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1
00:00:01,520 --> 00:00:03,520
[seagulls cawing]
2
00:00:54,940 --> 00:00:56,440
[tires screeches]
3
00:01:06,150 --> 00:01:09,450
ANNOUNCING THE ARRIVAL OF
SANDPIPER AIR FLIGHT 16
4
00:01:09,450 --> 00:01:10,620
FROM NEW BEDFORD,
5
00:01:10,620 --> 00:01:13,620
AND WELCOME TO
OUR LOVELY ISLAND
OF NANTUCKET.
6
00:01:13,620 --> 00:01:15,130
AS YOU STROLL
THROUGH TOWN,
7
00:01:15,120 --> 00:01:18,090
YOU'LL PROBABLY NOTICE
MY PRIZE-WINNING ROSE GARDEN.
8
00:01:18,090 --> 00:01:19,600
PLEASE DON'T PICK
THE FLOWERS.
9
00:01:19,600 --> 00:01:22,470
I HAVE A FUNGO BAT,
AND I'M NOT AFRAID
TO USE IT.
10
00:01:23,270 --> 00:01:24,600
[plane engine roaring]
11
00:01:24,600 --> 00:01:26,100
[whistling]
12
00:01:27,600 --> 00:01:29,110
HELEN.
YEAH?
13
00:01:29,110 --> 00:01:31,610
WHAT TIME SHOULD
I PICK YOU UP?
PICK ME UP? FOR WHAT?
14
00:01:31,610 --> 00:01:34,110
YOU DON'T REMEMBER?
AH. JOE, HELP ME OUT HERE.
15
00:01:34,110 --> 00:01:36,050
HAVEN'T I BEEN TALKING
ABOUT THIS DATE ALL WEEK?
16
00:01:36,050 --> 00:01:38,510
YOU TALK ALL THE TIME.
I TRY NOT TO LISTEN.
17
00:01:38,510 --> 00:01:41,020
BRIAN, IF THIS IS
ANOTHER ONE OF YOUR
ATTEMPTS AT GETTING ME
18
00:01:41,020 --> 00:01:43,020
TO GO OUT
ON A DATE WITH YOU,
FORGET ABOUT IT.
19
00:01:43,020 --> 00:01:44,520
HOW MANY TIMES
DO I HAVE TO TELL YOU?
20
00:01:45,020 --> 00:01:46,320
I DON'T DATE PILOTS.
21
00:01:46,320 --> 00:01:49,330
AH, YEAH, YOU'VE USED
THAT EXCUSE AT LEAST
A ZILLION TIMES.
22
00:01:49,330 --> 00:01:52,430
AT LONG LAST,
WHAT HAVE YOU GOT
AGAINST PILOTS?
23
00:01:52,430 --> 00:01:55,430
LOOK, I GREW UP
IN THIS AIRPORT.
I KNOW YOU GUYS.
24
00:01:55,430 --> 00:01:58,430
IT'S LIKE YOU ALL
ARE MEMBERS OF SOME
EXCLUSIVE LITTLE CLUB
25
00:01:58,430 --> 00:02:00,440
THAT NONE OF
THE REST OF US CAN JOIN.
26
00:02:00,440 --> 00:02:02,440
YOU ACT SO SMUG.
SO SUPERIOR.
27
00:02:02,440 --> 00:02:05,880
WELL, CAN YOU FLY
A PLANE?
28
00:02:05,880 --> 00:02:08,880
NO, NO, REALLY? OH, OH,
TAKE A GUY LIKE JOE.
29
00:02:08,880 --> 00:02:11,380
ROCK SOLID,
OWNS HIS OWN AIRLINE,
30
00:02:11,380 --> 00:02:14,380
A TAD BORING,
BUT OF GOOD YANKEE STUFF.
WHAT ABOUT HIM?
31
00:02:14,380 --> 00:02:17,590
YEAH. WHAT ABOUT ME?
32
00:02:17,590 --> 00:02:20,090
SEE, HE MAY SEEM
A LITTLE MORE GROWN-UP
ON THE SURFACE,
33
00:02:20,090 --> 00:02:21,590
BUT UNDERNEATH
THAT HAIRLESS CHEST
34
00:02:21,590 --> 00:02:22,960
BEATS THE HEART
OF A PILOT.
35
00:02:24,290 --> 00:02:25,800
I GOT A LITTLE.
36
00:02:25,800 --> 00:02:27,300
YOU'RE LOOKING
TOO FAR DOWN, JOE.
37
00:02:28,970 --> 00:02:31,530
SO, ENLIGHTEN US.
WHAT'S YOUR IDEA
OF THE PERFECT MAN?
38
00:02:32,000 --> 00:02:33,500
OH, I DON'T KNOW.
39
00:02:34,500 --> 00:02:36,510
SOLID, SENSITIVE
AND DEPENDABLE.
40
00:02:36,510 --> 00:02:37,510
BUT WITH A SENSE
OF WHIMSY.
41
00:02:37,510 --> 00:02:39,510
A LOVE OF MUSIC AND CHILDREN,
42
00:02:39,510 --> 00:02:42,010
A SENSE OF COMMITMENT,
BUT A RESPECT
FOR MY INDEPENDENCE.
43
00:02:42,010 --> 00:02:44,010
ADVENTUROUS
YET A HOMEBODY.
44
00:02:44,510 --> 00:02:47,150
BUT I REALLY HADN'T
THOUGHT ABOUT IT THAT MUCH.
45
00:02:47,150 --> 00:02:49,650
THAT SOUNDS GREAT, HELEN,
BUT KERMIT IS A FROG.
46
00:02:52,490 --> 00:02:56,990
SO YOU'RE SAYING THAT
IF MR. RIGHT WALTZED IN HERE
AND HE WAS A PILOT,
47
00:02:56,990 --> 00:02:58,430
YOU STILL WOULD NOT
GO OUT WITH HIM?
