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1
00:00:34,251 --> 00:00:35,905
ROSSI: EVERETT LYNCH.
2
00:00:35,948 --> 00:00:38,821
THE MEDIA HAS CHRISTENED HIM
"THE CHAMELEON."
3
00:00:38,864 --> 00:00:41,998
HE IS A CON MAN AND A MURDERER,
WHO HAS TARGETED
4
00:00:42,042 --> 00:00:45,480
VULNERABLE MIDDLE-AGED WOMEN,
SINGLE MOTHERS.
5
00:00:45,523 --> 00:00:49,484
HE'S CUT OFF THEIR FACES
AND KEPT THEM AS HIS TROPHIES.
6
00:00:49,527 --> 00:00:52,487
A YEAR AGO,
WE NEARLY CAUGHT HIM,
BUT HIS DAUGHTER GRACE...
7
00:00:52,530 --> 00:00:53,488
AAH!
AAH!
8
00:00:53,531 --> 00:00:54,880
SHE SACRIFICED HERSELF
9
00:00:54,924 --> 00:00:56,578
SO THAT HE COULD GET AWAY.
10
00:00:56,621 --> 00:01:00,408
HE BROKE GRACE OUT OF JAIL...
11
00:01:00,451 --> 00:01:01,409
AND AGAIN...
12
00:01:01,452 --> 00:01:03,498
DON'T MOVE.WE ALMOST CAUGHT HIM,
13
00:01:03,541 --> 00:01:05,282
IF IT HADN'T BEEN
FOR HIS DAUGHTER.
14
00:01:05,326 --> 00:01:08,329
SHE'D DO ANYTHING
FOR HIM.
15
00:01:08,372 --> 00:01:10,853
BUT THAT WOULDN'T MATTER
BECAUSE LYNCH
16
00:01:10,896 --> 00:01:14,552
COULDN'T BRING HIMSELF
TO TAKE GRACE WITH HIM.
17
00:01:14,596 --> 00:01:17,338
MAYBE HE COULDN'T BRING
HIMSELF TO KEEP USING HER
18
00:01:17,381 --> 00:01:20,471
THE WAY HIS MOTHER ROBERTA
HAD ONCE USED HIM.
19
00:01:20,515 --> 00:01:21,559
OH, GOD!
20
00:01:21,603 --> 00:01:23,996
EVERETT LYNCH REMAINS
AT LARGE.
21
00:01:24,040 --> 00:01:27,130
HE IS THE FBI's MOST WANTED,
22
00:01:27,174 --> 00:01:31,526
BUT THERE HASN'T BEEN ANY SIGN
OF HIM FOR MONTHS.
23
00:01:33,180 --> 00:01:35,573
[KNOCK ON DOOR, DOOR OPENS]
24
00:01:35,617 --> 00:01:37,575
HEY. WHAT'S UP?
25
00:01:37,619 --> 00:01:39,969
SO I WANTED YOU TO BE
THE FIRST TO KNOW
26
00:01:40,012 --> 00:01:42,754
THAT MY NAME IS ON
A SHORT LIST OF CANDIDATES
27
00:01:42,798 --> 00:01:45,017
BEING CONSIDERED TO FILL
THE DIRECTOR'S CHAIR.
28
00:01:45,061 --> 00:01:47,803
EMILY,
THAT'S INCREDIBLE.
29
00:01:47,846 --> 00:01:50,022
OH, MY...GOD.
30
00:01:50,066 --> 00:01:52,764
YOU'RE GONNA BE
THE NEXT DIRECTOR
OF THE FBI.
31
00:01:52,808 --> 00:01:55,767
THAT STILL REMAINS
A DEFINITE MAYBE.
32
00:01:55,811 --> 00:01:59,162
OH.
BUT I DO KNOW
THAT I WANT THE JOB.
33
00:01:59,206 --> 00:02:03,166
BUT I WOULD FEEL
MUCH BETTER IF MY FIRST
DIRECTIVE AS DIRECTOR
34
00:02:03,210 --> 00:02:06,126
WAS TO APPOINT YOU
UNIT CHIEF OF THE BAU.
35
00:02:06,169 --> 00:02:10,652
AND I--I TOLD YOU
BEFORE, THAT REALLY
DOES MEAN A LOT.
36
00:02:10,695 --> 00:02:13,263
ENOUGH TO TURN DOWN
BEING SPECIAL AGENT
IN CHARGE
37
00:02:13,307 --> 00:02:15,483
OF THE NEW ORLEANS
FIELD OFFICE?
38
00:02:15,526 --> 00:02:18,703
UM...I'M NOT SURE.
39
00:02:18,747 --> 00:02:22,490
NOW I FEEL LIKE I'M--I'M
PRESSURING YOU INTO STAYING,
AND THAT'S NOT WHAT I--
40
00:02:22,533 --> 00:02:26,276
OH, NO, NO, NO, SEE,
AND I'M FEELING LIKE IF
I DO GO TO NEW ORLEANS,
41
00:02:26,320 --> 00:02:28,496
YOU MIGHT NOT DECIDE
TO MAKE HISTORY
42
00:02:28,539 --> 00:02:30,454
AS THE FIRST FEMALE
HEAD OF THE FBI.
43
00:02:30,498 --> 00:02:32,848
OH, NO, IT'S--
DON'T WORRY.
44
00:02:32,891 --> 00:02:35,720
IF GIVEN THE CHANCE,
I'M MAKING HISTORY.
45
00:02:35,764 --> 00:02:37,722
[BOTH CHUCKLING]
46
00:02:39,159 --> 00:02:42,466
THE TRUTH IS,
I DON'T THINK LISA
47
00:02:42,510 --> 00:02:44,468
EVER GOT OVER WHAT
HAPPENED TO PHIL.
48
00:02:44,512 --> 00:02:47,036
I MEAN,
HOW COULD SHE, REALLY?
49
00:02:47,079 --> 00:02:48,733
I'M SO SORRY, LUKE.
50
00:02:48,777 --> 00:02:51,432
LISA AND I'LL
STILL BE FRIENDS,
I MEAN, YOU KNOW.
51
00:02:51,475 --> 00:02:54,435
WE WERE ALWAYS HONEST
WITH EACH OTHER.
52
00:02:54,478 --> 00:02:57,438
SO, UNFORTUNATELY, ROSSI
CAN'T MAKE IT TONIGHT,
53
00:02:57,481 --> 00:03:01,093
BUT JJ JUST TEXTED TO SAY
THAT SHE AND EMILY ARE ON
THEIR WAY OVER RIGHT NOW.
54
00:03:01,137 --> 00:03:03,095
LEWIS: GREAT, AND THANKS
FOR HOSTING, SPENCE.
55
00:03:03,139 --> 00:03:05,446
WELL, THANK YOU FOR COMING.
I'M EMBARRASSED THAT IT'S
TAKEN ME THIS LONG
56
00:03:05,489 --> 00:03:08,057
TO HAVE YOU GUYS OVER TO
MY HOUSE TO HANG OUT.
57
00:03:08,100 --> 00:03:11,060
GARCIA: GUYS, I HAVE
SOMETHING TO SAY.
58
00:03:11,103 --> 00:03:14,063
AN OPPORTUNITY HAS
PRESENTED ITSELF TO ME,
59
00:03:14,106 --> 00:03:17,545
AND IT IS IN
THE SILICON VALLEY.
60
00:03:19,721 --> 00:03:21,070
[SIGHS]
61
00:03:21,113 --> 00:03:23,072
GLOBAL STRATEGEM
DEVELOPMENT.
62
00:03:23,115 --> 00:03:26,467
THEY'RE A PRIVATE
RESEARCH GROUP THAT'S
EXPANDING THEIR STRATEGEM
63
00:03:26,510 --> 00:03:29,861
TO INCLUDE COMBATING
GLOBAL ENVIRONMENTAL CHANGE.
64
00:03:29,905 --> 00:03:33,169
WOW, THAT SOUNDS
PERFECT FOR YOU.
65
00:03:33,213 --> 00:03:35,650
YOU GET TO DO
ALL THE GOOD WORK
YOU DO AT THE BAU
66
00:03:35,693 --> 00:03:37,391
WITHOUT THE GORE.GARCIA: YEAH,
67
00:03:37,434 --> 00:03:40,176
OK, BUT...
ARE YOU TRYING
TO GET RID OF ME?
68
00:03:40,220 --> 00:03:41,786
ALVEZ: NO.
69
00:03:41,830 --> 00:03:43,658
I DON'T WANT ANYBODY
GOING ANYWHERE.
70
00:03:43,701 --> 00:03:45,964
GARCIA: RIGHT,
AND I DON'T WANT
TO GO ANYWHERE.
71
00:03:46,008 --> 00:03:48,576
I LOVE--I MEAN,
THIS IS MY HOME.
NOT THIS ROOM,
72
00:03:48,619 --> 00:03:51,405
BUT, YOU KNOW,
THE BAU IS
73
00:03:51,448 --> 00:03:53,798
AND...COME ON.
74
00:03:53,842 --> 00:03:55,887
WE'RE FAMILY.
75
00:03:55,931 --> 00:03:57,889
YEAH,
76
00:03:57,933 --> 00:03:59,891
WE'RE FAMILY,
77
00:03:59,935 --> 00:04:02,503
AND OUR RELATIONSHIP
TO EACH OTHER
IS NOT BOUND
78
00:04:02,546 --> 00:04:04,505
BY WHEREVER WE SHOW UP
TO GO TO WORK.
79
00:04:04,548 --> 00:04:07,029
LEWIS: IF YOU HAVE
THE OPPORTUNITY TO DO
SOMETHING YOU LOVE,
80
00:04:07,072 --> 00:04:09,684
PENELOPE, YOU SHOULD
ABSOLUTELY EXPLORE IT.
81
00:04:15,211 --> 00:04:18,649
MAN: YOU KNOW WHY YOU
LASTED LONGER IN THIS
JOB THAN I EVER DID?
82
00:04:18,693 --> 00:04:22,871
YOU NEVER REALLY LET
THE UNSUB GET INSIDE
YOUR HEAD.
83
00:04:24,481 --> 00:04:27,441
IS THAT YOUR WAY
OF SAYING YOU WERE
BETTER THAN ME, JASON?
84
00:04:27,484 --> 00:04:30,095
YOU TELL ME.
I'M INSIDE YOUR HEAD.
85
00:04:30,139 --> 00:04:32,315
I'M THE UNSUB.
86
00:04:32,359 --> 00:04:34,578
WHAT DO I WANT?
87
00:04:34,622 --> 00:04:37,189
YOU KNOW, I NEVER
LIKED YOUR GAMES.
