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1
00:00:03,337 --> 00:00:07,106
[♪♪♪]
2
00:01:10,771 --> 00:01:12,104
LUCAS?
3
00:01:13,507 --> 00:01:14,606
[GASPING]
4
00:01:31,258 --> 00:01:32,458
[JENN]:
IT COULDN'T BE...
5
00:01:32,526 --> 00:01:34,293
THAT'S WHAT I THOUGHT
AT FIRST.
6
00:01:34,328 --> 00:01:37,463
WELL, IF THIS IS
REALLY EDGAR ALLAN POE,
7
00:01:37,498 --> 00:01:39,965
WELL, THIS IS WORTH...
GOSH, I DON'T KNOW...
8
00:01:40,000 --> 00:01:41,433
LIKE, A HUNDRED
THOUSAND DOLLARS?
9
00:01:41,469 --> 00:01:43,368
OH, WELL, NO,
MORE LIKE FIFTY,
10
00:01:43,404 --> 00:01:45,070
BUT THE RARITY
OF A DAGUERREOTYPE...
11
00:01:45,106 --> 00:01:46,071
[DIRECTOR]:
CUT.
12
00:01:46,140 --> 00:01:47,773
WAS THAT OKAY,
MS. EPHRON?
13
00:01:47,808 --> 00:01:48,907
DID I MESS UP?
14
00:01:48,943 --> 00:01:50,375
YOU WERE GREAT.
15
00:01:50,411 --> 00:01:52,344
YOU BOTH WERE,
BUT JENN...
16
00:01:52,379 --> 00:01:54,880
WE NEED THIS PORTRAIT EVALUATED
AT A BIGGER NUMBER,
17
00:01:54,915 --> 00:01:56,849
LIKE THE HUNDRED THOUSAND
WE TALKED ABOUT.
18
00:01:56,884 --> 00:01:59,518
YES, BUT EVEN
IF THIS PIECE WERE REAL,
19
00:01:59,587 --> 00:02:02,187
IT WOULD ONLY BE WORTH
BETWEEN 30 AND 50.
20
00:02:02,223 --> 00:02:03,956
[DIRECTOR]: YOU KNOW,
DOESN'T HAVE TO BE REAL.
21
00:02:03,991 --> 00:02:05,290
THIS IS TV.
22
00:02:05,326 --> 00:02:06,291
I'M JUST NOT SURE
I'M COMFORTABLE
23
00:02:06,327 --> 00:02:08,026
LYING ABOUT A LIE.
24
00:02:08,062 --> 00:02:08,994
IT'S NOT A LIE.
25
00:02:09,029 --> 00:02:10,295
IT'S A STORY.
26
00:02:10,331 --> 00:02:11,430
WE'RE TELLING A STORY.
27
00:02:12,733 --> 00:02:14,666
BUT ISN'T THIS REALITY TV?
28
00:02:14,702 --> 00:02:15,934
OKAY, JUST...
29
00:02:15,970 --> 00:02:18,904
THINK OF IT AS
ENABLING THE PLOT.
30
00:02:18,939 --> 00:02:20,539
[WATCH BEEPING]
31
00:02:20,574 --> 00:02:22,741
I MEAN, ONLY IF YOU'RE
COMFORTABLE WITH THAT.
32
00:02:22,776 --> 00:02:25,010
I DON'T WANT YOU
TO NOT ACT NATURAL...
33
00:02:25,045 --> 00:02:26,812
THANK YOU.
34
00:02:26,847 --> 00:02:28,180
BUT... BUT
A HUNDRED THOUSAND?
35
00:02:28,249 --> 00:02:30,282
THAT'S A LOT
MORE EXCITING.
36
00:02:32,052 --> 00:02:33,318
ONLY HALF OF WHAT I'M GOING
TO OWE THE BANK
37
00:02:33,354 --> 00:02:34,319
IF THIS DOESN'T GET PICKED UP.
38
00:02:36,023 --> 00:02:37,890
[DIRECTOR]:
THE PILOT EPISODE
39
00:02:37,958 --> 00:02:40,092
REALLY NEEDS AS MUCH EXCITEMENT
AS WE CAN PACK IN.
40
00:02:40,127 --> 00:02:41,193
OKAY?
41
00:02:43,063 --> 00:02:44,596
WHY DID I LET YOU TALK ME
INTO THIS AGAIN?
42
00:02:44,632 --> 00:02:46,665
MM, 'CAUSE I LOVE
REALITY TV,
43
00:02:46,700 --> 00:02:48,200
AND YOU LOVE ME?
44
00:02:48,235 --> 00:02:49,902
I DO.
45
00:02:49,970 --> 00:02:51,103
AND THE EXTRA MONEY
WILL BE GOOD
46
00:02:51,138 --> 00:02:52,604
FOR RENOVATIONS
FOR THE STORE.
47
00:02:52,640 --> 00:02:54,373
-OKAY... OKAY.
-OKAY.
48
00:02:54,408 --> 00:02:55,340
LET'S GO AGAIN.
49
00:02:55,376 --> 00:02:56,275
YOU'RE GREAT.
50
00:02:56,310 --> 00:02:57,776
THINK BIG!
51
00:02:57,811 --> 00:02:58,911
GOTCHA. BIG.
52
00:02:58,946 --> 00:03:00,045
ROLL SOUND.
53
00:03:00,080 --> 00:03:00,846
[CREW]: SOUND SPEED.
54
00:03:00,881 --> 00:03:02,347
AND ACTION.
55
00:03:02,383 --> 00:03:03,348
[GASPING]
56
00:03:03,417 --> 00:03:04,716
IT COULDN'T BE...
57
00:03:04,752 --> 00:03:06,018
THAT'S WHAT I THOUGHT AT FIRST.
58
00:03:06,053 --> 00:03:08,820
IF THIS IS A REAL
EDGAR ALLAN POE,
59
00:03:08,856 --> 00:03:09,955
WELL, THEN...
60
00:03:09,990 --> 00:03:12,157
I DON'T EVEN KNOW
HOW MUCH THIS IS WORTH...
61
00:03:12,193 --> 00:03:14,092
LIKE, A HUNDRED
THOUSAND DOLLARS?
62
00:03:14,128 --> 00:03:17,196
[JENN]: MAYBE, YEAH...
63
00:03:17,231 --> 00:03:18,397
BUT THE RARITY
OF A DAGUERREOTYPE
64
00:03:18,465 --> 00:03:20,032
IN THIS CONDITION...
65
00:03:20,100 --> 00:03:21,266
WELL, THAT IS...
66
00:03:23,270 --> 00:03:25,671
PRICELESS.
67
00:03:25,706 --> 00:03:27,306
IT'S PRICELESS.
68
00:03:32,780 --> 00:03:33,779
[STARTING ENGINE]
69
00:03:33,847 --> 00:03:35,347
HEY.
70
00:03:35,382 --> 00:03:37,015
HEY!
71
00:03:37,084 --> 00:03:38,083
THANKS FOR THE PICK-UP.
72
00:03:38,118 --> 00:03:40,018
YEAH, NO PROBLEM.
73
00:03:43,624 --> 00:03:45,624
OKAY, MAYBE
A SLIGHT PROBLEM.
74
00:03:47,661 --> 00:03:48,860
WHO DRIVES STANDARD ANYMORE?
75
00:03:48,929 --> 00:03:50,629
OH, COME ON,
THIS CAR'S A CLASSIC.
76
00:03:51,832 --> 00:03:53,999
DOESN'T HELP THAT
IT'S DAD'S BABY.
77
00:03:54,034 --> 00:03:55,667
JUST GIVE IT
A LITTLE MORE GAS
78
00:03:55,736 --> 00:03:57,169
AND LIFT OFF THE CLUTCH
A BIT EASIER.
79
00:03:57,204 --> 00:03:58,070
YOU GOT THIS.
80
00:04:03,277 --> 00:04:04,943
[CRUNCHING]
81
00:04:14,888 --> 00:04:17,422
CLASSIC.
82
00:04:28,302 --> 00:04:30,135
[MAN]: STOP ANDRONOCORP!
83
00:04:30,170 --> 00:04:31,270
GET INVOLVED!
84
00:04:34,041 --> 00:04:35,107
WEBSITE'S ON THE FLYER.
85
00:04:35,142 --> 00:04:36,742
GET INVOLVED!
86
00:04:37,878 --> 00:04:39,478
OKAY, LET'S MOVE IT OVER HERE.
87
00:04:41,015 --> 00:04:41,947
[MURMURING]
88
00:04:41,982 --> 00:04:43,248
OH, HI.
89
00:04:43,284 --> 00:04:44,182
WELCOME TO
RAGS TO RICHES.
90
00:04:44,218 --> 00:04:45,183
CAN WE HELP YOU?
91
00:04:45,219 --> 00:04:47,552
HI, YES,
I'M HOPING THAT YOU CAN.
92
00:04:49,023 --> 00:04:51,490
THIS BELONGED
TO MY MOTHER IN-LAW.
93
00:04:51,525 --> 00:04:52,724
I'M WONDERING
94
00:04:52,760 --> 00:04:53,759
IF YOU MIGHT KNOW
SOMETHING ABOUT IT?
95
00:04:56,030 --> 00:04:58,330
[JENN]: OH, IT'S BEAUTIFUL.
96
00:04:58,399 --> 00:04:59,898
OH, THIS IS, UH...
97
00:04:59,933 --> 00:05:01,600
THIS IS PRETTY
LOCKED UP, HUH?
98
00:05:01,635 --> 00:05:04,303
I COULDN'T FIGURE OUT
HOW TO OPEN IT.
99
00:05:04,338 --> 00:05:05,470
JENN?
100
00:05:05,539 --> 00:05:09,574
UM, MAYBE TALK
ABOUT THE BOX...
101
00:05:09,610 --> 00:05:11,877
ITS ORIGIN,
ITS HISTORY.
102
00:05:11,912 --> 00:05:13,845
MA'AM, WOULD YOU MIND
IF WE FILMED THIS?
103
00:05:13,881 --> 00:05:16,114
I'D REALLY RATHER NOT,
ACTUALLY.
104
00:05:16,150 --> 00:05:17,249
THANK YOU...
105
00:05:17,284 --> 00:05:19,184
BUT ANY EXTRA INFO
WOULD BE VERY HELPFUL.
106
00:05:19,219 --> 00:05:20,385
LET'S JUST CUT.
107
00:05:20,454 --> 00:05:22,254
OKAY, UH, WELL,
THIS IS A PUZZLE BOX,
108
00:05:22,289 --> 00:05:23,755
AS YOU PROBABLY KNOW.
109
00:05:23,791 --> 00:05:25,157
IT'S ORIGINALLY
110
00:05:25,192 --> 00:05:29,661
FROM 2ND OR 3RD CENTURY
GREEK MECHANICAL PUZZLES.
111
00:05:29,697 --> 00:05:30,562
MM-HMM, THE SAME CULTURE
THAT BROUGHT YOU
112
00:05:30,597 --> 00:05:31,863
THE PANDORA'S BOX MYTH.
113
00:05:31,932 --> 00:05:33,665
[JENN]: RIGHT, AND IN FACT,
114
00:05:33,734 --> 00:05:34,800
SOME OF THE FIRST
COMBINATION LOCKS WERE PUZZLES.
115
00:05:34,868 --> 00:05:36,468
VAULTS, TOO, YEAH.
116
00:05:36,503 --> 00:05:38,136
SO THERE COULD BE
SOMETHING VALUABLE INSIDE?
117
00:05:38,172 --> 00:05:39,404
WELL, THERE COULD BE.
118
00:05:39,440 --> 00:05:41,907
THESE WERE NOVELTY GIFTS
IN 19TH-CENTURY ENGLAND,
119
00:05:41,975 --> 00:05:44,776
AND PEOPLE DID STORE
THINGS IN THEM,
120
00:05:44,812 --> 00:05:46,845
BUT THIS ONE
LOOKS FAIRLY NEW,
121
00:05:46,880 --> 00:05:49,214
ALTHOUGH THE WORK
IS VERY INTRICATE.
122
00:05:49,283 --> 00:05:50,515
WERE YOU INTERESTED
IN SELLING IT?
123
00:05:50,584 --> 00:05:53,085
WELL, IT BELONGED
TO MY MOTHER-IN-LAW, ELIZABETH,
124
00:05:53,153 --> 00:05:55,187
WHO PASSED AWAY RECENTLY.
125
00:05:55,255 --> 00:05:57,155
I JUST WANTED TO MAKE SURE
THERE WASN'T ANYTHING INSIDE
126
00:05:57,224 --> 00:05:58,657
BEFORE I DECIDE TO SELL IT.
127
00:05:58,692 --> 00:06:00,792
I THINK WE CAN HELP YOU
WITH THAT.
128
00:06:00,828 --> 00:06:02,461
I'D ALSO READ
THAT, SOMETIMES,
129
00:06:02,496 --> 00:06:03,695
THERE ARE TRIGGERS
IN THESE
130
00:06:03,731 --> 00:06:06,765
THAT WILL SMASH
WHATEVER'S INSIDE
131
00:06:06,800 --> 00:06:08,333
IF YOU TRY TO BREAK IT
INSTEAD OF SOLVING IT?
132
00:06:08,402 --> 00:06:10,168
YES, THAT'S TRUE.
133
00:06:10,204 --> 00:06:12,604
SO, DO YOU THINK
YOU CAN GET IT OPEN?
134
00:06:13,774 --> 00:06:15,207
WELL, IT USUALLY TAKES
ONE OR TWO CIPHERS
135
00:06:15,242 --> 00:06:16,475
TO UNLOCK THESE,
136
00:06:16,510 --> 00:06:18,276
BUT THE SYMBOLS
ON HERE
137
00:06:18,312 --> 00:06:19,277
LOOK LIKE THEY'RE FROM
DIFFERENT CULTURES,
138
00:06:19,313 --> 00:06:21,747
ALMOST LIKE
YOU'D NEED A TRANSLATOR.
139
00:06:21,782 --> 00:06:24,683
GIVE ME A FEW DAYS
TO DO SOME RESEARCH.
140
00:06:24,752 --> 00:06:26,284
THE SOONER THE BETTER,
MISS...
141
00:06:26,320 --> 00:06:27,352
OH, JENN,
I'M JENN,
142
00:06:27,388 --> 00:06:28,420
AND THIS IS
MY PARTNER, DANI,
143
00:06:28,489 --> 00:06:29,554
AND YOU ARE?
144
00:06:29,623 --> 00:06:31,256
TAMARA ANDRONICUS.
145
00:06:31,291 --> 00:06:33,258
ANDRONICUS,
LIKE THE REAL-ESTATE DEVELOPERS?
146
00:06:33,327 --> 00:06:34,826
YES.
147
00:06:34,862 --> 00:06:35,994
YOUR MOTHER-IN-LAW
IS ELIZABETH ANDRONICUS?
148
00:06:36,029 --> 00:06:37,262
WAS.
149
00:06:37,297 --> 00:06:38,263
YOU KNEW HER?
150
00:06:38,298 --> 00:06:41,032
NO, NO.
151
00:06:41,101 --> 00:06:43,101
I'M SORRY
TO HEAR ABOUT HER PASSING.
152
00:06:43,137 --> 00:06:44,603
I READ SHE HAD TWO SONS?
153
00:06:44,671 --> 00:06:45,971
HOW ARE THEY DOING?
154
00:06:46,006 --> 00:06:49,274
WELL, LUCAS IS STRUGGLING,
OF COURSE.
155
00:06:49,309 --> 00:06:51,676
WE DON'T REALLY HEAR
FROM QUIN ANYMORE.
156
00:06:51,712 --> 00:06:53,779
DO YOU HAVE A PEN
SO I COULD WRITE DOWN MY NUMBER?
157
00:06:53,814 --> 00:06:55,080
SURE, OF COURSE.
158
00:06:59,453 --> 00:07:00,485
THANK YOU.
159
00:07:00,554 --> 00:07:02,354
WELL,
I SHOULD GET GOING.
160
00:07:02,389 --> 00:07:06,124
IF THERE IS ANYTHING
PERSONAL IN THIS BOX,
161
00:07:06,160 --> 00:07:07,592
DISCRETION
IS VERY IMPORTANT.
162
00:07:09,363 --> 00:07:11,329
MAYBE BEFORE YOU OPEN
THE FINAL CIPHER,
163
00:07:11,398 --> 00:07:12,464
YOU COULD BRING IT BY THE HOUSE
164
00:07:12,533 --> 00:07:13,532
AND SHOW ME
HOW TO OPEN IT?
165
00:07:13,567 --> 00:07:15,133
ABSOLUTELY.
WE CAN DO THAT.
166
00:07:15,169 --> 00:07:16,535
GREAT.
167
00:07:16,570 --> 00:07:17,436
IF YOU NEED
ANYTHING AT ALL FROM ME,
168
00:07:17,471 --> 00:07:18,403
JUST LET ME KNOW.
169
00:07:18,439 --> 00:07:19,504
SAME.
170
00:07:19,540 --> 00:07:20,505
NICE TO MEET YOU,
TAMARA.
171
00:07:20,541 --> 00:07:22,607
THANK YOU,
AND I GUESS... GOOD LUCK.
172
00:07:22,643 --> 00:07:23,942
LUCK'S WHAT WE'RE
GOING TO NEED.
173
00:07:25,746 --> 00:07:26,711
EXCUSE ME.
174
00:07:26,780 --> 00:07:28,980
EXCUSE ME,
MRS. ANDRONICUS.
175
00:07:29,049 --> 00:07:30,115
I'M JOEL JACOBS.
176
00:07:30,184 --> 00:07:31,550
I'M THE PRODUCER.
177
00:07:31,585 --> 00:07:33,218
WE'VE MET, RIGHT?
178
00:07:33,253 --> 00:07:34,786
YES, YES, WE HAVE.
179
00:07:34,822 --> 00:07:36,521
I USED TO PLAY POKER WITH LUCAS.
180
00:07:38,992 --> 00:07:40,058
IS THERE ANY WAY
181
00:07:40,093 --> 00:07:42,928
THAT I COULD PERSUADE YOU
TO BE ON CAMERA?
182
00:07:42,996 --> 00:07:44,329
I MEAN,
IT WOULD REALLY HELP ME OUT.
183
00:07:44,364 --> 00:07:46,231
LOOK...
184
00:07:46,266 --> 00:07:48,233
I DO REMEMBER
THOSE LATE NIGHTS,
185
00:07:48,268 --> 00:07:49,534
BUT I'M SORRY.
186
00:07:49,570 --> 00:07:51,603
I'M JUST NOT A CAMERA PERSON.
187
00:07:51,638 --> 00:07:52,704
IT WAS GOOD TO SEE YOU, THOUGH.
188
00:07:54,241 --> 00:07:55,974
YEAH, YOU TOO.
189
00:07:58,812 --> 00:07:59,744
IT DOES LOOK...
190
00:07:59,780 --> 00:08:00,645
[PHONE RINGING]
191
00:08:00,681 --> 00:08:02,514
OOH.
192
00:08:02,583 --> 00:08:04,115
HEY, SWEETHEART.
193
00:08:04,151 --> 00:08:05,917
OH, NO.
194
00:08:05,986 --> 00:08:08,653
IS EVERYONE OKAY?
195
00:08:08,689 --> 00:08:10,622
DO YOU WANT ME TO MEET YOU THERE
OR AT HOME?
196
00:08:12,559 --> 00:08:14,092
NO, FINE.
I'M ON MY WAY.
197
00:08:14,127 --> 00:08:16,127
WELL, THIS MAIL BOX
HAS SEEN BETTER DAYS...
198
00:08:17,764 --> 00:08:19,030
BUT IT COULD'VE BEEN WORSE.
199
00:08:19,099 --> 00:08:20,065
CAN YOU GET THIS CAR HOME?
200
00:08:20,100 --> 00:08:21,900
MY DAD'S ON HIS WAY.
201
00:08:21,935 --> 00:08:23,802
[OFFICER]:
THAT'S NEVER FUN...
202
00:08:23,837 --> 00:08:25,203
AND WHERE DO I KNOW YOU FROM?
203
00:08:25,272 --> 00:08:26,271
IT'S BEEN BUGGING ME.
204
00:08:26,306 --> 00:08:28,406
OH, WAIT, UM...
205
00:08:28,442 --> 00:08:29,808
CRIM-PSYCH AT U.M.
206
00:08:29,843 --> 00:08:30,942
YOU SAT AT THE FRONT, RIGHT?
207
00:08:30,978 --> 00:08:32,143
I TOOK THAT CLASS
FRESHMAN YEAR.
208
00:08:32,179 --> 00:08:33,478
I KNEW IT.
209
00:08:33,514 --> 00:08:35,480
I DID SOME PREREQS THERE
BEFORE ENTERING THE ACADEMY.
210
00:08:35,516 --> 00:08:37,315
YOU OBVIOUSLY
GRADUATED.
211
00:08:37,351 --> 00:08:39,451
I DID.
YOU?
212
00:08:39,520 --> 00:08:40,852
I'M WORKING
ON MY MASTER'S.
213
00:08:40,888 --> 00:08:42,287
IMPRESSIVE.
214
00:08:50,163 --> 00:08:51,229
YOU'RE BOTH OKAY?
215
00:08:51,265 --> 00:08:52,531
I, UH...
216
00:08:52,566 --> 00:08:54,766
I MESSED UP
WITH THE REVERSE.
217
00:08:54,801 --> 00:08:56,468
I'M TOTALLY SORRY.
218
00:08:56,537 --> 00:08:57,903
CARS CAN BE REPLACED.
219
00:08:57,938 --> 00:08:59,304
FAMILY CAN'T.
220
00:08:59,339 --> 00:09:01,006
DAD, YOU'RE GRIPPING
A LITTLE TIGHT.
221
00:09:01,074 --> 00:09:01,940
I'M SORRY.
222
00:09:03,644 --> 00:09:04,576
THANKS FOR EVERYTHING.
223
00:09:04,645 --> 00:09:05,544
SO WHAT DO WE DO NOW?
224
00:09:05,612 --> 00:09:08,113
WELL, FIX THE CAR
AND THE MAILBOX,
225
00:09:08,181 --> 00:09:10,615
BUT LIKE I WAS TELLING YOUR SON,
IT COULD'VE BEEN WORSE.
226
00:09:10,651 --> 00:09:11,950
I DID THE SAME THING
TO MY PARENT'S CAR
227
00:09:11,985 --> 00:09:13,385
WHEN I WAS YOUR AGE.
228
00:09:13,420 --> 00:09:14,719
RITE OF PASSAGE, I GUESS,
229
00:09:14,755 --> 00:09:16,521
BUT JUST BE MORE CAREFUL,
PLEASE?
230
00:09:16,557 --> 00:09:17,489
I WILL.
231
00:09:19,192 --> 00:09:20,992
HERE'S MY CARD.
DRIVE SAFE.
232
00:09:21,028 --> 00:09:22,360
EXCUSE ME.
233
00:09:28,702 --> 00:09:31,269
I JUST HAD HER PAINTED.
234
00:09:31,305 --> 00:09:33,471
DAD, ARE YOU
TEARING UP?
235
00:09:34,641 --> 00:09:35,607
NO, JUST...
236
00:09:35,642 --> 00:09:36,775
SOMETHING IN THE WIND.
237
00:09:43,550 --> 00:09:44,382
[JASON]:
YES, I UNDERSTAND.
238
00:09:44,418 --> 00:09:45,550
THANK YOU.
239
00:09:45,619 --> 00:09:47,619
SO OUR DEDUCTIBLE IS $300,
240
00:09:47,654 --> 00:09:50,956
AND OUR INSURANCE PREMIUMS
ARE DEFINITELY GOING UP.
241
00:09:50,991 --> 00:09:53,391
WE'LL COVER THE COST
FOR NOW, BUT...
242
00:09:53,427 --> 00:09:54,693
I'LL PAY THE DEDUCTIBLE
243
00:09:54,728 --> 00:09:56,461
AND WHATEVER THE DIFFERENCE
IS ON YOUR PREMIUMS.
244
00:09:56,496 --> 00:09:57,996
WELL, WITH THE MAILBOX,
245
00:09:58,031 --> 00:09:59,598
WE'RE LOOKING
AT ABOUT $1,800.
246
00:10:01,101 --> 00:10:02,367
I CAN HANDLE THAT.
247
00:10:02,402 --> 00:10:03,501
HOW?
248
00:10:03,537 --> 00:10:05,236
HOW MUCH DOES A KIDNEY GO FOR?
249
00:10:05,272 --> 00:10:07,305
FUNNY.
250
00:10:07,341 --> 00:10:09,040
[LOGAN]: I'LL JUST GET A JOB
OR SOMETHING.
251
00:10:09,109 --> 00:10:09,975
I'LL FIGURE IT OUT.
252
00:10:11,612 --> 00:10:13,211
WE KNOW YOU WILL.
253
00:10:14,548 --> 00:10:17,248
AND LOGAN,
ACCIDENTS HAPPEN.
254
00:10:17,284 --> 00:10:18,817
WE'RE JUST GLAD
YOU'RE OKAY.
255
00:10:27,294 --> 00:10:28,593
OFFICER RYAN.
256
00:10:28,629 --> 00:10:29,894
HI.
257
00:10:29,930 --> 00:10:31,296
IT'S HANNAH,
258
00:10:31,331 --> 00:10:33,565
FROM THE CAR-SLASH-CRIM-CLASS
INCIDENT.
259
00:10:33,600 --> 00:10:34,566
OH!
260
00:10:34,601 --> 00:10:35,533
UH, OF COURSE.
261
00:10:35,569 --> 00:10:36,501
HOW ARE YOU?
262
00:10:36,536 --> 00:10:38,003
GREAT.
263
00:10:38,038 --> 00:10:40,572
YOU KNOW, LOGAN'S GOING TO RAISE
SOME CASH TO FIX EVERYTHING,
264
00:10:40,607 --> 00:10:42,774
AND, WELL, I JUST WANTED
TO SAY THANKS
265
00:10:42,809 --> 00:10:44,142
FOR BEING COOL ABOUT IT ALL.
266
00:10:45,278 --> 00:10:47,746
WELL, THANK YOU.
267
00:10:47,814 --> 00:10:50,181
I DON'T USUALLY GET THESE
QUALITY CARE FOLLOW-UP CALLS,
268
00:10:50,250 --> 00:10:51,082
SO THIS IS A FIRST.
269
00:10:52,853 --> 00:10:54,552
SO...
270
00:10:54,621 --> 00:10:56,388
YOU KNOW, I NEVER DO THIS...
271
00:10:56,423 --> 00:10:59,491
YOU WOULD BE SURPRISED HOW OFTEN I HEAR THAT.
