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These are the user uploaded subtitles that are being translated: 1 00:00:01,501 --> 00:00:03,294 PREVIOUSLY ON "CRIMINAL MINDS"... 2 00:00:03,378 --> 00:00:04,963 PRENTISS: OUR UNSUB IS EVERETT LYNCH. 3 00:00:05,046 --> 00:00:07,090 HE'S A CONMAN WHO SLICES OFF THE FACES 4 00:00:07,173 --> 00:00:08,758 OF THE WOMEN HE SEDUCES. 5 00:00:08,842 --> 00:00:10,760 ROSSI: THIS WAS THE FIRST TIME THAT I WAS BEATEN 6 00:00:10,844 --> 00:00:15,098 BY SOMEONE YOUNGER, FASTER, STRONGER THAN I AM. 7 00:00:15,181 --> 00:00:18,226 EVERETT LYNCH WAS THE FBI's MOST WANTED. 8 00:00:18,309 --> 00:00:21,271 HE REMAINED AT LARGE UNTIL WE CAUGHT UP WITH HIM. 9 00:00:21,354 --> 00:00:22,439 [SIRENS] 10 00:00:22,522 --> 00:00:24,649 CAPTAIN MONTERO, BREACH. 11 00:00:28,027 --> 00:00:29,612 ROSSI: HE DIED IN AN EXPLOSION, 12 00:00:29,696 --> 00:00:31,948 ALONG WITH 6 OF OUR AGENTS. 13 00:00:32,031 --> 00:00:34,075 REID: IT DOESN'T MAKE SENSE TO ME. 14 00:00:34,159 --> 00:00:36,077 I DON'T UNDERSTAND HOW THAT TYPE OF PERSONALITY 15 00:00:36,161 --> 00:00:38,413 CAN CHOOSE TO BLOW ITSELF UP. 16 00:00:38,496 --> 00:00:40,790 IF HE COULD GET TO A TUNNEL. 17 00:00:44,377 --> 00:00:47,964 LYNCH IS STILL ALIVE. 18 00:00:54,387 --> 00:00:56,473 [DING] 19 00:01:01,227 --> 00:01:03,188 MORGAN: WELL, YOU KNOW, YOU BETTER THANK YOUR MAN UPSTAIRS 20 00:01:03,271 --> 00:01:04,564 FOR MAKING IT THE WHOLE TEAM, 21 00:01:04,647 --> 00:01:06,483 OTHERWISE YOU KNOW THEY'D FIND A REASON TO BRING US BACK UP IN HERE. 22 00:01:06,566 --> 00:01:08,318 GREENAWAY: WHY? THEY GOT OTHER TEAMS. 23 00:01:08,401 --> 00:01:09,652 OK, YOU CAN GO ON BELIEVING THAT IF YOU WANT TO, 24 00:01:09,736 --> 00:01:12,322 BUT I AM NOT ANSWERING MY CELLPHONE. 25 00:01:09,736 --> 00:01:12,322 OK. 26 00:01:12,405 --> 00:01:14,616 OH, THERE HE IS. 27 00:01:14,699 --> 00:01:16,493 PRETTY BOY. 28 00:01:16,576 --> 00:01:17,827 LAST CHANCE. 29 00:01:17,911 --> 00:01:20,622 I CAN GET MY MAN TO SWING YOU A HOTEL ROOM FOR PRACTICALLY NOTHING. 30 00:01:20,705 --> 00:01:22,707 EVEN YOU MIGHT GET A LITTLE LOVING OUT THERE. 31 00:01:22,791 --> 00:01:24,167 THANKS ANYWAY. 32 00:01:24,250 --> 00:01:25,502 COME ON, REID. LIVE A LITTLE, HUH? 33 00:01:25,585 --> 00:01:27,003 I HAVE TO GO-- GOING HOME. 34 00:01:27,086 --> 00:01:28,171 HAVE A GOOD ONE, GUYS. 35 00:01:28,254 --> 00:01:30,173 BYE. 36 00:01:32,383 --> 00:01:33,968 HE LOOK OK TO YOU? 37 00:01:34,052 --> 00:01:35,261 HE LOOKS ABOUT THE WAY I WOULD 38 00:01:35,345 --> 00:01:37,055 IF I WAS GONNA SPEND TWO WEEKS WITH MY FAMILY. 39 00:01:37,138 --> 00:01:39,182 HEY, DON'T KNOCK FAMILY. I'M GONNA GET NOTHING BUT 40 00:01:39,265 --> 00:01:40,558 FOR THE NEXT 336 HOURS. 41 00:01:40,642 --> 00:01:42,143 MORGAN: HEY, GOOD FOR YOU. 42 00:01:42,227 --> 00:01:44,020 HALEY'S GOT A LIST OF CHORES A MILE LONG, AND I CAN'T WAIT. 43 00:01:44,103 --> 00:01:46,022 THE BIGGEST DECISION I GOT TO MAKE IS WHAT I'M GONNA DO FIRST. 44 00:01:46,105 --> 00:01:48,358 I BET YOU SHE HAS A THOUGHT OR TWO ABOUT THAT AS WELL. 45 00:01:48,441 --> 00:01:49,651 BRING IT ON! 46 00:01:49,734 --> 00:01:50,693 I'LL BE LOST IN A CABIN IN THE WOODS 47 00:01:50,777 --> 00:01:52,529 FOR THE NEXT TWO WEEKS. DO NOT CALL ME FOR ANYTHING. 48 00:01:52,612 --> 00:01:54,531 HAVE A GREAT TIME. YOU ALL DESERVE A BREAK. 49 00:01:54,614 --> 00:01:57,325 SERIOUSLY, DON'T CALL. 50 00:01:57,408 --> 00:01:59,369 REID: GIDEON. 51 00:02:00,495 --> 00:02:02,372 GIDEON! HOTCH! 52 00:02:12,215 --> 00:02:13,091 [BEEPING] 53 00:02:13,174 --> 00:02:14,717 [DOOR OPENS] 54 00:02:20,181 --> 00:02:23,560 I HIT MY HEAD AND NOW I'M SEEING THINGS. 55 00:02:26,187 --> 00:02:27,856 SECTION CHIEF STRAUSS? 56 00:02:27,939 --> 00:02:29,524 HELLO, SPENCER. 57 00:02:30,984 --> 00:02:32,443 YOU'RE DEAD. 58 00:02:32,527 --> 00:02:35,280 HA HA HA! I AM. 59 00:02:35,363 --> 00:02:37,240 DOES... 60 00:02:37,323 --> 00:02:38,283 DOES THAT MEAN THAT I'M-- 61 00:02:38,366 --> 00:02:40,159 NO. NOT NECESSARILY. 62 00:02:41,744 --> 00:02:43,204 I PASSED OUT IN MY APARTMENT. 63 00:02:43,288 --> 00:02:45,915 YOU HAVE INTRACRANIAL HEMORRHAGING. 64 00:02:47,041 --> 00:02:48,209 MY BRAIN IS SHUTTING DOWN? 65 00:02:48,293 --> 00:02:49,043 PARTS OF IT ARE. 66 00:02:49,127 --> 00:02:51,254 PARTS OF IT ARE STRUGGLING TO SURVIVE. 67 00:02:51,337 --> 00:02:53,256 WHICH PART ARE YOU? 68 00:02:54,549 --> 00:02:56,134 YOU NEED HELP. 69 00:03:04,058 --> 00:03:05,768 WHAT IF THIS IS PERMANENT? 70 00:03:05,852 --> 00:03:07,979 MY MOM STARTED OUT HALLUCINATING. 71 00:03:08,062 --> 00:03:10,440 YOU NEVER DISPLAYED ANY SIGNS OF SCHIZOPHRENIA. 72 00:03:10,523 --> 00:03:11,733 YOU KNOW THAT. 73 00:03:11,816 --> 00:03:13,401 THIS IS A JOURNEY. 74 00:03:13,484 --> 00:03:15,486 SOME PEOPLE SEE CORRIDORS OF LIGHT, 75 00:03:15,570 --> 00:03:17,906 SOME PEOPLE SEE PEOPLE THEY LOVE. 76 00:03:17,989 --> 00:03:21,159 WHAT YOU SEE IS UP TO YOU. 77 00:03:21,242 --> 00:03:22,952 YOU SYMBOLIZE MY GUILT, 78 00:03:23,036 --> 00:03:25,330 THE...DEAD AGENTS. 79 00:03:25,413 --> 00:03:27,790 YOU HAVE TO MAKE THAT DECISION YOURSELF. 80 00:03:32,337 --> 00:03:35,131 YOU'LL BE TEMPTED ABOUT WHICH WAY TO GO. 81 00:03:38,426 --> 00:03:40,136 DON'T BE AFRAID. 82 00:03:47,060 --> 00:03:48,853 6 AGENTS BLOWN TO PIECES. 83 00:03:48,937 --> 00:03:52,607 DAMN. YOU'RE GONNA NEED A BIGGER BOAT. 84 00:03:52,690 --> 00:03:54,275 I GOTTA ASK, 85 00:03:54,359 --> 00:03:56,319 WHEN THEY GO KABLAM LIKE THAT, 86 00:03:56,402 --> 00:03:59,238 DO YOU HAVE A GUY THAT PUTS THEM BACK TOGETHER OR...? 87 00:03:59,322 --> 00:04:01,324 I'M TALKING TO YOU, DOC. 88 00:04:01,407 --> 00:04:03,034 OR IT IS SPECIAL AGENT? 89 00:04:03,117 --> 00:04:04,410 ADDICT? 90 00:04:06,412 --> 00:04:07,372 CONVICT? 91 00:04:07,455 --> 00:04:08,498 SHUT UP. 92 00:04:08,581 --> 00:04:10,291 BUT I HAVE ONE MORE QUESTION. 93 00:04:10,375 --> 00:04:14,128 HOW COME WHEN I KILL PEOPLE, THEY'RE CALLED VICTIMS, 94 00:04:14,212 --> 00:04:16,422 BUT WHEN YOU DO IT, THEY'RE CALLED CASUALTIES? 95 00:04:16,506 --> 00:04:19,592 DEAD IS DEAD. AM I RIGHT? 96 00:04:20,885 --> 00:04:24,305 OOH, BOY. 97 00:04:25,890 --> 00:04:28,351 [LAUGHING] 98 00:04:37,944 --> 00:04:41,322 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 99 00:05:13,855 --> 00:05:17,275 HOTCHNER: GEORGE FOYET. HE LIKES TO ATTACK THEM INSIDE 100 00:05:17,358 --> 00:05:18,568 OR NEAR THEIR CARS 101 00:05:18,651 --> 00:05:21,654 AT NIGHT ON POORLY LIT, LESS POPULATED ROADS. 102 00:05:21,738 --> 00:05:25,408 GEORGE FOYET. [ECHOING] 103 00:05:25,491 --> 00:05:29,203 WHY ARE WE HERE? YOU THINK THIS IS MY HELL? 104 00:05:29,287 --> 00:05:30,580 DOESN'T MATTER WHAT I THINK. 105 00:05:30,663 --> 00:05:32,248 I'M NOT IN CONTROL. 106 00:05:32,331 --> 00:05:35,376 THIS IS WHERE YOU FIRST MET ME. 107 00:05:35,460 --> 00:05:38,004 HA. LOOK AT THAT HANDSOME DEVIL. 108 00:05:39,964 --> 00:05:41,591 SO STRAUSS WAS THE ANGEL, AND YOU'RE THE DEVIL. 