 GUY, HOW MANY WAYS DO I HAVE TO TELL YOU NO? 263 00:13:42,066 --> 00:13:45,500 - WE'RE ALLOWED TO SHOOT VALERIE'S REHEARSALS. - VALERIE'S NOT IN THIS SCENE. 264 00:13:45,567 --> 00:13:48,533 I KNOW BUT I WAS JUST MISSING EVERYONE WAY UP THERE IN MY CASTLE 265 00:13:48,600 --> 00:13:50,834 SO I THOUGHT I'D JUST HANG, WATCH A LITTLE. 266 00:13:50,900 --> 00:13:52,800 PLEASE? 267 00:13:52,867 --> 00:13:55,467 YOU KNOW WHAT? IT'S ABOUT THAT TIME. LET'S TAKE LUNCH. 268 00:13:55,533 --> 00:13:57,300 LONG LUNCH, EVERYONE! 269 00:13:57,367 --> 00:13:59,900 JIMMY? QUESTION. 270 00:13:59,967 --> 00:14:04,100 UH, SHAYNE KEEPS SAYING "AUNT" SASSY. 271 00:14:05,700 --> 00:14:09,133 - WHERE'S THE QUESTION? - SHOULDN'T WE ALL BE ON THE SAME PAGE? 272 00:14:09,200 --> 00:14:12,834 I'M CONCERNED ABOUT THE VIEWERS AT HOME. THEY HEAR AUNT, "AUNT," 273 00:14:12,900 --> 00:14:14,533 WHAT'S HAPPENING? 274 00:14:14,600 --> 00:14:17,066 WHY ARE YOU SO WORRIED ABOUT THIS SHOW? 275 00:14:17,133 --> 00:14:19,233 THIS IS NOT YOUR SHOW. 276 00:14:19,300 --> 00:14:21,233 THAT'S YOUR SHOW. 277 00:14:21,300 --> 00:14:25,300 THIS SHOW IS THE CAR THAT TAKES YOU TO THAT SHOW. 278 00:14:28,066 --> 00:14:31,600 - ( Juna shrieks ) - Jimmy: HEY, DON'T HIT JUNA IN THE FACE! SHE'S THE MONEY! 279 00:14:31,667 --> 00:14:34,533 - EASY WITH THE PROPS PLEASE. - ( kids laughing ) 280 00:14:34,600 --> 00:14:37,133 OKAY, ARE MY CO-STARS READY FOR LUNCH, HUH? 281 00:14:37,200 --> 00:14:40,467 - Jesse: I GOTTA MAKE A PHONE CALL. - Shayne: I GOTTA GET CHANGED. 282 00:14:40,533 --> 00:14:42,867 ALL RIGHT, I'LL MEET YOU THERE THEN. 283 00:14:42,934 --> 00:14:45,100 I'M GONNA CLIMB EVEREST AND FRESHEN UP. 284 00:14:46,967 --> 00:14:49,567 I'M GONNA RUN BY YOU HERE. 285 00:14:57,967 --> 00:15:00,934 - IS IT GOOD? - IS THIS TAKEN? 286 00:15:01,033 --> 00:15:04,100 OH YES. WE'RE WAITING FOR SOMEONE. 287 00:15:04,166 --> 00:15:08,467 IN FACT, YOU KNOW I THINK I'M GONNA CALL HER, CALL JUNA, SEE WHAT'S GOING ON. 288 00:15:10,000 --> 00:15:13,000 IT'S NOT A CAST LUNCH UNLESS WE HAVE THE WHOLE CAST, HUH? 289 00:15:13,066 --> 00:15:15,533 - ( giggles ) DON'T YOU THINK? - MM-HMM. 290 00:15:15,600 --> 00:15:17,600 IT WENT STRAIGHT TO VOICEMAIL. 