272
00:10:59,526 --> 00:11:00,692
YOU GET ASKED OUT A LOT?
273
00:11:00,761 --> 00:11:02,627
WHAT?
NO, WITH MY JOB...
274
00:11:02,663 --> 00:11:04,562
BUT YOU'RE ASKING ME OUT?
275
00:11:05,999 --> 00:11:08,299
WELL, MAYBE A COFFEE
OR SOMETHING SOMETIME?
276
00:11:08,335 --> 00:11:10,201
I COULD DO THAT.
277
00:11:10,237 --> 00:11:12,337
I'LL KNOW MORE ABOUT MY SCHEDULE
LATER TODAY.
278
00:11:12,372 --> 00:11:13,304
I COULD TALK TO YOU TOMORROW?
279
00:11:13,340 --> 00:11:15,206
ABSOLUTELY, OFFICER...
280
00:11:15,242 --> 00:11:16,107
OR...?
281
00:11:16,176 --> 00:11:18,043
BRETT IS FINE...
282
00:11:18,111 --> 00:11:19,544
OR OFFICER,
WHATEVER YOU LIKE.
283
00:11:19,579 --> 00:11:21,413
TALK TO YOU SOON, BRETT.
284
00:11:21,448 --> 00:11:22,247
OKAY, BYE.
285
00:11:22,315 --> 00:11:23,648
BYE.
286
00:11:35,796 --> 00:11:37,128
HOW GOES?
287
00:11:37,164 --> 00:11:39,230
IT'S A BEAUTIFUL MYSTERY.
288
00:11:39,266 --> 00:11:40,999
JUST LIKE YOU.
289
00:11:41,034 --> 00:11:42,500
AW.
290
00:11:45,539 --> 00:11:47,138
WHATCHA GOT HERE,
PUZZLE CHEAT SHEETS?
291
00:11:47,174 --> 00:11:48,006
OH, YES.
292
00:11:48,075 --> 00:11:49,274
I WAS LOOKING
FOR POINTERS
293
00:11:49,309 --> 00:11:51,342
AND TRYING TO FIGURE OUT
WHAT THESE SYMBOLS MEAN.
294
00:11:51,378 --> 00:11:54,112
THERE'S A LOT
OF HISTORY IN THEM.
295
00:11:54,147 --> 00:11:55,914
CAN'T BE THAT HARD.
296
00:12:01,088 --> 00:12:02,754
I'M OUT.
297
00:12:02,823 --> 00:12:03,988
WELL, THEY SAY
THESE ARE COMPLEX
298
00:12:04,024 --> 00:12:05,557
IN THEIR SIMPLICITY.
299
00:12:05,592 --> 00:12:06,725
IF YOU SAY, "LIKE ME,"
300
00:12:06,760 --> 00:12:07,726
THAT THING'S GOING
OUT THE WINDOW.
301
00:12:07,761 --> 00:12:09,160
[LAUGHING]
302
00:12:09,196 --> 00:12:10,361
TRY NOT TO STAY UP
TOO LATE, SWEETIE.
303
00:12:10,430 --> 00:12:11,429
ME? NEVER.
304
00:12:11,465 --> 00:12:13,264
MM. GOOD NIGHT.
305
00:12:13,333 --> 00:12:15,066
GOOD NIGHT.
306
00:12:44,998 --> 00:12:46,498
ONE MORE TIME.
307
00:12:48,568 --> 00:12:50,502
YES, WE JUST GOT
A LOVELY SET IN, ACTUALLY.
308
00:12:50,537 --> 00:12:52,370
IT'S OVER THERE
IN THE CREDENZA.
309
00:12:52,405 --> 00:12:53,204
[JENN]:
GOOD MORNING, EVERYONE.
310
00:12:53,240 --> 00:12:54,205
MORNING, HON'.
311
00:12:54,241 --> 00:12:55,206
HEY, DANI.
312
00:12:55,242 --> 00:12:56,307
JENN, GOOD MORNING.
313
00:12:56,343 --> 00:12:57,509
HEY, WOULD YOU MIND
314
00:12:57,577 --> 00:12:59,244
IF I PUT THIS BOX
SOMEWHERE ELSE?
315
00:12:59,279 --> 00:13:00,311
IT'S JUST...
IT'S IN OUR SHOT.
316
00:13:00,347 --> 00:13:01,813
OH, NO, I DON'T
MIND AT ALL.
317
00:13:05,819 --> 00:13:06,985
WHAT'RE YOU READING, DANI?
318
00:13:07,020 --> 00:13:08,453
NOTES ON THE PUZZLE BOX.
319
00:13:08,488 --> 00:13:10,388
THEY WANT TO CENTER
THE EPISODE AROUND IT.
320
00:13:10,423 --> 00:13:12,457
OH...
321
00:13:12,492 --> 00:13:13,792
JOEL?
322
00:13:13,827 --> 00:13:15,593
TAMARA DIDN'T EVEN
WANT TO BE ON CAMERA.
323
00:13:15,629 --> 00:13:17,162
I DON'T FEEL RIGHT
324
00:13:17,197 --> 00:13:18,696
ABOUT EXPLOITING
THE FAMILY NAME.
325
00:13:18,732 --> 00:13:21,065
MAYBE THERE'S ANOTHER ANTIQUE
WE COULD FOCUS ON?
326
00:13:21,101 --> 00:13:23,701
WE DEFINITELY WON'T BE USING
THE FAMILY NAME.
327
00:13:23,737 --> 00:13:24,869
I PUT IN A CALL INTO LUCAS.
328
00:13:24,938 --> 00:13:26,171
HE OWES ME A FAVOR
FROM WAY BACK,
329
00:13:26,239 --> 00:13:27,572
AND I WAS ABLE
330
00:13:27,607 --> 00:13:29,140
TO GET
THE BOX ITSELF CLEARED.
331
00:13:29,176 --> 00:13:31,776
HOW DO YOU KNOW LUCAS?
332
00:13:31,812 --> 00:13:35,213
OLD POKER BUDDY,
BUT THAT'S A REALLY LONG STORY.
333
00:13:35,248 --> 00:13:36,181
OKAY, WE READY?
334
00:13:36,216 --> 00:13:37,682
YES. YES.
335
00:13:38,785 --> 00:13:39,717
YOU LOOK NICE.
336
00:13:39,753 --> 00:13:40,852
YOU LOOK BEAUTIFUL.
337
00:13:40,887 --> 00:13:42,353
HEY, LADIES, HOW WE DOING
WITH THAT SCRIPT?
338
00:13:42,422 --> 00:13:43,488
I KNOW ALL MY LINES.
339
00:13:43,557 --> 00:13:44,789
OKAY, HOW ABOUT YOU?
340
00:13:44,858 --> 00:13:46,591
I DON'T KNOW ALL MY LINES.
341
00:13:46,660 --> 00:13:47,725
THAT'S OKAY,
342
00:13:47,794 --> 00:13:49,093
BUT JUST TRY TO HIT
THOSE BASIC BEATS.
343
00:13:49,129 --> 00:13:50,261
OKAY.
344
00:13:50,297 --> 00:13:51,362
I KNOW
ALL HER LINES.
345
00:13:51,398 --> 00:13:52,397
PERFECT.
346
00:13:52,465 --> 00:13:53,398
JUMP IN
WHEN YOU CAN.
347
00:13:53,433 --> 00:13:54,465
SHE KNOWS ALL MY LINES?
348
00:13:54,501 --> 00:13:56,100
SHE'S GOT YOUR BACK.
349
00:13:56,136 --> 00:13:57,702
OKAY, BUT JUST KEEP
THE ENERGY UP RIGHT HERE.
350
00:13:57,737 --> 00:13:58,703
THAT'S WHERE THE MAGIC HAPPENS.
351
00:13:58,738 --> 00:14:00,138
OKAY.
352
00:14:00,173 --> 00:14:01,206
SO ENERGY HERE.
353
00:14:01,241 --> 00:14:02,574
SO, HOW'S EVERYONE
FEELING, GOOD?
354
00:14:02,609 --> 00:14:03,541
GOOD, YEAH.
355
00:14:03,577 --> 00:14:05,043
OKAY, GO GET 'EM.
356
00:14:05,111 --> 00:14:06,778
LAVENDER
IS A GOOD COLOR ON YOU.
357
00:14:06,813 --> 00:14:07,779
OH, THANK YOU.
358
00:14:07,814 --> 00:14:08,680
[DIRECTOR]:
CAMERAS UP!
359
00:14:08,715 --> 00:14:10,448
SOUND SPEED.
360
00:14:10,483 --> 00:14:11,916
AND ACTION.
361
00:14:11,952 --> 00:14:14,552
JENN, I WAS
LOOKING ONLINE,
362
00:14:14,588 --> 00:14:16,821
AND IT SEEMS SOME OF
THESE PUZZLE BOXES
363
00:14:16,857 --> 00:14:21,025
CAN BE SOLVED IN
BETWEEN 7 TO 78 MOVES,
364
00:14:21,061 --> 00:14:22,527
BUT MAYBE WE SHOULD
SPEAK TO SOMEONE
365
00:14:22,596 --> 00:14:23,728
WHO SPECIALIZES IN THEM.
366
00:14:23,763 --> 00:14:26,664
SO I FOUND AN EXPERT
IN CASTLE ROCK,
367
00:14:26,700 --> 00:14:29,167
AND SHE'S INTERESTED
IN SEEING IT.
368
00:14:29,236 --> 00:14:30,368
OH, WELL,
YOU KNOW ME, DANI.
369
00:14:30,403 --> 00:14:31,736
I LOVE A GOOD CHALLENGE...
370
00:14:33,006 --> 00:14:35,907
BUT AN EXPERT
IS A VERY GOOD IDEA.
371
00:14:35,942 --> 00:14:37,675
I THINK WE SHOULD GO SEE
AN EXPERT.
372
00:14:37,711 --> 00:14:39,811
I'LL GET
THE PUZZLE BOX.
373
00:14:41,348 --> 00:14:43,514
WHERE IS THE PUZZLE BOX?
374
00:14:44,684 --> 00:14:45,550
IT WAS RIGHT THERE.
375
00:14:45,619 --> 00:14:46,484
[JOEL]: CUT.
376
00:14:47,654 --> 00:14:49,921
IT'S... IT'S REALLY GONE.
377
00:14:49,990 --> 00:14:51,456
WHAT DO YOU MEAN?
I PUT IT RIGHT THERE,
378
00:14:51,491 --> 00:14:53,391
RIGHT BESIDE THE STATUE
OF THE MALTESE FALCON.
379
00:14:53,426 --> 00:14:56,160
WELL, IT'S NOT
HERE NOW.
380
00:14:56,196 --> 00:14:58,496
ALL RIGHT,
DID ANYONE MOVE THE BOX?
381
00:14:58,565 --> 00:15:00,031
MAYBE WE CAN CHECK
THE FOOTAGE?
382
00:15:01,434 --> 00:15:02,634
YEAH, REWIND THAT FOR ME.
383
00:15:06,172 --> 00:15:07,171
AH, YOU KNOW WHAT?
384
00:15:07,207 --> 00:15:08,172
THERE WERE
A COUPLE OF CUSTOMERS
385
00:15:08,208 --> 00:15:10,275
IN HERE EARLIER.
386
00:15:10,310 --> 00:15:12,844
NO, NO, WE DON'T HAVE
A LOT OF THEFT AROUND HERE.
387
00:15:14,047 --> 00:15:16,247
[DIRECTOR]:
NOTHING ON THE FOOTAGE.
388
00:15:16,283 --> 00:15:17,382
UH, YOU KNOW WHAT--
389
00:15:17,417 --> 00:15:19,217
IT'S GOT TO BE HERE SOMEWHERE,
390
00:15:19,252 --> 00:15:20,285
SO WE'RE JUST GOING TO...
391
00:15:20,320 --> 00:15:21,419
WE'RE GOING TO SPREAD OUT
AND LOOK,
392
00:15:21,454 --> 00:15:23,054
AND WE'RE GOING
TO FIND THE BOX.
393
00:15:30,030 --> 00:15:32,196
I'M SURE THE BOX
WILL TURN UP SOMEWHERE.
394
00:15:32,265 --> 00:15:33,731
I FEEL AWFUL.
395
00:15:33,767 --> 00:15:34,899
WHAT ARE YOU GOING
TO TELL TAMARA?
396
00:15:34,935 --> 00:15:37,535
THAT WE'LL PAY HER
WHAT THE BOX IS WORTH.
397
00:15:39,239 --> 00:15:40,438
DO YOU WANT ME
TO GO WITH YOU?
398
00:15:40,473 --> 00:15:41,973
NO, I'LL BE FINE.
YOU GO HOME.
399
00:15:42,008 --> 00:15:42,807
OKAY. CALL ME
IF YOU NEED ME.
400
00:15:42,842 --> 00:15:43,942
WILL DO.
401
00:15:43,977 --> 00:15:45,777
OKAY, FINE,
YOU WILL GET YOUR MONEY.
402
00:15:47,480 --> 00:15:49,047
ALL RIGHT. BYE.
403
00:15:50,350 --> 00:15:51,449
EVERYTHING ALL RIGHT?
404
00:15:51,484 --> 00:15:52,850
[SIGHING]
405
00:15:52,886 --> 00:15:55,019
I'M REALLY SORRY
ABOUT THIS.
406
00:15:55,088 --> 00:15:56,454
THE PRODUCTION
WILL COVER THE COST
407
00:15:56,489 --> 00:15:57,855
IF WE DID MISPLACE IT.
408
00:15:57,891 --> 00:15:59,991
WELL, I APPRECIATE THAT.
409
00:16:00,026 --> 00:16:02,126
I'M MORE CONCERNED
ABOUT THE SENTIMENTAL VALUE.
410
00:16:02,162 --> 00:16:03,594
YEAH, I UNDERSTAND.
411
00:16:03,630 --> 00:16:06,197
THIS WHOLE TOWN IS LIKE
ONE BIG SENTIMENT TO ME.
412
00:16:08,435 --> 00:16:09,901
HOW SO?
413
00:16:09,936 --> 00:16:12,637
WELL, I GREW UP HERE.
414
00:16:12,672 --> 00:16:14,138
SO THAT'S HOW
YOU FOUND US,
415
00:16:14,207 --> 00:16:15,506
AND HOW YOU KNOW LUCAS.
416
00:16:15,542 --> 00:16:16,641
WELL...
417
00:16:16,676 --> 00:16:19,410
I'VE ALWAYS WANTED
TO SHOOT SOMETHING HERE.
418
00:16:19,446 --> 00:16:22,380
PLACE IS SO PEACEFUL
AND WELCOMING.
419
00:16:22,415 --> 00:16:23,281
WELL, THAT'S WHY
WE LOVE IT.
420
00:16:23,316 --> 00:16:24,482
YEAH.
421
00:16:24,517 --> 00:16:26,184
AND WHY WE HAVE TO
KEEP IT THAT WAY.
422
00:16:26,219 --> 00:16:27,352
WE HAVE A THREE-STOREY
HEIGHT LIMITATION
423
00:16:27,387 --> 00:16:30,355
ON ALL BUILDINGS UP
AND DOWN MAIN STREET.
424
00:16:30,423 --> 00:16:33,224
ANDRONOCORP IS TRYING TO GET
THE ZONING FOR A SIX-STOREY.
425
00:16:33,259 --> 00:16:35,460
SPOILER ALERT,
THEY'RE GOING TO GET IT,
426
00:16:35,495 --> 00:16:36,461
BECAUSE THEY'RE ABOVE THE LAW
427
00:16:36,496 --> 00:16:37,762
AND CAN BUY OUT
ANY COUNCIL
428
00:16:37,797 --> 00:16:39,364
IN ANY CITY
THEY WANT.
429
00:16:39,399 --> 00:16:41,099
DO A STORY ON THAT.
430
00:16:41,134 --> 00:16:44,035
WELL, WE WOULD
IF WE WERE A NEWS CREW.
431
00:16:44,070 --> 00:16:46,671
WE HAVE TO TAKE
MASSIVE ACTION...
432
00:16:46,706 --> 00:16:48,306
BY ANY MEANS NECESSARY.
433
00:16:48,341 --> 00:16:50,208
WEBSITE'S ON THE FLYER.
434
00:16:50,243 --> 00:16:51,743
GET INVOLVED.
435
00:16:55,382 --> 00:16:57,482
I'D SAY
HE HAS SPIRIT TO SPARE.
436
00:16:57,517 --> 00:16:58,816
WELL, HE IS RIGHT.
437
00:16:58,852 --> 00:17:01,586
I MEAN, ANDRONOCORP HAS BEEN
TRYING TO RUIN THIS TOWN
438
00:17:01,621 --> 00:17:02,553
AND EVERYONE IN IT
439
00:17:02,589 --> 00:17:03,454
FOR YEARS,
440
00:17:03,490 --> 00:17:04,589
AND JUST WHEN YOU THINK
441
00:17:04,624 --> 00:17:06,391
HARVEY ANDRONICUS
IS GOING TO RETIRE,
442
00:17:06,426 --> 00:17:09,660
HE HANDS IT ALL OVER
TO HIS EQUALLY GREEDY SON.
443
00:17:09,696 --> 00:17:11,896
LUCAS CAN'T BE ALL BAD.
444
00:17:11,931 --> 00:17:14,065
HE'S LETTING YOU USE THE BOX
FOR YOUR SHOW.
445
00:17:15,301 --> 00:17:18,369
WELL, WE WERE USING THE BOX.
446
00:17:19,806 --> 00:17:20,838
UM...
447
00:17:20,874 --> 00:17:21,806
WELL, I'LL SEE YOU
TOMORROW.
448
00:17:21,841 --> 00:17:22,974
YEAH.
449
00:17:47,267 --> 00:17:48,499
[CAR ALARM HONKING]
450
00:17:53,273 --> 00:17:55,073
[RINGING DOORBELL]
451
00:18:01,214 --> 00:18:02,313
[KNOCKING]
452
00:18:09,823 --> 00:18:11,355
[LINE RINGING]
453
00:18:11,391 --> 00:18:12,356
[RECORDED MESSAGE]
YOU'VE REACHED TAMARA.
454
00:18:12,392 --> 00:18:14,559
PLEASE LEAVE YOUR NAME
AND NUMBER.
455
00:18:14,594 --> 00:18:15,726
TAMARA, HI.
456
00:18:15,762 --> 00:18:17,628
THIS IS JENNIFER SHANNON
FROM RAGS TO RICHES.
457
00:18:17,664 --> 00:18:20,932
UM, I THOUGHT WE WERE SUPPOSED
TO BE MEETING NOW,
458
00:18:20,967 --> 00:18:21,866
BUT MAYBE I GOT THE TIME WRONG.
459
00:18:28,108 --> 00:18:29,040
[BANGING]
460
00:18:29,075 --> 00:18:30,007
TAMARA?
461
00:18:34,047 --> 00:18:35,313
[CLATTERING]
462
00:18:51,264 --> 00:18:52,964
TAMARA?
463
00:18:56,402 --> 00:18:57,568
TAMARA?
464
00:19:00,340 --> 00:19:01,205
[PHONE VIBRATING]
465
00:19:12,185 --> 00:19:14,385
TAMARA!
466
00:19:20,727 --> 00:19:21,559
[CAR WHEELS SQUEALING]
467
00:19:41,514 --> 00:19:42,480
JENN.
468
00:19:42,515 --> 00:19:43,648
FRANK!
469
00:19:43,683 --> 00:19:44,582
ARE YOU ALL RIGHT?
470
00:19:44,617 --> 00:19:45,583
I'M FINE.
471
00:19:45,618 --> 00:19:46,918
I FOUND THE BODY INSIDE.
472
00:19:46,953 --> 00:19:48,486
SURPRISING HOW MANY
OF OUR CONVERSATIONS
473
00:19:48,521 --> 00:19:49,954
START LIKE THAT.
474
00:19:49,989 --> 00:19:50,988
IT LOOKS LIKE A FALL,
475
00:19:51,057 --> 00:19:52,723
BUT I HEARD
A CAR SQUEALING AWAY,
476
00:19:52,759 --> 00:19:54,325
SO MAYBE SOMEONE TRYING TO FLEE?
477
00:19:54,360 --> 00:19:56,494
HERE WE GO.
478
00:19:56,563 --> 00:19:57,962
THE SQUEALING COULD BE
A NEIGHBOR,
479
00:19:58,031 --> 00:19:59,297
OR A CAR PASSING BY.
480
00:19:59,332 --> 00:20:00,498
IT COULD BE,
481
00:20:00,533 --> 00:20:01,332
BUT THERE WERE SEVERAL CARS
IN THE DRIVEWAY
482
00:20:01,367 --> 00:20:02,500
WHEN I PULLED UP,
483
00:20:02,569 --> 00:20:04,035
AND I'M PRETTY SURE
THERE'S ONE LESS NOW.
484
00:20:04,070 --> 00:20:05,069
DID YOU GET A MAKE?
485
00:20:05,138 --> 00:20:07,572
NO, I DIDN'T SEE IT,
I ONLY HEARD IT.
486
00:20:07,607 --> 00:20:09,373
OKAY.
487
00:20:09,409 --> 00:20:10,875
SHOULD I EVEN ASK
WHY YOU'RE HERE?
488
00:20:10,910 --> 00:20:12,376
TAMARA ANDRONICUS,
489
00:20:12,445 --> 00:20:13,945
SHE BROUGHT A PUZZLE BOX
INTO THE STORE,
490
00:20:13,980 --> 00:20:14,946
AND THEN
IT WENT MISSING.
491
00:20:15,014 --> 00:20:16,247
MISSING OR STOLEN?
492
00:20:16,316 --> 00:20:17,481
I'M NOT SURE,
493
00:20:17,517 --> 00:20:18,449
BUT WHEN I CAME BY
TO BREAK THE BAD NEWS,
494
00:20:18,484 --> 00:20:20,718
I SAW A SMASHED VASE
ON THE FLOOR,
495
00:20:20,753 --> 00:20:22,653
AND THEN I SAW SOME MOVEMENT
BY THE BACK DOOR.
496
00:20:22,689 --> 00:20:25,489
AND HOW DID YOU GET
IN THE HOUSE?
497
00:20:25,558 --> 00:20:27,325
SO THE FRONT DOOR WAS LOCKED.
498
00:20:27,360 --> 00:20:28,559
I CAME AROUND BACK.
499
00:20:28,628 --> 00:20:31,095
THIS WAS KNOCKED OVER,
AND THAT DOOR WAS OPEN.
500
00:20:31,130 --> 00:20:32,430
I DON'T KNOW,
MAYBE SOMEBODY RUNNING AWAY.
501
00:20:32,465 --> 00:20:35,166
WELL, ANYTHING COULD
HAVE KNOCKED THAT OVER.
502
00:20:35,201 --> 00:20:37,268
WELL, TRUE,
BUT THERE'S THAT.
503
00:20:37,303 --> 00:20:39,403
[FRANK]:
IT'S A LAND LINE.
504
00:20:39,439 --> 00:20:41,539
THERE WAS A BIG
STORM ON SUNDAY.
505
00:20:41,608 --> 00:20:42,673
ANYTHING ELSE?
506
00:20:42,742 --> 00:20:43,774
YES.
507
00:20:43,810 --> 00:20:45,476
TAMARA'S CELL PHONE...
508
00:20:45,511 --> 00:20:48,479
A LOCAL AREA CODE,
LAST FOUR DIGITS 2428,
509
00:20:48,548 --> 00:20:50,615
AND THE TEXT SAID, "I'M SORRY."
510
00:20:50,650 --> 00:20:53,417
SAME TEXT THAT I SEND
MY WIFE DAILY.
511
00:20:53,453 --> 00:20:55,419
RIGHT NOW,
SOMEBODY'S FALLEN.
512
00:20:55,455 --> 00:20:57,054
THAT'S WHERE WE START.
513
00:20:57,090 --> 00:20:58,756
RIGHT.
514
00:20:58,791 --> 00:21:00,891
I DO APPRECIATE
YOUR EYE, THOUGH.
515
00:21:02,895 --> 00:21:04,495
THE BODY WAS AT THE
BOTTOM OF THE STAIRS.
516
00:21:04,530 --> 00:21:05,596
I KNOW.
517
00:21:05,632 --> 00:21:07,131
I FOUND HER MOTHER-IN-LAW
IN THE SAME AREA
518
00:21:07,200 --> 00:21:08,532
JUST TWO NIGHTS AGO.
519
00:21:09,702 --> 00:21:10,801
REALLY?
520
00:21:10,837 --> 00:21:12,470
MM-HMM.
521
00:21:12,538 --> 00:21:14,872
WELL, HOW
DID SHE DIE?
522
00:21:14,907 --> 00:21:17,408
WELL, WE'RE AWAITING
THE AUTOPSY RESULTS,
523
00:21:17,443 --> 00:21:18,442
BUT LOOKS LIKE
AN ACCIDENTAL FALL
524
00:21:18,478 --> 00:21:19,510
DOWN THE STAIRS.
525
00:21:19,545 --> 00:21:21,512
TWO ACCIDENTS
ON THE SAME STAIRS?
526
00:21:21,547 --> 00:21:22,847
THAT'S A LITTLE ODD,
ISN'T IT?
527
00:21:22,915 --> 00:21:24,015
VERY.
528
00:21:24,050 --> 00:21:25,716
THE MOTHER-IN-LAW
DIES ON SUNDAY.
529
00:21:25,752 --> 00:21:28,019
TAMARA BRINGS A PUZZLE BOX
INTO THE STORE ON MONDAY,
530
00:21:28,087 --> 00:21:29,754
AND SHE DIES
ON TUESDAY?
531
00:21:29,789 --> 00:21:33,291
YEAH... VERY ODD.
532
00:21:33,326 --> 00:21:36,327
COULD THERE BE SOMETHING
IN THAT PUZZLE BOX...
533
00:21:36,362 --> 00:21:38,129
THAT TAMARA WANTED
US TO FIND?
534
00:21:38,164 --> 00:21:39,597
OR MAYBE IT'S JUST A BOX.
535
00:21:40,900 --> 00:21:42,199
LET ME ASK YOU SOMETHING.
536
00:21:42,235 --> 00:21:44,368
WOULD IT BE OKAY
IF I GOT BACK TO WORK?
537
00:21:44,437 --> 00:21:45,770
OH!
538
00:21:45,805 --> 00:21:47,305
YEAH, GO.
539
00:21:47,373 --> 00:21:48,406
I'LL CALL YOU LATER.
540
00:21:48,441 --> 00:21:49,473
YEAH.
541
00:22:01,354 --> 00:22:02,520
WHAT'S GOING ON?