48
00:02:58,800 --> 00:02:59,800
ABSOLUTELY.
49
00:02:59,800 --> 00:03:01,630
PILOTS AND COMMITMENT
DON'T MIX.
50
00:03:01,930 --> 00:03:03,430
OH, COME ON, HELEN.
51
00:03:03,430 --> 00:03:06,440
WHAT ABOUT ALL THOSE
PILOTS IN THE WORLD
WHO ARE HAPPILY MARRIED?
52
00:03:06,440 --> 00:03:09,270
I KNOW BOTH OF THEM
AND THEY'RE CHEATING
ON THEIR WIVES.
53
00:03:15,650 --> 00:03:17,150
HEY, FAY,
54
00:03:17,650 --> 00:03:19,950
YOU KNOW HOW I'VE BEEN
COMPLAININ' I CAN NEVER
GET A HOLD OF LOWELL
55
00:03:20,220 --> 00:03:21,620
WHEN I NEED HIM?
UH-HUH.
56
00:03:21,620 --> 00:03:26,120
WELL, MY COMMUNICATION
PROBLEMS ARE OVER.
WATCH THIS.
57
00:03:26,120 --> 00:03:29,630
HEY, LOWELL,
I NEED YOU
AT THE COUNTER.
58
00:03:31,930 --> 00:03:33,330
HEY, ROY,
HOW YOU DOING?
59
00:03:33,330 --> 00:03:35,330
DID YOU SEE THAT, FAY?
60
00:03:35,330 --> 00:03:38,130
THIS THING WORKS
LIKE A CHARM.
61
00:03:38,130 --> 00:03:40,640
HAVE YOU SEEN
THAT WALKIE-TALKIE
YOU GAVE ME?
62
00:03:41,140 --> 00:03:42,640
THERE IT IS.
63
00:03:42,640 --> 00:03:44,270
NOW, IF YOU NEED ME,
64
00:03:44,270 --> 00:03:47,210
CALL ME ON THIS THING
AND I'LL BE HERE
ON THE DOUBLE.
65
00:03:51,280 --> 00:03:53,550
[plane engine droning]
66
00:03:53,550 --> 00:03:56,550
[humming]
67
00:03:58,890 --> 00:04:00,890
SCHUBERT.
THE TROUT QUINTET.
68
00:04:01,320 --> 00:04:02,190
FOURTH MOVEMENT.
69
00:04:02,530 --> 00:04:03,960
THAT'S MY FAVORITE PIECE
OF CHAMBER MUSIC.
70
00:04:04,330 --> 00:04:05,330
MINE, TOO.
71
00:04:05,330 --> 00:04:07,330
I THINK OF ALL THE PIECES
OF MUSIC ABOUT FISH,
72
00:04:07,330 --> 00:04:09,130
IT'S BY FAR
THE MOST BEAUTIFUL.
73
00:04:11,200 --> 00:04:13,200
[bell ringing]
HEY, JOE, JOE,
JOE, JOE.
74
00:04:13,200 --> 00:04:14,700
TAKE A LOOK AT THIS.
75
00:04:14,700 --> 00:04:17,210
YOU, UH, YOU ENJOY THEATER,
DON'T YOU?
76
00:04:17,710 --> 00:04:19,210
YEAH, WHY?
77
00:04:19,210 --> 00:04:22,210
THE CURTAIN'S RISING,
IT'S ACT ONE, SCENE ONE
OF THE NEW SMASH HIT PLAY,
78
00:04:22,210 --> 00:04:24,710
HELEN MEETS HER DREAM GUY
BY BRIAN HACKETT.
79
00:04:24,710 --> 00:04:26,280
WHAT ARE YOU
BABBLING ABOUT?
80
00:04:26,280 --> 00:04:29,790
(Brian)
I HIRED THAT MAN DOWN THERE
TO BE HELEN'S DREAM GUY.
81
00:04:29,790 --> 00:04:31,090
(Joe)
WHAT?
82
00:04:31,350 --> 00:04:33,360
HE'S ACTUALLY MATT SARGENT,
DISTINGUISHED ACTOR,
83
00:04:33,360 --> 00:04:36,190
NOTED FOR MANY MAGNIFICENT
PERFORMANCES SUCH AS
84
00:04:36,190 --> 00:04:39,700
BIFF IN DEATH OF A SALESMAN,
MERCUTIO IN ROMEO AND JULIET.
85
00:04:39,700 --> 00:04:42,800
CURRENTLY,
HE'S THE TRUCK DRIVER IN
THAT MILK OF MAGNESIA AD.
86
00:04:42,800 --> 00:04:45,300
OH, YEAH.
87
00:04:45,300 --> 00:04:47,300
HE'S GOOD IN THAT.
VERY CONVINCING DISCOMFORT.
88
00:04:49,570 --> 00:04:51,570
I CAME OVER TO THE ISLAND
TO DO A LITTLE PAINTING.
89
00:04:51,570 --> 00:04:52,410
OH, REALLY?
90
00:04:52,710 --> 00:04:54,040
WATER COLORS? OILS?
91
00:04:54,040 --> 00:04:55,980
VARNISH. I'M DOING THE DECK
ON MY SUMMER PLACE.
92
00:04:56,380 --> 00:04:57,510
[both laughing]
93
00:04:59,520 --> 00:05:02,520
ALL RIGHT, I'LL BITE.
WHY IS HE PRETENDING TO BE
HELEN'S DREAM GUY?
94
00:05:02,520 --> 00:05:04,520
IT'S A BRILLIANT PLAN.
95
00:05:04,520 --> 00:05:07,020
MATT IS GONNA BE EVERYTHING
HELEN EVER WANTED
IN A GUY AND MORE,
96
00:05:07,020 --> 00:05:09,030
AND THEN HE'S GONNA TELL HER
THAT HE'S A PILOT.
