Original subtitles

♪ (tense music)

(tires screeching)

(screaming)

♪ (dramatic music)

(tires screeching)

♪ (dramatic music)

(tires screeching)

(tires screeching)

♪ (dramatic music)

(tires screeching)

(metal clanking)

(tires screeching)

(tires screeching)

(tires screeching)

♪ (dramatic music)

♪ (dramatic music)

♪ (dramatic music)

- Rare roast beef follow up and cry.

- Whoa, that's hot!

- Okay, you two, come and get it!

- This roast isn't done well enough!

(blender whirring)

There, that should do it!

- Look what you did to my roast, you blame show-off!

- Hey you two, cool down!

- Long as Sue had to attend the science dinner,

Ben's volunteered to do the cooking.

- Well if this silly torch hasn't spoiled our dinner,

let's eat it!

♪ (dramatic music)

- Pretty good meal if I do say so mine!

(blender whirring)

- What's going on?

(blender whirring)

- Feels like a big earthquake!

(blender whirring)

- Jump, the Jehansefette!

(blender whirring)

- Sit tight, can't last much longer.

(blender whirring)

- The shock waves have passed!

Johnny, fly out and see what happens!

Flame on!

(blender whirring)

♪ (dramatic music)

- Wow, I can't believe it!

A whole city block, gone!

♪ (dramatic music)

Nobody seems hurt in the street,

but you'll never believe what I saw!

- Why?

- I've never seen an earthquake swallow a whole city block!

- Things like that don't just happen!

Let's get down and investigate!

Come on!

♪ (dramatic music)

I can't see the bottom!

Lie down and see if you can find it!

- Okay Reed, flame on!

♪ (dramatic music)

- No sign of the bottom yet!

- Can you see him?

No, he's out of sight!

- It must be a mile down!

I can feel it getting colder!

Ice all around!

Better go up before my flame gives out!

♪ (dramatic music)

- What did you find out?

- I couldn't reach the bottom!

Ice was too thick!

- Ice down there?

That doesn't dig yet!

That was no ordinary earthquake!

That subterranean ice convinces me of who's behind this!

Quick! Back to headquarters!

We must get in touch with Sue!

♪ (dramatic music)

Enough of them!

Now to locate their partner, the Invisible Girl!

Ah, there she is, at Science Hall, making a speech!

Now to make her my hostage, I will take her

as well as some of the most prominent scientists in the world.

With them as hostages, the world will soon be in my power!

Now to lower the Science Hall from the surface!

♪ (dramatic music)

I shall go to my cabin and welcome my guests!

♪ (ominous music)

- Where are we? What's happening?

- I don't know what I'm talking about!

- Silence!

Do as you are told, and no harm will befall you!

♪ (ominous music)

There is just one amongst you I want!

She is the girl member of the Fantastic Four!

- I'd better get out of here!

♪ (ominous music)

(thump)

- Do you forget that we can find you through our radar sense?

Careful, do not harm her!

♪ (ominous music)

- Come on, Reed!

Did you know anything about those two earthquakes

swallowing the two city blocks?

Speak up!

- I'm almost sure, Ben.

But until I make some more calculations, I won't say.

- We interrupt this program to bring you pictures

of the hole where the second city block,

this one containing Science Hall, sank out of sight,

with most of the world's outstanding scientists.

- Hey, Susan, Science Hall!

- As yet, there is no explanation

for this strange phenomenon.

♪ (ominous music)

- You see, Mr. Richards,

I am a valuable member of your team in my power,

as well as all the leading scientists.

Result, you will do nothing to rectify plans

for world domination.

Remember, she stands hostage.

Goodbye.

- Reed, what will we do?

- We're gonna go get her, that's what.

A mole man would never keep his word on any agreement.

He was my prime suspect.

Let's get to the Pogo plane hangar.

♪ (ominous music)

♪ (ominous music)

♪ (ominous music)

- Slide the hatch back, Reed.

We might have to get out of this great patch.

- Look sharp, he knows we're coming

and he'll be ready for us.

♪ (ominous music)

- Just a little lower, a little more, there.

