All language subtitles for The Comeback s01e01 The Comeback

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:21,433 --> 00:00:23,667 Man: NOW. 2 00:00:23,734 --> 00:00:26,233 THIS IS MY COMEBACK. 3 00:00:26,300 --> 00:00:30,100 ALL RIGHT, I'M GONNA-- LET ME TAKE THAT AGAIN, OKAY? 4 00:00:30,166 --> 00:00:33,333 SO THIS IS MY-- JANE? I'M SORRY-- 5 00:00:33,400 --> 00:00:36,000 THE CAMERA KEEPS MOVING IN AND OUT. IS THAT--? 6 00:00:36,066 --> 00:00:38,133 IT'S ALWAYS GONNA BE MOVING. JUST KEEP GOING. 7 00:00:38,200 --> 00:00:39,967 YEAH, I KNOW, IT'S JUST-- 8 00:00:40,033 --> 00:00:41,834 I DIDN'T KNOW IF I SHOULD WAIT FOR IT TO SETTLE 9 00:00:41,900 --> 00:00:43,934 - OR... - UM-UM. 10 00:00:44,000 --> 00:00:46,100 THAT'S RIGHT-- YEAH, RIGHT. 11 00:00:46,166 --> 00:00:49,667 THIS ONE'S ALWAYS GONNA BE MOVING 'CAUSE THAT ONE IS STATIONARY. 12 00:00:49,734 --> 00:00:52,667 GOT IT. OKAY. HERE WE GO. 13 00:00:53,533 --> 00:00:56,600 THIS IS MY COMEBACK. 14 00:00:58,300 --> 00:01:02,100 - YOU KNOW, I WANT TO DO ANOTHER. - Woman: MISS VAL, I'M HERE. 15 00:01:03,100 --> 00:01:05,667 GOOD MORNING, ESPERANZA. 16 00:01:05,734 --> 00:01:08,100 HERE SHE IS. 17 00:01:09,266 --> 00:01:11,266 YOU... REMEMBER WE TALKED ABOUT THIS... 18 00:01:11,333 --> 00:01:13,400 THAT REALITY CAMERAS WOULD BE STARTING TODAY? 19 00:01:13,467 --> 00:01:16,166 REMEMBER? JUST PRETEND THEY'RE NOT HERE 20 00:01:16,233 --> 00:01:19,133 AND JUST BE SPONTANEOUS. JANE--? 21 00:01:19,200 --> 00:01:21,200 AHEM-- 22 00:01:21,266 --> 00:01:22,934 I'M NOT GOING TO BE ABLE TO USE THIS. 23 00:01:23,000 --> 00:01:25,533 IT'S ALL ROUGH. WE'RE NOT GONNA. USE IT ALL. 24 00:01:25,600 --> 00:01:27,700 THAT'S RIGHT. OKAY. 25 00:01:27,767 --> 00:01:30,367 ( cans clattering ) 26 00:01:32,233 --> 00:01:35,200 - JUST WAIT... - ( clattering continues ) 27 00:01:35,266 --> 00:01:38,834 I'M SORRY, DEAR. YOU KNOW WHAT? JUST-- 28 00:01:38,900 --> 00:01:41,000 OKAY. DON'T WORRY. 29 00:01:41,066 --> 00:01:43,066 JUST GO ABOUT YOUR DAY. YOU KNOW WHAT I'M SAYING? 30 00:01:43,133 --> 00:01:45,633 PUT IT WHERE IT BELONGS, EVERYTHING THE WAY IT'S SUPPOSED TO BE. 31 00:01:45,700 --> 00:01:47,967 SHE'S... 32 00:01:49,133 --> 00:01:51,100 I'LL FIX IT, DEAR. THAT'S ALL RIGHT. 33 00:01:51,166 --> 00:01:53,467 JUST GO AHEAD. 34 00:01:53,533 --> 00:01:55,934 OH-- ALL THE "ZONES" FELL. 35 00:01:56,000 --> 00:01:58,567 I DON'T KNOW THE ORDER. 36 00:01:58,633 --> 00:02:01,100 ALL RIGHT-- NO ONE OPEN A DIET COKE, 37 00:02:01,166 --> 00:02:03,200 OR WE'LL HAVE AN EXPLOSION. 38 00:02:03,266 --> 00:02:05,467 OKAY. 39 00:02:05,533 --> 00:02:07,633 I'M SORRY. SHE'LL LOOSEN UP. 40 00:02:07,700 --> 00:02:11,333 SHE WILL. DON'T WORRY. OKAY. SHALL WE START AGAIN? 41 00:02:13,667 --> 00:02:15,333 JANE, DO I COME IN NOW? 42 00:02:15,400 --> 00:02:17,934 - YEAH, THAT WOULD BE GREAT. - GOOD. 43 00:02:18,000 --> 00:02:20,834 WELL, THIS IS IT. THIS IS MY "IT" WALL. 44 00:02:20,900 --> 00:02:22,934 IT USED TO BE BIGGER, BUT THEN I GOT MARRIED 45 00:02:23,000 --> 00:02:25,233 AND YOU KNOW, YOU HAVE TO SHARE, YOU KNOW, SO... 46 00:02:25,300 --> 00:02:27,166 LET ME SHOW YOU THIS. 47 00:02:27,233 --> 00:02:29,834 THIS HERE IS MY "PEOPLE'S CHOICE" AWARD 48 00:02:29,900 --> 00:02:33,233 THAT I GOT FOR "I'M IT!" AND IT MEANS A LOT TO ME, 49 00:02:33,300 --> 00:02:36,433 BECAUSE IT'S FROM THE PEOPLE. 50 00:02:36,500 --> 00:02:38,734 SO... AND RIGHT HERE 51 00:02:38,800 --> 00:02:41,066 IS MY "LENO." THERE IT IS. 52 00:02:41,133 --> 00:02:43,934 Jane: TALK MORE ABOUT THAT. 53 00:02:44,000 --> 00:02:46,533 WHAT IS THERE TO SAY? THERE WAS A MONKEY ON MY HEAD AND HE POOED. 54 00:02:46,600 --> 00:02:49,100 YOU KNOW? IT WAS A REAL "WATER COOLER MOMENT." 55 00:02:49,166 --> 00:02:51,700 YOU KNOW, THE WHOLE NEXT DAY EVERYONE WAS-- 56 00:02:51,767 --> 00:02:53,633 AND YOU KNOW, THIS WAS LENO'S FIRST YEAR, 57 00:02:53,700 --> 00:02:56,233 SO IT WAS A REAL IMPORTANT SHOW FOR HIM, TOO. 58 00:02:56,300 --> 00:02:59,166 IT WAS QUITE AN APPEARANCE. CLASSIC. 59 00:02:59,233 --> 00:03:01,934 - Man: CAN I GO, BABE? - YEAH. 60 00:03:02,000 --> 00:03:04,100 OH, HELLO, EVERYBODY. 61 00:03:04,166 --> 00:03:06,533 CAN I CROSS? I HAVE TO GET MY-- 62 00:03:06,600 --> 00:03:08,867 YEAH, WHATEVER YOU NEED TO DO. 63 00:03:08,934 --> 00:03:11,300 I DIDN'T WANT TO RUIN-- 64 00:03:11,367 --> 00:03:13,467 YOU'RE NOT GONNA RUIN ANYTHING, YOU. 65 00:03:13,533 --> 00:03:15,266 ( chuckles ) BUSINESSMAN. 66 00:03:15,333 --> 00:03:17,800 - WELL, HAVE FUN WITH YOUR SHOW. - WE ARE. 67 00:03:17,867 --> 00:03:20,166 - GOOD LUCK ON THE SITCOM AUDITION. - THANK YOU. 68 00:03:20,233 --> 00:03:22,200 BE GOOD TO MY GIRL. 69 00:03:22,266 --> 00:03:24,133 ( giggles ) THAT'S FUNNY. 70 00:03:24,200 --> 00:03:26,400 HONEY, YOU HAVE WATER ON THE FLOOR THERE. 71 00:03:26,467 --> 00:03:28,100 I DO? WHERE? 72 00:03:28,166 --> 00:03:30,600 OUTSIDE THE POWDER ROOM. YOU BETTER GET THAT UP. 73 00:03:30,667 --> 00:03:33,367 I'M KIND OF BUSY RIGHT NOW, SO... 74 00:03:33,433 --> 00:03:35,100 IT'S COMING FROM THE POWDER ROOM. 75 00:03:35,166 --> 00:03:37,066 YOU'D BETTER CALL A PLUMBER TO COME OUT HERE. 76 00:03:37,133 --> 00:03:39,233 WELL, YOU'RE GONNA HAVE TO CALL THE PLUMBER. 77 00:03:39,300 --> 00:03:41,967 I HAVE CONFERENCES ALL DAY. I'VE GOTTA PICK UP MY DAUGHTER. 78 00:03:42,033 --> 00:03:43,800 MARK, I HAVE MY NETWORK TEST TODAY-- 79 00:03:43,867 --> 00:03:46,333 - TURN OFF THE WATER UNTIL IT'S FIXED. - YOU'RE NOT HEARING ME. 80 00:03:46,400 --> 00:03:48,800 I'LL TURN OFF THE WATER UNTIL YOU CAN GET A PLUMBER. 81 00:03:48,867 --> 00:03:51,800 NO, I NEED THE WATER TO DO MY HAIR FOR MY NETWORK TEST. MICKEY'S COMING-- 82 00:03:51,867 --> 00:03:54,233 WELL, I GOTTA GO. COULD YOU MAKE SURE YOU GET THAT UP? 83 00:03:54,300 --> 00:03:56,667 - YOU DON'T WANT THE FLOORS TO WARP. - THE FLOORS WILL BE FLAT. 84 00:03:56,734 --> 00:04:00,266 OKAY. 85 00:04:00,333 --> 00:04:03,266 I'M SORRY. JANE, YOU'RE NOT GONNA BE ABLE TO USE THAT. 86 00:04:03,333 --> 00:04:06,400 NO, IT'S GREAT, IT'S GREAT. 