All language subtitles for The Comeback s01e02 Valerie Triumphs at the Upfronts

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:20,633 --> 00:00:22,867 Jane: ARE WE ROLLING? 2 00:00:24,767 --> 00:00:26,767 RIGHT NOW, WHAT'S HAPPENING IS LOOSE. 3 00:00:26,834 --> 00:00:29,734 "MESSY SEXY." THAT LOOK. 4 00:00:29,800 --> 00:00:31,700 IT LOOKS GREAT. THANK YOU SO MUCH. 5 00:00:31,767 --> 00:00:33,767 Hairdresser: YOU GOT IT, YOU GOT IT. 6 00:00:33,834 --> 00:00:36,867 MICKEY, DARLING. THIS ONE SEEMS A LITTLE HIGH. 7 00:00:36,934 --> 00:00:38,800 - LET'S WAIT AND SEE. - OKAY. 8 00:00:38,867 --> 00:00:40,800 HEY, ANYBODY WANNA SEE SOMETHING FUN? 9 00:00:40,867 --> 00:00:42,800 - Juna: YEAH. - OKAY. 10 00:00:42,867 --> 00:00:46,100 I FOUND THE CAST PHOTOS OF THE WHOLE FOUR YEARS, 11 00:00:46,166 --> 00:00:47,767 OF MY FIRST SHOW, "I'M IT!" 12 00:00:47,834 --> 00:00:49,367 - OH MY GOD. - YEAH! 13 00:00:49,433 --> 00:00:51,800 - THESE ARE GREAT. - Valerie: ISN'T THAT GREAT? 14 00:00:51,867 --> 00:00:54,367 I THOUGHT YOU GUYS WOULD GET A KICK OUT OF IT. 15 00:00:54,433 --> 00:00:57,633 YOU KNOW, 'CAUSE TODAY IS OUR FIRST PHOTO SHOOT FOR "ROOM AND BORED." 16 00:00:57,700 --> 00:01:00,300 YO YO YO, CHECK IT! "ROOM AND BORED," FIRST PHOTO SHOOT. 17 00:01:00,367 --> 00:01:01,633 CAN I GET A HOLLA BACK, Y'ALL? 18 00:01:01,700 --> 00:01:03,867 - HEY! - WHAT!? 19 00:01:03,934 --> 00:01:05,934 ( laughs ) 20 00:01:06,000 --> 00:01:08,567 THAT'S SO FUN, BUT I'M SORRY, JANE. 21 00:01:08,633 --> 00:01:12,166 - REALLY PLAYING THE CAMERA. IS THAT ALL RIGHT? - NO NO, YEAH, IT'S FINE. 22 00:01:12,233 --> 00:01:14,266 - WE'LL EDIT. - ALL RIGHT, GREAT. OKAY. 23 00:01:14,333 --> 00:01:17,166 BUT, CHRIS, YOU PROBABLY DON'T WANNA PLAY THE CAMERA, 24 00:01:17,233 --> 00:01:19,433 'CAUSE IT'S SUPPOSED TO BE, YOU KNOW, REAL LIFE. 25 00:01:19,500 --> 00:01:21,433 IT'S REALLY HAPPENING, YOU KNOW? 26 00:01:21,500 --> 00:01:23,433 ALL RIGHT, IN FIVE, FOUR, THREE, TWO-- 27 00:01:23,500 --> 00:01:26,500 ANYWAY, IT'S JUST FUN, I THINK, TO, UH... 28 00:01:26,567 --> 00:01:29,767 LOOK AT THE PICTURES. AND THEY REALLY SHOW YOU HOW A SHOW CAN CHANGE 29 00:01:29,834 --> 00:01:32,734 OVER THE YEARS, YOU KNOW? '89, '90, '91, '92. 30 00:01:32,800 --> 00:01:35,867 - Juna: OH, RIGHT. - HOW ARE THEY DIFFERENT? 31 00:01:38,133 --> 00:01:40,033 WELL, LOOK AT MY HAIR. 32 00:01:40,100 --> 00:01:42,133 DID SOMEONE ORDER SOME HOT SEXY CLOTHES? 33 00:01:42,200 --> 00:01:44,600 ( all clamoring ) 34 00:01:47,333 --> 00:01:49,233 - VALERIE? - YEAH. 35 00:01:49,300 --> 00:01:52,734 I THINK YOU SHOULD GO WITH THE PASTEL, BUT IT'S YOUR CALL. 36 00:01:52,800 --> 00:01:55,433 YEAH, I AGREE. 37 00:01:55,500 --> 00:01:57,567 THANKS. THANKS FOR THE CHOICES, DARLING. 38 00:01:57,633 --> 00:01:59,433 I APPRECIATE IT. 39 00:01:59,500 --> 00:02:02,734 ALL RIGHT, MICKEY. I'M THINKING THIS IS WAY OFF NOW. 40 00:02:02,800 --> 00:02:05,800 - LET'S GET IT OUT. - LET'S GET IT OUT. 41 00:02:05,867 --> 00:02:09,066 ( hip-hop music playing ) 42 00:02:09,133 --> 00:02:12,300 Photographer: GREAT, SEXY. COME ON, MORE SEXY. 43 00:02:18,166 --> 00:02:20,667 Photographer: SEXY. 44 00:02:20,734 --> 00:02:22,567 GREAT. 45 00:02:25,800 --> 00:02:28,934 ( clears throat ) 46 00:02:29,000 --> 00:02:31,433 VALERIE, UH, COULD YOU NOT DO THAT WITH YOUR MOUTH? 47 00:02:31,500 --> 00:02:33,767 DO WHAT WITH MY MOUTH? WHAT? 48 00:02:33,834 --> 00:02:36,200 YOU'RE MAKING A KIND OF POUTY LIPS. MODEL MOUTH. 49 00:02:36,266 --> 00:02:38,567 - MODEL MOUTH? - IT'S NOT ME, IT'S THE WRITERS. 50 00:02:38,633 --> 00:02:41,300 HOW CAN YOU EVEN SEE MY MOUTH FROM ALL THE WAY BACK THERE? 51 00:02:41,367 --> 00:02:43,300 YOU MUST HAVE SUPERPOWERS, I DON'T KNOW. 52 00:02:43,367 --> 00:02:45,533 HAVE YOU SEEN MY MARK BY THE WAY, WAY BACK THERE? 53 00:02:45,600 --> 00:02:47,367 Photographer: OKAY, LET'S GO. 54 00:02:47,433 --> 00:02:49,433 VALERIE, COULD YOU GO BACK TO YOUR MARK? 55 00:02:49,500 --> 00:02:52,200 IN SIBERIA? OKAY, I'M GOING BACK. 56 00:02:52,266 --> 00:02:55,900 - I'M GOING BACK. - ALL RIGHT, READY? HERE WE GO. 57 00:02:55,967 --> 00:02:58,333 OKAY. 58 00:02:59,967 --> 00:03:02,734 - YOU WERE IN THAT SHOT. - Photographer: ALL RIGHT. READY. 59 00:03:02,800 --> 00:03:05,600 ALL RIGHT, HOLD ON. THIS-- 60 00:03:09,600 --> 00:03:11,967 ALL RIGHT, THIS IS SILLY. I'M RIGHT HERE. 61 00:03:12,033 --> 00:03:13,767 Valerie: LET'S JUST, YOU KNOW... 62 00:03:13,834 --> 00:03:16,000 WHAT CAN I DO YOU FOR? ( chuckles ) 63 00:03:16,066 --> 00:03:19,367 OH NO, I WAS JUST-- WE JUST WANT TO MAKE SURE 64 00:03:19,433 --> 00:03:22,400 THAT YOU'RE BEING LIKE DISAPPROVING OF THE KIDS. 65 00:03:22,467 --> 00:03:24,900 - IT'S LIKE... - OH, GREAT, YEAH. 66 00:03:24,967 --> 00:03:28,133 - GOOD NOTE. THAT'S GOOD. - TAKE A BREAK, GUYS. DON'T GO FAR. 67 00:03:28,200 --> 00:03:30,233 OH, GREAT, AS LONG AS WE'RE TAKING A BREAK, 68 00:03:30,300 --> 00:03:32,066 I WANTED TO TALK TO YOU ABOUT, UM-- 69 00:03:32,133 --> 00:03:34,400 SO WHAT ARE WE PLANNING ON DOING AT THE UPFRONTS? 70 00:03:34,467 --> 00:03:36,133 UH, NOTHING. 