542
00:22:04,157 --> 00:22:04,889
MR. ANDRONICUS?
543
00:22:04,924 --> 00:22:06,357
YEAH.
544
00:22:08,361 --> 00:22:09,493
PLEASE...
545
00:22:09,562 --> 00:22:10,828
LET'S HAVE A SEAT.
546
00:22:10,863 --> 00:22:12,496
I DON'T WANT
TO HAVE A SEAT.
547
00:22:12,532 --> 00:22:13,464
WHERE'S MY WIFE?
548
00:22:13,499 --> 00:22:15,533
WHERE'S TAMARA?
549
00:22:15,568 --> 00:22:17,968
PLEASE...
FOLLOW ME.
550
00:22:24,477 --> 00:22:25,643
I'M SORRY
TO INFORM YOU,
551
00:22:25,678 --> 00:22:27,445
BUT WE'VE FOUND YOUR
WIFE DECEASED TODAY.
552
00:22:27,480 --> 00:22:29,180
WHAT?
553
00:22:29,215 --> 00:22:31,115
NO...
554
00:22:31,150 --> 00:22:33,751
NO, NO...
555
00:22:33,786 --> 00:22:35,453
IT SEEMS SHE MAY HAVE
FALLEN DOWN THE STAIRS.
556
00:22:38,424 --> 00:22:40,524
WHAT?
NO, I DON'T...
557
00:22:40,560 --> 00:22:42,059
COULD YOU TELL ME
WHERE YOU WERE EARLIER TODAY?
558
00:22:42,095 --> 00:22:44,762
I WAS TAKING CARE
OF ARRANGEMENTS
559
00:22:44,797 --> 00:22:45,930
FOR MY MOTHER'S FUNERAL.
560
00:22:45,998 --> 00:22:46,897
I WASN'T...
561
00:22:49,102 --> 00:22:50,134
YOU DON'T THINK I DID THIS?
562
00:22:50,203 --> 00:22:53,871
NO,
IT'S JUST STANDARD PROCEDURE.
563
00:22:53,940 --> 00:22:57,007
A... LITTLE RIP THERE
ON YOUR SHIRT.
564
00:22:59,679 --> 00:23:02,880
WHEN I SAW
THE POLICE CARS IN THE DRIVEWAY,
565
00:23:02,915 --> 00:23:04,181
I RUSHED TO GET OUT OF MY CAR.
566
00:23:04,217 --> 00:23:05,282
I CAUGHT MY SHIRT
ON THE DOOR.
567
00:23:05,318 --> 00:23:06,350
OKAY.
568
00:23:07,920 --> 00:23:09,220
DO YOU KNOW OF ANYONE
569
00:23:09,255 --> 00:23:11,655
WHO WOULD HAVE WANTED
TO HURT TAMARA OR ELIZABETH?
570
00:23:11,691 --> 00:23:13,290
NO.
571
00:23:13,326 --> 00:23:14,525
SO I'M ASSUMING
572
00:23:14,560 --> 00:23:15,826
WITH A HOUSE THIS SIZE
573
00:23:15,862 --> 00:23:16,961
THAT YOU HAVE
A HOUSE STAFF?
574
00:23:18,731 --> 00:23:20,164
THEY WERE LET GO,
575
00:23:20,199 --> 00:23:22,032
ON GOOD TERMS
AND WITH SEVERANCE.
576
00:23:22,068 --> 00:23:23,901
ANY PARTICULAR REASON
FOR LETTING THEM GO?
577
00:23:23,936 --> 00:23:25,569
MOTHER'S BEEN
HOUSEBOUND
578
00:23:25,605 --> 00:23:27,304
FOR MOST OF
THIS PAST YEAR.
579
00:23:27,340 --> 00:23:30,641
SHE'S GOTTEN WORSE
IN THE LAST WEEK.
580
00:23:30,710 --> 00:23:31,942
SHE WOULDN'T HAVE
WANTED HER STAFF
581
00:23:32,011 --> 00:23:33,944
TO SEE HER THAT WAY.
582
00:23:33,980 --> 00:23:35,813
TAMARA WANTED TO TAKE A HIATUS
FROM OUR BUSINESS
583
00:23:35,882 --> 00:23:37,681
AND TAKE CARE OF HER FULL-TIME.
584
00:23:37,717 --> 00:23:39,183
SO YOU CUT SHORT
YOUR BUSINESS TRIP
585
00:23:39,218 --> 00:23:40,651
WITH YOUR FATHER,
586
00:23:40,686 --> 00:23:43,354
FLEW HOME ON SUNDAY,
HOPING TO SEE YOUR MOTHER
587
00:23:43,389 --> 00:23:44,889
TO MAKE SURE
THAT SHE'S OKAY?
588
00:23:44,957 --> 00:23:47,158
I'VE ALREADY ANSWERED ALL THIS
IN MY PREVIOUS STATEMENT.
589
00:23:47,226 --> 00:23:49,360
REFRESH MY MEMORY.
590
00:23:49,395 --> 00:23:51,796
YES, EXACTLY.
591
00:23:51,831 --> 00:23:52,997
SHE WASN'T RETURNING
ANY OF MY EMAILS
592
00:23:53,065 --> 00:23:55,566
OR ANSWERING MY PHONE CALLS,
AND...
593
00:23:55,601 --> 00:23:58,803
AND THEN WHEN YOU GOT HOME,
YOU FOUND YOUR MOTHER THERE.
594
00:23:58,838 --> 00:23:59,770
I DROVE BACK
FROM THE AIRPORT
595
00:23:59,806 --> 00:24:02,673
AFTER A BRUTAL 17-HOUR FLIGHT,
596
00:24:02,708 --> 00:24:04,942
AND, UH...
I JUST...
597
00:24:07,980 --> 00:24:09,580
I FOUND TAMARA HERE.
598
00:24:12,218 --> 00:24:13,350
SHE DIDN'T KNOW WHAT TO DO.
599
00:24:13,386 --> 00:24:18,222
SHE WAS JUST STANDING
OVER MOTHER, CRYING.
600
00:24:18,257 --> 00:24:19,723
AND YOUR FATHER?
601
00:24:19,792 --> 00:24:21,158
WHERE IS HE?
602
00:24:21,194 --> 00:24:22,693
I'M ASSUMING HE'S BACK?
603
00:24:22,728 --> 00:24:24,261
HE'S STAYING
AT THE GRAND HOTEL.
604
00:24:24,330 --> 00:24:27,598
HE SAYS IT'S TOO TRAUMATIC
TO STAY HERE AT THE HOUSE.
605
00:24:27,633 --> 00:24:28,732
UNDERSTANDABLE,
606
00:24:28,768 --> 00:24:32,169
BUT WHAT I NEED TO KNOW,
IN YOUR OPINION...
607
00:24:32,205 --> 00:24:33,704
DO YOU KNOW
OF ANYONE WHO WOULD'VE WANTED
608
00:24:33,739 --> 00:24:35,673
TO HURT YOUR MOM OR TAMARA?
609
00:24:37,844 --> 00:24:40,578
I'M SURE WITH THE NEW CONDOS
GOING UP ON MAIN STREET,
610
00:24:40,613 --> 00:24:43,514
HALF THE TOWN WOULD LIKE
TO SEE ANY ONE OF US GONE.
611
00:24:45,418 --> 00:24:47,151
[TELEPHONE RINGS]
[HANNAH]: HELLO?
612
00:24:47,186 --> 00:24:49,453
HEY, IT'S OFFICER RYAN, A.K.A. BRETT.
613
00:24:49,489 --> 00:24:50,454
HEY, HOW'S IT GOING?
614
00:24:50,490 --> 00:24:52,022
GREAT.
615
00:24:52,058 --> 00:24:53,991
I WAS THINKING MAYBE YOU WANTED
TO HAVE LUNCH OR SOMETHING
616
00:24:54,026 --> 00:24:55,025
TOMORROW?
617
00:24:55,094 --> 00:24:56,093
TITUS GRILL, NOON?
618
00:24:56,128 --> 00:24:57,127
NOON WORKS.
619
00:24:57,196 --> 00:24:58,562
I'LL MEET YOU THERE.
BYE.
620
00:24:58,598 --> 00:24:59,363
OFFICER HANDSOME?
621
00:24:59,398 --> 00:25:00,998
OFFICER TOTALLY HANDSOME.
622
00:25:01,033 --> 00:25:02,433
HOW'S THE FUND-RAISER GOING?
623
00:25:02,468 --> 00:25:03,934
SLOW BUT STEADY.
624
00:25:05,204 --> 00:25:06,036
DEFINE "STEADY."
625
00:25:07,507 --> 00:25:09,073
NOTHING.
626
00:25:09,108 --> 00:25:10,841
YOU NEED CASH
TO MAKE A BUSINESS.
627
00:25:10,877 --> 00:25:12,443
CASH IS SOMETHING
YOU DON'T HAVE.
628
00:25:14,413 --> 00:25:15,579
HEY, MAYBE I COULD START
629
00:25:15,615 --> 00:25:16,914
BY TAKING OUT
A PERSONAL LOAN FROM YOU.
630
00:25:16,983 --> 00:25:18,015
OR MAYBE YOU CAN START
631
00:25:18,050 --> 00:25:19,650
BY TAKING OUT
THE RECYCLING.
632
00:25:19,719 --> 00:25:20,885
THE CLASSIFIEDS
ARE ON TOP.
633
00:25:24,190 --> 00:25:26,624
NOW, I DON'T WANT TO SAY THAT WITH MY RETIREMENT
634
00:25:26,692 --> 00:25:29,126
AND WITH HANDING THE REINS OVER TO MY SON, LUCAS,
635
00:25:29,161 --> 00:25:31,061
THAT ANDRONOCORP IS GOING TO BE TAKEN
636
00:25:31,097 --> 00:25:34,031
TO EVEN MORE TREMENDOUS LEVELS OF SUCCESS,
637
00:25:34,066 --> 00:25:35,799
BUT I WILL SAY JUST THAT.
638
00:25:35,835 --> 00:25:37,134
[LAUGHING]
639
00:25:37,169 --> 00:25:38,536
SO IF YOU'LL EXCUSE ME,
640
00:25:38,571 --> 00:25:40,838
I HAVE A NEW HIP I WANT TO TRY OUT ON THE LINKS.
641
00:25:40,873 --> 00:25:43,207
[LAUGHING]
642
00:25:43,242 --> 00:25:45,809
LUCAS!
643
00:25:50,983 --> 00:25:52,216
SO I PICKED UP
SOME WOOD TODAY
644
00:25:52,285 --> 00:25:54,251
FOR THE BROKEN MAILBOX.
645
00:25:54,287 --> 00:25:55,352
THINKING ABOUT
HELPING LOGAN OUT
646
00:25:55,388 --> 00:25:56,887
AND FIXING IT MYSELF.
647
00:25:56,923 --> 00:25:59,423
OH, THAT IS SO SWEET.
648
00:25:59,458 --> 00:26:00,891
CAN YOU BUILD ME
A REPLICA PUZZLE BOX
649
00:26:00,927 --> 00:26:01,859
WHILE YOU'RE AT IT?
650
00:26:01,894 --> 00:26:03,127
HAVEN'T FOUND IT YET?
651
00:26:03,162 --> 00:26:04,161
NOPE,
652
00:26:04,196 --> 00:26:05,563
AND I CAN'T HELP BUT WONDER
653
00:26:05,598 --> 00:26:07,498
IF SOMETHING VALUABLE
WAS INSIDE.
654
00:26:07,533 --> 00:26:10,034
WE HAVE WAY MORE EXPENSIVE
PIECES IN THE STORE,
655
00:26:10,102 --> 00:26:12,202
AND THE WOMAN WHO BRINGS IT IN
TURNS UP DEAD A DAY LATER?
656
00:26:12,238 --> 00:26:14,305
IT COULD BE A COINCIDENCE.
657
00:26:14,340 --> 00:26:15,639
TWO ACCIDENTS
IN THE SAME HOUSE
658
00:26:15,675 --> 00:26:17,408
IN THE SAME WEEK?
659
00:26:17,443 --> 00:26:19,510
AND I'M LOOKING AT
THE ANDRONICUS WEBSITE.
660
00:26:19,545 --> 00:26:21,545
BOTH TAMARA AND ELIZABETH
HELPED RUN THE COMPANY,
661
00:26:21,614 --> 00:26:23,647
AND THEY'RE BOTH
MYSTERIOUSLY GONE.
662
00:26:23,716 --> 00:26:24,615
WHO'D WANT TO HURT THEM?
663
00:26:24,684 --> 00:26:25,649
I DON'T KNOW.
664
00:26:25,685 --> 00:26:27,451
MAYBE SOMEONE AFTER THEIR MONEY?
665
00:26:27,486 --> 00:26:28,752
BUT IF IT WERE
AN INHERITANCE THING,
666
00:26:28,788 --> 00:26:31,355
WOULDN'T HARVEY ANDRONICUS
BE THE LOGICAL TARGET?
667
00:26:31,390 --> 00:26:33,591
AND LUCAS WAS GETTING READY
TO TAKE OVER THE COMPANY.
668
00:26:33,626 --> 00:26:35,459
MAYBE SOMEBODY
DIDN'T WANT THAT?
669
00:26:35,528 --> 00:26:36,994
MM, MAYBE.
670
00:26:37,029 --> 00:26:38,862
BUT THERE'S SOMETHING
I'M NOT GETTING YET.
671
00:26:38,931 --> 00:26:40,164
YET?
672
00:26:40,232 --> 00:26:42,666
LET FRANK HANDLE IT, OKAY?
673
00:26:44,170 --> 00:26:45,269
OKAY.
674
00:26:49,642 --> 00:26:50,507
[LINE RINGING]
HEY LOGAN.
675
00:26:50,576 --> 00:26:51,642
HEY, MOM, WHAT'S UP?
676
00:26:51,711 --> 00:26:53,644
I'M TRYING TO FIGURE OUT A PHONE NUMBER.
677
00:26:53,679 --> 00:26:57,448
THE LAST FOUR DIGITS ARE 2428,
AND IT'S A LOCAL AREA CODE.
678
00:26:57,483 --> 00:26:59,049
CAN YOU FIND THAT ONLINE?
679
00:26:59,085 --> 00:27:00,451
YEAH, I COULD DO THAT.
680
00:27:00,486 --> 00:27:01,752
HOLD ON.
681
00:27:04,724 --> 00:27:05,556
UH-OH.
682
00:27:05,591 --> 00:27:08,792
799 NUMBERS STATEWIDE.
683
00:27:08,828 --> 00:27:11,161
THAT'S A LOT OF CALLS TO MAKE.
684
00:27:11,197 --> 00:27:14,098
BUT IF IT'S WITHIN OUR AREA,
685
00:27:14,133 --> 00:27:16,800
THEN WE'RE DOWN
TO FIVE PHONE CALLS.
686
00:27:16,836 --> 00:27:18,268
I COULD ALSO GET
THE NAMES OF PEOPLE,
687
00:27:18,304 --> 00:27:19,336
IF YOU LIKE?
688
00:27:19,405 --> 00:27:21,071
LOGAN,
WHAT WOULD I DO WITHOUT YOU?
689
00:27:21,107 --> 00:27:23,607
MAYBE WE COULD WRITE THIS DOWN
AS A CONSULTATION FEE?
690
00:27:23,643 --> 00:27:25,509
I COULD KNOCK 20 BUCKS
OFF YOUR TAB.
691
00:27:25,578 --> 00:27:26,310
HOW ABOUT 50?
692
00:27:26,379 --> 00:27:27,378
30.
693
00:27:27,413 --> 00:27:28,412
SOLD.
LOVE YOU.
694
00:27:28,481 --> 00:27:29,680
LOVE YOU, TOO.
695
00:27:32,418 --> 00:27:35,452
NO INJURIES
OR MUCOSAL LESIONS SEEN.
696
00:27:36,656 --> 00:27:40,658
WHY IS IT EVERY TIME
I SMELL CARAMEL MACCHIATO,
697
00:27:40,693 --> 00:27:43,727
I THINK OF JENN SHANNON?
698
00:27:43,763 --> 00:27:45,162
GOOD MORNING, MY FRIEND.
699
00:27:45,197 --> 00:27:47,831
AH...
THERE WE GO.
700
00:27:47,867 --> 00:27:49,400
MM!
701
00:27:49,435 --> 00:27:50,567
STILL TOASTY.
702
00:27:50,603 --> 00:27:51,635
MM-HMM.
703
00:27:51,671 --> 00:27:54,004
SPEAKING OF,
I'VE DECIDED WHEN I GO,
704
00:27:54,073 --> 00:27:56,407
IT'S CREMATION ALL THE WAY.
705
00:27:56,442 --> 00:27:58,008
OKAY, I'LL BITE... WHY?
706
00:27:58,044 --> 00:28:01,412
IT'S MY LAST CHANCE
AT A SMOKING BODY.
707
00:28:02,848 --> 00:28:04,815
THAT'S ACTUALLY
ONE OF YOUR BETTER ONES.
708
00:28:04,850 --> 00:28:05,816
[LAUGHING]
709
00:28:05,885 --> 00:28:08,352
HOW CAN I HELP YOU TODAY?
710
00:28:09,689 --> 00:28:12,489
ELIZABETH
AND TAMARA ANDRONICUS?
711
00:28:12,525 --> 00:28:13,557
THEY COULD BE HERE,
712
00:28:13,592 --> 00:28:14,992
BUT YOU DIDN'T HEAR IT
FROM ME, RIGHT?
713
00:28:15,027 --> 00:28:17,094
OH, OF COURSE NOT.
714
00:28:17,129 --> 00:28:20,064
I WAS CURIOUS ABOUT
THEIR TWO "ACCIDENTS".
715
00:28:20,099 --> 00:28:22,366
COULD THERE BE SIGNS THAT
THERE WAS SOMETHING ELSE?
716
00:28:22,435 --> 00:28:26,503
BY "ELSE," COULD YOU BE
INSINUATING FOUL PLAY?
717
00:28:26,539 --> 00:28:28,038
COULD BE.
718
00:28:28,074 --> 00:28:29,540
NOTHING OFFICIAL.
719
00:28:29,575 --> 00:28:31,041
WE'RE STRICTLY TALKING "COULDS."
720
00:28:31,077 --> 00:28:32,810
WHILE THE HEAVY STRESS
ON ELIZABETH'S HEART
721
00:28:32,845 --> 00:28:34,178
WAS IRREGULAR FOR HER ILLNESS,
722
00:28:34,246 --> 00:28:36,714
NOTHING ELSE
IS SHOWING UP SO FAR.
723
00:28:36,749 --> 00:28:37,881
IRREGULAR?
724
00:28:37,917 --> 00:28:40,484
ELIZABETH HAD A SUDDEN
MASSIVE HEART ATTACK,
725
00:28:40,553 --> 00:28:43,320
BUT HER MEDICAL REPORTS
DON'T INDICATE HEART DISEASE,
726
00:28:43,355 --> 00:28:46,824
WEAKNESS,
OR ANY GENETIC ANOMALIES.
727
00:28:46,892 --> 00:28:48,726
HER ILLNESS STEMMED
728
00:28:48,761 --> 00:28:51,462
FROM BLOOD AND OSTEOSARCOMA
CANCER COMPLICATIONS
729
00:28:51,497 --> 00:28:53,197
IN HER KNEES,
730
00:28:53,232 --> 00:28:56,533
AND THOSE COMPLICATIONS USUALLY
LEAD TO BLEEDING IN THE BRAIN,
731
00:28:56,602 --> 00:29:00,003
AND THAT WOULD CAUSE A STROKE,
NOT A HEART ATTACK.
732
00:29:00,039 --> 00:29:02,840
SO WHAT COULD'VE CAUSED
ELIZABETH'S HEART ATTACK?
733
00:29:02,908 --> 00:29:05,042
SHE WAS GETTING UP
IN AGE.
734
00:29:05,077 --> 00:29:07,478
ARE YOU SUGGESTING
SHE WAS SCARED TO DEATH?
735
00:29:07,513 --> 00:29:09,980
OR IT COULD'VE BEEN
AN ALLERGIC REACTION.
736
00:29:10,049 --> 00:29:12,950
I DID FIND
A PEANUT ALLERGY HERE.
737
00:29:12,985 --> 00:29:15,719
EVEN JUST A SLIGHT INHALE
FROM PEANUT VAPOR
738
00:29:15,755 --> 00:29:17,521
COULD TRIGGER
AN ANAPHYLACTIC SHOCK.
739
00:29:17,556 --> 00:29:19,389
AND THAT SHOCK COULD CAUSE
A HEART ATTACK?
740
00:29:19,425 --> 00:29:20,891
COULD HAVE,
741
00:29:20,926 --> 00:29:23,560
BUT THOSE MINIMAL PEANUT TRACES
ARE EXTREMELY HARD TO FIND
742
00:29:23,596 --> 00:29:25,763
IN ANY AUTOPSY, IF EVER.
743
00:29:26,899 --> 00:29:28,031
WHAT ABOUT TAMARA?
744
00:29:28,067 --> 00:29:29,666
WELL, I DID FIND
SUBSTANTIAL AMOUNTS
745
00:29:29,702 --> 00:29:31,668
OF MORPHINE SULFATE
IN HER MOUTH.
746
00:29:31,704 --> 00:29:32,803
MORPHINE SULFATE?
747
00:29:32,872 --> 00:29:35,305
HEAVY PRESCRIPTION
PAINKILLERS.
748
00:29:35,341 --> 00:29:37,341
SO AN OVERDOSE COULD
HAVE LED TO HER FALL?
749
00:29:37,409 --> 00:29:39,109
COULD HAVE,
750
00:29:39,145 --> 00:29:41,712
BUT IT "COULD BE" STRANGE
751
00:29:41,747 --> 00:29:44,214
THAT ONLY THE POWDER
FROM THE MORPHINE SULFATE PILLS
752
00:29:44,250 --> 00:29:45,682
WAS FOUND IN HER MOUTH.
753
00:29:45,718 --> 00:29:48,118
IT'S AS IF
THE CAPSULE SHELLS
754
00:29:48,154 --> 00:29:49,787
WERE PULLED APART
MANUALLY,
755
00:29:49,822 --> 00:29:51,688
THE CONTENTS EMPTIED
INTO HER MOUTH,
756
00:29:51,724 --> 00:29:54,825
AND THE SHELLS DISCARDED
SOMEPLACE ELSE.
757
00:29:54,860 --> 00:29:56,794
SO THE MORPHINE
COULD HAVE BEEN PLACED THERE
758
00:29:56,862 --> 00:29:58,228
AFTER TAMARA'S DEATH,
759
00:29:58,264 --> 00:30:01,431
MAKING IT LOOK LIKE AN OVERDOSE
THAT LED TO THE FALL?
760
00:30:01,467 --> 00:30:03,200
A KILLER COVERING THEIR TRACKS?
761
00:30:03,235 --> 00:30:04,468
COULD,
762
00:30:04,503 --> 00:30:07,805
BUT YOU WON'T GET
ANYTHING OUT OF ME.
763
00:30:07,873 --> 00:30:10,841
SO WHILE ELIZABETH'S DEATH
COULD HAVE BEEN AN ACCIDENT,
764
00:30:10,876 --> 00:30:12,876
TAMARA'S
IS MOST LIKELY A MURDER?
765
00:30:12,912 --> 00:30:16,547
NOW, THAT'S
A VERY STRONG COULD.
766
00:30:20,753 --> 00:30:22,653
DANI, GO A LITTLE BIGGER.
767
00:30:22,688 --> 00:30:23,654
MORE DRAMA.
768
00:30:23,689 --> 00:30:24,721
LET'S REHEARSE IT.
769
00:30:24,757 --> 00:30:25,722
OKAY.
770
00:30:25,758 --> 00:30:26,690
MORE DRAMA?
771
00:30:26,725 --> 00:30:27,891
I CAN DO THAT.
772
00:30:27,960 --> 00:30:29,092
SAME QUESTION.
773
00:30:29,128 --> 00:30:31,061
SO, STILL NO SIGN OF
THE MISSING PUZZLE BOX
774
00:30:31,096 --> 00:30:32,029
ANYWHERE IN THE STORE?
775
00:30:32,064 --> 00:30:34,031
WELL...
776
00:30:34,066 --> 00:30:35,732
WE KNOW IT MUST BE SOMEWHERE,
777
00:30:35,768 --> 00:30:38,268
BUT THAT SOMEWHERE
ISN'T HERE.
778
00:30:39,538 --> 00:30:40,537
ALL RIGHT, UM...
779
00:30:40,606 --> 00:30:42,239
JUST A LITTLE BIT
LESS, OKAY?
780
00:30:42,274 --> 00:30:43,907
LESS?
781
00:30:43,943 --> 00:30:45,943
[CLEARING THROAT]
782
00:30:45,978 --> 00:30:48,278
WELL, THE BOX MUST BE SOMEWHERE,
BUT...
783
00:30:48,314 --> 00:30:50,214
THAT SOMEWHERE ISN'T HERE.
784
00:30:50,249 --> 00:30:51,515
PERFECT.
785
00:30:51,550 --> 00:30:52,449
[BEEPING]
786
00:30:52,484 --> 00:30:54,585
OH...
787
00:30:54,620 --> 00:30:55,586
SORRY, KAT.
788
00:30:55,654 --> 00:30:57,221
I THOUGHT
I TURNED IT OFF.
789
00:30:57,289 --> 00:30:58,155
[KAT]:
NO WORRIES.
790
00:30:58,190 --> 00:30:59,223
[JOEL]: UM, DANI,
791
00:30:59,258 --> 00:31:01,525
THAT-- THAT WAS REALLY GOOD.
792
00:31:01,560 --> 00:31:03,060
RIGHT IN THERE
793
00:31:03,095 --> 00:31:04,795
IS GOING TO BE
REALLY GOOD, 'KAY?
794
00:31:04,830 --> 00:31:05,696
A LITTLE
"LESS IS MORE."
795
00:31:05,731 --> 00:31:06,430
I LIKE IT.
796
00:31:06,498 --> 00:31:07,698
OKAY.
797
00:31:07,733 --> 00:31:10,601
UH, LISTEN, GUYS,
IF WE DON'T FIND THE PUZZLE BOX,
798
00:31:10,636 --> 00:31:11,969
IS THERE ANOTHER PIECE
IN THE STORE
799
00:31:12,004 --> 00:31:13,904
THAT WE COULD MAYBE USE?
800
00:31:13,973 --> 00:31:15,839
IF WE DON'T FIND IT
BY THE END OF DAY,
801
00:31:15,908 --> 00:31:16,807
WE'LL ADJUST.