109 00:05:41,674 --> 00:05:44,260 I NEVER SAID THAT. JUST THE HANDSOME PART. 110 00:05:44,343 --> 00:05:45,928 WHY WOULD I PICTURE YOU? 111 00:05:46,012 --> 00:05:48,306 HMM? OF ALL THE OFFENDERS THAT-- 112 00:05:48,389 --> 00:05:49,724 BECAUSE I KILLED THAT SWEET HALEY 113 00:05:49,807 --> 00:05:52,101 AND OLD AARON HOTCHNER WAS NEVER THE SAME. 114 00:05:52,185 --> 00:05:54,312 [GRUNTS] YOU GOT ME. 115 00:05:56,731 --> 00:05:58,107 [GUNSHOT] 116 00:05:58,191 --> 00:06:00,651 [GUNSHOT] 117 00:06:03,488 --> 00:06:05,323 YOU KNOW WHAT THAT MEANS. 118 00:06:07,408 --> 00:06:09,410 NONE OF YOU WERE. 119 00:06:09,494 --> 00:06:12,455 I WAS THE BEGINNING OF YOUR END. 120 00:06:14,332 --> 00:06:17,460 THIS GOOD VS. EVIL GAME IS ALL YOU KNOW. 121 00:06:18,669 --> 00:06:21,672 AND I'M THE BEST YOUR RATTLED BRAIN COULD CONJURE. 122 00:06:25,259 --> 00:06:28,971 WELL, LAST NIGHT WAS THE BEST SLEEP I'VE HAD IN AGES. 123 00:06:29,055 --> 00:06:31,349 TELL ME ABOUT IT. 124 00:06:31,432 --> 00:06:34,060 AND WHAT A WAY TO START THE MORNING. 125 00:06:35,728 --> 00:06:36,687 WHAT? 126 00:06:36,771 --> 00:06:39,315 YOU HAVE A PEACE ABOUT YOU. 127 00:06:39,398 --> 00:06:41,317 I DO, HUH? 128 00:06:39,398 --> 00:06:41,317 MM-HMM. 129 00:06:41,400 --> 00:06:44,195 WITH LYNCH DEAD, YOU... 130 00:06:45,905 --> 00:06:47,406 YOU SEEM DIFFERENT. 131 00:06:50,409 --> 00:06:53,162 YOU KNOW, ALL MY TIME AT THE BAU, 132 00:06:53,246 --> 00:06:55,331 THERE WERE A LOT OF WHALES TO CATCH, 133 00:06:55,414 --> 00:06:58,334 AND EVERETT LYNCH WAS ONE OF THE BIGGEST. 134 00:06:58,417 --> 00:07:02,004 AND I NEEDED TO MAKE SURE HE COULDN'T... 135 00:07:02,088 --> 00:07:05,341 HURT ANYONE ELSE. 136 00:07:05,424 --> 00:07:07,218 OTHERWISE I COULDN'T... 137 00:07:09,971 --> 00:07:11,597 YOU COULDN'T WHAT? 138 00:07:12,890 --> 00:07:13,850 SLEEP. 139 00:07:13,933 --> 00:07:15,476 NO, NO, NO. 140 00:07:15,560 --> 00:07:17,311 NO, THAT IS NOT WHAT YOU WERE GONNA SAY. 141 00:07:17,395 --> 00:07:19,856 THAT IS NOT WHAT YOU WERE GONNA SAY. 142 00:07:19,939 --> 00:07:22,024 ARE YOU... 143 00:07:22,108 --> 00:07:24,360 ARE YOU RETIRING? 144 00:07:24,443 --> 00:07:25,695 THAT'S SUCH AN UGLY WORD. 145 00:07:25,778 --> 00:07:26,737 OH, MY GOD! 146 00:07:26,821 --> 00:07:28,364 DAVID, WE HAVE TO DO SOMETHING. 147 00:07:28,447 --> 00:07:29,365 WHAT, NOW YOU'RE PLANNING MY SENDOFF? 148 00:07:29,448 --> 00:07:32,368 YEP, IT IS GONNA BE THE BEST, FASTEST SENDOFF 149 00:07:32,451 --> 00:07:33,578 YOU HAVE EVER SEEN. 150 00:07:33,661 --> 00:07:34,912 WHY FAST? 151 00:07:34,996 --> 00:07:37,206 BECAUSE I DON'T WANT YOU TO CHANGE YOUR MIND. 152 00:07:37,290 --> 00:07:38,499 NOW GET OUT OF HERE. GO. 153 00:07:38,583 --> 00:07:42,503 I DON'T WANT YOU TO BE LATE FOR ONE OF YOUR LAST DAYS AT SCHOOL. 154 00:07:42,587 --> 00:07:44,005 MMM. 155 00:07:44,088 --> 00:07:46,340 GO. 156 00:07:47,466 --> 00:07:49,552 ♪ HEAD DOWN AND MEET YOU OUT BACK ♪ 157 00:07:49,635 --> 00:07:53,222 BECAUSE WE GOT TO DOCUMENT THE LADY BONDING. 158 00:07:53,306 --> 00:07:55,516 THE LADY BONDING. 159 00:07:55,600 --> 00:07:57,435 LEWIS: DO YOU HAVE ANOTHER ONE? 160 00:07:57,518 --> 00:08:03,441 I AM BOTH HORRIFIED AND DELIGHTED THERE'S EVIDENCE OF LAST NIGHT. 161 00:08:03,524 --> 00:08:05,193 WAIT, WHAT IS THIS? 162 00:08:05,276 --> 00:08:06,360 IT HELPS WITH HANGOVERS, 163 00:08:06,444 --> 00:08:07,612 AND THAT IS ALL YOU NEED TO KNOW. 164 00:08:07,695 --> 00:08:09,405 IT TASTES LIKE YOU SCRAPED THE FOREST FLOOR 165 00:08:09,488 --> 00:08:10,406 AND JUICED IT. 166 00:08:10,489 --> 00:08:11,741 HA! 167 00:08:11,824 --> 00:08:13,618 EVEN THAT'S TOO GENEROUS. UGH. 168 00:08:13,701 --> 00:08:14,911 HEY, HEY! 169 00:08:14,994 --> 00:08:17,747 EMILY TOLD ME WHAT YOU GUYS WERE GETTING INTO, 170 00:08:17,830 --> 00:08:21,417 AND I FIGURED YOU COULD USE THESE. 171 00:08:21,500 --> 00:08:22,960 THANK GOD. 172 00:08:23,044 --> 00:08:25,838 GET THIS CAFFEINE INTO MY FACE HOLE. 173 00:08:25,922 --> 00:08:27,298 THIS IS FROM LUNACORN. 174 00:08:27,381 --> 00:08:28,591 LUKE ALVEZ, STOP MAKING ME LIKE YOU. 175 00:08:28,674 --> 00:08:30,760 HA! NEVER. 176 00:08:30,843 --> 00:08:32,261 VISION BOARDING GO WELL? 177 00:08:32,345 --> 00:08:35,056 GARCIA: OH, YOU HAVE NO IDEA HOW MANY STICKERS WERE USED. 178 00:08:35,139 --> 00:08:37,308 WHERE'S REID? I WANT TO TALK TO THE WHOLE TEAM. 179 00:08:37,391 --> 00:08:39,268 OH, SPENCE PROBABLY SLEPT IN. 180 00:08:39,352 --> 00:08:40,895 HE TOOK IT REALLY HARD. 181 00:08:40,978 --> 00:08:43,231 WELL, LET'S START OUR AFTER-ACTION REVIEW NOW, 182 00:08:43,314 --> 00:08:44,649 AND WE'LL FILL HIM IN WHEN HE ARRIVES. 183 00:08:44,732 --> 00:08:47,401 OK, DNA RESULTS COMING AT YA. 184 00:08:47,485 --> 00:08:48,903 CASUALTY COUNT STILL HOLD AT 8, 185 00:08:48,986 --> 00:08:51,113 INCLUDING ROBERTA AND EVERETT LYNCH? 186 00:08:51,197 --> 00:08:54,367 YES. WAIT, NO. 187 00:08:55,284 --> 00:08:56,577 GARCIA? 188 00:08:56,661 --> 00:08:58,287 YES, 8 CASUALTIES-- 189 00:08:58,371 --> 00:09:00,122 OUR 6 AGENTS, ROBERTA LYNCH, 190 00:09:00,206 --> 00:09:03,167 AND ORLANDO GAINES, THE PRIVATE INVESTIGATOR. 191 00:09:03,251 --> 00:09:05,002 THAT'S IT. 192 00:09:06,379 --> 00:09:07,838 WAIT. WAIT A MINUTE. THAT MEANS THAT-- 193 00:09:07,922 --> 00:09:10,841 EVERETT LYNCH IS STILL ALIVE. 194 00:09:20,059 --> 00:09:21,644 WELL, I HOPE SOMEBODY FINDS YOU. 195 00:09:21,727 --> 00:09:24,230 THAT BIG BRAIN'S GONNA BE A BOWL OF MUSH. 196 00:09:24,313 --> 00:09:26,315 WHAT A WAY TO GO OUT, HUH? 197 00:09:26,399 --> 00:09:28,276 SLOW BRAIN BLEED. 198 00:09:28,359 --> 00:09:30,319 AND NOBODY KNOWS YOU'RE HERE. 199 00:09:30,403 --> 00:09:31,529 IT'S TRAGIC 200 00:09:31,612 --> 00:09:33,489 AND YET... 201 00:09:33,572 --> 00:09:37,410 IRONICALLY FITTING. 202 00:09:39,662 --> 00:09:40,913 AHH. 203 00:09:42,206 --> 00:09:43,833 OF COURSE. 204 00:09:43,916 --> 00:09:47,336 IT WAS GOOD TO SEE YOU AGAIN, DOC. 205 00:09:49,588 --> 00:09:52,216 MAEVE. 206 00:09:52,300 --> 00:09:54,135 IT'S YOU. 207 00:09:54,218 --> 00:09:55,344 IT'S REALLY YOU. 208 00:09:55,428 --> 00:09:57,138 IT'S ME. 209 00:09:57,221 --> 00:09:59,515 LET ME TAKE HER PLACE. 210 00:09:59,598 --> 00:10:01,600 YOU WOULD KILL YOURSELF FOR HER? 211 00:10:01,684 --> 00:10:03,144 YES. 212 00:10:03,227 --> 00:10:04,145 NO. 213 00:10:04,228 --> 00:10:05,438 [GUNSHOT] 214 00:10:10,901 --> 00:10:12,361 MAEVE, I'M SO SORRY. 215 00:10:12,445 --> 00:10:13,988 FOR WHAT? 216 00:10:14,071 --> 00:10:16,991 I LET YOU DIE. 217 00:10:17,074 --> 00:10:20,411 I WASN'T SMART ENOUGH OR FAST ENOUGH TO SAVE YOU. 218 00:10:20,494 --> 00:10:21,454 STOP. 219 00:10:23,539 --> 00:10:26,250 DO YOU WANT TO KNOW MY DEEPEST, DARKEST SECRET? 220 00:10:26,334 --> 00:10:28,044 MM-HMM. 221 00:10:28,127 --> 00:10:31,380 I LOVE NINETIES ROM-DRAMS AND ROM-COMS. 222 00:10:31,464 --> 00:10:33,382 [LAUGHS] 223 00:10:33,466 --> 00:10:35,551 THE CHEESIER THE BETTER. 