71 00:03:36,200 --> 00:03:38,600 YOU JUST GO OUT ON THE STAGE WITH THE CAST AND WAVE. 72 00:03:38,667 --> 00:03:40,734 UH-HUH. YEAH, WELL, YOU KNOW, 73 00:03:40,800 --> 00:03:43,300 THE NETWORK'S FLYING US ALL THE WAY OUT TO NEW YORK. 74 00:03:43,367 --> 00:03:46,767 YOU MIGHT WANNA DO SOMETHING A LITTLE MORE EXITING THAN JUST WAVE. 75 00:03:46,834 --> 00:03:49,900 THEY'RE INTRODUCING A LOT OF SHOWS. WE REALLY NEED TO STAND OUT. 76 00:03:49,967 --> 00:03:53,700 YOU KNOW WHAT'D BE GREAT? IF YOU GUYS COULD WRITE US SOME KIND OF BIT TO DO. 77 00:03:53,767 --> 00:03:56,934 A BIT? A BIT AND A SKIT? 78 00:03:57,000 --> 00:03:59,600 THAT'D BE GREAT. THAT'S IT, YEAH. 79 00:03:59,667 --> 00:04:01,533 YEAH. I DON'T KNOW. 80 00:04:01,600 --> 00:04:04,200 I JUST THINK THOSE THINGS KINDA COME OFF AS CHEESY. 81 00:04:04,266 --> 00:04:06,266 I KNOW, I KNOW. IF THEY'RE DONE WRONG. 82 00:04:06,333 --> 00:04:08,200 YEAH, THEY CAN. 83 00:04:08,266 --> 00:04:10,200 BUT I KNOW WHAT YOU'RE SAYING. 84 00:04:10,266 --> 00:04:12,166 WE DON'T WANT CHEESY. NO. 85 00:04:12,233 --> 00:04:14,100 BUT, I'M JUST-- I'M JUST CONCERNED 86 00:04:14,166 --> 00:04:17,166 BECAUSE I THINK THE NETWORK IS GONNA WANT ME TO SAY SOMETHING. 87 00:04:17,233 --> 00:04:19,533 YOU KNOW, BECAUSE THIS IS MY RETURN. 88 00:04:19,600 --> 00:04:21,233 "I'M IT!" WAS ON THE SAME NETWORK, 89 00:04:21,300 --> 00:04:23,166 SO THEY'RE GONNA WANT ME TO, YOU KNOW... 90 00:04:23,233 --> 00:04:26,200 - OH, IT WAS? - "I'M IT!"? OH, SURE, YEAH. 91 00:04:26,266 --> 00:04:28,200 - OH, WOW, I DIDN'T KNOW THAT. - OH YEAH, SURE. 92 00:04:28,266 --> 00:04:31,867 Photographer: THAT IS GREAT. THAT'S FUN, THAT'S FUN. 93 00:04:31,934 --> 00:04:34,233 ALL RIGHT, I'D BETTER GET BACK. 94 00:04:34,300 --> 00:04:36,300 THINK ABOUT IT THOUGH, YOU KNOW? 95 00:04:36,367 --> 00:04:38,233 HOLD FOR AUNT SASSY THERE. 96 00:04:38,300 --> 00:04:40,834 - COME ON, AUNT SASSY. - HERE I AM. 97 00:04:42,266 --> 00:04:44,834 DONE. I NEED TO RELOAD, 98 00:04:44,900 --> 00:04:47,500 AND THEN CAN WE GET BACK TO THE ORIGINAL SETUP, VALERIE? 99 00:04:47,567 --> 00:04:50,033 SURE, YEAH, OKAY. MICKEY? 100 00:04:52,700 --> 00:04:54,934 HOW WERE THOSE LAST TWO SHOTS? WERE THEY USABLE? 101 00:04:55,000 --> 00:04:57,600 I WASN'T WATCHING. 102 00:05:02,533 --> 00:05:05,133 MARKY-MARK, HERE'S MY ITINERARY FOR NEW YORK. 103 00:05:05,200 --> 00:05:08,033 - OH, GREAT. - AND THE PAINTER IS COMING TOMORROW, 104 00:05:08,100 --> 00:05:09,934 SO WE HAVE GOT TO PICK A COLOR FOR THAT WALL. 105 00:05:10,000 --> 00:05:12,533 - ALL RIGHT. - ALL RIGHT, CAN WE DO THAT NOW, PLEASE? 106 00:05:12,600 --> 00:05:13,900 YES. 107 00:05:26,133 --> 00:05:28,066 WHICH ONE DO YOU THINK? 108 00:05:28,133 --> 00:05:29,734 I DON'T KNOW. 109 00:05:29,800 --> 00:05:31,734 WHAT DO YOU THINK? YOU'RE BETTER AT THIS. 110 00:05:31,800 --> 00:05:33,934 WELL, I LIKE ALL THREE. 111 00:05:35,200 --> 00:05:38,300 VAL. 112 00:05:38,367 --> 00:05:40,400 THIS IS RIVETING TELEVISION, HUH? 113 00:05:40,467 --> 00:05:42,166 LITERALLY WE'RE WATCHING PAINT DRY. 114 00:05:42,233 --> 00:05:45,433 - WELL, NOT PAINT DRY-- - Franchesca: DADDY, I'M HERE. 115 00:05:45,500 --> 00:05:47,800 - IN THE DEN! - IS THAT FRANCHESCA? 116 00:05:47,867 --> 00:05:50,000 YEAH. 117 00:05:51,967 --> 00:05:54,000 - HI! - Mark: HI, BABY. 118 00:05:54,066 --> 00:05:57,033 WOW, THERE'S AN OUTFIT! HUH? 119 00:05:57,100 --> 00:06:00,200 - THIS IS MARK'S DAUGHTER. - I'LL TAKE YOU TO SCHOOL IN A SECOND. 120 00:06:00,266 --> 00:06:02,533 GOOD, SO YOU HAVE TIME. WHY DON'T YOU GO INTO THE KITCHEN 121 00:06:02,600 --> 00:06:04,967 AND ESPERANZA CAN FIX YOU SOME BREAKFAST, OKAY? 122 00:06:05,033 --> 00:06:07,333 - WHAT DO YOU WANNA EAT? - OH, JUST COFFEE. 123 00:06:07,400 --> 00:06:08,867 ( snorts ) 124 00:06:08,934 --> 00:06:11,033 ( imitating Woody Allen ) "JUST COFFEE? 125 00:06:11,100 --> 00:06:14,033 12-YEAR-OLD GIRL, JUST COFFEE." 126 00:06:14,100 --> 00:06:16,133 JANE, THAT'S MY WOODY ALLEN. 127 00:06:16,200 --> 00:06:19,166 ( Mark chuckles ) 128 00:06:19,233 --> 00:06:20,767 SO THAT'S A NICE SURPRISE, HUH? 129 00:06:20,834 --> 00:06:22,667 OH YEAH, MIMI HAD TO GO OUT OF TOWN. 130 00:06:22,734 --> 00:06:26,133 SHE'S OPENING SOME NEW TANNING SALON. SO I-- 131 00:06:26,200 --> 00:06:29,033 - YEAH. - UM, MIMI IS MY EX-WIFE. 132 00:06:29,100 --> 00:06:32,300 SHE RUNS THESE MIDNIGHT SUN 24-HOUR... 133 00:06:35,166 --> 00:06:37,633 TANNING SALONS. 134 00:06:38,734 --> 00:06:41,133 CUTE. 135 00:06:42,533 --> 00:06:44,333 SO, YOU KNOW, IT'S JUST THE TWO OF YOU HERE... 136 00:06:44,400 --> 00:06:47,500 - OH, YEAH. - ...FOR A COUPLE OF DAYS, 'CAUSE I CAN'T CANCEL. 137 00:06:47,567 --> 00:06:50,367 IT'S THE UPFRONTS AND I'M THE ONLY FACE THEY'LL RECOGNIZE. 138 00:06:50,433 --> 00:06:52,033 IT'S ONLY TWO DAYS, WE'LL BE FINE. 139 00:06:52,100 --> 00:06:55,266 OKAY, HAVE YOU THOUGHT ABOUT WHAT YOU'RE GONNA DO ABOUT MEALS AND-- 140 00:06:55,333 --> 00:06:59,000 - WE'LL GO TO RESTAURANTS AND SHE CAN BRING A FRIEND. - OH, THAT'S GOOD. 141 00:06:59,066 --> 00:07:01,500 MAKE SURE SHE BRINGS AN EATER. YOU GET TWO NON-EATERS, 142 00:07:01,567 --> 00:07:03,200 THEY JUST PUSH THE FOOD AROUND. 143 00:07:03,266 --> 00:07:06,433 - TEENAGE GIRLS. - OH, I DON'T KNOW WHO'S WHO. 144 00:07:06,500 --> 00:07:08,567 - I DO. I'LL LEAVE YOU A LIST. - OKAY, GREAT. 145 00:07:08,633 --> 00:07:10,834 OKAY, YOU KNOW WHILE I'M AT IT, 146 00:07:10,900 --> 00:07:13,333 I THINK I'LL MAKE YOU SOME DINNER RESERVATIONS TOO. 147 00:07:13,400 --> 00:07:16,400 OH, THANKS. WELL, I'D BETTER GET HER TO SCHOOL. 