802
00:31:16,876 --> 00:31:18,041
ALL RIGHT.
803
00:31:18,077 --> 00:31:20,878
IS JENN GOING
TO BE HERE SOON?
804
00:31:20,913 --> 00:31:22,479
I'LL GIVE HER A CALL.
805
00:31:24,283 --> 00:31:25,415
[DIALING]
806
00:31:29,121 --> 00:31:30,420
[PHONE RINGING]
807
00:31:32,358 --> 00:31:33,290
HEY, DANI.
808
00:31:33,325 --> 00:31:34,858
HI, HONEY.
809
00:31:34,894 --> 00:31:36,894
JOEL AND THE CREW WERE WONDERING
WHERE YOU ARE.
810
00:31:36,962 --> 00:31:39,096
I'M AT THE ANDRONICUS HOUSE.
811
00:31:39,131 --> 00:31:41,164
LUCAS SHOULD KNOW
THE PUZZLE BOX IS MISSING.
812
00:31:41,200 --> 00:31:42,366
I'LL BE BY THE STORE LATER.
813
00:31:42,401 --> 00:31:43,800
PLEASE BE CAREFUL.
814
00:31:43,836 --> 00:31:46,036
I WILL.
815
00:31:46,071 --> 00:31:47,404
[CLATTERING]
816
00:31:52,278 --> 00:31:54,011
[JENN]:
UM, EXCUSE ME?
817
00:31:54,046 --> 00:31:56,179
SORRY, I DON'T MEAN
TO BOTHER YOU.
818
00:31:56,248 --> 00:31:57,147
MY NAME IS
JENNIFER SHANNON.
819
00:31:57,216 --> 00:31:58,415
I OWN RAGS TO RICHES.
820
00:32:01,153 --> 00:32:04,388
IS THIS ABOUT THE PUZZLE BOX
AND JOEL'S SHOW?
821
00:32:04,423 --> 00:32:06,123
YES.
822
00:32:06,158 --> 00:32:08,292
I ALSO WANTED TO SAY
I'M SO SORRY FOR YOUR LOSS.
823
00:32:08,327 --> 00:32:09,927
THANKS.
824
00:32:09,962 --> 00:32:12,162
UM... WHAT CAN I DO FOR YOU?
825
00:32:12,197 --> 00:32:13,463
TAMARA BROUGHT
THE PUZZLE BOX IN
826
00:32:13,499 --> 00:32:15,365
THE DAY BEFORE SHE PASSED.
827
00:32:15,401 --> 00:32:17,801
YEAH, I TOLD JOEL
HE WAS FINE TO USE IT,
828
00:32:17,836 --> 00:32:20,370
AS LONG AS HE DIDN'T BRING
OUR NAME INTO IT.
829
00:32:20,406 --> 00:32:23,707
AH, MIGHT MAKE
A NICE TRIBUTE FOR MOTHER.
830
00:32:23,776 --> 00:32:25,142
SHE LOVED BUILDING THOSE.
831
00:32:25,177 --> 00:32:27,210
OH, YOUR MOTHER MADE THEM?
832
00:32:27,246 --> 00:32:28,879
IT WAS HER PASSION.
833
00:32:30,316 --> 00:32:31,415
WELL, UNFORTUNATELY,
834
00:32:31,450 --> 00:32:33,417
THE BOX HAS GONE MISSING
FROM THE STORE.
835
00:32:33,485 --> 00:32:34,551
SOMEBODY TOOK IT?
836
00:32:34,620 --> 00:32:35,619
I DON'T KNOW.
837
00:32:35,654 --> 00:32:36,720
WE'RE STILL TRYING
TO LOCATE IT,
838
00:32:36,755 --> 00:32:39,189
BUT I WAS CURIOUS...
839
00:32:39,224 --> 00:32:41,858
DO YOU THINK MAYBE THERE WAS
SOMETHING VALUABLE INSIDE
840
00:32:41,927 --> 00:32:43,894
THAT SOMEONE WHO KNEW HER
WANTED?
841
00:32:43,929 --> 00:32:44,861
WELL, THAT WOULD BE
A BETTER QUESTION
842
00:32:44,897 --> 00:32:47,297
FOR MY BROTHER, QUIN.
843
00:32:47,333 --> 00:32:48,999
THEY LOVED BUILDING THEM
TOGETHER.
844
00:32:49,034 --> 00:32:51,635
IS THERE SOME WAY
I COULD CONTACT HIM?
845
00:32:51,670 --> 00:32:53,337
HE'S STAYING
AT THE OVERVIEW.
846
00:32:53,372 --> 00:32:54,771
I'D CALL HIM FOR YOU,
847
00:32:54,807 --> 00:32:57,708
BUT WE'RE NOT REALLY TALKING
A WHOLE LOT RIGHT NOW.
848
00:32:57,743 --> 00:32:59,242
I SEE.
849
00:33:00,946 --> 00:33:03,981
WELL, IF I CAN REPAY YOU
FOR THAT PUZZLE BOX,
850
00:33:04,016 --> 00:33:05,115
PLEASE LET ME KNOW.
851
00:33:05,150 --> 00:33:07,417
THANKS.
852
00:33:07,453 --> 00:33:09,886
IF YOU'LL EXCUSE ME,
I'VE GOT SOME THINGS TO DO.
853
00:33:09,955 --> 00:33:11,989
I SHOULD REALLY
GET BACK TO IT.
854
00:33:13,525 --> 00:33:14,558
OF COURSE.
855
00:33:14,593 --> 00:33:15,692
IT WAS A PLEASURE
MEETING YOU.
856
00:33:36,248 --> 00:33:38,048
[DIALING]
857
00:33:38,117 --> 00:33:39,783
[FRANK, VOICE MAIL]:
LYNWOOD. LEAVE A MESSAGE.
858
00:33:39,818 --> 00:33:41,752
FRANK...
859
00:33:41,787 --> 00:33:43,220
I FOUND A BOTTLE OF PEANUT OIL
860
00:33:43,255 --> 00:33:45,889
IN THE RECYCLING BIN
AT THE ANDRONICUS HOUSE,
861
00:33:45,924 --> 00:33:47,257
AND LUCAS WAS CLEANING IT UP.
862
00:33:47,292 --> 00:33:48,825
CALL ME.
863
00:33:54,266 --> 00:33:55,499
THANKS.
864
00:34:00,105 --> 00:34:01,338
HE SHOULD BE HERE ANYTIME.
865
00:34:01,373 --> 00:34:02,906
[PHONE RINGING]
866
00:34:06,879 --> 00:34:07,978
HANNAH, HEY, I'M SORRY.
867
00:34:08,013 --> 00:34:09,413
I WANTED TO CALL,
868
00:34:09,448 --> 00:34:10,747
BUT A DRIVER
WAS PINNED UNDER HIS CAR.
869
00:34:10,783 --> 00:34:12,682
HE'S OKAY NOW,
BUT I HAD TO SIT WITH HIM
870
00:34:12,718 --> 00:34:15,752
UNTIL THE FIRE DEPARTMENT
COULD COME AND CUT HIM OUT.
871
00:34:15,788 --> 00:34:17,487
OH, NO.
872
00:34:17,523 --> 00:34:19,156
I'M SORRY, I WANTED TO CALL,
873
00:34:19,191 --> 00:34:21,224
BUT THAT'S PART OF WHY
I DON'T REALLY GET OUT MUCH.
874
00:34:21,260 --> 00:34:23,326
WHAT'S THE OTHER PART?
875
00:34:23,362 --> 00:34:26,229
TO BE HONEST,
I, UH...
876
00:34:26,265 --> 00:34:27,731
I JUST GOT OUT
OF A RELATIONSHIP,
877
00:34:27,766 --> 00:34:30,300
AND I HAVEN'T REALLY DUG BACK INTO THE DATING SCENE YET.
878
00:34:30,335 --> 00:34:32,235
I HEAR YOU.
879
00:34:32,271 --> 00:34:34,738
IT'S NOT REALLY MY THING EITHER
AT THE MOMENT.
880
00:34:34,773 --> 00:34:36,006
SO WHAT DO WE DO?
881
00:34:36,041 --> 00:34:39,042
MAYBE WE JUST HANG OUT.
882
00:34:39,078 --> 00:34:41,011
NO PRESSURE, EXPECTATION...
883
00:34:41,046 --> 00:34:43,313
NO ROMANTIC DINNERS
OR FLOWERS...
884
00:34:43,348 --> 00:34:44,781
NONE OF THOSE DATING RITUALS.
885
00:34:44,817 --> 00:34:45,882
YOU WILL NOT,
886
00:34:45,918 --> 00:34:48,251
I REPEAT,
NOT HOLD A DOOR OPEN FOR ME.
887
00:34:49,321 --> 00:34:51,288
FINE, I WON'T.
888
00:34:51,356 --> 00:34:52,222
LET'S DO IT.
I'M IN.
889
00:34:52,257 --> 00:34:53,790
SOUNDS GOOD.
890
00:34:53,826 --> 00:34:55,926
I'LL TALK TO YOU LATER.
891
00:34:55,961 --> 00:34:57,227
BYE.
892
00:35:01,733 --> 00:35:02,532
HI, ANDI.
893
00:35:02,568 --> 00:35:03,834
HEY, JENN!
894
00:35:03,869 --> 00:35:05,302
I'M LOOKING
FOR A GENTLEMAN
895
00:35:05,337 --> 00:35:06,937
BY THE NAME
OF QUIN ANDRONICUS.
896
00:35:06,972 --> 00:35:08,705
HE MIGHT HAVE CHECKED IN
TODAY OR EVEN YESTERDAY.
897
00:35:08,740 --> 00:35:10,507
ACTUALLY,
MR. ANDRONICUS CHECKED IN
898
00:35:10,542 --> 00:35:12,142
CLOSER TO FOUR DAYS AGO.
899
00:35:14,113 --> 00:35:16,480
YES, SATURDAY,
BUT YOU JUST MISSED HIM.
900
00:35:21,653 --> 00:35:23,854
DO YOU WANT TO
LEAVE A MESSAGE?
901
00:35:23,922 --> 00:35:24,888
DID YOU SAY SATURDAY?
902
00:35:33,532 --> 00:35:34,498
THANKS FOR COMING IN.
903
00:35:34,533 --> 00:35:35,999
HOW CAN I HELP YOU?
904
00:35:38,370 --> 00:35:40,904
WELL, MAYBE YOU CAN TELL ME
905
00:35:40,939 --> 00:35:42,305
WHY YOUR BROTHER, LUCAS,
HAS A RESTRAINING ORDER
906
00:35:42,374 --> 00:35:44,841
AGAINST YOU?
907
00:35:44,877 --> 00:35:46,843
BECAUSE OF TAMARA.
908
00:35:46,912 --> 00:35:48,545
A LITTLE OVER A YEAR AGO,
909
00:35:48,580 --> 00:35:50,580
I SAID SOME THINGS ABOUT HER
THAT I PROBABLY SHOULDN'T HAVE.
910
00:35:50,649 --> 00:35:52,149
THINGS GOT HEATED,
911
00:35:52,184 --> 00:35:53,917
BUT I GUESS
THAT'S WHAT SHE WANTED.
912
00:35:53,952 --> 00:35:55,585
SHE WAS ALL ABOUT
DIVIDE AND CONQUER.
913
00:35:55,654 --> 00:35:58,121
SHE DIVIDED THE FAMILY?
914
00:35:58,157 --> 00:36:00,090
WHERE THERE'S MONEY
AND OPPORTUNITY,
915
00:36:00,125 --> 00:36:01,691
THERE'S TAMARA.
916
00:36:01,727 --> 00:36:03,093
SHE PITTED ME AND MY BROTHER
AGAINST EACH OTHER
917
00:36:03,128 --> 00:36:04,628
FROM THE BEGINNING.
918
00:36:04,663 --> 00:36:07,564
I'M SURE YOU'VE SEEN HOW HIGH
SHE ROSE IN THE FAMILY BUSINESS.
919
00:36:07,633 --> 00:36:09,366
SHE NEVER LOVED LUCAS.
920
00:36:10,969 --> 00:36:12,369
SEEMS LIKE
YOU'RE NOT HER BIGGEST FAN.
921
00:36:13,672 --> 00:36:14,771
THAT DOESN'T MAKE ME
HER KILLER.
922
00:36:16,241 --> 00:36:17,040
WHERE WERE YOU
THE DAY SHE DIED?
923
00:36:18,377 --> 00:36:20,177
MAKING FUNERAL ARRANGEMENTS
FOR MY MOTHER.
924
00:36:20,212 --> 00:36:21,845
WITH YOUR BROTHER, RIGHT?
925
00:36:21,914 --> 00:36:23,146
HE WAS THERE FOR A BIT, YES.
926
00:36:23,182 --> 00:36:25,382
HOW LONG IS A BIT?
927
00:36:25,417 --> 00:36:26,683
I'D SAY ABOUT 20 MINUTES.
928
00:36:26,752 --> 00:36:28,285
THEN HE LEFT.
929
00:36:28,320 --> 00:36:30,820
GUESS IT WAS A LITTLE TOO MUCH
FOR HIM TO HANDLE,
930
00:36:30,856 --> 00:36:31,955
BUT I WAS THERE THE WHOLE TIME.
931
00:36:31,990 --> 00:36:33,590
YOU CAN CHECK
WITH THE UNDERTAKER.
932
00:36:37,029 --> 00:36:39,095
WHY DON'T YOU TALK
TO THEIR LAWYER,
933
00:36:39,131 --> 00:36:40,297
ALLAN DEMETRY?
934
00:36:40,365 --> 00:36:42,799
HE'D BE MY FIRST STOP.
935
00:36:42,834 --> 00:36:44,501
AND WHAT'S MR. DEMETRY
GOING TO TELL ME?
936
00:36:44,570 --> 00:36:46,236
SOMETHING I'VE BEEN TRYING
TO TELL THEM
937
00:36:46,271 --> 00:36:47,170
FOR A VERY LONG TIME.
938
00:36:49,374 --> 00:36:51,041
THANK YOU.
939
00:36:51,076 --> 00:36:52,442
I KNOW WHAT YOU'RE THINKING,
940
00:36:52,511 --> 00:36:55,045
BUT I DIDN'T JUST ASK YOU HERE
TO TALK ABOUT THE CASE.
941
00:36:55,113 --> 00:36:56,813
OH, REALLY?
942
00:36:56,882 --> 00:36:58,782
IS IT BECAUSE
OF MY WINNING SMILE?
943
00:36:58,817 --> 00:36:59,916
MM?
944
00:36:59,952 --> 00:37:01,351
OKAY, IS THERE
ANY PARTICULAR SUSPECT
945
00:37:01,420 --> 00:37:02,819
YOU'RE LEANING TOWARDS?
946
00:37:02,888 --> 00:37:04,287
WELL, LUCAS HAD SAID HE WAS
MAKING FUNERAL ARRANGEMENTS
947
00:37:04,356 --> 00:37:05,855
AT THE TIME OF TAMARA'S DEATH,
948
00:37:05,891 --> 00:37:08,792
BUT HE LEFT
THE FUNERAL PARLOR EARLY.
949
00:37:08,827 --> 00:37:10,560
HE COULD'VE DRIVEN HOME
TO SEE HER.
950
00:37:10,596 --> 00:37:12,529
HE WAS IN TOWN
FOR BOTH DEATHS,
951
00:37:12,598 --> 00:37:14,898
SHOWS UP AT THE SCENE
WITH A RIPPED SHIRT,
952
00:37:14,933 --> 00:37:18,368
PLUS HE WAS THE ONE WHO WAS
CLEANING OUT THE RECYCLING
953
00:37:18,437 --> 00:37:20,370
WHEN YOU NOTICED
THE PEANUT OIL.
954
00:37:20,405 --> 00:37:21,571
COULD HE REALLY
NOT HAVE SEEN IT?
955
00:37:21,607 --> 00:37:23,006
WELL, HE DIDN'T WANT
TO CALL ATTENTION TO IT
956
00:37:23,041 --> 00:37:24,140
WHILE I WAS THERE.
957
00:37:24,176 --> 00:37:25,709
THAT'D BE MY GUESS,
958
00:37:25,744 --> 00:37:27,877
BECAUSE WHEN I SPOKE
WITH THE FORMER CHEF,
959
00:37:27,913 --> 00:37:29,279
HE SAID THE PLACE WAS
A PEANUT-FREE ZONE,
960
00:37:29,314 --> 00:37:31,948
AND THE WHOLE STAFF
WAS LET GO
961
00:37:31,984 --> 00:37:33,116
BEFORE ELIZABETH DIED.
962
00:37:33,185 --> 00:37:36,453
SO SOMEONE OTHER THAN THE STAFF
963
00:37:36,488 --> 00:37:38,888
COULD HAVE SLIPPED THE OIL
INTO SOMETHING?
964
00:37:38,924 --> 00:37:40,724
WHAT DO YOU KNOW
ABOUT LUCAS' BROTHER, QUIN?
965
00:37:40,792 --> 00:37:42,792
WELL, I KNOW THAT LUCAS HAS
A RESTRAINING ORDER AGAINST HIM,
966
00:37:42,828 --> 00:37:46,363
A FIGHT THAT TURNED VIOLENT
ABOUT A YEAR BACK.
967
00:37:46,398 --> 00:37:47,864
QUIN LEFT TOWN.
968
00:37:47,899 --> 00:37:50,767
HE NOW WORKS AS A LINGUISTICS
AND HUMAN STUDIES PROFESSOR
969
00:37:50,836 --> 00:37:51,868
ON THE WEST COAST.
970
00:37:51,903 --> 00:37:53,370
HE'S BACK IN TOWN
971
00:37:53,438 --> 00:37:54,704
TO HELP PLAN
HIS MOTHER'S FUNERAL.
972
00:37:54,740 --> 00:37:56,873
WHICH PUTS HIM HERE
AT THE TIME OF TAMARA'S DEATH.
973
00:37:56,908 --> 00:37:58,375
TRUE,
974
00:37:58,443 --> 00:37:59,809
BUT WITH QUIN'S ALIBI,
975
00:37:59,845 --> 00:38:00,910
THERE'S NO WAY
976
00:38:00,946 --> 00:38:02,279
THAT HE COULD HAVE BEEN
AT THE HOUSE
977
00:38:02,347 --> 00:38:03,713
BETWEEN THE TIME YOU LEFT
THE STORE AND FOUND TAMARA,
978
00:38:03,782 --> 00:38:06,816
BUT HE DID BRING UP
THE FAMILY LAWYER,
979
00:38:06,852 --> 00:38:08,184
ALLAN DEMETRY,
980
00:38:08,220 --> 00:38:09,486
WHOM I'VE CALLED
AND HASN'T BEEN SEEN
981
00:38:09,521 --> 00:38:11,488
SINCE THE TIME
OF TAMARA'S DEATH.
982
00:38:11,556 --> 00:38:14,057
WENT BY THE HOUSE...
NO ANSWER.
983
00:38:14,092 --> 00:38:15,959
SO EITHER HE'S ON THE RUN, OR...
984
00:38:15,994 --> 00:38:17,394
OR ANOTHER VICTIM.
985
00:38:17,429 --> 00:38:18,461
MM.
986
00:38:18,530 --> 00:38:20,030
YOU KNOW
WHAT I DON'T UNDERSTAND?
987
00:38:20,065 --> 00:38:21,631
WHAT'S THAT?
988
00:38:21,667 --> 00:38:23,967
IF QUIN WAS IN TOWN
TO PLAN HIS MOTHER'S FUNERAL,
989
00:38:24,036 --> 00:38:26,503
WHY DID HE CHECK INTO A MOTEL
A DAY BEFORE HIS MOTHER DIED?
990
00:38:28,273 --> 00:38:29,406
WELL,
THAT DOES MEAN ONE THING...
991
00:38:29,441 --> 00:38:31,875
BOTH BROTHERS WERE IN TOWN
FOR BOTH MURDERS.
992
00:38:31,910 --> 00:38:34,110
MM-HMM.
993
00:38:34,146 --> 00:38:36,212
NO CANDLES, NO MUSIC.
994
00:38:36,248 --> 00:38:37,847
JUST TACOS.
995
00:38:37,883 --> 00:38:39,649
I DON'T KNOW,
WAYS TO MY HEART...
996
00:38:39,685 --> 00:38:40,617
ONE, BUY ME TACOS,
997
00:38:40,652 --> 00:38:41,618
TWO, MAKE ME TACOS,
998
00:38:41,687 --> 00:38:43,019
AND THREE, BE A TACO.
999
00:38:43,055 --> 00:38:44,821
FINE, YOU'RE BUYING YOUR OWN.
1000
00:38:44,856 --> 00:38:46,256
ONE TACO, PLEASE.
1001
00:38:46,291 --> 00:38:47,924
SAME, THANKS.
1002
00:38:47,959 --> 00:38:49,392
SO...
1003
00:38:49,461 --> 00:38:50,794
SINCE WE'RE JUST HANGING OUT,
1004
00:38:50,829 --> 00:38:53,063
CAN I ASK YOU
WHAT'S UP WITH YOUR EX?
1005
00:38:53,098 --> 00:38:54,497
YOU CAN.
1006
00:38:54,533 --> 00:38:55,498
I JUST DID.
1007
00:38:55,534 --> 00:38:57,434
WHOA.
1008
00:38:57,469 --> 00:38:58,635
UM, I DON'T KNOW.
1009
00:39:00,806 --> 00:39:02,505
THANK YOU.
1010
00:39:02,541 --> 00:39:03,573
WE NEVER REALLY ARGUED.
1011
00:39:03,608 --> 00:39:05,575
SHE JUST WOULD EXPLAIN
REALLY LOUDLY
1012
00:39:05,610 --> 00:39:07,510
WHY SHE WAS ALWAYS RIGHT.
1013
00:39:07,546 --> 00:39:08,445
BEEN THERE.
1014
00:39:08,480 --> 00:39:09,446
YEAH...
1015
00:39:09,481 --> 00:39:10,580
AND THE WEIRDEST PART
1016
00:39:10,615 --> 00:39:11,448
IS THAT I'VE HAD THIS
LAUNDRY BASKET,
1017
00:39:11,483 --> 00:39:12,482
FULL OF HER THINGS
1018
00:39:12,517 --> 00:39:14,250
JUST SITTING IN MY CLOSET,
1019
00:39:14,286 --> 00:39:15,719
AND I HAVEN'T REALLY HAD
THE HEART TO GIVE IT BACK.
1020
00:39:15,754 --> 00:39:16,553
HMM.
1021
00:39:18,223 --> 00:39:19,589
YEAH, IT'S A LITTLE WEIRD,
I KNOW.
1022
00:39:19,624 --> 00:39:21,524
NO, IT'S...
1023
00:39:21,560 --> 00:39:23,026
OKAY, IT'S A LITTLE WEIRD.
1024
00:39:23,061 --> 00:39:24,661
WELL, WHAT ABOUT YOU?
1025
00:39:24,696 --> 00:39:28,231
I'M NOT USUALLY
ONE TO GO LOOKING.
1026
00:39:28,266 --> 00:39:29,265
I MEAN, I THINK
1027
00:39:29,334 --> 00:39:30,867
WHEN YOU'RE ACTUALLY
LOOKING FOR LOVE,
1028
00:39:30,936 --> 00:39:32,268
YOU NEVER FIND IT.
1029
00:39:32,304 --> 00:39:35,572
WELL, I THINK I'VE FOUND
TRUE LOVE RIGHT HERE.
1030
00:39:35,640 --> 00:39:36,639
SCATTER MY ASHES.
1031
00:39:37,976 --> 00:39:38,875
DONE.
1032
00:39:38,910 --> 00:39:40,243
[LAUGHING]
1033
00:39:40,278 --> 00:39:41,878
[PHONE RINGING]
1034
00:39:41,947 --> 00:39:43,012
HEY, LOGAN.
1035
00:39:43,081 --> 00:39:44,647
I WENT THROUGH THOSE NUMBERS,
1036
00:39:44,716 --> 00:39:47,083
AND I FOUND
A PRETTY INTERESTING ONE.
1037
00:39:47,152 --> 00:39:48,685
HOW INTERESTING?
1038
00:39:48,754 --> 00:39:51,054
THE ANDRONICUS FAMILY LAWYER,
1039
00:39:51,089 --> 00:39:52,155
ALLAN DEMETRY.
1040
00:39:52,190 --> 00:39:54,424
I'LL TEXT YOU HIS NUMBER
AND ADDRESS.
1041
00:39:54,459 --> 00:39:56,126
LOGAN, YOU ARE THE BEST.
1042
00:39:56,194 --> 00:39:57,927
THANK YOU SO MUCH!
1043
00:40:03,402 --> 00:40:04,334
[CRASHING]
1044
00:40:10,175 --> 00:40:11,307
[DIALING]
1045
00:40:11,343 --> 00:40:12,242
FRANK!
1046
00:40:17,215 --> 00:40:20,884
NO, I JUST SAW A BODY
MOVING THROUGH THE STORE,
1047
00:40:20,919 --> 00:40:21,951
SO I...
1048
00:40:21,987 --> 00:40:22,952
YOU OKAY?
1049
00:40:22,988 --> 00:40:24,154
OH, I'M FINE.
1050
00:40:24,222 --> 00:40:25,688
WAS ANYTHING STOLEN?
1051
00:40:25,724 --> 00:40:27,624
IT DOESN'T LOOK
LIKE THEY TOOK ANYTHING.
1052
00:40:27,659 --> 00:40:28,992
OKAY.
1053
00:40:29,027 --> 00:40:29,926
WELL, THIS IS GOOD.
1054
00:40:29,961 --> 00:40:30,894
UH...
1055
00:40:30,929 --> 00:40:31,995
BUT?
1056
00:40:32,030 --> 00:40:33,530
LOOKS LIKE
THEY RETURNED SOMETHING.
1057
00:40:37,202 --> 00:40:39,235
[FRANK]:
THE MISSING PUZZLE BOX?
1058
00:40:39,304 --> 00:40:41,971
I CAN GUARANTEE YOU,
THAT WAS NOT THERE BEFORE.
1059
00:40:42,040 --> 00:40:43,239
WHY WOULD SOMEBODY
STEAL IT
1060
00:40:43,275 --> 00:40:44,374
AND THEN RETURN IT?
1061
00:40:44,409 --> 00:40:46,609
I'M NOT SURE.
1062
00:40:46,645 --> 00:40:48,711
WELL, I CAN DUST IT
FOR FINGERPRINTS,
1063
00:40:48,747 --> 00:40:49,913
BUT IT'S NOT
TECHNICALLY EVIDENCE
1064
00:40:49,981 --> 00:40:51,314
UNTIL WE CAN PROVE
1065
00:40:51,349 --> 00:40:53,149
THAT IT'S TIED
TO EITHER DEATH.