88
00:04:37,233 --> 00:04:39,191
I KNOW. REMEMBER?
89
00:04:39,235 --> 00:04:41,933
YOU AND ME?
MY YIN TO YOUR YANG?
90
00:04:41,977 --> 00:04:44,327
WE WERE LIKE
MARTIN AND LEWIS.
91
00:04:44,371 --> 00:04:46,329
FORGET THE UNSUB.
WHAT DO YOU WANT?
92
00:04:46,373 --> 00:04:48,331
I WANT YOU
TO ASK YOURSELF THAT
FUNDAMENTAL QUESTION
93
00:04:48,375 --> 00:04:50,594
THAT'S BEEN NAGGING
AT YOU THIS WHOLE TIME.
94
00:04:50,638 --> 00:04:51,987
I ALREADY ANSWERED IT.
95
00:04:52,030 --> 00:04:53,989
I'M THE UNSUB.
96
00:04:54,032 --> 00:04:56,600
WHY DIDN'T I KILL YOU
WHEN I HAD THE CHANCE?
97
00:05:00,387 --> 00:05:01,649
[CHOKING]
98
00:05:03,303 --> 00:05:07,655
YOU KILL ME, YOU KILLED
A FEDERAL AGENT, AND
THAT BRINGS DOWN--
99
00:05:07,698 --> 00:05:10,135
[IMITATES BUZZER]
THAT'S THE WRONG ANSWER.
100
00:05:10,179 --> 00:05:13,400
YOU'D NEVER BEEN
IN THAT SITUATION BEFORE.
101
00:05:13,443 --> 00:05:15,793
HE HAD YOU
ON THE GROUND,
102
00:05:15,837 --> 00:05:17,795
KNIFE TO YOUR FACE.
103
00:05:17,839 --> 00:05:20,624
YOU RESIGNED YOURSELF
TO THE THOUGHT OF DYING.
104
00:05:20,668 --> 00:05:23,018
IT SCARED THE HELL
OUT OF ME.
105
00:05:23,061 --> 00:05:26,021
EVERETT LYNCH
DIDN'T KILL YOU
106
00:05:26,064 --> 00:05:28,893
BECAUSE HE LOOKED
IN YOUR EYES AND
SAW SOMETHING
107
00:05:28,937 --> 00:05:30,895
OF HIS FATHER.
108
00:05:30,939 --> 00:05:34,508
SONS KILL
THEIR FATHERS, JASON.
109
00:05:34,551 --> 00:05:36,684
SURE, THEY DO,
BUT NOT TYPICALLY
110
00:05:36,727 --> 00:05:38,599
IF THEY STILL HAVE
ISSUES TO WORK OUT.
111
00:05:38,642 --> 00:05:40,601
LYNCH'S DAD IS DEAD.
112
00:05:40,644 --> 00:05:43,604
HIS NAME WAS DOUGLAS MOORE.
HE WAS AN INSURANCE MAN.
113
00:05:43,647 --> 00:05:45,823
LYNCH'S MOTHER WAS
TRYING TO GRIFT HIM
114
00:05:45,867 --> 00:05:48,043
AND GOT CARELESS
AND GOT PREGNANT.
115
00:05:48,086 --> 00:05:51,046
THE GUY DROWNED
IN A BOATING ACCIDENT.
116
00:05:51,089 --> 00:05:53,657
DROWNED, HUH?
117
00:05:53,701 --> 00:05:56,660
KIND OF LIKE HOW
LYNCH WOULD DESCRIBE
GRACE DROWNING.
118
00:05:56,704 --> 00:06:00,664
OH, LOOK,
THE MOORE STORY
CHECKED OUT,
119
00:06:00,708 --> 00:06:03,711
UNLESS...
120
00:06:06,104 --> 00:06:09,064
ROBERTA LIED TO ME...
121
00:06:09,107 --> 00:06:13,285
AND IF SHE LIED TO ME, SHE
PROBABLY LIED TO HER SON,
122
00:06:13,329 --> 00:06:16,854
AND IF HE FOUND OUT, HE'D
WANT TO FIND HIS FATHER,
123
00:06:16,898 --> 00:06:19,291
DON'T YOU THINK?
124
00:06:32,304 --> 00:06:34,959
I NEED YOU TO FIND
MY FATHER.
125
00:06:35,003 --> 00:06:37,919
YOU START BY TRACKING
DOWN THESE NAMES.
126
00:06:40,835 --> 00:06:42,793
CONSIDER IT DONE,
127
00:06:42,837 --> 00:06:44,882
MR. MYLES.
128
00:06:51,367 --> 00:06:53,717
[CELL PHONE RINGING]
129
00:06:56,241 --> 00:06:58,200
MARILYN?
WOMAN: EDDIE,
130
00:06:58,243 --> 00:07:00,420
I NEED YOU.
IT'S JIMMY. HE, UM,
131
00:07:00,463 --> 00:07:02,247
HE--HE HIT ME AGAIN,
AND I--
132
00:07:02,291 --> 00:07:04,032
LYNCH: SLOW DOWN.
WHERE ARE YOU?
133
00:07:04,075 --> 00:07:06,861
OLIVIA AND I ARE ON
OUR WAY TO A MOTEL,
134
00:07:06,904 --> 00:07:09,429
BUT I--I WAS
JUST WONDERING
135
00:07:09,472 --> 00:07:14,346
IF MAYBE THE OFFER
WAS STILL GOOD FOR US
TO MOVE IN TOGETHER?
136
00:07:15,783 --> 00:07:17,741
UH, WELL--
I KNOW.
137
00:07:17,785 --> 00:07:20,918
I SHOULD--I SHOULD HAVE
NEVER LEFT YOU HANGING
AND GONE BACK TO HIM--
138
00:07:20,962 --> 00:07:24,008
IT'S NOT THAT.
IT'S JUST I'M OUT OF TOWN.
I GET BACK TOMORROW.
139
00:07:24,052 --> 00:07:27,882
ALL RIGHT, SO...
140
00:07:27,925 --> 00:07:30,711
SO I'LL COME BY AND PICK UP
YOU AND OLIVIA SOMETIME
TOMORROW AFTERNOON.
141
00:07:30,754 --> 00:07:33,148
[MARILYN SIGHS]
THANKS, BABY.
142
00:07:33,191 --> 00:07:35,150
I OWE YOU.
143
00:07:35,193 --> 00:07:37,152
BYE.
144
00:07:37,195 --> 00:07:39,197
[PHONE BEEPS OFF]
145
00:07:45,116 --> 00:07:48,119
YOU HAVE THE MOST
REMARKABLE FACIAL
STRUCTURE.
146
00:07:48,163 --> 00:07:50,382
HAS ANYONE EVER
TOLD YOU THAT?
[GIGGLES]
147
00:08:38,953 --> 00:08:40,955
[HISSING]
148
00:08:43,740 --> 00:08:45,742
[FLAMES WHOOSHING]
149
00:09:17,208 --> 00:09:20,211
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.
150
00:09:26,522 --> 00:09:28,480
ROSSI: "DAMAGED PEOPLE
ARE DANGEROUS.
151
00:09:28,524 --> 00:09:32,354
THEY KNOW THEY CAN SURVIVE."
-JOSEPHINE HART.
152
00:09:32,397 --> 00:09:34,965
[KNOCK ON DOOR, DOOR OPENS]
153
00:09:43,060 --> 00:09:46,020
I DON'T KNOW WHY
IT DIDN'T OCCUR
TO ME YESTERDAY
154
00:09:46,063 --> 00:09:48,675
THAT YOU'D COME
DOWN HERE TO RECHARGE.
155
00:09:51,852 --> 00:09:54,202
IT'S BEEN A YEAR
SINCE WE FIRST
ENCOUNTERED LYNCH.
156
00:09:54,245 --> 00:09:56,421
YEAH, I'LL PROBABLY
FORGET MY WEDDING
ANNIVERSARY,
157
00:09:56,465 --> 00:09:58,815
BUT I'LL NEVER
FORGET THAT DAY.
158
00:10:00,817 --> 00:10:03,777
AND THIS IS WHERE
THE BAU BEGAN.
159
00:10:03,820 --> 00:10:07,215
IT'S THE ONE PLACE
I CAN STILL HEAR
GIDEON'S VOICE
160
00:10:07,258 --> 00:10:12,176
PRODDING ME TO, UM,
"THINK OUTSIDE
THE BOX."
161
00:10:12,220 --> 00:10:15,832
SOMETHING LIKE, UH,
"I AM THE UNSUB."
162
00:10:15,876 --> 00:10:17,878
"WHO'S MY DADDY?"
163
00:10:17,921 --> 00:10:19,314
[CHUCKLES]
164
00:10:19,357 --> 00:10:21,316
THAT'S WHAT WE'VE
BEEN MISSING.
165
00:10:21,359 --> 00:10:23,840
ROBERTA GAVE US THE NAME--ROBERTA LIED.
166
00:10:23,884 --> 00:10:25,842
SHE JUST WANTS
TO APPEAR
167
00:10:25,886 --> 00:10:27,844
TO BE HELPFUL
TO EVERYBODY.
168
00:10:27,888 --> 00:10:29,498
SHE'S GOT
HER OWN AGENDA.
169
00:10:29,541 --> 00:10:31,326
WHAT ARE YOU THINKING--
GET PAROLED, FIND HER SON,
170
00:10:31,369 --> 00:10:33,197
AND GET REVENGE
FOR THE DEATH OF HER
GRANDDAUGHTER GRACE?
171
00:10:33,241 --> 00:10:34,895
THE TRIFECTA.
172
00:10:34,938 --> 00:10:37,419
KILLING HER OWN CHILD
IS FAR MORE COMMON
THAN MOST PEOPLE THINK,
173
00:10:37,462 --> 00:10:40,857
AND IN FILICIDE CASES,
MOTHERS ARE JUST AS LIKELY
AS FATHERS TO BE KILLERS.
174
00:10:40,901 --> 00:10:43,512
WHICH IS WHY ROBERTA
DOESN'T WANT US
TO GET IN THE WAY
175
00:10:43,555 --> 00:10:45,862
OF HER TAKING CARE
OF FAMILY BUSINESS.
176
00:10:45,906 --> 00:10:49,692
STILL, FILICIDE NOT ONLY
REQUIRES THAT SHE HARBOR
DEEP RESENTMENT,
177
00:10:49,736 --> 00:10:51,694
BUT ALSO THAT SHE
DISASSOCIATES
178
00:10:51,738 --> 00:10:53,696
FROM HER RELATIONSHIP
TO HER ONLY CHILD.
179
00:10:53,740 --> 00:10:57,265
WHICH SHE DID WHEN I
SHOWED HER THE PHOTO
OF GRACE'S DEAD BODY.