87 00:04:06,467 --> 00:04:08,667 ACTUALLY, YOU DON'T HAVE TO KEEP DOING THIS, 88 00:04:08,734 --> 00:04:11,133 BECAUSE ANYTHING WE DON'T NEED, WE JUST EDIT IT OUT. 89 00:04:11,200 --> 00:04:14,233 SO, DON'T WORRY ABOUT IT. 90 00:04:14,300 --> 00:04:15,567 ( doorbell rings ) 91 00:04:15,633 --> 00:04:17,900 MICKEY'S HERE. I'M GONNA GET THE DOOR. 92 00:04:17,967 --> 00:04:21,166 - DING-DONG, AVON CALLING. - THIS IS MICKEY. HERE HE IS. 93 00:04:21,233 --> 00:04:23,533 - WHAT? I'M SORRY. - DING-DONG, AVON CALLING. 94 00:04:23,600 --> 00:04:25,934 OH! VERY GOOD. 95 00:04:26,000 --> 00:04:28,066 THIS IS MICKEY. HE'S FUNNY. 96 00:04:28,133 --> 00:04:31,767 I'M READY FOR MY CLOSE-UP, MR. DE MILLE. 97 00:04:31,834 --> 00:04:34,433 MICKEY WAS MY HAIRDRESSER ON "I'M IT!" 98 00:04:34,500 --> 00:04:37,166 97 EPISODES OF BLISS. 99 00:04:37,233 --> 00:04:39,667 AW. 100 00:04:39,734 --> 00:04:41,934 AND THAT'S A LOT OF CURLING IRON ACTION. 101 00:04:42,000 --> 00:04:43,767 - RIGHT, RED? - OUCH! 102 00:04:43,834 --> 00:04:46,433 AND SHE'S NOT KIDDING! 103 00:04:47,467 --> 00:04:50,066 ANYWAY, WHENEVER I HAVE A BIG EVENT 104 00:04:50,133 --> 00:04:52,033 OR AN IMPORTANT AUDITION-- LIKE TODAY-- 105 00:04:52,100 --> 00:04:54,100 MICKEY IS OVER HERE LIKE A FLASH. 106 00:04:54,166 --> 00:04:56,834 Esperanza: MISS VAL, THERE IS WATER ON THE FLOOR. 107 00:04:56,900 --> 00:05:00,600 - MISS VAL... - I NEED YOU TO CALL MR. MARK, OKAY? 108 00:05:00,667 --> 00:05:02,867 BECAUSE I'VE GOTTA DO MY HAIR FOR MY NETWORK TEST. 109 00:05:02,934 --> 00:05:06,100 MICKEY, SHALL WE GET STARTED? 110 00:05:07,500 --> 00:05:09,767 ( sighs ) 'CAUSE I DON'T WANNA BE LATE. 111 00:05:09,834 --> 00:05:12,266 I DON'T NEED THAT. 112 00:05:17,900 --> 00:05:20,200 IS THIS A CUTE SITCOM? DOES IT HAVE A SHOT? 113 00:05:20,266 --> 00:05:23,800 IT'S A WONDERFUL SCRIPT. IT'S FOUR SEXY SINGLES LIVING IN A CONDO. 114 00:05:23,867 --> 00:05:26,133 IT'S CALLED "ROOM AND BORED." "B-O-R-E-D." 115 00:05:26,200 --> 00:05:28,734 - OH, THAT'S CUTE. - ISN'T THAT FUNNY? 116 00:05:28,800 --> 00:05:31,433 JANE, THIS CAMERA? THE ANGLE FEELS KIND OF LOW. 117 00:05:31,500 --> 00:05:33,333 - IT'S FINE. - WELL... 118 00:05:33,400 --> 00:05:35,533 WHAT ABOUT YOUR CHARACTER? IS SHE IN EVERY SHOW? 119 00:05:35,600 --> 00:05:37,367 OH, YEAH. LANEY'S ONE OF THE FOUR. 120 00:05:37,433 --> 00:05:40,066 SHE'S THE SMART ONE, SLIGHTLY OLDER, SHE'S AN ARCHITECT. 121 00:05:40,133 --> 00:05:43,200 - HER NAME'S ON THE LEASE. - I PRAY YOU GET THIS SITCOM. 122 00:05:43,266 --> 00:05:46,000 I'M TWO YEARS FROM RETIRING AND I NEED THOSE HEALTH BENEFITS. 123 00:05:46,066 --> 00:05:48,233 THEY FOUND TWO MORE "QUESTIONABLE" MELANOMAS, 124 00:05:48,300 --> 00:05:50,233 BUT DON'T CRY FOR ME, ARGENTINA. 125 00:05:50,300 --> 00:05:52,600 HERE WE ARE! I'M SORRY, DARLING, JUST PIT A PIN IN THAT. 126 00:05:52,667 --> 00:05:55,433 THIS IS THE NETWORK, MY OLD STOMPING GROUND. 127 00:05:56,633 --> 00:05:58,133 ( phone ringing ) 128 00:05:58,200 --> 00:06:00,967 AW, THANK YOU, DARLIN'. 129 00:06:02,600 --> 00:06:07,000 DO NOT TELL ME SHE'S UP AGAINST MARILU HENNER AND KIM FIELDS. 130 00:06:08,900 --> 00:06:11,066 SURPRISE, SURPRISE. 131 00:06:11,133 --> 00:06:14,867 MY GOD, VALERIE CHERISH? WHO'S COMING NEXT, VALERIE BERTINELLI? 132 00:06:14,934 --> 00:06:17,200 ( nervous chuckle ) 133 00:06:17,266 --> 00:06:19,967 - SO YOU'RE HERE FOR "ROOM AND BORED"? - UM-HMM. 134 00:06:20,033 --> 00:06:22,000 GET THIS-- I JUST GOT OFF WITH MY AGENT, 135 00:06:22,066 --> 00:06:24,333 WHOEVER GETS THE SITCOM HAS TO DO THE REALITY SHOW. 136 00:06:24,400 --> 00:06:27,300 I MEAN, I THOUGHT IT WAS AN OPTION. 137 00:06:27,367 --> 00:06:30,767 SO THESE CAMERAS ARE NOT ALL FOR ME? 138 00:06:30,834 --> 00:06:34,133 SHARON? SO THEY'RE SHOOTING THREE COMEBACKS? 139 00:06:34,200 --> 00:06:36,300 I'M JUST CASTING "ROOM AND BORED." 140 00:06:36,367 --> 00:06:38,600 Kim: NO, SEE WHOEVER GETS THE SITCOM 141 00:06:38,667 --> 00:06:41,834 IT'S THEIR COMEBACK AND THEY'LL DUMP ALL THE OTHER FOOTAGE. 142 00:06:41,900 --> 00:06:43,900 I MEAN, I'LL DO ANOTHER SITCOM, 143 00:06:43,967 --> 00:06:45,934 BUT WHO IS SO DESPERATE FOR A COMEBACK 144 00:06:46,000 --> 00:06:48,734 THAT THEY ACTUALLY WANT CAMERAS TO FOLLOW THEM AROUND ALL DAY? 145 00:06:48,800 --> 00:06:50,834 ( Marilu chuckles ) RIGHT. 146 00:06:50,900 --> 00:06:53,133 WELL, I'LL TELL YOU WHAT MY ISSUE IS-- 147 00:06:53,200 --> 00:06:55,934 WHY DO THEY EVEN CALL IT "THE COMEBACK"? 148 00:06:56,000 --> 00:06:59,300 YOU TWO CERTAINLY DON'T NEED A COMEBACK. 149 00:07:03,200 --> 00:07:07,333 NO-- ALL OF US, YOU KNOW, WHERE DID WE GO? 150 00:07:08,600 --> 00:07:11,033 VAL, WE JUST DECIDED AS A COURTESY TO ONE ANOTHER 151 00:07:11,100 --> 00:07:13,433 WE WOULD NOT HAVE OUR CREWS FILMING NOW. 152 00:07:13,500 --> 00:07:15,667 - TURN THEM OFF? - OH, SURE. YEAH. 153 00:07:15,734 --> 00:07:18,433 LISTEN, THEY'RE UPSET, SO JUST SHOOT ME. 154 00:07:18,500 --> 00:07:21,500 OKAY. SO WHAT DO WE DO NOW? 155 00:07:21,567 --> 00:07:24,233 WHAT ARE YOU GONNA DO, LEAVE? 156 00:07:25,633 --> 00:07:28,967 VAL... YOUR CAMERAS ARE STILL ON. 157 00:07:29,033 --> 00:07:30,867 OH, NO, I TOLD HIM NOT TO GET YOU. 158 00:07:30,934 --> 00:07:32,834 - Marilu: OH. - SO, YEAH, IT'S OKAY. 159 00:07:32,900 --> 00:07:36,567 HE-- YOUR BACK'S TO HIM, SO HE CAN'T SEE. 160 00:07:36,633 --> 00:07:39,200 WELL, TRY USING THIS ON NETWORK TELEVISION. 161 00:07:39,266 --> 00:07:43,133 YOU DO IT LIKE THAT? I DO IT LIKE THIS. 162 00:07:43,200 --> 00:07:45,333 YOU KNOW WHAT? I'LL JUST TAKE MY CAMERAS 163 00:07:45,400 --> 00:07:47,400 AND YOU DECIDE WHAT YOU'RE GONNA DO 164 00:07:47,467 --> 00:07:49,834 AND I'LL DECIDE WHAT I'M GONNA-- YOU KNOW. 165 00:07:49,900 --> 00:07:52,100 GOTTA MAKE A CALL TO-- 166 00:07:52,166 --> 00:07:55,133 HI, DO YOU HAVE A ROOM OR PRIVATE-- 167 00:07:55,200 --> 00:07:57,433 OH-- SIR, DO YOU--? 