97
00:05:09,030 --> 00:05:11,030
IF HELEN STILL GOES OUT
ON A DATE WITH HIM,
98
00:05:11,030 --> 00:05:14,930
THEN SHE'LL NEVER BE ABLE
TO USE ANY ONE OF THOSE FLIMSY
EXCUSES ON ME EVER AGAIN.
99
00:05:14,930 --> 00:05:18,440
BRIAN, DO I HAVE TO
TELL YOU HOW STUPID
THIS IDEA IS?
100
00:05:18,430 --> 00:05:21,340
PLEASE DO, JOE.
JUST FOR OLD-TIME'S SAKE.
I MISS IT SO.
101
00:05:21,340 --> 00:05:23,170
YOU'RE GOING THROUGH
AN AWFUL LOT OF TROUBLE.
102
00:05:23,170 --> 00:05:24,670
DO YOU REALLY WANT
A DATE WITH HER THAT BADLY?
103
00:05:25,140 --> 00:05:27,640
JOE, I'M USED TO HAVING
WOMEN EITHER LOVING ME
OR HATING ME.
104
00:05:27,640 --> 00:05:31,980
AND THIS BIZARRE MIDDLE GROUND
OF ADULT MATURE FRIENDSHIPS
JUST MAKES MY SKIN CRAWL.
105
00:05:31,980 --> 00:05:34,220
ALL RIGHT.
SO YOU GET A DATE.
WHAT'S NEXT?
106
00:05:34,650 --> 00:05:36,150
I DON'T KNOW, JOE.
I'M NOT YOU.
107
00:05:36,150 --> 00:05:37,650
I DON'T NEED TO KNOW
EVERYTHING IN ADVANCE.
108
00:05:37,650 --> 00:05:40,620
I DON'T NEED TO KNOW
THAT WE'RE HAVING CHICKEN
NEXT TUESDAY NIGHT FOR DINNER.
109
00:05:40,620 --> 00:05:43,630
ROAST PORK.
IT'LL NEVER WORK, BRIAN.
YES, IT WILL.
110
00:05:43,630 --> 00:05:46,300
BECAUSE I'M AN EXPERT
AT MANIPULATING PEOPLE.
111
00:05:46,300 --> 00:05:48,300
I HAVE ABSOLUTE CONTROL
OVER THE HUMAN PSYCHE.
112
00:05:48,300 --> 00:05:49,800
I AM
113
00:05:49,800 --> 00:05:52,070
THE PUPPET MASTER.
114
00:05:52,070 --> 00:05:55,710
WATCH HOW MY MARIONETTES
DANCE FOR ME.
115
00:05:55,710 --> 00:05:58,210
AH, FINALLY, SOMEONE
WHO HATES SUSHI.
116
00:05:58,710 --> 00:05:59,710
I JUST DON'T GET IT.
AH!
117
00:06:00,210 --> 00:06:02,710
(Brian)
HIGH ON A HILL WAS
A LONELY GOATHERD
118
00:06:02,710 --> 00:06:05,220
LAY EE ODL LAY
EE ODL LAY HEE HOO
119
00:06:08,720 --> 00:06:09,690
[barks]
120
00:06:11,750 --> 00:06:14,760
(Lowell on walkie-talkie)
THIS IS RED RAIDER
CALLING RAGING STALLION.
121
00:06:14,760 --> 00:06:16,760
COME IN,
RAGING STALLION.
122
00:06:19,260 --> 00:06:21,770
THIS IS RAGING STALLION.
123
00:06:24,270 --> 00:06:25,540
WHAT?
124
00:06:25,530 --> 00:06:27,040
I DIDN'T SAY ANYTHING.
125
00:06:28,540 --> 00:06:30,040
ALTHOUGH I CERTAINLY
COULD HAVE.
126
00:06:31,770 --> 00:06:33,280
THIS IS
AEROMASS BUSINESS, FAY.
127
00:06:33,780 --> 00:06:34,640
IT DOES NOT
CONCERN YOU.
128
00:06:35,880 --> 00:06:37,710
COME IN, RED RAIDER.
129
00:06:38,710 --> 00:06:40,220
CAN I TALK TO FAY?
130
00:06:42,720 --> 00:06:46,220
[clears throat]
UH, OK, OK.
131
00:06:46,220 --> 00:06:48,620
LOWELL NEEDS TO
TALK TO, UH, TO YOU.
132
00:06:50,130 --> 00:06:52,130
HELLO, THIS IS FAY.
133
00:06:52,630 --> 00:06:56,130
DID YOU BRING THAT
SCAMPI RECIPE IN TODAY?
134
00:06:56,130 --> 00:06:58,130
YES, I DID.
DO YOU WANT IT NOW?
135
00:06:58,130 --> 00:07:01,440
SURE. LET ME FIND
A PENCIL AND PAPER HERE.
136
00:07:01,940 --> 00:07:03,440
TAKE YOUR TIME.
137
00:07:04,240 --> 00:07:05,740
OH, MADE IN KOREA.
138
00:07:05,740 --> 00:07:07,940
THEY EAT DOGS THERE,
YOU KNOW?
139
00:07:09,180 --> 00:07:11,180
FIRE AWAY.
140
00:07:11,180 --> 00:07:13,180
UM, ALL RIGHT,
RED RAIDER.
141
00:07:13,180 --> 00:07:16,190
TAKE ONE POUND OF SHRIMP,
SHELLED AND DEVEINED.
142
00:07:16,190 --> 00:07:19,190
EXCUSE ME,
BUT WHO IS SHELDON DEVANE?
143
00:07:19,190 --> 00:07:22,730
I KNOW ALMOST ALL OF
THE PEOPLE ON THIS ISLAND.
144
00:07:22,730 --> 00:07:26,730
THAT IS SHELLED
AND DEVEINED, YOU IDIOT!
145
00:07:26,730 --> 00:07:28,730
WHICH IS EXACTLY
WHAT I'M GONNA DO TO YOU
146
00:07:28,730 --> 00:07:31,230
IF YOU DON'T
GET BACK TO WORK.