224 00:10:35,634 --> 00:10:37,386 AND MY FAVORITE ONE WAS ABOUT THIS ANGEL 225 00:10:37,470 --> 00:10:39,013 WHO GAVE UP HIS IMMORTALITY 226 00:10:39,096 --> 00:10:41,390 BECAUSE HE FELL IN LOVE WITH A HUMAN. 227 00:10:41,474 --> 00:10:45,436 BUT THEY ONLY HAD ONE DAY TOGETHER BEFORE SHE WAS KILLED. 228 00:10:45,519 --> 00:10:49,315 I ALWAYS WONDERED WHY THAT ONE STUCK WITH ME. 229 00:10:51,609 --> 00:10:53,402 AND THEN WE LIVED IT. 230 00:10:56,614 --> 00:10:59,825 DON'T YOU DARE BE SORRY. 231 00:10:59,909 --> 00:11:01,660 I HAVE NO REGRETS. 232 00:11:03,496 --> 00:11:04,580 I MISS YOU. 233 00:11:04,663 --> 00:11:06,582 GAH, I MISS YOU, TOO. 234 00:11:06,665 --> 00:11:09,752 BUT LUCKY FOR US, WE HAVE SOME TIME TOGETHER RIGHT NOW. 235 00:11:09,835 --> 00:11:11,587 I NEED THAT. 236 00:11:11,670 --> 00:11:13,422 YOU'VE BEEN HOLDING ON TO TRAUMA, 237 00:11:13,506 --> 00:11:15,091 A LOT OF IT. 238 00:11:15,174 --> 00:11:18,928 BUT WHAT SENT YOU ON THIS JOURNEY IS SOMETHING DIFFERENT. 239 00:11:19,011 --> 00:11:20,805 YOU'RE A CROSSROADS. 240 00:11:20,888 --> 00:11:23,766 CAN YOU HELP ME THROUGH IT? 241 00:11:25,559 --> 00:11:28,104 BUT FIRST, 242 00:11:28,187 --> 00:11:31,607 I NEED TO TELL YOU SOMETHING YOU DON'T HEAR ENOUGH OF. 243 00:11:31,690 --> 00:11:35,486 THE WORLD IS A GOOD PLACE. 244 00:11:35,569 --> 00:11:38,447 AND IT'S EVEN BETTER WITH YOU IN IT. 245 00:11:41,575 --> 00:11:42,827 YOU READY? 246 00:11:42,910 --> 00:11:44,662 YEAH. 247 00:11:52,711 --> 00:11:55,339 RENO PD JUST CONFIRMED THEY FOUND SUPPLIES 248 00:11:55,423 --> 00:11:56,632 UNDER LYNCH'S HIDEOUT. 249 00:11:56,715 --> 00:12:00,219 SO HE MUST HAVE BUILT AN ESCAPE TO THE TUNNELS UNDER THE HOUSE. 250 00:12:00,302 --> 00:12:01,679 THIS GUY'S A PLANNER. HE PICKED THAT TARGET 251 00:12:01,762 --> 00:12:03,180 BECAUSE IT GAVE HIM AN ESCAPE ROUTE. 252 00:12:03,264 --> 00:12:05,141 WE PROFILED ROBERTA WOULD TAKE THEM BOTH OUT, 253 00:12:05,224 --> 00:12:07,601 BUT BECAUSE OF HER LOVE FOR HER SON, SHE HESITATED. 254 00:12:07,685 --> 00:12:09,603 AND THAT HESITATION GAVE LYNCH THE SECONDS HE NEEDED 255 00:12:09,687 --> 00:12:10,646 TO EXECUTE HIS PLAN. 256 00:12:10,729 --> 00:12:13,190 ALL RIGHT, SO HE ESCAPES RIGHT BEFORE THE EXPLOSION. 257 00:12:13,274 --> 00:12:15,609 WE GOT TO GET BACK TO RENO BEFORE SOMEONE ELSE GETS HURT. 258 00:12:15,693 --> 00:12:17,653 PRENTISS: GARCIA RUN A SEARCH ON LYNCH ALIASES, 259 00:12:17,736 --> 00:12:19,989 ANY CREDIT CARD ACTIVITY. 260 00:12:20,072 --> 00:12:21,490 HE'S RADIO SILENT FOR NOW. 261 00:12:21,574 --> 00:12:22,658 LEWIS: IT'S ONLY A MATTER OF TIME 262 00:12:22,741 --> 00:12:23,784 BEFORE THIS GUY GETS DESPERATE ENOUGH 263 00:12:23,868 --> 00:12:25,161 TO USE ONE OF HIS OLD ALIASES, 264 00:12:25,244 --> 00:12:26,370 AND WHEN HE DOES, WE'VE GOT HIM CORNERED. 265 00:12:26,454 --> 00:12:27,997 STOP. STOP, STOP. 266 00:12:28,080 --> 00:12:31,125 APPLY WHAT WE KNOW BASED ON OUR EXPERIENCE WITH LYNCH 267 00:12:31,208 --> 00:12:32,501 AND OTHERS LIKE HIM. 268 00:12:32,585 --> 00:12:36,046 THAT'S ALL PROFILING IS, THAT'S ALL IT EVER WAS. 269 00:12:36,130 --> 00:12:38,174 NOW, YOU'RE LYNCH. 270 00:12:38,257 --> 00:12:39,884 YOU HAVE THE FULL FORCE OF UNITED STATES 271 00:12:39,967 --> 00:12:41,760 LAW ENFORCEMENT ON YOUR HEELS. 272 00:12:41,844 --> 00:12:43,387 WHERE ELSE DO YOU GO? 273 00:12:43,471 --> 00:12:45,681 WHO ELSE DO YOU HURT? 274 00:12:45,764 --> 00:12:46,849 US. 275 00:12:46,932 --> 00:12:48,517 THEY COME AFTER US. 276 00:12:48,601 --> 00:12:50,853 HE'LL GET OFF ON THE POWER OF ATTACKING 277 00:12:50,936 --> 00:12:52,480 ON OUR HOME TURF. 278 00:12:52,563 --> 00:12:54,190 WE NEED SECURITY FOR OUR LOVED ONES. 279 00:12:54,273 --> 00:12:57,234 ALVEZ, SIMMONS, CONTACT TROOPERS AT ALL STATE LINES. 280 00:12:57,318 --> 00:12:59,862 I'LL NOTIFY THE DIRECTOR THAT THE LYNCH CASE REMAINS OPEN. 281 00:12:59,945 --> 00:13:01,864 JJ, GARCIA, CHECK IN ON REID. 282 00:13:01,947 --> 00:13:04,283 FILL HIM IN ON HIS WAY BACK HERE. 283 00:13:06,619 --> 00:13:08,078 [LINE RINGS] 284 00:13:08,162 --> 00:13:11,248 [TELEPHONE RINGS] 285 00:13:11,332 --> 00:13:13,709 PERFECT TIMING. WHAT KIND OF CAKE DO YOU WANT? 286 00:13:13,792 --> 00:13:15,377 THERE'S A FLAG ON THE PLAY. 287 00:13:15,461 --> 00:13:17,755 I'M DISPATCHING SECURITY OVER TO THE HOUSE. 288 00:13:19,298 --> 00:13:20,549 IS EVERYTHING OK? 289 00:13:20,633 --> 00:13:24,303 I JUST WANT TO BE EXTRA SURE THAT YOU'RE PROTECTED. 290 00:13:24,386 --> 00:13:26,055 I'LL TAKE IT. 291 00:13:26,138 --> 00:13:27,723 AND HEY, 292 00:13:27,806 --> 00:13:29,391 DO WHAT YOU HAVE TO DO, OK? 293 00:13:29,475 --> 00:13:32,061 I'M THE LUCKIEST GUY IN THE WORLD. 294 00:13:32,144 --> 00:13:34,355 DAMN STRAIGHT YOU ARE. 295 00:13:38,943 --> 00:13:39,902 JAREAU: SPENCE! 296 00:13:39,985 --> 00:13:41,320 [DIALING] 297 00:13:41,403 --> 00:13:42,696 SPENCE, IT'S JJ. CAN YOU HEAR ME? 298 00:13:42,780 --> 00:13:44,198 WE NEED AN AMBULANCE IMMEDIATELY 299 00:13:44,281 --> 00:13:46,700 AT 937 HOOVER STREET, APARTMENT 23. 300 00:13:46,784 --> 00:13:48,118 WE HAVE AN AGENT DOWN. 301 00:13:48,202 --> 00:13:49,578 HE'S BREATHING. 302 00:13:49,662 --> 00:13:52,706 YES, WE HAVE AN AGENT DOWN. THAT'S WHAT I SAID. 303 00:13:52,790 --> 00:13:53,749 NO. NO, NO, NO, NO. 304 00:13:53,832 --> 00:13:55,251 NO, NO. 305 00:14:02,508 --> 00:14:04,301 WHY ARE WE HERE? 306 00:14:04,385 --> 00:14:06,971 I MADE PEACE WITH GIDEON DYING. 307 00:14:07,054 --> 00:14:09,056 WHEN'S THE LAST TIME YOU SAW HIM? 308 00:14:09,139 --> 00:14:11,600 12 YEARS, 7 MONTHS, AND 23 DAYS AGO. 309 00:14:11,684 --> 00:14:13,435 OH. 310 00:14:13,519 --> 00:14:16,355 YOU'RE NOT KEEPING TRACK OF DISAPPOINTMENTS AT ALL. 311 00:14:18,649 --> 00:14:21,569 MY DAD WROTE ME A NOTE WHEN HE LEFT. 312 00:14:23,237 --> 00:14:25,155 GIDEON DID THE SAME THING. 313 00:14:25,239 --> 00:14:28,450 HE WAS THE ONE THAT CONVINCED ME TO JOIN THE TEAM. 314 00:14:28,534 --> 00:14:30,536 AND THEN HE LEFT. 315 00:14:32,621 --> 00:14:34,290 [SIGHS] 316 00:14:34,373 --> 00:14:35,874 ALL TO BELIEVE IN HAPPY ENDINGS, 317 00:14:35,958 --> 00:14:38,127 I JUST--I'M SAD HE NEVER GOT ONE. 318 00:14:38,210 --> 00:14:40,629 OH, NO, HE GOT ONE. 319 00:14:40,713 --> 00:14:43,465 HE'S OBSESSED WITH THIS OCTOPUS NAMED MILDRED. 320 00:14:43,549 --> 00:14:45,342 SHE'S A PRANKSTER, 321 00:14:45,426 --> 00:14:47,928 AND HE LOVES HANGING OUT AN 8-LIMBED MOLLUSK, 322 00:14:48,012 --> 00:14:51,974 TRYING TO FIGURE OUT HOW SHE BECAME SO PLAYFUL AND WISE. 323 00:14:53,851 --> 00:14:55,436 SHE EVOLVED. 324 00:14:55,519 --> 00:14:57,646 YEP. 325 00:14:57,730 --> 00:14:59,690 WE ALL HAVE TO. 326 00:15:02,359 --> 00:15:04,528 [INDISTINCT P.A. ANNOUNCEMENTS] 327 00:15:05,738 --> 00:15:08,532 TURN AROUND. 328 00:15:08,616 --> 00:15:11,660 IT'S DR. K. CAN YOU HEAR ME, SIR? 329 00:15:11,744 --> 00:15:13,412 HOW LONG HAS HE BEEN UNCONSCIOUS? 