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1
00:00:37,870 --> 00:00:38,870
Hey, you.
2
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Can we talk upstairs?
3
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We have a bit of a situation this
afternoon.
4
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It's probably a birthday girl. Hey,
happy birthday, Sophie.
5
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Thank you. Hey, listen, some of us are
going out for drinks after the show. Why
6
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don't you come along?
7
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Yeah, we'd love to, sure. Yeah?
Fantastic.
8
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Fantastic. Okay, well, break a leg.
9
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See you, Sophie.
10
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Yeah, can we talk upstairs for a minute?
11
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I think there's something we have to
sort out this afternoon.
12
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You mean scene four, don't you?
13
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It's just falling apart there.
14
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It's just screwing up the whole
Tony-Lola relationship.
15
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Yeah, I know.
16
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I think we're better than this.
17
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Yeah, and this is a big afternoon for
you.
18
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Yeah, it is.
19
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But, you know, it could be for you too
if things go well today.
20
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Yeah.
21
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I really am having trouble staying in
the moment.
22
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I know.
23
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Yeah, I just can't believe that Lola
could do that, that she could move her
24
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whole life to Berlin, to another
country, in the pure hope that Tony's
25
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going to come.
26
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Yeah, but never mind all that.
27
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You're a woman, you fall in love with a
guy, you just throw yourself into that
28
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act of love.
29
00:02:03,400 --> 00:02:05,420
Yeah, OK, but I'm not Lola, I'm me.
30
00:02:05,780 --> 00:02:08,060
Well, true, that kind of throwing
yourself in with abandon.
31
00:02:08,669 --> 00:02:09,710
So maybe not really you.
32
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Don't know about that.
33
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Wait, do we have a few minutes?
34
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Yeah, we've got some time. Can we just
run through it?
35
00:02:19,690 --> 00:02:21,970
Okay. Let's say the audience is over
here.
36
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So, I'll sit on the bed here.
37
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Yeah.
38
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Tony comes in.
39
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Puts his case down. I take your hand.
40
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I kiss you twice.
41
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You both go onto the bed.
42
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So we sit on the bed.
43
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We roll on our sides, which is really
awkward.
44
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I kiss down the side of your body. So
you say, I don't know what to say. I
45
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say, say I can stay.
46
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And that's the end of the scene.
47
00:02:59,330 --> 00:03:01,550
Look, do you not think this would be a
bit more natural?
48
00:03:02,690 --> 00:03:04,110
For example, if I'm here.
49
00:03:05,710 --> 00:03:08,870
Would it not be a bit more natural if I
managed to get you here?
50
00:03:09,450 --> 00:03:11,290
So you want to change things now?
51
00:03:11,650 --> 00:03:12,650
Yeah, sure, why not?
52
00:03:13,030 --> 00:03:16,730
I don't think Marcus is going to be very
happy about this. Marcus is taking the
53
00:03:16,730 --> 00:03:17,730
afternoon off.
54
00:03:17,810 --> 00:03:21,210
His job's done once the show's up and
running, so don't worry about him.
55
00:03:25,450 --> 00:03:26,570
I've got a great idea.
56
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Let's improvise the whole of the love
scene. From when I take your hand, and
57
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we'll see how the blocking comes out.
58
00:03:33,610 --> 00:03:34,890
What, you want to improvise it?
59
00:03:36,720 --> 00:03:39,720
Like, no, that is not how things are
normally done. Oh, why not?
60
00:03:40,300 --> 00:03:42,260
I mean, we do it on the show all the
time.
61
00:03:42,780 --> 00:03:46,400
It loosens us up and it forces us to
listen to each other again. Yeah, but
62
00:03:46,400 --> 00:03:49,180
that's television and this is theatre.
It's completely different.
63
00:03:49,420 --> 00:03:52,400
You can't just change things in the
middle of the run and people are
64
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counting on us.
65
00:03:53,520 --> 00:03:54,720
It's just not professional.
66
00:03:55,080 --> 00:03:59,000
But we were the only two in the scene
and we're the only two affected by it.
67
00:03:59,820 --> 00:04:03,520
Apparently, we're the only two that care
that it's being screwed up just now.
68
00:04:05,450 --> 00:04:07,750
Look, this play deserves better than
we're giving it.
69
00:04:08,210 --> 00:04:10,910
And we'd be changing it only better to
serve our art.
70
00:04:15,190 --> 00:04:16,589
Come on, you can do this.
71
00:04:18,410 --> 00:04:19,430
What are you afraid of?
72
00:04:20,550 --> 00:04:21,550
Well, there you are.
73
00:04:22,970 --> 00:04:25,210
Only have half an hour to get ready for
backstage call.
74
00:04:27,470 --> 00:04:28,710
Okay, so what are we doing?
75
00:04:29,110 --> 00:04:30,110
I don't know.
76
00:04:30,510 --> 00:04:31,550
Let's do something.
77
00:04:31,770 --> 00:04:32,770
Come on.
78
00:04:33,450 --> 00:04:37,190
Wait. Wardrobe said that your regular
robe isn't done yet, so we're going to
79
00:04:37,190 --> 00:04:38,190
be using this one this afternoon.
80
00:04:38,550 --> 00:04:39,550
Break a leg.