1066
00:40:53,218 --> 00:40:54,451
[OFFICER]:
DETECTIVE LYNWOOD?
1067
00:40:54,519 --> 00:40:56,986
WHEN HE SAW US, HE RAN.
1068
00:41:04,496 --> 00:41:06,329
AM I UNDER ARREST?
1069
00:41:08,867 --> 00:41:11,901
YES, I'D SAY
A CHAT IS IN ORDER.
1070
00:41:13,905 --> 00:41:15,305
[FRANK]: WELL,
1071
00:41:15,340 --> 00:41:17,907
THAT'S A LONG LIST OF GREATEST HITS HERE.
1072
00:41:17,943 --> 00:41:19,175
RIOTING,
1073
00:41:19,211 --> 00:41:21,978
A DROPPED ASSAULT CHARGE
ON A PEACE OFFICER...
1074
00:41:22,013 --> 00:41:24,314
OH, AND BREAKING AND ENTERING.
1075
00:41:24,349 --> 00:41:26,416
THERE WAS NO BREAKING
AND ENTERING.
1076
00:41:26,451 --> 00:41:28,551
THAT CHARGE WAS
TRESPASSING AT MOST.
1077
00:41:28,587 --> 00:41:29,419
HOW SO?
1078
00:41:29,454 --> 00:41:30,753
I WAS PROTESTING
1079
00:41:30,822 --> 00:41:33,823
THE CONSTRUCTION OF A SKYSCRAPER
OVER IN ALDERGROVE.
1080
00:41:33,892 --> 00:41:37,227
I WAS ON PRIVATE PROPERTY,
CLIMBED OVER A FENCE,
1081
00:41:37,295 --> 00:41:40,230
AND GOT GRABBED FROM BEHIND
BY AN OFF-DUTY COP.
1082
00:41:40,265 --> 00:41:43,266
DID YOU EVER STEAL ANYTHING
FROM MRS. SHANNON'S STORE...
1083
00:41:43,301 --> 00:41:45,568
SPECIFICALLY, A PUZZLE BOX,
1084
00:41:45,604 --> 00:41:47,904
THEN FOR WHATEVER REASON BRING IT BACK?
1085
00:41:47,973 --> 00:41:49,339
[PROTESTER]:
NO.
1086
00:41:49,374 --> 00:41:52,075
I'M NOT A THIEF, OR ANYTHING THAT SHEET SAYS.
1087
00:41:52,110 --> 00:41:55,445
THE REAL CROOKS WEAR SUITS,
COME INTO SMALL TOWNS,
1088
00:41:55,480 --> 00:41:57,280
BULLDOZE EVERYTHING IN SIGHT.
1089
00:41:57,315 --> 00:42:00,216
HENCE THE ANDRONOCORP PROTEST,
1090
00:42:00,285 --> 00:42:01,618
AND BY ALL ACCOUNTS,
1091
00:42:01,653 --> 00:42:03,720
IT'S SOMETHING
YOU SEEM FAIRLY ANGERED AT...
1092
00:42:05,023 --> 00:42:08,258
I'D EVEN SAY
OBSESSED.
1093
00:42:08,293 --> 00:42:10,760
"OBSESSED" IS A WORD
LAZY PEOPLE USE
1094
00:42:10,829 --> 00:42:12,829
TO DESCRIBE THE DEDICATED.
1095
00:42:12,864 --> 00:42:15,465
OOH, THAT'D BE A GREAT TAGLINE
FOR ONE OF YOUR SIGNS.
1096
00:42:15,500 --> 00:42:17,700
OH, SPEAKING
OF TAGS,
1097
00:42:17,736 --> 00:42:20,036
I'M GUESSING THAT
THE SPRAY-PAINT IN YOUR BAG
1098
00:42:20,071 --> 00:42:21,204
AND WHAT YOU'VE GOT
ON YOUR HANDS THERE
1099
00:42:21,239 --> 00:42:23,439
IS THE SAME
AS ON THE ANDRONICUS GATE.
1100
00:42:23,475 --> 00:42:24,741
OH, AND I'VE EVEN HEARD ACCOUNTS
1101
00:42:24,776 --> 00:42:28,011
OF OTHER ANDRONOCORP BUILDINGS BEING DEFACED
1102
00:42:28,046 --> 00:42:29,512
ALL OVER TOWN.
1103
00:42:29,548 --> 00:42:31,548
IT IS WHAT IT IS,
1104
00:42:31,583 --> 00:42:34,050
BUT I NEVER BROKE
INTO ANY STORE.
1105
00:42:34,085 --> 00:42:36,920
WHEN WAS THE LAST TIME YOU WERE
AT THE ANDRONICUS RESIDENCE?
1106
00:42:41,259 --> 00:42:44,193
DID YOU SEE OR HAVE
ANYTHING TO DO WITH THE DEATHS
1107
00:42:44,229 --> 00:42:46,563
OF EITHER ELIZABETH
OR TAMARA ANDRONICUS?
1108
00:42:46,631 --> 00:42:48,831
[PROTESTER]:
NO,
1109
00:42:48,900 --> 00:42:51,334
BUT THE FEWER OF THAT FAMILY IN THIS WORLD,
1110
00:42:51,369 --> 00:42:52,802
THE BETTER.
1111
00:42:52,837 --> 00:42:55,438
[FRANK]: IF YOU'RE WITHHOLDING, IT'S OBSTRUCTION.
1112
00:42:59,177 --> 00:43:01,444
I WAS TAGGING THEIR GATE.
1113
00:43:01,513 --> 00:43:03,079
I SAW A CAR
SPEED INTO THE DRIVEWAY
1114
00:43:03,148 --> 00:43:05,148
AND SLAM ON ITS BRAKES.
1115
00:43:05,183 --> 00:43:07,050
A WOMAN CAME OUT
OF THE HOUSE.
1116
00:43:07,085 --> 00:43:10,019
I TOOK OFF BEFORE HE GOT OUT OF THE CAR.
1117
00:43:10,055 --> 00:43:10,853
[FRANK]:
DID YOU HEAR WHAT THEY SAID?
1118
00:43:10,922 --> 00:43:11,921
NO.
1119
00:43:11,957 --> 00:43:13,222
WAS THE WOMAN
OLDER OR YOUNGER?
1120
00:43:13,258 --> 00:43:14,223
YOUNGER.
1121
00:43:14,259 --> 00:43:16,593
AND THE DRIVER?
1122
00:43:16,628 --> 00:43:18,394
LIKE I SAID, NEVER SAW HIM.
1123
00:43:18,430 --> 00:43:19,829
WHAT ABOUT THE CAR?
1124
00:43:19,864 --> 00:43:24,100
UH, SILVER... GRAY... SEDAN?
1125
00:43:24,135 --> 00:43:25,535
AND THIS WAS YESTERDAY?
1126
00:43:25,570 --> 00:43:27,870
YEAH.
1127
00:43:27,906 --> 00:43:30,506
WHY DIDN'T YOU GO
TO THE POLICE?
1128
00:43:30,542 --> 00:43:32,809
'CAUSE I KNEW
YOU'D SEE THOSE PRIORS,
1129
00:43:32,844 --> 00:43:34,777
AND I'D END UP
NEVER WALKING OUT OF HERE.
1130
00:43:34,813 --> 00:43:37,480
LOOK...
1131
00:43:37,515 --> 00:43:39,916
I KNOW I HAVE RED ON MY HANDS..
1132
00:43:41,953 --> 00:43:43,953
BUT NONE OF IT'S BLOOD.
1133
00:43:48,860 --> 00:43:50,393
BUT IF ZACH BROKE
INTO THE STORE,
1134
00:43:50,462 --> 00:43:51,361
WOULDN'T HE HAVE
AN INJURED LEG
1135
00:43:51,429 --> 00:43:52,795
FROM THE FALL?
1136
00:43:52,831 --> 00:43:54,664
TRUE, BUT HE COULD JUST
BE LYING ABOUT THE ARGUMENT
1137
00:43:54,699 --> 00:43:56,466
TO COVER UP
FOR HIMSELF.
1138
00:43:56,501 --> 00:43:57,567
HE WAS THERE
1139
00:43:57,602 --> 00:44:00,403
AROUND THE TIME
OF TAMARA'S DEATH.
1140
00:44:00,438 --> 00:44:02,872
NO, JUST BECAUSE
HE'S PASSIONATE ABOUT A CAUSE
1141
00:44:02,941 --> 00:44:04,273
DOESN'T MEAN HE'S A KILLER.
1142
00:44:04,309 --> 00:44:06,275
OKAY, THEN WHO?
1143
00:44:06,344 --> 00:44:07,477
I FOUND A NUMBER
1144
00:44:07,512 --> 00:44:09,679
FOR THE ANDRONICUS
FAMILY LAWYER,
1145
00:44:09,748 --> 00:44:11,414
THE SAME NUMBER
THAT TEXTED TAMARA
1146
00:44:11,449 --> 00:44:12,849
SAYING, "I'M SORRY."
1147
00:44:12,884 --> 00:44:14,584
ALLAN DEMETRY
WAS THE "I'M SORRY?"
1148
00:44:14,619 --> 00:44:16,252
HE WAS.
1149
00:44:16,287 --> 00:44:17,587
MAYBE QUIN WAS ON TO SOMETHING
1150
00:44:17,622 --> 00:44:20,957
WHEN HE SAID DEMETRY
WAS INTERESTED IN TAMARA.
1151
00:44:20,992 --> 00:44:22,458
WELL, IF WE CAN
EVEN FIND DEMETRY
1152
00:44:22,527 --> 00:44:23,926
AND GET THE CELL,
1153
00:44:23,995 --> 00:44:25,228
THEN I'LL BE ABLE
TO APPROXIMATE
1154
00:44:25,296 --> 00:44:27,430
THE AREA
WHERE HE MADE THAT TEXT FROM.
1155
00:44:27,465 --> 00:44:28,731
WHICH WOULD PUT HIM
AT THE SCENE OF THE CRIME,
1156
00:44:28,767 --> 00:44:29,699
OR SOMEWHERE ELSE.
1157
00:44:29,734 --> 00:44:30,667
WELL, THIS GUY,
1158
00:44:30,702 --> 00:44:31,934
HE HASN'T RETURNED
ANY OF MY CALLS,
1159
00:44:31,970 --> 00:44:33,136
HASN'T SHOWN UP AT WORK,
1160
00:44:33,171 --> 00:44:34,337
AND ALL THE NEIGHBORS SAY
1161
00:44:34,372 --> 00:44:35,204
THEY HAVEN'T SEEN HIS CAR
IN THE DRIVEWAY
1162
00:44:35,240 --> 00:44:36,239
SINCE TUESDAY.
1163
00:44:36,307 --> 00:44:38,574
YOU GOT ANYTHING
ON TAMARA'S CELL?
1164
00:44:38,610 --> 00:44:40,443
NO,
STILL WAITING ON A WARRANT.
1165
00:44:40,512 --> 00:44:42,879
CAN'T LUCAS GIVE YOU PERMISSION
TO ACCESS HER PHONE?
1166
00:44:42,947 --> 00:44:44,414
I WISH IT WAS THAT EASY.
1167
00:44:44,449 --> 00:44:46,082
DETECTIVE, THE BOX
HAS BEEN WIPED DOWN.
1168
00:44:46,117 --> 00:44:47,517
NO FINGERPRINTS.
1169
00:44:50,121 --> 00:44:51,254
YOU THINKING
THERE'S SOMETHING INSIDE,
1170
00:44:51,289 --> 00:44:52,755
THAT'S PERTAINING
TO THE INVESTIGATION?
1171
00:44:52,824 --> 00:44:54,791
I'M NOT SURE,
1172
00:44:54,826 --> 00:44:56,259
BUT IF YOU WANT ME
TO STAY WITH IT AND GET IT OPEN,
1173
00:44:56,294 --> 00:44:57,293
I CAN FIND OUT.
1174
00:44:58,763 --> 00:44:59,662
GIVE IT TO HER.
1175
00:45:02,600 --> 00:45:03,933
COME TO ME FIRST.
1176
00:45:04,002 --> 00:45:05,601
I ALWAYS DO.
1177
00:45:05,637 --> 00:45:06,836
AH.
1178
00:45:06,905 --> 00:45:07,937
YEAH, RIGHT.
1179
00:45:23,521 --> 00:45:24,821
HEY, DANI.
1180
00:45:24,889 --> 00:45:26,589
CAN YOU COVER FOR ME
AT THE STORE TOMORROW MORNING?
1181
00:45:26,624 --> 00:45:28,124
[BARKING]
1182
00:45:28,159 --> 00:45:29,492
[LOGAN]: COPPER!
MITTENS!
1183
00:45:29,527 --> 00:45:30,426
LL DROOL J, COME ON.
1184
00:45:30,462 --> 00:45:31,394
[BARKING]
1185
00:45:33,998 --> 00:45:36,132
DID YOU OPEN UP
A DOG PARK IN OUR BACKYARD?
1186
00:45:36,167 --> 00:45:37,433
[BARKING]
1187
00:45:37,469 --> 00:45:38,868
YEAH, IT WAS SUPPOSED
1188
00:45:38,903 --> 00:45:40,169
TO BE A DOG-WALKING
BUSINESS. I...
1189
00:45:40,205 --> 00:45:41,237
[BARKING]
1190
00:45:41,272 --> 00:45:42,305
I THOUGHT
IT WOULD BE EASIER.
1191
00:45:44,175 --> 00:45:45,141
IT JUST SEEMS LIKE THE END GOAL
1192
00:45:45,176 --> 00:45:46,442
IS GETTING FARTHER
AND FARTHER AWAY.
1193
00:45:46,478 --> 00:45:48,411
DON'T WORRY,
YOU'LL GET THERE.
1194
00:45:48,446 --> 00:45:50,079
ANYTHING WORTHWHILE TAKES TIME.
1195
00:45:51,149 --> 00:45:52,014
YOU THINK SO?
1196
00:45:52,050 --> 00:45:53,182
I KNOW SO.
1197
00:45:53,251 --> 00:45:55,118
LET ME HELP YOU OUT.
1198
00:45:55,186 --> 00:45:56,719
COME HERE, GUYS.
1199
00:45:56,755 --> 00:45:57,553
COME HERE, YOU.
1200
00:45:57,622 --> 00:45:58,955
WHAT'RE YOU
DOING? STOP.
1201
00:46:07,365 --> 00:46:08,865
[KNOCKING]
1202
00:46:15,273 --> 00:46:17,140
[LINE RINGING]
1203
00:46:17,208 --> 00:46:18,608
[VOICE MAIL]: YOU'VE REACHED THE LAW OFFICE MOBILE
1204
00:46:18,676 --> 00:46:19,642
OF ALLAN DEMETRY.
1205
00:46:19,677 --> 00:46:21,010
LEAVE YOUR NAME AND NUMBER,
1206
00:46:21,045 --> 00:46:22,578
AND I WILL RETURN YOUR CALL AS SOON AS POSSIBLE.
1207
00:46:37,462 --> 00:46:39,195
MR. DEMETRY?
1208
00:46:42,400 --> 00:46:43,866
HELLO?
1209
00:46:48,840 --> 00:46:50,406
MR. DEMETRY?
1210
00:47:10,595 --> 00:47:11,994
THANKS.
1211
00:47:12,030 --> 00:47:13,196
[PHONE RINGING]
1212
00:47:16,734 --> 00:47:18,034
HEY, FRANK.
1213
00:47:18,069 --> 00:47:19,135
YOU OPEN THE BOX ALREADY?
1214
00:47:19,170 --> 00:47:22,038
UH... NOT EXACTLY...
1215
00:47:22,073 --> 00:47:23,673
FRANK,
I'M AT ALLAN DEMETRY'S HOUSE.
1216
00:47:23,708 --> 00:47:24,674
WELL, IS HE THERE?
1217
00:47:24,709 --> 00:47:27,043
NO, BUT THE SIDE DOOR WAS OPEN,
1218
00:47:27,078 --> 00:47:29,378
AND SOME FURNITURE'S
BEEN OVERTURNED, AND...
1219
00:47:29,447 --> 00:47:30,479
WELL, FRANK, IT LOOKS LIKE
THERE WAS A STRUGGLE.
1220
00:47:30,515 --> 00:47:31,714
I'M CONCERNED
1221
00:47:31,749 --> 00:47:32,715
SOMETHING MIGHT HAVE HAPPENED
TO MR. DEMETRY.
1222
00:47:32,750 --> 00:47:34,250
I'LL SEND SOMEONE OVER
A.S.A.P.
1223
00:47:34,319 --> 00:47:36,152
OH, AND, FRANK, ONE MORE THING.
1224
00:47:36,187 --> 00:47:39,522
I THINK TAMARA AND ALLAN
WENT TO A CABIN.
1225
00:47:39,557 --> 00:47:40,723
I'M GOING TO SEND YOU
A PHOTO.
1226
00:47:40,792 --> 00:47:41,958
LOOK CLOSELY.
1227
00:47:41,993 --> 00:47:44,227
HER REFLECTION
IS IN HIS SUNGLASSES.
1228
00:47:44,262 --> 00:47:45,695
OKAY, THANKS,
1229
00:47:45,730 --> 00:47:48,164
BUT PLEASE GET SOMEWHERE SAFE.
1230
00:47:54,439 --> 00:47:57,306
LOON LAKE...
THAT'S NOT TOO FAR.
1231
00:48:22,800 --> 00:48:25,268
PUT THE PHONE DOWN!
1232
00:48:27,305 --> 00:48:28,938
WHO ARE YOU?
1233
00:48:30,708 --> 00:48:32,642
I'M A FRIEND
OF THE ANDRONICUS FAMILY.
1234
00:48:32,677 --> 00:48:34,076
THEY DON'T HAVE FRIENDS.
1235
00:48:34,112 --> 00:48:35,211
THEY HAVE EMPLOYEES.
1236
00:48:37,715 --> 00:48:39,649
I KNEW TAMARA.
1237
00:48:41,152 --> 00:48:42,285
I'M SORRY.
1238
00:48:42,353 --> 00:48:43,853
I CAN GO AND PRETEND
I NEVER SAW ANYTHING.
1239
00:48:43,888 --> 00:48:45,855
WHY ARE YOU HERE?
1240
00:48:47,725 --> 00:48:50,559
YOU'RE THE LAST PERSON
TO SEND TAMARA A MESSAGE.
1241
00:48:50,628 --> 00:48:51,827
I WAS HOPING
1242
00:48:51,863 --> 00:48:53,796
YOU COULD SHED SOME LIGHT
ON THE "I'M SORRY" TEXT.
1243
00:48:53,865 --> 00:48:56,499
IF YOU CAN FIND ME,
HE CAN FIND ME.
1244
00:48:56,534 --> 00:48:58,401
WHO'S HE?
1245
00:48:58,436 --> 00:49:00,202
SAME PERSON
WHO GAVE ME THIS...
1246
00:49:00,238 --> 00:49:01,170
HER HUSBAND.
1247
00:49:01,205 --> 00:49:02,204
LUCAS.
1248
00:49:02,273 --> 00:49:03,406
HE'S COMPLETELY
LOST IT.
1249
00:49:03,441 --> 00:49:04,740
HE'LL DO ANYTHING TO ANYONE
AT THIS POINT.
1250
00:49:04,776 --> 00:49:06,208
EVEN KILL?
1251
00:49:06,244 --> 00:49:07,476
YEAH.
1252
00:49:09,447 --> 00:49:11,781
WHEN DID LUCAS COME AFTER YOU?
1253
00:49:11,849 --> 00:49:14,116
UH, TUESDAY.
1254
00:49:14,152 --> 00:49:16,619
THE SAME DAY
TAMARA DIED.
1255
00:49:16,688 --> 00:49:18,421
HE CAME OVER IN A RAGE,
1256
00:49:18,489 --> 00:49:19,822
THINKING SOMETHING
WAS GOING ON.
1257
00:49:19,857 --> 00:49:21,891
TAMARA WOULD NEVER ADMIT
ANYTHING ABOUT US,
1258
00:49:21,926 --> 00:49:24,193
BUT, APPARENTLY,
HIS BROTHER SAW ME
1259
00:49:24,228 --> 00:49:25,695
SNEAKING OUT OF THE HOUSE
ON SATURDAY, AND...
1260
00:49:27,231 --> 00:49:29,565
TO BE HONEST, AFTER
A YEAR OF HIDING IT,
1261
00:49:29,600 --> 00:49:32,068
I HAD TO TELL HIM
THAT I LOVED HER.
1262
00:49:32,103 --> 00:49:33,769
I LOVE HER.
1263
00:49:33,805 --> 00:49:35,705
HOW DID YOU GET AWAY?
1264
00:49:35,740 --> 00:49:38,107
I HAD TO PROMISE
TO TEXT AND BREAK IT OFF,
1265
00:49:38,142 --> 00:49:39,709
AND THEN HE STORMED
OUT THE FRONT.
1266
00:49:39,744 --> 00:49:41,143
THAT'S THE "I'M SORRY."
1267
00:49:44,916 --> 00:49:46,182
I, UH...
1268
00:49:47,585 --> 00:49:49,452
I DIDN'T KNOW IF HE WAS GOING
TO CHANGE HIS MIND
1269
00:49:49,487 --> 00:49:51,087
AND COME BACK.
1270
00:49:51,122 --> 00:49:52,188
I WAS SCARED,
1271
00:49:52,223 --> 00:49:53,689
SO I BOLTED OUT
AS QUICK AS I COULD.
1272
00:49:55,193 --> 00:49:57,560
DO YOU THINK LUCAS WENT BACK
AND KILLED TAMARA?
1273
00:49:59,063 --> 00:49:59,996
I DO...
1274
00:50:01,165 --> 00:50:02,231
MR. DEMETRY,
1275
00:50:02,266 --> 00:50:04,700
I KNOW THE DETECTIVE
ON THIS CASE.
1276
00:50:04,736 --> 00:50:06,569
MAY I CALL HIM
AND GET YOU SOME HELP.
1277
00:50:20,018 --> 00:50:22,151
IF THERE'S ONE,
THERE'LL BE MORE.
1278
00:50:27,358 --> 00:50:28,657
I GET THAT IT HURTS...
1279
00:50:28,693 --> 00:50:30,726
I REALLY DO...
1280
00:50:32,530 --> 00:50:34,463
BUT THE DIFFERENCE
BETWEEN A PROFESSIONAL
1281
00:50:34,499 --> 00:50:36,932
AND AN AMATEUR
1282
00:50:36,968 --> 00:50:38,534
IS THAT THE PRO PLAYS HURT.
1283
00:50:45,576 --> 00:50:46,675
ARE YOU LISTENING?
1284
00:50:52,283 --> 00:50:54,583
SHE WAS REALLY SOMETHING,
WASN'T SHE?
1285
00:50:57,055 --> 00:50:58,487
THEY BOTH WERE.
1286
00:51:01,359 --> 00:51:03,526
WE'RE GOING
TO SURVIVE THIS.
1287
00:51:03,594 --> 00:51:04,927
WE ALWAYS DO.
1288
00:51:04,962 --> 00:51:06,529
[DOORBELL RINGING]
1289
00:51:17,275 --> 00:51:19,041
LUCAS ANDRONICUS,
1290
00:51:19,077 --> 00:51:20,142
YOU'RE UNDER ARREST
1291
00:51:20,178 --> 00:51:21,310
FOR THE ASSAULT
OF ALLAN DEMETRY.
1292
00:51:26,651 --> 00:51:28,784
AH, THE SINGLE LIFE.
1293
00:51:28,820 --> 00:51:30,252
GREAT, ISN'T IT?
1294
00:51:30,288 --> 00:51:31,854
A FREEDOM TO IT.
1295
00:51:31,889 --> 00:51:33,322
NO PRESSURE,
1296
00:51:33,357 --> 00:51:34,290
NO STRESS
AT THE END OF THE DAY.
1297
00:51:34,325 --> 00:51:35,958
[RINGING BICYCLE BELL]
1298
00:51:40,765 --> 00:51:41,831
YOU KNOW, I THINK
1299
00:51:41,899 --> 00:51:43,332
THAT REAL FREEDOM'S
NOT HAVING TO UPDATE
1300
00:51:43,367 --> 00:51:45,367
YOUR ONLINE
RELATIONSHIP STATUS.
1301
00:51:45,403 --> 00:51:47,403
OR TAKING THAT PERFECT
COUPLE PROFILE SELFIE
1302
00:51:47,438 --> 00:51:48,637
YOU KNOW THEY TOOK
A MILLION TIMES
1303
00:51:48,706 --> 00:51:49,738
JUST TO GET
THAT ONE.
1304
00:51:49,774 --> 00:51:51,173
I'M ACTUALLY
IN A LONG-TERM RELATIONSHIP
1305
00:51:51,209 --> 00:51:53,109
WITH FUN AND ADVENTURE.
1306
00:51:53,144 --> 00:51:54,376
ME TOO.
1307
00:51:54,412 --> 00:51:55,411
AW.
1308
00:51:57,515 --> 00:51:58,347
WE SHOULD GET
OUT OF HERE.
1309
00:51:58,416 --> 00:52:01,050
YEAH, IMMEDIATELY.
1310
00:52:01,085 --> 00:52:02,985
[SCREAMING]
1311
00:52:14,765 --> 00:52:16,132
HMM.
1312
00:52:20,004 --> 00:52:20,970
HI.
1313
00:52:21,005 --> 00:52:22,004
JENN!
1314
00:52:22,073 --> 00:52:23,239
WE'LL KEEP ROLLING.
JOIN US?
1315
00:52:23,274 --> 00:52:24,173
OH...
1316
00:52:24,208 --> 00:52:26,142
OKAY, BUT...
1317
00:52:26,177 --> 00:52:29,044
IF THIS PUZZLE BOX
TURNS OUT TO BE EVIDENCE,
1318
00:52:29,080 --> 00:52:31,213
WELL, YOU'RE GOING TO HAVE
TO CLEAR IT WITH THE POLICE
1319
00:52:31,282 --> 00:52:32,948
TO USE ANY OF THIS FOOTAGE.
1320
00:52:34,619 --> 00:52:36,819
I'LL CHECK INTO THE LEGALITIES
OF IT, JENN,
1321
00:52:36,854 --> 00:52:37,920
JUST IN CASE.
1322
00:52:37,955 --> 00:52:39,255
OKAY.
1323
00:52:43,594 --> 00:52:45,261
HEY THERE.
1324
00:52:45,296 --> 00:52:46,228
OOPS, SORRY,
DARLING.
