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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:37,870 --> 00:00:38,870 Hey, you. 2 00:00:39,110 --> 00:00:40,170 Can we talk upstairs? 3 00:00:40,510 --> 00:00:42,370 We have a bit of a situation this afternoon. 4 00:00:42,630 --> 00:00:45,450 It's probably a birthday girl. Hey, happy birthday, Sophie. 5 00:00:46,010 --> 00:00:49,970 Thank you. Hey, listen, some of us are going out for drinks after the show. Why 6 00:00:49,970 --> 00:00:50,970 don't you come along? 7 00:00:51,690 --> 00:00:53,930 Yeah, we'd love to, sure. Yeah? Fantastic. 8 00:00:54,570 --> 00:00:56,290 Fantastic. Okay, well, break a leg. 9 00:00:56,590 --> 00:00:57,590 See you, Sophie. 10 00:01:00,350 --> 00:01:02,310 Yeah, can we talk upstairs for a minute? 11 00:01:08,810 --> 00:01:11,170 I think there's something we have to sort out this afternoon. 12 00:01:13,890 --> 00:01:15,390 You mean scene four, don't you? 13 00:01:17,670 --> 00:01:19,230 It's just falling apart there. 14 00:01:19,830 --> 00:01:22,350 It's just screwing up the whole Tony-Lola relationship. 15 00:01:22,810 --> 00:01:23,810 Yeah, I know. 16 00:01:27,390 --> 00:01:28,810 I think we're better than this. 17 00:01:29,770 --> 00:01:31,370 Yeah, and this is a big afternoon for you. 18 00:01:31,710 --> 00:01:32,710 Yeah, it is. 19 00:01:33,370 --> 00:01:35,810 But, you know, it could be for you too if things go well today. 20 00:01:38,920 --> 00:01:39,920 Yeah. 21 00:01:41,720 --> 00:01:43,880 I really am having trouble staying in the moment. 22 00:01:44,220 --> 00:01:45,220 I know. 23 00:01:47,660 --> 00:01:52,580 Yeah, I just can't believe that Lola could do that, that she could move her 24 00:01:52,580 --> 00:01:56,260 whole life to Berlin, to another country, in the pure hope that Tony's 25 00:01:56,260 --> 00:01:56,958 going to come. 26 00:01:56,960 --> 00:01:58,340 Yeah, but never mind all that. 27 00:01:58,880 --> 00:02:02,460 You're a woman, you fall in love with a guy, you just throw yourself into that 28 00:02:02,460 --> 00:02:03,399 act of love. 29 00:02:03,400 --> 00:02:05,420 Yeah, OK, but I'm not Lola, I'm me. 30 00:02:05,780 --> 00:02:08,060 Well, true, that kind of throwing yourself in with abandon. 31 00:02:08,669 --> 00:02:09,710 So maybe not really you. 32 00:02:11,350 --> 00:02:12,490 Don't know about that. 33 00:02:13,470 --> 00:02:15,670 Wait, do we have a few minutes? 34 00:02:16,870 --> 00:02:18,850 Yeah, we've got some time. Can we just run through it? 35 00:02:19,690 --> 00:02:21,970 Okay. Let's say the audience is over here. 36 00:02:28,290 --> 00:02:30,110 So, I'll sit on the bed here. 37 00:02:30,550 --> 00:02:31,550 Yeah. 38 00:02:31,990 --> 00:02:32,990 Tony comes in. 39 00:02:33,530 --> 00:02:35,590 Puts his case down. I take your hand. 40 00:02:36,650 --> 00:02:37,810 I kiss you twice. 41 00:02:38,630 --> 00:02:40,050 You both go onto the bed. 42 00:02:41,470 --> 00:02:43,030 So we sit on the bed. 43 00:02:43,250 --> 00:02:46,430 We roll on our sides, which is really awkward. 44 00:02:47,090 --> 00:02:51,870 I kiss down the side of your body. So you say, I don't know what to say. I 45 00:02:51,870 --> 00:02:53,770 say, say I can stay. 46 00:02:54,830 --> 00:02:56,950 And that's the end of the scene. 47 00:02:59,330 --> 00:03:01,550 Look, do you not think this would be a bit more natural? 