148 00:07:19,133 --> 00:07:22,033 - HAVE YOU EATEN IN SANTA MONICA? - OH NO, THAT'S TOO FAR. 149 00:07:22,100 --> 00:07:23,967 THAT'S TRUE. 150 00:07:24,033 --> 00:07:26,033 NOW YOU JUST HAVE A GREAT TRIP. 151 00:07:26,100 --> 00:07:28,500 THANK YOU. 152 00:07:28,567 --> 00:07:30,166 WHAT COLOR? 153 00:07:30,233 --> 00:07:32,033 I GOTTA GO! 154 00:07:32,100 --> 00:07:34,767 - I'M GONNA LEAVE THAT ON YOUR "TO DO" LIST. - ALL RIGHT. 155 00:07:34,834 --> 00:07:36,900 THAT WALL IS NEVER GONNA-- 156 00:07:36,967 --> 00:07:39,333 MARK! WISH ME LUCK! 157 00:07:39,400 --> 00:07:41,367 - WHAT? - WISH ME LUCK! 158 00:07:41,433 --> 00:07:43,400 LUCK! 159 00:07:43,467 --> 00:07:45,600 THANK YOU. 160 00:07:47,600 --> 00:07:49,900 HE HAS TO WISH ME LUCK. 161 00:07:51,333 --> 00:07:52,767 BETTER GET TO WORK. 162 00:07:52,834 --> 00:07:55,567 Clerk: CAN I HELP THE NEXT PERSON PLEASE? 163 00:07:55,633 --> 00:07:57,500 - HI. - HI, HOW ARE YOU? 164 00:07:57,567 --> 00:08:00,300 - GOOD, THANK YOU. - IS THIS A REALITY SHOW? 165 00:08:00,367 --> 00:08:02,233 YES, IT IS. UH-HUH. 166 00:08:02,300 --> 00:08:04,233 I'M NOT REALLY INTERESTED IN BEING ON IT. 167 00:08:04,300 --> 00:08:06,166 LET ME SEE IF I CAN GET SOMEONE WHO WOULD BE. 168 00:08:06,233 --> 00:08:08,233 THANK YOU. THANKS. 169 00:08:08,300 --> 00:08:10,233 ELLEN? 170 00:08:10,300 --> 00:08:12,233 DO YOU WANNA BE ON A REALITY SHOW? 171 00:08:12,300 --> 00:08:14,166 SURE, YOU DON'T WANT TO? 172 00:08:14,233 --> 00:08:17,734 NO, I JUST THINK THEY'RE OVER. 173 00:08:17,800 --> 00:08:19,400 - I CAN HELP YOU. - THANK YOU. 174 00:08:19,467 --> 00:08:22,400 - WHERE ARE WE FLYING TO TODAY? - NEW YORK. 175 00:08:22,467 --> 00:08:24,467 MICKEY, YOU HAVE YOUR I.D.? 176 00:08:24,533 --> 00:08:26,467 RIGHT HERE, IN MY "MANNY PACK." 177 00:08:26,533 --> 00:08:28,533 - THIS IS LIKE OLD TIMES, RED. - I KNOW. 178 00:08:28,600 --> 00:08:30,467 WE HAVEN'T BEEN TO THE UPFRONTS SINCE-- 179 00:08:30,533 --> 00:08:33,100 - '92. - 13 YEARS! 180 00:08:34,934 --> 00:08:38,433 I HAVE MISS CHERISH, NOTHING FOR MR. DEANE. 181 00:08:38,500 --> 00:08:41,033 YOU DON'T HAVE A SEAT FOR-- 182 00:08:41,100 --> 00:08:42,700 ALL RIGHT, CUT. 183 00:08:42,767 --> 00:08:44,900 JANE, UM, WHY DON'T WE HAVE A SEAT FOR MICKEY? 184 00:08:44,967 --> 00:08:46,667 OH, THAT'S NOT US, IT'S THE SITCOM. 185 00:08:46,734 --> 00:08:49,600 WELL, I CAN'T-- I CAN'T GO WITHOUT MICKEY. 186 00:08:49,667 --> 00:08:51,567 I HAVE TO HAVE MICKEY. 187 00:08:51,633 --> 00:08:55,200 ALL RIGHT, I NEED TO GET HIM A SEAT ON THIS PLANE TO NEW YORK. 188 00:08:55,266 --> 00:08:57,133 THIS IS SO "THE AMAZING RACE." 189 00:08:57,200 --> 00:08:59,400 WILL THAT BE FIRST CLASS AS WELL? 190 00:09:00,867 --> 00:09:03,400 UM... 191 00:09:03,467 --> 00:09:05,433 I HAVE TWO SEATS IN COACH. 192 00:09:05,500 --> 00:09:07,000 NOTHING IN BUSINESS. 193 00:09:07,066 --> 00:09:08,667 WOW. 194 00:09:08,734 --> 00:09:10,934 JUST FIRST CLASS, NO BUSINESS, HUH? 195 00:09:11,000 --> 00:09:13,600 $4,500 ROUND TRIP. 196 00:09:13,667 --> 00:09:16,400 YEAH. 197 00:09:16,467 --> 00:09:18,333 LET'S DO IT! 198 00:09:18,400 --> 00:09:20,867 LET'S HAVE A TREAT. THERE YOU GO. 199 00:09:22,467 --> 00:09:24,734 SOMEONE WILL REIMBURSE ME. DON'T WORRY ABOUT IT. 200 00:09:24,800 --> 00:09:26,767 ONE OF SHOWS, I'M SURE. RIGHT, JANE? 201 00:09:26,834 --> 00:09:28,767 - THEY PUT US IN COACH. - UH-HUH. 202 00:09:28,834 --> 00:09:31,600 YEAH, WELL, YOU KNOW... 203 00:09:31,667 --> 00:09:33,700 WE'LL FIGURE IT OUT. 204 00:09:37,033 --> 00:09:39,266 WELL, HERE WE ARE IN FIRST CLASS. 205 00:09:39,333 --> 00:09:42,000 AND I'M LUCKY ENOUGH TO BE SITTING RIGHT ACROSS THE AISLE 206 00:09:42,066 --> 00:09:45,633 FROM OUR FIRST- CLASS SHOW WRITERS, TOM AND PAULIE G. 207 00:09:45,700 --> 00:09:48,500 OH, WELL, WE'RE LUCKY TO BE WITH A FIRST-CLASS STAR LIKE YOU. 208 00:09:48,567 --> 00:09:50,033 OH, WELL... 209 00:09:50,100 --> 00:09:52,767 WHY DON'T YOU JUST BLOW REALITY TV AND GET IT OVER WITH? 210 00:09:52,834 --> 00:09:54,967 - FUCK YOU, I HAVE A KID. - MMM-HMM 211 00:09:57,000 --> 00:09:58,767 WHAT DID THEY SAY? I COULDN'T HEAR. 212 00:09:58,834 --> 00:10:00,667 MA'AM, I'M SORRY, THESE PEOPLE CAN'T BE IN THE AISLE. 213 00:10:00,734 --> 00:10:03,400 OH, NO, THAT'S ALL RIGHT. WE'RE FILMING A REALITY SHOW, 214 00:10:03,467 --> 00:10:04,900 SO IT'S OKAY. 215 00:10:04,967 --> 00:10:08,166 I'M SORRY, FAA RULES PROHIBIT THAT ACTIVITY. 216 00:10:08,233 --> 00:10:11,266 REALLY? FAA DOESN'T LIKE REALITY EITHER? 217 00:10:11,333 --> 00:10:14,033 NO, THAT'S ALL RIGHT. I'LL FIGURE OUT SOMETHING. 218 00:10:14,100 --> 00:10:15,967 YEAH, SEE, THERE'S NOTHING TO FIGURE OUT. 219 00:10:16,033 --> 00:10:19,767 ONLY FIRST-CLASS TICKETED PASSENGERS ARE ALLOWED IN FIRST. 220 00:10:19,834 --> 00:10:21,734 WELL... 221 00:10:21,800 --> 00:10:23,734 TURN THE CAMERA OFF. 222 00:10:25,200 --> 00:10:26,934 WHY DON'T-- MAYBE THE GUYS-- 223 00:10:27,000 --> 00:10:29,767 - THERE'S SO MANY EMPTY SEATS. - ( laughs ) 224 00:10:29,834 --> 00:10:32,900 ( seatbelt signal sounds ) 225 00:10:39,066 --> 00:10:42,266 Jane: JUNA, HEY, DO YOU HAVE TIME TO DO A LITTLE INTERVIEW? 