180
00:10:57,308 --> 00:11:00,007
WERE YOU GONNA
SHARE ALL THIS WITH
THE REST OF THE TEAM?
181
00:11:00,050 --> 00:11:02,139
IT'S JUST THEORIES.
182
00:11:03,750 --> 00:11:05,882
DAVE, I COMPLETELY
UNDERSTAND
183
00:11:05,926 --> 00:11:09,538
YOUR PERSONAL STAKE
IN THIS, BUT YOU
AND GIDEON STARTED
184
00:11:09,581 --> 00:11:13,542
SOMETHING PRETTY GOOD
DOWN HERE, AND I THINK
IT'S TIME
185
00:11:13,585 --> 00:11:16,893
THAT YOU LET THAT
LEGACY DO WHAT IT'S
ALWAYS DONE BEST--
186
00:11:16,937 --> 00:11:19,113
WORK TOGETHER AS A TEAM.
187
00:11:42,266 --> 00:11:44,268
[SIGHS]
188
00:11:45,879 --> 00:11:48,446
[CHUCKLES]
OH. OH, WOW.
189
00:11:48,490 --> 00:11:50,797
WHAT DO YOU THINK?OH, MY GOSH!
190
00:11:50,840 --> 00:11:52,450
THANK YOU.
LYNCH: YEAH.
191
00:11:52,494 --> 00:11:54,801
MARILYN: THANK YOU,
THANK YOU. MWAH! THANK YOU.
192
00:11:54,844 --> 00:11:56,933
YEAH.YOU ARE TRULY A GODSEND.
193
00:11:56,977 --> 00:11:58,630
WELL, I REARRANGED
SOME THINGS INSIDE
THE WAY I THINK
194
00:11:58,674 --> 00:12:00,023
YOU MIGHT LIKE THEM;
YOU SHOULD GO CHECK
THEM OUT.
195
00:12:00,067 --> 00:12:02,678
OK. GREAT. OLIVIA,
196
00:12:02,722 --> 00:12:04,854
LET EDDIE HELP YOU
WITH THAT.
197
00:12:04,898 --> 00:12:06,726
HERE, LET ME
GET THIS FOR YOU.
198
00:12:06,769 --> 00:12:08,728
NO. I CAN HANDLE
MY OWN STUFF.
199
00:12:11,295 --> 00:12:12,862
SORRY.
200
00:12:12,906 --> 00:12:14,864
HEY, DON'T BE.
I GET IT.
201
00:12:14,908 --> 00:12:17,171
THIS CAN'T BE
EASY FOR YOU.
202
00:12:17,214 --> 00:12:19,782
YEAH. MOM'S BEEN
A LOT WORSE, SO...
203
00:12:19,826 --> 00:12:21,784
MAYBE THIS CAN BE,
LIKE, A CHANCE
204
00:12:21,828 --> 00:12:24,700
AT A FRESH START?
I DON'T KNOW. MAYBE?
205
00:12:24,744 --> 00:12:27,616
YOU MIND TELLING ME
SOMETHING?
206
00:12:27,659 --> 00:12:29,270
OK.
207
00:12:29,313 --> 00:12:31,272
WHAT DO YOU SEE IN HER?
208
00:12:32,882 --> 00:12:35,537
I SEE A SPARKLE
209
00:12:35,580 --> 00:12:38,148
THAT'S TRYING
REAL HARD TO
SHINE BRIGHT.
210
00:12:38,192 --> 00:12:40,760
I WISH I COULD SEE THAT.
211
00:12:40,803 --> 00:12:42,544
OH, YOU WILL.
212
00:12:42,587 --> 00:12:45,765
SO, CAN I PLEASE
HELP YOU WITH SOME
OF THIS STUFF?
213
00:12:45,808 --> 00:12:48,768
OK.
[CHUCKLES]
214
00:12:56,471 --> 00:12:58,821
GARCIA: SO, ROSSI GAVE ME
THE HEADS-UP,
215
00:12:58,865 --> 00:13:00,997
AND I WAS ABLE TO
FIND STUFF THAT CONFIRMS
216
00:13:01,041 --> 00:13:03,695
OUR VERY OWN
SILVER FOX'S THEORY
217
00:13:03,739 --> 00:13:07,438
THAT EVERETT LYNCH IS
ON THE LOOKOUT FOR
HIS LONG-LOST FATHER.
218
00:13:07,482 --> 00:13:09,832
YOU SEE, IN ALL
OF THE CITIES
219
00:13:09,876 --> 00:13:12,661
THAT LYNCH HAS COMMITTED
A HEINOUS CRIME, I HAVE
220
00:13:12,704 --> 00:13:16,056
UNCOVERED AN ALIAS LINKED TO
A WIRED PAYMENT TO A P.I.
221
00:13:16,099 --> 00:13:19,276
WHO WAS RETAINED
TO CONDUCT SEARCHES
FOR MEN WE KNOW WERE
222
00:13:19,320 --> 00:13:22,497
ASSOCIATED IN A NAKED WAY
WITH LYNCH'S MOTHER,
ROBERTA.
223
00:13:22,540 --> 00:13:25,717
INCLUDING DOUGLAS MOORE,
THE MAN SHE CLAIMS IS
LYNCH'S REAL DAD.
224
00:13:25,761 --> 00:13:28,720
BUT ALL THESE SEARCHES
ARE RECENT, LIKE WITHIN
THE LAST 8 WEEKS.
225
00:13:28,764 --> 00:13:31,898
SIMMONS: YEAH, IT LOOKS
AS THOUGH THEY BEGAN A WEEK
AFTER WE FOUND GRACE'S BODY.
226
00:13:31,941 --> 00:13:34,901
REID: IT'S FASCINATING.
HE MIGHT NOT BE A COMPLETE
SOCIOPATH AFTER ALL.
227
00:13:34,944 --> 00:13:36,859
IT COULD ALSO EXPLAIN
HIS DORMANCY.
228
00:13:36,903 --> 00:13:39,644
JJ: WAIT A SECOND, SPENCE.
YOU DON'T THINK HE FEELS
GUILTY, DO YOU?
229
00:13:39,688 --> 00:13:42,647
NOT GUILT. I THINK IT'S
MORE LIKE FEAR, AS IF MAYBE
230
00:13:42,691 --> 00:13:45,868
SOMETHING IN THE ACT OF
TAKING HIS CHILD TRIGGERED
SOME DEEPLY BURIED MEMORY
231
00:13:45,912 --> 00:13:47,870
OF HIS OWN FATHER'S
VIOLENCE TOWARDS HIMSELF.
232
00:13:47,914 --> 00:13:50,873
LEWIS: IF LYNCH
NEVER REALLY KNEW
WHO HIS FATHER WAS,
233
00:13:50,917 --> 00:13:53,049
OR IF HE HAD REASON
TO DOUBT WHAT ROBERTA
TOLD HIM,
234
00:13:53,093 --> 00:13:55,051
THEN THAT WOULD
MOTIVATE HIM TO
SEARCH FOR THE TRUTH.
235
00:13:55,095 --> 00:13:57,227
WELL, THERE'S ONLY
ONE PERSON WE KNOW
THAT KNOWS THE WHOLE
236
00:13:57,271 --> 00:13:59,229
TRUTH, AND THAT'S
ROBERTA, AND SO
SHE'S BEEN
237
00:13:59,273 --> 00:14:01,666
MANIPULATING
EVERYTHING IN ORDER
TO GET OUT OF JAIL.
238
00:14:01,710 --> 00:14:03,755
THEN--
IT WORKED,
AT LEAST AS FAR
239
00:14:03,799 --> 00:14:06,062
AS THE LOUISIANA STATE
PAROLE BOARD GOES.
240
00:14:06,106 --> 00:14:09,065
PRENTISS: I HAVE
JUST BEEN NOTIFIED THAT,
DESPITE OUR OBJECTIONS,
241
00:14:09,109 --> 00:14:11,459
ROBERTA IS BEING
GRANTED PAROLE, HOWEVER,
242
00:14:11,502 --> 00:14:13,461
HER LAWYER IS TELLING ME
HE'S WILLING TO LET US
243
00:14:13,504 --> 00:14:15,202
SPEAK WITH HER
ONE LAST TIME.
244
00:14:15,245 --> 00:14:17,160
EMILY, I'D LIKE
TO TALK TO ROBERTA.
245
00:14:17,204 --> 00:14:18,945
I WOULD PREFER YOU
OBSERVE, ACTUALLY;
246
00:14:18,988 --> 00:14:20,903
I'D LIKE TO TAKE HER OUT
OF HER COMFORT ZONE.
247
00:14:20,947 --> 00:14:24,037
THAT MEANS JJ, TARA,
YOU TWO GET TO DO
THE HONORS.
248
00:14:28,128 --> 00:14:30,173
JJ: HELLO, ROBERTA.
249
00:14:30,217 --> 00:14:33,611
I'M SSA
JENNIFER JAREAU.
250
00:14:33,655 --> 00:14:36,179
THIS IS
DR. TARA LEWIS.
251
00:14:37,659 --> 00:14:39,617
REMEMBER HIM?
252
00:14:39,661 --> 00:14:42,403
LAWYER:
UH, DR. LEWIS,
LET ME REMIND YOU
253
00:14:42,446 --> 00:14:44,796
THAT MS. LYNCH IS
HERE OF HER OWN
VOLITION.
254
00:14:44,840 --> 00:14:47,625
I DON'T UNDERSTAND
WHY YOU ARE TAKING
A TONE WITH HER.
255
00:14:47,669 --> 00:14:48,626
TONE?
256
00:14:48,670 --> 00:14:50,846
YOUR ADVERSARIAL TONE,
257
00:14:50,890 --> 00:14:52,848
WHEN SHE HAS DONE NOTHING
BUT TRY TO HELP YOU
258
00:14:52,892 --> 00:14:55,720
APPREHEND HER
VERY UNSTABLE SON.
259
00:14:55,764 --> 00:14:59,724
ROBERTA: DO EITHER ONE
OF YOU HAVE CHILDREN?
260
00:14:59,768 --> 00:15:02,336
JJ: WE'RE NOT HERE
TO TALK ABOUT OUR FAMILIES.
261
00:15:02,379 --> 00:15:06,340
WE'RE HERE BECAUSE,
WHILE THE STATE OF LOUISIANA
262
00:15:06,383 --> 00:15:09,517
BELIEVES YOU'VE BEEN
VERY HELPFUL IN THIS
INVESTIGATION,
263
00:15:09,560 --> 00:15:11,606
WE KNOW THE TRUTH.