147
00:07:31,230 --> 00:07:33,240
ROGER, RAGING STALLION.
148
00:07:35,240 --> 00:07:36,240
PSST.
149
00:07:36,740 --> 00:07:38,170
FAY, CAN YOU HEAR ME?
150
00:07:41,040 --> 00:07:43,050
UH, YES, LOWELL.
151
00:07:43,050 --> 00:07:46,550
DON'T BE CONSPICUOUS,
BUT CAN YOU SEE ROY
152
00:07:46,550 --> 00:07:48,380
FROM WHERE YOU ARE?
153
00:07:50,650 --> 00:07:52,660
YES, I CAN.
154
00:07:52,660 --> 00:07:56,160
IS HIS FACE REALLY RED
LIKE A TOMATO?
155
00:07:57,660 --> 00:08:00,160
YES, IT IS.
156
00:08:00,660 --> 00:08:04,070
UH-OH. I'LL BE HIDING OUT
BEHIND THE UTILITY SHED.
157
00:08:05,570 --> 00:08:08,000
DON'T TELL ROY.
158
00:08:08,870 --> 00:08:11,270
HE WON'T HEAR IT FROM ME.
159
00:08:16,580 --> 00:08:17,580
GOOD MORNING, HELEN.
160
00:08:17,580 --> 00:08:19,080
NO, IT'S NOT
A GOOD MORNING.
161
00:08:19,080 --> 00:08:21,580
IT IS A GREAT MORNING.
IT IS A FANTASTIC MORNING.
162
00:08:22,080 --> 00:08:24,090
IT'S THE KIND OF MORNING
THAT JUST MAKES LIFE
WORTH LIVING.
163
00:08:24,520 --> 00:08:26,020
YEAH, I KNOW WHAT YOU MEAN.
IT'S A KIND OF MORNING
164
00:08:26,020 --> 00:08:28,020
WHEN YOU WANNA
SPRAY YOURSELF
WITH LEMON PLEDGE
165
00:08:28,020 --> 00:08:29,330
AND SLIDE DOWN
A BANNISTER.
166
00:08:29,830 --> 00:08:30,830
WHY SO CHIPPER?
167
00:08:31,330 --> 00:08:32,330
I MET A GUY.
168
00:08:32,330 --> 00:08:33,830
OH, REALLY?
169
00:08:33,830 --> 00:08:35,400
WE WENT ON A DATE
LAST NIGHT
170
00:08:35,400 --> 00:08:37,270
AND I HAD
THE BEST TIME.
171
00:08:37,270 --> 00:08:41,940
CANDLELIGHT DINNER,
CAPPUCCINO ON THE WHARF,
TERRIFIC SEX.
172
00:08:42,200 --> 00:08:43,140
WHAT?
173
00:08:43,140 --> 00:08:44,510
JUST SEEING
IF YOU WERE LISTENING.
174
00:08:45,610 --> 00:08:47,510
YOU KNOW I HATE CAPPUCCINO.
175
00:08:47,510 --> 00:08:49,010
HEY, HERE HE COMES.
176
00:08:49,010 --> 00:08:51,010
OOH, HE'S
A HANDSOME BRUTE.
177
00:08:52,620 --> 00:08:56,120
I SAW THIS IN A GARDEN
THIS MORNING
AND IT WAS SO BEAUTIFUL
178
00:08:56,120 --> 00:08:57,620
AND I KNEW
YOU HAD TO HAVE IT.
179
00:08:57,620 --> 00:08:59,120
THAT'S VERY SWEET.
THANK YOU.
180
00:08:59,120 --> 00:09:02,630
IT WASN'T EASY, THOUGH.
SOME CRAZY LADY CHASED ME
5 BLOCKS WITH A FUNGO BAT.
181
00:09:04,130 --> 00:09:08,100
UH, MATT, I'D LIKE
TO INTRODUCE YOU TO
JOE AND BRIAN HACKETT.
182
00:09:08,100 --> 00:09:09,970
HOW ARE YOU, JOE?
HI, MATT.
183
00:09:09,970 --> 00:09:11,970
HMM. SO,
YOUNG MATTHEW, UH,
184
00:09:12,470 --> 00:09:13,940
WHERE DO YOU HAIL FROM?
NEW YORK.
185
00:09:13,940 --> 00:09:17,240
OH, REALLY?
AND WHAT DO YOU DO THERE?
186
00:09:17,240 --> 00:09:19,140
I FLY.
I'M A PILOT FOR PAN AM.
187
00:09:19,140 --> 00:09:21,110
UH-HUH. UH-HUH.
188
00:09:21,110 --> 00:09:23,610
YOU NEVER TOLD
ME THAT.
189
00:09:23,610 --> 00:09:25,610
I CAN'T BELIEVE
THAT NEVER CAME UP.
190
00:09:25,610 --> 00:09:28,750
OH, WELL, LISTEN,
I HAVE TO RUN.
191
00:09:28,750 --> 00:09:31,720
I CAME BY TO TELL YOU
THAT I WILL PICK YOU UP
TONIGHT AT 8:00.
192
00:09:31,720 --> 00:09:33,720
NICE TO MEET YOU, FELLAS.
193
00:09:33,720 --> 00:09:34,720
BYE, MATT.
194
00:09:36,730 --> 00:09:40,030
OH, DARN, DARN,
DARN, DARN.
195
00:09:40,300 --> 00:09:41,800
ISN'T THAT JUST LIKE LIFE?
196
00:09:41,800 --> 00:09:43,800
YOU THINK YOU'VE FOUND
THE PERFECT GUY AND WHAM,
197
00:09:43,800 --> 00:09:45,800
YOU GET HIT
RIGHT IN THE TEETH, HUH!
198
00:09:45,800 --> 00:09:49,310
IF ONLY IT WASN'T FOR THAT
DANG NO-DATING-PILOTS RULE
OF YOURS.