226 00:10:42,333 --> 00:10:44,300 - YEAH, SURE. - OKAY. 227 00:10:44,367 --> 00:10:46,700 - JUST LEAN IN LIKE THIS, OR-- - YEAH, THAT'S GREAT. 228 00:10:46,767 --> 00:10:49,867 JUST GET IN TIGHT ON HER. 229 00:10:49,934 --> 00:10:52,000 SO ARE YOU EXCITED ABOUT THE UPFRONTS? 230 00:10:52,066 --> 00:10:53,533 YES, I HAVE NEVER DONE IT BEFORE. 231 00:10:53,600 --> 00:10:55,767 AND I'M REALLY EXCITED TO FINALLY BE GOING TO NEW YORK. 232 00:10:55,834 --> 00:10:58,967 - WHAT'S GOING ON BACK THERE? - Jane: YOU'VE NEVER BEEN TO NEW YORK? 233 00:10:59,033 --> 00:11:02,100 - Juna: NO, I HAVEN'T. - LOOKS LIKE THEY'RE INTERVIEWING JUNA. 234 00:11:02,166 --> 00:11:03,667 I THOUGHT THIS WAS ABOUT YOU? 235 00:11:03,734 --> 00:11:06,500 L.A. WAS A BIG DEAL. 236 00:11:06,567 --> 00:11:09,967 ? WHOA WHOA WHOA, I LIKE THAT, I LIKE THAT ? 237 00:11:10,033 --> 00:11:12,033 ? WORK THAT BACK, WORK THAT BACK. ? 238 00:11:12,100 --> 00:11:13,633 ( giggles ) 239 00:11:13,700 --> 00:11:17,100 OH GOD, THAT SONG IS JUST SO DONE THOUGH. 240 00:11:17,166 --> 00:11:19,100 I KNOW. I KNOW. 241 00:11:19,166 --> 00:11:21,400 AND IT'S STUCK IN MY HEAD. I HATE THAT, YOU KNOW? 242 00:11:21,467 --> 00:11:23,200 LET ME GET A SIP OF THAT "CRIS." 243 00:11:23,266 --> 00:11:26,767 - THIS IS CHAMPAGNE, DEAR. - YEAH, CRIS, CRISTAL. CHAMPAGNE. 244 00:11:26,834 --> 00:11:29,567 - DAMN! - CALM DOWN. 245 00:11:29,633 --> 00:11:31,767 MISS, YOU'RE GONNA HAVE TO GO BACK TO YOUR SEAT. 246 00:11:31,834 --> 00:11:34,734 NO, THAT'S ALL RIGHT, I'M IN FIRST CLASS SO I CAN GO ANYWHERE. 247 00:11:34,800 --> 00:11:36,834 IT'S THE OTHER CLASSES, THEY CAN'T COME TO ME. 248 00:11:36,900 --> 00:11:40,467 - NO, WE'RE HEADING INTO SOME TURBULENCE. - OKAY, THANK YOU. 249 00:11:40,533 --> 00:11:42,500 - SHOULDN'T YOU GO BACK? - NO NO, IT'S FINE. 250 00:11:42,567 --> 00:11:45,367 THEY'RE VERY SECURITY CONSCIENCE THESE DAYS. 251 00:11:45,433 --> 00:11:47,467 IF I JUST STAY LOW, I'M FINE. 252 00:11:47,533 --> 00:11:49,667 YEAH, SO... WHAT DO YOU WANNA DO? 253 00:11:49,734 --> 00:11:52,600 LET'S TALK ABOUT WHAT WE'RE GONNA DO AT THAT UPFRONT STAGE. 254 00:11:52,667 --> 00:11:56,467 WELL, PAULIE G SAID WE SHOULD JUST GO OUT AND LOOK HOT. 255 00:11:56,533 --> 00:11:58,333 WELL, YOU'VE NEVER BEEN THERE BEFORE. 256 00:11:58,400 --> 00:12:01,900 I WENT TO THE UPFRONTS WHEN I DID "TICK-TOCK TREE TRUNK CAFE" FOR DISNEY. 257 00:12:01,967 --> 00:12:03,967 Juna: OH, COOL! 258 00:12:04,033 --> 00:12:05,800 DID YOU? 259 00:12:05,867 --> 00:12:09,133 WELL, THIS IS A LITTLE DIFFERENT JUST 'CAUSE IT'S PRIME TIME. 260 00:12:09,200 --> 00:12:11,600 YOU KNOW, FOR GROWNUPS. WHOA! 261 00:12:15,333 --> 00:12:18,600 ANYWAY, I JUST THOUGHT IF WE CAME UP WITH SOMETHING FUN TO DO... 262 00:12:20,900 --> 00:12:23,266 I'M ALL RIGHT. I THINK I BIT MY TONGUE. 263 00:12:23,333 --> 00:12:25,233 IT HURTS. 264 00:12:25,300 --> 00:12:27,066 ( passengers gasp ) 265 00:12:27,133 --> 00:12:29,500 - I SHOULD PROBABLY HEAD BACK. - YEAH. 266 00:12:30,734 --> 00:12:32,600 - OH! - WHOA! 267 00:12:32,667 --> 00:12:35,934 SORRY, YOU KNOW WHAT, I THINK I BETTER GO DOWN. 268 00:12:36,000 --> 00:12:38,500 JANE, MAYBE NO MORE? 269 00:12:38,567 --> 00:12:40,500 OH! 270 00:12:40,567 --> 00:12:42,500 I'M VERY SORRY. 271 00:12:42,567 --> 00:12:44,500 ALL RIGHT. 272 00:12:44,567 --> 00:12:46,533 OH, SORRY. 273 00:12:46,600 --> 00:12:48,533 ( passengers scream ) 274 00:12:48,600 --> 00:12:51,066 I'M VERY SORRY, I AM. 275 00:12:57,100 --> 00:12:58,967 OH, NO NO, THAT NEEDS TO BE-- 276 00:12:59,033 --> 00:13:01,800 PERSONAL VIDEO CAMERA SHOULD BE UP HIGHER. BETTER ANGLE. 277 00:13:01,867 --> 00:13:05,300 - IS THAT OKAY THAT I TOLD HIM THAT, JANE? - YEAH, I THINK YOU'RE RIGHT. 278 00:13:05,367 --> 00:13:08,533 YEAH, YOU KNOW, LITTLE DIFFERENCE FOR HIM, BIG DIFFERENCE FOR ME. 279 00:13:08,600 --> 00:13:10,367 - SO, YEAH... - GREAT BATHROOM! 280 00:13:10,433 --> 00:13:12,667 - Valerie: ISN'T IT? - ( knocking ) 281 00:13:14,066 --> 00:13:16,166 - HI, SWEETIE. - Valerie: OH, BABY GIRL. 282 00:13:16,233 --> 00:13:19,600 - IS THIS A BAD TIME? I CAN COME BACK LATER. - NO, WE'RE JUST TWEAKING. 283 00:13:19,667 --> 00:13:22,033 WE WERE WONDERING IF YOU WANTED TO COME TO DINNER WITH US. 284 00:13:22,100 --> 00:13:23,934 OH, I'D LOVE IT. THAT'D BE GREAT. 285 00:13:24,000 --> 00:13:27,133 OH MY GOD, HOW GREAT IS THAT GIFT BASKET FROM THE NETWORK? 286 00:13:27,200 --> 00:13:30,033 - I KNOW, YEAH. - I'M TOTALLY GONNA USE THAT SPA CERTIFICATE. 287 00:13:30,100 --> 00:13:33,000 YEAH, OH, I DIDN'T SEE A SPA CERTIFICATE. 288 00:13:33,066 --> 00:13:35,133 THERE'S A-- REALLY? 289 00:13:35,200 --> 00:13:37,533 I THINK IT'S FROM BLISS SPA OR SOMETHING LIKE THAT. 290 00:13:37,600 --> 00:13:39,400 OH, YEAH? I DON'T THINK IT'S HERE. 291 00:13:39,467 --> 00:13:42,367 MICKEY, MAYBE IT FELL OUT UNDER THE OTTOMAN. WILL YOU CHECK? 292 00:13:42,433 --> 00:13:44,567 - SURE, SWEETIE. - Juna: A FULL DAY VISIT 293 00:13:44,633 --> 00:13:47,100 AND A BODY SCRUB AND A HOT STONE KIND OF THING. 294 00:13:47,166 --> 00:13:50,633 I DON'T KNOW THAT WE'LL HAVE TIME TO EVEN DO-- MICKEY, ANYTHING? 