330 00:15:13,495 --> 00:15:15,706 I DON'T KNOW. THERE WAS AN EXPLOSION 24 HOURS AGO. 331 00:15:15,789 --> 00:15:17,458 COULD IT BE A CONCUSSION? 332 00:15:17,541 --> 00:15:19,043 SO HE'S BEEN UNDER A LOT OF STRESS? 333 00:15:19,126 --> 00:15:20,294 YES, HE'S AN FBI AGENT. 334 00:15:20,377 --> 00:15:22,630 I NEED TO RUN SOME TESTS. ARE YOU FAMILY? 335 00:15:22,713 --> 00:15:26,008 UH, NOT TECHNICALLY. THAT WOULD BE HIS MOM. 336 00:15:26,091 --> 00:15:27,676 GET HIM TO CCU. 337 00:15:26,091 --> 00:15:27,676 WAKE UP. 338 00:15:27,760 --> 00:15:29,678 I NEED TO TALK TO HIS MOTHER RIGHT AWAY. 339 00:15:29,762 --> 00:15:30,679 I'LL TRACK DOWN DIANA. 340 00:15:30,763 --> 00:15:33,515 SHE'S AT BROOKFIELD. 341 00:15:30,763 --> 00:15:33,515 [PHONE DINGS] 342 00:15:33,599 --> 00:15:34,516 IT'S EMILY. 343 00:15:34,600 --> 00:15:36,685 GO. 344 00:15:36,769 --> 00:15:38,312 NO, NO, NO. I'M NOT LEAVING. 345 00:15:38,395 --> 00:15:40,189 SPENCE WILL UNDERSTAND. THE TEAM NEEDS YOU. 346 00:15:40,272 --> 00:15:42,775 I'VE GOT THIS. GO. 347 00:15:44,276 --> 00:15:45,361 ROSSI: THANKS FOR GETTING THERE SO QUICKLY. 348 00:15:45,444 --> 00:15:46,362 WHAT'S THE STATUS? 349 00:15:46,445 --> 00:15:47,696 NOTHING OF INCIDENT, SIR. 350 00:15:47,780 --> 00:15:49,198 GREAT NEWS. SHE'S EXPECTING YOU. 351 00:15:49,281 --> 00:15:51,200 COPY THAT. 352 00:15:56,955 --> 00:15:58,666 [KNOCK ON DOOR] 353 00:16:00,918 --> 00:16:02,544 COULDN'T BE ANY SAFER, MA'AM. 354 00:16:02,628 --> 00:16:03,712 YOUR HUSBAND MADE SURE OF IT. 355 00:16:03,796 --> 00:16:05,839 COME IN. 356 00:16:03,796 --> 00:16:05,839 THANK YOU. 357 00:16:10,636 --> 00:16:13,681 OH, DIANA, HI. HI. IT'S PENELOPE. 358 00:16:13,764 --> 00:16:16,225 I WORK WITH SPENCER. I'VE COME TO SEE YOU BEFORE. 359 00:16:16,308 --> 00:16:18,143 YOU'RE ALMOST AS TALL AS I AM. 360 00:16:18,227 --> 00:16:23,732 DIANA, SPENCER FELL AND HE HIT HIS HEAD REALLY HARD, 361 00:16:23,816 --> 00:16:25,359 AND HE'S NOT CONSCIOUS. 362 00:16:25,442 --> 00:16:26,860 WELL, LET'S WAKE HIM UP. LET'S SEE HIM. 363 00:16:26,944 --> 00:16:28,362 NO, WAIT. 364 00:16:26,944 --> 00:16:28,362 HE'LL LISTEN TO ME. 365 00:16:28,445 --> 00:16:30,072 SPENCER. 366 00:16:34,827 --> 00:16:36,620 IT'S NOT HIM. 367 00:16:38,330 --> 00:16:41,417 NO. NO, NO, NO. THIS IS NOT MY SON. 368 00:16:45,295 --> 00:16:47,798 SEE THIS LITTLE STAR RIGHT THERE ON YOUR WRIST? 369 00:16:47,881 --> 00:16:49,591 THAT'S FROM WHEN YOU FEEL WHEN YOU WERE 370 00:16:49,675 --> 00:16:52,720 TRYING TO BALANCE ON OUR BACKYARD FENCE. 371 00:16:52,803 --> 00:16:56,223 OH, YOU WERE SO DETERMINED TO MAKE IT THE WHOLE WAY. 372 00:16:56,306 --> 00:16:58,600 AND I'LL NEVER FORGET LOOKING OUT THE KITCHEN WINDOW, 373 00:16:58,684 --> 00:17:01,145 WATCHING YOU OUT THERE AS YOU WERE TRYING TO MAKE 374 00:17:01,228 --> 00:17:05,149 A BALANCING POLE FROM A BROOMSTICK. 375 00:17:12,364 --> 00:17:13,741 OH, MY BABY. 376 00:17:13,824 --> 00:17:15,617 OH, MY BABY. 377 00:17:15,701 --> 00:17:17,244 OH, PLEASE. 378 00:17:17,327 --> 00:17:18,620 MAEVE: WHY DO YOU FIGHT US? 379 00:17:18,704 --> 00:17:21,749 REID: IF I DIE, I'LL LET DOWN MY MOM... 380 00:17:23,375 --> 00:17:26,670 THE TEAM, EVERYBODY WHO DEPENDS ON ME. 381 00:17:28,380 --> 00:17:29,882 OHH. 382 00:17:31,550 --> 00:17:33,469 FAMILY IS RESILIENT. 383 00:17:33,552 --> 00:17:35,220 AND AS FOR STRANGERS, 384 00:17:35,304 --> 00:17:37,598 PEOPLE WERE HURT BEFORE YOU JOINED THE BAU, 385 00:17:37,681 --> 00:17:39,641 AND THEY'LL GET HURT WHENEVER YOU LEAVE. 386 00:17:39,725 --> 00:17:41,143 I GUESS I'M STUCK. 387 00:17:41,226 --> 00:17:44,271 MORE LIKE FROZEN FROM GRIEF. 388 00:17:46,273 --> 00:17:47,775 YOUR FATHER'S PHYSICAL ABSENCE, 389 00:17:47,858 --> 00:17:49,777 YOUR MOTHER'S PSYCHOLOGICAL ONE, ME. 390 00:17:49,860 --> 00:17:51,653 IT'S PARALYZING. 391 00:17:51,737 --> 00:17:53,739 HOW DO YOU MOVE THROUGH IT WHEN YOU CAN'T MOVE? 392 00:17:57,367 --> 00:17:58,952 YOU GO BACK TO THE BEGINNING. 393 00:18:01,955 --> 00:18:06,293 I GREW UP TELLING STORIES ABOUT WHO I WAS-- 394 00:18:06,376 --> 00:18:09,004 SON, FRIEND... 395 00:18:10,589 --> 00:18:12,841 STUDENT, TEACHER, 396 00:18:12,925 --> 00:18:14,134 GENIUS. 397 00:18:14,218 --> 00:18:15,552 HERO. 398 00:18:15,636 --> 00:18:18,972 YOU SEEK AND GAIN APPROVAL BY ANYONE. 399 00:18:19,056 --> 00:18:21,099 IT'S TIME TO STOP. 400 00:18:26,271 --> 00:18:27,689 YOU KEEP A NICE HOUSE. 401 00:18:27,773 --> 00:18:29,066 OH, THANKS. 402 00:18:29,149 --> 00:18:31,235 DAVE DOES HIS FAIR SHARE. 403 00:18:31,318 --> 00:18:33,862 I BET HE DOES. 404 00:18:33,946 --> 00:18:37,825 YOU KNOW, YOU HAVE A MOM ENERGY ABOUT YOU, 405 00:18:37,908 --> 00:18:39,284 CARETAKEY THING. 406 00:18:39,368 --> 00:18:40,869 MY MOM JUST DIED. 407 00:18:40,953 --> 00:18:42,246 I'M SO SORRY. 408 00:18:42,329 --> 00:18:43,705 YOU ARE? 409 00:18:43,789 --> 00:18:45,249 THANKS. 410 00:18:45,332 --> 00:18:46,917 SHE WAS A NIGHTMARE. 411 00:18:48,252 --> 00:18:49,711 BUT I LOVE MOMS. 412 00:18:49,795 --> 00:18:54,842 I HAD A DAUGHTER, AND SHE LOVED HER MOM AND MY MOM. 413 00:18:54,925 --> 00:18:58,720 SO I GET THE WHOLE MOM THING, YOU KNOW. 414 00:18:58,804 --> 00:19:01,056 ROSSI: BEARD, DIFFERENT GLASSES, 415 00:19:01,139 --> 00:19:03,183 DIFFERENT HAIR COLOR, DIFFERENT EYE COLOR, 416 00:19:03,267 --> 00:19:04,685 WHICH MEANS HE'S WEARING COLORED CONTACTS. 417 00:19:04,768 --> 00:19:06,687 CONMEN KNOW HOW TO CHANGE THEIR LOOK. 418 00:19:06,770 --> 00:19:09,815 TAKE A LOOK AT THIS FIRST IDENTITY AGAIN, WHEN HE WAS MACK. 419 00:19:15,153 --> 00:19:16,572 I NEED TO CHECK WITH DAVE. 420 00:19:16,655 --> 00:19:18,699 NAH. 421 00:19:23,161 --> 00:19:25,247 WHAT IF MY BRAIN'S BLEEDING OUT 422 00:19:25,330 --> 00:19:27,457 'CAUSE THERE'S NOTHING LEFT FOR ME TO DO? 423 00:19:27,541 --> 00:19:29,918 THE WORLD NEEDS YOU TO DO WHAT YOU LOVE. 424 00:19:30,002 --> 00:19:31,753 HAVE YOU DONE THAT? 425 00:19:34,006 --> 00:19:35,090 I DON'T KNOW. 426 00:19:35,173 --> 00:19:37,134 SURE YOU DO. WHAT DO YOU LOVE? 427 00:19:37,217 --> 00:19:39,803 I LOVE MAGIC 428 00:19:39,887 --> 00:19:41,305 AND GHOST STORIES. 429 00:19:41,388 --> 00:19:43,765 FIDDLING WITH YOUR PEN LIKE ME. [CHUCKLES] 430 00:19:43,849 --> 00:19:45,851 WHAT ELSE? 431 00:19:47,185 --> 00:19:48,812 JELL-O... 432 00:19:48,896 --> 00:19:50,898 KUMQUATS... 433 00:19:50,981 --> 00:19:53,442 UH... 434 00:19:53,525 --> 00:19:55,110 TEACHING, LEARNING, 435 00:19:55,193 --> 00:19:58,405 BOOKS, HOPE... 436 00:20:01,033 --> 00:20:03,827 MAKING CONNECTIONS... 437 00:20:05,996 --> 00:20:10,417 MAKING... MAKING A DIFFERENCE. 438 00:20:12,878 --> 00:20:13,837 YOU. 439 00:20:13,921 --> 00:20:15,964 I LOVE YOU. 440 00:20:18,050 --> 00:20:20,427 THAT'S A LOT TO LOVE. 441 00:20:22,012 --> 00:20:23,347 DOCTOR: MRS. REID? 442 00:20:23,430 --> 00:20:26,391 THE CONSERVATIVE APPROACH WOULD BE SURGERY. 443 00:20:26,475 --> 00:20:28,936 IT MAY REDUCE THE SWELLING AROUND SPENCER'S BRAIN FASTER. 444 00:20:29,019 --> 00:20:33,649 THERE IS RISK. IT COULD CAUSE SEIZURES AND EVEN MORE BLEEDING. 