199
00:09:49,310 --> 00:09:50,870
[clicks tongue]
HUH.
200
00:09:51,370 --> 00:09:52,880
OH, THAT.
201
00:09:52,880 --> 00:09:54,380
[razzing]
202
00:09:57,110 --> 00:09:58,620
[razzing]
SHE SAYS.
203
00:09:59,120 --> 00:10:00,620
MY PLAN HAS WORKED
TO PERFECTION.
204
00:10:00,620 --> 00:10:03,620
NOW SHE NO LONGER HAS
ANY MORE EXCUSES TO NOT
GO OUT ON A DATE WITH ME.
205
00:10:03,620 --> 00:10:05,620
WAIT, BRIAN, ARE YOU SURE
YOU THOUGHT THIS
ALL THE WAY THROUGH?
206
00:10:05,620 --> 00:10:07,620
JOE, JOE, YOU DOUBT
THE PUPPET MASTER?
207
00:10:07,620 --> 00:10:10,330
WHAT COULD POSSIBLY
GO WRONG WITH THIS PLAN?
208
00:10:10,330 --> 00:10:12,930
YOU KNOW WHAT, BRIAN?
I'M DONE WITH DATING RULES.
209
00:10:12,930 --> 00:10:14,430
OH, REALLY?
YUP.
210
00:10:14,430 --> 00:10:17,430
FROM NOW ON,
MATT'S THE ONLY GUY FOR ME.
211
00:10:17,930 --> 00:10:19,440
I'M IN LOVE.
212
00:10:23,240 --> 00:10:25,140
ANY MORE BRIGHT IDEAS,
GEPPETTO?
213
00:10:34,680 --> 00:10:36,690
WAY TO GO, BRIAN.
214
00:10:36,690 --> 00:10:39,190
YOU MANAGED TO GET HELEN,
WHO YOU WANNA GO OUT WITH,
TO FALL FOR A GUY
215
00:10:39,190 --> 00:10:43,590
WHO TURNS OUT TO BE A PILOT
SO SHE WON'T GO OUT WITH HIM,
BUT WITH YOU INSTEAD.
216
00:10:43,590 --> 00:10:45,930
IF WE WERE TO DIAGRAM
THAT SENTENCE,
217
00:10:45,930 --> 00:10:47,930
EXACTLY WHERE WOULD YOU
PUT THE GERUND?
218
00:10:49,300 --> 00:10:51,300
I THINK
YOU KNOW WHERE.
219
00:10:53,300 --> 00:10:54,800
YOU ARE GONNA
TELL HER THE TRUTH.
220
00:10:54,800 --> 00:10:55,800
NO, NO. NO, NO.
221
00:10:55,800 --> 00:10:57,510
THAT'S NOT AN OPTION.
WHY NOT?
222
00:10:57,510 --> 00:10:58,510
ALL RIGHT,
LET ME ASK YOU THIS:
223
00:10:59,010 --> 00:11:00,980
HAVE YOU EVER HAD
THE SLIGHTEST ROMANTIC
INTEREST IN HELEN?
224
00:11:00,980 --> 00:11:02,950
BRIAN, I TOLD YOU
WE'RE GOOD FRIENDS,
THAT'S ALL.
225
00:11:02,950 --> 00:11:04,350
WAIT, WAIT, WAIT,
ARE YOU SAYING
226
00:11:04,350 --> 00:11:06,350
THAT YOU'VE NEVER FELT
THE FAINTEST ATTRACTION,
227
00:11:06,350 --> 00:11:09,350
THE TINIEST YEARNING,
THE MOST FLEETING
MISFIRING OF A NERVE
228
00:11:09,350 --> 00:11:10,850
IN YOUR NETHER REGIONS?
229
00:11:13,520 --> 00:11:15,890
MAYBE--
WELL, YOU CAN FORGET
THAT PIPE DREAM, BUDDY.
230
00:11:15,890 --> 00:11:19,400
BECAUSE IF SHE FINDS OUT
YOU'RE IN ON THIS SCHEME
YOU ARE HISTOIRE, MAN.
231
00:11:19,960 --> 00:11:20,960
[sighs]
232
00:11:21,460 --> 00:11:22,360
WHAT DID YOU HAVE IN MIND?
233
00:11:23,700 --> 00:11:26,070
DOES THIS MEAN
ANYTHING TO YOU?
234
00:11:26,070 --> 00:11:28,400
ISN'T THAT
THE WAY DEAF PEOPLE
SAY SPARKLING WATER?
235
00:11:30,970 --> 00:11:34,180
MATT. DID ANYBODY
SEE YOU COME IN HERE?
236
00:11:34,180 --> 00:11:37,680
JUST SOME GUY IN COVERALLS
SINGING MOON RIVER
INTO A WALKIE-TALKIE.
237
00:11:39,180 --> 00:11:41,950
MAYBE I SHOULD, UH...
NO, NO, NO, NO.
IT'S OK.
238
00:11:41,950 --> 00:11:42,950
JOE'S ONE OF US.
239
00:11:42,950 --> 00:11:44,250
OH.
240
00:11:44,250 --> 00:11:45,760
SO HOW AM I DOIN'?
241
00:11:49,260 --> 00:11:50,760
FINE.
242
00:11:50,760 --> 00:11:52,760
REALLY? 'CAUSE I THINK
I'VE GOT A HANDLE ON
THIS MATT CHARACTER.
243
00:11:52,760 --> 00:11:55,100
YEAH, YEAH, YEAH,
BUT WE JUST HAVE
A--A SLIGHT PROBLEM HERE.
244
00:11:55,360 --> 00:11:56,370
OH, YOU HATED ME.
245
00:11:56,370 --> 00:11:58,870
NO, NO, NO,
WE LOVED YOU.
246
00:11:58,870 --> 00:12:01,870
BUT SO DID HELEN.
SHE'S FALLEN FOR YOU.
THAT'S THE PROBLEM.
