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1
00:00:02,590 --> 00:00:04,590
HERE ARE YOUR TICKETS
2
00:00:04,590 --> 00:00:07,090
WITH YOUR SEAT ASSIGNMENTS,
MR. MORTENSON.
3
00:00:07,090 --> 00:00:09,590
AND WE AT AEROMASS,
WE APPRECIATE YOUR PATRONAGE.
4
00:00:09,590 --> 00:00:11,590
WE HOPE
YOU'LL FLY WITH US AGAIN
5
00:00:11,590 --> 00:00:13,430
REAL, REAL, SOON.
OH, LOWELL.
6
00:00:13,430 --> 00:00:15,500
PLEASE TAKE
MR. MORTENSON'S BAG
OUT TO THE PLANE.
7
00:00:15,930 --> 00:00:16,930
MY PLEASURE.
8
00:00:18,430 --> 00:00:20,440
RIGHT THIS WAY, MA'AM.
9
00:00:20,440 --> 00:00:21,340
[gasping]
10
00:00:24,810 --> 00:00:25,740
[Roy clearing throat]
11
00:00:29,810 --> 00:00:31,810
[seagulls cawing]
12
00:01:33,410 --> 00:01:36,410
SO, WHAT WAS WRONG WITH
THE RADIO AGAIN, JOE?
13
00:01:36,410 --> 00:01:37,410
IT KEEPS CUTTIN'
IN AND OUT.
14
00:01:37,410 --> 00:01:39,420
WHEN I'M IN MY OFFICE,
I HAVE GOTTA BE ABLE
15
00:01:39,420 --> 00:01:40,420
TO PICK UP THE MIKE
AND KNOW
16
00:01:40,420 --> 00:01:43,120
WHOEVER IS SITTING
IN THAT COCKPIT CAN HEAR ME.
17
00:01:43,120 --> 00:01:44,620
WELL, I'D SAY
YOUR BEST BET WOULD BE
18
00:01:44,620 --> 00:01:48,330
TO STICK YOUR HEAD OUT
THE OFFICE DOOR AND YELL.
19
00:01:48,320 --> 00:01:51,230
NO, I--I MEANT
WHEN THE PLANE'S
IN THE AIR, LOWELL.
20
00:01:51,730 --> 00:01:53,230
SO DID I.
21
00:01:54,630 --> 00:01:56,470
HEY, JOE, THE CANDIDATES
FOR THE BACKUP PILOTS
22
00:01:56,900 --> 00:01:57,900
ARE STARTIN' TO JAM UP
OUT THERE.
23
00:01:58,400 --> 00:02:00,200
OK, I'M READY.
SEND 'EM OUT.
24
00:02:00,470 --> 00:02:01,770
LET'S GO.
25
00:02:06,980 --> 00:02:08,480
IS THIS IT?
26
00:02:09,480 --> 00:02:10,980
AFRAID SO.
27
00:02:12,320 --> 00:02:13,820
YOU KNOW,
A 3-MAN COMMANDO SQUAD
28
00:02:13,820 --> 00:02:15,820
COULD TAKE THIS PLACE OUT
LIKE THAT.
29
00:02:17,220 --> 00:02:20,420
SECURITY AROUND HERE SUCKS.
30
00:02:20,420 --> 00:02:22,990
UH, THANKS.
I'LL LOOK INTO IT.
31
00:02:22,990 --> 00:02:24,990
UH, I WANT-- I WANT
TO THANK YOU ALL FOR COMING.
32
00:02:25,500 --> 00:02:27,000
SEE,
I'M IN KIND OF A BIND HERE.
33
00:02:27,000 --> 00:02:30,000
I, UH, RECENTLY
LOST MY LICENSE
DUE TO HYPERTENSION.
34
00:02:30,000 --> 00:02:31,500
IT'S JUST A TEMPORARY THING.
35
00:02:32,000 --> 00:02:33,500
ANYWAY, I--
HOW OLD ARE YOU?
36
00:02:33,500 --> 00:02:34,500
OH, 18, SIR.
37
00:02:34,500 --> 00:02:36,510
BUT I HAVE
MY COMMERCIAL PILOT'S LICENSE.
38
00:02:36,510 --> 00:02:39,010
I GOT IT 2 WEEKS AGO.
SAME DAY MY BRACES CAME OFF.
39
00:02:41,040 --> 00:02:43,250
PLANE'S A DEATH TRAP.
40
00:02:43,750 --> 00:02:46,020
COUPLE OF ROUNDS
OF STEEL-JACKETED AMMO
IN THE FUEL TANK
41
00:02:46,520 --> 00:02:48,450
AND THIS BABY'S
A ROMAN CANDLE.
42
00:02:48,820 --> 00:02:49,820
COOL.
43
00:02:51,320 --> 00:02:53,320
YEAH, WELL, UH, THANKS.
44
00:02:53,320 --> 00:02:56,330
UMM, UH, NOW WHY DON'T--
WHY DON'T WE JUST GET ON
WITH THE INTERVIEWS.
45
00:02:56,330 --> 00:02:58,330
WOULD YOU LIKE TO STEP
IN MY OFFICE, MISTER, UH...
46
00:02:58,330 --> 00:02:59,830
STUBBS.
47
00:03:00,330 --> 00:03:02,400
BY THE WAY,
48
00:03:02,400 --> 00:03:06,170
DOES THIS JOB REQUIRE
THAT I FLY AT NIGHT?
49
00:03:06,170 --> 00:03:08,040
YEAH,
IS THAT A PROBLEM?
50
00:03:08,040 --> 00:03:12,540
WELL, MY DOCTOR DON'T LIKE ME
DRIVIN' AFTER DARK
51
00:03:12,540 --> 00:03:14,540
BUT HE DIDN'T SAY NOTHIN'
ABOUT FLYIN'.
52
00:03:19,920 --> 00:03:21,920
SO, MR. STUBBS, I IMAGINE
53
00:03:22,420 --> 00:03:24,550
YOU'VE HAD QUITE A LOT
OF EXPERIENCE FLYING.
54
00:03:24,550 --> 00:03:27,520
OH, I'VE FLOWN
FOR A LOT OF OUTFITS.
55
00:03:27,520 --> 00:03:30,890
I EVEN HAVE A LETTER
OF RECOMMENDATION
56
00:03:30,890 --> 00:03:32,960
FROM CHARLES LINDBERGH, HERE,
57
00:03:33,460 --> 00:03:35,470
BUT THE DAMN THING
CAME APART.
58
00:03:39,470 --> 00:03:40,470
CHARLES LINDBERGH?
59
00:03:40,470 --> 00:03:41,970
THE CHARLES LINDBERGH?
60
00:03:41,970 --> 00:03:44,470
WELL, UNLESS HE WAS
PULLIN' MY LEG.