445 00:20:36,234 --> 00:20:39,279 I THOUGHT IT WAS TUESDAY, AND IT'S NOT TUESDAY. 446 00:20:39,363 --> 00:20:40,822 AND SO I CAN'T TELL YOU. 447 00:20:40,906 --> 00:20:41,949 COULD WE HAVE A MINUTE? 448 00:20:42,032 --> 00:20:43,533 SURE. 449 00:20:43,617 --> 00:20:44,868 WHAT WOULD HE WANT? 450 00:20:44,952 --> 00:20:47,412 I DON'T WANT TO MAKE THE DECISION. 451 00:20:47,496 --> 00:20:51,833 DIANA, YOU KNOW, ONE TIME SPENCER TOLD ME 452 00:20:51,917 --> 00:20:54,336 THAT YOU AND I ARE TWO OF THE SMARTEST PEOPLE HE KNOWS. 453 00:20:54,419 --> 00:20:55,629 I GUESS THERE'S SOME STUDY THAT SHOWS 454 00:20:55,712 --> 00:20:59,216 THAT THE HEART AND THE STOMACH HAVE LIKE CELLS OF CONSCIOUSNESS, 455 00:20:59,299 --> 00:21:00,634 LIKE A SECOND BRAIN. 456 00:21:00,717 --> 00:21:02,803 AND I GET IT THAT YOUR BRAIN HAS DONE THINGS 457 00:21:02,886 --> 00:21:04,346 TO ATTACK SPENCER SOMETIMES, 458 00:21:04,429 --> 00:21:07,808 BUT YOUR HEART AND YOUR GUTS HAVE ALWAYS KNOWN 459 00:21:07,891 --> 00:21:08,976 WHAT'S BEST FOR HIM. AM I RIGHT? 460 00:21:09,059 --> 00:21:09,935 YES. 461 00:21:10,018 --> 00:21:11,687 SO WE'RE JUST GONNA USE OUR BRILLIANT INSIDES 462 00:21:11,770 --> 00:21:14,523 TO MAKE A BRILLIANT CHOICE FOR SPENCER RIGHT NOW, OK? 463 00:21:16,650 --> 00:21:17,567 [EXHALES] 464 00:21:17,651 --> 00:21:19,027 [MONITORS BEEPING] 465 00:21:19,111 --> 00:21:20,195 [GASPS] OHH! 466 00:21:20,278 --> 00:21:21,780 WHAT'S HAPPENING TO MY BOY? 467 00:21:23,949 --> 00:21:25,826 WHAT IS HAPPENING TO HIM? 468 00:21:25,909 --> 00:21:28,328 LOOK, THERE'S NO WRONG CHOICE, 469 00:21:28,412 --> 00:21:30,831 BUT YOU HAVE TO DECIDE. 470 00:21:30,914 --> 00:21:33,125 YOU CAN STICK AROUND ON THE BLUE MARBLE 471 00:21:33,208 --> 00:21:36,378 OR TRAVEL OUT INTO THE GREAT UNKNOWN. 472 00:21:37,129 --> 00:21:38,880 IT'S TIME. 473 00:21:39,965 --> 00:21:42,342 WHAT ARE YOU GONNA DO? 474 00:21:53,020 --> 00:21:55,564 YOU REMEMBER OUR ONE AND ONLY FIGHT? 475 00:21:55,647 --> 00:21:57,441 ABOUT THE WORLD'S GREATEST POET? 476 00:21:57,524 --> 00:21:59,735 WE WERE ON THE PHONE FOR, I THINK, 4 HOURS. 477 00:21:59,818 --> 00:22:01,695 [LAUGHS] 478 00:22:04,823 --> 00:22:07,826 YOU NEED TO FIND THAT KIND OF PASSION WITH SOMEONE AGAIN. 479 00:22:10,245 --> 00:22:11,621 FIRST I NEED TO KNOW 480 00:22:11,705 --> 00:22:14,249 IF YOUR FAVORITE IS STILL-- 481 00:22:14,332 --> 00:22:16,209 E.E. CUMMINGS. 482 00:22:16,293 --> 00:22:19,254 "WHENEVER YOU THINK OR YOU BELIEVE OR YOU KNOW, 483 00:22:19,337 --> 00:22:20,922 "YOU'RE A LOT OF OTHER PEOPLE, 484 00:22:21,006 --> 00:22:25,594 BUT THE MOMENT YOU FEEL, YOU'RE NOBODY BUT YOURSELF." 485 00:22:25,677 --> 00:22:28,180 "TO BE NOBODY BUT YOURSELF... 486 00:22:28,263 --> 00:22:30,599 "IN A WORLD WHICH IS DOING ITS BEST NIGHT AND DAY 487 00:22:30,682 --> 00:22:32,267 "TO MAKE YOU EVERYBODY ELSE 488 00:22:32,350 --> 00:22:36,271 "MEANS TO FIGHT... THE HARDEST BATTLE 489 00:22:36,354 --> 00:22:38,440 "WHICH ANY HUMAN BEING CAN FIGHT; 490 00:22:38,523 --> 00:22:40,776 AND NEVER STOP FIGHTING." 491 00:22:48,700 --> 00:22:50,619 DIANA: SPENCER. 492 00:23:02,047 --> 00:23:03,673 SPENCER. 493 00:23:04,841 --> 00:23:06,676 CAN YOU HEAR ME? 494 00:23:08,887 --> 00:23:10,472 HI. 495 00:23:10,555 --> 00:23:12,015 THAT'S A GOOD SIGN. 496 00:23:12,099 --> 00:23:13,433 IS HE GONNA BE OK? 497 00:23:13,517 --> 00:23:15,685 HE'S PUTTING UP ONE HELL OF A FIGHT. 498 00:23:15,769 --> 00:23:17,312 BUT IT'S STILL TOO EARLY TO KNOW FOR SURE. 499 00:23:17,395 --> 00:23:19,314 I NEED TO KEEP HIM HERE FOR TESTS. 500 00:23:19,397 --> 00:23:21,775 EXCUSE ME. 501 00:23:25,403 --> 00:23:26,613 GARCIA: HEY. 502 00:23:25,403 --> 00:23:26,613 HOW IS HE? 503 00:23:26,696 --> 00:23:28,657 HE'S STABLE. 504 00:23:26,696 --> 00:23:28,657 LEWIS: THANK GOD. 505 00:23:28,740 --> 00:23:29,741 IS HE AWAKE? 506 00:23:29,825 --> 00:23:31,201 HE OPENED HIS EYES FOR A SECOND. 507 00:23:31,284 --> 00:23:32,202 IT'S PROGRESS. 508 00:23:32,285 --> 00:23:34,162 PLEASE TELL HIM I WILL BE THERE AS SOON AS I CAN. 509 00:23:34,246 --> 00:23:35,580 YOU BET I WILL. WHAT'S GOING ON WITH LYNCH? 510 00:23:35,664 --> 00:23:37,624 WE'RE THINKING GRACE'S MOM MIGHT BE A CLUE 511 00:23:37,707 --> 00:23:38,792 TO WHERE HE'S GOING. 512 00:23:38,875 --> 00:23:41,628 I REMEMBER WE DIDN'T HAVE A LOT ON HER. 513 00:23:41,711 --> 00:23:46,049 LIZ COSTER. SHE GAVE BIRTH TO GRACE WHEN SHE WAS 22. 514 00:23:46,133 --> 00:23:49,302 AND SHE OD'd ON OXY 5 YEARS AGO. 515 00:23:49,386 --> 00:23:50,512 UHH. 516 00:23:50,595 --> 00:23:52,389 WHAT'S UP, DAVE? 517 00:23:52,472 --> 00:23:54,349 LYNCH WROTE ME INTO HIS STORY. 518 00:23:54,432 --> 00:23:55,976 I'VE GOT TO BE PART OF HIS END GAME. 519 00:23:56,059 --> 00:23:58,895 I NEED MORE SECURITY FOR KRYSTALL. 520 00:23:58,979 --> 00:24:00,856 [LINE RINGS] 521 00:24:00,939 --> 00:24:02,899 KRYSTALL: I SAW HIS BADGE, I JUST OPENED THE DOOR. 522 00:24:02,983 --> 00:24:04,818 I'M SO SORRY. 523 00:24:06,444 --> 00:24:08,155 YOU FIGURE IT OUT YET, DAVID? 524 00:24:08,238 --> 00:24:10,365 I'VE GOT SOMETHING YOU NEED, AND YOU'RE HOLDING MY WIFE HOSTAGE 525 00:24:10,448 --> 00:24:11,658 UNTIL YOU GET IT? 526 00:24:11,741 --> 00:24:14,536 CALL IN ALL YOUR FAVORS. IT'S GONNA BE A DOOZY. 527 00:24:16,788 --> 00:24:18,707 THEY'RE NEAR CENTERPORT. 528 00:24:18,790 --> 00:24:19,416 WE NEED A PLAN. 529 00:24:19,499 --> 00:24:21,501 WHAT KIND OF PLAN? 530 00:24:19,499 --> 00:24:21,501 A GREAT PLAN. 531 00:24:21,585 --> 00:24:24,880 I KNOW WHAT HE WANTS. CALL THE DIRECTOR, NO ONE ELSE. 532 00:24:24,963 --> 00:24:26,756 THIS ONLY WORKS IF IT'S NEED TO KNOW. 533 00:24:26,840 --> 00:24:27,549 WHAT IS IT? 534 00:24:27,632 --> 00:24:29,926 WE'RE GONNA HAVE TO MAKE A TRADE. 535 00:24:31,469 --> 00:24:33,722 HAS HE BEEN HERE BEFORE? 536 00:24:33,805 --> 00:24:36,057 IN THE HOSPITAL, LIKE THIS? 537 00:24:36,141 --> 00:24:37,392 YES. 538 00:24:37,475 --> 00:24:40,061 WERE YOU HERE FOR HIM? 539 00:24:40,145 --> 00:24:41,062 YES. 540 00:24:41,146 --> 00:24:42,522 AW, HOW AWFUL. 541 00:24:42,606 --> 00:24:44,774 IT WAS, ACTUALLY. 542 00:24:44,858 --> 00:24:48,737 AND THEN THERE WAS THE TIME AGENT HOTCHNER WAS IN THE HOSPITAL. 543 00:24:48,820 --> 00:24:50,822 AND MORGAN'S WIFE. 544 00:24:51,990 --> 00:24:53,742 AND JJ EARLIER THIS YEAR 545 00:24:53,825 --> 00:24:55,410 AND...ME. 546 00:24:55,493 --> 00:24:56,912 [GUNSHOT, GASPS] 547 00:24:56,995 --> 00:24:58,705 [INDISTINCT CHATTER] 548 00:24:58,788 --> 00:25:00,081 MAN: LET THEM KNOW WE'RE COMING IN. CODE 3. 549 00:25:00,165 --> 00:25:02,584 YEAH, I'VE... 550 00:25:02,667 --> 00:25:06,087 I'VE ACTUALLY BEEN IN HOSPITALS MORE TIMES 551 00:25:06,171 --> 00:25:08,089 THAN I AM CARING TO ADMIT. 552 00:25:08,173 --> 00:25:13,428 SOMETIMES I THINK THERE'S GOT TO BE A BETTER WAY, YOU KNOW. 553 00:25:17,474 --> 00:25:19,100 THERE'S GOT TO BE A BETTER PLACE. 