291 00:15:17,667 --> 00:15:20,333 WE SHOULD'VE ATE SOMEWHERE ORGANIC. THIS IS LIKE, WOW! 292 00:15:20,400 --> 00:15:22,367 - THAT'S REALLY BAD. - I'M SORRY, I THOUGHT-- 293 00:15:22,433 --> 00:15:24,967 I PICKED THIS PLACE 'CAUSE I THOUGHT YOU KIDS MIGHT LIKE IT, 294 00:15:25,033 --> 00:15:28,200 THINK IT'S FUN OR-- YOU KNOW. MY FIRST THOUGHT WAS TO GO TO THE IVY. 295 00:15:28,266 --> 00:15:29,834 - OH, I LOVE THE IVY. - DO YOU? 296 00:15:29,900 --> 00:15:32,400 - IT'S GOOD. - OH, I PRACTICALLY HAVE MY OWN TABLE THERE. 297 00:15:32,467 --> 00:15:34,367 YOU KNOW THAT SCENE WITH THE PAINTBALL GUN? 298 00:15:34,433 --> 00:15:37,066 - THE ONE WHERE "AUNT" SASSY COMES IN? - I LOVE THAT SCENE. 299 00:15:37,133 --> 00:15:40,467 - THAT SCENE IS SO FUNNY! - DON'T YOU THINK IT'D BE FUNNY OF YOU JUMPED ON MY BACK? 300 00:15:40,533 --> 00:15:42,333 - AT THE END? - OH YEAH, THAT'D BE SO FUNNY. 301 00:15:42,400 --> 00:15:44,000 Kids: DONE, DONE. 302 00:15:44,066 --> 00:15:45,900 THAT'LL BE PERFECT. PERFECT. 303 00:15:45,967 --> 00:15:49,834 CHRIS, COULD YOU JUST BE AWARE OF WHERE YOUR BODY IS IN TIME AND SPACE, 304 00:15:49,900 --> 00:15:52,300 'CAUSE YOU JUST THREW ME ONTO THE-- 305 00:15:52,367 --> 00:15:55,867 - ( laughing ) - YOU'VE BEEN HOLDING THIS STOOL FOR AN HOUR. 306 00:15:55,934 --> 00:15:59,133 - YEAH, 'CAUSE WE'RE WAITING FOR OUR FRIEND. - I DON'T THINK SHE'S COMING. 307 00:15:59,200 --> 00:16:02,300 YOU CAN'T JUST HOLD A STOOL, MAN, IT'S LUNCHTIME. 308 00:16:02,367 --> 00:16:04,433 FINE, FINE, OKAY. LET'S JUST-- 309 00:16:04,500 --> 00:16:06,867 YOU KNOW WHAT-- OW! THAT'S MY FOOT. 310 00:16:06,934 --> 00:16:08,600 - YOU'RE ON MY FOOT. - SORRY. 311 00:16:08,667 --> 00:16:09,967 THAT'S ALL RIGHT. JANE? 312 00:16:10,033 --> 00:16:12,333 YOU KNOW WHAT? I THINK I'M JUST GONNA GO. 313 00:16:12,400 --> 00:16:14,834 I HAVE TO PICK UP SOMETHING AT TIFFANY. 314 00:16:14,900 --> 00:16:17,000 HEY, CAN I GET YOU TO SIGN A RELEASE REAL QUICK? 315 00:16:17,066 --> 00:16:19,934 - SURE. - DON'T YOU WANT TO KNOW WHAT IT'S FOR? 316 00:16:20,000 --> 00:16:21,967 OH, RIGHT. WHAT'S IT FOR? 317 00:16:22,033 --> 00:16:24,800 "THE COMEBACK," VALERIE CHERISH. 318 00:16:25,800 --> 00:16:27,800 "THE COMEBACK," WHAT WHAT? 319 00:16:29,100 --> 00:16:32,000 YOU ARE A CLASS ACT, RED. 320 00:16:32,066 --> 00:16:34,567 WELL, FIRST SHOW, GOTTA MAKE A FUSS, YOU KNOW. 321 00:16:34,633 --> 00:16:36,667 IT TURNED OUT GOOD. HI! 322 00:16:36,734 --> 00:16:41,333 UM, I NEED TO GET SIX OF THESE CUTE PATTERN KEYS THAT YOU HAVE. 323 00:16:41,400 --> 00:16:44,467 - SO... - WHICH ONE? 324 00:16:44,533 --> 00:16:48,200 OH, IT'S FOR SIX DIFFERENT PEOPLE SO I NEED SIX DIFFERENT ONES. 325 00:16:48,266 --> 00:16:52,333 SO, UH... I'M GOING TO MATCH THE KEY WITH THE PERSONALITY TYPE. 326 00:16:52,400 --> 00:16:55,266 - WHO'S BETTER THAN YOU? - ( chuckles ) 327 00:16:55,333 --> 00:16:59,200 OKAY, I THINK THIS CRAZY SWIRLY-COLOR ONE FOR CHRIS. 