61
00:03:45,840 --> 00:03:48,850
MY DAUGHTER WANTS TO GET ME
OUT OF THE HOUSE.
62
00:03:48,850 --> 00:03:49,850
I SEE.
63
00:03:49,850 --> 00:03:51,850
YEAH,
SHE'S KIND OF MAD AT ME
64
00:03:51,850 --> 00:03:54,550
BECAUSE I TOTALED HER NEW CAR.
65
00:03:54,550 --> 00:03:57,120
HECK.
IT--IT--IT WASN'T MY FAULT.
66
00:03:57,120 --> 00:04:00,620
IT'S ALL THOSE FANCY LIGHTS
AND GIZMOS ON THE DASHBOARD.
67
00:04:01,120 --> 00:04:02,960
THEY'RE-- IT JUST
GOT ME FLUMMOXED.
68
00:04:04,790 --> 00:04:07,300
(Lowell)
YOU LEFT THE SWITCH DOWN
ON YOUR TRANSMITTER, JOE.
69
00:04:08,300 --> 00:04:10,100
I READ YOU LOUD AND CLEAR.
70
00:04:10,100 --> 00:04:11,670
WHO--WHO--WHO SAID THAT?
71
00:04:11,670 --> 00:04:13,940
I DIDN'T TOUCH
THE SWITCH, LOWELL.
THAT'S THE PROBLEM.
72
00:04:13,940 --> 00:04:15,940
IT CUTS IN AND OUT
ALL BY ITSELF.
73
00:04:16,440 --> 00:04:18,110
IT'S A GROUND-TO-AIR RADIO.
74
00:04:18,110 --> 00:04:22,110
GOOD LORD, MISS AGNES!
WHAT THEY WON'T THINK OF NEXT.
75
00:04:25,880 --> 00:04:27,380
[sighing]
76
00:04:27,380 --> 00:04:29,890
OH, NO, HELEN, I DON'T WANT
THOSE EGGS FRIED.
77
00:04:29,890 --> 00:04:31,420
I ASKED FOR 'EM SCRAMBLED.
78
00:04:31,420 --> 00:04:32,920
NO PROBLEM.
79
00:04:35,930 --> 00:04:37,130
HAPPY?
80
00:04:37,130 --> 00:04:38,590
WHO TWISTED YOUR SHORTS?
81
00:04:39,530 --> 00:04:41,030
IT'S MY LIFE, I GUESS.
82
00:04:41,030 --> 00:04:43,030
I FEEL THIS DESPERATE NEED
FOR SOMETHING
83
00:04:43,030 --> 00:04:45,030
AND I JUST DON'T KNOW
QUITE WHAT IT IS.
84
00:04:45,030 --> 00:04:47,540
I MEAN,
I GET UP IN THE MORNING
AND I COME TO WORK.
85
00:04:47,540 --> 00:04:49,040
I GO HOME, I GO TO BED.
86
00:04:49,040 --> 00:04:50,570
IS THAT ALL THERE IS?
87
00:04:50,570 --> 00:04:51,570
THROW IN A T.V. DINNER
88
00:04:51,570 --> 00:04:53,080
AND, YEAH,
THAT'S PRETTY MUCH IT.
89
00:04:55,780 --> 00:04:57,110
WHAT AM I GONNA DO, FAY?
90
00:04:57,380 --> 00:04:59,780
MY LIFE IS A MISERABLE,
LONELY EXISTENCE.
91
00:05:00,780 --> 00:05:01,780
GET A BIRD.
92
00:05:03,990 --> 00:05:05,990
FAY, I DON'T THINK
YOU UNDERSTAND.
93
00:05:05,990 --> 00:05:07,490
ALL MY FRIENDS
ARE GETTING MARRIED.
94
00:05:07,490 --> 00:05:10,490
TOMORROW,
I'M GONNA BE THE BRIDESMAID
FOR THE 5TH TIME THIS YEAR.
95
00:05:10,490 --> 00:05:12,500
I'M NOT EVEN ASKING
TO GET MARRIED.
96
00:05:12,500 --> 00:05:14,000
ALL I WANT TO DO
IS GO OUT,
97
00:05:14,000 --> 00:05:16,500
HAVE A NICE TIME
WITH A DECENT GUY.
98
00:05:16,500 --> 00:05:18,000
IF SOMETHING
DOESN'T HAPPEN SOON,
99
00:05:18,000 --> 00:05:19,000
ALL THE KIDS
ARE GONNA CALL ME
100
00:05:19,000 --> 00:05:21,500
"THAT WEIRD OLD LADY
AT THE END OF THE BLOCK."
101
00:05:23,310 --> 00:05:24,810
YOU GET USED TO IT.
102
00:05:28,440 --> 00:05:29,950
LET ME PUT
MY THINKING CAP ON
103
00:05:29,950 --> 00:05:31,950
AND I'LL BET I COME UP WITH
THE PERFECT FELLOW FOR YOU.
104
00:05:32,380 --> 00:05:34,380
THANKS, FAY.
105
00:05:34,380 --> 00:05:37,390
HEY, HELEN,
EVER HAD PEACH BRANDY
SUCKED OUT OF YOUR NAVEL?
106
00:05:38,650 --> 00:05:40,160
HURRY, FAY, HURRY.
107
00:05:42,530 --> 00:05:43,860
IT'S NO USE.
108
00:05:43,860 --> 00:05:45,360
I CAN'T BRING MYSELF
TO HIRE ANY OF THOSE GUYS.
109
00:05:45,360 --> 00:05:48,460
JOE, YOU'VE GOTTA.
I CAN'T KEEP FLYING
EVERY FLIGHT MYSELF.
110
00:05:48,460 --> 00:05:50,370
MY LITTLE CATNAPS
ARE UPSETTING THE PASSENGERS.
111
00:05:50,370 --> 00:05:53,640
I KNOW. I KNOW.
BUT LOOK AT MY CHOICES.
112
00:05:53,640 --> 00:05:55,640
JOE, THOSE ARE
THE LAST 3 PEOPLE
ON EARTH
113
00:05:55,640 --> 00:05:57,410
WHO ARE WILLING TO WORK
FOR WHAT YOU'RE PAYING.
114
00:05:57,410 --> 00:05:59,210
WHY DON'T YOU LET ME
MAKE THE DECISION, OK?
115
00:05:59,210 --> 00:06:01,210
I'LL ASSESS
ALL THEIR QUALIFICATIONS,
116
00:06:01,210 --> 00:06:02,710
FACTOR IN THEIR EXPERIENCE,
117
00:06:02,710 --> 00:06:04,210
AND AFTER I'VE COMPILED
ALL THE DATA,
118
00:06:04,710 --> 00:06:06,280
CHOOSE THE BEST POSSIBLE
PERSON FOR THE JOB.
119
00:06:06,280 --> 00:06:07,620
1 POTATO, 2 POTATO?
120
00:06:07,620 --> 00:06:08,620
YEAH, PRETTY MUCH.