168 00:07:57,500 --> 00:07:59,800 ( softly ) OKAY. 169 00:07:59,867 --> 00:08:01,900 LET'S SEE-- HI. 170 00:08:01,967 --> 00:08:04,333 DO YOU HAVE A ROOM OR PRIVATE AREA 171 00:08:04,400 --> 00:08:06,934 WHERE I CAN MAKE--? OKAY. 172 00:08:09,600 --> 00:08:11,600 - Sharon: VALERIE? - YEAH. 173 00:08:11,667 --> 00:08:14,033 THERE YOU ARE. EXCUSE ME. 174 00:08:14,100 --> 00:08:17,734 OH, GOOD, YOU'VE GOT YOUR CONTRACT. 175 00:08:17,800 --> 00:08:21,600 YEAH. I'M SORRY, BUT THAT WAS BAD ENERGY TO BE AROUND FOR AN AUDITION. 176 00:08:21,667 --> 00:08:25,300 AND "DESPERATE FOR A COMEBACK"? DESPERATE MIGHT BE THEIR ISSUE-- 177 00:08:25,367 --> 00:08:28,100 WELL CLEARLY, IF YOU SAY IT, IT IS, YOU KNOW? 178 00:08:28,166 --> 00:08:30,266 BUT THIS IS THE REALITY OF TV, OKAY? 179 00:08:30,333 --> 00:08:33,400 REALITY TV IS THE REALITY OF TV. 180 00:08:33,467 --> 00:08:35,033 YOU KNOW? AND I'M A SURVIVOR-- 181 00:08:35,100 --> 00:08:37,800 I'M SORRY, I'VE GOT YOUR AGENT ON THE PHONE. 182 00:08:37,867 --> 00:08:39,867 OH, OKAY, THANK YOU. YEAH. 183 00:08:39,934 --> 00:08:42,667 HI. YES. DID YOU KNOW I DON'T HAVE "THE COMEBACK"? 184 00:08:42,734 --> 00:08:44,734 YEAH, I HAVE TO AUDITION. 185 00:08:44,800 --> 00:08:47,767 WELL, WHAT? WHAT IS THE ISSUE? 186 00:08:48,867 --> 00:08:50,600 WELL, MY DEAL'S DONE. I THOUGHT-- 187 00:08:50,667 --> 00:08:53,333 WELL, I JUST SIGNED IT, SO THAT'S WHAT THE MONEY IS. 188 00:08:53,400 --> 00:08:56,300 UH-HUH. 189 00:08:57,900 --> 00:09:00,834 EVERYONE'S LOWERING BUT ME? EVERYONE'S LOWERING THEIR PRICE? 190 00:09:00,900 --> 00:09:03,133 I CAN'T-- UM-HMM... 191 00:09:03,200 --> 00:09:06,100 YES, I KNOW, SITCOMS... IN THE TOILET, I KNOW. 192 00:09:06,166 --> 00:09:10,333 LISTEN, I DON'T THINK THESE OTHER TWO ARE GONNA EVEN READ, OKAY? 193 00:09:10,400 --> 00:09:12,433 THEY'RE JUST NOT INTO IT LIKE I AM. 194 00:09:12,500 --> 00:09:15,000 ALL RIGHT, SO LET'S JUST DO THIS, THEN, OKAY? 195 00:09:15,066 --> 00:09:18,033 JUST CROSS IT OUT AND THEN-- IS THAT LEGAL? 196 00:09:18,100 --> 00:09:21,300 UM-HMM, AND THEN INITIAL IT? ALL RIGHT. 197 00:09:21,367 --> 00:09:24,600 SO HOW MUCH? OOH, THAT'S NOT SO BAD. 198 00:09:24,667 --> 00:09:27,467 THAT'S STILL MORE THAN I MADE-- OH YEAH, GO, GO. FINE. 199 00:09:27,533 --> 00:09:29,734 Sharon: WE'RE READY FOR YOU. YOU READY FOR US? 200 00:09:29,800 --> 00:09:32,100 YES, I AM. 201 00:09:32,166 --> 00:09:34,033 OKAY-- I'M SORRY. THE EXECUTIVES 202 00:09:34,100 --> 00:09:36,266 DON'T WANT THE CAMERA IN THE AUDITION ROOM. 203 00:09:36,333 --> 00:09:38,300 Jane: NOT EVEN FOR ONE OF THEM? 204 00:09:38,367 --> 00:09:42,033 - COME ON. IT'S A BIG PART OF THIS. - YEAH... THEY DON'T CARE. 205 00:09:45,300 --> 00:09:47,266 - WELL, HELLO, HELLO, HELLO. - Man: HELLO. 206 00:09:47,333 --> 00:09:49,967 BY THE WAY-- BRILLIANT, DOING BOTH SHOWS AT THE SAME TIME. 207 00:09:50,033 --> 00:09:52,100 HATS OFF. 208 00:09:52,166 --> 00:09:54,000 WELL, I GOT IT. 209 00:09:54,066 --> 00:09:55,867 - Jane: VALERIE? - YEAH? 210 00:09:55,934 --> 00:09:58,734 - COULD YOU DO IT AGAIN? - SURE. WAS THERE A TECHNICAL--? 211 00:09:58,800 --> 00:10:01,800 NO, I JUST THINK IT COULD BE A LITTLE BIGGER. YOU KNOW, MORE EXCITED? 212 00:10:01,867 --> 00:10:03,867 CAN DO. OKAY, READY? 213 00:10:03,934 --> 00:10:08,367 OKAY. WELL, I GOT IT. I-- 214 00:10:08,433 --> 00:10:10,667 - I'M SORRY-- - YEAH? 215 00:10:10,734 --> 00:10:12,967 JUST THE WHOLE COMEBACK IS ABOUT HOW EXCITED YOU ARE. 216 00:10:13,033 --> 00:10:16,433 - WELL, I AM EXCITED. - THEY DIDN'T LET US FILM THEM ACTUALLY TELLING YOU. 217 00:10:16,500 --> 00:10:18,533 SO THIS NEEDS TO BE THE BIG EVENT. 218 00:10:18,600 --> 00:10:20,834 RIGHT, OKAY, SURE. I GOT YA. 219 00:10:20,900 --> 00:10:23,133 OKAY. READY? OKAY. 220 00:10:23,200 --> 00:10:25,266 AHEM-- 221 00:10:25,333 --> 00:10:28,500 WELL, I GOT IT! 222 00:10:28,567 --> 00:10:30,834 - AND I THOUGHT-- - COULD YOU DO IT AGAIN? 223 00:10:30,900 --> 00:10:32,667 AHEM-- 224 00:10:32,734 --> 00:10:34,867 YOU KNOW, JANE? I'M SORRY, I JUST-- 225 00:10:34,934 --> 00:10:36,834 I DON'T WANT TO LOOK LIKE AN IDIOT. 226 00:10:36,900 --> 00:10:38,967 - AND THIS IS SUPPOSED TO BE REALITY. - YEAH. 227 00:10:39,033 --> 00:10:42,166 WELL, I JUST THINK THAT YOUR REALITY COULD BE MORE EXCITED. 228 00:10:42,233 --> 00:10:45,233 JUST ONE MORE, JUST FOR SAFETY. 229 00:10:45,300 --> 00:10:47,934 FINE. YEAH, OKAY. 230 00:10:48,000 --> 00:10:51,333 - BIGGER. - OKAY, YOU KNOW WHAT, JANE? YOU AND I HAVE TO TALK. 231 00:10:51,400 --> 00:10:53,567 CAN YOU TURN THE CAMERAS OFF, PLEASE? 232 00:10:53,633 --> 00:10:55,400 NO. 233 00:10:55,467 --> 00:10:58,233 THEN I'M DONE-- WITH THIS PART, OKAY? 234 00:10:58,300 --> 00:11:00,600 'CAUSE I CAN'T-- I HAVE A TABLE READ 235 00:11:00,667 --> 00:11:02,467 AND, YOU KNOW... 236 00:11:02,533 --> 00:11:04,233 ( sighs ) 237 00:11:04,300 --> 00:11:06,333 ALL RIGHT, ALL RIGHT, ALL RIGHT... 238 00:11:06,400 --> 00:11:09,834 ( rapid footsteps tapping ) 239 00:11:11,600 --> 00:11:13,867 WELL, I GOT IT! 240 00:11:13,934 --> 00:11:16,533 YOU CAN'T USE THAT, OKAY? THAT WAS A CRAZY PERSON 241 00:11:16,600 --> 00:11:19,100 AND YOU CANNOT USE IT. 242 00:11:19,166 --> 00:11:21,100 AND I NEED TO KNOW THAT I'M BEING HEARD. 243 00:11:21,166 --> 00:11:23,066 OKAY, OKAY. WE'RE DONE. 244 00:11:23,133 --> 00:11:26,233 GOOD. THANK YOU. THANK YOU, EVERYBODY. 245 00:11:26,300 --> 00:11:28,734 THANKS. 246 00:11:28,800 --> 00:11:30,633 THE FIRST TABLE READ'S VERY EXCITING. 247 00:11:30,700 --> 00:11:32,767 IT'S GOOD THAT YOU'RE GETTING-- IS THAT MINE? 248 00:11:32,834 --> 00:11:34,934 ( "Nutcracker Russian Dance" ring tone plays ) 249 00:11:35,000 --> 00:11:37,467 HI, MARKY-MARK, LOVEBALL. 