264
00:15:11,649 --> 00:15:15,610
THE TRUTH IS
THAT I'M PROFOUNDLY
SORRY FOR WHAT
265
00:15:15,653 --> 00:15:18,830
MY GRANDDAUGHTER
GRACE DID TO YOU,
AGENT JAREAU.
266
00:15:20,049 --> 00:15:22,791
BUT IT IS
MY SINCERE BELIEF
THAT IT WAS MY SON
267
00:15:22,834 --> 00:15:25,402
WHO REALLY PULLED
THAT TRIGGER.
268
00:15:25,446 --> 00:15:28,797
LEWIS: LOOK, WE KNOW
YOU THINK YOU'RE GONNA
GET OUT OF HERE
269
00:15:28,840 --> 00:15:31,843
AND GO PUNISH
YOUR SON FOR WHAT
HE DID TO GRACE.
270
00:15:31,887 --> 00:15:34,063
JJ: AND, I GOT TO BE
HONEST WITH YOU,
THERE IS A REAL SIDE
271
00:15:34,107 --> 00:15:37,719
OF ME THAT'S SAYIN',
"YOU GO, GIRL."
272
00:15:37,762 --> 00:15:40,069
YOU'RE THE ONE
THAT BROUGHT HIM
INTO THIS WORLD,
273
00:15:40,113 --> 00:15:42,680
YEAH, YOU SHOULD BE
THE ONE TO TAKE HIM
OUT OF IT.
274
00:15:47,511 --> 00:15:50,471
BUT I'M AN OFFICER
OF THE LAW,
275
00:15:50,514 --> 00:15:53,474
AND IT'S MY DUTY
TO SEE THAT JUSTICE
276
00:15:53,517 --> 00:15:56,956
IS SERVED HERE,
NOT REVENGE.
277
00:15:58,609 --> 00:16:00,960
[VOICE SHAKING]
LADIES...
278
00:16:02,613 --> 00:16:04,964
AS FAR AS I'M
CONCERNED,
279
00:16:05,007 --> 00:16:08,619
MY SON IS ALREADY
DEAD TO ME.
280
00:16:10,012 --> 00:16:11,971
DAMN, LADY.
281
00:16:12,014 --> 00:16:13,973
YOU ARE GOOD.
282
00:16:14,016 --> 00:16:17,628
LAWYER: OK, I WOULD SAY
WE ARE DONE HERE.
283
00:16:23,678 --> 00:16:27,116
YEAH, IT LOOKS LIKE I GOT
A SOLID LEAD ON THIS GUY
NAMED DELVIN WEAVER.
284
00:16:27,160 --> 00:16:28,770
OH, HE WASN'T ON THE LIST
THAT I GAVE YOU.
285
00:16:28,813 --> 00:16:30,424
YEAH, I KNOW.
I'M JUST THAT GOOD.
286
00:16:30,467 --> 00:16:33,166
SO HE WAS SUPPOSEDLY JUST
A FRIEND OF A FRIEND
OF YOUR ROBERTA,
287
00:16:33,209 --> 00:16:35,168
BUT ACTUALLY THERE WAS
A LOT MORE THAN THAT.
288
00:16:35,211 --> 00:16:37,779
ANYWAY, DELVIN WAS,
LIKE, THE BAD SHEEP
289
00:16:37,822 --> 00:16:39,955
OF THE WEALTHIEST
MINING FAMILY IN NEVADA.
290
00:16:39,999 --> 00:16:43,524
ABOUT 20 YEARS AGO,
HE BEAT A MAN TO DEATH IN
A BAR IN WEST WENDOVER.
291
00:16:43,567 --> 00:16:46,744
SO, SOUNDS LIKE THE GUY
WE'RE LOOKING FOR,
AM I RIGHT?
292
00:16:46,788 --> 00:16:48,616
YEAH. WHERE IS HE NOW?
293
00:16:48,659 --> 00:16:50,618
YEAH, I'M STILL
WORKING ON THAT.
I'LL GET BACK TO YOU. CIAO.
294
00:16:50,661 --> 00:16:52,054
[PHONE CLICKS]
295
00:16:52,098 --> 00:16:53,969
[HANGS UP PHONE]
296
00:16:54,013 --> 00:16:56,885
DON'T WORRY.
DIABETES, NOT DRUGS.
297
00:16:56,928 --> 00:16:58,930
[CHUCKLES]
298
00:17:00,454 --> 00:17:03,631
AH, COME TO ME,
MY PRETTY.
299
00:17:03,674 --> 00:17:05,676
OK, I SET UP SOME
DIGITAL TRIPWIRES
300
00:17:05,720 --> 00:17:08,679
FOR ONLINE SEARCHES
AND BACKGROUND CHECKS
ON ANY NAMES ASSOCIATED
301
00:17:08,723 --> 00:17:10,899
WITH EVERETT OR GRACE
OR ROBERTA LYNCH.
302
00:17:10,942 --> 00:17:12,901
[CHIME]AND SOMEBODY JUST TRIPPED--
303
00:17:12,944 --> 00:17:14,903
THE LIGHT FANTASTIC?
THEY DID, SIR.
304
00:17:14,946 --> 00:17:17,819
SOMEBODY HAS A KEEN INTEREST
IN ROBERTA LYNCH'S ALIASES.
305
00:17:17,862 --> 00:17:21,214
CAN YOU TELL WHO THAT
SOMEBODY IS?
I CANNOT YET,
306
00:17:21,257 --> 00:17:23,868
BUT I CAN TELL YOU
THAT THE I.P. ADDRESS OF
OUR MYSTERIOUS SEARCHER
307
00:17:23,912 --> 00:17:26,219
IS COMING FROM...
RENO, NEVADA.
308
00:17:26,262 --> 00:17:30,440
SO, IT LOOKS LIKE SOME
OF US ARE GONNA BE
TAKING A FIELD TRIP.
309
00:17:30,484 --> 00:17:32,486
GODSPEED, SIR.
310
00:18:19,446 --> 00:18:23,406
DO YOU SEE THIS?
CAN YOU BELIEVE IT?
WHAT'D I TELL YOU?
311
00:18:23,450 --> 00:18:26,714
I MEAN, THIS HAS GOT
TO BE CLOSE TO 70 GRAND.
312
00:18:26,757 --> 00:18:30,065
I'D SAY THAT'S MORE
THAN ENOUGH TO TAKE US
WHEREVER WE WANT.
313
00:18:32,111 --> 00:18:34,678
I TOLD YOU WE MAKE
A GOOD TEAM.
314
00:18:34,722 --> 00:18:36,680
[MUFFLED WHIMPERING]
315
00:18:36,724 --> 00:18:39,074
WANT ME TO TIE UP
OUR LOOSE END?
316
00:18:39,118 --> 00:18:40,989
SHH.
317
00:18:41,032 --> 00:18:43,557
YOUR GIRLFRIEND,
CHARLOTTE,
318
00:18:43,600 --> 00:18:45,602
DID YOU LOVE HER?
319
00:18:46,995 --> 00:18:50,955
YEAH, I--I GUESS SO.
WHY?
320
00:18:58,485 --> 00:19:00,356
MAYBE YOU'LL UNDERSTAND
321
00:19:00,400 --> 00:19:02,271
WHY I HAVE TO DO THIS.
322
00:19:04,404 --> 00:19:06,188
[GAGGING]
323
00:19:12,934 --> 00:19:15,197
YOU SHOULD NEVER
HAVE BEEN BORN.
324
00:19:15,241 --> 00:19:18,418
YOU SHOULD NEVER
HAVE BEEN BORN.
325
00:19:26,339 --> 00:19:28,950
[SIGHS]
326
00:19:28,993 --> 00:19:30,995
[CHUCKLING]
327
00:19:34,085 --> 00:19:36,436
OH, HO HO HO...
328
00:19:52,103 --> 00:19:54,105
[SIGHS]
329
00:19:59,154 --> 00:20:01,069
GARCIA: FRET NOT,
MY INTREPID CRIME FIGHTERS.
330
00:20:01,112 --> 00:20:03,071
YOU'RE NO LONGER FLYING BLIND
INTO THE SILVER STATE.
331
00:20:03,114 --> 00:20:06,553
I HAVE MATCHED OUR MYSTERIOUS
SEARCHER'S I.P. ADDRESS
TO A BUSINESS IN RENO
332
00:20:06,596 --> 00:20:08,772
THAT TOUTS ITSELF AS A
"PRIVATE SECURITY FIRM,"
333
00:20:08,816 --> 00:20:12,559
AND IT'S CHRISTENED
CASTLE SECURITY.
334
00:20:12,602 --> 00:20:16,563
SAYS HERE THE COMPANY
IS OWNED AND OPERATED
BY ORLANDO GAINES.
335
00:20:16,606 --> 00:20:17,955
ALVEZ:
WHAT A PIECE OF WORK.
336
00:20:17,999 --> 00:20:20,567
HE'S A FORMER CONCORD BAY
NARCOTICS COP
337
00:20:20,610 --> 00:20:23,961
WHO SPENT 5 YEARS
IN PRISON FOR SELLING
POLICE-CONFISCATED DRUGS.
338
00:20:24,005 --> 00:20:25,963
IT LOOKS LIKE 8 MONTHS AGO,
HIS COMPANY RECEIVED
339
00:20:26,007 --> 00:20:28,966
A WIRE TRANSFER FOR $25,000
FROM AN OFFSHORE ACCOUNT
340
00:20:29,010 --> 00:20:31,839
CONNECTED TO
OUR OLD FRIEND,
ARTHUR TERRELL.
341
00:20:31,882 --> 00:20:33,449
TERRELL WAS STILL
ALIVE BACK THEN.
342
00:20:33,493 --> 00:20:35,669
PRENTISS: HE WAS,
BUT THAT ACCOUNT HAS
SINCE TRANSFERRED
343
00:20:35,712 --> 00:20:37,845
INTO THE HANDS
OF AN EDWARD MYLES,
344
00:20:37,888 --> 00:20:40,456
AND MR. MYLES IS TURNING
OUT TO BE VERY ELUSIVE.
345
00:20:40,500 --> 00:20:42,850
YEAH, 'CAUSE
ALTHOUGH THAT COULD BE
A VERY LIKELY ALIAS
346
00:20:42,893 --> 00:20:45,244
FOR MR. LYNCH, THAT NAME
ISN'T POPPING UP
ANYWHERE IN RENO.
347
00:20:45,287 --> 00:20:47,811
PRENTISS: JJ, LUKE, MATT,
CHECK IN WITH RENO PD,
348
00:20:47,855 --> 00:20:49,813
ALSO OUR FBI FIELD OFFICE.
349
00:20:49,857 --> 00:20:53,426
DAVE AND SPENCE, SEE IF
YOU CAN GET A SIT-DOWN
WITH ORLANDO GAINES.