121
00:06:10,520 --> 00:06:13,060
FAY, THIS AIRLINE
GETS HARDER TO RUN
BY THE MINUTE.
122
00:06:13,060 --> 00:06:15,060
TRY STANDING IN HEELS ALL DAY.
123
00:06:16,290 --> 00:06:18,290
I AM TOO WRAPPED UP
IN THIS JOB.
124
00:06:18,790 --> 00:06:20,800
I--I GET HERE IN THE MORNING,
I RUN THE OFFICE ALL DAY,
125
00:06:20,800 --> 00:06:22,800
I GO HOME AT NIGHT
AND GO TO BED.
126
00:06:22,800 --> 00:06:25,330
I NEED SOMETHING ELSE
IN MY LIFE.
127
00:06:25,330 --> 00:06:27,740
HELEN IS THINKING ABOUT
GETTING A BIRD.
128
00:06:29,110 --> 00:06:30,270
(Brian)
JOE!
129
00:06:30,270 --> 00:06:32,780
MEET YOUR NEW SWING PILOT.
KENNY McELVEY.
130
00:06:33,280 --> 00:06:34,640
IT'S A PRIVILEGE
TO BE ABOARD, SIR.
131
00:06:34,940 --> 00:06:35,950
KENNY?
132
00:06:35,950 --> 00:06:36,810
[laughing]
133
00:06:38,650 --> 00:06:40,150
HE'S YOUNG,
BUT IN MY OPINION,
134
00:06:40,150 --> 00:06:42,150
THIS CADET HAS
ALL THE RIGHT STUFF.
135
00:06:42,150 --> 00:06:43,650
OH, BOY.
136
00:06:43,650 --> 00:06:45,160
WAIT TILL THE KIDS
IN THE BUS HEAR
137
00:06:45,150 --> 00:06:47,660
I'M PILOTING THE 5:15
TO HYANNIS.
138
00:06:47,660 --> 00:06:49,160
[sighing]
139
00:06:49,160 --> 00:06:51,130
LET'S SEE WHO'S
THE DORK-FACE NOW.
140
00:06:52,760 --> 00:06:53,760
[laughing]
141
00:06:59,200 --> 00:07:00,370
[people exclaiming]
142
00:07:00,370 --> 00:07:01,670
OK, EVERYBODY, LISTEN UP.
143
00:07:02,170 --> 00:07:03,870
I JUST GOT BACK
FROM A WEDDING.
144
00:07:03,870 --> 00:07:05,880
MY CHANGE OF CLOTHES
IS LOCKED IN THE CAR
145
00:07:05,880 --> 00:07:06,880
ALONG WITH MY KEYS.
146
00:07:06,880 --> 00:07:08,880
SO, IF ANYBODY HAS
ANY WISECRACKS TO MAKE,
147
00:07:09,380 --> 00:07:10,280
LET ME HEAR 'EM NOW.
148
00:07:10,280 --> 00:07:11,780
YOU WON'T HEAR ANY FROM ME.
149
00:07:12,280 --> 00:07:13,780
I LIKE THE NEW UNIFORM.
150
00:07:13,780 --> 00:07:15,050
[sighs]
151
00:07:15,050 --> 00:07:17,550
DID YOU MEET
ANYONE INTERESTING
AT THE WEDDING?
152
00:07:17,550 --> 00:07:18,550
(Helen)
OH, YEAH, FAY.
153
00:07:18,550 --> 00:07:19,990
THE ONLY SINGLE GUY THERE
154
00:07:19,990 --> 00:07:22,190
WAS PICKIN' HIS TEETH
WITH A MATCHBOOK.
155
00:07:22,190 --> 00:07:23,160
SO?
156
00:07:23,160 --> 00:07:25,500
THE TEETH WERE IN HIS HAND
AT THE TIME.
157
00:07:26,860 --> 00:07:29,630
FAY, IT WAS NOT SUPPOSED
TO HAPPEN THIS WAY.
158
00:07:29,630 --> 00:07:31,630
ALL THESE GIRLS
GETTING MARRIED,
THEY WERE THE EASY TYPE,
159
00:07:31,630 --> 00:07:35,100
WHO SPENT HIGH SCHOOL
NECKING IN PARKED CARS
UP AT INDIAN POINT.
160
00:07:35,100 --> 00:07:36,540
NOT ME.
161
00:07:36,540 --> 00:07:38,040
I WAS DEDICATED TO MY MUSIC.
162
00:07:38,040 --> 00:07:39,540
A NICE GIRL.
163
00:07:39,540 --> 00:07:41,540
THE SORT OF GIRL THAT GUYS
ARE SUPPOSED TO MARRY
164
00:07:41,540 --> 00:07:43,550
AFTER THEY GET TIRED
OF THE OTHER KIND.
165
00:07:43,550 --> 00:07:46,550
SOME BOYS TAKE
A LONG TIME TO TIRE.
166
00:07:49,920 --> 00:07:50,920
INDIAN POINT.
167
00:07:50,920 --> 00:07:52,420
[laughs]
168
00:07:52,420 --> 00:07:54,920
WELL, THE WIFE STILL LIKES
TO GO UP THERE AND PARK,
169
00:07:54,920 --> 00:07:57,760
JUST TO PUT THE EXCITEMENT
BACK IN OUR MARRIAGE.
170
00:07:57,760 --> 00:07:58,760
DOES IT WORK?
171
00:07:59,260 --> 00:08:00,260
SO SHE SAYS.
172
00:08:01,600 --> 00:08:03,100
NEXT TIME,
I'M GOING WITH HER.
173
00:08:06,600 --> 00:08:08,100
OK, KENNY.
174
00:08:08,100 --> 00:08:09,740
EVEN THOUGH
YOU'RE KIND OF YOUNG,
175
00:08:09,740 --> 00:08:11,370
I HAVE TO ADMIT YOU SEEM--
176
00:08:14,980 --> 00:08:15,980
LOSE THE HAT.
177
00:08:15,980 --> 00:08:17,750
YOU SEEM TO KNOW
YOUR STUFF.
178
00:08:17,750 --> 00:08:19,780
I WAS TOP MAN
IN MY FLIGHT CLASS, SIR.
179
00:08:19,780 --> 00:08:21,780
AND I LIKE YOUR APPEARANCE.
TAKE NOTE, BRIAN.
180
00:08:21,780 --> 00:08:24,050
BOUGHT MY OWN UNIFORM
WITH MY ALLOWANCE, SIR.
181
00:08:24,050 --> 00:08:27,560
I WANT TO BE THE SAME
KIND OF SQUARED-AWAY,
BY-THE-BOOK PILOT YOU ARE.
182
00:08:28,060 --> 00:08:29,060
KID, WE GOTTA TALK.