295 00:13:50,700 --> 00:13:52,033 - NOT YET, RED. - UH-HUH? 296 00:13:52,100 --> 00:13:54,467 WELL, IT'S PROBABLY HERE OR THE CONCIERGE HAS IT 297 00:13:54,533 --> 00:13:57,667 - OR-- MICKEY? - HEY! OH! 298 00:13:57,734 --> 00:14:00,834 - CHRIS, YOU LITTLE FUCKER! - ( laughing ) 299 00:14:00,900 --> 00:14:04,367 OKAY, VAL, WE'LL JUST MEET YOU IN THE LOBBY IN LIKE A HALF HOUR OR SOMETHING. 300 00:14:04,433 --> 00:14:06,033 OKAY, THAT'S GREAT. MICKEY? 301 00:14:06,100 --> 00:14:09,567 NONE, NADA. MY KNEES ARE SHOT. 302 00:14:09,633 --> 00:14:13,433 IT'S A GOOD THING I NEVER BECAME A PRIEST. ( giggles ) 303 00:14:15,233 --> 00:14:19,000 LET'S JUST HOPE THIS DIDN'T HAPPEN TO SHAYNE OR CHRIS OR... 304 00:14:19,066 --> 00:14:20,200 - JESSE. - ...JAMEY. 305 00:14:20,266 --> 00:14:22,033 NO, YOU'RE WRONG, IT'S JESSE. 306 00:14:22,100 --> 00:14:24,100 YEAH, YOU KNOW? 307 00:14:24,166 --> 00:14:26,133 THEY'RE YOUNG, DELICATE EGOS, YOU KNOW, 308 00:14:26,200 --> 00:14:28,567 THEY NEED EXTRA-- YOU HAVE TO BE EXTRA CAREFUL. 309 00:14:28,633 --> 00:14:30,200 ONE TIME IT'S A GIFT CERTIFICATE, 310 00:14:30,266 --> 00:14:32,533 NEXT THING YOU KNOW SOMEONE DOESN'T GET A PORSCHE. 311 00:14:32,600 --> 00:14:35,633 I'D BETTER GET READY. GOT A HALF HOUR. 312 00:14:35,700 --> 00:14:38,500 GONNA DO THIS ALONE, OKAY? WITHOUT THE-- 313 00:14:38,567 --> 00:14:41,867 YOU WERE JUST GONNA STAY? YEAH. 314 00:14:41,934 --> 00:14:44,867 NO NO, MARK. OLIVIA IS NOT AN EATER. NO. 315 00:14:44,934 --> 00:14:47,734 SHE WASN'T ON THE LIST, DEAR. 316 00:14:47,800 --> 00:14:50,333 NO, FRANCHESCA CANNOT BRING HER TO DINNER TOMORROW NIGHT. 317 00:14:50,400 --> 00:14:53,300 - HELLO HELLO HELLO! - That's who she wants to invite. 318 00:14:53,367 --> 00:14:56,500 VAL, WILL YOU TELL THEM? ISN'T NOBU BETTER THAN MATSUHISA? 319 00:14:56,567 --> 00:14:59,633 - I THINK MATSUHISA IS ONLY IN L.A. ANYWAY. - Mark: Val? 320 00:14:59,700 --> 00:15:02,633 - I'M SORRY, I GOT IT. - Val?! 321 00:15:02,700 --> 00:15:04,333 WHAT, MARK? I'M SORRY. 322 00:15:04,400 --> 00:15:06,300 Well that's who she wants. 323 00:15:06,367 --> 00:15:09,200 Anyway, it's too late. I called her parents. 324 00:15:09,266 --> 00:15:11,233 ALL RIGHT. YOU KNOW WHAT YOU SHOULD DO? 325 00:15:11,300 --> 00:15:14,300 YOU SHOULD CALL CASSANDRA, ALL RIGHT? BECAUSE SHE'S AN EATER. 326 00:15:14,367 --> 00:15:17,500 MAYBE THAT WILL BALANCE THINGS OUT, YOU KNOW? AN EATER AND A NON-EATER? 327 00:15:17,567 --> 00:15:20,734 I don't know. If you think that's best, but it seems a little-- 328 00:15:20,800 --> 00:15:22,533 YOU KNOW WHAT, I REALLY-- I DON'T KNOW. 329 00:15:22,600 --> 00:15:24,834 WE'RE TRYING TO FIGURE DINNER OUT AND I STILL DON'T KNOW 330 00:15:24,900 --> 00:15:26,667 WHAT I'M GOING TO SAY TOMORROW ON THAT STAGE. 331 00:15:26,734 --> 00:15:29,500 Where are you going to dinner? 332 00:15:29,567 --> 00:15:31,567 WE'RE FIGURING IT OUT. THAT'S WHAT WE'RE DOING. 333 00:15:31,633 --> 00:15:34,567 Okay, have fun. Don't worry about tomorrow. 334 00:15:34,633 --> 00:15:36,700 - It'll be great. - ALL RIGHT. OKAY. 335 00:15:36,767 --> 00:15:38,633 YEAH, YOU TOO. ALL RIGHT. 336 00:15:38,700 --> 00:15:40,767 - BYE. - Bye. 337 00:15:40,834 --> 00:15:42,767 OKAY, WHERE'D THEY GO? 338 00:15:42,834 --> 00:15:45,233 I LOST THEM. 339 00:15:48,100 --> 00:15:51,467 NO. NOT HERE. 340 00:15:51,533 --> 00:15:53,600 NOT THAT WAY. WELL, THEY'RE GONE. 341 00:15:53,667 --> 00:15:56,300 ARE THEY GONE? DID ANYONE SEE THEM LEAVE? 342 00:15:58,300 --> 00:16:00,533 KNOW WHERE THEY WENT, ANY OF YOU? 343 00:16:02,633 --> 00:16:04,533 ALL RIGHT, JANE, I KNOW TECHNICALLY 344 00:16:04,600 --> 00:16:07,133 YOU'RE ALL ARE NOT SUPPOSED TO PARTICIPATE IN MY LIFE, 345 00:16:07,200 --> 00:16:09,700 BUT I'M HUNGRY, AND THEY'RE GONE. 346 00:16:09,767 --> 00:16:11,567 SO... 347 00:16:11,633 --> 00:16:15,400 Jane: I DON'T-- I DON'T KNOW WHERE THEY WENT. 348 00:16:15,467 --> 00:16:17,433 YOU KNOW WHAT WE CAN DO? OKAY... 349 00:16:17,500 --> 00:16:19,667 WHY DON'T WE JUST REWIND THE TAPE? 350 00:16:19,734 --> 00:16:22,700 'CAUSE MAYBE SOUND PICKED IT UP AND WE CAN HEAR WHERE THEY WENT. 351 00:16:22,767 --> 00:16:25,033 - MAYBE WE COULD OVERHEAR IT. - WE CAN'T DO THAT. 352 00:16:25,100 --> 00:16:27,033 BECAUSE... WE CAN'T. 353 00:16:27,100 --> 00:16:29,900 I'M SORRY. 354 00:16:29,967 --> 00:16:31,500 OKAY, THAT'S ALL RIGHT. I GET IT. 355 00:16:31,567 --> 00:16:34,500 IF YOU REWIND, YOU MIGHT LOSE SOMETHING. WE CAN'T RISK THAT. 356 00:16:34,567 --> 00:16:37,567 I GET IT. WELL, I DON'T HAVE JUNA'S CELL PHONE. 357 00:16:37,633 --> 00:16:39,600 DIDN'T KNOW I'D BE ON A POSSE! 358 00:16:39,667 --> 00:16:41,900 JUST THOUGHT IT WAS A BIG FUN NIGHT OUT IN NEW YORK. 359 00:16:42,000 --> 00:16:43,934 UM... OKAY. 360 00:16:44,000 --> 00:16:45,934 HI, DID YOU SEE A GROUP OF KIDS? 361 00:16:46,000 --> 00:16:48,867 CAN YOU HOLD ON FOR ONE-- 362 00:16:50,834 --> 00:16:53,767 AS SOON AS SHE'S OFF I'LL ASK HER, BECAUSE MAYBE SHE SAW THEM. 363 00:16:53,834 --> 00:16:55,867 IT WOULD BE A SHAME NOT TO HAVE THIS, JANE. 364 00:16:55,934 --> 00:16:57,767 IT WOULD BE A REAL SHAME. 365 00:16:57,834 --> 00:16:59,834 KIND OF ALL OF US OUT IN NEW YORK. 366 00:16:59,900 --> 00:17:03,133 IT'D BE FUN, RIGHT? 