350
00:20:53,469 --> 00:20:55,471
[PHONE BEEPS OFF]
351
00:21:12,401 --> 00:21:14,229
[LINE RINGING]
352
00:21:14,273 --> 00:21:15,622
[RINGING]
353
00:21:18,277 --> 00:21:20,235
WHAT DO YOU GOT?
354
00:21:20,279 --> 00:21:23,543
WELL, I GOT WHAT LOOKS
LIKE FEDERAL AGENTS POKING
AROUND MY BUSINESS.
355
00:21:23,586 --> 00:21:25,545
THANKS FOR THE HEADS-UP.
356
00:21:25,588 --> 00:21:28,025
YOU'RE WELCOME,
BUT I DO HAVE
SOMETHING ELSE FOR YOU--
357
00:21:28,069 --> 00:21:30,419
HOME ADDRESS
FOR DELVIN WEAVER.
358
00:21:30,463 --> 00:21:33,814
WHICH MEANS I HAVE
THE REST OF YOUR MONEY
WAITING HERE FOR YOU.
359
00:21:33,857 --> 00:21:35,859
I'M ON MY WAY.
360
00:21:39,646 --> 00:21:41,604
[KEYBOARD KEYS CLACKING]
361
00:21:41,648 --> 00:21:43,737
YOU FOUND
A MISSING PERSONS REPORT?
362
00:21:43,780 --> 00:21:45,129
COMING ACROSS
THE WIRE NOW.
363
00:21:45,173 --> 00:21:47,131
OK, MARILYN IRWIN,
45 YEARS OLD.
364
00:21:47,175 --> 00:21:49,351
COCKTAIL WAITRESS
AT THE TANGIERS IN RENO.
365
00:21:49,395 --> 00:21:51,527
SHE HAS A 15-YEAR-OLD
DAUGHTER, OLIVIA.
366
00:21:51,571 --> 00:21:53,703
HERE'S THE KICKER:
TWO DAYS AGO, MARILYN
GETS IN THIS FIGHT
367
00:21:53,747 --> 00:21:55,705
WITH HER LIVE-IN
ABUSIVE BOYFRIEND,
THEN SHE CALLS HER MOM,
368
00:21:55,749 --> 00:21:57,707
AND THEN SHE TELLS
HER MOM SHE'S MOVING OUT
AND SHE'S MOVING IN
369
00:21:57,751 --> 00:21:59,361
WITH A GUY NAMED--
WAIT FOR IT--
370
00:21:59,405 --> 00:22:02,277
EDWARD MYLES,
AKA EVERETT LYNCH.
371
00:22:02,321 --> 00:22:05,062
SO EVERETT LYNCH
IS NO LONGER DORMANT
AND HE'S ESCALATING.
372
00:22:05,106 --> 00:22:07,108
LETTER COPY.
373
00:22:16,944 --> 00:22:19,642
OLIVIA: DO YOU KNOW
WHERE MY MOM WENT?
374
00:22:19,686 --> 00:22:22,515
HUH? UH, NO.
375
00:22:22,558 --> 00:22:25,387
I DON'T.
TRIED CALLING HER?
376
00:22:25,431 --> 00:22:27,781
I WOULD, BUT I CAN'T
FIND MY PHONE.
377
00:22:27,824 --> 00:22:29,435
HMM.
378
00:22:31,088 --> 00:22:33,700
DID YOU GUYS GET
INTO A FIGHT?
379
00:22:38,095 --> 00:22:40,663
YEAH, YEAH, WE DID.
I--I TRIED TO STOP HER,
380
00:22:40,707 --> 00:22:42,665
BUT SHE HOPPED IN HER
CAR AND SHE PEELED OUT
OF HERE--
381
00:22:42,709 --> 00:22:45,059
OF COURSE SHE DID,
BECAUSE THAT'S
WHAT SHE DOES.
382
00:22:45,102 --> 00:22:47,670
SHE RUNS FROM BOYFRIEND
TO FREAKING BOYFRIEND.
383
00:22:47,714 --> 00:22:50,412
COUPLES, THEY FIGHT--
EDDIE.
384
00:22:50,456 --> 00:22:53,894
COME ON. DID YOU HONESTLY
BELIEVE THAT YOU GUYS
WERE, LIKE, A COUPLE?
385
00:22:56,505 --> 00:22:58,464
HEY, OLIVIA, IF YOU
WANT, I GOT NO PROBLEM
386
00:22:58,507 --> 00:23:00,727
TAKING YOU TO
YOUR GRANDMA'S PLACE
IN CARSON CITY.
387
00:23:00,770 --> 00:23:02,206
NO.
388
00:23:02,250 --> 00:23:04,992
NO, IT'S FINE.
I'LL JUST WAIT HERE.
389
00:23:05,035 --> 00:23:07,777
SHE'LL BE COMING BACK
EVENTUALLY.
390
00:23:07,821 --> 00:23:10,824
OK. YEAH, SURE.
391
00:23:15,350 --> 00:23:17,352
[NECK CRACKS]
392
00:23:26,709 --> 00:23:28,711
[KNOCKS ON DOOR]
393
00:23:35,283 --> 00:23:37,459
HEY, DELVIN.
394
00:23:37,503 --> 00:23:40,419
BOBBIE?
395
00:23:40,462 --> 00:23:41,811
YEP. HEH!
396
00:23:41,855 --> 00:23:45,641
FOUND MYSELF PASSING
THROUGH, AND SO I GOT
397
00:23:45,685 --> 00:23:48,383
A LITTLE BIT
NOSTALGIC, AND...
398
00:23:48,427 --> 00:23:50,690
I JUST THOUGHT I'D COME BY,
SEE IF YOU'RE STILL HERE.
399
00:23:50,733 --> 00:23:53,519
BEEN A LONG TIME.
400
00:23:53,562 --> 00:23:56,391
YEAH.
401
00:23:56,435 --> 00:23:58,437
COME ON IN.
402
00:24:08,490 --> 00:24:13,452
YOU KNOW, I FOUND
THIS GUY SNOOPIN' AROUND
MY PROPERTY THIS MORNING.
403
00:24:15,105 --> 00:24:19,283
HMM, KINDA LOOKED
LIKE THIS P.I. TYPE.
404
00:24:19,327 --> 00:24:22,461
[GRUNTS]
NOW HE WASN'T
WITH YOU, WAS HE?
405
00:24:22,504 --> 00:24:24,463
HE WAS NOT.
406
00:24:24,506 --> 00:24:26,465
IT'S JUST
AWFULLY WEIRD,
407
00:24:26,508 --> 00:24:30,294
YOU DROPPING IN
OUT OF THE
CLEAR BLUE SKY
408
00:24:30,338 --> 00:24:33,646
AFTER...
LIKE, 30 YEARS,
409
00:24:33,689 --> 00:24:37,084
ESPECIALLY THE WAY
WE--WE ENDED IT.
410
00:24:37,127 --> 00:24:39,478
THAT WAS NOT PRETTY.
411
00:24:39,521 --> 00:24:42,481
YEAH, WELL,
WHAT'S DONE IS DONE,
CAN'T BE UNDONE,
412
00:24:42,524 --> 00:24:47,268
SO NOTHIN' I CAN SAY IS
GONNA CHANGE ANYTHING.
413
00:24:47,311 --> 00:24:48,704
WHAT ABOUT YOUR SON?
414
00:24:48,748 --> 00:24:50,706
AS FAR AS I'M CONCERNED,
415
00:24:50,750 --> 00:24:53,709
BRINGING HIM INTO THIS
WORLD WAS YOUR DECISION.
416
00:24:53,753 --> 00:24:55,755
IT'S NOT MINE.
417
00:25:02,413 --> 00:25:05,416
YOU KNOW,
AFTER WE SEPARATED...
418
00:25:07,157 --> 00:25:11,161
I LIED TO THE BOY
ABOUT WHO HIS FATHER WAS.
419
00:25:12,554 --> 00:25:16,515
BUT NOW I HEAR THAT
HE KNOWS THE TRUTH...
420
00:25:18,168 --> 00:25:20,257
AND HE'S LOOKIN' FOR YOU,
421
00:25:20,301 --> 00:25:22,477
WANTS TO RECONNECT.
422
00:25:22,521 --> 00:25:24,653
I GOT NOTHIN'
TO SAY TO HIM.
423
00:25:24,697 --> 00:25:28,831
YOUR SON HAS GROWN UP
TO BE A REAL CHIP
OFF THE OLD BLOCK.
424
00:25:30,964 --> 00:25:33,488
HE HURTS WOMEN.
425
00:25:33,532 --> 00:25:35,751
HE'S EVEN KILLED A FEW.
426
00:25:35,795 --> 00:25:38,232
WHY ARE YOU TELLING ME
ALL THIS, BOBBIE?!
427
00:25:38,275 --> 00:25:40,626
'CAUSE EVERY TIME I
THINK ABOUT IT, I THINK
ABOUT THAT NIGHT
428
00:25:40,669 --> 00:25:44,281
THAT YOU TRIED TO DROWN
HIM IN OUR BATHTUB,
429
00:25:44,325 --> 00:25:47,633
AND I CANNOT STOP
HEARING YOUR VOICE,
430
00:25:47,676 --> 00:25:50,287
SCREAMIN'...
431
00:25:50,331 --> 00:25:53,943
"YOU SHOULD HAVE
NEVER BEEN BORN!"
432
00:25:53,987 --> 00:25:57,947
SO IT SOUNDS LIKE I
WAS RIGHT, RIGHT?!
433
00:25:57,991 --> 00:25:59,949
[CHUCKLES]
434
00:25:59,993 --> 00:26:02,691
YOU'RE A SON
OF A BITCH.
435
00:26:07,653 --> 00:26:09,872
[GROANING]
436
00:26:09,916 --> 00:26:15,225
[SCREAMING,
FIRING CONTINUOUSLY]
437
00:26:19,665 --> 00:26:22,319
PRENTISS: MR. STINSON,
YOUR MISGUIDED AFFECTION
438
00:26:22,363 --> 00:26:24,931
FOR ROBERTA LYNCH HAS
DRIVEN YOU INTO A BLIND
439
00:26:24,974 --> 00:26:27,760
AND INCONCEIVABLY
STUPID LOYALTY.
440
00:26:27,803 --> 00:26:29,979
LEWIS: APPARENTLY,
AFTER ROBERTA TOOK
CARE OF BUSINESS,
441
00:26:30,023 --> 00:26:32,373
YOU WERE PLANNING
TO RENDEZVOUS AT THE
442
00:26:32,416 --> 00:26:35,376
ZALVOS RESORT IN
THE CAYMAN ISLANDS.