183
00:08:31,060 --> 00:08:35,060
SANDPIPER AIR
FLIGHT 7 TO HYANNIS
WILL NOW BEGIN BOARDING.
184
00:08:35,060 --> 00:08:38,070
YOUR COPILOT THIS AFTERNOON
IS NANTUCKET'S OWN,
185
00:08:38,070 --> 00:08:39,070
KENNY McELVEY,
186
00:08:39,070 --> 00:08:41,070
WHO HAS A B-PLUS AVERAGE
187
00:08:41,070 --> 00:08:43,510
AND IS THE PRESIDENT
OF THE CHESS CLUB.
188
00:08:47,510 --> 00:08:50,010
SO, HOW ARE YOU TODAY,
JOE?
189
00:08:50,010 --> 00:08:53,020
WELL, I'M TRYING HARD
NOT TO LET THIS JOB
BE SO IMPORTANT TO ME.
190
00:08:53,020 --> 00:08:54,250
LAST NIGHT,
I EVEN WENT OUT.
191
00:08:54,250 --> 00:08:56,750
ENDED UP
AT THE ROSE AND CROWN.
I MET A WOMAN.
192
00:08:56,750 --> 00:08:58,250
EVERYTHING WAS GOIN' GREAT
193
00:08:58,250 --> 00:09:00,620
AND THEN I STARTED
TALKIN' ABOUT MY PLANE.
194
00:09:00,620 --> 00:09:02,130
OH, JOE, YOU DIDN'T.
195
00:09:02,120 --> 00:09:04,160
YEAH.
196
00:09:04,160 --> 00:09:06,160
NEXT THING I KNEW,
SHE WENT TO POWDER HER NOSE
AND NEVER CAME BACK.
197
00:09:06,160 --> 00:09:08,670
APPARENTLY,
SHE KICKED THE WINDOW
OUT OF THE LADIES' ROOM
198
00:09:08,660 --> 00:09:09,930
AND RAN FOR IT.
199
00:09:11,700 --> 00:09:14,540
WHERE AM I GONNA FIND
SOMEONE WHO'LL ACCEPT ME
THE WAY I AM?
200
00:09:14,540 --> 00:09:17,810
WELL, YOU KNOW, JOE,
WHEN IT COMES TO FINDING
THE RIGHT PERSON,
201
00:09:17,810 --> 00:09:19,810
SOMETIMES YOU HAVE TO BE
A LITTLE PATIENT.
202
00:09:19,810 --> 00:09:21,310
I WAS TELLING HELEN
THE SAME THING.
203
00:09:22,810 --> 00:09:25,820
WAIT A MINUTE.
HOW BLIND COULD I BE?
204
00:09:25,820 --> 00:09:28,320
IT WAS RIGHT IN FRONT OF ME.
205
00:09:29,320 --> 00:09:30,820
I FORGOT MY PURSE.
206
00:09:34,720 --> 00:09:37,230
HELEN,
207
00:09:37,230 --> 00:09:39,730
I'VE BEEN THINKING
ABOUT MY SITUATION AND, UH,
208
00:09:39,730 --> 00:09:41,500
YOU KNOW,
YOUR SITUATION AND--
209
00:09:41,500 --> 00:09:43,000
EXACTLY WHAT KIND
OF SITUATION
210
00:09:43,000 --> 00:09:44,400
ARE WE TALKIN' ABOUT
HERE, JOE?
211
00:09:44,400 --> 00:09:46,400
HE'S WASHED OUT
AND YOU'RE OVER THE HILL.
212
00:09:49,000 --> 00:09:51,370
COMMUNICATION'S A DYING ART.
213
00:09:51,670 --> 00:09:54,010
HELEN, COULD YOU
COME INTO MY OFFICE
FOR A MINUTE, PLEASE?
214
00:09:54,010 --> 00:09:55,610
SURE.
215
00:09:55,610 --> 00:09:57,610
LOWELL, WOULD YOU WATCH
THE COUNTER, PLEASE?
216
00:09:57,610 --> 00:09:58,610
SURE, HELEN.
217
00:09:59,120 --> 00:10:01,120
UH, WHAT IF SOMEBODY WANTS
TO ORDER SOMETHING?
218
00:10:01,120 --> 00:10:02,520
JUST TELL 'EM
I'LL BE BACK IN A MINUTE.
219
00:10:02,520 --> 00:10:03,390
OK.
220
00:10:07,390 --> 00:10:09,890
[coughing]
221
00:10:12,900 --> 00:10:14,400
LOWELL!
222
00:10:14,400 --> 00:10:16,700
[choking]
WATER.
223
00:10:16,700 --> 00:10:18,530
HELEN'LL BE BACK
IN A MINUTE, ROY.
224
00:10:24,110 --> 00:10:25,610
OK, SO WHAT'S THIS
ALL ABOUT?
225
00:10:25,910 --> 00:10:28,140
BEFORE YOU SAY ANYTHING,
JUST HEAR ME OUT.
226
00:10:29,150 --> 00:10:30,480
UH, I COULDN'T HELP
BUT NOTICE,
227
00:10:30,480 --> 00:10:32,980
YOU DON'T SEEM TO HAVE ANYONE
IN YOUR LIFE RIGHT NOW
228
00:10:32,980 --> 00:10:34,480
AND NEITHER DO I.
229
00:10:34,480 --> 00:10:36,090
AND I WAS THINKING
IT WOULD SEEM
ONLY LOGICAL THAT--
230
00:10:36,090 --> 00:10:36,990
YOU WANNA GO OUT ON A DATE?
231
00:10:37,320 --> 00:10:39,320
YES. NO. WELL, YES,
232
00:10:39,320 --> 00:10:42,260
BUT I, SORT OF, WANTED
TO BE THE ONE TO ASK.
233
00:10:43,630 --> 00:10:45,930
I KNOW IT'S OLD-FASHIONED,
BUT THAT'S JUST THE WAY
I FEEL.
234
00:10:46,430 --> 00:10:48,130
THE GUY SHOULD ASK THE GIRL.
235
00:10:48,130 --> 00:10:49,530
OK. GO AHEAD.
236
00:10:49,530 --> 00:10:51,500
WANNA GO OUT ON A DATE?
NO.
237
00:10:51,500 --> 00:10:54,500
WHAT? W-WAIT.
238
00:10:54,500 --> 00:10:56,010
LOOK, I--I KNOW, I KNOW.
239
00:10:56,010 --> 00:10:57,910
THIS IS THAT
NO-DATING-PILOTS RULE.
240
00:10:57,910 --> 00:10:59,410
YOU KNOW,
I'VE GOT TO TELL YOU,
241
00:10:59,410 --> 00:11:01,310
I HAVE ALWAYS THOUGHT
THAT RULE WAS
A LOT OF BALONEY.
242
00:11:01,310 --> 00:11:03,250
WELL, IT'S KIND OF MOOT
BECAUSE YOU'RE NOT A PILOT
ANYMORE.