81
00:05:10,900 --> 00:05:13,220
I'm not going to be a fly guy. Hey. Hey.
82
00:05:13,460 --> 00:05:17,800
It is completely dead out there. No line
at all yet.
83
00:05:19,120 --> 00:05:20,120
Good show yesterday.
84
00:05:21,260 --> 00:05:22,820
Oh, really? Trust your instincts.
85
00:05:24,300 --> 00:05:26,940
Did you take the master class at the
advanced school? I was thinking about
86
00:05:26,940 --> 00:05:28,140
taking it if it's not too much work.
87
00:05:28,560 --> 00:05:29,560
Yeah, I did.
88
00:05:30,100 --> 00:05:32,580
It's good. It's not easy, but it's worth
the work.
89
00:05:33,640 --> 00:05:34,860
Didn't you actually take it twice?
90
00:05:35,600 --> 00:05:36,600
Yes.
91
00:05:36,980 --> 00:05:38,980
Please, you could teach him by now.
92
00:05:40,760 --> 00:05:43,260
How hot does it have to get before they
cancel the matinee?
93
00:05:43,620 --> 00:05:46,100
No one comes when it's this nice. Hey,
girls. Hey.
94
00:05:46,360 --> 00:05:49,860
I saw there's some tabloid guys outside
asking me if I want to comment on what
95
00:05:49,860 --> 00:05:52,040
it's like working with our big soap
star, Dani.
96
00:05:52,320 --> 00:05:56,480
Don't talk to those people. I didn't,
but I could have said it's a dream come
97
00:05:56,480 --> 00:06:00,100
true, but I wish I was Mariah, because
then it would be a wet dream come true.
98
00:06:00,560 --> 00:06:04,080
I heard at the box office downstairs
today that there's some big talent agent
99
00:06:04,080 --> 00:06:05,540
from New York here to see Daniel.
100
00:06:05,940 --> 00:06:07,840
Apparently she's on holiday and heard
about the show.
101
00:06:08,270 --> 00:06:09,910
Then Daniel must be nervous for a
change.
102
00:06:10,350 --> 00:06:12,850
I'll bet you he would love to make a
dick in the States.
103
00:06:13,170 --> 00:06:17,430
You know what else I heard? I heard that
Steffi got some London talent agent to
104
00:06:17,430 --> 00:06:20,110
go to her last show, and now he's
representing her.
105
00:06:20,390 --> 00:06:22,450
And you know, she wasn't even playing
the lead.
106
00:06:23,030 --> 00:06:24,030
Well, good for her.
107
00:06:24,270 --> 00:06:25,169
Steffi's right.
108
00:06:25,170 --> 00:06:27,510
I guess sometimes you've really just got
to go for it.
109
00:06:42,100 --> 00:06:43,100
Things change.
110
00:06:44,540 --> 00:06:46,140
They're bound to change. It's
inevitable.
111
00:06:47,940 --> 00:06:54,580
I mean, you know, one minute you're in
my town, I'm the man, you know, the
112
00:06:54,580 --> 00:07:01,580
guy, the breadwinner, the... Well, look,
if you break down a relationship... Is
113
00:07:01,580 --> 00:07:02,580
she here?
114
00:07:02,880 --> 00:07:06,980
Yeah, she's just over there on the
right, the one with the dark hair and
115
00:07:06,980 --> 00:07:07,980
the glasses.
116
00:07:10,560 --> 00:07:11,560
Are you okay?
117
00:07:12,100 --> 00:07:13,100
Yeah.
118
00:07:13,420 --> 00:07:15,520
You know, you guys are doing really well
today.
119
00:07:16,140 --> 00:07:20,480
Yeah? Yeah. I was watching scene two
from the wings, and it looked really
120
00:07:20,480 --> 00:07:21,760
good. Yeah.
121
00:07:22,640 --> 00:07:24,220
You know what I was thinking?
122
00:07:24,860 --> 00:07:26,540
You might be better than he is.
123
00:07:26,860 --> 00:07:27,860
And besides,
124
00:07:28,460 --> 00:07:30,400
you deserve a chance just as much as he
does.
125
00:07:43,980 --> 00:07:44,980
with the non-native
126
00:08:38,990 --> 00:08:40,190
I didn't think you'd come.
127
00:08:50,170 --> 00:08:51,230
What about her?
128
00:08:54,610 --> 00:08:56,410
All I can think about is you.
129
00:18:56,750 --> 00:18:57,750
Mm.
130
00:20:32,110 --> 00:20:33,110
Thank you.
131
00:28:44,080 --> 00:28:45,140
I don't know what to say.
132
00:29:16,940 --> 00:29:19,240
Hey. What happened out there?
133
00:29:25,040 --> 00:29:26,980
We were finally serving our art.
134
00:29:29,960 --> 00:29:30,960
Good answer.
135
00:29:32,960 --> 00:29:36,320
Ten minutes to final curtain, and I have
a note for Daniel.
136
00:29:44,910 --> 00:29:46,470
She wants to meet after the show.
137
00:29:48,810 --> 00:29:49,810
Great, congratulations.
138
00:29:51,070 --> 00:29:53,210
Apparently, she wants to meet you too.
139
00:30:00,350 --> 00:30:01,350
Good show.
10214
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