250 00:11:37,533 --> 00:11:41,800 UM... YEAH, OKAY. SO, WE HAVE WATER DAMAGE? 251 00:11:43,233 --> 00:11:45,934 ALL RIGHT, LET'S NOT PLAY THE BLAME GAME, OKAY? 252 00:11:46,000 --> 00:11:48,400 OH, NO, I NEED WATER IN THE HOUSE. 253 00:11:48,467 --> 00:11:50,967 I'M SHOOTING A PILOT, MARK. I HAVE TO-- 254 00:11:51,033 --> 00:11:54,166 NO, ANYTIME AFTER. WELL, ANYTIME AFTER. 255 00:11:54,233 --> 00:11:57,100 OKAY, MARK, I HAVE MY TABLE READ SO I HAVE TO GO NOW. 256 00:11:57,166 --> 00:11:59,767 ALL RIGHT. WISH ME LUCK. OKAY. 257 00:11:59,834 --> 00:12:02,200 ( sighs ) YOU KNOW, HE'S NOT IN THE BUSINESS, SO... 258 00:12:02,266 --> 00:12:04,400 SOMETIMES THAT'S A GOOD THING, 259 00:12:04,467 --> 00:12:06,700 BUT SOMETIMES, HE DOESN'T GET IT, YOU KNOW? 260 00:12:06,767 --> 00:12:08,867 IT'S A DOUBLE-EDGED SWORD. 261 00:12:08,934 --> 00:12:10,900 ANYWAY-- DO YOU HAVE A BOYFRIEND, JANE? 262 00:12:10,967 --> 00:12:13,133 THIS ISN'T ABOUT ME. 263 00:12:13,200 --> 00:12:15,033 OH, DON'T WORRY. YOU'LL GET ONE. 264 00:12:15,100 --> 00:12:17,767 I'M NOT REALLY LOOKING. 265 00:12:17,834 --> 00:12:19,900 I'M SORRY, I WASN'T LISTENING. 266 00:12:19,967 --> 00:12:22,233 I GOT DISTRACTED 'CAUSE THERE'S THE SET. 267 00:12:22,300 --> 00:12:24,867 HERE IT IS. WOW. 268 00:12:24,934 --> 00:12:27,500 THIS IS IT, EVERYBODY, LANEY'S CONDO. 269 00:12:27,567 --> 00:12:31,266 MY HOME FOR THE NEXT EIGHT DAYS-- OR EIGHT YEARS, HUH? 270 00:12:31,333 --> 00:12:33,367 OH, THIS IS WONDERFUL. 271 00:12:33,433 --> 00:12:35,266 - EXCUSE ME, VALERIE? - YES? 272 00:12:35,333 --> 00:12:37,667 - HI, I'M SORRY TO BOTHER YOU-- - NO BOTHER. 273 00:12:37,734 --> 00:12:40,700 I JUST WANTED TO SAY THAT WE ARE SO EXCITED 274 00:12:40,767 --> 00:12:43,033 - TO BE WORKING WITH YOU. - OH, THANKS. 275 00:12:43,100 --> 00:12:45,667 I USED TO BEG MY PARENTS TO LET ME STAY UP TO WATCH "I'M IT!" 276 00:12:45,734 --> 00:12:47,400 THEY WERE LIKE, "GO TO BED, YOU'RE NINE." 277 00:12:47,467 --> 00:12:49,734 - I'M JUNA. - HI, JUNA. VALERIE. 278 00:12:49,800 --> 00:12:53,800 I'M SHAYNE. THIS IS CALLABRA. WE'RE EXCITED TOO. 279 00:12:53,867 --> 00:12:55,734 THAT'S SO SWEET, YOU GIRLS. 280 00:12:55,800 --> 00:12:58,166 ARE YOU IN THE WET T-SHIRT CONTEST SCENE? 281 00:12:58,233 --> 00:13:01,900 - NO, WE'RE YOUR ROOMMATES. - WOW. 282 00:13:01,967 --> 00:13:04,834 OKAY EVERYBODY, TAKE YOUR SEATS SO WE CAN GET STARTED. 283 00:13:04,900 --> 00:13:07,400 - I'M GONNA FIND MY SEAT. - PRINCIPALS ARE ON THIS SIDE. 284 00:13:07,467 --> 00:13:10,600 WET T-SHIRT GIRLS ARE DOWN THERE. 285 00:13:10,667 --> 00:13:12,633 I AM SO HAPPY FOR YOU. 286 00:13:12,700 --> 00:13:15,367 THANK YOU-- THEY WERE SUPPOSED TO BE IN THEIR 30s. 287 00:13:15,433 --> 00:13:19,400 - THE NETWORK WENT A LITTLE YOUNGER. - YEAH, YEAH. OKAY. 288 00:13:19,467 --> 00:13:21,834 A.D.: OKAY, I'D LIKE TO TURN THIS OVER AT THIS POINT 289 00:13:21,900 --> 00:13:25,667 TO TWO GUYS WHO I HOPE WE'RE ALL VERY SICK OF AFTER FIVE YEARS... 290 00:13:25,734 --> 00:13:29,834 - ( crew chuckles ) - PAULIE G AND TOM PETERMAN. 291 00:13:29,900 --> 00:13:32,000 ( crew applauds ) 292 00:13:34,233 --> 00:13:36,633 ALL RIGHT, SO THEY'RE ALL MAKING OUT IN THE CONDO. 293 00:13:36,700 --> 00:13:38,734 I COME HOME, SEE IT AND I SAY, 294 00:13:38,800 --> 00:13:42,533 "NOTE TO SELF-- AFTER A LONG DAY AT WORK, 295 00:13:42,600 --> 00:13:44,700 I DON'T WANNA SEE THAT!" 296 00:13:44,767 --> 00:13:47,467 ( chuckles ) THAT'S FUNNY. 297 00:13:47,533 --> 00:13:49,300 - YEAH? - YEAH. 298 00:13:49,367 --> 00:13:51,400 YEAH. THE WAY YOU DO IT, IT'S FUNNY. 299 00:13:51,467 --> 00:13:54,333 - OH, YEAH? - YEAH. 300 00:13:54,400 --> 00:13:56,900 ( chuckles ) ALL RIGHT. 301 00:13:58,100 --> 00:14:00,700 "NOTE TO SELF-- AFTER A LONG DAY AT WORK, 302 00:14:00,767 --> 00:14:05,533 I DON'T WANT TO SEE THAT!" EH-- WORKS TOO. 303 00:14:08,367 --> 00:14:11,233 "NOTE TO SELF-- AFTER A LONG DAY AT WORK, 304 00:14:11,300 --> 00:14:13,367 I DON'T WANT TO SEE THAT!" 305 00:14:13,433 --> 00:14:16,133 "NOTE TO SELF-- AFTER A LONG DAY AT WORK, 306 00:14:16,200 --> 00:14:17,867 I DON'T WANT TO SEE THAT!" 307 00:14:20,367 --> 00:14:22,700 "NOTE TO SELF-- AFTER A LONG DAY AT WORK, 308 00:14:22,767 --> 00:14:24,467 I DON'T WANT TO SEE THAT!" 309 00:14:24,533 --> 00:14:27,133 "I DON'T WANT TO SEE THAT!" 310 00:14:27,200 --> 00:14:29,767 "I DON'T WANT TO SEE THAT!" 311 00:14:29,834 --> 00:14:32,300 "NOTE TO SELF-- AFTER A LONG DAY AT WORK, 312 00:14:32,367 --> 00:14:33,700 I DON'T WANT TO SEE THAT!" 313 00:14:33,767 --> 00:14:35,867 "...DON'T WANT TO SEE THAT!" 314 00:14:35,934 --> 00:14:38,000 "NOTE TO SELF-- AFTER A LONG DAY AT WORK, 315 00:14:38,066 --> 00:14:40,800 I DON'T WANT TO SEE THAT!" 316 00:14:43,000 --> 00:14:45,200 I DON'T WANT TO SEE THAT ANYMORE. 317 00:14:45,266 --> 00:14:47,400 UMPH. 318 00:14:49,700 --> 00:14:51,600 ( tap squeaks, water running ) 319 00:14:51,667 --> 00:14:54,033 "NOTE TO SELF-- AFTER A LONG DAY AT WORK, 320 00:14:54,100 --> 00:14:56,567 I DON'T WANT TO SEE THAT!" 321 00:14:57,467 --> 00:15:00,133 "NOTE TO SELF-- AFTER A LONG DAY AT WORK, 322 00:15:00,200 --> 00:15:02,467 I DON'T WANT TO SEE THAT!" 323 00:15:02,533 --> 00:15:04,667 ACTION! 324 00:15:04,734 --> 00:15:07,633 ( Juna squeals ) 325 00:15:07,700 --> 00:15:10,500 OKAY, WAIT. JUST BECAUSE I'M KISSING YOU 326 00:15:10,567 --> 00:15:12,200 AND JUST BECAUSE I'M ON TOP OF YOU 327 00:15:12,266 --> 00:15:14,433 DOES NOT MEAN THAT I'M OPEN TO A RELATIONSHIP. 328 00:15:14,500 --> 00:15:17,266 DAMN, FORGET THE RELATIONSHIP. JUST OPEN MY SHIRT! 329 00:15:17,333 --> 00:15:20,166 - ( laughter ) - Juna: OKAY. 330 00:15:25,367 --> 00:15:28,100 NOTE TO SELF-- AFTER A LONG DAY AT WORK, 331 00:15:28,166 --> 00:15:31,166 I DON'T NEED TO SEE THAT! 332 00:15:32,700 --> 00:15:35,900 YEAH, THAT WORKS-- IF SHE'S THEIR MOM. 333 00:15:35,967 --> 00:15:38,033 BANG-BANG. MOVING ON. 334 00:15:38,100 --> 00:15:40,600 WRONG SET, FOLKS. 