328 00:16:59,266 --> 00:17:00,633 - MM-HMM. - RIGHT? 329 00:17:00,700 --> 00:17:03,734 AND... OH, THE TIGER STRIPE FOR JESSE. 330 00:17:03,800 --> 00:17:06,367 - YEAH, HE SEEMS LIKE A TIGER, RIGHT? - DEFINITELY. 331 00:17:06,433 --> 00:17:08,567 WILD, EXOTIC... 332 00:17:08,633 --> 00:17:10,867 READY TO POUNCE. 333 00:17:12,633 --> 00:17:14,066 AND, UH... 334 00:17:14,133 --> 00:17:16,667 SHAYNE DID ALL THOSE DISNEY SHOWS, 335 00:17:16,734 --> 00:17:19,300 SO I THINK THESE CUTE TEDDY BEARS FOR HER. 336 00:17:19,367 --> 00:17:22,100 OKAY, PROBABLY CALLS THEM "TADDY" BEARS. 337 00:17:22,166 --> 00:17:24,033 ( laughing ) 338 00:17:24,100 --> 00:17:28,000 UH... OH DEFINITELY THE CLOUDS FOR JUNA. 339 00:17:28,066 --> 00:17:30,700 - YOU KNOW, AIRY, ETHEREAL. - INVISIBLE. 340 00:17:30,767 --> 00:17:35,166 - MICKEY, CAN'T GO THERE. - IT'S RUDE! YOU HELD THAT STOOL. 341 00:17:35,233 --> 00:17:37,266 ( swallows ) UH... 342 00:17:37,333 --> 00:17:39,400 - OH, THE YANKEES FOR TOM! - OH! 343 00:17:39,467 --> 00:17:41,734 - 'CAUSE HE ALWAYS HAS THAT HAT. - MM-HMM. 344 00:17:41,800 --> 00:17:45,100 AND... AND FOR PAULIE G... 345 00:17:45,166 --> 00:17:49,500 DO YOU-- DO YOU HAVE ONE WITH LITTLE CHAINSAWS ON IT? 346 00:17:49,567 --> 00:17:51,767 - ( Mickey laughs ) - NO. 347 00:17:51,834 --> 00:17:54,734 I WAS KIDDING. THAT WAS A JOKE. 348 00:17:55,967 --> 00:17:59,100 YOU KNOW WHAT, THE GOLD-- GOLD FOR HIS EMMY. 349 00:17:59,166 --> 00:18:01,367 OKAY, CAN I HAVE THE KEY? 350 00:18:01,433 --> 00:18:03,967 OH, I DON'T NEED A REAL KEY. IT'S JUST FOR DECORATION. 351 00:18:04,033 --> 00:18:06,367 - SO... - YOU NEED A KEY TO MAKE A KEY. 352 00:18:06,433 --> 00:18:09,600 YOU KNOW IT REALLY DOESN'T LOOK LIKE A KEY UNTIL YOU CUT IT. 353 00:18:09,667 --> 00:18:12,400 WELL, I'M NOT GONNA-- I CAN'T GIVE YOU ONE OF MY KEYS. 354 00:18:12,467 --> 00:18:18,166 HERE, USE MY KEY FROM MY STORAGE UNIT IN THE VALLEY. 