443
00:26:35,419 --> 00:26:38,379
PRENTISS: WE KNOW ROBERTA
SKIPPED OUT ON HER PAROLE
444
00:26:38,422 --> 00:26:40,424
TO CATCH UP WITH HER SON'S
BIOLOGICAL FATHER,
445
00:26:40,468 --> 00:26:42,426
AND WE KNOW HE LIVES
SOMEWHERE NEAR RENO.
446
00:26:42,470 --> 00:26:45,342
WE DON'T KNOW
HIS NAME, BUT YOU DO.
447
00:26:46,605 --> 00:26:49,564
I DO NOT HAVE ANYTHING
TO SAY TO YOU TODAY.
448
00:26:49,608 --> 00:26:53,176
I HAVE NO KNOWLEDGE
OF MS. LYNCH'S
CURRENT WHEREABOUTS.
449
00:26:54,569 --> 00:26:57,137
I'D SAY ROBERTA WAS
DEFINITELY PLANNING
450
00:26:57,180 --> 00:27:00,227
FOR HER LIFE
AFTER PRISON WITH YOU
451
00:27:00,270 --> 00:27:02,838
AND WITH OTHERS.
[DROPS FOLDER]
452
00:27:02,882 --> 00:27:05,275
WHAT ARE YOU TALKING ABOUT?
453
00:27:05,319 --> 00:27:06,886
OPEN IT.
454
00:27:10,890 --> 00:27:13,849
LEWIS: ROBERTA SOLICITED
MANY MALE ADMIRERS
455
00:27:13,893 --> 00:27:16,243
WITH THOSE--WHAT ARE
THEY CALLED AGAIN,
BOUDOIR PHOTOS?
456
00:27:16,286 --> 00:27:17,636
MM-HMM.
MMM.
457
00:27:20,290 --> 00:27:22,902
SHE SAID SHE
LOVED ME.
458
00:27:24,294 --> 00:27:26,557
THEY ALWAYS DO.
459
00:27:28,168 --> 00:27:30,561
WHO'S EVERETT LYNCH'S
FATHER?
460
00:27:35,741 --> 00:27:39,092
STINSON, VOICE-OVER:
HIS NAME IS DELVIN WEAVER.
461
00:27:39,135 --> 00:27:41,311
[CAMERA SHUTTER CLICKING]
462
00:27:41,355 --> 00:27:43,662
THAT IS WHAT THEY
CALL OVERKILL.
463
00:27:43,705 --> 00:27:45,664
AT LEAST
14 GUNSHOT WOUNDS,
464
00:27:45,707 --> 00:27:48,492
WHICH SUGGESTS
THE KILLER RELOADED,
AND THEN FOLLOWED UP
465
00:27:48,536 --> 00:27:49,842
WITH 47 STAB WOUNDS.
466
00:27:49,885 --> 00:27:51,844
YEAH, THIS IS
ROBERTA'S HANDIWORK.
467
00:27:51,887 --> 00:27:54,498
REID: DOESN'T TAKE
AN EXPERT TO RECOGNIZE
THAT ALL THIS VIOLENCE
468
00:27:54,542 --> 00:27:57,240
IS MOST LIKELY ROOTED
IN HER OWN HISTORY
OF VICTIMIZATION.
469
00:27:57,284 --> 00:27:59,634
BUT THE OVERALL MESSAGE?
THAT'S FOR HER SON.
470
00:27:59,678 --> 00:28:01,636
HE TOOK AWAY GRACE
FROM HER,
471
00:28:01,680 --> 00:28:04,247
SO SHE'S TAKING AWAY
HIS FATHER FROM HIM.
472
00:28:04,291 --> 00:28:06,815
BASICALLY DENYING WHATEVER
ANSWER HE THOUGHT HE
473
00:28:06,859 --> 00:28:09,818
MIGHT BE ABLE TO SALVAGE
FROM THEIR REUNION.
474
00:28:09,862 --> 00:28:11,820
BUT WHEN LYNCH
FINDS OUT ABOUT THIS,
IT'LL JUST CONFIRM
475
00:28:11,864 --> 00:28:14,431
WHAT HE ALREADY SUSPECTS
ABOUT HIS FATHER'S
VIOLENT PAST,
476
00:28:14,475 --> 00:28:17,043
AND THAT COULD HELP US
BECAUSE IF KILLING GRACE
477
00:28:17,086 --> 00:28:19,045
DID TRIGGER SOME SORT
OF TERRIBLE MEMORY,
478
00:28:19,088 --> 00:28:22,091
HE MIGHT TRY TO SUPPRESS
WHATEVER URGES MAKE HIM
FEEL LIKE HIS DAD.
479
00:28:22,135 --> 00:28:25,094
HE MIGHT EVEN TRY
TO PROVE THAT TO HIMSELF
480
00:28:25,138 --> 00:28:27,488
BY FOSTERING
A SURROGATE FOR GRACE,
481
00:28:27,531 --> 00:28:30,404
LIKE OLIVIA IRWIN.
482
00:28:30,447 --> 00:28:33,450
I'LL CHECK IN WITH
LUKE AND MATT.
483
00:28:38,368 --> 00:28:40,370
[CELL PHONE RINGING]
484
00:28:42,982 --> 00:28:44,331
ROSSI.
485
00:28:44,374 --> 00:28:46,463
LYNCH: AGENT ROSSI.
486
00:28:46,507 --> 00:28:48,204
IS MY FATHER DEAD?
487
00:28:48,248 --> 00:28:50,206
YES, HE IS.
488
00:28:50,250 --> 00:28:52,208
YOUR MOTHER
KILLED HM.
489
00:28:52,252 --> 00:28:53,601
MY MOTHER?
490
00:28:53,644 --> 00:28:55,603
[LAUGHING]
491
00:28:55,646 --> 00:28:58,301
SHE CHARMED HER WAY
OUT OF JAIL,
492
00:28:58,345 --> 00:29:00,869
AND NOW SHE'S OUT
FOR BLOOD--YOURS.
493
00:29:00,913 --> 00:29:02,871
I'M SURE SHE IS. LISTEN,
I NEED TO TALK TO YOU,
494
00:29:02,915 --> 00:29:05,178
FACE TO FACE.YOU TELL ME WHERE
495
00:29:05,221 --> 00:29:08,094
I CAN FIND MARILYN
AND OLIVIA, THEN
WE CAN TALK.
496
00:29:08,137 --> 00:29:10,096
MARILYN'S GONE, BUT OLIVIA,
497
00:29:10,139 --> 00:29:12,794
SHE'S SOMEWHERE SAFE, FOR NOW.
498
00:29:12,838 --> 00:29:14,404
ALL RIGHT.
499
00:29:14,448 --> 00:29:16,276
JASPER'S RIDGE
IN 30 MINUTES.
500
00:29:16,319 --> 00:29:19,932
JUST YOU AND ME, AND THEN
MAYBE I'LL TELL YOU WHERE
YOU CAN FIND OLIVIA.
501
00:29:23,022 --> 00:29:25,415
I CAN'T BELIEVE WE'RE
EVEN CONSIDERING THIS.
502
00:29:25,459 --> 00:29:27,722
WE CAN'T NEGOTIATE
WITH A SOCIOPATH.
503
00:29:27,766 --> 00:29:30,769
ALVEZ: I'M WITH JJ.
IT'LL ONLY EMBOLDEN
HIS SENSE OF POWER.
504
00:29:30,812 --> 00:29:32,771
REID: IT MIGHT,
BUT LYNCH IS CLEARLY
505
00:29:32,814 --> 00:29:34,773
IN A VERY VULNERABLE
EMOTIONAL STATE OF MIND,
506
00:29:34,816 --> 00:29:37,253
AND THAT PROVIDES US
WITH AN OPPORTUNITY
TO MANIPULATE HIM.
507
00:29:37,297 --> 00:29:39,560
HOW SO?REID: WE CAN GIVE HIM HOPE,
508
00:29:39,603 --> 00:29:41,562
BASICALLY HOPE
FOR REDEMPTION.
509
00:29:41,605 --> 00:29:43,564
LYNCH KNOWS THAT HIS
IMPULSES ARE WRONG
510
00:29:43,607 --> 00:29:45,566
AND THAT THEY MAKE HIM
JUST LIKE HIS FATHER,
AND HE HATES THAT,
511
00:29:45,609 --> 00:29:48,221
SO HE'S LOOKING TO
A SURROGATE FATHER--
IN THIS CASE, ROSSI--
512
00:29:48,264 --> 00:29:51,006
TO TELL HIM THAT HE CAN
OVERCOME HIS PAST AND
BECOME A BETTER MAN.
513
00:29:51,050 --> 00:29:52,399
SPENCE, YOU GIVE HIM
WAY TOO MUCH CREDIT
514
00:29:52,442 --> 00:29:54,401
FOR BEING ABLE TO FEEL
HUMAN EMOTION.
515
00:29:54,444 --> 00:29:56,359
SIMMONS: WELL, I'M NOT
SURE ABOUT HIS EMOTIONAL
VULNERABILITY,
516
00:29:56,403 --> 00:29:58,361
BUT I DO THINK WE SHOULD
TRY TO TAKE ADVANTAGE OF
WHAT'S GOING TO BE
517
00:29:58,405 --> 00:30:00,363
HIS PHYSICAL VULNERABILITY
ON JASPER'S RIDGE.
518
00:30:00,407 --> 00:30:02,148
ALVEZ: IF HE SENSES
DAVE'S GOT BACK-UP,
519
00:30:02,191 --> 00:30:04,019
THE PSYCHOLOGICAL
GAMES ARE OVER.
520
00:30:04,063 --> 00:30:06,935
AND WE STILL DON'T HAVE
ONE CLUE AS TO WHERE HE'S
HOLDING OLIVIA IRWIN.
521
00:30:06,979 --> 00:30:08,415
SIMMONS: I JUST THINK
THERE'S A WAY THAT WE
522
00:30:08,458 --> 00:30:10,069
CAN GET THE BEST
OF BOTH WORLDS HERE.
523
00:30:10,112 --> 00:30:12,419
EMILY, WHAT DO YOU WANT?
524
00:30:12,462 --> 00:30:15,204
I WANT YOU
TO TALK TO HIM.
525
00:30:19,208 --> 00:30:21,210
[GUNSHOT]
526
00:30:28,652 --> 00:30:30,654
COME SHOOT WITH ME.
527
00:31:02,512 --> 00:31:05,124
YOU IMAGINE THAT
LITTLE BOTTLE WAS ME?