243
00:11:03,250 --> 00:11:05,610
YEAH, BUT YOU'RE FORGETTING,
I'M NOT A PILOT ANYMORE.
244
00:11:06,620 --> 00:11:08,080
WAIT A MINUTE.
DID YOU JUST--
245
00:11:08,080 --> 00:11:10,150
WELL--WELL, THEN,
WHY WON'T YOU GO OUT WITH ME?
246
00:11:10,490 --> 00:11:13,490
BECAUSE THIS SOUNDS
WAY TOO CONVENIENT.
247
00:11:13,490 --> 00:11:14,490
I DON'T WANNA
GO OUT WITH YOU
248
00:11:14,990 --> 00:11:16,490
BECAUSE YOU'RE LONELY
AND I'M LONELY
249
00:11:16,490 --> 00:11:19,500
AND WE BOTH HAPPEN
TO BE AT THE SAME PLACE
AT THE SAME TIME.
250
00:11:19,500 --> 00:11:21,500
I MEAN, WHAT IF SOME OTHER
LONELY WOMAN HAPPENED BY?
251
00:11:21,500 --> 00:11:23,330
WOULD YOU
ASK HER OUT INSTEAD?
252
00:11:24,870 --> 00:11:25,870
WHAT DOES SHE LOOK LIKE?
253
00:11:26,870 --> 00:11:27,870
JOE!
254
00:11:27,870 --> 00:11:29,670
I'M KIDDING, I'M KIDDING.
IT'S ME KIDDING.
255
00:11:29,670 --> 00:11:31,670
LOOK, I JUST DON'T WANT THIS
TO BE CONVENIENT.
256
00:11:31,670 --> 00:11:33,180
I AM NOT A MINIMART.
257
00:11:33,180 --> 00:11:36,180
I WANT YOU TO ASK ME OUT
258
00:11:36,680 --> 00:11:39,680
BECAUSE YOU FIND ME
ALLURING, DESIRABLE,
259
00:11:40,180 --> 00:11:43,190
INTRIGUING, PROVOCATIVE.
260
00:11:44,190 --> 00:11:47,190
I WANT TO KNOW
THAT LATE AT NIGHT
261
00:11:47,190 --> 00:11:50,190
WHEN YOU LIE IN BED
DRIFTING IN THAT NETHERWORLD
262
00:11:50,190 --> 00:11:52,700
BETWEEN CONSCIOUSNESS
AND SLEEP,
263
00:11:52,700 --> 00:11:54,700
I DANCE THROUGH YOUR DREAMS.
264
00:11:55,660 --> 00:11:57,170
I THINK THAT WAS IMPLIED.
265
00:12:01,540 --> 00:12:03,040
NO. THAT WASN'T.
266
00:12:03,040 --> 00:12:04,040
I WANNA HEAR YOU SAY IT.
267
00:12:04,040 --> 00:12:06,040
A WOMAN HAS TO HEAR
THESE THINGS.
268
00:12:06,040 --> 00:12:07,610
WELL, YOU KNOW,
269
00:12:08,110 --> 00:12:09,980
WHAT YOU SAID.
270
00:12:09,980 --> 00:12:12,320
NO. YOU HAVE TO SAY IT, JOE.
JUST SAY IT.
271
00:12:12,820 --> 00:12:13,820
ALL RIGHT.
272
00:12:13,820 --> 00:12:15,350
[air plane passing]
273
00:12:15,850 --> 00:12:17,350
YOU'RE ALLURING,
274
00:12:18,350 --> 00:12:19,990
AND DESIRABLE,
275
00:12:19,990 --> 00:12:22,430
[laughs]
AND SOMETHING ELSE,
276
00:12:22,420 --> 00:12:24,930
AND WHEN I'M ASLEEP,
YOU DANCE THROUGH
THE NETHERLANDS.
277
00:12:33,740 --> 00:12:35,240
CLOSE ENOUGH. WHAT TIME
YOU PICKING ME UP?
278
00:12:35,240 --> 00:12:36,510
8:00.
GREAT.
279
00:12:40,340 --> 00:12:43,410
OH, WAIT A MINUTE.
WHAT ABOUT BRIAN?
280
00:12:43,410 --> 00:12:44,950
WHAT ABOUT BRIAN?
281
00:12:44,950 --> 00:12:47,450
WELL, HOW'S HE GONNA FEEL
ABOUT THIS?
282
00:12:47,450 --> 00:12:49,450
WE'VE ALWAYS BEEN
THE 3 MUSKETEERS.
283
00:12:49,450 --> 00:12:51,920
WHAT HAPPENS TO THE 3RD
WHEN THE OTHER TWO
START DATING?
284
00:12:51,920 --> 00:12:53,720
I DON'T KNOW.
HE GETS A BIRD?
285
00:12:54,460 --> 00:12:55,960
I'M SERIOUS, JOE.
286
00:12:55,960 --> 00:12:57,960
HE'S ALWAYS ASKING ME OUT.
I ALWAYS REFUSE.
287
00:12:58,460 --> 00:12:59,960
NOW YOU AND I
ARE GONNA GO OUT.
AND IT'S GONNA HURT--
288
00:12:59,960 --> 00:13:01,760
W-WAIT. WHY DON'T--
WHY DON'T WE JUST SEE
289
00:13:01,760 --> 00:13:03,270
IF THIS IS GOING
ANYWHERE FIRST
290
00:13:03,270 --> 00:13:04,770
BEFORE WE UPSET
THE APPLECART.
291
00:13:06,270 --> 00:13:07,270
WELL, MAYBE YOU'RE RIGHT.
292
00:13:07,770 --> 00:13:09,770
WE'LL JUST KEEP THIS
BETWEEN THE TWO OF US.
293
00:13:09,770 --> 00:13:11,740
(Helen)
WHAT BRIAN DOESN'T KNOW,
WON'T HURT HIM.
294
00:13:11,740 --> 00:13:16,750
(Joe)
RIGHT. THIS'LL JUST BE
OUR LITTLE SECRET.
295
00:13:16,750 --> 00:13:19,750
I DON'T UNDERSTAND.
WHY DON'T THEY WANT
YOU TO KNOW?
296
00:13:19,750 --> 00:13:21,750
NEVER MIND.
JUST TURN THAT THING DOWN.
297
00:13:21,750 --> 00:13:22,750
ROGER.
298
00:13:24,250 --> 00:13:27,260
SO, YOU WANNA
HANG OUT LATER?
299
00:13:27,260 --> 00:13:30,260
I KNOW THIS COOL VIDEO ARCADE
IN HYANNIS.
300
00:13:30,760 --> 00:13:32,260
SORRY, BOY WONDER,
301
00:13:33,260 --> 00:13:34,260
BUT I'VE GOT A FEELING
302
00:13:34,260 --> 00:13:36,270
I'M GONNA BE NEEDED
BACK ON THE ISLAND TONIGHT.