1325
00:52:46,264 --> 00:52:47,229
YOU'RE JUST...
1326
00:52:47,265 --> 00:52:48,230
YOU'RE STANDING
IN MY LIGHT.
1327
00:52:48,299 --> 00:52:49,965
THERE WE GO.
1328
00:52:50,001 --> 00:52:53,102
YOU'RE REALLY WARMING UP
TO THE CAMERAS, HUH?
1329
00:52:53,171 --> 00:52:55,037
"I'M READY FOR
MY CLOSE-UP..."
1330
00:52:55,106 --> 00:52:56,105
BUT I ACTUALLY AM.
1331
00:52:56,140 --> 00:52:57,273
I CAN SEE THAT.
1332
00:52:57,308 --> 00:52:58,340
OKAY, THAT'S, UM...
1333
00:52:58,376 --> 00:52:59,241
OW...
1334
00:53:00,978 --> 00:53:02,645
LET'S GET READY
TO GO.
1335
00:53:02,713 --> 00:53:04,680
ARE YOU OKAY?
1336
00:53:04,715 --> 00:53:06,916
OH.
1337
00:53:06,951 --> 00:53:09,518
YEAH, YEAH, IT'S JUST
AN OLD FOOTBALL INJURY.
1338
00:53:09,554 --> 00:53:10,686
FLARES UP
ONCE IN A WHILE.
1339
00:53:14,225 --> 00:53:15,558
I DID FIND
SUBSTANTIAL AMOUNTS
1340
00:53:15,593 --> 00:53:17,526
OF MORPHINE SULFATE
IN HER MOUTH.
1341
00:53:17,562 --> 00:53:18,627
ALL RIGHT,
WE'RE READY.
1342
00:53:18,663 --> 00:53:19,428
LET'S GET TO IT.
1343
00:53:19,463 --> 00:53:21,397
ALL RIGHT, SO...
1344
00:53:21,432 --> 00:53:23,365
THE PUZZLE BOX
MAGICALLY REAPPEARS.
1345
00:53:23,401 --> 00:53:24,934
SEEMS THERE'S SOMETHING MORE
TO THE MYSTERY AFTER ALL,
1346
00:53:24,969 --> 00:53:25,801
DON'T YOU THINK?
1347
00:53:28,306 --> 00:53:29,638
UM..
1348
00:53:29,674 --> 00:53:31,574
YEAH, UH... CUT?
1349
00:53:31,609 --> 00:53:32,908
UM...
1350
00:53:32,944 --> 00:53:34,376
YOU KNOW, THE FAMILY HAS
BEEN THROUGH SO MUCH.
1351
00:53:34,412 --> 00:53:35,311
ARE YOU SURE
1352
00:53:35,346 --> 00:53:36,779
THERE'S NOT A WAY
1353
00:53:36,814 --> 00:53:38,380
WE CAN'T RESTRUCTURE
THIS EPISODE
1354
00:53:38,416 --> 00:53:40,182
AND FOCUS ON ANOTHER ANTIQUE
IN THE STORE?
1355
00:53:42,086 --> 00:53:43,219
UH, WELL, JENN,
1356
00:53:43,254 --> 00:53:45,521
THE BOX
IS THE EPISODE...
1357
00:53:45,556 --> 00:53:47,923
BUT, I MEAN,
THEIR NAME WON'T BE ON IT.
1358
00:53:47,959 --> 00:53:48,958
I DEFINITELY DON'T
HAVE THE MONEY
1359
00:53:48,993 --> 00:53:51,260
TO FIGHT THE ANDRONICUS
FAMILY IN COURT.
1360
00:53:53,364 --> 00:53:54,930
FAMILY.
1361
00:53:54,966 --> 00:53:56,765
OH, I KNOW THAT LOOK.
1362
00:53:56,834 --> 00:53:58,467
THE FAMILY CREST,
OF COURSE.
1363
00:53:58,502 --> 00:54:00,769
THE CREST
IS THE FIRST CIPHER!
1364
00:54:00,805 --> 00:54:02,037
YES.
1365
00:54:15,620 --> 00:54:18,087
WELL, I WAS HOPING
FOR SOMETHING MORE THAN THAT.
1366
00:54:18,122 --> 00:54:19,822
OH, IT'S OKAY.
YOU'LL GET IT.
1367
00:54:19,857 --> 00:54:21,624
[KAT]:
THAT'S LUNCH, EVERYONE.
1368
00:54:25,263 --> 00:54:27,062
[GRUNTING]
1369
00:54:28,165 --> 00:54:29,865
WHAT?
1370
00:54:29,900 --> 00:54:32,001
[JENN]:
JOEL'S LEG.
1371
00:54:32,036 --> 00:54:33,636
IT'S THE SAME ONE
THE STORE THIEF FELL ON
1372
00:54:33,671 --> 00:54:36,171
WHEN HE WAS TRYING
TO RUN AWAY.
1373
00:54:36,207 --> 00:54:37,339
HAS HE BEEN LIMPING
THE WHOLE TIME?
1374
00:54:37,375 --> 00:54:38,807
NOT THAT I NOTICED,
1375
00:54:38,843 --> 00:54:40,643
BUT WHY WOULD JOEL
STEAL THE BOX?
1376
00:54:40,711 --> 00:54:42,044
I DON'T KNOW.
1377
00:54:43,581 --> 00:54:45,347
IN THE MEANTIME,
WE'LL KEEP AN EYE ON JOEL
1378
00:54:45,416 --> 00:54:46,749
FOR ANYTHING
OUT OF THE ORDINARY,
1379
00:54:46,784 --> 00:54:48,484
ESPECIALLY IF IT HAS TO DO
WITH THE ANDRONICUS FAMILY.
1380
00:54:48,519 --> 00:54:49,518
RIGHT.
1381
00:54:49,553 --> 00:54:51,654
ANDRONICUS FAMILY!
1382
00:54:51,689 --> 00:54:52,788
QUIN ANDRONICUS...
1383
00:54:52,823 --> 00:54:53,756
HE USED TO DO
THESE PUZZLE BOXES
1384
00:54:53,791 --> 00:54:54,823
WITH HIS MOM.
1385
00:54:54,859 --> 00:54:55,991
MAYBE HE COULD HELP ME
FIGURE IT OUT.
1386
00:54:56,027 --> 00:54:57,326
IS THAT SAFE?
1387
00:54:57,395 --> 00:54:59,261
WELL, I'LL MEET HIM
IN A PUBLIC PLACE.
1388
00:54:59,297 --> 00:55:00,229
A VERY PUBLIC PLACE.
1389
00:55:00,264 --> 00:55:02,364
THE LOBBY OF HIS MOTEL,
1390
00:55:02,433 --> 00:55:03,932
AND I'LL LET FRANK KNOW
WHERE I AM.
1391
00:55:03,968 --> 00:55:04,967
ALL RIGHT.
1392
00:55:05,036 --> 00:55:06,302
I KNOW WHERE YOU ARE, TOO.
1393
00:55:06,337 --> 00:55:07,536
[LAUGHING]
1394
00:55:07,605 --> 00:55:09,805
YOU LOOK GOOD
FOR YOUR CLOSE-UP.
1395
00:55:09,874 --> 00:55:11,373
THANK YOU.
1396
00:55:15,913 --> 00:55:17,012
NEW HOME-REPAIR
BUSINESS?
1397
00:55:17,048 --> 00:55:19,615
150 BUCKS PER COMPUTER.
1398
00:55:19,650 --> 00:55:21,450
MOSTLY SOFTWARE ISSUES
SO FAR.
1399
00:55:21,485 --> 00:55:23,519
THAT'S A GREAT START.
1400
00:55:23,554 --> 00:55:24,720
YEAH...
1401
00:55:24,789 --> 00:55:26,955
BUT COMPUBARN HAS THE MARKET
COMPLETELY CORNERED
1402
00:55:26,991 --> 00:55:28,424
AROUND HERE.
1403
00:55:28,459 --> 00:55:30,459
I'LL BE LUCKY TO FIND
A FEW MORE CUSTOMERS,
1404
00:55:30,494 --> 00:55:32,928
AND EVEN THEN,
I'M GOING TO COME UP SHORT.
1405
00:55:32,963 --> 00:55:34,263
YOU CAN ALWAYS DIVERSIFY.
1406
00:55:34,332 --> 00:55:36,131
WHAT COULD I DO?
1407
00:55:36,167 --> 00:55:38,334
SOMETHING THAT YOU ALREADY
KNOW AND LOVE.
1408
00:55:42,707 --> 00:55:43,605
THAT'S IT.
1409
00:55:45,176 --> 00:55:46,842
THE FAMILY BUSINESS.
1410
00:55:46,877 --> 00:55:49,078
A ONE-DAY ONLINE
MASSIVE GARAGE SALE.
1411
00:55:49,113 --> 00:55:50,879
ALL MY COLLECTIBLES AND COMICS.
1412
00:55:52,216 --> 00:55:53,549
ONLY IF YOU'RE SURE.
1413
00:55:53,617 --> 00:55:55,651
YEAH, I'M SURE.
1414
00:55:56,721 --> 00:55:58,220
GOOD.
1415
00:56:00,991 --> 00:56:03,592
AND THEN YOU JUST JUMPED
INTO THE AIR AND TACKLED HIM,
1416
00:56:03,661 --> 00:56:04,893
RIGHT THERE.
1417
00:56:04,962 --> 00:56:06,962
I'VE NEVER SEEN
ANYTHING LIKE IT.
1418
00:56:06,997 --> 00:56:09,264
I PLAYED A LOT OF
FOOTBALL IN HIGH SCHOOL.
1419
00:56:09,333 --> 00:56:11,266
WELL,
AS FAR AS HANGOUTS GO,
1420
00:56:11,302 --> 00:56:13,268
THAT ONE IS GOING
TO BE A HARD ONE TO TOP.
1421
00:56:13,304 --> 00:56:15,671
SO I GET ANOTHER
HANGOUT?
1422
00:56:15,706 --> 00:56:17,139
OF COURSE...
1423
00:56:17,174 --> 00:56:18,307
IF YOU WANT ONE.
1424
00:56:18,342 --> 00:56:19,575
OF COURSE.
1425
00:56:21,345 --> 00:56:22,711
SO...
1426
00:56:22,780 --> 00:56:24,747
SO...
1427
00:56:24,782 --> 00:56:25,948
YOU HAVE MY NUMBER.
1428
00:56:26,016 --> 00:56:26,882
WE SHOULD...
1429
00:56:26,917 --> 00:56:28,283
HANG OUT.
1430
00:56:28,319 --> 00:56:29,184
A LOT.
1431
00:56:29,253 --> 00:56:31,053
WE SHOULD.
1432
00:56:31,088 --> 00:56:32,321
[LAUGHING]
1433
00:56:32,356 --> 00:56:33,288
CALL ME.
1434
00:56:33,324 --> 00:56:34,423
I WILL.
1435
00:56:40,598 --> 00:56:42,531
[PHONE RINGING]
1436
00:56:46,003 --> 00:56:47,436
CAN I MAKE YOU DINNER SOMETIME?
1437
00:56:47,471 --> 00:56:48,737
ANYTIME.
1438
00:56:48,773 --> 00:56:50,005
PERFECT.
1439
00:56:50,040 --> 00:56:51,507
BYE.
1440
00:57:02,086 --> 00:57:03,952
[DIALING]
1441
00:57:03,988 --> 00:57:05,421
[FRANK]:
LYNWOOD. LEAVE A MESSAGE.
1442
00:57:05,456 --> 00:57:06,655
OH, HEY, FRANK,
IT'S JENN.
1443
00:57:06,690 --> 00:57:08,690
I'M AT THE OVERVIEW MOTEL.
1444
00:57:08,726 --> 00:57:09,858
CAN YOU DO ME A FAVOR
1445
00:57:09,894 --> 00:57:11,393
AND RUN A BACKGROUND CHECK
ON JOEL JACOBS,
1446
00:57:11,429 --> 00:57:13,228
THAT PRODUCER FROM THE STORE?
1447
00:57:13,264 --> 00:57:15,164
HE STARTED LIMPING
RIGHT AFTER THE BREAK-IN,
1448
00:57:15,199 --> 00:57:17,299
AND HE WAS THE LAST PERSON
TO TOUCH THE PUZZLE BOX
1449
00:57:17,368 --> 00:57:19,168
BEFORE IT WENT MISSING.
1450
00:57:19,203 --> 00:57:21,069
I DON'T KNOW,
MAYBE THERE'S A CONNECTION.
1451
00:57:21,105 --> 00:57:21,970
I'LL CHECK IN WITH YOU LATER.
1452
00:57:22,006 --> 00:57:23,405
BYE.
1453
00:57:24,508 --> 00:57:25,374
I'M ASSUMING
YOU'RE JENN?
1454
00:57:26,677 --> 00:57:27,609
I AM.
1455
00:57:27,645 --> 00:57:28,777
QUIN.
1456
00:57:28,813 --> 00:57:30,913
HOW CAN I HELP YOU?
1457
00:57:35,052 --> 00:57:36,685
YOUR MOTHER'S WORK
WAS SO INTRICATE.
1458
00:57:36,720 --> 00:57:39,421
SHE WAS THE BEST...
1459
00:57:39,457 --> 00:57:40,889
AT EVERYTHING.
1460
00:57:42,660 --> 00:57:44,493
I WAS SORRY
TO HEAR ABOUT HER PASSING,
1461
00:57:44,528 --> 00:57:45,561
AND LUCAS' ARREST.
1462
00:57:46,931 --> 00:57:48,030
THEY ARRESTED HIM?
1463
00:57:48,065 --> 00:57:48,997
ON WHAT?
1464
00:57:49,033 --> 00:57:50,899
ASSAULT.
1465
00:57:50,935 --> 00:57:52,267
I'M SORRY,
I THOUGHT YOU KNEW.
1466
00:57:53,838 --> 00:57:54,870
WAS IT ALLAN DEMETRY?
1467
00:57:56,440 --> 00:57:57,539
WHAT MAKES YOU THINK THAT?
1468
00:57:58,776 --> 00:58:00,108
IF YOU SAW THE WAY
DEMETRY LOOKED AT TAMARA,
1469
00:58:00,144 --> 00:58:02,244
YOU'D KNOW THERE WAS
ALWAYS SOMETHING THERE.
1470
00:58:02,279 --> 00:58:03,445
LUCAS JUST NEVER SAW IT,
1471
00:58:03,481 --> 00:58:04,646
OR MAYBE HE DIDN'T WANT TO.
1472
00:58:07,818 --> 00:58:09,251
NOT MEANING TO PRY...
1473
00:58:09,286 --> 00:58:10,352
PRY AWAY.
1474
00:58:10,387 --> 00:58:12,988
WHEN WAS THE LAST TIME
YOU TALKED TO LUCAS?
1475
00:58:13,023 --> 00:58:15,224
UH, WELL...
1476
00:58:15,259 --> 00:58:16,258
HAVEN'T SPOKEN
TO HIM MUCH
1477
00:58:16,327 --> 00:58:17,960
IN THE LAST YEAR.
1478
00:58:17,995 --> 00:58:19,962
I DID SPEAK TO MY MOM
EVERY DAY.
1479
00:58:19,997 --> 00:58:20,863
I WAS TALKING
TO HER FRIDAY
1480
00:58:20,898 --> 00:58:22,965
WHEN THE CALL DROPPED.
1481
00:58:23,000 --> 00:58:24,366
I TRIED TO PHONE BACK,
BUT THERE WAS NO ANSWER,
1482
00:58:24,435 --> 00:58:27,169
AND THEN I REACHED
OUT TO LUCAS.
1483
00:58:27,204 --> 00:58:28,370
HE HADN'T HEARD
FROM HER EITHER,
1484
00:58:28,405 --> 00:58:30,339
SO...
1485
00:58:30,407 --> 00:58:31,807
WHEN NONE OF
MY TEXTS, EMAILS,
1486
00:58:31,876 --> 00:58:32,841
OR CALLS WERE RETURNED,
1487
00:58:32,877 --> 00:58:34,009
I DECIDED TO FLY HOME,
1488
00:58:34,044 --> 00:58:37,379
AND THAT'S WHEN I SAW
TAMARA AND DEMETRY.
1489
00:58:37,414 --> 00:58:38,914
DID YOU TELL LUCAS
WHAT YOU SAW?
1490
00:58:38,949 --> 00:58:40,182
I DID.
1491
00:58:40,217 --> 00:58:42,317
NOW I'M GUESSING MY CALL
ALONG WITH MOM'S SILENCE
1492
00:58:42,353 --> 00:58:43,318
MADE HIM FLY OUT.
1493
00:58:43,387 --> 00:58:45,487
DO YOU THINK
IT'S POSSIBLE
1494
00:58:45,523 --> 00:58:46,855
THAT LUCAS COULD HAVE
SOMETHING TO DO
1495
00:58:46,891 --> 00:58:48,156
WITH TAMARA'S DEATH?
1496
00:58:48,225 --> 00:58:51,193
I DON'T THINK HE'D HURT
THE ONE PERSON HE LOVED
1497
00:58:51,228 --> 00:58:52,828
MORE THAN HIMSELF.
1498
00:58:55,199 --> 00:58:57,366
YOU KNOW THE WORST PART?
1499
00:58:57,401 --> 00:58:59,401
I'M NOT EVEN SAD SHE'S GONE.
1500
00:58:59,436 --> 00:59:00,469
[SIGHING]
1501
00:59:00,538 --> 00:59:01,904
OH, I'M SORRY, I'M...
1502
00:59:01,939 --> 00:59:02,871
INQUISITIVE.
IT'S FINE.
1503
00:59:02,907 --> 00:59:03,872
I'M THE SAME WAY.
1504
00:59:03,941 --> 00:59:05,307
I JUST NEED SOME
TIME TO REFOCUS.
1505
00:59:05,342 --> 00:59:06,542
OF COURSE.
1506
00:59:09,713 --> 00:59:11,146
DO YOU KNOW
THE PATTERN?
1507
00:59:13,083 --> 00:59:14,883
NO, BUT I KNOW
THE SYMBOLS,
1508
00:59:14,952 --> 00:59:16,485
AND I KNOW THE WAY
SHE THOUGHT.
1509
00:59:16,520 --> 00:59:19,354
WHATEVER MOM WAS HIDING
MUST'VE BEEN IMPORTANT.
1510
00:59:19,390 --> 00:59:21,290
HIDING FROM WHO?
1511
00:59:21,325 --> 00:59:24,026
I DON'T KNOW...
YET...
1512
00:59:24,061 --> 00:59:26,194
BUT THIS SPIRAL
DRAWN THIS WAY
1513
00:59:26,230 --> 00:59:27,863
MEANS "FAMILY",
1514
00:59:27,932 --> 00:59:29,464
BUT IF YOU TAKE
THE SAME SYMBOL
1515
00:59:29,533 --> 00:59:30,732
AND TURN IT
UPSIDE DOWN,
1516
00:59:30,768 --> 00:59:32,234
THEN IT MEANS "DANGER."
1517
00:59:33,671 --> 00:59:35,704
IT'S LIKE SHE WAS SENDING US
RIDDLES FROM THE GRAVE.
1518
00:59:35,739 --> 00:59:38,640
ALMOST LIKE SHE KNEW
SHE WAS IN DANGER?
1519
00:59:39,743 --> 00:59:41,743
THESE TWO TEAR SYMBOLS...
1520
00:59:41,779 --> 00:59:43,078
IF YOU PUT THEM
SIDE-BY-SIDE,
1521
00:59:43,147 --> 00:59:45,314
THEY BECOME
THE INFINITY SIGN.
1522
00:59:45,349 --> 00:59:46,548
COUPLED
WITH THE SWIRL FOR "FAMILY"
1523
00:59:46,584 --> 00:59:47,449
AND THE GREEK VERB FOR "IS,"
1524
00:59:47,518 --> 00:59:48,817
IT BECOMES...
1525
00:59:48,852 --> 00:59:51,086
[TOGETHER]:
"FAMILY IS FOREVER."
1526
00:59:54,592 --> 00:59:55,557
I'M SORRY.
1527
00:59:55,626 --> 00:59:57,759
UH, I HAVE TO GO.
1528
00:59:57,795 --> 00:59:59,528
IF YOU'D LIKE,
1529
00:59:59,563 --> 01:00:01,697
I COULD TAKE IT AND
WORK ON IT TONIGHT.
1530
01:00:01,765 --> 01:00:03,098
WELL, ACTUALLY,
I'D LIKE TO HANG ON TO IT,
1531
01:00:03,133 --> 01:00:04,733
BUT MAYBE I COULD
COME BY TOMORROW?
1532
01:00:04,768 --> 01:00:06,868
SURE.
1533
01:00:06,904 --> 01:00:09,338
JUST BE CAREFUL.
1534
01:00:09,406 --> 01:00:10,272
THE LAST PEOPLE
TO TOUCH IT
1535
01:00:10,307 --> 01:00:11,406
TURNED UP DEAD.
1536
01:00:22,987 --> 01:00:25,153
[PHONE RINGING]
1537
01:00:25,189 --> 01:00:26,321
HEY, FRANK.
1538
01:00:26,390 --> 01:00:28,023
DEMETRY LET US PING HIS CELL,
1539
01:00:28,058 --> 01:00:29,324
WHICH GAVE US THE LOCATION
1540
01:00:29,360 --> 01:00:30,959
OF WHERE HE SENT
THE "I'M SORRY" TEXT.
1541
01:00:30,995 --> 01:00:32,294
WHERE WAS HE?
1542
01:00:32,329 --> 01:00:33,629
HE WAS AT HOME,
1543
01:00:33,697 --> 01:00:35,464
AN HOUR AWAY
FROM THE ANDRONICUS HOUSE.
1544
01:00:35,499 --> 01:00:37,132
DID YOU FIND ANYTHING ON JOEL?
1545
01:00:37,167 --> 01:00:38,567
CALLED AROUND.
1546
01:00:38,602 --> 01:00:40,569
IT SEEMS YOUR PRODUCER FRIEND IS IN SOME SERIOUS DEBT
1547
01:00:40,604 --> 01:00:41,670
WITH SOME VERY BAD PEOPLE.
1548
01:00:41,705 --> 01:00:42,638
HOW BAD?
1549
01:00:42,673 --> 01:00:43,605
WORST.
1550
01:00:43,641 --> 01:00:44,740
LOAN SHARKS.
1551
01:00:44,775 --> 01:00:46,708
STEEP INTEREST,
BIG CONSEQUENCES.
1552
01:00:46,744 --> 01:00:47,843
SO JOEL MIGHT NEED MONEY
1553
01:00:47,878 --> 01:00:48,777
IF THE SHOW FALLS THROUGH
1554
01:00:48,812 --> 01:00:49,878
TO PAY OFF HIS DEBT?
1555
01:00:49,913 --> 01:00:51,513
WELL, YEAH.
1556
01:00:51,548 --> 01:00:53,949
JOEL MIGHT HAVE GONE OVER
TO ASK FOR SOME CASH.
1557
01:00:53,984 --> 01:00:55,484
SOMEHOW, THINGS GET HEATED.
1558
01:00:55,552 --> 01:00:58,420
WHICH WOULD GIVE HIM MOTIVATION
TO KILL EITHER ONE OF THEM.
1559
01:00:58,455 --> 01:00:59,788
IF QUIN'S ALIBI HOLDS,
1560
01:00:59,823 --> 01:01:01,957
ONLY JOEL AND LUCAS
ARE LEFT AS SUSPECTS.
1561
01:01:02,026 --> 01:01:04,626
TRUE, AND?
1562
01:01:04,662 --> 01:01:06,495
FRANK, IS IT POSSIBLE
1563
01:01:06,563 --> 01:01:08,230
THAT JOEL COULD HAVE KILLED
ELIZABETH FOR MONEY,
1564
01:01:08,265 --> 01:01:10,832
AND LUCAS KILLED TAMARA
OUT OF A JEALOUS RAGE?
1565
01:01:10,868 --> 01:01:12,134
YOU'RE SUGGESTING
TWO DIFFERENT KILLERS?
1566
01:01:12,169 --> 01:01:13,368
MAYBE...
1567
01:01:13,404 --> 01:01:15,003
WITH TWO DIFFERENT MOTIVES.
1568
01:01:15,039 --> 01:01:16,004
HMM.
1569
01:01:23,580 --> 01:01:25,881
WELL, MAYBE I'LL
TELL YOU WHAT I KNOW.
1570
01:01:25,916 --> 01:01:27,683
I KNOW THAT TAMARA
WAS HAVING AN AFFAIR
1571
01:01:27,718 --> 01:01:29,051
FOR A WHILE,
1572
01:01:29,086 --> 01:01:32,387
SOMETHING YOU PROBABLY
ALREADY ASSUMED WAS GOING ON,
1573
01:01:32,423 --> 01:01:35,924
WHICH LED YOU RIGHT OVER
TO ASSAULT ALLAN DEMETRY.
1574
01:01:35,959 --> 01:01:38,226
I ASSUME YOUR SHIRT
GOT RIPPED IN THAT FIGHT
1575
01:01:38,262 --> 01:01:40,862
AND NOT IN THE CAR DOOR
LIKE YOU ORIGINALLY TOLD ME.
1576
01:01:40,931 --> 01:01:42,731
I WAS LYING BEFORE.
1577
01:01:42,766 --> 01:01:43,732
NOT NOW.
1578
01:01:43,767 --> 01:01:45,133
AND AFTER THE FIGHT,
1579
01:01:45,169 --> 01:01:47,269
WELL, YOU WERE FEELING
RILED UP,
1580
01:01:47,304 --> 01:01:48,770
SO YOU WENT BACK HOME
1581
01:01:48,806 --> 01:01:50,372
AND SETTLED THE SCORE
WITH YOUR WIFE.
1582
01:01:50,407 --> 01:01:51,773
I WOULD NEVER...
1583
01:01:51,809 --> 01:01:53,709
MY CLIENT IS ONLY TO BE
QUESTIONED FOR THE ASSAULT.
1584
01:01:55,579 --> 01:01:56,545
OKAY.
1585
01:01:56,580 --> 01:01:58,747
SO...
DID YOU ASSAULT MR. DEMETRY?
1586
01:01:58,782 --> 01:02:01,116
WELL, WOULDN'T YOU?
1587
01:02:01,185 --> 01:02:03,385
SHE WAS EVERYTHING TO ME,
MY LIFE.
1588
01:02:03,454 --> 01:02:04,720
HE TOOK THAT FROM ME.
1589
01:02:04,755 --> 01:02:07,022
SO YOU TOOK IT BACK FROM HIM,
RIGHT?