355 00:18:18,233 --> 00:18:21,033 - I HAVEN'T BEEN THERE IN YEARS. - GREAT, THANKS! OKAY, THERE YOU GO. 356 00:18:21,100 --> 00:18:23,400 I SHOULD PROBABLY THROW ALL THAT STUFF OUT, 357 00:18:23,467 --> 00:18:27,266 BUT AS SOON AS I DO, I KNOW SOMEONE'S GONNA NEED A MIRRORED DISCO BALL. 358 00:18:30,667 --> 00:18:32,800 Jane: COULD YOU TALK ABOUT THE FACT 359 00:18:32,867 --> 00:18:35,133 THAT JUNA DIDN'T SHOW UP FOR LUNCH? 360 00:18:37,133 --> 00:18:39,934 - WHENEVER YOU'RE READY. - SURE, YEAH. 361 00:18:40,834 --> 00:18:42,266 ( clears throat ) OKAY. 362 00:18:42,333 --> 00:18:44,633 JANE, I'M SORRY. UM... 363 00:18:44,700 --> 00:18:46,467 ( gulps ) I'M CONFUSED. 364 00:18:46,533 --> 00:18:50,233 I THOUGHT WE WERE GOING TO BE TALKING ABOUT MY FEELINGS ABOUT THE FIRST SHOW. 365 00:18:50,300 --> 00:18:52,600 - WE WILL. - OH GOOD, OKAY. 366 00:18:52,667 --> 00:18:57,266 PEOPLE WILL BE WONDERING ABOUT IT SO IT WILL JUST BE GOOD TO HAVE. 367 00:18:57,333 --> 00:19:00,767 I MEAN, WE'LL NEED IT IF THEY WANT TO MAKE THE EPISODE ABOUT THAT. 368 00:19:00,834 --> 00:19:03,300 WHY WOULD THEY NEED TO MAKE THE EPISODE ABOUT THAT? 369 00:19:03,367 --> 00:19:06,066 NO, IT WOULD JUST BE SOMETHING THAT WOULD BE GOOD TO HAVE. 370 00:19:06,133 --> 00:19:07,834 WHO ARE THEY, THEN? 371 00:19:07,900 --> 00:19:10,233 - OH, THE EDITORS. - I SEE. 372 00:19:10,300 --> 00:19:12,533 OKAY. 373 00:19:13,500 --> 00:19:15,367 SO COULD YOU TALK ABOUT IT? 374 00:19:15,433 --> 00:19:17,266 ( clears throat ) 375 00:19:18,900 --> 00:19:20,533 WELL-- LOOK-- 376 00:19:20,600 --> 00:19:23,700 JANE, IF I TALK ABOUT IT, THEN IT GIVES THE IDEA THAT, 377 00:19:23,767 --> 00:19:25,867 YOU KNOW, I WAS HURT BY IT. 378 00:19:32,867 --> 00:19:34,600 FINE. 379 00:19:34,667 --> 00:19:37,800 YEAH, GOOD, YEAH. I'D RATHER NOT. 380 00:19:37,867 --> 00:19:41,300 Warm-up man: ALL RIGHT, YOU GUYS ARE GREAT! THIS IS A NICE PUMPED AUDIENCE. 381 00:19:41,367 --> 00:19:44,066 - GIVE YOURSELVES A ROUND OF APPLAUSE. - OH MY GOD, VAL, HI! 382 00:19:44,133 --> 00:19:46,734 - HI. - I WAS JUST ON MY WAY UP TO YOUR ROOM. 383 00:19:46,800 --> 00:19:51,367 UM, I WAS WONDERING IF I COULD MAKE UP TO YOU FOR YESTERDAY BY TAKING YOU TO LUNCH AT THE IVY? 384 00:19:51,433 --> 00:19:53,767 - JUST US, GIRLS' LUNCH. - JUNA, I WOULD LOVE THAT. 385 00:19:53,834 --> 00:19:56,567 - GREAT. - LISTEN, I HAVE A STARTING SHOW GIFT-- 386 00:19:56,633 --> 00:19:59,633 - OOOH! - FIRST SHOW GIFT-- NOT JUST 'CAUSE YOU APOLOGIZED EITHER. 