303
00:13:50,210 --> 00:13:51,710
SURPRISE!
304
00:13:51,710 --> 00:13:53,220
AH!
305
00:13:53,220 --> 00:13:55,220
BET YOU NEVER EXPECTED
TO SEE ME HERE TONIGHT,
DID YOU?
306
00:13:55,620 --> 00:13:57,490
YEAH. I ASSUMED
YOU WERE WORKING.
307
00:13:57,490 --> 00:14:00,160
WELL, I LET KENNY
TAKE THE LATE FLIGHT
TO PROVINCETOWN.
308
00:14:00,160 --> 00:14:01,120
ARE YOU SURE HE'S READY?
309
00:14:01,520 --> 00:14:03,030
OH, YEAH, HE'S A GREAT KID.
310
00:14:03,030 --> 00:14:05,030
DON'T WORRY ABOUT IT.
AND VERY ACCOMPLISHED
PILOT, TOO.
311
00:14:05,030 --> 00:14:07,030
HE ONLY LOST HIS POISE
ONE TIME TODAY
312
00:14:07,030 --> 00:14:09,570
AND THAT'S WHEN
THE PASSENGERS PLAYED
KEEP-AWAY WITH HIS HAT.
313
00:14:10,070 --> 00:14:11,600
WELL, I HOPE YOU STOPPED IT.
314
00:14:11,600 --> 00:14:13,940
STOPPED IT? I STARTED IT.
315
00:14:15,740 --> 00:14:19,240
SAY, WAS IT A GOOD THING
I GOT BACK HERE IN TIME?
316
00:14:19,240 --> 00:14:20,740
IN TIME? FOR WHAT?
317
00:14:21,240 --> 00:14:23,750
THE FIGHT, DUMMY.
GEORGE FOREMAN,
GERRY COONEY.
318
00:14:23,750 --> 00:14:25,750
GEE, THAT SOUNDS ONLY
SLIGHTLY MORE EXCITING
319
00:14:26,250 --> 00:14:28,250
THAN WATCHING
A COUPLE OF OLD GUYS
FIGHT OVER A DINNER ROLL.
320
00:14:28,250 --> 00:14:30,750
OH, COME ON, JOE.
I THOUGHT YOU'D WANNA SEE IT.
321
00:14:31,250 --> 00:14:33,260
SO, I CALLED UP
THE CABLE COMPANY
AND I ORDERED IT.
322
00:14:33,260 --> 00:14:36,290
IT'S ONLY COSTING YOU $21.95.
323
00:14:36,290 --> 00:14:38,790
BRIAN, I CAN'T TONIGHT.
I--I MEAN,
324
00:14:38,790 --> 00:14:43,300
NORMALLY I'D LOVE TO,
BUT, UH, I CAN'T BECAUSE
I, UH, I HAVE A--A, UH--
325
00:14:43,300 --> 00:14:44,700
AN APPOINTMENT.
326
00:14:44,700 --> 00:14:46,540
OH, AN APPOINTMENT, HUH?
327
00:14:46,540 --> 00:14:48,540
LIKE, UH, LIKE IN BUSINESS?
328
00:14:48,540 --> 00:14:50,040
YEAH. THAT'S RIGHT.
329
00:14:50,040 --> 00:14:52,040
A BUSINESS APPOINTMENT.
HMM.
330
00:14:52,540 --> 00:14:55,040
[sniffing]
331
00:14:55,040 --> 00:14:57,050
EXACTLY WHERE'D YOU MEET
THIS GUY, JOE?
332
00:14:59,550 --> 00:15:03,050
ALL RIGHT. OK, IT'S NOT
AN APPOINTMENT EXACTLY, UH,
333
00:15:03,050 --> 00:15:04,450
SO MUCH AS A, UH...
334
00:15:04,450 --> 00:15:05,820
THE "D" WORD?
335
00:15:06,760 --> 00:15:08,620
YEAH. A DATE, OK?
336
00:15:08,620 --> 00:15:11,730
OOH, YOU OLD HORN DOG.
HEY, YOU GOT A HOT DATE, HUH?
337
00:15:11,730 --> 00:15:12,730
NO.
338
00:15:13,230 --> 00:15:14,730
WELL, TAKE A TIP
FROM THE MASTER.
339
00:15:14,730 --> 00:15:16,730
FLUSH THAT COLOGNE, MAN.
IT'S TOXIC.
340
00:15:16,730 --> 00:15:19,070
REALLY? YOU DON'T LIKE IT?
TERRIBLE.
341
00:15:19,070 --> 00:15:20,570
THAT'S A RELIEF.
342
00:15:20,570 --> 00:15:22,140
IT'S ONLY WHEN
YOU LIKE SOMETHING,
I START TO WORRY.
343
00:15:22,140 --> 00:15:25,640
SO, UM, WHY IS THIS BIG DATE
SUCH A SECRET?
344
00:15:25,640 --> 00:15:26,640
IS IT ANYBODY I KNOW?
345
00:15:27,140 --> 00:15:28,640
JUST SOMEONE
I WENT TO HIGH SCHOOL WITH.
346
00:15:28,640 --> 00:15:30,150
YEAH, YEAH, YEAH?
347
00:15:30,150 --> 00:15:32,650
OH, YOU MEAN, LIKE,
WHAT'S HER NAME?
348
00:15:32,650 --> 00:15:35,650
YEAH.
OH, WELL, IT'S, UH,
349
00:15:35,650 --> 00:15:37,120
MAUREEN MULHEARN.
350
00:15:37,120 --> 00:15:38,620
MAUREEN MULHEARN?
351
00:15:38,620 --> 00:15:40,120
OH, MY GOD!
I REMEMBER HER.
352
00:15:40,620 --> 00:15:41,620
HOW'S SHE MANAGING, ANYHOW?
353
00:15:41,620 --> 00:15:43,130
FINE. WHY?
354
00:15:43,130 --> 00:15:45,130
OH, I FIGURED SHE MIGHT HAVE
SOME PSYCHOLOGICAL PROBLEMS
355
00:15:45,130 --> 00:15:46,630
AFTER LOSIN' HER LEG
IN THAT SHARK ATTACK.
356
00:15:46,630 --> 00:15:48,930
WHAT? OH.
357
00:15:49,930 --> 00:15:51,930
NO, NO. SHE DOESN'T LET IT
BOTHER HER.
358
00:15:52,430 --> 00:15:54,970
OH, SHE'S A BRAVE GIRL.
BRAVE GIRL.
359
00:15:54,970 --> 00:15:57,970
NEVER UNDERSTOOD
WHY SHE WANTED TO ATTACK
THAT SHARK IN THE FIRST PLACE.