554 00:25:19,184 --> 00:25:22,270 DIANA: THERE IS. THERE IS FOR ALL OF US. 555 00:25:24,231 --> 00:25:28,443 SPENCER, I SAW SOME CUMULIFORM HEAPS TODAY. 556 00:25:28,526 --> 00:25:30,779 HIS FAVORITE CLOUDS. 557 00:25:30,862 --> 00:25:32,364 I PLUCKED THAT FOR HIM. 558 00:25:32,447 --> 00:25:35,200 EVERYTHING IS UP THERE. 559 00:25:35,283 --> 00:25:38,536 AND WE PLUCK WHAT WE WANT WHEN WE WANT 560 00:25:38,620 --> 00:25:40,789 AND WE LET GO WHAT WE DON'T. 561 00:25:40,872 --> 00:25:42,791 THAT SOUNDS VERY GOOD. 562 00:25:42,874 --> 00:25:47,963 OK, I AM PLUCKING A MEMORY ABOUT... 563 00:25:48,046 --> 00:25:52,801 SPENCER'S EYES, AND THEY ARE BROWN WITH GOLD ON THE OUTSIDE. 564 00:25:52,884 --> 00:25:55,845 I THINK THEY'RE GOLD ON THE INSIDE. 565 00:25:58,723 --> 00:26:00,809 GOLD ON THE INSIDE. 566 00:26:00,892 --> 00:26:01,768 GOLD ON THE INSIDE. 567 00:26:01,851 --> 00:26:04,312 HEY, WE WERE JUST PLUCKING EYE MEMORIES OF YOU. 568 00:26:04,396 --> 00:26:05,563 I HEARD YOU. 569 00:26:05,647 --> 00:26:08,650 FORGOT HOW MUCH I LOVED THOSE CLOUDS, MOM. 570 00:26:08,733 --> 00:26:10,110 YOU HELPED ME REMEMBER. 571 00:26:10,193 --> 00:26:11,987 I DID, HUH? 572 00:26:12,070 --> 00:26:14,322 WELL, MAYBE I CAN COME BACK TOMORROW 573 00:26:14,406 --> 00:26:16,783 AND WE CAN WATCH CLOUDS TOGETHER. 574 00:26:16,866 --> 00:26:18,702 AM I ALIVE, OR IS THIS HEAVEN? 575 00:26:18,785 --> 00:26:21,162 SWEETIE, YOU ARE VERY MUCH ALIVE. 576 00:26:25,417 --> 00:26:28,044 ROSSI: THERE'S GONNA BE TWO SUVs PULLING IN. 577 00:26:28,128 --> 00:26:29,337 I'M IN THE FIRST ONE. 578 00:26:29,421 --> 00:26:30,463 OK. 579 00:26:30,547 --> 00:26:31,756 FALL IN BEHIND ME. 580 00:26:49,774 --> 00:26:51,860 [TIRES SQUEAL] 581 00:26:55,780 --> 00:26:56,698 NO, NO, NO, NO. NOPE, NOPE, NOPE. 582 00:26:56,781 --> 00:26:57,782 AHH! 583 00:26:56,781 --> 00:26:57,782 NO. 584 00:26:57,866 --> 00:26:58,742 PUT THEM AWAY. 585 00:26:58,825 --> 00:27:00,035 YOU OK? 586 00:27:00,118 --> 00:27:01,494 HE DIDN'T HURT ME. 587 00:27:01,578 --> 00:27:02,579 PRENTISS: LYNCH, WE NEED MORE TIME. 588 00:27:02,662 --> 00:27:05,749 OUR PILOTS REFUSE TO LEAVE U.S. AIRSPACE. 589 00:27:05,832 --> 00:27:07,250 YOU DIDN'T PROFILE THAT ABOUT ME? 590 00:27:07,334 --> 00:27:09,919 YOU SEE, THE WEALTHY LADIES THAT I SEDUCE, 591 00:27:10,003 --> 00:27:11,671 THEY ARE SUCKERS FOR A REAL-LIFE PILOT. 592 00:27:11,755 --> 00:27:13,506 HA HA! 593 00:27:13,590 --> 00:27:15,425 SO YOU GOT THE KEYS? YOU FUELED UP, READY TO GO? 594 00:27:15,508 --> 00:27:17,260 ONE CONDITION. TAKE ME. 595 00:27:17,344 --> 00:27:19,012 SHE'S GOT NOTHING TO DO WITH THIS. 596 00:27:19,095 --> 00:27:21,056 I NEED A HOSTAGE, DAVE, NOT A MARTYR. 597 00:27:21,139 --> 00:27:22,515 KRYSTALL: NO! 598 00:27:22,599 --> 00:27:24,309 YOU PUT ME ON THAT PLANE WITH YOU 599 00:27:24,392 --> 00:27:26,686 WITH YOU AND NOBODY'S GONNA SHOOT YOU OUT OF THE SKY. 600 00:27:26,770 --> 00:27:30,190 THEY'LL LET YOU LAND, YOU'LL DISAPPEAR, 601 00:27:30,273 --> 00:27:31,941 AND YOU'LL NEVER HEAR FROM ME AGAIN. 602 00:27:32,025 --> 00:27:34,527 HOW DO YOU KNOW YOU'D LIVE TO TELL ABOUT IT? 603 00:27:34,611 --> 00:27:37,447 I'M WILLING TO TAKE THAT RISK. 604 00:27:39,657 --> 00:27:41,409 YEAH? 605 00:27:47,499 --> 00:27:48,583 ALL RIGHT, LET'S GO. 606 00:27:50,043 --> 00:27:52,253 PAT YOUR HUSBAND DOWN FOR ME, WILL YOU, DOLL? 607 00:27:52,337 --> 00:27:53,713 AND LOSE THE VEST. 608 00:27:55,006 --> 00:27:57,092 LET'S GO. WE'RE WASTING TIME. 609 00:27:57,175 --> 00:27:58,426 MY GUN'S IN THE CAR. 610 00:27:58,510 --> 00:28:01,596 THIS CAN'T BE HOW IT ENDS. 611 00:28:02,555 --> 00:28:03,431 I LOVE YOU. 612 00:28:03,515 --> 00:28:05,141 I LOVE YOU. 613 00:28:06,393 --> 00:28:09,062 ALL RIGHT, PUT THESE ON, OLD MAN. 614 00:28:09,145 --> 00:28:11,481 [HANDCUFFS CLICK] 615 00:28:11,564 --> 00:28:12,899 LYNCH: COME ON. 616 00:28:12,982 --> 00:28:14,567 I LOVE YOU. 617 00:28:16,986 --> 00:28:18,238 THERE'S NO SHOT. 618 00:28:18,321 --> 00:28:19,948 LYNCH WON'T GIVE US A LINE OF SIGHT. 619 00:28:36,381 --> 00:28:37,757 SIT DOWN. 620 00:28:44,389 --> 00:28:49,519 GROUND, THIS IS GULF NOVEMBER 3-4 JULIET ECHO 1-1 621 00:28:49,602 --> 00:28:51,646 REQUESTING PERMISSION TO TAXI FOR DEPARTURE. 622 00:28:51,729 --> 00:28:54,649 MAN: GROUND TO GULF NOVEMBER 3-4 JULIET ECHO 1-1. 623 00:28:54,732 --> 00:28:56,901 WE ARE CURRENTLY CLEARING THE JETWAY FOR YOUR DEPARTURE 624 00:28:56,985 --> 00:28:58,194 ON RUNWAY 2-5. 625 00:28:58,278 --> 00:28:59,487 PLEASE STAND BY. 626 00:28:59,571 --> 00:29:00,530 ROGER THAT. 627 00:29:00,613 --> 00:29:04,159 YOU KNOW, THERE'S SO MANY BRIGHT SIDES TO WHAT I DO. 628 00:29:04,242 --> 00:29:06,828 I GUESS YOU CAN CALL ME A LIFELONG LEARNER. 629 00:29:06,911 --> 00:29:09,289 WHEN I WAS 19, I TAUGHT MYSELF SPANISH. 630 00:29:09,372 --> 00:29:11,791 I ALWAYS FIGURED THE BEACHES OF MEXICO WOULD BE A BEAUTIFUL PLACE 631 00:29:11,875 --> 00:29:13,209 TO SPEND THE REST OF MY DAYS. 632 00:29:13,293 --> 00:29:15,170 PRENTISS, COME ON, YOU SAID WE NEEDED A GREAT PLAN. 633 00:29:15,253 --> 00:29:16,504 AND WE HAVE ONE. 634 00:29:16,588 --> 00:29:18,840 IT STARTED 20 YEARS AGO WHEN DAVID ROSSI 635 00:29:18,923 --> 00:29:21,509 AND JASON GIDEON SUBMITTED THEIR FIRST REQUISITION 636 00:29:21,593 --> 00:29:22,886 FOR A PRIVATE JET. 637 00:29:22,969 --> 00:29:25,513 THERE ARE THINGS NONE OF YOU KNOW ABOUT THAT JET. 638 00:29:27,098 --> 00:29:28,808 THINK YOU'LL BE SATISFIED? 639 00:29:28,892 --> 00:29:31,352 LAYING LOW IN MEXICO? 640 00:29:31,436 --> 00:29:32,520 YEAH, YEAH. 641 00:29:32,604 --> 00:29:33,897 I'LL KEEP MYSELF BUSY. 642 00:29:33,980 --> 00:29:37,192 MAN: GROUND TO GULF NOVEMBER 3-4 JULIET ECHO 1-1. 643 00:29:37,275 --> 00:29:38,693 TAXI TO RUNWAY 2-5. 644 00:29:38,776 --> 00:29:40,612 HOLD SHORT OF DELTA. 645 00:29:38,776 --> 00:29:40,612 ROGER THAT. 646 00:29:40,695 --> 00:29:43,323 I MEAN, JUST THINK ABOUT ALL THOSE LONELY BEAUTIES DOWN THERE. 647 00:29:43,406 --> 00:29:44,824 NO, NO, NO, IT'S DEFINITELY THE PERFECT PLACE 648 00:29:44,908 --> 00:29:46,868 FOR A GUY LIKE ME TO DISAPPEAR, 649 00:29:46,951 --> 00:29:48,995 GET ON WITH THE REST OF MY LIFE. 650 00:29:50,121 --> 00:29:52,165 [GUNSHOT] 651 00:29:53,791 --> 00:29:55,543 AHH! 652 00:29:55,627 --> 00:29:57,587 [GUNSHOT] 653 00:29:57,670 --> 00:29:58,880 [ROSSI GROANS] 654 00:29:58,963 --> 00:30:01,633 HA HA HA! 655 00:30:03,760 --> 00:30:04,844 OK. 656 00:30:14,312 --> 00:30:15,730 AH, THANK GOODNESS. 657 00:30:15,813 --> 00:30:17,899 ROSSI. ROSSI, COME ON. 658 00:30:25,281 --> 00:30:26,908 PRENTISS: FIRE AT THE FUEL TANK. 659 00:30:26,991 --> 00:30:28,576 [GUNSHOTS] 660 00:30:28,660 --> 00:30:30,036 UHH. 661 00:30:37,335 --> 00:30:39,045 JAREAU: GET BACK! TAKE COVER. 662 00:30:49,681 --> 00:30:51,182 OK. 663 00:31:16,416 --> 00:31:18,334 [POP] 664 00:31:20,378 --> 00:31:22,672 [APPROACHING FOOTSTEPS] 665 00:31:28,261 --> 00:31:31,139 IT'S GONNA BE A HELL OF A PARTY. 