387 00:19:59,700 --> 00:20:02,133 - OKAY. - OKAY, HAVE A GOOD FIRST SHOW. 388 00:20:02,200 --> 00:20:04,133 THANKS, YOU TOO. 389 00:20:10,033 --> 00:20:12,333 - LOOKING FOR ME? - YES, I AM! 390 00:20:12,400 --> 00:20:15,166 - I HAVE A FIRST SHOW GIFT FOR YOU. - OH MY GOD! 391 00:20:15,233 --> 00:20:17,033 - TIFFANY? - WELL... 392 00:20:17,100 --> 00:20:19,700 TIFFANY-- IT'S SO COOL. AW... 393 00:20:19,767 --> 00:20:21,834 KEY-- KEYCHAIN. 394 00:20:21,900 --> 00:20:26,734 AUNT SASSY'S CONDO, GOT IT FOR ALL OF AUNT SASSY'S TENANTS. 395 00:20:26,800 --> 00:20:29,066 ( chuckles ) KEYCHAIN FROM AUNT SASSY. 396 00:20:29,133 --> 00:20:31,767 OH NO, IT DOESN'T-- IT'S NOT-- THAT'S NOT THE RIGHT KEY. 397 00:20:31,834 --> 00:20:34,800 - OH, IT BROKE OFF. - YEAH. 398 00:20:34,867 --> 00:20:38,834 UM, 'CAUSE THAT KEY WAS FOR MICKEY'S STORAGE UNIT IN THE VALLEY. 399 00:20:38,900 --> 00:20:41,800 SO... YOU KNOW WHAT? 400 00:20:41,867 --> 00:20:44,033 SORRY I CAN'T STAY AND HELP YOU FIGURE THIS OUT. 401 00:20:44,100 --> 00:20:47,467 'CAUSE THE SHOW'S 10 MINUTES AWAY AND I'VE STILL GOT 20 MINUTES OF HAIR TO DO. 402 00:20:47,533 --> 00:20:50,500 SO, SORRY. GET SOMEONE ELSE TO HELP YOU WITH THAT. 403 00:20:50,567 --> 00:20:53,567 OH TOM! TOM, I HAVE A START GIFT FOR YOU AND PAULIE G. 404 00:20:53,633 --> 00:20:56,000 OH GREAT, GREAT! YOU CAN JUST PUT IT IN OUR ROOM. 405 00:20:56,066 --> 00:20:58,834 - IT'S RIGHT AT THE END OF THE HALL. - THE ONE WITH THE BATHROOM. 406 00:20:58,900 --> 00:21:01,166 I KNOW WHICH ONE IT IS. 407 00:21:02,500 --> 00:21:05,266 THE EXCITEMENT-- FIRST SHOW! 408 00:21:10,734 --> 00:21:12,867 ( girl moaning ) 409 00:21:12,934 --> 00:21:14,333 ( slaps ) 410 00:21:14,400 --> 00:21:17,200 LIKE A TIFFANY ELF-- 411 00:21:17,266 --> 00:21:18,800 Paulie G: FUCK! 412 00:21:18,867 --> 00:21:21,500 - ( door slams ) - WHAT THE FUCK ARE YOU DOING IN HERE? 413 00:21:22,734 --> 00:21:25,400 I WAS JUST LEAVING YOU A FIRST SHOW GIFT. 414 00:21:25,467 --> 00:21:28,734 IT'S A KEYCHAIN FROM TIFFANY. SORRY! 415 00:21:30,000 --> 00:21:31,867 HE SHOULDN'T USE IT. 416 00:21:31,934 --> 00:21:34,767 I SHOULD TELL HIM. DON'T USE THE KEY! 417 00:21:34,834 --> 00:21:37,934 'CAUSE IT'LL-- THE-- IT COULD BREAK THE LOCK 'CAUSE IT ISN'T-- 418 00:21:38,000 --> 00:21:39,934 - GET OUT OF HERE! - ALL RIGHT. 419 00:21:40,000 --> 00:21:42,667 - OKAY... - ( Jane giggles ) 420 00:21:42,734 --> 00:21:45,433 I CAN'T BELIEVE WHAT JUST HAPPENED. 