247
00:12:01,870 --> 00:12:03,840
SO W-WE'VE GOT
A SLIGHT CHANGE
IN OUR GAME PLAN.
248
00:12:03,840 --> 00:12:06,340
YOU HAVE TO
MAKE HELEN
249
00:12:06,340 --> 00:12:08,640
NOT WANT TO SEE YOU
EVER AGAIN.
250
00:12:09,910 --> 00:12:11,910
OH, IMPROVISATION.
I LIKE THAT.
251
00:12:13,420 --> 00:12:16,420
I'M THINKING ON MY FEET.
I'M THINKING ON MY FEET.
252
00:12:16,920 --> 00:12:17,920
HOW ABOUT THIS?
253
00:12:17,920 --> 00:12:18,920
NO, NO, NO.
IT'S GOTTA BE SOMETHING GOOD.
254
00:12:19,420 --> 00:12:21,420
HEY.
255
00:12:21,420 --> 00:12:25,430
UH, WHAT IF MATT TELLS HELEN
TO QUIT PLAYING THE CELLO.
256
00:12:25,430 --> 00:12:27,000
SHE'D NEVER
GIVE UP MUSIC.
257
00:12:27,000 --> 00:12:29,500
WHY, JOE,
YOU LOVABLE WEASEL.
258
00:12:29,500 --> 00:12:31,370
UH, WHY WOULD
I DO THAT?
259
00:12:31,700 --> 00:12:33,700
WELL, YOU COULD SAY
260
00:12:33,700 --> 00:12:35,200
THAT YOU LOVE HER
SO MUCH
261
00:12:35,200 --> 00:12:37,970
THAT YOU CAN'T BEAR
TO SHARE HER
WITH HER MUSIC.
262
00:12:37,970 --> 00:12:39,980
IT'S GOOD.
THAT'S VERY GOOD.
263
00:12:39,980 --> 00:12:42,980
I DON'T KNOW, GUYS.
I DON'T THINK THAT FITS IN
VERY WELL WITH MY CHARACTER.
264
00:12:42,980 --> 00:12:44,980
I MEAN,
WHAT'S MY MOTIVATION?
265
00:12:44,980 --> 00:12:46,980
ANOTHER $50?
266
00:12:46,980 --> 00:12:48,580
I CAN MAKE THAT WORK.
267
00:12:58,130 --> 00:13:00,630
BRIAN, ARE YOU DONE
WITH MY COMPACT?
SHH!
268
00:13:00,630 --> 00:13:04,300
FAY, FAY, FAY,
WE'RE TRYING TO SPY
ON MATT AND HELEN.
269
00:13:04,300 --> 00:13:07,270
OH, I'M TERRIBLY SORRY.
WHERE ARE MY MANNERS?
270
00:13:09,140 --> 00:13:10,040
[exclaims]
271
00:13:10,040 --> 00:13:12,040
HERE IT COMES, JOE,
HERE IT COMES.
272
00:13:12,040 --> 00:13:15,040
THIS IS WHERE
MATT TELLS HELEN
TO GIVE UP THE CELLO.
273
00:13:15,540 --> 00:13:17,550
POOR KID,
SHE LOOKS LIKE
SHE'S IN SHOCK.
274
00:13:17,550 --> 00:13:19,550
MMM-HMM. NOW WATCH.
275
00:13:19,550 --> 00:13:21,050
WATCH, JOE.
WATCH HOW SKILLFULLY
276
00:13:21,050 --> 00:13:22,550
THE PUPPET MASTER
GUIDES OUR HEROINE
277
00:13:22,550 --> 00:13:24,550
THROUGH THESE
EMOTIONAL SHRILLS.
278
00:13:24,550 --> 00:13:27,560
SHE DOESN'T BELIEVE MATT.
HE CAN'T MEAN
WHAT HE JUST SAID.
279
00:13:27,560 --> 00:13:30,060
UH, BUT MATT'S SAYING,
YES, YES, HE DID MEAN IT.
280
00:13:30,060 --> 00:13:33,500
UH, AND NOW COMES
THE CLIMAX OF
OUR LITTLE PLAY
281
00:13:33,500 --> 00:13:35,000
WHERE HELEN
DEFIANTLY DECLARES
282
00:13:35,000 --> 00:13:37,300
THAT SHE WILL NOT GIVE UP
THE CELLO FOR ANY MAN.
283
00:13:40,070 --> 00:13:41,640
OH, MY GOD!
284
00:13:41,640 --> 00:13:44,140
MAYBE SHE MISUNDERSTOOD
THE QUESTION.
285
00:13:44,140 --> 00:13:47,480
HELEN, HELEN.
WHAT ARE YOU DOING?
286
00:13:47,980 --> 00:13:49,980
MATT ASKED ME
TO GIVE UP THE CELLO
FOR HIM,
287
00:13:49,980 --> 00:13:50,650
SO I DID.
288
00:13:55,120 --> 00:13:57,120
I'LL BE READY TO GO
IN A MINUTE.
289
00:13:57,620 --> 00:13:59,120
HEY--
MATT, MATT.
290
00:13:59,620 --> 00:14:00,620
THIS HAS GOTTEN
OUT OF HAND.
291
00:14:00,620 --> 00:14:02,560
Y-YOU'RE GONNA
HAVE TO TELL HELEN
THE TRUTH.
292
00:14:02,560 --> 00:14:05,060
I'M AFRAID THAT THERE'S
A LITTLE BIT OF A PROBLEM
WITH THAT, GUYS.
293
00:14:06,460 --> 00:14:08,460
I'VE FALLEN IN LOVE
WITH HER.
294
00:14:08,460 --> 00:14:09,800
WHAT ARE YOU
TALKING ABOUT?
295
00:14:10,300 --> 00:14:11,300
HELEN'S WONDERFUL.
296
00:14:11,300 --> 00:14:13,200
SHE GAVE UP
THE CELLO FOR ME.