528
00:31:08,040 --> 00:31:10,607
LYNCH: I THINK,
IF IT WEREN'T FOR YOU
NOT KNOWING WHERE
529
00:31:10,651 --> 00:31:13,915
TO FIND OLIVIA, YOU'D
THINK ABOUT TURNING
THAT WEAPON ON ME.
530
00:31:13,959 --> 00:31:15,917
IN SELF-DEFENSE,
OF COURSE, NOT IN
COLD BLOOD
531
00:31:15,961 --> 00:31:19,921
'CAUSE YOU'RE ABLE TO
CONTROL...THOSE IMPULSES
IN YOURSELF, RIGHT?
532
00:31:19,965 --> 00:31:23,229
YOU CAN, TOO.
YOU'RE DOING IT NOW.
533
00:31:25,622 --> 00:31:29,626
I DON'T HAVE
MANY MEMORIES
OF MY REAL DAD,
534
00:31:31,628 --> 00:31:33,935
ACTUALLY, JUST ONE.
535
00:31:33,979 --> 00:31:36,155
I WAS 4 YEARS OLD,
AND HE WAS
536
00:31:36,198 --> 00:31:38,722
WASHING ME UP
IN THE TUB.
537
00:31:38,766 --> 00:31:40,724
I DON'T KNOW
WHAT HAPPENED,
BUT ALL OF A SUDDEN,
538
00:31:40,768 --> 00:31:42,726
HE'S GOT HIS HANDS
AROUND MY NECK
539
00:31:42,770 --> 00:31:44,728
AND HE'S HOLDING ME
UNDERWATER
540
00:31:44,772 --> 00:31:46,730
AND HE'S CURSING ME:
541
00:31:46,774 --> 00:31:49,342
"YOU SHOULD NEVER
HAVE BEEN BORN!
542
00:31:49,385 --> 00:31:51,387
YOU SHOULD NEVER
HAVE BEEN BORN!"
543
00:31:51,431 --> 00:31:53,389
AND I'LL BET THOSE
WERE THE SAME WORDS
544
00:31:53,433 --> 00:31:56,915
YOU HEARD YOURSELF
TELLING GRACE BEFORE
YOU TOOK HER LIFE.
545
00:31:59,656 --> 00:32:02,224
YES, SIR...
546
00:32:02,268 --> 00:32:03,747
[GLASS SHATTERS]
547
00:32:03,791 --> 00:32:05,749
ONLY SHE DIDN'T HAVE
ROBERTA TO COME
548
00:32:05,793 --> 00:32:07,882
FLY IN AND SAVE HER
LIKE I DID.
549
00:32:07,926 --> 00:32:09,884
AFTER ALL THESE YEARS,
I'VE NEVER BEEN ABLE
550
00:32:09,928 --> 00:32:11,886
TO FIGURE OUT WHY
SHE DID THAT.
551
00:32:11,930 --> 00:32:13,888
SHE DIDN'T LOVE ME.
552
00:32:13,932 --> 00:32:18,240
ALL I KNOW, EVERETT,
IS THAT IF YOU SURRENDER
RIGHT NOW, YOU LIVE.
553
00:32:19,633 --> 00:32:21,635
IN A CAGE.
554
00:32:24,725 --> 00:32:27,684
JUST TO BE CLEAR...
555
00:32:27,728 --> 00:32:30,470
GIVE ME A REASON.
556
00:32:30,513 --> 00:32:32,689
LYNCH: IF ANYTHING
HAPPENS TO ME,
557
00:32:32,733 --> 00:32:35,692
AND I'M UNABLE
TO RETURN TO OLIVIA,
SHE'S GONNA DIE.
558
00:32:35,736 --> 00:32:38,304
POOR KID'S GOT
TYPE 1 DIABETES, AND I
559
00:32:38,347 --> 00:32:40,697
SPIKED A DOSE OF HER INSULIN.
560
00:32:40,741 --> 00:32:43,091
NOT BACK AROUND DINNER...
561
00:32:43,135 --> 00:32:45,789
WELL, IT'S NOT
GONNA BE PRETTY.
562
00:32:49,793 --> 00:32:52,405
JUST LET ME GO.
563
00:33:02,719 --> 00:33:05,679
ROSSI: YOU KNOW, THIS
DOESN'T HAVE TO END THE
WAY YOU THINK IT DOES.
564
00:33:05,722 --> 00:33:07,811
HOW DOES IT END,
AGENT ROSSI?
565
00:33:07,855 --> 00:33:11,598
YOU LET OLIVIA GO,
AND YOU REALIZE YOU'RE
NOT YOUR FATHER'S SON.
566
00:33:11,641 --> 00:33:13,687
I'M STILL MY MAMA'S BOY.
567
00:33:27,092 --> 00:33:29,659
YOU MADE
THE RIGHT CALL, JJ.
568
00:33:29,703 --> 00:33:33,446
IF...WE CAN KEEP
OUR EYES ON HIM.
569
00:33:33,489 --> 00:33:35,448
[SIGHS]
570
00:33:35,491 --> 00:33:36,840
THEY LOST HIM.
THEY LOST LYNCH.
571
00:33:36,884 --> 00:33:39,060
RENO PD AND
THE PARK RANGERS.
572
00:33:39,104 --> 00:33:43,064
THEY BLOCKED THE ACCESS ROADS,
BUT LYNCH'S MERCEDES IS STILL
UP THERE ON JASPER'S RIDGE.
573
00:33:43,108 --> 00:33:45,197
SO HE'S GOT TO BE
ON FOOT SOMEWHERE
IN THAT WILDERNESS.
574
00:33:45,240 --> 00:33:47,199
YEAH, THAT'S WHAT
I THOUGHT, TOO, BUT
575
00:33:47,242 --> 00:33:49,201
THERE'S THESE ABANDONED
MINING TUNNELS
576
00:33:49,244 --> 00:33:51,116
THAT WERE DUG OUT
IN THE 1800s.
577
00:33:51,159 --> 00:33:53,031
MAYBE HE TOOK
ADVANTAGE OF THAT.
578
00:33:53,074 --> 00:33:55,033
[BEEPS]
579
00:33:58,688 --> 00:34:00,951
[2 BEEPS]
580
00:34:04,390 --> 00:34:07,349
GREAT. FIRST MY PHONE,
AND NOW THIS.
581
00:34:07,393 --> 00:34:10,178
LYNCH: YOU LEFT IT
IN THE KITCHEN.
582
00:34:10,222 --> 00:34:11,832
THANKS.
583
00:34:11,875 --> 00:34:13,225
SURE.
584
00:34:17,577 --> 00:34:19,883
[SNIFFLES]
UM...
585
00:34:19,927 --> 00:34:21,972
HAS MY MOM
CALLED YOU?
586
00:34:22,016 --> 00:34:24,584
NO, NOT YET, YOU KNOW,
AND I REALLY JUST THINK
587
00:34:24,627 --> 00:34:26,586
IT'S BEST IF I
DROP YOU OFF AT YOUR
GRANDMA'S BECAUSE--
588
00:34:26,629 --> 00:34:30,981
ROBERTA: BECAUSE
YOUR MOTHER IS NEVER
COMIN' HOME, LITTLE GIRL.
589
00:34:31,025 --> 00:34:33,854
ISN'T THAT RIGHT,
EVERETT?
590
00:34:33,897 --> 00:34:35,856
WHO THE HELL ARE YOU?
591
00:34:35,899 --> 00:34:38,250
OLIVIA,
THIS IS MY MOM.
592
00:34:38,293 --> 00:34:43,037
[VOICE SHAKING]
YOU ARE GONNA TELL
THIS CHILD THE TRUTH.
593
00:34:43,081 --> 00:34:44,778
[COCKS GUN]
594
00:34:51,524 --> 00:34:54,135
GARCIA FIND SOMETHING?GARCIA: YEAH, I DID.
595
00:34:54,179 --> 00:34:57,182
IT LOOKS LIKE ROBERTA LYNCH
SPENT A SIGNIFICANT PART
OF HER TEENAGE YEARS
596
00:34:57,225 --> 00:34:59,619
BOUNCING FROM FAMILY MEMBERS
TO FAMILY FRIENDS,
597
00:34:59,662 --> 00:35:02,012
INCLUDING
THE DUGGANS OF RENO.
598
00:35:02,056 --> 00:35:04,014
NOW, THEY MADE ALL THEIR MONEY
IN THE GAMING INDUSTRY,
599
00:35:04,058 --> 00:35:07,757
MOST OF THEM MOVED AWAY
EXCEPT FOR ONE--
ALEXANDRIA DUGGAN.
600
00:35:07,801 --> 00:35:09,977
JJ, REID, GARCIA, SENDING
YOU THE ADDRESS NOW.
601
00:35:10,020 --> 00:35:11,413
ALL RIGHT,
WE GOT IT.
602
00:35:11,457 --> 00:35:13,981
ALSO, FBI SWAT OFFICERS ARE
ON THEIR WAY TO MEET YOU.
603
00:35:14,024 --> 00:35:16,766
YOU MAY NOT MAKE IT THERE
IN TIME TO SAVE LYNCH
FROM ROBERTA.
604
00:35:16,810 --> 00:35:19,160
I'M ONLY CONCERNED WITH
SAVING OLIVIA IRWIN'S
LIFE RIGHT NOW.
605
00:35:19,204 --> 00:35:21,554
I KNOW ROBERTA THINKS
SHE CAN KILL HER SON,
606
00:35:21,597 --> 00:35:23,686
BUT WHEN IT COMES DOWN
TO IT, SHE WON'T PULL
THE TRIGGER.
607
00:35:23,730 --> 00:35:26,863
I THINK SHE WILL.
YOU DIDN'T SEE HER REACT
TO THAT PHOTO OF GRACE.
608
00:35:26,907 --> 00:35:29,083
NO, BUT I DID SEE
HER SENTIMENTAL SIDE,
AND IT'S HARD TO SEE
609
00:35:29,127 --> 00:35:31,085
HOW SHE'D BE ABLE TO
COMPLETELY DISASSOCIATE
610
00:35:31,129 --> 00:35:33,087
FROM HER RELATIONSHIP
TO HER ONLY CHILD.
611
00:35:33,131 --> 00:35:35,045
BUT IF LYNCH FIGURES
THAT OUT, HE'LL HAVE
THE ADVANTAGE,
612
00:35:35,089 --> 00:35:37,265
AND I'M SURE HE WON'T
HESITATE TO KILL HER.
613
00:35:40,703 --> 00:35:42,662
LYNCH:
YOU WANT THE TRUTH, HUH?
614
00:35:42,705 --> 00:35:44,664
YOU WANT THE TRUTH?
THIS IS IT.
615
00:35:44,707 --> 00:35:46,056
[CRYING]
NO!
616
00:35:46,100 --> 00:35:48,276
NO, MOM. NO, NO!