360
00:15:59,980 --> 00:16:01,840
YOU REALLY GONNA WEAR
THAT SHIRT, JOE?
361
00:16:01,840 --> 00:16:04,250
IF YOU DON'T LIKE IT,
ABSOLUTELY.
362
00:16:04,250 --> 00:16:06,120
SO WHERE YOU TAKIN'
OLD MAUREEN?
363
00:16:06,110 --> 00:16:07,120
SKATIN'?
364
00:16:08,120 --> 00:16:09,580
TABLE-HOPPIN'?
365
00:16:10,020 --> 00:16:12,020
ALL RIGHT. OK.
IT'S NOT MAUREEN.
366
00:16:12,020 --> 00:16:15,520
I MADE THAT UP
BECAUSE IT'S SOMEONE
THAT YOU DON'T KNOW
367
00:16:15,520 --> 00:16:17,160
AND I'D LIKE TO
KEEP IT THAT WAY.
368
00:16:17,160 --> 00:16:19,660
JOE, YOU WOUND ME.
369
00:16:19,660 --> 00:16:21,360
WISH I HAD TIME.
370
00:16:21,360 --> 00:16:23,870
ALL RIGHT. WELL, GO.
GOOD. GO WITH MY BLESSING.
371
00:16:24,370 --> 00:16:25,570
HAVE A GREAT TIME
372
00:16:26,070 --> 00:16:27,570
AND LET'S JUST HOPE THAT
AT SOME ROMANTIC MOMENT
373
00:16:27,570 --> 00:16:30,070
YOU DON'T DEVELOP THAT,
YOU KNOW, N-N-NERVOUS
LITTLE S-STAMMER
374
00:16:30,570 --> 00:16:32,070
YOU SOMETIMES GET.
OH, NO. NO, NO, YOU DON'T.
375
00:16:32,570 --> 00:16:35,680
YOU'VE PSYCHED ME OUT
WITH THAT TOO MANY TIMES.
I'M NOT PSYCHING YOU OUT.
376
00:16:35,680 --> 00:16:37,180
I AM WISE TO YOU, BRIAN.
COME ON.
377
00:16:37,180 --> 00:16:39,310
YOU'RE NOT PLANTING
ANY LITTLE PSYCHOLOGICAL
TIME BOMBS IN MY HEAD.
378
00:16:39,310 --> 00:16:40,820
OK. ALL RIGHT.
YOU GOT ME. YOU GOT ME.
GO AHEAD. GO.
379
00:16:40,820 --> 00:16:41,820
HAVE A GREAT TIME. GO ON.
380
00:16:41,820 --> 00:16:43,990
INCIDENTALLY,
LOVE THAT TIE.
381
00:16:48,490 --> 00:16:49,990
[whistling]
382
00:17:01,570 --> 00:17:04,570
THAT WAS
A WONDERFUL CHARDONNAY
YOU CHOSE WITH DINNER TONIGHT.
383
00:17:04,570 --> 00:17:06,510
I DIDN'T KNOW YOU KNEW
SO MUCH ABOUT WINE.
384
00:17:06,510 --> 00:17:08,010
AH, IT WAS NOTHING, REALLY.
385
00:17:08,010 --> 00:17:10,010
I JUST WENT DOWN
THE RIGHT SIDE
OF THE WINE LIST.
386
00:17:10,010 --> 00:17:11,850
WHERE THE PRICES ARE?
RIGHT.
387
00:17:11,850 --> 00:17:13,850
CHOSE THE FIRST ONE
THAT DIDN'T MAKE
MY HEART STOP.
388
00:17:13,850 --> 00:17:14,850
[giggling]
389
00:17:16,850 --> 00:17:18,850
YOU KNOW, I HAD MY QUALMS
ABOUT THIS EVENING
390
00:17:18,850 --> 00:17:20,860
BUT I THINK WE HANDLED IT
PRETTY WELL.
391
00:17:22,620 --> 00:17:25,630
NO PRESSURE OF ANY SORT.
NO EMBARRASSMENT.
392
00:17:25,630 --> 00:17:26,630
YEAH.
393
00:17:28,730 --> 00:17:30,230
[crickets chirping]
394
00:17:37,770 --> 00:17:40,280
WHY ARE WE STOPPING?
WHERE ARE WE?
395
00:17:41,280 --> 00:17:42,410
GUESS.
396
00:17:44,910 --> 00:17:47,920
OH, MY GOD! INDIAN POINT.
397
00:17:47,920 --> 00:17:49,920
OH. YOU RECOGNIZE IT?
398
00:17:49,920 --> 00:17:51,420
ARE YOU KIDDING ME?
399
00:17:51,420 --> 00:17:54,420
I HAVEN'T SEEN
SO MANY BOUNCING CARS
SINCE THE MOVIE EARTHQUAKE.
400
00:17:57,930 --> 00:18:00,330
SO, JOE,
WHAT DID YOU HAVE IN MIND?
401
00:18:00,330 --> 00:18:03,030
[giggling]
NOTHING. H-HONESTLY.
I DIDN'T PLAN THIS.
402
00:18:03,030 --> 00:18:05,100
OH, DID WE RUN OUT OF GAS?
403
00:18:07,070 --> 00:18:09,670
COME ON. WHERE'S
YOUR SPIRIT OF ROMANCE?
404
00:18:09,670 --> 00:18:12,670
NO. ROMANCE IS SOFT MUSIC
AND CANDLELIGHT.
405
00:18:12,670 --> 00:18:15,680
THIS IS KIDS WITH ACNE
MAKING OUT.
406
00:18:15,680 --> 00:18:18,310
JOE,
THIS DOESN'T SEEM LIKE YOU.
407
00:18:18,310 --> 00:18:20,820
MAYBE YOU'RE SEEING
A DIFFERENT SIDE OF ME.
408
00:18:20,820 --> 00:18:22,820
A SIDE OF ME YOU NEVER
KNEW--KNEW--KNEW THAT--
409
00:18:22,820 --> 00:18:24,320
D-D-DAMN IT, BRIAN.
410
00:18:27,720 --> 00:18:30,230
WELL, MAYBE IT'S A SIDE OF YOU
I WOULDN'T MIND SEEING.
411
00:18:37,370 --> 00:18:39,500
OH, OH, CRAMP!
WHAT? OH.
412
00:18:39,500 --> 00:18:41,000
CRAMP. CRAMP. CRAMP.
OH.
413
00:18:41,000 --> 00:18:43,240
(boy #1)
HEY, THAT'S MY CELLO TEACHER.
YO, MISS CHAPEL!
414
00:18:43,240 --> 00:18:44,240
OH, GOD.
415
00:18:44,240 --> 00:18:46,740
[horn blaring]
416
00:18:46,740 --> 00:18:48,240
(boy #2)
HEY, SHUT UP!