297
00:14:13,200 --> 00:14:15,200
BUT YOU'RE NOT YOU.
298
00:14:15,200 --> 00:14:18,210
YOU'RE A FICTIONAL CHARACTER.
I HIRED YOU TO PLAY A PART.
299
00:14:19,210 --> 00:14:21,210
HERE'S YOUR MONEY BACK.
300
00:14:21,710 --> 00:14:23,710
I'M NOT ACTING
ANYMORE, GUYS.
301
00:14:23,710 --> 00:14:25,780
I LOVE HER.
302
00:14:25,780 --> 00:14:28,620
LISTEN, HONEY,
I KNOW THAT THIS IS SUDDEN.
303
00:14:29,120 --> 00:14:31,120
BUT IF WE FEEL
THE WAY THAT WE DO,
YEAH?
304
00:14:31,120 --> 00:14:32,620
WHY SHOULD WE WAIT?
305
00:14:32,620 --> 00:14:33,960
WILL YOU MARRY ME?
306
00:14:33,960 --> 00:14:35,460
MARRY YOU?
I CAN ANSWER THAT.
307
00:14:35,460 --> 00:14:36,460
YES, OF COURSE
I WILL.
308
00:14:36,460 --> 00:14:38,630
YES, OF COURSE--
WHAT?
309
00:14:38,630 --> 00:14:41,400
TELL ME ONE GOOD REASON
I SHOULDN'T BEAT
THE HELL OUT OF YOU?
310
00:14:41,400 --> 00:14:42,700
I'M ON
YOUR MEDICAL PLAN.
311
00:14:42,700 --> 00:14:44,700
LOOK, JOE. JOE, JOE.
312
00:14:44,700 --> 00:14:47,700
I KNOW THINGS
SEEM A BIT CONVOLUTED
AT THE MOMENT,
313
00:14:47,700 --> 00:14:49,210
BUT DON'T WORRY,
I'VE GOT EVERYTHING
UNDER CONTROL.
314
00:14:49,200 --> 00:14:50,510
YOU FORGET I AM--
315
00:14:50,510 --> 00:14:52,010
THE VILLAGE IDIOT?
CORRECT.
316
00:14:53,010 --> 00:14:55,410
YOU ARE GONNA HAVE
TO TELL HER THE TRUTH.
WHAT, NOW?
317
00:14:55,410 --> 00:14:57,710
NO, ON THEIR
GOLDEN WEDDING ANNIVERSARY.
318
00:14:58,510 --> 00:15:00,020
OK, OK.
GO AHEAD.
319
00:15:00,020 --> 00:15:01,520
OK, I'M--I'M GOING.
320
00:15:03,020 --> 00:15:04,520
GO AHEAD.
I'M GOING.
321
00:15:05,520 --> 00:15:08,520
LOOK, UH, HELEN,
322
00:15:08,520 --> 00:15:11,390
I HAVE SOMETHING TO SAY
TO YOU AND YOU MIGHT NOT
BE TOO HAPPY.
323
00:15:11,390 --> 00:15:13,400
ARE YOU KIDDING?
THIS IS THE HAPPIEST
I'VE EVER BEEN.
324
00:15:13,400 --> 00:15:15,460
LISTEN, HELEN.
325
00:15:15,460 --> 00:15:17,970
MATT'S AN ACTOR.
I HIRED HIM
TO PLAY A PILOT.
326
00:15:19,000 --> 00:15:20,000
I KNOW.
327
00:15:21,300 --> 00:15:22,340
YOU WHAT?
328
00:15:22,340 --> 00:15:24,640
MATT TOLD ME,
AND I DON'T CARE.
329
00:15:24,640 --> 00:15:25,880
AND YOU STILL
LOVE HIM?
330
00:15:25,870 --> 00:15:26,880
OF COURSE I DO.
331
00:15:26,880 --> 00:15:28,340
WAIT, WAIT, WAIT.
MATT, THE ACTOR?
332
00:15:28,340 --> 00:15:30,310
MATT "HOW AM I DOING"
SARGENT?
333
00:15:30,310 --> 00:15:31,750
ISN'T HE GREAT?
334
00:15:32,210 --> 00:15:34,620
CAMUS WAS RIGHT.
LIFE IS ABSURD.
335
00:15:35,980 --> 00:15:38,490
H-HELEN, UH, I HAVE TO
TALK TO YOU RIGHT NOW.
336
00:15:38,990 --> 00:15:40,490
IT'S VERY IMPORTANT.
337
00:15:44,290 --> 00:15:46,800
HELEN, YOU CAN'T
MARRY MATT.
338
00:15:46,800 --> 00:15:49,300
JOE, I DON'T SEE ANY REASON
WHY I SHOULDN'T, DO YOU?
339
00:15:51,570 --> 00:15:53,070
NO.
340
00:15:53,070 --> 00:15:56,570
WELL, YES, YES.
THERE IS A REASON.
341
00:15:56,570 --> 00:15:59,540
UH, I DON'T KNOW QUITE
HOW TO PUT THIS BUT, WELL...
342
00:16:00,940 --> 00:16:03,250
I NEVER THOUGHT
I'D DO THIS.
NOT LIKE THIS.
343
00:16:03,980 --> 00:16:04,980
NOT NOW.
344
00:16:06,980 --> 00:16:08,880
HEY, UH, WAIT A MINUTE.
345
00:16:08,880 --> 00:16:10,890
JOE, WHAT THE HELL
ARE YOU DOIN'?
346
00:16:10,890 --> 00:16:12,690
WHAT HAPPENED TO
"WE'RE JUST GOOD FRIENDS"?
347
00:16:12,960 --> 00:16:13,960
HELEN,
OH, GOD.
348
00:16:13,960 --> 00:16:14,960
HELEN, I LOVE YOU.
349
00:16:14,960 --> 00:16:17,460
HEY, BACK OFF, BUDDY.
SHE LOVES ME.