421 00:21:46,900 --> 00:21:50,300 JANE, GOOD LUCK GETTING WHOEVER THAT WAS TO SIGN A RELEASE. 422 00:21:50,367 --> 00:21:53,033 ( both giggling ) 423 00:22:01,834 --> 00:22:04,934 - IT'S SHOW TIME! - YES, IT IS. 424 00:22:12,333 --> 00:22:14,066 CAN I GET YOU ANOTHER ICE TEA? 425 00:22:14,133 --> 00:22:16,767 - UH, NO THANKS. - ARE YOU SURE YOU DON'T WANT TO ORDER? 426 00:22:16,834 --> 00:22:18,867 I-- I'M-- GONNA WAIT A LITTLE LONGER. 427 00:22:18,934 --> 00:22:21,200 YEAH. 428 00:22:28,800 --> 00:22:30,834 40 MINUTES LATE. 429 00:22:33,300 --> 00:22:35,433 I DON'T THINK SHE'S COMING. 430 00:22:35,500 --> 00:22:37,233 AGAIN. 431 00:22:37,300 --> 00:22:39,133 ( sighs ) 432 00:22:39,200 --> 00:22:41,900 JANE, DO YOU WANT TO SIT AND HAVE LUNCH WITH ME? 433 00:22:41,967 --> 00:22:44,633 - OH, I CAN'T, I'M WORKING. - YEAH, NO. 434 00:22:44,700 --> 00:22:47,633 I'M JUST GONNA WAIT A LITTLE LONGER THEN. 435 00:23:25,000 --> 00:23:29,133 OH VAL, I AM SO SORRY! I WAS WAITING AT THE IVY. 436 00:23:29,200 --> 00:23:32,633 I LEFT YOU A MESSAGE. I TOLD YOU TO MEET ME HERE. 437 00:23:32,700 --> 00:23:35,033 I COULDN'T-- WE COULDN'T GET A TABLE AT THE IVY. 438 00:23:35,100 --> 00:23:37,400 - SO-- - I JUST CHECKED MY MESSAGES NOW. 439 00:23:37,467 --> 00:23:39,233 - JUST NOW. - I'M SO LAME. 440 00:23:39,300 --> 00:23:42,533 WOW, AN ACTRESS WHO DOESN'T CHECK HER MESSAGES EVERY 15 MINUTES! 441 00:23:42,600 --> 00:23:44,600 ALL RIGHT, CALL "RIPLEY'S BELIEVE IT OR NOT." 442 00:23:44,667 --> 00:23:47,800 I KNOW. I MEAN, I'M NOT REALLY AN ACTRESS. 443 00:23:47,867 --> 00:23:50,266 THIS IS MY FIRST ACTING GIG EVER, SO-- 444 00:23:50,333 --> 00:23:53,900 - ( laughs ) - THIS IS YOUR FIRST ACTING GIG, REALLY? 445 00:23:53,967 --> 00:23:56,333 I MEAN, CAN'T YOU TELL? I FEEL LIKE SOMETIMES 446 00:23:56,400 --> 00:23:58,367 I'M GONNA GET FIRED, I SWEAR. 447 00:23:58,433 --> 00:24:00,867 HI, I AM SO SORRY THAT I KEPT YOU WAITING. 448 00:24:00,934 --> 00:24:02,900 NO PROBLEM. SOMETHING TO DRINK? 449 00:24:02,967 --> 00:24:05,300 UM, I'LL HAVE WHATEVER MY FRIEND'S HAVING. 450 00:24:05,367 --> 00:24:07,867 THANK YOU. 451 00:24:07,934 --> 00:24:11,467 WOW. DIDN'T-- DIDN'T KNOW. 452 00:24:12,500 --> 00:24:14,500 - LISTEN, BABY GIRL? - MM-HMM? 453 00:24:14,567 --> 00:24:17,066 YOU OBVIOUSLY DON'T KNOW THIS BUSINESS YET, BUT I DO. 454 00:24:17,133 --> 00:24:19,100 ALL RIGHT, SO I'M GONNA HELP YOU OUT. 455 00:24:19,166 --> 00:24:22,533 - OKAY. - YOU AND I ARE ABOUT TO GET SWEPT UP 456 00:24:22,600 --> 00:24:24,567 INTO A WHOLE LOT OF SUCCESS. 