48 00:03:02,690 --> 00:03:04,110 For example, if I'm here. 49 00:03:05,710 --> 00:03:08,870 Would it not be a bit more natural if I managed to get you here? 50 00:03:09,450 --> 00:03:11,290 So you want to change things now? 51 00:03:11,650 --> 00:03:12,650 Yeah, sure, why not? 52 00:03:13,030 --> 00:03:16,730 I don't think Marcus is going to be very happy about this. Marcus is taking the 53 00:03:16,730 --> 00:03:17,730 afternoon off. 54 00:03:17,810 --> 00:03:21,210 His job's done once the show's up and running, so don't worry about him. 55 00:03:25,450 --> 00:03:26,570 I've got a great idea. 56 00:03:27,450 --> 00:03:31,830 Let's improvise the whole of the love scene. From when I take your hand, and 57 00:03:31,830 --> 00:03:33,410 we'll see how the blocking comes out. 58 00:03:33,610 --> 00:03:34,890 What, you want to improvise it? 59 00:03:36,720 --> 00:03:39,720 Like, no, that is not how things are normally done. Oh, why not? 60 00:03:40,300 --> 00:03:42,260 I mean, we do it on the show all the time. 61 00:03:42,780 --> 00:03:46,400 It loosens us up and it forces us to listen to each other again. Yeah, but 62 00:03:46,400 --> 00:03:49,180 that's television and this is theatre. It's completely different. 63 00:03:49,420 --> 00:03:52,400 You can't just change things in the middle of the run and people are 64 00:03:52,400 --> 00:03:53,400 counting on us. 65 00:03:53,520 --> 00:03:54,720 It's just not professional. 66 00:03:55,080 --> 00:03:59,000 But we were the only two in the scene and we're the only two affected by it. 67 00:03:59,820 --> 00:04:03,520 Apparently, we're the only two that care that it's being screwed up just now. 68 00:04:05,450 --> 00:04:07,750 Look, this play deserves better than we're giving it. 69 00:04:08,210 --> 00:04:10,910 And we'd be changing it only better to serve our art. 70 00:04:15,190 --> 00:04:16,589 Come on, you can do this. 71 00:04:18,410 --> 00:04:19,430 What are you afraid of? 72 00:04:20,550 --> 00:04:21,550 Well, there you are. 73 00:04:22,970 --> 00:04:25,210 Only have half an hour to get ready for backstage call. 74 00:04:27,470 --> 00:04:28,710 Okay, so what are we doing? 75 00:04:29,110 --> 00:04:30,110 I don't know. 76 00:04:30,510 --> 00:04:31,550 Let's do something. 77 00:04:31,770 --> 00:04:32,770 Come on. 78 00:04:33,450 --> 00:04:37,190 Wait. Wardrobe said that your regular robe isn't done yet, so we're going to 79 00:04:37,190 --> 00:04:38,190 be using this one this afternoon. 80 00:04:38,550 --> 00:04:39,550 Break a leg. 81 00:05:10,900 --> 00:05:13,220 I'm not going to be a fly guy. Hey. Hey. 82 00:05:13,460 --> 00:05:17,800 It is completely dead out there. No line at all yet. 83 00:05:19,120 --> 00:05:20,120 Good show yesterday. 84 00:05:21,260 --> 00:05:22,820 Oh, really? Trust your instincts. 85 00:05:24,300 --> 00:05:26,940 Did you take the master class at the advanced school? I was thinking about 86 00:05:26,940 --> 00:05:28,140 taking it if it's not too much work. 87 00:05:28,560 --> 00:05:29,560 Yeah, I did. 88 00:05:30,100 --> 00:05:32,580 It's good. It's not easy, but it's worth the work. 89 00:05:33,640 --> 00:05:34,860 Didn't you actually take it twice? 90 00:05:35,600 --> 00:05:36,600 Yes. 91 00:05:36,980 --> 00:05:38,980 Please, you could teach him by now. 92 00:05:40,760 --> 00:05:43,260 How hot does it have to get before they cancel the matinee? 