They are in my trap.

- Take her up, Ben.

Flame on!

♪ (ominous music)

I had a hunch that these controlled spears

would melt and fall apart.

♪ (ominous music)

Now we get back to Ben and Reed.

(

- Where's islander? - Now I'll go out and wait for them.

- I can't hold her, something's happening.

We're gonna spin.

♪ (ominous music)

- Hang on, I'm gonna try to catch her.

♪ (ominous music)

There, got her!

♪ (ominous music)

- Who would've believed this?

It's the Mole Man subterranean hideout.

It's here that--

- You're quite right, Mr. Richards.

I'd advise you to exercise extreme caution

as you climb down.

- It's the Mole Man with Sue!

- Let's rush him!

- He can't get us all--

- Hold it!

Think of Sue.

- I rather expected you would manage

to arrive here intact in spite of my little tricks.

Do not attempt any foolish rescue, Richards.

- Don't worry about me, Reed.

He must be stopped from attacking the surface world.

- He'll be stopped, if not by us by someone else.

But no harm will be for you, Sue.

- You are right, there are others.

But if you value her life,

prevent others from defying me.

Now, step out in the clear.

♪ (ominous music)

There, that will do.

I am sending you back to the surface

to stop the National Guard attempt to destroy me.

Start the air blast!

♪ (ominous music)

- Don't worry, Sue!

- Goodbye!

♪ (ominous music)

- And me without a shoot!

I'm going to flame on and fly up to the surface.

I'll catch you when you get there.

Flame on!

♪ (ominous music)

Wow, look at this!

The National Guard really means business.

Uh-oh, there's Reed and Ben coming up.

♪ (ominous music)

- That's hot!

♪ (ominous music)

- What are we gonna do?

- First thing, find out who's in charge of this outfit.

Who do you want?

♪ (ominous music)

- I said who do you want to see?

- The commanding officer.

I must see him quickly.

I'm Colonel Sombre, in command of this regiment.

What's the problem?

- It looks like you're going to attack.

I want you to hold off for 24 hours so that we...

The attack starts in one minute!

Stop it! Call it off!

- All of those people are held as hostage.

They'll all be killed.

- Not enough time.

- Can't get the word around!

- We can, Colonel, we can!

- Wait on!

♪ (ominous music)

- Barber in time!

(thunder rumbling)

Hurry up and disarm that thing.

I got some more work to do.

♪ (ominous music)

- Ready to fire!

(explosions)

(tires screech)

- Close the bomb bay doors!

We're being towed away!

(tires screech)

- A bow would look good on this one.

- Hey, that's our new gun barrel!

- Too bad!

Can't you think of him?

We don't want no shooting for a while!

- Mr. Richards, this is the Colonel!

Where are you, Richards?

- Uh-oh, that's the Colonel.

Better get over there.

Goodbye, fellas, no hard feelings.

Over here, Colonel, here I am!

(tires screech)

I'm just missing daughters to locate you

and place my command in your hands for the next 24 hours.

- Excellent, Colonel.

- But all you have to do is stand by.

We have to go to our headquarters for special equipment.

- Ben, Johnny!

- Back to the headquarters on the double.

Come on!

- Come in, boys.

- Meet you there, Reed.

Flame on!

(explosion)

(tires screech)

(explosions)

(piano music)

- You think this thing will work?

- Don't know.

I hope my calculations are correct.

I have no time for tests.

- Hold still while I solder this last wire.

(explosions)

That does it.

- Now, if all this works, we should be able to locate

where the old man is holding Sue and surprise him.

- Why don't we just take the other Pogo plane

and go back down there and attack?

- That's what he expects us to do.

We wouldn't stand a chance.

- Hurry up, you two.

I have to hover cycle down on the sidewalk.

Time's a waste and let's go.

- Right, Ben.

(tense music)

- Getting a reading yet?

- I think so.

Yes, I got her.

Now to plot the angle and compass heading.

(tense music)

The heading is due north.

And our down angle from here is...

is 165.

Got it, Johnny?

- I have a fix.