1590
01:02:07,057 --> 01:02:09,991
'CAUSE IF YOU CAN'T HAVE HER,
NEITHER CAN HE.
1591
01:02:10,027 --> 01:02:11,126
DON'T ANSWER THAT.
1592
01:02:12,863 --> 01:02:15,497
I DIDN'T KILL MY WIFE.
1593
01:02:15,532 --> 01:02:17,566
I LOVE HER.
1594
01:02:17,601 --> 01:02:19,167
I ALWAYS WILL.
1595
01:02:20,938 --> 01:02:22,270
CAN YOU TELL ME
1596
01:02:22,306 --> 01:02:24,706
WHY THERE WAS A BOTTLE
OF PEANUT OIL IN YOUR RECYCLING,
1597
01:02:24,742 --> 01:02:27,075
DESPITE YOUR MOTHER
BEING SO DEATHLY ALLERGIC TO IT?
1598
01:02:27,111 --> 01:02:30,178
I'VE NEVER SEEN ANY OIL,
AND I WOULD NEVER BUY IT.
1599
01:02:30,214 --> 01:02:31,413
WHY DON'T YOU ASK THE STAFF?
1600
01:02:31,448 --> 01:02:33,315
OH, THEY SAID
THE SAME THING.
1601
01:02:33,350 --> 01:02:35,584
MY MOTHER DIED
FROM FALLING DOWN THE STAIRS.
1602
01:02:35,619 --> 01:02:37,285
WHILE POSSIBLY HAVING
A HEART ATTACK
1603
01:02:37,321 --> 01:02:38,987
CAUSED BY ANAPHYLACTIC SHOCK
1604
01:02:39,022 --> 01:02:40,856
BROUGHT ON BY PEANUT OIL.
1605
01:02:40,891 --> 01:02:42,324
WE'RE STILL WAITING
TO HEAR BACK
1606
01:02:42,359 --> 01:02:43,925
THE FINALIZED
AUTOPSY, BUT...
1607
01:02:43,961 --> 01:02:46,728
THIS ISN'T LOOKING GOOD FOR YOU.
1608
01:02:46,764 --> 01:02:49,364
I WAS AT DEMETRY'S.
1609
01:02:49,433 --> 01:02:50,365
I WASN'T ANYWHERE
NEAR THAT HOUSE
1610
01:02:50,400 --> 01:02:52,367
WHEN TAMARA DIED.
1611
01:02:52,402 --> 01:02:53,668
DEMETRY'S HOUSE
ACROSS THE BRIDGE?
1612
01:02:53,704 --> 01:02:55,203
YES.
1613
01:02:55,272 --> 01:02:56,271
SO?
1614
01:02:56,306 --> 01:02:57,372
SO IT'S A
TOLL BRIDGE.
1615
01:02:57,407 --> 01:02:59,641
MEANS THERE'S
A TIME-STAMPED PICTURE
1616
01:02:59,676 --> 01:03:01,543
OF YOUR CAR CROSSING EITHER WAY.
1617
01:03:02,880 --> 01:03:03,879
WHICH WILL SHOW YOU
1618
01:03:03,914 --> 01:03:05,814
THAT I WASN'T ANYWHERE
NEAR TAMARA.
1619
01:03:06,984 --> 01:03:08,216
LET'S HOPE FOR YOUR SAKE.
1620
01:03:23,033 --> 01:03:25,267
[LINE RINGING]
1621
01:03:25,302 --> 01:03:26,201
[HANNAH]: HELLO?
1622
01:03:26,236 --> 01:03:27,068
HEY, HANNAH.
1623
01:03:27,104 --> 01:03:28,870
WHAT'RE YOU UP TO?
1624
01:03:28,906 --> 01:03:30,572
I WAS THINKING
1625
01:03:30,607 --> 01:03:32,374
OF HANGING UP THE HANGOUTS.
1626
01:03:32,409 --> 01:03:35,310
YOU SAID DINNER ANYTIME,
SO WHAT ABOUT NOW?
1627
01:03:36,747 --> 01:03:39,881
WELL, I AM STILL
IN YOUR NEIGHBORHOOD.
1628
01:03:39,917 --> 01:03:41,383
GIVE ME ABOUT 10 MINUTES
OR SO?
1629
01:03:41,451 --> 01:03:42,350
I'LL SEE YOU THEN.
1630
01:03:42,419 --> 01:03:43,919
OKAY, BYE.
1631
01:04:01,371 --> 01:04:03,004
HOW'S IT GOING?
1632
01:04:04,675 --> 01:04:06,241
I KIND OF DON'T
WANT TO SELL THESE.
1633
01:04:07,678 --> 01:04:09,010
I DON'T KNOW.
1634
01:04:09,046 --> 01:04:10,679
IT'S LIKE MY YOUTH
GONE, MAYBE?
1635
01:04:10,714 --> 01:04:13,682
1980 MONGO BMX.
1636
01:04:13,717 --> 01:04:14,883
WHAT?
1637
01:04:14,918 --> 01:04:15,884
STUNT BIKE.
1638
01:04:15,953 --> 01:04:18,086
BLACK RIMS, CHROME PAINT.
1639
01:04:18,121 --> 01:04:20,522
IT WAS THE COOLEST THING
ON TWO WHEELS,
1640
01:04:20,557 --> 01:04:22,757
AND THOSE LAST DAYS OF SUMMER,
JUMPING AT THE TRACK,
1641
01:04:22,793 --> 01:04:23,992
I THOUGHT
I COULD TOUCH THE SKY
1642
01:04:24,027 --> 01:04:25,727
IF ONLY I GOT
HIGH ENOUGH.
1643
01:04:25,762 --> 01:04:26,661
YOU USED TO JUMP?
1644
01:04:26,697 --> 01:04:27,696
OH, YEAH.
1645
01:04:27,764 --> 01:04:30,398
I WAS WAY COOLER
BACK IN THE DAY,
1646
01:04:30,434 --> 01:04:33,535
YOU KNOW,
BEFORE RESPONSIBILITIES
1647
01:04:33,604 --> 01:04:37,272
AND BILLS AND LIFE
AND ALL THAT STUFF.
1648
01:04:37,341 --> 01:04:38,874
WHY DID YOU STOP?
1649
01:04:38,942 --> 01:04:41,276
BROKE MY COLLARBONE
IN THREE PLACES.
1650
01:04:41,311 --> 01:04:42,344
OUCH.
1651
01:04:42,379 --> 01:04:44,779
THEN GRANDMA MADE ME RETIRE.
1652
01:04:44,815 --> 01:04:45,614
SHE MADE YOU SELL THE BIKE?
1653
01:04:45,649 --> 01:04:46,615
NO,
1654
01:04:46,650 --> 01:04:49,484
BUT I DID END UP SELLING IT.
1655
01:04:49,519 --> 01:04:51,152
GOT A DECENT AMOUNT OF CASH
FOR IT BACK THEN,
1656
01:04:51,188 --> 01:04:53,922
CASH THAT I USED AS A DEPOSIT
ON MY FIRST CAR.
1657
01:04:53,957 --> 01:04:55,357
I'M GUESSING
LIKE THE CAR I SMASHED OUTSIDE?
1658
01:04:55,392 --> 01:04:57,626
EXACTLY...
1659
01:04:57,661 --> 01:04:58,693
BUT THAT'S WHEN I LEARNED
1660
01:04:58,729 --> 01:05:01,129
THAT THOUGH
MY BMX DAYS WERE OVER,
1661
01:05:01,164 --> 01:05:02,097
THERE WAS STILL
A LOT OF GREAT THINGS
1662
01:05:02,132 --> 01:05:03,565
YET TO COME,
1663
01:05:03,600 --> 01:05:05,667
LIKE MEETING YOUR MOM,
1664
01:05:05,702 --> 01:05:06,968
HAVING THE TWO OF YOU...
1665
01:05:07,004 --> 01:05:09,137
IT'S STILL THE BEST TRADE
I'VE EVER MADE.
1666
01:05:10,774 --> 01:05:13,341
SO I GUESS MY COMICS
AND MY COLLECTIBLES,
1667
01:05:13,377 --> 01:05:15,143
THEY'RE MY BMX?
1668
01:05:15,178 --> 01:05:17,579
YEAH...
1669
01:05:17,648 --> 01:05:20,749
AND YOU'RE GOING
TO TRADE UP, TOO.
1670
01:05:20,784 --> 01:05:21,950
I AM.
1671
01:05:21,985 --> 01:05:23,585
YEAH.
1672
01:05:27,557 --> 01:05:28,623
[DOORBELL RINGING]
1673
01:05:32,996 --> 01:05:34,562
HANN...
1674
01:05:34,598 --> 01:05:35,530
NOT.
1675
01:05:35,565 --> 01:05:37,332
SURPRISE!
1676
01:05:37,367 --> 01:05:39,534
AVA!
1677
01:05:55,919 --> 01:05:58,186
OH, I'M SORRY
I'M LATE, EVERYONE.
1678
01:05:58,221 --> 01:05:59,955
[DANI]:
IS EVERYTHING OKAY?
1679
01:05:59,990 --> 01:06:02,057
I'M NOT SURE.
FRANK'S ON HIS WAY HERE.
1680
01:06:02,092 --> 01:06:03,892
LADIES, WE READY TO GO?
1681
01:06:03,927 --> 01:06:04,826
YES.
1682
01:06:05,862 --> 01:06:06,761
[PHONE RINGING]
1683
01:06:10,734 --> 01:06:12,167
MR. SOSNIAK!
1684
01:06:12,202 --> 01:06:14,436
IT'S GOOD TO HEAR FROM YOU.
1685
01:06:14,504 --> 01:06:16,471
YOU KNOW, I HAVE TO TELL YOU,
1686
01:06:16,506 --> 01:06:18,406
I WAS CUTTING SOME
FOOTAGE LAST NIGHT,
1687
01:06:18,442 --> 01:06:20,508
AND IT IS REALLY
COMING TOGETHER.
1688
01:06:20,544 --> 01:06:22,143
-THAT'S GOOD.
-THAT'S WONDERFUL.
1689
01:06:22,179 --> 01:06:23,111
YOU KNOW,
I WASN'T SURE
1690
01:06:23,146 --> 01:06:24,479
BEFORE THE
LOCATION SCOUT
1691
01:06:24,514 --> 01:06:26,548
THAT COMING ALL THIS WAY
WAS GOING TO BE WORTH IT,
1692
01:06:26,583 --> 01:06:29,150
BUT THIS TOWN, IT'S...
IT'S REALLY GROWN ON ME.
1693
01:06:29,186 --> 01:06:31,152
LOCATION SCOUT?
1694
01:06:31,188 --> 01:06:33,054
OH, YEAH,
THAT'S WHEN CREWS GO TO PLACES
1695
01:06:33,090 --> 01:06:34,489
BEFORE WE SHOOT
1696
01:06:34,524 --> 01:06:36,925
JUST TO MAKE SURE THE LOCATION'S
WHAT WE'RE LOOKING FOR.
1697
01:06:36,960 --> 01:06:38,660
I THOUGHT JOEL KNEW
ABOUT THIS TOWN
1698
01:06:38,695 --> 01:06:39,627
BECAUSE HE
GREW UP HERE.
1699
01:06:39,663 --> 01:06:40,762
[KAT]:
OH, HE DID,
1700
01:06:40,797 --> 01:06:42,397
BUT HE STILL HAS TO SELL IT
TO INVESTORS
1701
01:06:42,432 --> 01:06:43,565
AND MAKE SURE
1702
01:06:43,600 --> 01:06:45,967
THE ACTUAL LOCATION
IS THE RIGHT FIT.
1703
01:06:46,003 --> 01:06:47,502
WHEN WAS THIS SCOUT?
1704
01:06:47,571 --> 01:06:48,703
WELL, I MEAN,
MY FIRST ONE
1705
01:06:48,739 --> 01:06:50,672
WAS PROBABLY FOUR DAYS AGO?
1706
01:06:50,707 --> 01:06:52,407
FOUR DAYS AGO?
1707
01:06:52,442 --> 01:06:53,908
AND JOEL WAS WITH YOU THEN?
1708
01:06:53,944 --> 01:06:55,210
YEAH.
1709
01:06:55,245 --> 01:06:56,511
WHY?
1710
01:06:56,546 --> 01:06:57,912
OH, NO REASON.
1711
01:06:57,948 --> 01:06:59,647
I'M JUST INTERESTED
IN THE PROCESS.
1712
01:07:05,789 --> 01:07:07,355
CAN WE SHOOT YET?
1713
01:07:07,391 --> 01:07:08,823
YES, WE'RE READY.
1714
01:07:08,859 --> 01:07:09,624
[JOEL]:
OKAY, LET'S DO IT.
1715
01:07:09,659 --> 01:07:10,792
ALL RIGHT.
1716
01:07:13,630 --> 01:07:14,596
[KAT]:
CAMERA'S UP.
1717
01:07:14,631 --> 01:07:15,597
[CREW]:
SOUND SPEED.
1718
01:07:15,632 --> 01:07:17,365
[KAT]:
JENN, BRING US UP TO DATE.
1719
01:07:17,401 --> 01:07:18,867
YES, WELL...
1720
01:07:18,902 --> 01:07:21,002
WE DISCOVERED
THE COMBINATION
1721
01:07:21,038 --> 01:07:23,304
FOR, "FAMILY IS FOREVER."
1722
01:07:23,373 --> 01:07:24,339
NOW, UNFORTUNATELY,
1723
01:07:24,374 --> 01:07:26,207
THIS DIDN'T OPEN
THE BOX,
1724
01:07:26,276 --> 01:07:28,143
BUT PERHAPS
ONE OF THE FINAL CIPHERS
1725
01:07:28,211 --> 01:07:30,111
HAS SOMETHING TO DO
WITH FAMILY.
1726
01:07:30,180 --> 01:07:31,312
[DOOR OPENING]
1727
01:07:33,817 --> 01:07:34,682
SORRY TO INTERRUPT.
1728
01:07:34,718 --> 01:07:36,317
CUT.
1729
01:07:36,353 --> 01:07:39,921
MR. JACOBS, A WORD?
1730
01:07:39,956 --> 01:07:41,656
UH, SURE.
1731
01:07:48,098 --> 01:07:49,864
MEET YOU OUTSIDE.
1732
01:07:53,437 --> 01:07:54,869
FRANK,
JOEL WAS IN TOWN
1733
01:07:54,938 --> 01:07:56,438
AROUND THE TIME
OF ELIZABETH'S DEATH,
1734
01:07:56,473 --> 01:07:58,673
AND HE TAKES THE SAME MEDS
THAT WERE FOUND ON TAMARA.
1735
01:07:58,708 --> 01:08:00,341
MAYBE THERE'S
SOME CONNECTION?
1736
01:08:00,377 --> 01:08:01,743
YEAH, I'D SAY SO.
1737
01:08:01,778 --> 01:08:03,411
F.Y.I.,
1738
01:08:03,447 --> 01:08:05,246
LUCAS WASN'T AT THE SCENE
OF TAMARA'S DEATH.
1739
01:08:05,315 --> 01:08:06,681
HOW DO YOU KNOW?
1740
01:08:06,716 --> 01:08:07,982
TIMES ON
THE TOLL BRIDGE CAMERAS.
1741
01:08:08,018 --> 01:08:09,584
THERE'S NO WAY
HE COULD'VE BEEN THERE.
1742
01:08:14,558 --> 01:08:15,857
THAT'S QUITE THE LIMP
YOU GOT THERE.
1743
01:08:15,926 --> 01:08:17,392
YOUR MORPHINE'S
FOR THAT?
1744
01:08:17,427 --> 01:08:19,394
NO, IT'S FOR MIGRAINES.
1745
01:08:19,429 --> 01:08:21,596
JUST...
KNEE'S AN OLD SPORTS INJURY.
1746
01:08:22,833 --> 01:08:23,731
HOW'S THE SHOOTING GOING?
1747
01:08:23,767 --> 01:08:25,533
IT'S COMING ALONG.
1748
01:08:25,569 --> 01:08:27,635
SO YOU'LL BE ABLE
TO PAY MR. SOSNIAK.
1749
01:08:27,671 --> 01:08:29,838
HE'S A TOUGH GUY.
1750
01:08:29,873 --> 01:08:31,339
BIG CONSEQUENCES
FOR PEOPLE
1751
01:08:31,374 --> 01:08:33,274
WHO DON'T PAY BACK
THEIR LOANS.
1752
01:08:33,310 --> 01:08:36,511
WELL, WHAT WE DO
FOR THE THINGS WE LOVE, RIGHT?
1753
01:08:36,546 --> 01:08:38,480
WHAT ELSE DID YOU DO?
1754
01:08:39,816 --> 01:08:41,182
WHAT DO YOU MEAN?
1755
01:08:41,218 --> 01:08:43,051
WELL, YOU WERE IN TOWN
DURING BOTH DEATHS.
1756
01:08:43,086 --> 01:08:44,352
WE BOTH KNOW
1757
01:08:44,421 --> 01:08:46,521
THAT LIMP ISN'T BECAUSE
OF SOME OLD SPORTS INJURY,
1758
01:08:46,556 --> 01:08:50,358
AND YOU KNEW
THE ANDRONICUS FAMILY.
1759
01:08:50,427 --> 01:08:52,894
YEAH, I KNEW THEM...
1760
01:08:52,929 --> 01:08:54,028
A LONG TIME AGO, SURE.
1761
01:08:54,064 --> 01:08:56,331
I MEAN,
WE USED TO PLAY CARDS TOGETHER.
1762
01:08:56,366 --> 01:08:58,633
ONE NIGHT, I WON A LOT
OF MONEY OFF OF LUCAS,
1763
01:08:58,668 --> 01:08:59,868
AND WHEN THEIR
FATHER FOUND OUT,
1764
01:08:59,903 --> 01:09:03,605
LUCAS TOLD THEM
THAT I'D CHEATED TO WIN IT,
1765
01:09:03,640 --> 01:09:05,373
THAT I'D VIRTUALLY STOLEN IT.
1766
01:09:05,408 --> 01:09:06,674
OF COURSE,
HARVEY LET EVERYONE KNOW THAT,
1767
01:09:06,710 --> 01:09:09,844
AND AFTER THAT, NO ONE
WOULD TRUST OR HIRE ME.
1768
01:09:09,880 --> 01:09:11,880
WHICH IS WHY YOU LEFT TOWN?
1769
01:09:11,915 --> 01:09:13,781
YEAH.
1770
01:09:13,817 --> 01:09:15,450
SO MAYBE NOW IS A GOOD TIME
TO TELL ME
1771
01:09:15,519 --> 01:09:16,885
WHY YOU STOLE THE PUZZLE BOX?
1772
01:09:18,321 --> 01:09:19,487
I DON'T KNOW WHAT...
1773
01:09:19,523 --> 01:09:21,122
DURING THE TIME OF
ELIZABETH AND TAMARA'S DEATH,
1774
01:09:21,191 --> 01:09:22,090
WHERE WERE YOU?
1775
01:09:22,125 --> 01:09:23,625
WELL, WHEN TAMARA DIED,
1776
01:09:23,660 --> 01:09:25,426
I WAS IN A PRODUCTION MEETING
WITH MY CREW.
1777
01:09:25,462 --> 01:09:26,494
I MEAN, THEY'LL VERIFY THAT,
1778
01:09:26,530 --> 01:09:28,062
AND THE NIGHT
THAT ELIZABETH DIED,
1779
01:09:28,098 --> 01:09:30,498
KAT AND I WERE OUTLINING
AN EPISODE AT THE DINER
1780
01:09:30,534 --> 01:09:31,633
FROM DUSK 'TIL DAWN.
1781
01:09:31,668 --> 01:09:33,201
ASK HER.
1782
01:09:33,236 --> 01:09:35,370
YOU CAN EVEN
ASK THE STAFF.
1783
01:09:35,405 --> 01:09:37,805
OKAY, I WILL...
1784
01:09:37,874 --> 01:09:41,543
BUT ALL I REALLY WANT TO KNOW
IS WHY YOU TOOK THE BOX?
1785
01:09:50,620 --> 01:09:52,620
UH-OH.
1786
01:09:52,656 --> 01:09:53,988
IS THIS A PROBLEM
THAT CAN BE SOLVED
1787
01:09:54,024 --> 01:09:56,724
BY CHOCOLATE CHIP MINT?
1788
01:09:56,760 --> 01:09:58,660
THINKING AT LEAST
DOUBLE CHOCOLATE FUDGE.
1789
01:09:58,695 --> 01:09:59,928
WHOA.
1790
01:09:59,963 --> 01:10:02,497
SCHOOL, GUY, OR OTHER?
1791
01:10:02,532 --> 01:10:04,032
GUY.
1792
01:10:04,067 --> 01:10:05,366
DOUBLE FUDGE IT IS.
1793
01:10:05,435 --> 01:10:07,468
[DOORBELL RINGING]
1794
01:10:07,537 --> 01:10:09,003
I'LL GET THAT.
1795
01:10:13,610 --> 01:10:14,542
OH, HEY.
1796
01:10:14,578 --> 01:10:15,777
OFFICER...
1797
01:10:15,812 --> 01:10:16,811
RYAN.
1798
01:10:16,846 --> 01:10:19,047
IS HANNAH HERE,
BY CHANCE?
1799
01:10:19,082 --> 01:10:20,515
YEAH, SURE.
1800
01:10:20,550 --> 01:10:21,516
HANNAH,
YOU'VE GOT A VISITOR.
1801
01:10:27,290 --> 01:10:28,156
YOU OKAY?
1802
01:10:33,063 --> 01:10:34,429
WHAT'S GOING ON?
1803
01:10:34,464 --> 01:10:35,463
I THOUGHT YOU
WERE COMING BY?
1804
01:10:35,498 --> 01:10:36,431
I DID.
1805
01:10:37,567 --> 01:10:38,633
WAS SHE YOUR EX?
1806
01:10:40,570 --> 01:10:41,569
YEAH.
1807
01:10:41,605 --> 01:10:42,570
LOOK, I GET IT.
1808
01:10:42,606 --> 01:10:43,571
YOU WEREN'T READY.
1809
01:10:43,640 --> 01:10:44,839
I PUSHED YOU INTO IT.
1810
01:10:44,874 --> 01:10:46,407
NO, WITHOUT YOU,
1811
01:10:46,443 --> 01:10:48,209
I WOULDN'T HAVE BEEN ABLE
TO MOVE ON.
1812
01:10:49,646 --> 01:10:50,878
WHAT DO YOU MEAN?
1813
01:10:50,947 --> 01:10:52,146
YOU REMEMBER
THAT LAUNDRY BASKET
1814
01:10:52,182 --> 01:10:53,114
FULL OF HER THINGS
1815
01:10:53,149 --> 01:10:53,848
SITTING IN MY CLOSET?
1816
01:10:53,883 --> 01:10:55,183
YEAH.
1817
01:10:55,218 --> 01:10:56,284
SHE CAME BY,
1818
01:10:56,319 --> 01:10:59,387
WANTING TO MAYBE
MAKE THINGS WORK,
1819
01:10:59,422 --> 01:11:00,822
BUT THE ONLY THING
I COULD THINK OF
1820
01:11:00,857 --> 01:11:03,091
WAS YOU AND THAT LAUNDRY BASKET,
1821
01:11:03,126 --> 01:11:05,560
AND JUST GETTING IT
OUT OF MY LIFE,
1822
01:11:05,595 --> 01:11:08,496
SO THAT I COULD BRING YOU IN.
1823
01:11:11,901 --> 01:11:12,800
YOU REHEARSED THAT
ON THE WAY OVER HERE,
1824
01:11:12,836 --> 01:11:13,635
DIDN'T YOU?
1825
01:11:15,305 --> 01:11:16,237
I TOTALLY DID...
1826
01:11:16,273 --> 01:11:18,506
'CAUSE I WAS HOPING
1827
01:11:18,541 --> 01:11:20,108
THAT MAYBE WE COULD TRY
ONE OF THOSE REAL DATES.
1828
01:11:20,143 --> 01:11:23,177
YOU MEAN THE ONE
WITH EXPECTATIONS,
1829
01:11:23,213 --> 01:11:24,979
ROMANTIC DINNERS, FLOWERS?
1830
01:11:25,015 --> 01:11:26,614
IT DOES SOUND
PRETTY TERRIBLE, DOESN'T IT?
1831
01:11:26,650 --> 01:11:27,982
TOTALLY...
1832
01:11:30,153 --> 01:11:31,486
BUT I'M IN.
1833
01:11:37,027 --> 01:11:38,259
UH, KAT?
1834
01:11:38,295 --> 01:11:40,828
JENN, DANI, UM...
1835
01:11:40,864 --> 01:11:43,831
LOOK, I OWE YOU ALL
AN APOLOGY.
1836
01:11:43,900 --> 01:11:46,334
AS YOU KNOW,
I PUT EVERY PENNY,
1837
01:11:46,369 --> 01:11:47,368
CREDIT CARD,
1838
01:11:47,404 --> 01:11:49,203
EVERY DROP OF SWEAT
INTO THIS SHOW.
1839
01:11:49,239 --> 01:11:51,105
MY FAMILY,
MY HOUSE,
1840
01:11:51,141 --> 01:11:52,840
EVERYTHING
ON THE LINE,
1841
01:11:52,876 --> 01:11:55,943
BUT I BROKE
UNDER THE PRESSURE.
1842
01:11:55,979 --> 01:11:57,078
I THOUGHT
1843
01:11:57,113 --> 01:11:58,846
THAT A MYSTERIOUS BOX
GOING MISSING
1844
01:11:58,882 --> 01:12:00,214
WOULD BE GREAT
FOR THE EPISODE,
1845
01:12:00,283 --> 01:12:01,949
THAT IT WOULD HEIGHTEN
THE TENSION,
1846
01:12:01,985 --> 01:12:04,485
BUT THEN IT GOT
INVOLVED IN A MURDER...
1847
01:12:04,521 --> 01:12:06,454
AND I'M GUESSING
YOU PANICKED
1848
01:12:06,489 --> 01:12:07,588
AND RETURNED IT?
1849
01:12:07,624 --> 01:12:09,023
[JOEL]: YEAH.
1850
01:12:09,059 --> 01:12:12,126
LOOK, I JUST WANTED TO DO
SOMETHING GREAT IN THIS TOWN,
1851
01:12:12,162 --> 01:12:16,130
AND I'M SORRY THAT
I SCARED ANYONE,
1852
01:12:16,166 --> 01:12:17,665
SO I'LL PACK UP
THE CREW
1853
01:12:17,701 --> 01:12:19,000
AND WE'LL LEAVE
BY TONIGHT.
1854
01:12:19,069 --> 01:12:21,869
YOU RISKED EVERYTHING
FOR RATINGS?