666 00:31:31,222 --> 00:31:32,849 YEP. 667 00:31:32,932 --> 00:31:35,184 YOU OK? 668 00:31:35,268 --> 00:31:37,687 I WILL BE. IT'S JUST... 669 00:31:37,770 --> 00:31:39,439 HARD TO BELIEVE, YOU KNOW. 670 00:31:39,522 --> 00:31:41,441 [DOORBELL RINGS] 671 00:31:45,361 --> 00:31:47,405 [MUSIC PLAYING] 672 00:31:48,698 --> 00:31:52,201 JAREAU: HEY, SOMEONE KNOWS HOW TO THROW A PARTY. 673 00:31:52,285 --> 00:31:55,788 ♪ I SAW YOU STANDING ♪ 674 00:31:55,872 --> 00:32:00,209 ♪ BEHIND THE LOOKING GLASS... ♪ 675 00:32:00,293 --> 00:32:03,212 THEY SAY THAT GOOD THINGS HAPPEN TO GOOD PEOPLE. 676 00:32:03,296 --> 00:32:04,213 CHEERS. 677 00:32:04,297 --> 00:32:08,885 ♪ TAKE WHAT YOU WANT ♪ 678 00:32:08,968 --> 00:32:12,305 ♪ BUT TAKE IT FAST ♪ 679 00:32:14,432 --> 00:32:17,518 ♪ OH ♪ 680 00:32:21,898 --> 00:32:25,151 ♪ I FEEL LIKE DANCING ♪ 681 00:32:30,448 --> 00:32:33,868 ♪ IT WON'T BE LONG ♪ 682 00:32:33,951 --> 00:32:40,375 ♪ TILL I'M BACK ♪ 683 00:32:44,128 --> 00:32:45,463 PRENTISS: WOW. 684 00:32:45,546 --> 00:32:48,549 HOW MANY PARTIES HAVE YOU THROWN? 685 00:32:48,633 --> 00:32:49,884 NOT NEAR ENOUGH. 686 00:32:49,967 --> 00:32:51,344 HA HA HA. 687 00:32:51,427 --> 00:32:54,722 NOW THIS IS A PERFECT BACKYARD. 688 00:32:54,806 --> 00:32:56,391 YOU TWO HOUSE HUNTING? 689 00:32:56,474 --> 00:32:58,685 IN DENVER. 690 00:32:58,768 --> 00:33:00,269 DON'T WORRY, I'M NOT LEAVING. 691 00:33:00,353 --> 00:33:03,439 I'M KEEPING MY PLACE HERE, BUT WE ARE LOOKING AT LAND OUT THERE. 692 00:33:03,523 --> 00:33:05,233 IT'S A GOOD TIME TO INVEST. 693 00:33:05,316 --> 00:33:06,567 ABSOLUTELY. 694 00:33:06,651 --> 00:33:10,697 HEY, LOOKING GOOD, DAVE. HOW'S THE LEG? 695 00:33:10,780 --> 00:33:12,240 WELL, IT'S BEEN A LONG MONTH, 696 00:33:12,323 --> 00:33:14,200 BUT I'M BACK IN BUSINESS. 697 00:33:14,283 --> 00:33:15,743 BUT HOW'S THAT LITTLE ROSE DOING? 698 00:33:15,827 --> 00:33:17,453 SHE'S THE BEST BABY EVER. 699 00:33:17,537 --> 00:33:21,124 MAYBE BECAUSE IT'S NUMBER 5 AND NOT MUCH CAN SURPRISE US ANYMORE. 700 00:33:21,207 --> 00:33:22,875 MAYBE IT'S BECAUSE WE'RE ACTUALLY GETTING SLEEP. 701 00:33:22,959 --> 00:33:25,086 OH, NOT TONIGHT YOU'RE NOT, MY FRIEND. 702 00:33:25,169 --> 00:33:28,089 THIS IS GONNA BE THE CELEBRATION TO END ALL CELEBRATIONS. 703 00:33:28,172 --> 00:33:29,590 FULL COMMITMENT FROM EVERYONE. 704 00:33:29,674 --> 00:33:31,092 ROSSI: YOU GOT IT. 705 00:33:31,175 --> 00:33:33,428 CAN'T BELIEVE IT. THE BAND IS BREAKING UP. 706 00:33:33,511 --> 00:33:34,470 ROSSI: HOW YOU FEELING, KID? 707 00:33:34,554 --> 00:33:35,471 I'M FEELING GREAT, 708 00:33:35,555 --> 00:33:36,597 AND I'M STARTING BACK NEXT WEEK. 709 00:33:36,681 --> 00:33:37,974 CAN'T LET THE TEAM BE DOWN TWO MEMBERS. 710 00:33:38,057 --> 00:33:40,268 OH, COME ON, TEACHING AND CONSULTING? 711 00:33:40,351 --> 00:33:41,310 YOU'RE MAKING ME LOOK BAD. 712 00:33:41,394 --> 00:33:42,937 JUST DOING WHAT I LOVE. 713 00:33:43,020 --> 00:33:45,440 ALVEZ: HEY, I WILL DRINK TO THAT. 714 00:33:45,523 --> 00:33:48,484 UH, YOU'RE NOT SUPPOSED TO START THE FESTIVITIES 715 00:33:48,568 --> 00:33:51,279 UNTIL THE BELLE OF BALL HAS ARRIVED. 716 00:33:51,362 --> 00:33:52,780 DON'T WORRY, OK, 717 00:33:52,864 --> 00:33:54,991 'CAUSE THIS IS GONNA BE THE FIRST OF MANY. 718 00:33:55,074 --> 00:33:56,743 KRISTY: PENELOPE, CONGRATULATIONS. 719 00:33:56,826 --> 00:33:59,162 HERE I THOUGHT WE WERE COMING TO CELEBRATE DAVE'S RETIREMENT, 720 00:33:59,245 --> 00:34:01,247 BUT MATT SAID IT IS YOUR FAREWELL PARTY. 721 00:34:01,330 --> 00:34:03,082 AND YOU HAD LIKE A HUNDRED OFFERS. 722 00:34:03,166 --> 00:34:05,501 OH, THAT'S ONLY IF YOU ROUND UP, BUT YES. 723 00:34:05,585 --> 00:34:07,754 ANYWAY, IT'S NONPROFIT, IT'S CLOSE TO HERE, 724 00:34:07,837 --> 00:34:10,965 AND THE DRESS CODE ISN'T ALL FBI CONSERVATIVE LIKE I'VE BEEN HAVING TO DO. 725 00:34:11,048 --> 00:34:14,260 I'M STILL IN DENIAL THAT YOU'RE LEAVING. 726 00:34:14,343 --> 00:34:15,803 IT WON'T BE THE SAME WITHOUT YOU. 727 00:34:15,887 --> 00:34:17,138 BETTER NOT BE. 728 00:34:17,221 --> 00:34:19,807 DAVE DECIDED HE WASN'T GOING TO RETIRE. 729 00:34:19,891 --> 00:34:21,184 HE DIDN'T WANT THE TEAM TO GO THROUGH TOO MUCH 730 00:34:21,267 --> 00:34:23,227 OF A TRANSITION ALL AT ONCE. 731 00:34:23,311 --> 00:34:25,313 KRYSTALL: THAT'S 'CAUSE DAVE'S NEVER GONNA ACTUALLY DO IT. 732 00:34:25,396 --> 00:34:26,606 [LAUGHTER] 733 00:34:26,689 --> 00:34:28,357 HEY, LOOK, BEING WITH YOU ALL, 734 00:34:28,441 --> 00:34:31,986 DOING WHAT FEW OTHERS CAN, 735 00:34:32,069 --> 00:34:33,905 THAT'S WHERE I BELONG. 736 00:34:35,239 --> 00:34:37,825 BUT THIS NIGHT IS NOT ABOUT ME. 737 00:34:37,909 --> 00:34:40,286 TO OUR BELOVED PENELOPE. 738 00:34:40,369 --> 00:34:41,287 OHH! 739 00:34:41,370 --> 00:34:43,331 A SALUT. 740 00:34:41,370 --> 00:34:43,331 ALL: A SALUT. 741 00:34:43,414 --> 00:34:45,666 [LAUGHTER] 742 00:34:45,750 --> 00:34:52,256 ALL: ♪ AND YOU, YOU WILL BE QUEEN ♪ 743 00:34:54,759 --> 00:34:58,054 ♪ THOUGH NOTHING ♪ 744 00:34:58,137 --> 00:35:00,348 ♪ WILL DRIVE US AWAY ♪ 745 00:35:00,431 --> 00:35:02,183 [LAUGHTER] 746 00:35:02,266 --> 00:35:06,729 ♪ WE CAN BE HEROES ♪ 747 00:35:06,813 --> 00:35:08,231 ♪ JUST FOR ONE DAY ♪ 748 00:35:08,314 --> 00:35:09,649 JUST FOR ONE DAY, BABY. 749 00:35:09,732 --> 00:35:11,442 JUST FOR ONE DAY. 750 00:35:11,526 --> 00:35:13,569 ♪ WE CAN BE US ♪ 751 00:35:15,613 --> 00:35:17,532 ♪ JUST FOR ONE DAY ♪ 752 00:35:17,615 --> 00:35:19,325 [INDISTINCT] 753 00:35:20,827 --> 00:35:24,205 ♪ I ♪ 754 00:35:24,288 --> 00:35:26,332 ♪ I CAN REMEMBER ♪ 755 00:35:26,415 --> 00:35:29,210 ♪ I CAN REMEMBER ♪ 756 00:35:29,293 --> 00:35:32,213 ♪ STANDING ♪ 757 00:35:32,296 --> 00:35:34,382 ♪ BY THE WALL ♪ 758 00:35:34,465 --> 00:35:38,261 ♪ BY THE WALL, BY THE WALL ♪ 759 00:35:38,344 --> 00:35:39,887 AND AGAIN! 760 00:35:41,430 --> 00:35:43,432 ♪ SHOT ABOVE OUR HEADS ♪ 761 00:35:43,516 --> 00:35:45,601 ♪ ABOVE OUR HEADS ♪ 762 00:35:45,685 --> 00:35:46,769 ♪ AND WE KISSED ♪ 763 00:35:46,853 --> 00:35:48,229 KISS! 764 00:35:48,312 --> 00:35:51,482 ♪ AS THOUGH NOTHING COULD FALL ♪ 765 00:35:51,566 --> 00:35:54,026 ♪ NOTHING COULD FALL ♪ 766 00:35:54,110 --> 00:35:55,903 ♪ AND THE SHAME ♪ 767 00:35:55,987 --> 00:35:57,321 THE SHAME! 768 00:35:57,405 --> 00:35:58,406 SHAME! 769 00:35:58,489 --> 00:36:02,285 ♪ WAS ON THE OTHER SIDE ♪ 770 00:36:02,368 --> 00:36:06,080 ♪ OH, WE CAN BEAT THEM ♪ 771 00:36:06,163 --> 00:36:08,916 ♪ FOREVER AND EVER ♪ 772 00:36:11,043 --> 00:36:15,256 ♪ THEN WE COULD BE HEROES ♪ 773 00:36:15,339 --> 00:36:17,592 ♪ JUST FOR ONE DAY ♪ 774 00:36:17,675 --> 00:36:20,052 [LAUGHTER] 775 00:36:23,472 --> 00:36:26,684 ♪ WE COULD BE HEROES ♪ 776 00:36:32,023 --> 00:36:35,401 ♪ WE COULD BE HEROES ♪ 777 00:36:39,030 --> 00:36:41,407 ♪ WE DON'T NEED NO... ♪ 778 00:36:45,494 --> 00:36:47,538 THANK YOU. 779 00:36:50,708 --> 00:36:52,585 SO, UH... 780 00:36:56,047 --> 00:36:59,967 I WAS THINKING SINCE WE'RE NOT GONNA WORK TOGETHER ANYMORE, 781 00:37:00,051 --> 00:37:02,511 THAT, UH, 782 00:37:02,595 --> 00:37:04,555 MAYBE I COULD TAKE YOU TO DINNER. 