367 00:17:03,200 --> 00:17:05,133 SHE'S NOT GETTING OFF ANY TIME SOON. 368 00:17:05,200 --> 00:17:07,667 UM, EXCUSE ME? DID YOU SEE A GROUP OF KIDS? 369 00:17:09,533 --> 00:17:13,467 WELL, IT WAS GREAT TO STAY IN TONIGHT, 370 00:17:13,533 --> 00:17:16,066 NOT CAROUSE WITH THOSE KIDS. 371 00:17:16,133 --> 00:17:19,266 I JUST REALLY NEEDED TO FIND 372 00:17:19,333 --> 00:17:21,200 MY CENTER, YOU KNOW? 373 00:17:21,266 --> 00:17:22,800 - ( knocking ) - YES? 374 00:17:22,867 --> 00:17:24,867 - IT'S PAULIE G. - OH. 375 00:17:24,934 --> 00:17:26,667 GREAT. ALL RIGHT. 376 00:17:28,467 --> 00:17:30,467 HI. OH GREAT, YOU GOT MY NOTE. 377 00:17:30,533 --> 00:17:32,667 YEAH, THANKS SO MUCH FOR COMING DOWN. 378 00:17:32,734 --> 00:17:35,567 I LEFT ONE FOR TOM TOO. 379 00:17:35,633 --> 00:17:37,600 BUT THAT'S ALL RIGHT. UM, LISTEN, 380 00:17:37,667 --> 00:17:39,500 I KNOW YOU GUYS DIDN'T WANT TO WRITE A BIT 381 00:17:39,567 --> 00:17:42,233 OR ANYTHING, BUT, UM, I'M REALLY THINKING THE NETWORK 382 00:17:42,300 --> 00:17:44,233 IS GONNA EXPECT ME TO SAY SOMETHING. 383 00:17:44,300 --> 00:17:46,166 YOU KNOW? NOW I'M NOT A WRITER, 384 00:17:46,233 --> 00:17:49,500 BUT I THOUGHT I COULD SAY SOMETHING LIKE, UH... 385 00:17:49,567 --> 00:17:53,467 "I AM THRILLED TO 'COMEBACK' 386 00:17:53,533 --> 00:17:55,533 TO THE NETWORK." YOU KNOW, THAT WAY 387 00:17:55,600 --> 00:17:57,567 I'M WORKING IN MY REALITY SHOW TOO. 388 00:17:57,633 --> 00:18:01,066 ( imitates gunshot ) 389 00:18:01,133 --> 00:18:03,066 OKAY. ( chuckles ) 390 00:18:03,133 --> 00:18:05,066 THEN THAT HAPPENED. 391 00:18:05,133 --> 00:18:07,100 UH... 392 00:18:07,166 --> 00:18:09,066 WELL, IT'S LATE. 393 00:18:09,133 --> 00:18:11,533 SO, I SHOULD PROBABLY-- 394 00:18:23,367 --> 00:18:25,867 WOW, JUST-- 395 00:18:46,233 --> 00:18:47,900 Jane: OKAY, GO AHEAD. 396 00:18:47,967 --> 00:18:49,633 WELL, TODAY ARE THE UPFRONTS 397 00:18:49,700 --> 00:18:51,300 AND I THOUGHT I WOULD TRY A NEW LOOK. 398 00:18:51,367 --> 00:18:54,367 - THE DROWNED RAT. - HOLD ON A SECOND. KEEP ROLLING. 399 00:18:54,433 --> 00:18:56,800 - WHAT'S HAPPENING? - I'M SEEING A CAMERA IN HERE. 400 00:18:56,867 --> 00:18:59,400 UH-HUH, HOW LONG IS THAT GONNA TAKE THOUGH? 'CAUSE-- 401 00:18:59,467 --> 00:19:01,000 I'M JUST GONNA TAKE IT DOWN. 402 00:19:01,066 --> 00:19:04,200 YOU KNOW THE UPFRONTS ARE IN AN HOUR AND MY HAIR TAKES ABOUT AN HOUR. 403 00:19:04,266 --> 00:19:06,900 SO, YOU KNOW WHAT? 404 00:19:06,967 --> 00:19:10,734 MICKEY, WHY DON'T WE JUST GET STARTED, AND THEN WHEN YOU'RE UP YOU'RE UP, OKAY? 405 00:19:10,800 --> 00:19:12,734 WE'LL DO IT THAT WAY. 406 00:19:12,800 --> 00:19:14,700 WE DON'T HAVE TIME. 407 00:19:14,767 --> 00:19:16,300 WHAT? MICKEY! 408 00:19:16,367 --> 00:19:19,367 I'M SORRY, WHAT IS THAT? THAT'S A NEW PRODUCT. 409 00:19:19,433 --> 00:19:21,000 NOT TODAY. NO EXPERIMENTS TODAY! 410 00:19:21,066 --> 00:19:23,333 THEY TOLD ME WE HAD TO USE THIS. 411 00:19:23,400 --> 00:19:25,200 WHO IS "THEY"? 412 00:19:25,266 --> 00:19:27,734 JANE? JANE? 413 00:19:27,800 --> 00:19:29,967 Jane: IT'S A SPONSOR, YOU KIND OF HAVE TO. 414 00:19:30,033 --> 00:19:32,000 NO, I'M SORRY. 415 00:19:32,066 --> 00:19:33,900 NEW PRODUCT'S TOO RISKY. 416 00:19:33,967 --> 00:19:36,500 CAN'T YOU JUST USE ONE OF THEM? 417 00:19:38,934 --> 00:19:41,166 JUST A LITTLE-- LITTLE BIT? 418 00:19:49,900 --> 00:19:52,734 UM... 419 00:19:52,800 --> 00:19:55,567 NO, I'M SORRY. I CAN'T, NO. 420 00:19:55,633 --> 00:19:57,767 I CAN'T. IT'S-- YOU KNOW... 421 00:19:57,834 --> 00:19:59,867 Valerie: NOT TODAY, YOU KNOW? 422 00:19:59,934 --> 00:20:02,033 I DON'T KNOW WHICH ONE OF THE PRODUCTS 423 00:20:02,100 --> 00:20:03,900 IS GONNA MAKE MY HAIR PIECEY OR GREASY, 424 00:20:03,967 --> 00:20:05,900 OR, YOU KNOW. I GOTTA LOOK LIKE ME. 425 00:20:05,967 --> 00:20:08,100 YOU KNOW, IT'S MY BIG RETURN TO THE NETWORK. 426 00:20:08,166 --> 00:20:09,967 - THEY WANNA SEE ME, RIGHT? - OKAY, YEAH. 427 00:20:10,033 --> 00:20:12,533 THANK YOU. MICKEY, CAN YOU GET THE SEBASTIAN STUFF THEN? 428 00:20:12,600 --> 00:20:14,467 - 'CAUSE I CAN'T-- - I TRIED TO TELL THEM. 429 00:20:14,533 --> 00:20:16,533 I'M SURE. I KNOW. 430 00:20:16,600 --> 00:20:19,266 NO ONE IS MAD OR ANYTHING. 431 00:20:20,500 --> 00:20:22,433 OKAY. I'M SORRY, JANE. I'M SORRY. 432 00:20:22,500 --> 00:20:25,200 I JUST CAN'T RISK ANY SURPRISES. NOT TODAY. 433 00:20:27,166 --> 00:20:30,834 ( imitating Woody Allen ) NO SURPRISES TODAY. 434 00:20:30,900 --> 00:20:34,066 - IS THAT YOUR WOODY ALLEN? - YEAH. 435 00:20:41,800 --> 00:20:44,867 AND WE'RE NOT JUST ABOUT GREAT DRAMAS. 436 00:20:44,934 --> 00:20:48,266 THIS FALL WE WILL TAKE OUR OTHER PROGRAMMING 437 00:20:48,333 --> 00:20:50,233 TO EXCITING NEW HEIGHTS. 438 00:20:50,300 --> 00:20:53,133 THRILLING, EMOTIONAL, 439 00:20:53,200 --> 00:20:55,033 IMPORTANT, AND YES, 440 00:20:55,100 --> 00:20:57,166 WE LEFT SOME ROOM FOR LAUGHS. 441 00:20:57,233 --> 00:20:59,033 "ROOM FOR LAUGHS." THAT MEANS US. 442 00:20:59,100 --> 00:21:01,734 YOU CAN'T ALL BE STANDING HERE WITH THESE CAMERAS. 443 00:21:01,800 --> 00:21:04,133 - I HAVE PEOPLE COMING THROUGH. - THAT'S ALL RIGHT. 444 00:21:04,200 --> 00:21:06,967 WE'RE DOING A SHOW FOR THIS NETWORK SO WE'RE ALLOWED. YEAH. 445 00:21:07,033 --> 00:21:10,667 Network President: SHOWS SO COMPELLING THAT, SOON VIEWERS EVERYWHERE 446 00:21:10,734 --> 00:21:14,400 WILL HAVE NO CHOICE BUT TO GET CAUGHT IN THE NET. 447 00:21:14,467 --> 00:21:16,266 - ISN'T THAT CUTE? - LET'S TAKE A LOOK. 448 00:21:16,333 --> 00:21:18,367 - ROLL TAPE. - Announcer: Up first, 449 00:21:18,433 --> 00:21:21,567 it's a whole new reality on the Net. 450 00:21:21,633 --> 00:21:23,433 Life is full of hard knocks. 