335 00:15:41,667 --> 00:15:44,066 JIMMY? 336 00:15:44,133 --> 00:15:46,033 IT DOESN'T WORK. YOU WERE GREAT, 337 00:15:46,100 --> 00:15:47,934 BUT THEY'VE GOT A LOT OF WRITING TO DO. 338 00:15:48,000 --> 00:15:50,633 - BANG-BANG. MOVING ON. - MOVING ON, WET T-SHIRT CONTEST! 339 00:15:50,700 --> 00:15:53,166 NO. 340 00:15:54,800 --> 00:15:57,934 ( voices muttering ) 341 00:15:58,000 --> 00:16:00,934 SO I DON'T GET IT. WHY IS SHE LIVING WITH THESE KIDS? 342 00:16:01,000 --> 00:16:03,633 IT DOESN'T MAKE ANY-- DON'T DO THAT, PLEASE. 343 00:16:05,834 --> 00:16:08,667 WELL, THIS IS GREAT FOR THE REALITY SHOW, JANE, 344 00:16:08,734 --> 00:16:11,000 'CAUSE THEY CAN SEE HOW TV REALLY WORKS, YOU KNOW? 345 00:16:11,066 --> 00:16:13,367 'CAUSE IF A LINE DOESN'T GET A LAUGH, IT'S GONE. 346 00:16:13,433 --> 00:16:15,600 YESTERDAY, I HEARD THEY MIGHT FIRE SOMEONE. 347 00:16:15,667 --> 00:16:17,400 I MEAN, IT'S SO UPSETTING. 348 00:16:17,467 --> 00:16:19,734 NO, I KNOW. IT'S ROUGH, BABY GIRL, 349 00:16:19,800 --> 00:16:21,667 BUT THAT'S PILOT WEEK FOR YA, OKAY? 350 00:16:21,734 --> 00:16:23,333 IT'S A PRESSURE COOKER. 351 00:16:23,400 --> 00:16:25,166 I GOT FIRED OFF "MAUI 911." 352 00:16:25,233 --> 00:16:27,734 YEAH, SEE? AND THEN YOU LANDED ON AN EVEN BETTER SHOW. 353 00:16:27,800 --> 00:16:29,600 THEY'RE STILL MAKING CHANGES. 354 00:16:29,667 --> 00:16:32,500 - IT'S GONNA BE ANOTHER HOUR. ENJOY YOUR BREAKFAST. - GOOD. 355 00:16:32,567 --> 00:16:35,200 ( softly ) TOM AND PAULIE G WANT TO SEE YOU IN THE WRITING ROOM. 356 00:16:35,266 --> 00:16:37,467 - RIGHT NOW? - YEAH. 357 00:16:39,266 --> 00:16:41,266 ( garbled ) OH, HOLD ON... 358 00:16:41,333 --> 00:16:44,400 LET ME GET MY SCRIPT. 359 00:16:46,233 --> 00:16:49,467 - HOW OLD DO YOU THINK SHE IS? - ( sneers ) 360 00:16:50,867 --> 00:16:53,700 Jane: HOW ARE YOU FEELING? 361 00:16:53,767 --> 00:16:56,867 COMPLETE THIS SENTENCE-- "I'M FEELING 'BLANK'..." 362 00:16:58,934 --> 00:17:01,433 PROBABLY WANNA JUST, YOU KNOW, RUN A JOKE BY ME. 363 00:17:01,500 --> 00:17:04,000 YOU KNOW, SOMETHING DIRTY, SEE IF I'M OKAY WITH THAT. 364 00:17:04,066 --> 00:17:05,900 AND I AM, YOU KNOW. 365 00:17:05,967 --> 00:17:08,300 IF IT'S FUNNY-- "IF IT'S FUNNY, IT'S MONEY," YOU KNOW. 366 00:17:08,367 --> 00:17:10,600 I'M NOT A PRUDE. THAT OTHER LINE, IT DIDN'T WORK. 367 00:17:10,667 --> 00:17:13,400 I MEAN, IT WORKED-- JUST THEY DIDN'T LAUGH. 368 00:17:13,467 --> 00:17:15,967 SO YOU KNOW, THEY'RE PROBABLY GONNA CHANGE THE BLOW. 369 00:17:16,033 --> 00:17:19,100 YOU KNOW WHAT A "BLOW" IS? THE LAST LINE OF THE SCENE, GETS YOU OUT ON A LAUGH. 370 00:17:19,166 --> 00:17:21,333 THE "BLOW"? THE "BLOW"? 371 00:17:22,433 --> 00:17:24,300 - HELLO, HELLO, HELLO. - SORRY. 372 00:17:24,367 --> 00:17:27,166 WHY DON'T YOU GO? YEAH. 373 00:17:33,300 --> 00:17:35,633 ANYONE KNOW WHERE I CAN GET A CAMERA AROUND HERE? 374 00:17:35,700 --> 00:17:37,433 - ( men chuckle ) - RIGHT? 375 00:17:37,500 --> 00:17:40,967 CAN WE JUST WAIT UNTIL WE GET CAMERAS SET ON VALERIE? 376 00:17:41,033 --> 00:17:43,033 - Tom: ALL RIGHT. - Jane: EXCUSE ME. 377 00:17:43,100 --> 00:17:45,767 - ARE WE READY? - OKAY, OKAY. 378 00:17:47,500 --> 00:17:51,266 SO WHAT'S UP, BOSS? BOSSES? 379 00:17:52,367 --> 00:17:54,133 IT ISN'T WORKING. 380 00:17:54,200 --> 00:17:57,467 THE NETWORK THOUGHT THE FOUR-GIRL THING WAS TIRED. 381 00:17:57,533 --> 00:18:00,266 SO WE'RE GONNA MAKE SOME CHANGES TO THE SCRIPT. 382 00:18:00,333 --> 00:18:02,700 NO ONE WAS BUYING YOU LIVING WITH THESE KIDS. 383 00:18:02,767 --> 00:18:04,200 UH-HUH. 384 00:18:04,266 --> 00:18:08,834 SO NOW, IT'S TWO YOUNG GIRLS AND TWO YOUNG GUYS 385 00:18:08,900 --> 00:18:11,300 AND YOU'RE THE AUNT WHO LIVES UPSTAIRS. 386 00:18:13,934 --> 00:18:15,867 OKAY, BOOM! 387 00:18:15,934 --> 00:18:18,834 SO MUCH INFORMATION, MY HEAD'S GONNA EXPLODE, YOU KNOW. 388 00:18:18,900 --> 00:18:22,233 OKAY SO-- ALL RIGHT, SO NOW I'M THE AUNT? 389 00:18:22,300 --> 00:18:26,133 UM-HMM. AUNT SASSY. 390 00:18:26,200 --> 00:18:27,967 OKAY, WHOSE AUNT? DOES IT MATTER? 391 00:18:28,033 --> 00:18:30,300 - CASSIE'S AUNT. - UH-HUH. SO JUNA'S NOT FIRED. 392 00:18:30,367 --> 00:18:32,900 NO. OH GOD, EVERYONE THINKS JUNA IS A STAR. 393 00:18:32,967 --> 00:18:35,633 OH GOOD. GOOD. ME TOO. YEAH. 394 00:18:35,700 --> 00:18:37,100 - YEAH? - YEAH. 395 00:18:37,166 --> 00:18:40,000 LOOK, WE WANTED TO FIND A WAY TO CEMENT YOU INTO THE SHOW. 396 00:18:40,066 --> 00:18:43,133 - UH-HUH. - SO, YOU'RE AUNT SASSY 397 00:18:43,200 --> 00:18:45,667 WHO LIVES UPSTAIRS AND OWNS THE BUILDING. 398 00:18:45,734 --> 00:18:47,734 OKAY, ALL RIGHT, SO SHE OWNS THE BUILDING 399 00:18:47,800 --> 00:18:50,233 AND SHE'S AN ARCHITECT. DID SHE DESIGN THE BUILDING? 400 00:18:50,300 --> 00:18:52,567 - NO, WE DROPPED THE ARCHITECT THING. - YOU DID? 401 00:18:52,633 --> 00:18:56,233 WE WANT TO USE YOU WHENEVER WE WANT TO USE YOU. 402 00:18:56,300 --> 00:19:00,800 AND IF YOU HAD A JOB, IT'D BE ALL SORTS OF CHUFA 403 00:19:00,867 --> 00:19:03,266 - ABOUT WHY WEREN'T WORKING. - MM-MM, YEAH. 404 00:19:03,333 --> 00:19:05,333 BUT, YOU KNOW, 'CAUSE ON "IT"-- 405 00:19:05,400 --> 00:19:07,233 THIS ISN'T A WORKPLACE COMEDY. 406 00:19:07,300 --> 00:19:10,800 YEAH, WELL, NOT TODAY, BUT WHO KNOWS WHAT'S COMING TOMORROW? 407 00:19:10,867 --> 00:19:12,667 RIGHT? 408 00:19:12,734 --> 00:19:14,700 BUT I KNOW WHAT YOU'RE SAYING, THOUGH. 409 00:19:14,767 --> 00:19:17,266 IT'S JUST ON IT. I WORKED, BUT THEY STILL MANAGED 410 00:19:17,333 --> 00:19:19,367 TO WRITE ME IN EVERY SCENE SOMEHOW. 411 00:19:19,433 --> 00:19:23,066 BUT NO, I UNDERSTAND. THIS IS NOT A WORKPLACE COMEDY. SO YEAH, I GET IT. 412 00:19:23,133 --> 00:19:25,767 OKAY, ALL RIGHT, SO, UM... 413 00:19:25,834 --> 00:19:29,533 I'M AN AUNT, STILL SEXY, SMART AND... 414 00:19:31,834 --> 00:19:33,500 AND AN AUNT. 415 00:19:33,567 --> 00:19:35,367 - RIGHT. - YES. 416 00:19:37,433 --> 00:19:40,700 - SHE OWNS THE BUILDING. I MEAN, THAT TOO. - OH, RIGHT! 