When shall I start printing the tunnel?

- Speed it up, you two.

Susie's weight, coming.

- Okay, Johnny, wait till we're airborne.

- Then start your tunnel.

- We'll be right behind you.

- Got it.

(explosion)

(tense music)

- All set?

- Okay.

(tense music)

- Bring it on!

(tense music)

- Escape is quite impossible.

You remain locked in the rock crystal cage

until I conquer the world.

(tense music)

- No one realizes how truly powerful the mole man is.

- What am I to do?

(tense music)

- Boy, that hothead is sure poor in the hole.

We oughta catch him soon.

(tense music)

(explosion)

- I'm getting close to Sue.

Better slow down.

(explosion)

- Johnny!

- Come on, Sue.

Ray and Ben are right behind me.

- Oh, Johnny!

(tense music)

- The alarm!

Who dares attack after I warn them?

It can't be the Fantastic Four.

The attack is in the rock crystal labyrinth.

Whoever it is will soon learn the price of such folly.

After them!

(tense music)

(tense music)

- It's clobberin' time.

I sense it.

- Hey, Ray, Ben!

I got Sue out okay, but we better get out of here.

I heard alarms going off in there.

- Well, let's go.

Down this tunnel.

(tense music)

There's an opening.

Slow down.

Don't bust out in the open.

Easy.

(tense music)

- There's the buildings and the people.

- Yes, and we must locate them all man's master controls

and reverse the machinery.

- Get set, everybody.

Someone's watching me.

(tense music)

- Sue, your force field.

(tense music)

And you defuse your force field.

- Yes!

(tense music)

- Quick, into the building.

This is it.

We found it.

(tense music)

- Let me weld it into a chunk of iron.

- Let me rip it all out, not yet.

- First, we must find the control panel

and raise those buildings back to the surface.

- Turn invisible and get over to the building.

Tell them to stay inside.

- Okay, Reed.

- Be careful.

- Right.

- Let's find that control panel.

- Yeah.

- I think it's this direction.

All the lines lead this way.

- Be ready with the sink array.

The approach from the main power room.

(water bubbling)

You fire too soon.

- Giant Zeta particles.

- I can dodge those.

Here goes.

- Shoot him, now's our chance.

Let's go.

Stop.

Get out of there.

(water splashing)

- Might as well finish it.

(water bubbling)

- I must get to my safety dome.

(tense music)

- I got the Zeta gun, but the mow man got away.

- We'll raise the buildings and then find him.

There, that should do it.

(water bubbling)

- Diddy, everyone.

(tense music)

- There they go, and Sue is safely with them.

- They are at my controls.

- My work.

- My plans all lost.

But I'll destroy them.

- Come on, let's get out of this control room

and back up to the hover cycle.

He might blow up this room.

- To the cave.

(explosions booming)

- I'll finish them.

They won't escape.

They've ruined me.

(explosion booming)

(explosion booming)

- If he keeps that up, he'll set off a chain reaction.

(explosion booming)

- Ben, are you playing a joke?

- Are you kidding?

(explosion booming)

You think I'd joke when this whole cave is blowing up?

(explosion booming)

- There she goes, hang on!

(explosion booming)

- Hey, the buildings are all back!

What'll we do, go back to headquarters?

- No, let's go see the Colonel and get sued.

(dramatic music)

And so, Colonel, the more man actually blew up

his whole domain.

I believe it's the end of it.

At any rate, we know his dreams of world conquest are ended.

- Who would've thought it?

- A ticket thing parade for us.

- Don't get too inflated over it.

- Huh?

- You still have a job to do after the parade.

- What's that?

- What's that?

- Uh-oh.

- You've gotta undo those two tanks

that you tied together yesterday.

- Oh, my egg is bad.

(dramatic music)

(explosion booming)

(dramatic music)

(sirens blaring)

(sirens blaring)

(dramatic music)

(explosion booming)

(dramatic music)

(bubbles popping)

(explosion booming)

(sirens blaring)

(dramatic music)

(explosion booming)

(dramatic music)

(explosion booming)

(dramatic music)