457 00:24:24,633 --> 00:24:27,600 BUT WITH THAT COMES A WHOLE LOT OF UGLY. 458 00:24:27,667 --> 00:24:31,433 YOU KNOW? 'CAUSE EVERYTHING WE SAY, EVERYTHING WE DO 459 00:24:31,500 --> 00:24:34,100 - IS BEING WATCHED. - RIGHT, THE CAMERAS. 460 00:24:34,166 --> 00:24:35,967 OH NO, TABLOIDS! 461 00:24:36,033 --> 00:24:37,800 - OH. - OH YEAH. 462 00:24:37,867 --> 00:24:40,867 AND THEY ARE GONNA COME GUNNING FOR US. WE'RE THE MONEY. 463 00:24:40,934 --> 00:24:44,567 YOU KNOW? SO LET'S AVOID WHO STOOD UP WHO AT WHAT RESTAURANT. 464 00:24:44,633 --> 00:24:47,300 - YOU KNOW? 'CAUSE THAT'S WHAT SELLS PAPERS. - YEAH. 465 00:24:47,367 --> 00:24:50,734 - RIGHT. - SO LET'S-- LET'S MAKE A "PACK," 466 00:24:50,800 --> 00:24:52,500 HERE AND NOW, YOU AND I, 467 00:24:52,567 --> 00:24:56,300 THAT WE ARE GOING TO WATCH OUT FOR EACH OTHER. 468 00:24:56,367 --> 00:24:59,934 OH, GOD, VAL, I AM SO HAPPY TO HEAR YOU SAY THAT. 469 00:25:00,000 --> 00:25:03,000 - AW. - BECAUSE SOMETIMES I JUST FEEL LIKE I NEED SOMEONE 470 00:25:03,066 --> 00:25:05,633 - TO HELP ME OUT WHEN I'M-- - SORRY, PUT A PIN IN THAT, 471 00:25:05,700 --> 00:25:07,667 'CAUSE HERE WE GO. 472 00:25:08,633 --> 00:25:10,467 - HERE IT COMES. - WHAT, WHO? 473 00:25:10,533 --> 00:25:13,967 A PHOTOGRAPHER. HE'S BEEN TRYING TO GET MY ATTENTION FOR A WHILE. 474 00:25:14,033 --> 00:25:16,900 - JUNA! CAN I GET A SHOT, JUNA? - OH GOD. 475 00:25:16,967 --> 00:25:20,300 - I'M SO SORRY ABOUT THIS. - HOW DOES HE EVEN KNOW WHO YOU ARE? 476 00:25:20,367 --> 00:25:24,500 UM, I HAVE A ROCK BAND AND WE'RE SORT OF KNOWN IN L.A. 477 00:25:24,567 --> 00:25:27,867 - OH, YEAH. - THANK YOU BUT WE'RE HAVING LUNCH RIGHT NOW. 478 00:25:27,934 --> 00:25:29,800 - I'M SORRY. - JUNA, COME ON, COME ON. 479 00:25:29,867 --> 00:25:31,600 JUST GIVE ME ONE. GIMME ONE. 480 00:25:31,667 --> 00:25:34,467 - OH GOD, I'M SORRY. - YOU KNOW, LET'S JUST GIVE HIM ONE 481 00:25:34,533 --> 00:25:36,934 - OR HE'LL NEVER LEAVE US ALONE. - OKAY. 482 00:25:37,000 --> 00:25:39,467 ( "Girls Just Wanna Have Fun" playing ) 483 00:25:39,533 --> 00:25:41,734 WAIT ONE-- WAIT. 484 00:25:43,700 --> 00:25:45,867 ( camera clicks ) 485 00:25:48,033 --> 00:25:50,667 IT'S BEEN 15 MINUTES, SO WHERE COULD IT BE? 486 00:25:50,734 --> 00:25:52,633 - YOU KNOW? - HE'S COMING. 