417 00:19:40,767 --> 00:19:43,166 OKAY, RIGHT. YEAH, SHE OWNS THE BUILDING. 418 00:19:43,233 --> 00:19:45,867 I CAN RELATE TO THAT. I'M NOT AN AUNT, 419 00:19:45,934 --> 00:19:47,567 BUT I OWN SOME APARTMENT BUILDINGS. 420 00:19:47,633 --> 00:19:50,266 - DO YOU, REALLY? OH, THAT'S GREAT. - OH YEAH, YEAH. 421 00:19:50,333 --> 00:19:52,266 SO IF YOU NEED ANY INPUT, YOU KNOW? 422 00:19:52,333 --> 00:19:55,400 I'D BE HAPPY TO GIVE YOU-- OKAY, GOOD. 423 00:19:55,467 --> 00:19:58,033 AND LISTEN, JUST 'CAUSE SHE'S AN AUNT 424 00:19:58,100 --> 00:20:00,033 DOESN'T MEAN SHE CAN'T HAVE DIRTY JOKES. 425 00:20:00,100 --> 00:20:02,467 YOU KNOW, I'M ALL RIGHT WITH THAT. 426 00:20:02,533 --> 00:20:04,900 - NO, DEFINITELY. - HEY, OH GOD, 427 00:20:04,967 --> 00:20:08,200 WHAT'S FUNNIER THAN A SEXY, DIRTY AUNT? RIGHT? 428 00:20:08,266 --> 00:20:11,266 - ( laughs ) - WELL, YOU'RE THE WRITERS, SO YOU'LL DO THAT. 429 00:20:11,333 --> 00:20:14,433 - GREAT. WELL, THANK YOU SO MUCH. - NO, THANK YOU. THANKS. 430 00:20:14,500 --> 00:20:16,467 OKAY. 431 00:20:16,533 --> 00:20:20,233 Valerie: OH, JANE, DID THAT ROOM SMELL LIKE POT? 432 00:20:21,533 --> 00:20:24,333 - OH MY GOD. - BLACKJACK! 433 00:20:25,433 --> 00:20:28,767 HI! WHAT THE FUCK? YOU COMING? 434 00:20:30,734 --> 00:20:32,800 OKAY, IT'S A WHOLE NEW SHOW. 435 00:20:32,867 --> 00:20:35,900 DID YOU SEE THAT? DIFFERENT CHARACTER, DIFFERENT-- 436 00:20:35,967 --> 00:20:38,066 IT'S ALL DIFFERENT. IT'S ALL GOOD. 437 00:20:38,133 --> 00:20:40,433 HOW ARE WE DOING IN THERE? 438 00:20:40,500 --> 00:20:42,667 WELL, THIS CAN'T BE RIGHT. 439 00:20:42,734 --> 00:20:46,133 I MEAN, YOU KNOW. 440 00:20:46,200 --> 00:20:48,300 OH MY GOD, THAT'S GREAT! 441 00:20:48,367 --> 00:20:50,600 - THAT'S SO FUNNY! - ISN'T THAT GREAT? 442 00:20:50,667 --> 00:20:53,900 - I DON'T KNOW. - WELL, THERE'S NOTHING TO DO THERE. PERFECTION. 443 00:20:53,967 --> 00:20:55,900 - FLASHING. - ( camera whirrs ) 444 00:20:55,967 --> 00:20:57,367 - COOL. - LOOKS GOOD. 445 00:20:57,433 --> 00:20:59,500 SO, VAL, DO YOU STILL WANT TO GO FOR LUNCH-- 446 00:20:59,567 --> 00:21:01,367 OH MY GOD, I'M SO SORRY. 447 00:21:01,433 --> 00:21:03,934 - I FORGOT ABOUT THE CAMERA. - IT'S OKAY. DON'T WORRY. 448 00:21:04,000 --> 00:21:06,500 - DO YOU STILL WANT TO GO FOR LUNCH? - SURE, SURE. 449 00:21:06,567 --> 00:21:08,166 YEAH, OKAY. 450 00:21:08,233 --> 00:21:10,667 DO YOU WANT ME TO WAIT FOR YOU? 451 00:21:10,734 --> 00:21:12,934 NO, I'M GOING TO BE A MINUTE, SO GO AHEAD. 452 00:21:13,000 --> 00:21:15,133 - OH YEAH. - FLASHING. 453 00:21:15,200 --> 00:21:17,000 ( camera whirrs ) 454 00:21:17,066 --> 00:21:19,834 NO, YOU CAN GO. WE'RE DONE. 455 00:21:19,900 --> 00:21:21,700 WELL... 456 00:21:21,767 --> 00:21:24,100 - YOU KNOW WHAT? I'LL MEET YOU THERE. - OKAY, COOL. 457 00:21:24,166 --> 00:21:26,400 - BYE, GUYS. - ALL RIGHT. LISTEN, 458 00:21:26,467 --> 00:21:30,667 PETER, DARLING? TOM SAID "A HIP, SEXY AUNT." 459 00:21:30,734 --> 00:21:33,467 THE SCRIPT SAYS RUNNING SUIT. 460 00:21:33,533 --> 00:21:37,233 WELL, UNLESS I'M RUNNING TO AN OLD-AGE HOME, THIS AIN'T IT. 461 00:21:38,467 --> 00:21:40,667 HEY, HOW ABOUT JUICY COUTURE, YOU KNOW? 462 00:21:40,734 --> 00:21:43,800 IT'S CUTE COLORS, IT'S GOT THE DRAWSTRING. THAT COULD BE GOOD. 463 00:21:43,867 --> 00:21:48,166 - IT COULD WORK. - WELL, DO YOU HAVE A JUICY ASS? 464 00:21:49,533 --> 00:21:51,166 WHAT? 465 00:21:51,233 --> 00:21:54,300 YOU'RE VERY LUCKY YOU SAID THAT TO ME, OKAY? 466 00:21:54,367 --> 00:21:56,900 'CAUSE IF YOU HAD SAID IT TO ONE OF THESE GIRLS 467 00:21:56,967 --> 00:21:58,800 WITH THE BODY-IMAGE ISSUES-- 468 00:21:58,867 --> 00:22:01,133 HOW ARE THEY SUPPOSED TO GO OUT THERE AND PERFORM 469 00:22:01,200 --> 00:22:03,767 AFTER YOU'VE DESTROYED THEM? YOU KNOW? 470 00:22:03,834 --> 00:22:06,600 MAKE NO MISTAKES, AT THE END OF THE DAY-- 471 00:22:07,600 --> 00:22:09,767 YOU KNOW, NO MORE MISTAKES. 472 00:22:10,967 --> 00:22:14,100 AND I NEED TO KNOW THAT I'M BEING HEARD. 473 00:22:14,166 --> 00:22:16,100 AM I BEING HEARD? 474 00:22:16,166 --> 00:22:19,300 - FINE, I'LL GET YOU JUICY. - NO, NO. 475 00:22:19,367 --> 00:22:22,100 JUST TAKE THIS IN AND MAKE IT MORE FLATTERING. 476 00:22:22,166 --> 00:22:25,533 - OKAY, SWEETHEART. TURN AROUND. - THANK YOU. 477 00:22:25,600 --> 00:22:27,934 ( beeping ) 478 00:22:29,433 --> 00:22:33,567 WELL, TOMORROW WE SHOOT THE PILOT FOR "ROOM AND BORED," 479 00:22:33,633 --> 00:22:35,967 AND... 480 00:22:38,700 --> 00:22:40,900 I'M SCARED. 481 00:22:42,033 --> 00:22:44,233 THESE KIDS, GOD BLESS THEM, 482 00:22:44,300 --> 00:22:48,767 THEY'RE ADORABLE, BUT THEY HAVE NEVER DONE THIS BEFORE 483 00:22:48,834 --> 00:22:50,200 AND... 484 00:22:51,467 --> 00:22:55,367 I'M FEELING LIKE I'M CARRYING THE SHOW. 485 00:22:56,767 --> 00:22:58,900 - WHAT ARE YOU STILL DOING UP? - I'M JUST-- 486 00:22:58,967 --> 00:23:02,433 - I'M DOING MY PERSONAL VIDEO DIARY. - WHAT'S WRONG? 487 00:23:06,467 --> 00:23:10,333 - I'M-- I'M FEELING-- - ( toilet seat thumps ) 488 00:23:10,400 --> 00:23:14,233 - I'M FEELING A LOT OF PRESSURE. - ( flatulence ) 489 00:23:19,200 --> 00:23:20,934 ( grunting ) 490 00:23:21,000 --> 00:23:23,800 - ( beeping ) - MARK, CAN YOU CLOSE THE DOOR? 491 00:23:23,867 --> 00:23:25,934 Mark: JESUS, I HAVE TO DEFECATE! 492 00:23:26,000 --> 00:23:28,767 I'M DOING MY PERSONAL VIDEO DIARY! 493 00:23:28,834 --> 00:23:31,800 - I MEAN-- - ALL RIGHT, I'M FINISHED. 494 00:23:31,867 --> 00:23:34,734 MY GOD, THE NOISE! 495 00:23:34,800 --> 00:23:37,033 ( flushing ) 496 00:23:43,467 --> 00:23:45,367 - HAVE YOU SEEN THIS? - HMM? 497 00:23:45,433 --> 00:23:48,433 - THE WATER PRESSURE'S NOT THE SAME. - MM-HMM. 498 00:23:48,500 --> 00:23:50,667 PROBABLY GOT SOMETHING TO DO WITH THAT LEAK. 499 00:23:50,734 --> 00:23:53,500 PROBABLY, YEAH. 500 00:23:59,233 --> 00:24:01,166 DON'T WORRY ABOUT TOMORROW. 