451 00:21:23,500 --> 00:21:25,834 Marriage can be even harder. 452 00:21:25,900 --> 00:21:28,433 So, how about it, newlyweds? 453 00:21:28,500 --> 00:21:31,166 Are you ready to take some knocks? 454 00:21:31,233 --> 00:21:34,066 ( couples hollering ) 455 00:21:34,133 --> 00:21:38,000 Awesome. Let's see what you're gonna be hitting with. 456 00:21:42,100 --> 00:21:44,600 A pipe, a shovel 457 00:21:44,667 --> 00:21:47,200 and a board. 458 00:21:47,266 --> 00:21:49,166 Announcer: Mondays at 9:00, 459 00:21:49,233 --> 00:21:51,734 get ready for "Take That!" 460 00:21:53,133 --> 00:21:55,834 $100,000 for the torso. 461 00:21:55,900 --> 00:21:57,300 $200,000 for the head. 462 00:21:57,367 --> 00:21:59,266 The head! 463 00:21:59,333 --> 00:22:00,767 I can't. 464 00:22:00,834 --> 00:22:03,133 Swing it, you pussy! 465 00:22:04,567 --> 00:22:07,533 We'll see you in the Nextel recovery tent. 466 00:22:10,100 --> 00:22:11,900 NOT FOR ALL THE MONEY IN THE WORLD. 467 00:22:11,967 --> 00:22:14,734 REALLY, IT'S TOO MUCH WITH YOU HERE. I CAN'T WORK. 468 00:22:14,800 --> 00:22:17,133 - HELP ME OUT. - HELP ME OUT AND JUST LEAVE US ALONE. 469 00:22:17,200 --> 00:22:20,200 JANE, IT'S FINE. IT'S FINE, WE'LL MOVE. 470 00:22:22,934 --> 00:22:24,800 WHY DIDN'T YOU COME TO DINNER LAST NIGHT? 471 00:22:24,867 --> 00:22:27,333 OH, I DECIDED TO STAY IN. FOCUS. 472 00:22:27,400 --> 00:22:30,100 - YOU LOOK SO PRETTY. - OH, YOU TOO. 473 00:22:30,166 --> 00:22:31,967 THANK YOU. 474 00:22:32,033 --> 00:22:33,967 President: CONTRARY TO POPULAR BELIEF, 475 00:22:34,033 --> 00:22:37,066 THAT IDEA WAS NOT GIVEN TO ME BY MY WIFE. 476 00:22:37,133 --> 00:22:38,867 ( audience laughs ) 477 00:22:38,934 --> 00:22:40,400 I DON'T NEED THIS, I DON'T THINK. 478 00:22:40,467 --> 00:22:42,900 ARE YOU READY? LET IT ROLL! 479 00:22:44,367 --> 00:22:46,667 Announcer: And Thursday night is hotter than ever, 480 00:22:46,734 --> 00:22:50,333 with "The Search for America's Next Great Porn Star." 481 00:22:52,667 --> 00:22:54,533 Mommy almost forgot Mr. Wiggler. 482 00:22:54,600 --> 00:22:57,633 OH, HELL YEAH! MR. WIGGLES. 483 00:22:57,700 --> 00:22:59,266 Hi, I'm Kit Dennehey, 484 00:22:59,333 --> 00:23:01,300 A single mom from Rancho Mirage, California. 485 00:23:01,367 --> 00:23:05,266 And I really wanna be America's next great porn star. 486 00:23:07,433 --> 00:23:10,133 Ladies, porn is all about endurance. 487 00:23:10,200 --> 00:23:11,967 For the next challenge, 488 00:23:12,033 --> 00:23:14,266 you will have to race up five flights of stairs 489 00:23:14,333 --> 00:23:16,500 with a mouth full of creme fraiche. 490 00:23:19,700 --> 00:23:22,333 ( moaning ) 491 00:23:42,266 --> 00:23:44,367 ( squealing ) 492 00:23:48,734 --> 00:23:51,300 Announcer: And we hope you've left room for laughs. 493 00:23:51,367 --> 00:23:54,000 Chris: THIS IS US, MY BROTHA'. 494 00:23:54,066 --> 00:23:57,867 Juna on TV: All right, rule number one: no sex. 495 00:23:57,934 --> 00:24:01,300 Shayne on TV: Rule number two: if either of us is horny, 496 00:24:01,367 --> 00:24:03,533 disregard rule number one. 497 00:24:03,600 --> 00:24:05,367 ( audience laughs ) 498 00:24:05,433 --> 00:24:07,533 ( audience hoots ) 499 00:24:09,500 --> 00:24:13,100 Note to self: I don't need to see that. 500 00:24:13,166 --> 00:24:14,967 ( laughter ) 501 00:24:15,033 --> 00:24:17,867 Announcer: That's "Room and Bored." Four sexy singles, 502 00:24:17,934 --> 00:24:19,900 one small beach condo. 503 00:24:19,967 --> 00:24:21,900 AND ONE AUNT SASSY. 504 00:24:21,967 --> 00:24:23,767 THEY FORGOT. 505 00:24:23,834 --> 00:24:27,633 AND NOW, I'D LIKE TO INTRODUCE YOU 506 00:24:27,700 --> 00:24:29,100 TO THE HOT NEW STARS 507 00:24:29,166 --> 00:24:31,734 OF ONE OF OUR MOST EXCITING NEW SITCOMS, 508 00:24:31,800 --> 00:24:33,734 "ROOM AND BORED." 509 00:24:33,800 --> 00:24:36,400 - JESSE WOOD. - ( applause ) 510 00:24:41,300 --> 00:24:43,767 CHRIS MACNESS. 511 00:24:46,900 --> 00:24:49,266 SHAYNE THOMAS. 512 00:24:51,000 --> 00:24:53,500 AND JUNA MILLKEN. 513 00:24:55,967 --> 00:24:58,533 THERE THEY ARE, FOLKS. THE CAST OF "ROOM AND BORED." 514 00:24:58,600 --> 00:25:00,400 GIVE THEM A HAND. 515 00:25:00,467 --> 00:25:02,300 - WHAT'S HAPPENING? - GO OUT THERE. 516 00:25:02,367 --> 00:25:05,166 - HE'LL SEE YOU AND INTRODUCE YOU. - I DON'T UNDERSTAND. 517 00:25:05,233 --> 00:25:07,767 VAL, IT'S A MISTAKE! GO OUT THERE. 518 00:25:07,834 --> 00:25:09,800 I'M NOT GONNA RUN OUT THERE, MICKEY, I CAN'T. 519 00:25:09,867 --> 00:25:12,166 YOU TWO HAVE TO GO. I'VE GOT OTHER SHOWS COMING THROUGH. 520 00:25:12,233 --> 00:25:14,066 NO NO, SEE, I'M WITH THAT SHOW THERE. 521 00:25:14,133 --> 00:25:17,266 THAT SHOW'S DONE. NOW GET YOUR FUCKING CAMERAS OUT OF MY FUCKING WAY! 522 00:25:17,333 --> 00:25:20,767 THAT'S IT, YOU WANNA THROW THE FUCKS AROUND, I'LL THROW THE FUCKS AROUND. 523 00:25:20,834 --> 00:25:24,734 I HAVE TWO SHOWS ON THIS NETWORK AND HE FORGOT TO FUCKING INTRODUCE ME. 524 00:25:24,800 --> 00:25:27,400 I DON'T NEED YOU PUSHING ME OFF THE STAGE, OKAY? 525 00:25:27,467 --> 00:25:29,467 THEY'VE ALREADY DONE IT. THANK YOU. THANK YOU! 526 00:25:29,533 --> 00:25:32,667 President: YOU LOVE SITCOMS, BUT YOU'RE TIRED OF REALITY SHOWS. 