487 00:25:54,066 --> 00:25:57,700 THIS IS RIDICULOUS. I CAN'T JUST BE STANDING HERE. 488 00:25:57,767 --> 00:25:59,867 YOU KNOW, 'CAUSE... 489 00:26:01,300 --> 00:26:04,667 ? OH, MAMA DEAR, WE'RE NOT THE FORTUNATE ONES ? 490 00:26:04,734 --> 00:26:06,967 ? AND GIRLS, THEY WANT TO HAVE FUN... ? 491 00:26:07,033 --> 00:26:08,800 - THIS MAKES YOU LOOK BAD. - EXCUSE ME. 492 00:26:08,867 --> 00:26:11,633 THEY WERE DEFINITELY HERE AFTER ME. YEAH. 493 00:26:11,700 --> 00:26:15,000 SORRY, IT'S JUST, YOU KNOW-- I'VE BEEN WAITING SINCE 494 00:26:15,066 --> 00:26:17,834 YOU WERE EATING YOUR SALAD, YOU KNOW? 495 00:26:17,900 --> 00:26:19,533 NO, IT'S NOT YOUR FAULT. 496 00:26:19,600 --> 00:26:22,033 - ? THE PHONE RINGS IN THE MIDDLE OF THE NIGHT... ? - SORRY. 497 00:26:22,100 --> 00:26:26,433 - ? MY FATHER YELLS... ? - YOU KNOW MAYBE THE KEY WAS MISTAGGED. 498 00:26:26,500 --> 00:26:29,100 CAN I JUST HAVE A LOOK, 'CAUSE IT COULD BE IN THERE? 499 00:26:29,166 --> 00:26:33,100 ? STILL NUMBER ONE, BUT GIRLS THEY WANT TO HAVE FUN... ? 500 00:26:33,166 --> 00:26:35,500 NO, IT'S NOT. WAIT-- LEMME JUST-- 501 00:26:35,567 --> 00:26:38,700 - NO, THAT'S NOT MINE. - IT'S COMING. 502 00:26:38,767 --> 00:26:41,433 YEAH, BUT... 503 00:26:41,500 --> 00:26:44,734 - NO CHARGE. - REALLY? 504 00:26:44,800 --> 00:26:46,867 THAT'S NICE. 505 00:26:46,934 --> 00:26:50,266 YOU KNOW WHAT? THAT'S REALLY NICE. THANK YOU... 506 00:26:50,333 --> 00:26:52,734 SO MUCH. 507 00:26:52,800 --> 00:26:56,166 ( clears throat ) 'CAUSE I DON'T-- YOU SHOULDN'T BE PENALIZED. 508 00:26:56,233 --> 00:26:58,100 YOU KNOW, I JUST-- 509 00:26:58,166 --> 00:26:59,567 THANK YOU ANYWAY. 510 00:26:59,633 --> 00:27:01,333 - THANK YOU. - THANK YOU. 511 00:27:01,400 --> 00:27:04,633 ? GIRLS WANNA HAVE... ? 512 00:27:12,133 --> 00:27:15,133 - NICE WATCH. - THANK YOU. 513 00:27:19,000 --> 00:27:22,133 ? SOME BOYS TAKE A BEAUTIFUL GIRL ? 514 00:27:22,200 --> 00:27:26,500 ? AND HIDE HER AWAY FROM THE REST OF THE WORLD ? 515 00:27:26,567 --> 00:27:30,367 ? I WANT TO BE THE ONE TO WALK IN THE SUN ? 516 00:27:30,433 --> 00:27:33,900 ? OH GIRLS, THEY WANNA HAVE FUN ? 517 00:27:33,967 --> 00:27:40,867 ? OH, GIRLS JUST WANNA HAVE-- THAT'S ALL THEY REALLY WANT. ? 518 00:27:40,917 --> 00:27:45,467 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 41550

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