501 00:24:01,233 --> 00:24:04,800 YOU'LL BE GREAT. YOU ALWAYS ARE. 502 00:24:05,734 --> 00:24:07,266 I LOVE YOU. 503 00:24:07,333 --> 00:24:09,633 I LOVE YOU TOO. 504 00:24:09,700 --> 00:24:13,133 - DON'T STAY UP TOO LATE. - I WON'T. I'LL BE RIGHT THERE. 505 00:24:19,400 --> 00:24:22,233 ( hums ) 506 00:24:22,300 --> 00:24:24,467 OKAY. 507 00:24:29,100 --> 00:24:30,533 ( camera beeps ) 508 00:24:30,600 --> 00:24:34,767 Man on PA: Playing the part of Cassie, Juna Millken! 509 00:24:34,834 --> 00:24:37,934 And last, before we get started, 510 00:24:38,000 --> 00:24:39,533 you loved her on "I'm It," 511 00:24:39,600 --> 00:24:43,166 playing the role of Aunt Sassy, Valerie Cherish! 512 00:24:43,233 --> 00:24:45,533 ( crowd cheering ) 513 00:24:45,600 --> 00:24:48,600 Valerie Cherish, ladies and gentlemen! 514 00:24:48,667 --> 00:24:50,734 A.D.: HERE WE GO GUYS, HERE WE GO! 515 00:24:50,800 --> 00:24:53,200 LAST LOOKS, LOCK 'EM IN! 516 00:24:55,834 --> 00:24:58,033 If you've never been to a live taping before, 517 00:24:58,100 --> 00:24:59,700 you're in for a real treat! 518 00:24:59,767 --> 00:25:03,400 So sit back, laugh and here we go! 519 00:25:03,467 --> 00:25:05,000 ( bell rings ) 520 00:25:05,066 --> 00:25:08,767 - ( screams ) - ( audience laughing ) 521 00:25:08,834 --> 00:25:12,300 OH WAIT. JUST BECAUSE WE'RE KISSING 522 00:25:12,367 --> 00:25:15,166 AND ON TOP OF YOU DOES NOT MEAN THAT I'M OPEN TO A RELATIONSHIP. 523 00:25:15,233 --> 00:25:18,200 Chris: DAMN, FORGET THE RELATIONSHIP. 524 00:25:18,266 --> 00:25:21,233 - JUST OPEN MY SHIRT. - OKAY. 525 00:25:22,500 --> 00:25:25,900 Audience: WOO! 526 00:25:27,066 --> 00:25:30,700 NOT TO SELF-- I DON'T NEED TO SEE THAT! 527 00:25:30,767 --> 00:25:33,333 ( laughing ) 528 00:25:33,400 --> 00:25:36,500 - GREAT. GREAT. MOVING ON! - A.D.: MOVING ON! 529 00:25:36,567 --> 00:25:38,266 Moving on, ladies and gentlemen. 530 00:25:38,333 --> 00:25:40,567 JIMMY, CAN WE DO ANOTHER TAKE? 531 00:25:40,633 --> 00:25:42,900 SORRY, FOLKS. MY FAULT. A LITTLE RUSTY. 532 00:25:42,967 --> 00:25:45,567 Ooh, wait wait wait. Change of plans. 533 00:25:45,633 --> 00:25:47,166 LISTEN, THEY TOOK OUT THAT LINE 534 00:25:47,233 --> 00:25:49,600 "AFTER A LONG DAY AT WORK" SO I NEED THAT RAMP UP-- 535 00:25:49,667 --> 00:25:51,900 YOU KNOW WHAT? I GOT IT, DARLING. LET'S MOVE ON. 536 00:25:51,967 --> 00:25:53,934 PLEASE, PLEASE, GIVE ME ANOTHER TAKE. 537 00:25:54,000 --> 00:25:56,266 PLEASE, PLEASE, GIVE ME ANOTHER TAKE. 538 00:25:56,333 --> 00:25:59,633 GIVE ME ANOTHER TAKE. GIVE HER ANOTHER TAKE! 539 00:25:59,700 --> 00:26:03,000 ( audience chanting ) GIVE HER ANOTHER TAKE! GIVE HER ANOTHER TAKE! 540 00:26:03,066 --> 00:26:05,767 GIVE HER ANOTHER TAKE! GIVE HER ANOTHER TAKE! 541 00:26:05,834 --> 00:26:10,266 GIVE HER ANOTHER TAKE! GIVE HER ANOTHER TAKE! 542 00:26:10,333 --> 00:26:13,300 - GIVE HER ANOTHER TAKE! - A.D.: AND WE ARE GOING AGAIN. 543 00:26:13,367 --> 00:26:16,367 - We're going again, ladies and gentlemen. - ( crowd cheering ) 544 00:26:16,433 --> 00:26:19,700 THAT WAS AWESOME! YOU'RE MY HERO. 545 00:26:19,767 --> 00:26:21,266 ( bell rings ) 546 00:26:21,333 --> 00:26:23,467 - DID YOU SEE VALERIE? - I THINK SHE'S STILL ON SET. 547 00:26:23,533 --> 00:26:26,333 - THANK YOU. - Jane: GET JIMMY. FOLLOW JIMMY. 548 00:26:26,400 --> 00:26:28,266 - VALERIE, CAN I SEE YOU? - SURE, JIMMY. 549 00:26:28,333 --> 00:26:29,767 OFF. 550 00:26:32,700 --> 00:26:34,700 - THOUGH HERE. - YEAH. 551 00:26:42,000 --> 00:26:43,934 FUCK. PAUL, GO AROUND. 552 00:26:44,000 --> 00:26:46,934 Jimmy: THAT WASN'T GOOD WHAT YOU DID OUT THERE WITH THE AUDIENCE. 553 00:26:47,000 --> 00:26:50,600 Valerie: I AM SO SORRY. I WAS NOT TRYING TO GET IN YOUR WAY. 554 00:26:50,667 --> 00:26:52,734 YOU'RE THE HIT MAKER. I WOULDN'T-- YOU KNOW. 555 00:26:52,800 --> 00:26:55,166 YOU'RE NOT GETTING IN MY WAY. YOU'RE GETTING IN YOUR WAY. 556 00:26:55,233 --> 00:26:57,834 - YOU'VE GOTTA TRUST ME ON THIS. - JIMMY, I TRUST YOU. 557 00:26:57,900 --> 00:27:00,000 I TRUST YOU. IT'S JUST, LOOK, ON "I'M IT"-- 558 00:27:00,066 --> 00:27:03,000 YOU KNOW WHAT? I HOPE THIS IS BETTER THAN "I'M IT" 559 00:27:03,066 --> 00:27:04,834 BECAUSE I'D LIKE IT TO GET PICKED UP. 560 00:27:04,900 --> 00:27:07,400 WELL NOW, IT RAN FOR FOUR YEARS, SO... 561 00:27:07,467 --> 00:27:09,333 YOU'RE NOT HEARING WHAT I'M SAYING. 562 00:27:09,400 --> 00:27:10,633 I'M TRYING TO HELP YOU HERE. 563 00:27:10,700 --> 00:27:12,700 - DO YOU UNDERSTAND? - YES YES. 564 00:27:12,767 --> 00:27:14,734 BUT ALL I'M SAYING IS THAT, 565 00:27:14,800 --> 00:27:17,400 LOOK, I'M ALWAYS LOOSER ON THE SECOND, THIRD TAKE. 566 00:27:17,467 --> 00:27:19,400 YOU KNOW, THEY GAVE ME LOTS OF TAKES ON "IT." 567 00:27:19,467 --> 00:27:22,667 WELL, KNOW WHAT? YOU'RE NOT IT ANYMORE. 568 00:27:24,433 --> 00:27:27,600 YOU TOOK A SMALL PART AND YOU HIT IT OUT OF THE PARK. 569 00:27:27,667 --> 00:27:29,900 YOU CAN'T ASK FOR BETTER THAN THAT. 570 00:27:31,200 --> 00:27:32,967 - HAVE A GREAT COUPLE OF WEEKS. - OKAY. 571 00:27:33,033 --> 00:27:35,800 - I'LL SEE YOU IF IT GETS PICKED UP. - OKAY. 572 00:27:47,767 --> 00:27:50,300 "I DON'T WANNA SEE THAT!" 573 00:27:51,400 --> 00:27:53,800 Mickey: VALERIE. VALERIE? 574 00:27:54,834 --> 00:27:56,967 - VALERIE? - TIME OUT. 575 00:27:57,033 --> 00:27:58,900 MAYBE NOT NOW. 576 00:27:58,967 --> 00:28:01,166 WELL, ACCORDING TO MY AGENTS, JUNA, 577 00:28:01,233 --> 00:28:02,700 NO NEWS IS STILL GOOD NEWS. 578 00:28:02,767 --> 00:28:04,400 Yeah, but it's been two weeks. 579 00:28:04,467 --> 00:28:06,667 I'm totally going out of my mind. 580 00:28:06,734 --> 00:28:09,800 BABY GIRL, YOU HAVE GOT TO JUST LET GO AND FORGET ABOUT IT. 581 00:28:09,867 --> 00:28:11,400 ( phone clicks ) 582 00:28:11,467 --> 00:28:14,033 OH, THAT'S MY CALL WAITING. THAT COULD BE IT. HOLD ON. 583 00:28:14,100 --> 00:28:15,500 HELLO? 