417
00:18:50,750 --> 00:18:52,250
AS YOU MAY HAVE GUESSED,
418
00:18:52,250 --> 00:18:54,750
I'M NOT REALLY
AN OLD HAND AT THIS.
419
00:18:54,750 --> 00:18:55,750
NO.
420
00:18:57,950 --> 00:18:59,460
WHAT DO YOU THINK?
421
00:18:59,450 --> 00:19:00,960
SHALL WE TAKE
ANOTHER STAB AT IT?
422
00:19:01,460 --> 00:19:02,460
SURE, WHY NOT?
423
00:19:04,960 --> 00:19:07,960
HEY, CAPTAIN HACKETT?
424
00:19:07,960 --> 00:19:11,470
HEY, I THOUGHT IT WAS YOU.
LAST FLIGHT WENT GREAT.
425
00:19:11,470 --> 00:19:13,970
AND LOOK WHAT I GOT
FROM SALLY BERNETTI.
426
00:19:15,470 --> 00:19:18,510
DOING BETTER THAN I AM, KID.
BEAT IT.
427
00:19:18,510 --> 00:19:20,010
OH, YES, SIR.
428
00:19:20,010 --> 00:19:22,010
I'LL SEE YOU TOMORROW
AFTER SCHOOL.
429
00:19:34,360 --> 00:19:36,360
[both laughing]
430
00:19:36,860 --> 00:19:38,860
THIS IS REALLY WEIRD.
431
00:19:38,860 --> 00:19:39,860
YOU'RE TELLIN' ME.
432
00:19:41,360 --> 00:19:44,870
COME ON, HELEN.
I THINK WE CAN DO THIS.
433
00:19:46,370 --> 00:19:47,870
LET'S REALLY CONCENTRATE.
434
00:19:52,370 --> 00:19:53,880
[both laughing]
435
00:19:54,380 --> 00:19:55,880
NO, I DON'T THINK SO, JOE.
436
00:19:56,380 --> 00:19:57,380
ONCE MORE.
NO.
437
00:19:57,380 --> 00:19:59,380
HEY, ONCE MORE.
BE SERIOUS.
438
00:20:00,380 --> 00:20:02,380
SERIOUS.
439
00:20:16,900 --> 00:20:17,900
IT'S NOT SO FUNNY ANYMORE,
IS IT?
440
00:20:17,900 --> 00:20:18,900
UH-UH.
441
00:20:27,610 --> 00:20:30,110
OH, JOE. JOE, HOLD ON.
442
00:20:30,610 --> 00:20:32,110
WE HAVE TO STOP FOR A SECOND.
443
00:20:32,610 --> 00:20:34,980
OH, Y-YOU MEAN,
GET IN THE BACKSEAT, MAYBE?
444
00:20:34,980 --> 00:20:37,820
NO, I MEAN,
WE'RE MOVING REALLY FAST
445
00:20:37,820 --> 00:20:40,820
AND WE NEED TO STOP AND THINK
ABOUT WHAT THIS MEANS
446
00:20:40,820 --> 00:20:43,830
BEFORE WE, YOU KNOW...
447
00:20:44,830 --> 00:20:47,330
LET HER RIP?
448
00:20:47,330 --> 00:20:49,830
WELL, I DON'T THINK
THAT'S QUITE THE WAY
BYRON WOULD HAVE PUT IT.
449
00:20:50,330 --> 00:20:53,340
BUT I THINK THAT'S
KIND OF WHERE WE'RE HEADED.
450
00:20:53,340 --> 00:20:56,340
I MEAN, WE COULD BE
DIFFERENT AFTER TONIGHT.
451
00:20:56,340 --> 00:20:58,340
WE COULD BE LOVERS.
452
00:20:58,340 --> 00:21:02,340
I MEAN, PEOPLE WHO HAVE
AN INTIMATE KNOWLEDGE
ABOUT EACH OTHER.
453
00:21:02,340 --> 00:21:04,850
WE'RE TALKIN'
APPENDIX SCARS HERE, JOE.
454
00:21:04,850 --> 00:21:06,850
I DON'T HAVE
AN APPENDIX SCAR.
455
00:21:06,850 --> 00:21:08,850
I THINK YOU'RE TAKING ME
MUCH TOO LITERALLY.
456
00:21:08,850 --> 00:21:10,850
YEAH, WELL, I--I JUST
MEANT THAT--
457
00:21:10,850 --> 00:21:14,890
JOE, ANY WAY YOU LOOK AT IT,
THINGS ARE GONNA CHANGE.
458
00:21:14,890 --> 00:21:16,890
OUR RELATIONSHIP AT WORK,
459
00:21:17,390 --> 00:21:19,260
YOUR RELATIONSHIP WITH BRIAN.
460
00:21:19,760 --> 00:21:21,260
MINE, TOO.
461
00:21:22,760 --> 00:21:26,030
WE CAN NEVER BE
THE 3 MUSKETEERS AGAIN.
462
00:21:26,030 --> 00:21:28,540
SO IF WE'RE GONNA DO THIS,
WE SHOULD KEEP IN MIND
463
00:21:28,540 --> 00:21:31,540
THE PASSING
OF 3 BEAUTIFUL FRIENDSHIPS
464
00:21:31,540 --> 00:21:33,540
AND A LOT OF LOVELY MEMORIES.
465
00:21:42,520 --> 00:21:44,020
SO, HOW WAS IT FOR YOU?
466
00:21:45,490 --> 00:21:47,420
I DON'T THINK
WE'RE QUITE READY
FOR THIS YET.
467
00:21:48,790 --> 00:21:50,790
SO, WE'RE--WE'RE TAKING
THINGS SLOWLY.
468
00:21:50,790 --> 00:21:53,700
THERE'S NOTHING WRONG
WITH THAT.
469
00:21:53,700 --> 00:21:55,700
JOE, WE'VE KNOWN EACH OTHER
FOR 20 YEARS.
470
00:21:55,700 --> 00:21:58,530
IT IS THE LONGEST RUN
TO FIRST BASE IN HISTORY.
471
00:21:58,530 --> 00:21:59,830
I THOUGHT WE GOT TO 2ND BASE.
472
00:21:59,840 --> 00:22:03,240
NO. BUT I THINK KENNY DID.
473
00:22:04,740 --> 00:22:06,740
AND FROM THE LOOKS OF IT,
HE'S HALFWAY TO 3RD.
474
00:22:09,240 --> 00:22:11,250
LET'S GET OUT OF HERE.
475
00:22:11,250 --> 00:22:12,750
IT'S BEEN A LONG DAY.
476
00:22:15,250 --> 00:22:16,750
YEAH,
I'M KIND OF BEAT MYSELF.
477
00:22:16,750 --> 00:22:19,250
AND I'M CERTAINLY
NOT GETTING ANY REST
BACK HERE.
478
00:22:19,250 --> 00:22:21,390
HEY! BRIAN!
BRIAN!
32517
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