1855
01:12:21,905 --> 01:12:24,639
[FRANK]:
WELL, JOEL WAS SAYING
1856
01:12:24,674 --> 01:12:26,341
THAT YOU AND THE CREW
WERE WORKING TOGETHER
1857
01:12:26,376 --> 01:12:27,742
DURING THE NIGHTS
OF BOTH DEATHS.
1858
01:12:27,811 --> 01:12:28,676
IS THAT TRUE?
1859
01:12:28,712 --> 01:12:31,045
YEAH.
1860
01:12:31,081 --> 01:12:33,047
I WAS WITH HIM BOTH NIGHTS.
1861
01:12:33,083 --> 01:12:35,116
I'M SURE THE REST OF THE CREW
CAN VERIFY THAT.
1862
01:12:35,151 --> 01:12:36,150
JENN?
1863
01:12:36,219 --> 01:12:38,219
ARE WE PRESSING CHARGES?
1864
01:12:40,490 --> 01:12:41,356
DO YOU HAVE
ENOUGH FOOTAGE
1865
01:12:41,424 --> 01:12:42,557
TO FINISH THE SHOW?
1866
01:12:44,728 --> 01:12:46,327
WELL, I NEED TO KNOW
WHAT'S IN THE BOX
1867
01:12:46,363 --> 01:12:48,229
TO MAKE THE EPISODE WORK.
1868
01:12:52,202 --> 01:12:54,135
WELL, IT'S NOT WORTH
LOSING YOUR HOUSE OVER.
1869
01:12:54,204 --> 01:12:55,503
NO, I THINK
WE CAN TRY
1870
01:12:55,538 --> 01:12:57,271
TO FIGURE OUT
THE FINAL CIPHER.
1871
01:12:58,808 --> 01:13:00,475
WAIT A MINUTE... REALLY?
1872
01:13:00,543 --> 01:13:01,909
[FRANK]:
SO WE'RE ALL GOOD?
1873
01:13:03,646 --> 01:13:05,880
YES, FRANK,
THANK YOU.
1874
01:13:05,915 --> 01:13:07,348
ALL RIGHT,
I'LL LEAVE YOU TO IT.
1875
01:13:11,921 --> 01:13:14,889
KAT, I'M REALLY...
I'M SORRY...
1876
01:13:14,958 --> 01:13:15,923
BUT I DO THINK
1877
01:13:15,959 --> 01:13:17,692
THAT WE CAN MAKE
THIS WORK.
1878
01:13:20,196 --> 01:13:21,195
LET'S DO THIS.
1879
01:13:23,433 --> 01:13:24,565
OKAY, CAMERA'S UP.
1880
01:13:24,601 --> 01:13:26,634
[CREW]:
SOUND SPEED.
1881
01:13:26,669 --> 01:13:27,935
ACTION WHEN YOU'RE
READY, JENN.
1882
01:13:27,971 --> 01:13:28,903
TALK US THROUGH IT.
1883
01:13:28,938 --> 01:13:30,705
OKAY.
1884
01:13:30,740 --> 01:13:31,906
WELL, RIGHT HERE,
1885
01:13:31,941 --> 01:13:35,109
WE HAVE THE COMBINATION
FOR "FAMILY IS FOREVER,"
1886
01:13:35,145 --> 01:13:36,677
BUT THIS SYMBOL
UPSIDE-DOWN
1887
01:13:36,713 --> 01:13:38,446
MEANS "DANGER,"
1888
01:13:38,481 --> 01:13:39,814
SO MAYBE
WHAT SHE WAS TRYING TO SAY
1889
01:13:39,883 --> 01:13:42,917
IS NOTHING
IS AS IT SEEMS.
1890
01:13:42,952 --> 01:13:44,485
EVERYTHING IS UPSIDE DOWN.
1891
01:13:52,929 --> 01:13:54,228
SO NOW, IF I...
1892
01:13:54,297 --> 01:13:56,497
IF I ALIGN THE SYMBOL
WITH "DANGER"
1893
01:13:56,566 --> 01:13:58,466
AND THE SYMBOL FOR "HOME,"
1894
01:13:58,535 --> 01:13:59,667
AND I SLIDE OVER THE SYMBOL
FOR "IN,"
1895
01:13:59,702 --> 01:14:01,269
WELL, THEN I HAVE...
1896
01:14:01,304 --> 01:14:03,204
I HAVE,
"HOME IN DANGER."
1897
01:14:05,308 --> 01:14:06,207
[UNLOCKING]
1898
01:14:06,242 --> 01:14:07,175
OH!
1899
01:14:11,514 --> 01:14:12,547
IT'S EMPTY.
1900
01:14:12,615 --> 01:14:13,815
THERE'S NOTHING
IN IT.
1901
01:14:15,418 --> 01:14:18,319
WAIT A MINUTE.
1902
01:14:18,354 --> 01:14:20,221
THE ANSWER IS NOT IN THE BOX.
1903
01:14:20,256 --> 01:14:21,989
THE ANSWER IS THE BOX.
1904
01:14:22,025 --> 01:14:23,558
WHY...
1905
01:14:23,626 --> 01:14:24,592
IF YOU LOOK INSIDE,
1906
01:14:24,627 --> 01:14:26,561
THESE LINES
AND THE COLORS,
1907
01:14:26,596 --> 01:14:28,663
THIS IS A PLACE.
1908
01:14:28,698 --> 01:14:30,531
IT'S A ROOM,
1909
01:14:30,600 --> 01:14:32,700
AND I'VE BEEN THERE.
1910
01:14:36,806 --> 01:14:37,872
UH, JENN...
1911
01:14:37,907 --> 01:14:39,607
DON'T WORRY,
I'M CALLING FRANK.
1912
01:14:40,710 --> 01:14:42,577
[LUCAS]:
SO YOU'VE REALLY SOLVED IT?
1913
01:14:42,612 --> 01:14:43,377
ALMOST.
1914
01:14:59,696 --> 01:15:00,761
LOOK FAMILIAR?
1915
01:15:03,700 --> 01:15:06,400
IT'S AN EXACT RE-CREATION
OF THIS LIBRARY.
1916
01:15:06,436 --> 01:15:07,435
YES, SHE HID
HER MESSAGE
1917
01:15:07,470 --> 01:15:09,370
IN THE PUZZLE BOX,
1918
01:15:09,405 --> 01:15:12,139
SO THE CLUES ARE
PROBABLY IN THIS ROOM.
1919
01:15:12,175 --> 01:15:13,875
THEY MAY BE
ON THE WALLS
1920
01:15:13,910 --> 01:15:15,243
OR IN THE WALLS.
1921
01:15:19,282 --> 01:15:21,082
WHAT MESSAGE?
1922
01:15:21,117 --> 01:15:22,250
THE INFINITY SIGN.
1923
01:15:22,285 --> 01:15:24,218
THAT MEANS FOREVER...
1924
01:15:26,055 --> 01:15:28,022
AND THAT'S THE GREEK SYMBOL
FOR "IS."
1925
01:15:29,826 --> 01:15:31,859
YES, OF COURSE.
1926
01:15:31,895 --> 01:15:33,194
THE FAMILY PORTRAIT.
1927
01:15:33,229 --> 01:15:34,729
"FAMILY."
1928
01:15:34,764 --> 01:15:35,963
THAT'S ONE OF
THE EARLY CIPHERS.
1929
01:15:36,032 --> 01:15:36,898
"FAMILY IS..."
1930
01:15:36,933 --> 01:15:38,699
FOREVER.
1931
01:15:38,735 --> 01:15:40,334
SHE ALWAYS SAID THAT.
1932
01:15:43,740 --> 01:15:45,339
"WE MUST LEARN
TO LIVE TOGETHER AS BROTHERS
1933
01:15:45,375 --> 01:15:48,075
OR PERISH TOGETHER AS FOOLS."
1934
01:15:48,111 --> 01:15:49,577
THAT WAS DEFINITELY HER.
1935
01:15:49,646 --> 01:15:50,678
NO, NO, NO,
THAT CAN'T BE RIGHT.
1936
01:15:50,713 --> 01:15:51,746
THERE HAS TO BE MORE.
1937
01:16:12,669 --> 01:16:15,336
IT'S A LETTER
FROM YOUR MOTHER.
1938
01:16:16,406 --> 01:16:17,271
[GUN CLICKS]
1939
01:16:22,011 --> 01:16:22,944
WHAT ARE YOU DOING?
1940
01:16:22,979 --> 01:16:24,912
I WANT TO KNOW
WHAT SHE KNOWS.
1941
01:16:24,948 --> 01:16:25,813
MR. ANDRONICUS...
1942
01:16:27,650 --> 01:16:29,250
DETECTIVE LYNWOOD
IS ON HIS WAY.
1943
01:16:29,285 --> 01:16:31,352
WHY DO YOU HAVE
A GUN?
1944
01:16:32,622 --> 01:16:33,988
SHE'S GOING TO TELL US.
1945
01:16:34,023 --> 01:16:34,956
GO.
1946
01:16:38,194 --> 01:16:41,128
I THINK IT STARTED
ABOUT A YEAR AGO,
1947
01:16:41,164 --> 01:16:44,398
WHEN LUCAS AND TAMARA
CUT OFF CONTACT FROM QUIN
1948
01:16:44,467 --> 01:16:47,401
BECAUSE OF THE FIGHT
AND THE RESTRAINING ORDER.
1949
01:16:47,437 --> 01:16:49,870
QUIN THOUGHT TAMARA
WAS HAVING AN AFFAIR.
1950
01:16:49,906 --> 01:16:51,973
LUCAS DIDN'T WANT TO LISTEN.
1951
01:16:55,044 --> 01:16:55,943
READ THE LETTER.
1952
01:16:58,781 --> 01:17:02,783
ELIZABETH SAW ALLAN DEMETRY
AND TAMARA
1953
01:17:02,819 --> 01:17:04,752
EARLY FRIDAY MORNING.
1954
01:17:07,190 --> 01:17:08,956
TAMARA COULD ONLY ASSUME
1955
01:17:08,992 --> 01:17:12,026
THAT ELIZABETH'S NEXT PHONE CALL
WOULD BE TO LUCAS...
1956
01:17:14,163 --> 01:17:16,530
A PHONE CALL
THAT WOULD LEAVE HER
1957
01:17:16,566 --> 01:17:19,467
PREPARING FOR A MESSY DIVORCE,
1958
01:17:19,502 --> 01:17:20,601
LOSING MONEY AND STOCK
1959
01:17:20,637 --> 01:17:23,204
IN A VERY VALUABLE
REAL-ESTATE COMPANY...
1960
01:17:24,340 --> 01:17:26,073
AND SHE COULDN'T
LET THAT HAPPEN.
1961
01:17:29,012 --> 01:17:32,113
QUIN'S REPEATED ATTEMPTS
TO GET IN TOUCH WITH ELIZABETH
1962
01:17:32,148 --> 01:17:33,414
GO UNANSWERED,
1963
01:17:33,449 --> 01:17:35,516
SO HE FLIES HERE
SATURDAY MORNING
1964
01:17:35,551 --> 01:17:36,717
TO CHECK ON HER...
1965
01:17:36,786 --> 01:17:39,053
ONLY WHEN HE ARRIVES,
1966
01:17:39,088 --> 01:17:40,855
HE SEES ALLAN LEAVING THE HOUSE
1967
01:17:40,890 --> 01:17:42,390
IN THE EARLY HOURS
OF THE MORNING.
1968
01:17:42,458 --> 01:17:43,424
HE CAN'T CONFRONT TAMARA
1969
01:17:43,459 --> 01:17:45,793
BECAUSE OF
THE RESTRAINING ORDER,
1970
01:17:45,862 --> 01:17:49,030
SO HE CALLS YOU, LUCAS,
OVERSEAS, ABOUT DEMETRY,
1971
01:17:49,098 --> 01:17:51,198
HOPING THIS TIME,
YOU WILL BELIEVE HIM.
1972
01:17:53,169 --> 01:17:55,436
TO KEEP ELIZABETH FURTHER
CUT OFF FROM THE WORLD...
1973
01:17:57,206 --> 01:17:58,906
TAMARA FIRES
THE REST OF THE STAFF
1974
01:17:58,975 --> 01:18:00,841
ON SATURDAY.
1975
01:18:00,910 --> 01:18:04,211
ELIZABETH KNOWS
THAT SHE HAS TO HIDE HER MESSAGE
1976
01:18:04,247 --> 01:18:07,882
IN A PLACE THAT TAMARA
WON'T BE ABLE TO FIND.
1977
01:18:07,917 --> 01:18:11,352
SHE PUTS THE CLUES
IN THE PUZZLE BOX,
1978
01:18:11,387 --> 01:18:12,153
HOPING THAT QUIN
WILL BE ABLE TO SOLVE THEM.
1979
01:18:14,457 --> 01:18:16,490
KNOWING YOU BOTH WILL BE HOME
EVENTUALLY...
1980
01:18:18,194 --> 01:18:19,493
TAMARA KNOWS
SHE HAS TO GET RID OF ELIZABETH
1981
01:18:19,529 --> 01:18:22,563
AND COVER HER TRACKS...
1982
01:18:22,632 --> 01:18:26,200
AND WITH ELIZABETH'S
FAILING HEALTH,
1983
01:18:26,235 --> 01:18:28,836
SHE HOPES IT WILL LOOK
LIKE NATURAL CAUSES
1984
01:18:28,871 --> 01:18:30,771
INSTEAD OF AN ALLERGIC REACTION
TO PEANUT RESIDUE
1985
01:18:30,807 --> 01:18:34,709
OR VAPORS THAT ARE UNTRACEABLE
IN AN AUTOPSY.
1986
01:18:34,777 --> 01:18:37,912
LUCAS, YOU ARRIVE HOME
ON SUNDAY NIGHT
1987
01:18:37,947 --> 01:18:40,014
TO FIND ELIZABETH DEAD...
1988
01:18:40,049 --> 01:18:41,882
BUT SOMETHING DOESN'T SIT RIGHT.
1989
01:18:47,323 --> 01:18:49,190
MAYBE THERE'S TRUTH
1990
01:18:49,225 --> 01:18:50,691
IN WHAT QUIN
HAS BEEN TELLING YOU.
1991
01:18:50,727 --> 01:18:52,626
I, I... I DON'T KNOW.
I WAS UPSTAIRS.
1992
01:18:52,662 --> 01:18:54,528
I JUST...
I CAME DOWN, AND I...
1993
01:18:54,564 --> 01:18:57,131
[JENN]: TAMARA, OF COURSE,
DENIES THE AFFAIR...
1994
01:18:57,166 --> 01:18:58,466
[CRASHING]
1995
01:18:58,501 --> 01:18:59,400
TEXT HER, RIGHT NOW!
1996
01:18:59,435 --> 01:19:00,401
OKAY, OKAY.
1997
01:19:00,436 --> 01:19:01,602
RIGHT NOW, RIGHT NOW.
1998
01:19:01,671 --> 01:19:03,104
LOOK, I'M GOING TO DO IT, OKAY?
1999
01:19:03,139 --> 01:19:04,572
[JENN]: YOU CONFRONT
ALLAN DEMETRY,
2000
01:19:04,607 --> 01:19:06,741
AND HE CONFESSES IMMEDIATELY.
2001
01:19:06,776 --> 01:19:09,443
YOU THREATEN HIM.
2002
01:19:09,479 --> 01:19:11,579
YOU TELL HIM TO BREAK IT OFF
VIA TEXT.
2003
01:19:13,015 --> 01:19:14,982
HARVEY...
2004
01:19:15,017 --> 01:19:17,451
YOU HEAR
ABOUT ELIZABETH'S DEATH
2005
01:19:17,487 --> 01:19:18,452
AND POSSIBLY THE AFFAIR
2006
01:19:18,521 --> 01:19:21,622
FROM LUCAS...
2007
01:19:21,657 --> 01:19:24,058
AND YOU TAKE
THE NEXT FLIGHT HOME,
2008
01:19:24,093 --> 01:19:25,059
BUT YOU ARE ENRAGED.
2009
01:19:26,395 --> 01:19:27,495
YOU!
2010
01:19:27,563 --> 01:19:28,596
WHAT HAVE YOU DONE?
2011
01:19:28,631 --> 01:19:30,564
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
2012
01:19:30,600 --> 01:19:32,833
[JENN]: YOU GO UPSTAIRS,
MAYBE LOOKING FOR LUCAS,
2013
01:19:32,869 --> 01:19:35,536
NOT REALIZING THAT HE'S GONE
TO SEE ALLAN DEMETRY.
2014
01:19:35,571 --> 01:19:36,670
WHAT'S GOING ON?
2015
01:19:36,706 --> 01:19:38,105
DID ELIZABETH SEE
YOU TWO TOGETHER?
2016
01:19:38,141 --> 01:19:39,406
DID YOU TAKE HER
FROM ME?
2017
01:19:39,442 --> 01:19:40,841
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
2018
01:19:40,877 --> 01:19:42,576
OH, YOU'RE JUST GOING
TO LOOK ME IN THE FACE
2019
01:19:42,645 --> 01:19:45,279
AND SAY IT WAS
AN ACCIDENT?
2020
01:19:45,314 --> 01:19:47,214
I LOVE HER.
2021
01:19:47,250 --> 01:19:49,316
WHATEVER YOU THINK HAPPENED,
DIDN'T.
2022
01:19:49,352 --> 01:19:51,986
I KNOW THIS IS GOING
TO BE HARD FOR ALL OF US,
2023
01:19:52,021 --> 01:19:54,555
BUT I'M HERE.
2024
01:19:54,624 --> 01:19:55,623
IT'S GOING TO BE OKAY.
2025
01:19:55,658 --> 01:19:56,791
DON'T TOUCH ME!
2026
01:20:00,129 --> 01:20:00,861
[SHATTERING]
2027
01:20:03,132 --> 01:20:04,865
[JENN]: IT COULD'VE JUST BEEN
AN UNFORTUNATE ACCIDENT
2028
01:20:04,901 --> 01:20:06,934
THAT HAPPENED
IN THE HEAT OF THE MOMENT,
2029
01:20:06,969 --> 01:20:07,835
BUT YOU KNOW
WITH YOUR REPUTATION
2030
01:20:07,904 --> 01:20:09,537
HOW IT WILL LOOK IN THE PRESS,
2031
01:20:09,572 --> 01:20:11,071
SO YOU GO
INTO PROBLEM-SOLVING MODE.
2032
01:20:12,942 --> 01:20:14,909
YOU TAKE THE PILLS
FROM YOUR RECENT HIP SURGERY,
2033
01:20:14,944 --> 01:20:17,344
AND YOU TRY TO MAKE IT LOOK
LIKE AN OVERDOSE...
2034
01:20:17,380 --> 01:20:19,814
[DOORBELL RINGING]
2035
01:20:19,849 --> 01:20:22,149
BUT MY ARRIVAL CUTS THAT SHORT.
2036
01:20:27,223 --> 01:20:28,689
TAMARA?
2037
01:20:32,461 --> 01:20:34,562
TAMARA?
2038
01:20:35,765 --> 01:20:36,831
AND LUCAS, I'M ASSUMING
2039
01:20:36,899 --> 01:20:39,166
YOU DIDN'T TELL THE POLICE
ABOUT THE AFFAIR
2040
01:20:39,202 --> 01:20:40,334
BECAUSE YOU KNEW THEN
2041
01:20:40,369 --> 01:20:41,468
YOU WOULD BE
THE NUMBER-ONE SUSPECT
2042
01:20:41,504 --> 01:20:42,970
IN YOUR WIFE'S DEATH.
2043
01:20:43,005 --> 01:20:44,405
HOW COULD YOU?
2044
01:20:45,641 --> 01:20:49,643
SHE TOOK MY WIFE, MY NAME.
2045
01:20:49,712 --> 01:20:51,645
EVENTUALLY, SHE WOULD'VE TAKEN
EVERYTHING I BUILT.
2046
01:20:51,681 --> 01:20:53,180
WE BUILT.
2047
01:20:53,216 --> 01:20:54,748
WE BUILT.
2048
01:20:54,784 --> 01:20:55,616
I'M SORRY.
2049
01:20:56,886 --> 01:20:57,818
[LUCAS]: THE LETTER
WAS A WARNING TO ALL OF US
2050
01:20:57,854 --> 01:20:59,153
ABOUT TAMARA.
2051
01:20:59,188 --> 01:21:00,821
MOTHER WANTED ALL OF US
TO STICK TOGETHER...
2052
01:21:00,890 --> 01:21:03,791
YOU, ME, QUIN.
2053
01:21:03,826 --> 01:21:05,559
SHE WOULDN'T HAVE WANTED
ANY OF THIS.
2054
01:21:06,662 --> 01:21:08,429
MR. ANDRONICUS...
2055
01:21:08,497 --> 01:21:11,398
YOU CAN MAKE THIS RIGHT
FOR ELIZABETH.
2056
01:21:11,434 --> 01:21:13,500
PUT THE GUN DOWN, DAD.
2057
01:21:13,536 --> 01:21:14,535
PLEASE.
2058
01:21:17,773 --> 01:21:18,706
DAD...
2059
01:21:18,741 --> 01:21:20,908
PLEASE...
2060
01:21:20,977 --> 01:21:22,977
THE GUN WON'T
SOLVE ANYTHING.
2061
01:21:25,114 --> 01:21:26,513
OKAY.
2062
01:21:26,549 --> 01:21:28,148
[SIRENS WAILING]
2063
01:21:31,687 --> 01:21:33,587
THANK YOU.
2064
01:21:36,192 --> 01:21:38,325
SHE LOVED YOU ALL.
2065
01:21:38,361 --> 01:21:39,460
HER FINAL WORDS...
2066
01:21:40,730 --> 01:21:42,763
FAMILY IS FOREVER.
2067
01:21:44,233 --> 01:21:45,499
WE CAN MAKE IT RIGHT.
2068
01:21:56,212 --> 01:21:57,144
WELCOME!
2069
01:21:57,179 --> 01:21:58,279
HELLO.
2070
01:21:58,314 --> 01:21:59,213
-HI, SALLY.
-HOW ARE YOU?
2071
01:21:59,248 --> 01:22:00,481
OH, IT'S A HECTIC WEEK.
2072
01:22:00,516 --> 01:22:02,416
WELL, "STRESSED" IS "DESSERTS"
SPELLED BACKWARDS
2073
01:22:02,451 --> 01:22:04,451
AND THERE IS NOTHING
THAT DESSERT CAN'T FIX.
2074
01:22:04,487 --> 01:22:06,053
THAT IS MY MOTTO.
2075
01:22:06,088 --> 01:22:08,188
I'LL JUST TAKE THAT THROUGH
TO THE KITCHEN...
2076
01:22:08,257 --> 01:22:09,123
IF IT MAKES IT THERE.
2077
01:22:09,158 --> 01:22:10,157
YEAH.
2078
01:22:10,226 --> 01:22:11,091
SO?
2079
01:22:11,127 --> 01:22:12,826
SO...
2080
01:22:12,862 --> 01:22:15,062
SIGNED CONFESSION
FROM HARVEY.
2081
01:22:15,097 --> 01:22:17,531
THE BROTHERS ARE TALKING AGAIN,
2082
01:22:17,566 --> 01:22:19,300
AND, WELL,
QUIN HAS CONVINCED LUCAS
2083
01:22:19,335 --> 01:22:21,135
TO COMPLY WITH MAIN STREET'S
BUILDING HEIGHT CODES.
2084
01:22:21,170 --> 01:22:22,770
HUH.
2085
01:22:22,838 --> 01:22:24,238
GREAT JOB AS ALWAYS, JENN.
2086
01:22:24,307 --> 01:22:26,273
RIGHT BACK AT YOU.
2087
01:22:26,309 --> 01:22:28,409
OH, I MADE YOUR FAVORITE DISH.
2088
01:22:28,444 --> 01:22:29,310
HONEY GARLIC RIBS?
2089
01:22:30,613 --> 01:22:31,779
OKAY, YOUR SECOND FAVORITE.
2090
01:22:33,849 --> 01:22:35,482
IS IT WEIRD
THAT OUR FIRST ACTUAL DATE
2091
01:22:35,518 --> 01:22:39,119
IS MEETING
MY ENTIRE FAMILY?
2092
01:22:39,155 --> 01:22:41,522
TOTALLY...
2093
01:22:41,557 --> 01:22:42,656
BUT I'M IN.
2094
01:22:43,826 --> 01:22:45,059
[LOGAN]:
AND I'M DONE.
2095
01:22:45,094 --> 01:22:47,628
HEY, I KNEW
YOU COULD DO IT.
2096
01:22:47,663 --> 01:22:49,396
YOUR DAD AND I
WANT YOU TO KNOW
2097
01:22:49,432 --> 01:22:50,364
THAT WE'RE VERY PROUD
2098
01:22:50,399 --> 01:22:51,865
THAT YOU REACHED
YOUR GOAL.
2099
01:22:51,901 --> 01:22:53,167
WE'VE ALWAYS BEEN
YOUR BIGGEST FANS.
2100
01:22:53,202 --> 01:22:54,201
AND NOW,
2101
01:22:54,270 --> 01:22:55,836
WE'RE YOUR
BIGGEST BUYERS.
2102
01:22:55,905 --> 01:22:57,071
WE WANT YOU TO GROW UP,
2103
01:22:57,106 --> 01:22:59,039
BUT YOUR PAST IS A BIG PART
OF WHO YOU ARE.
2104
01:22:59,075 --> 01:23:00,007
IT'S NOT ALL THERE...
2105
01:23:00,042 --> 01:23:01,108
[JASON]:
JUST ENOUGH.
2106
01:23:01,143 --> 01:23:02,409
SWEET.
2107
01:23:02,445 --> 01:23:03,410
THANKS.
2108
01:23:03,446 --> 01:23:04,878
[TIMER CHIMING]
2109
01:23:04,947 --> 01:23:06,814
OH, IT'S ON!
2110
01:23:06,849 --> 01:23:07,948
IT'S ALL HAPPENING!
2111
01:23:07,984 --> 01:23:09,717
[JENN]:
A STAR IS BORN.
2112
01:23:09,752 --> 01:23:12,319
I WILL BE SIGNING AUTOGRAPHS
AT THE END OF THE PRESENTATION.
2113
01:23:12,355 --> 01:23:13,454
ARE YOU GOING TO REMEMBER
US LITTLE PEOPLE
2114
01:23:13,489 --> 01:23:14,855
NOW THAT
YOU'RE BIG AND FAMOUS?
2115
01:23:14,890 --> 01:23:16,123
WHAT'S YOUR NAME AGAIN?
155328
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