584 00:28:15,567 --> 00:28:18,667 Esperanza: Miss Val-- the men, Miss Val-- 585 00:28:18,734 --> 00:28:21,033 WHAT MEN, ESPERANZA? THE PLUMBERS? 586 00:28:21,100 --> 00:28:23,834 - Si! - I'M ON THE OTHER LINE, DEAR. 587 00:28:23,900 --> 00:28:26,467 Miss Val, they find a big leak in the pipes. 588 00:28:26,533 --> 00:28:29,734 - But they have to get to the pipes! - OKAY THEN, LET THEM FIX IT. 589 00:28:29,800 --> 00:28:32,000 - ALL RIGHT, I HAVE TO GO NOW. - No, Miss Val-- 590 00:28:32,066 --> 00:28:34,066 - ARE YOU THERE? - Juna: Yeah, was that anyone? 591 00:28:34,133 --> 00:28:36,000 - NO. - Oh wait, there's my call waiting. 592 00:28:36,066 --> 00:28:38,266 - I'll call you right back. - NO, I'LL HOLD! 593 00:28:38,333 --> 00:28:40,300 IT COULD BE IT. JUNA, ARE YOU THERE? 594 00:28:40,367 --> 00:28:42,633 Paul: JANE, I CAN SEE MY REFLECTION IN HER GLASSES. 595 00:28:42,700 --> 00:28:45,433 - Jane: COULD YOU TAKE YOUR GLASSES OFF? - YEAH. OKAY. 596 00:28:45,500 --> 00:28:48,200 - OKAY, NO, YOU CAN'T. - Jane: LOOK OUT! 597 00:28:48,266 --> 00:28:49,834 ( crashes ) 598 00:28:49,900 --> 00:28:52,767 Juna: Yeah, Valerie, that wasn't anyone from the show. 599 00:28:52,834 --> 00:28:56,066 OH MY GOD, JUNA! I JUST HAD AN ACCIDENT! 600 00:28:56,133 --> 00:28:58,033 - Jane: KEEP FILMING. - Juna: Seriously? 601 00:28:58,100 --> 00:29:00,333 - Oh my God, are you all right? - WE'RE OKAY. 602 00:29:00,400 --> 00:29:03,066 - IT'S A LITTLE FENDER-BENDER. - Should I call someone? 603 00:29:03,133 --> 00:29:06,033 WHAT THE FUCK'S THE MATTER WITH YOU? YOU DROVE RIGHT INTO ME! 604 00:29:06,100 --> 00:29:08,433 I THINK I SHOULD HANG UP NOW. CALL IF YOU HEAR ANYTHING. 605 00:29:08,500 --> 00:29:10,166 - Okay. - OKAY. 606 00:29:10,233 --> 00:29:12,266 LISTEN, I'M SORRY. IT'S NOT MY FAULT. 607 00:29:12,333 --> 00:29:14,467 EVERYONE'S PUSHING AT ME AND THIS GUY HERE-- 608 00:29:14,533 --> 00:29:17,033 WHAT'S THE CAMERA DOING THERE? WHAT'S THAT DOING THERE? 609 00:29:17,100 --> 00:29:18,734 WE'RE SHOOTING A NEW REALITY SHOW. 610 00:29:18,800 --> 00:29:21,266 - TURN THE FUCKING CAMERA OFF. - Jane: KEEP ROLLING. 611 00:29:21,333 --> 00:29:23,033 - OKAY, WE'RE NOT ALLOWED. - OKAY. 612 00:29:23,100 --> 00:29:25,567 - LOOK, IT'S NOT MY FAULT. - Man: GET OUT OF THE STREET! 613 00:29:25,633 --> 00:29:28,934 - Esperanza: MISS VALERIE-- - NO, ESPERANZA, I CAN'T. 614 00:29:29,033 --> 00:29:30,967 I WAS IN A CAR ACCIDENT. 615 00:29:31,033 --> 00:29:34,734 I WAS IN A CAR ACCIDENT. I HAVE TO GET MY INSURANCE INFORMATION. 616 00:29:34,800 --> 00:29:37,000 OH MY GOD! 617 00:29:38,367 --> 00:29:40,266 OH MY GOD. 618 00:29:41,700 --> 00:29:43,233 OH NO. 619 00:29:43,300 --> 00:29:45,300 OH NO. 620 00:29:46,400 --> 00:29:48,300 WHO WOULD DO THIS? WHO WOULD-- 621 00:29:48,367 --> 00:29:51,400 WHO WOULD PUT FRAMED PICTURES 622 00:29:51,467 --> 00:29:53,500 ON WET CARPET? 623 00:29:53,567 --> 00:29:55,467 OH, THESE ARE ALL RUINED. 624 00:29:55,533 --> 00:29:57,667 OH. 625 00:29:57,734 --> 00:29:59,967 ( sighs ) 626 00:30:01,000 --> 00:30:02,667 MY "LENO." 627 00:30:03,533 --> 00:30:06,000 THAT'S WATER DAMAGE. 628 00:30:07,433 --> 00:30:09,900 ( sighs ) 629 00:30:09,967 --> 00:30:13,233 I THINK THAT'S JUST THE MATTE THAT'S WET, THOUGH. 630 00:30:13,300 --> 00:30:14,600 YEAH. 631 00:30:14,667 --> 00:30:18,367 ( "Nutcracker Russian Dance" ring tone plays ) 632 00:30:22,367 --> 00:30:25,433 IT'S MY AGENT. THIS IS IT. 633 00:30:25,500 --> 00:30:27,500 HELLO? 634 00:30:27,567 --> 00:30:29,533 YEAH, I CAN HOLD. 635 00:30:33,600 --> 00:30:35,433 HI. 636 00:30:36,567 --> 00:30:38,834 REALLY? 637 00:30:40,100 --> 00:30:42,300 ALL RIGHT. WE GOT PICKED UP. 638 00:30:43,633 --> 00:30:46,233 WHAT TIME? WHAT NIGHT? WHAT-- 639 00:30:46,300 --> 00:30:48,300 OKAY, NO, YOU GO. YEAH. 640 00:30:48,367 --> 00:30:50,400 ALL RIGHT. THANKS, DOLL. YEAH. 641 00:30:50,467 --> 00:30:51,867 OKAY. 642 00:30:51,934 --> 00:30:53,800 WE GOT PICKED UP. 643 00:30:53,867 --> 00:30:56,533 HOW DO YOU LIKE THAT? WE ARE ON THE FALL SCHEDULE. 644 00:30:56,600 --> 00:30:59,533 SO HOW ABOUT THAT, HUH? 645 00:31:01,033 --> 00:31:02,767 ALL RIGHT. WELL, ALL RIGHT. 646 00:31:02,834 --> 00:31:04,700 OH... 647 00:31:16,033 --> 00:31:18,066 IT'S GREAT. IT'S JUST GREAT. 648 00:31:20,133 --> 00:31:23,333 ? I'M A SURVIVOR, I'M NOT GONNA GIVE UP ? 649 00:31:23,400 --> 00:31:25,934 ? I'M NOT GONNA STOP, I'M GONNA WORK HARDER... ? 650 00:31:26,000 --> 00:31:29,567 GOT PICKED UP, SO I'LL PICK YOU UP. 651 00:31:29,633 --> 00:31:31,734 ? I'M A SURVIVOR, KEEP ON SURVIVIN' ? 652 00:31:31,800 --> 00:31:34,166 ? I THOUGHT I COULDN'T BREATHE WITHOUT YOU... ? 653 00:31:34,233 --> 00:31:36,233 OH GOD. 654 00:31:36,300 --> 00:31:38,500 OH MY GOD, I SHOULD CALL MARK. 655 00:31:38,567 --> 00:31:42,000 I DIDN'T CALL MARK. 656 00:31:42,066 --> 00:31:44,000 ( dialing ) 657 00:31:44,066 --> 00:31:46,000 ? THOUGHT THAT I WOULD FAIL WITHOUT YOU ? 658 00:31:46,066 --> 00:31:49,300 ? BUT I'M ON TOP, THOUGHT IT WOULD BE OVER BY NOW... ? 659 00:31:49,367 --> 00:31:51,433 UH, MARK BERMAN, PLEASE. 660 00:31:54,066 --> 00:31:55,433 HEY, MARKY-MARK. 661 00:31:55,500 --> 00:31:57,700 GOT PICKED UP. ( giggles ) 662 00:31:57,767 --> 00:32:00,033 YEAH, OH THANK YOU. 663 00:32:00,100 --> 00:32:02,233 DID YOU? OH! 664 00:32:02,300 --> 00:32:04,934 I DIDN'T KNOW, SO I DON'T KNOW HOW YOU COULD KNOW. 665 00:32:05,000 --> 00:32:08,000 OH, YOU HAVE TO COME HOME. 666 00:32:08,066 --> 00:32:10,900 GOOD LUCK TO YOU. 667 00:32:10,967 --> 00:32:12,600 THAT WOULD BE GOOD. 668 00:32:12,667 --> 00:32:14,800 OKAY. OH... 669 00:32:14,850 --> 00:32:19,400 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 50761

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