527 00:25:32,734 --> 00:25:36,066 WHY'D THEY EVEN BRING ME OUT HERE IF THEY WEREN'T GONNA-- 528 00:25:36,133 --> 00:25:39,967 - WHAT ABOUT A SITCOM THAT BECOMES A REALITY SHOW? - WHY DIDN'T HE-- 529 00:25:40,033 --> 00:25:42,967 Mickey: VAL, LISTEN, HE'S INTRODUCING YOU NOW! 530 00:25:43,033 --> 00:25:45,133 - RIGHT NOW? RIGHT NOW? - NOW! 531 00:25:45,200 --> 00:25:47,033 OKAY, I DON'T NEED THIS. 532 00:25:47,100 --> 00:25:48,900 OKAY, I'M GOOD. 533 00:25:48,967 --> 00:25:51,800 IN JANUARY SHE'LL STAR IN "THE COMEBACK," 534 00:25:51,867 --> 00:25:53,700 HER VERY OWN REALITY SHOW... 535 00:25:53,767 --> 00:25:55,633 - I'M SO STUPID. - ...ABOUT HER RETURN 536 00:25:55,700 --> 00:25:57,300 TO THE SITCOM SPOTLIGHT! 537 00:25:57,367 --> 00:25:59,300 VALERIE CHERISH! 538 00:25:59,367 --> 00:26:02,600 ( roaring applause ) 539 00:26:04,000 --> 00:26:07,200 - WELCOME BACK, VAL. - THANK YOU. 540 00:26:07,266 --> 00:26:09,767 THANK YOU, I'M SO HAPPY-- 541 00:26:09,834 --> 00:26:12,467 THAT'S OUR CAST, LADIES AND GENTLEMEN! 542 00:26:17,633 --> 00:26:20,300 NO, IT WENT GREAT. JUST GREAT, MARKY-MARK. 543 00:26:20,367 --> 00:26:23,166 I DIDN'T GET TO SAY ANYTHING, BUT YOU KNOW, THAT'S ALL RIGHT. 544 00:26:23,233 --> 00:26:25,000 - See? I told you. - YEAH, YOU DID. 545 00:26:25,066 --> 00:26:28,133 - Also, I took the kids to lunch. - HOW DID THAT GO? 546 00:26:28,200 --> 00:26:30,266 Well, the eater is not an eater anymore. 547 00:26:30,333 --> 00:26:31,767 WELL, WE TRIED, SO... 548 00:26:31,834 --> 00:26:33,934 Oh, listen, um, the wall is done. 549 00:26:34,000 --> 00:26:36,200 OH, WHICH COLOR? 550 00:26:36,266 --> 00:26:38,233 Uh, sage dust. 551 00:26:38,300 --> 00:26:40,133 GREAT. 552 00:26:40,200 --> 00:26:41,700 - Yeah. - YEAH. 553 00:26:41,767 --> 00:26:44,333 HEY, "I DON'T NEED TO SEE THAT. I DON'T NEED TO SEE THAT!" 554 00:26:44,400 --> 00:26:46,900 ( laughs ) VERY GOOD. 555 00:26:46,967 --> 00:26:49,667 - What happened? - I THINK I HAVE A CATCHPHRASE. 556 00:26:49,734 --> 00:26:52,734 - That's good. - GOOD? IT'S EVERYTHING. 557 00:26:52,800 --> 00:26:54,800 VALERIE, WILL YOU COME TAKE A PICTURE WITH US? 558 00:26:54,867 --> 00:26:57,767 - OH, SURE, YEAH. I'M GONNA TAKE A PICTURE. - Okay, go ahead. 559 00:26:57,834 --> 00:26:59,767 - I'LL SEE YA TOMORROW. - I love you. 560 00:26:59,834 --> 00:27:01,834 I LOVE YOU TOO. OKAY. 561 00:27:01,900 --> 00:27:03,900 OH, FUN. THIS IS FUN. 562 00:27:03,967 --> 00:27:05,533 OKAY. 563 00:27:05,600 --> 00:27:07,633 - YOU READY? - YEAH. 564 00:27:07,700 --> 00:27:09,633 THREE, TWO, ONE. 565 00:27:09,700 --> 00:27:11,667 GOOD. 566 00:27:11,734 --> 00:27:14,166 OH, WAIT, I CAN DO YOU ONE BETTER. MICKEY! 567 00:27:14,233 --> 00:27:17,533 TAKE A PICTURE OF US. THAT WAY WE CAN ALL BE IN IT. 568 00:27:17,600 --> 00:27:20,834 IT'LL BE FUN. 569 00:27:20,900 --> 00:27:22,700 I HAVE NO IDEA WHAT I'M DOING. 570 00:27:22,767 --> 00:27:25,800 ALL YOU HAVE TO DO IS PUSH THIS BUTTON RIGHT THERE. 571 00:27:25,867 --> 00:27:28,467 - OH, OKAY. - MICKEY KNOWS THE OLD POLAROID. 572 00:27:32,600 --> 00:27:34,700 READY? 573 00:27:36,500 --> 00:27:39,433 YOU'VE GOT TO HOLD IT. 574 00:27:39,500 --> 00:27:42,367 - I DID. - NO, JUST HOLD UNTIL-- 575 00:27:42,433 --> 00:27:44,233 YOU GOTTA KEEP-- 576 00:27:44,300 --> 00:27:46,233 Chris: NO, THE CAMERA DIED! LOOK AT THIS. 577 00:27:46,300 --> 00:27:48,233 - IT SHUT OFF. - IT SHUT OFF? 578 00:27:48,300 --> 00:27:51,333 SEE THAT? ONE MORE TIME. 579 00:27:51,400 --> 00:27:54,133 DID HE TURN IT OFF? DID HE TURN IT OFF? 580 00:27:54,200 --> 00:27:56,166 HERE WE GO. IT WAS MY FAULT. 581 00:27:56,233 --> 00:27:58,633 EVERYBODY SMILE. 582 00:27:59,800 --> 00:28:01,700 - THERE YOU GO. - IS THAT GOOD? 583 00:28:01,767 --> 00:28:04,066 OH, I HAVE AN IDEA. LET'S DO ONE MORE. I'M SORRY. 584 00:28:04,133 --> 00:28:06,500 COME HERE. OH, THIS WILL BE FUN. GIRLS GET IN FRONT. 585 00:28:06,567 --> 00:28:08,467 GET IN FRONT AND DOWN. AND DOWN A LITTLE BIT. 586 00:28:08,533 --> 00:28:10,500 - ALL RIGHT. - IS EVERYBODY READY? 587 00:28:10,567 --> 00:28:13,233 READY. OH, WAIT. YOU'RE ON MY HAIR. 588 00:28:13,300 --> 00:28:15,467 THIS ARM, IT'S ON MY HAIR. 589 00:28:15,533 --> 00:28:17,533 OKAY, EVERYBODY SMILE. 590 00:28:19,967 --> 00:28:21,834 - GOT IT. - YEAH! 591 00:28:21,900 --> 00:28:24,066 - OH, IT'S NICE. - OKAY, SEE YOU LATER. 592 00:28:24,133 --> 00:28:26,066 OH, THAT'S GREAT! 593 00:28:26,133 --> 00:28:27,800 CHRIS, WAIT WAIT WAIT! 594 00:28:27,867 --> 00:28:29,867 I DIDN'T SEE THE PICTURE. 595 00:28:29,934 --> 00:28:32,467 LET ME-- OH. 596 00:28:34,200 --> 00:28:37,467 YEAH. THAT'S JUST AWFUL. 597 00:28:37,533 --> 00:28:39,867 HEY, WAIT A SECOND. WHERE ARE WE GOING? 598 00:28:39,934 --> 00:28:42,367 ? THERE IS NO NEED TO FEAR ? 599 00:28:42,433 --> 00:28:44,367 ? AND I JUST FEEL SO GOOD ? 600 00:28:44,433 --> 00:28:46,400 ? EVERY TIME I HEAR ? 601 00:28:46,467 --> 00:28:48,834 ? I'M COMING OUT ? 602 00:28:48,900 --> 00:28:51,800 ? I WANT THE WORLD TO KNOW... ? 603 00:28:51,850 --> 00:28:56,400 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 45549

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