YOU DIDN'T!
617
00:35:48,320 --> 00:35:51,149
OH, YEAH, AND YOU--
YOU NEED TO SEE THIS.
618
00:35:52,237 --> 00:35:55,022
[SOBBING]I DIDN'T WANT TO DO THIS.
619
00:35:55,065 --> 00:35:57,024
SOMETHING CAME OVER ME.
620
00:35:57,067 --> 00:35:59,200
I DON'T KNOW WHAT IT IS.
621
00:35:59,244 --> 00:36:02,986
SOMETHING INSIDE. IT'S
LIKE A PART OF ME AND
IT'S A PART OF YOU, TOO!
622
00:36:03,030 --> 00:36:05,163
YOU'RE A MONSTER.
623
00:36:05,206 --> 00:36:08,166
HMM. MMM.
[EXHALES SHARPLY]
624
00:36:08,209 --> 00:36:11,081
AH, I BET YOU'RE WISHING
YOU LET DADDY DROWN ME
NOW, HUH? HA HA HA!
625
00:36:11,125 --> 00:36:14,215
[LYNCH LAUGHING]
626
00:36:14,259 --> 00:36:15,869
[SIRENS]
627
00:36:27,576 --> 00:36:30,405
[INDISTINCT RADIO TRANSMISSIONS]
628
00:36:30,449 --> 00:36:33,626
JJ: VAN TO MONTERO.
WE NEED TO SURROUND
AND SECURE THE PERIMETER.
629
00:36:33,669 --> 00:36:35,541
YES, MA'AM.
630
00:36:35,584 --> 00:36:37,238
[SPEAKING INDISTINCTLY]
631
00:36:38,631 --> 00:36:40,589
[CELL PHONE RINGING]NO, NO, NO, NO!
632
00:36:40,633 --> 00:36:42,591
SHH, SHH. RELAX.
633
00:36:42,635 --> 00:36:45,638
RELAX, OK?
[PANTING]
634
00:36:45,681 --> 00:36:47,248
THIS IS THE FBI.
635
00:36:47,292 --> 00:36:50,338
NO, NO, NO, NO, NO. NO,
I'M GONNA TALK TO THEM.
636
00:36:50,382 --> 00:36:52,340
[RINGING CONTINUES]
637
00:36:52,384 --> 00:36:54,081
ON THE GROUND.
OK.
638
00:37:06,659 --> 00:37:08,835
IS THIS AGENT ROSSI?
639
00:37:08,878 --> 00:37:10,837
NO, ROBERTA, MY NAME IS
DR. SPENCER REID,
640
00:37:10,880 --> 00:37:12,969
AND IT'S IMPORTANT
THAT YOU LISTEN
TO ME RIGHT NOW.
641
00:37:13,013 --> 00:37:15,755
EVEN THOUGH YOU HAVE
THE GUN, THE MOMENT
YOUR SON REALIZES
642
00:37:15,798 --> 00:37:18,410
YOU'RE NOT GONNA
SHOOT HIM, HE'S GONNA
GET THE UPPER HAND.
643
00:37:18,453 --> 00:37:21,064
[SIGHS]
YOU'RE WRONG...
644
00:37:22,588 --> 00:37:24,633
'CAUSE MY SON
645
00:37:24,677 --> 00:37:26,635
IS GOING TO PAY
646
00:37:26,679 --> 00:37:28,637
FOR WHAT HE DID
TO GRACE.
647
00:37:28,681 --> 00:37:32,293
REID: YES, BUT FIRST
YOU NEED TO LET OLIVIA
WALK OUT OF THERE, OK?
648
00:37:32,337 --> 00:37:34,295
YEAH.
649
00:37:34,339 --> 00:37:35,905
OLIVIA.
650
00:37:35,949 --> 00:37:38,343
GO. HURRY, GO.NOW, WAIT A SECOND--
651
00:37:39,387 --> 00:37:41,215
REID: ROBERTA?
652
00:37:43,348 --> 00:37:46,351
DON'T YOU WORRY.
SHE'S ON HER WAY
OUT TO YOU.
653
00:37:47,352 --> 00:37:49,963
[INDISTINCT RADIO TRANSMISSIONS]
654
00:37:55,316 --> 00:37:58,276
ROBERTA, THAT WARNING SHOT IS
WHAT'S ABOUT TO GIVE YOU AWAY,
BUT WE CAN HELP.
655
00:37:58,319 --> 00:38:00,234
ARE YOU READY FOR US TO COME IN?
WE CAN SAVE YOU BOTH.
656
00:38:00,278 --> 00:38:01,279
HA!
657
00:38:02,410 --> 00:38:04,020
DAVE,
THEY FOUND THIS BAG
658
00:38:04,064 --> 00:38:05,587
DISCARDED ON THE SIDE
OF THE ROAD.
659
00:38:05,631 --> 00:38:08,068
ROSSI: LOOKS LIKE
IT'S ROBERTA'S.
660
00:38:24,650 --> 00:38:28,001
YOU REALIZE HOW THIS HAS
TO END, RIGHT? RIGHT?
661
00:38:29,394 --> 00:38:30,960
REID: ROBERTA?
HEY.
662
00:38:31,004 --> 00:38:32,353
YES...
I'M READY.
663
00:38:32,397 --> 00:38:34,050
I'M READY.
664
00:38:34,094 --> 00:38:35,704
CAPTAIN MONTERO,
BREACH.
665
00:38:39,404 --> 00:38:41,362
[CELL PHONE RINGS]
666
00:38:41,406 --> 00:38:43,016
ROSSI?
667
00:38:43,059 --> 00:38:45,366
JJ, ROBERTA ISN'T
THERE TO KILL LYNCH.
668
00:38:45,410 --> 00:38:47,455
SHE'S THERE
TO DIE WITH HIM.
669
00:38:49,631 --> 00:38:51,894
SPENCE! STOP!
670
00:38:55,594 --> 00:38:57,596
[DEBRIS CLATTERING]
671
00:39:04,690 --> 00:39:07,345
[REID PANTING IN SLOW MOTION]
672
00:39:15,353 --> 00:39:17,920
[DIALOGUE MUTED]
673
00:39:17,964 --> 00:39:20,358
[VOICE FADING IN]
SPENCE, ARE YOU OK?
674
00:39:23,186 --> 00:39:25,275
NO, NO, NO, NO.
STAY DOWN, STAY DOWN.
675
00:39:26,625 --> 00:39:28,627
[DIALOGUE MUTED]
676
00:39:37,592 --> 00:39:39,594
[KNOCK ON DOOR]
677
00:39:41,248 --> 00:39:43,206
DEPUTY DIRECTOR
BARBOUR.
678
00:39:43,250 --> 00:39:46,340
YEAH, I WAS WONDERING
IF YOU HAD AT LEAST
A PRELIMINARY ASSESSMENT
679
00:39:46,384 --> 00:39:48,342
OF THE LOSSES
AT THE LYNCH SCENE.
680
00:39:48,386 --> 00:39:52,390
6 FBI SWAT OFFICERS
ARE CONFIRMED DEAD.
681
00:39:52,433 --> 00:39:56,306
IT APPEARS, AT SOME
POINT, LYNCH WAS ABLE
TO DETACH A GAS LINE.
682
00:39:56,350 --> 00:39:59,440
THE EXPLOSION ITSELF
SEEMED TO HAVE BEEN
TRIGGERED BY A GUNSHOT.
683
00:39:59,484 --> 00:40:01,834
BAU NEVER PROFILED
SUICIDAL IDEATIONS
684
00:40:01,877 --> 00:40:03,444
IN EITHER EVERETT
OR ROBERTA LYNCH.
685
00:40:03,488 --> 00:40:05,272
I MEAN, HOW COULD
YOU MISS THAT?
686
00:40:05,315 --> 00:40:07,840
BASED ON THE BEHAVIOR,
WE WERE ABLE TO EVALUATE
687
00:40:07,883 --> 00:40:11,496
THERE WAS NEVER
ANY INDICATION OF
THAT PREDISPOSITION.
688
00:40:11,539 --> 00:40:13,367
WHO GAVE THE ORDER
TO BREACH?
689
00:40:14,586 --> 00:40:17,197
ANY ACTION TAKEN BY
A MEMBER OF MY TEAM
690
00:40:17,240 --> 00:40:19,199
IS EXECUTED
UNDER MY ORDER.
691
00:40:19,242 --> 00:40:21,419
THE BUCK STOPS
WITH ME, ALWAYS.
692
00:40:21,462 --> 00:40:24,422
WELL, AS YOU CAN IMAGINE,
693
00:40:24,465 --> 00:40:27,425
THE IDEA THAT WE WOULD
PROMOTE YOU AFTER--
694
00:40:27,468 --> 00:40:29,427
DEPUTY DIRECTOR
BARBOUR, AM I STILL
695
00:40:29,470 --> 00:40:30,776
THE UNIT CHIEF
OF THE BAU?
696
00:40:30,819 --> 00:40:32,473
YES.
697
00:40:32,517 --> 00:40:35,520
FINE. THEN IF YOU'LL
EXCUSE ME...
698
00:41:12,470 --> 00:41:14,776
REID, VOICE-OVER:
IT DOESN'T MAKE SENSE TO ME.
699
00:41:14,820 --> 00:41:16,561
CAPTAIN MONTERO, BREACH.
700
00:41:20,390 --> 00:41:22,392
I DON'T UNDERSTAND.
701
00:41:29,748 --> 00:41:31,750
[SIGHS]
702
00:41:36,189 --> 00:41:38,626
IT DOESN'T MAKE SENSE TO ME.
703
00:41:39,975 --> 00:41:41,934
I DON'T UNDERSTAND HOW
THAT KIND OF PERSONALITY
704
00:41:41,977 --> 00:41:44,414
CAN CHOOSE TO BLOW ITSELF UP.
705
00:41:44,458 --> 00:41:48,418
IF ROBERTA GAVE IN TO HIM...
706
00:41:48,462 --> 00:41:50,769
JUST BREATHE, MOM.
[CRYING]
707
00:41:50,812 --> 00:41:53,815
REID: AND IF HE TOOK
THE GUN AWAY...
708
00:41:54,947 --> 00:41:56,818
AAH!
709
00:41:56,862 --> 00:41:59,517
IF HE COULD GET TO A TUNNEL...
710
00:42:10,223 --> 00:42:11,572
[GUNSHOT]
711
00:42:11,616 --> 00:42:13,574
LYNCH.
712
00:42:13,618 --> 00:42:16,229
HE'S STILL ALIVE.
713
00:42:47,521 --> 00:42:50,480
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.
714
00:42:50,524 --> 00:42:53,527
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
54693
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