93 00:05:43,620 --> 00:05:46,100 No one comes when it's this nice. Hey, girls. Hey. 94 00:05:46,360 --> 00:05:49,860 I saw there's some tabloid guys outside asking me if I want to comment on what 95 00:05:49,860 --> 00:05:52,040 it's like working with our big soap star, Dani. 96 00:05:52,320 --> 00:05:56,480 Don't talk to those people. I didn't, but I could have said it's a dream come 97 00:05:56,480 --> 00:06:00,100 true, but I wish I was Mariah, because then it would be a wet dream come true. 98 00:06:00,560 --> 00:06:04,080 I heard at the box office downstairs today that there's some big talent agent 99 00:06:04,080 --> 00:06:05,540 from New York here to see Daniel. 100 00:06:05,940 --> 00:06:07,840 Apparently she's on holiday and heard about the show. 101 00:06:08,270 --> 00:06:09,910 Then Daniel must be nervous for a change. 102 00:06:10,350 --> 00:06:12,850 I'll bet you he would love to make a dick in the States. 103 00:06:13,170 --> 00:06:17,430 You know what else I heard? I heard that Steffi got some London talent agent to 104 00:06:17,430 --> 00:06:20,110 go to her last show, and now he's representing her. 105 00:06:20,390 --> 00:06:22,450 And you know, she wasn't even playing the lead. 106 00:06:23,030 --> 00:06:24,030 Well, good for her. 107 00:06:24,270 --> 00:06:25,169 Steffi's right. 108 00:06:25,170 --> 00:06:27,510 I guess sometimes you've really just got to go for it. 109 00:06:42,100 --> 00:06:43,100 Things change. 110 00:06:44,540 --> 00:06:46,140 They're bound to change. It's inevitable. 111 00:06:47,940 --> 00:06:54,580 I mean, you know, one minute you're in my town, I'm the man, you know, the 112 00:06:54,580 --> 00:07:01,580 guy, the breadwinner, the... Well, look, if you break down a relationship... Is 113 00:07:01,580 --> 00:07:02,580 she here? 114 00:07:02,880 --> 00:07:06,980 Yeah, she's just over there on the right, the one with the dark hair and 115 00:07:06,980 --> 00:07:07,980 the glasses. 116 00:07:10,560 --> 00:07:11,560 Are you okay? 117 00:07:12,100 --> 00:07:13,100 Yeah. 118 00:07:13,420 --> 00:07:15,520 You know, you guys are doing really well today. 119 00:07:16,140 --> 00:07:20,480 Yeah? Yeah. I was watching scene two from the wings, and it looked really 120 00:07:20,480 --> 00:07:21,760 good. Yeah. 121 00:07:22,640 --> 00:07:24,220 You know what I was thinking? 122 00:07:24,860 --> 00:07:26,540 You might be better than he is. 123 00:07:26,860 --> 00:07:27,860 And besides, 124 00:07:28,460 --> 00:07:30,400 you deserve a chance just as much as he does. 125 00:07:43,980 --> 00:07:44,980 with the non-native 126 00:08:38,990 --> 00:08:40,190 I didn't think you'd come. 127 00:08:50,170 --> 00:08:51,230 What about her? 128 00:08:54,610 --> 00:08:56,410 All I can think about is you. 129 00:18:56,750 --> 00:18:57,750 Mm. 130 00:20:32,110 --> 00:20:33,110 Thank you. 131 00:28:44,080 --> 00:28:45,140 I don't know what to say. 132 00:29:16,940 --> 00:29:19,240 Hey. What happened out there? 133 00:29:25,040 --> 00:29:26,980 We were finally serving our art. 134 00:29:29,960 --> 00:29:30,960 Good answer. 135 00:29:32,960 --> 00:29:36,320 Ten minutes to final curtain, and I have a note for Daniel. 136 00:29:44,910 --> 00:29:46,470 She wants to meet after the show. 137 00:29:48,810 --> 00:29:49,810 Great, congratulations. 138 00:29:51,070 --> 00:29:53,210 Apparently, she wants to meet you too. 139 00:30:00,350 --> 00:30:01,350 Good show. 10214

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