783 00:37:07,183 --> 00:37:08,434 YEAH. 784 00:37:09,560 --> 00:37:10,978 YEAH? 785 00:37:11,062 --> 00:37:12,188 YEAH. 786 00:37:12,271 --> 00:37:13,314 WE'LL EAT. 787 00:37:13,397 --> 00:37:14,857 I--YEAH. 788 00:37:15,900 --> 00:37:17,485 COOL. 789 00:37:15,900 --> 00:37:17,485 MM-HMM. 790 00:37:18,736 --> 00:37:20,988 PENELOPE REMINDS ALL OF US 791 00:37:21,072 --> 00:37:22,782 THAT CHANGE IS GOOD-- 792 00:37:22,865 --> 00:37:24,492 PAINFUL, BUT GOOD. 793 00:37:24,575 --> 00:37:28,955 AND AS MUCH PAIN AS LYNDA BARNES CAUSED ALL OF US, 794 00:37:29,038 --> 00:37:31,666 SHE HAS INSPIRED ME TO CHANGE. 795 00:37:31,749 --> 00:37:33,834 SO I'M CUTTING ALL MY HAIR OFF. GET READY. 796 00:37:33,918 --> 00:37:36,712 [LAUGHTER] 797 00:37:36,796 --> 00:37:40,383 SO, UM, I'VE GROWN UP WITH PENELOPE, 798 00:37:40,466 --> 00:37:43,678 NOT AS KIDS, BUT AS ADULTS. 799 00:37:43,761 --> 00:37:47,348 AND SHE HAS BECOME MY SISTER-- 800 00:37:47,431 --> 00:37:51,686 THERE FOR ME WHEREVER I'VE FOUND MYSELF. 801 00:37:51,769 --> 00:37:54,355 ONCE SHE SAID THAT I WAS 802 00:37:54,438 --> 00:37:57,358 THE GLUE THAT KEPT THIS TEAM TOGETHER. 803 00:37:57,441 --> 00:37:59,986 BUT WE ALL KNOW 804 00:38:00,069 --> 00:38:01,737 THAT THAT WAS REALLY YOU. 805 00:38:07,326 --> 00:38:11,664 SO WE'RE AT THE BEGINNING OF THE END. 806 00:38:11,747 --> 00:38:15,376 AND THIS TIME NEXT WEEK, WE'RE NOT GONNA BE TOGETHER 807 00:38:15,459 --> 00:38:17,837 LIKE WE HAVE BEEN FOR AS LONG AS I CAN REMEMBER. 808 00:38:17,920 --> 00:38:23,342 I NEED YOU EACH TO KNOW THAT YOU HOLD A REALLY SPECIAL PLACE IN MY HEART. 809 00:38:23,426 --> 00:38:24,552 AND... 810 00:38:24,635 --> 00:38:27,930 I WANT TO FREEZE RIGHT NOW. 811 00:38:28,014 --> 00:38:31,517 I WANT TO SOAK THIS IN. 812 00:38:42,319 --> 00:38:45,740 THERE, I DID. 813 00:38:47,867 --> 00:38:52,246 THANK YOU FOR LETTING ME BE A PART OF THIS FOR SO LONG. 814 00:38:52,329 --> 00:38:54,915 AND THANK YOU FOR REMINDING ME 815 00:38:54,999 --> 00:38:58,210 THAT THERE IS AN INFINITE AMOUNT OF HEROISM 816 00:38:58,294 --> 00:39:00,087 AND KINDNESS IN THE WORLD, 817 00:39:00,171 --> 00:39:02,965 NO MATTER HOW BLEAK IT SEEMS. 818 00:39:04,383 --> 00:39:07,344 MY FAVORITE BAND SAYS THE LOVE YOU TAKE 819 00:39:07,428 --> 00:39:08,596 IS EQUAL TO THE LOVE YOU MAKE. 820 00:39:08,679 --> 00:39:11,432 SO INSTEAD OF A TOAST, 821 00:39:11,515 --> 00:39:13,434 I WANT TO MAKE A PROMISE. 822 00:39:13,517 --> 00:39:17,146 CAN WE PLEASE PROMISE THAT NO MATTER WHERE WE GO AFTER THIS 823 00:39:17,229 --> 00:39:22,568 THAT WE KEEP THIS FEELING IN OUR HEARTS? 824 00:39:22,651 --> 00:39:23,611 CHEERS. 825 00:39:23,694 --> 00:39:25,154 ALL: SALUT! 826 00:39:26,530 --> 00:39:28,449 SALUT! 827 00:39:42,213 --> 00:39:44,632 OK, LADY AND GENT, I KNOW THEY JUST LOOK LIKE BOXES, 828 00:39:44,715 --> 00:39:46,926 BUT ONE OF THOSE IS A VINTAGE STAPLER COLLECTION, 829 00:39:47,009 --> 00:39:48,302 SO BE CAREFUL. 830 00:39:48,385 --> 00:39:49,303 THANK YOU SO MUCH. 831 00:39:49,386 --> 00:39:50,971 WHAT'S WITH THE BOX BRIGADE? 832 00:39:51,055 --> 00:39:53,140 I THOUGHT YOU WEREN'T LEAVING TILL THE END OF THE WEEK. 833 00:39:53,224 --> 00:39:56,769 WAIT, MOVING OUT OF HERE LIKE THE COLTS DID BALTIMORE? 834 00:39:56,852 --> 00:39:58,479 OK, NO ONE KNOWS WHAT THAT MEANS. 835 00:39:58,562 --> 00:40:00,689 SO YOU WEREN'T GONNA TELL US? 836 00:40:00,773 --> 00:40:02,983 [SIGHS] 837 00:40:03,067 --> 00:40:05,528 IT'S JUST THAT LAST NIGHT WAS SUCH A PERFECT GOOD-BYE, 838 00:40:05,611 --> 00:40:07,655 RIGHT, AND I THOUGHT WHY NOT END ON A HIGH? 839 00:40:07,738 --> 00:40:09,156 PENELOPE. 840 00:40:09,240 --> 00:40:11,534 I CAN SEE I WAS WRONG. 841 00:40:11,617 --> 00:40:13,828 LOOK, I GOT SOME TREATS FOR THE MOVERS. 842 00:40:13,911 --> 00:40:16,372 AND I COULD PUT THE KETTLE ON AND WE COULD HAVE TEA 843 00:40:16,455 --> 00:40:17,665 LIKE CIVILIZED PEOPLE. 844 00:40:17,748 --> 00:40:18,874 YEAH? 845 00:40:18,958 --> 00:40:20,709 ALVEZ: WE CAN TRY. 846 00:40:20,793 --> 00:40:22,711 DON'T BALEFULLY LOOK AT ME. I'M REALLY SORRY. 847 00:40:22,795 --> 00:40:25,047 [CHUCKLES] 848 00:40:25,131 --> 00:40:27,675 SO YOU EXPECTING THE QUEEN? 849 00:40:27,758 --> 00:40:29,343 ALWAYS. 850 00:40:29,426 --> 00:40:32,638 I BEQUEATH THIS-- [INHALES] 851 00:40:32,721 --> 00:40:34,181 TO YOU. 852 00:40:34,265 --> 00:40:35,641 PLEASE TAKE CARE OF HER. 853 00:40:35,724 --> 00:40:42,481 AHH. AND HERE I THOUGHT I WAS OUT OF TEARS. 854 00:40:44,108 --> 00:40:45,526 OH, AND, UM, 855 00:40:45,609 --> 00:40:49,196 I KNOW THAT THERE'S NOT 8 OF US ANYMORE, BUT. 856 00:40:51,157 --> 00:40:53,534 I'M GONNA NAME HER MILDRED. 857 00:40:53,617 --> 00:40:54,535 [CELLPHONE CHIMES, VIBRATES] 858 00:40:54,618 --> 00:40:56,662 OH. 859 00:40:56,745 --> 00:40:59,540 WE WILL DEBRIEF ON THE JET. WHEELS UP. 860 00:40:59,623 --> 00:41:01,667 WE GOT A NEW ONE? 861 00:41:01,750 --> 00:41:04,545 YES, AND THIS WILL BE HER MAIDEN VOYAGE. 862 00:41:04,628 --> 00:41:07,673 I LOVE THE SMELL OF A NEW JET IN THE MORNING. 863 00:41:10,259 --> 00:41:12,595 ♪ GOOD NIGHT ♪ 864 00:41:12,678 --> 00:41:14,722 ♪ GOOD-BYE ♪ 865 00:41:14,805 --> 00:41:16,765 ♪ GOOD LUCK ♪ 866 00:41:16,849 --> 00:41:19,226 ♪ DON'T CRY ♪ 867 00:41:19,310 --> 00:41:21,687 ♪ IT'S THE EDGE ♪ 868 00:41:21,770 --> 00:41:24,398 ♪ OF IT ALL ♪ 869 00:41:24,481 --> 00:41:26,567 ♪ IT'S THE EDGE ♪ 870 00:41:26,650 --> 00:41:28,903 ♪ OF IT ALL ♪ 871 00:41:28,986 --> 00:41:30,863 ♪ ALL MY FRIENDS ♪ 872 00:41:30,946 --> 00:41:33,699 ♪ AT THE END ♪ 873 00:41:33,782 --> 00:41:35,075 ♪ OF THE WORLD ♪ 874 00:41:35,159 --> 00:41:38,120 ♪ I HOPE TO SEE YOU AGAIN ♪ 875 00:41:38,204 --> 00:41:40,748 ♪ IT'S THE END ♪ 876 00:41:40,831 --> 00:41:42,875 ♪ OF THIS TIME ♪ 877 00:41:42,958 --> 00:41:45,586 ♪ IT'S THE END ♪ 878 00:41:45,669 --> 00:41:49,215 ♪ OF OUR TIME ♪ 879 00:41:49,298 --> 00:41:53,260 ♪ OOH ♪ 880 00:41:53,344 --> 00:41:56,931 ♪ OH, HOW LITTLE DO WE KNOW? ♪ 881 00:41:57,014 --> 00:42:01,727 ♪ OOH ♪ 882 00:42:01,810 --> 00:42:04,855 ♪ WE HAD SUCH A LONG WAY TO GO ♪ 883 00:42:04,939 --> 00:42:07,942 ♪ WHEN YOU SLEEP TONIGHT ♪ 884 00:42:08,025 --> 00:42:12,112 ♪ YOU'LL BE IN MY DREAMS ♪ 885 00:42:12,196 --> 00:42:15,741 ♪ IT'S A KIND OF LOVE ♪ 886 00:42:15,824 --> 00:42:17,618 ♪ IT'S ALL DARK ♪ 887 00:42:17,701 --> 00:42:22,831 ♪ NOTHING COMFORTING ME ♪ 888 00:42:22,915 --> 00:42:25,626 ♪ THE EARTH WENT QUIET ♪ 889 00:42:25,709 --> 00:42:28,587 ♪ AND THE AIR WENT STILL ♪ 890 00:42:28,671 --> 00:42:31,298 ♪ I FEEL YOU NOW ♪ 891 00:42:31,382 --> 00:42:35,678 ♪ MORE THAN I EVER WILL ♪ 892 00:42:58,075 --> 00:43:01,161 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 893 00:43:01,245 --> 00:43:04,290 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 60592

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