350
00:16:17,460 --> 00:16:19,460
I'VE LOVED YOU
FOR A LONG TIME.
351
00:16:19,460 --> 00:16:22,400
IF I MEAN ANYTHING
AT ALL TO YOU, DON'T GO.
352
00:16:22,400 --> 00:16:24,400
WHOA, WHOA.
SENSORY OVERLOAD. WHOA.
353
00:16:27,700 --> 00:16:29,210
JOE, I NEVER KNEW
YOU FELT THIS WAY.
354
00:16:29,200 --> 00:16:30,710
HELEN, HELEN,
WHAT ABOUT US?
355
00:16:31,210 --> 00:16:32,710
SHE LOVES ME,
DON'T YOU, HELEN?
356
00:16:32,710 --> 00:16:34,210
HELEN?
357
00:16:34,210 --> 00:16:35,210
UM...
358
00:16:38,210 --> 00:16:41,220
MATT, I DON'T KNOW
HOW TO SAY THIS TO YOU,
359
00:16:41,220 --> 00:16:43,720
BUT I GUESS I'VE ALWAYS
LOVED JOE EVER SINCE
WE WERE KIDS.
360
00:16:43,720 --> 00:16:45,220
I JUST NEVER KNEW
HE FELT THE SAME WAY.
HELEN.
361
00:16:45,220 --> 00:16:48,220
NOW, WAIT A MINUTE,
WAIT A MINUTE, WAIT A MINUTE.
WAIT A MINUTE.
362
00:16:48,220 --> 00:16:49,730
YOU LOVE JOE NOW?
363
00:16:49,730 --> 00:16:51,730
WAIT A MINUTE,
YOU'RE GONNA DUMP ME
JUST LIKE THAT? I THOUGHT--
364
00:16:51,730 --> 00:16:53,230
HEY, GET YOUR HANDS
OFF HER.
365
00:16:53,230 --> 00:16:55,230
YOU THINK YOU'RE GONNA
TAKE HER AWAY FROM ME?
366
00:16:55,230 --> 00:16:57,230
YOU GOT ANOTHER
THING COMIN', JOE.
367
00:16:57,230 --> 00:16:59,700
HEY, HEY,
WHOA, WHOA, WHOA, WHOA.
HEY, NOW, TAKE IT EASY NOW.
368
00:17:00,100 --> 00:17:01,600
HELEN AND I
BELONG TOGETHER.
369
00:17:01,600 --> 00:17:03,110
I LOVE HER.
370
00:17:03,110 --> 00:17:05,110
YEAH, OF COURSE
YOU LOVE HER.
WE ALL LOVE HER.
371
00:17:05,110 --> 00:17:07,880
SHE'S A SWEETIE.
SHE'S A CUTIE. SHE'S TO
DIE FOR-- WRONG PHRASE.
372
00:17:07,880 --> 00:17:08,880
SHUT UP!
373
00:17:08,880 --> 00:17:10,880
SHUTTING UP.
SHUTTING UP.
374
00:17:10,880 --> 00:17:13,680
MATT, DON'T DO THIS.
WE CAN ALL
TALK ABOUT THIS.
375
00:17:14,180 --> 00:17:15,420
DOES THAT MEAN
YOU'LL MARRY ME?
376
00:17:15,420 --> 00:17:16,420
HE IS QUITE A CATCH.
377
00:17:16,420 --> 00:17:17,950
I THOUGHT
I TOLD YOU-- HEY!
378
00:17:17,950 --> 00:17:20,460
OH, GOD! BE CAREFUL.
JEEZ, NO!
379
00:17:20,920 --> 00:17:22,160
[crashing]
380
00:17:22,160 --> 00:17:23,930
(Helen)
OH, MY GOD.
381
00:17:23,930 --> 00:17:25,560
[gun firing]
382
00:17:27,060 --> 00:17:27,960
OH, NO.
383
00:17:37,310 --> 00:17:38,740
I DIDN'T MEAN TO.
384
00:17:38,740 --> 00:17:40,740
JOE. JOE, WAIT, WAIT!
385
00:17:40,740 --> 00:17:42,240
OH, GOD.
386
00:17:42,240 --> 00:17:44,750
HELEN, ALL I WANTED WAS
A MEASLY DATE FROM YOU.
387
00:17:44,750 --> 00:17:47,750
I DIDN'T EXPECT
THIS TO HAPPEN.
388
00:17:48,250 --> 00:17:50,750
NO, NO, NO, NO.
DON'T GO IN THERE.
DON'T GO IN THERE. DON'T...
389
00:17:50,750 --> 00:17:52,750
HELEN, PLEASE,
DON'T GO IN THERE.
390
00:17:52,750 --> 00:17:53,760
[sobbing]
391
00:17:55,260 --> 00:17:56,360
[screaming]
392
00:17:56,860 --> 00:17:58,860
OH, GOD! OH, GOD!
393
00:18:11,870 --> 00:18:12,870
[screams]
394
00:18:13,880 --> 00:18:14,880
[both laughing]
395
00:18:15,880 --> 00:18:17,380
HO!
396
00:18:17,380 --> 00:18:20,380
DON'T YOU LOVE
THE LOOK ON HIS FACE?
WHOA, WHOA, WHOA.
397
00:18:20,380 --> 00:18:23,390
HEY, WE'RE JUST YANKING
YOUR STRINGS THERE, BRO.
YEAH, BRIAN.
398
00:18:23,390 --> 00:18:24,390
AFTER ALL, WE ARE...
399
00:18:24,390 --> 00:18:26,390
(all)
THE PUPPET MASTERS.
400
00:18:26,890 --> 00:18:27,890
[whooping]
401
00:18:33,030 --> 00:18:35,530
(Lowell on walkie-talkie)
RAGING STALLION,
RAGING STALLION,
402
00:18:36,030 --> 00:18:39,030
THIS IS RED RAIDER.
COME IN. OVER.
403
00:18:40,040 --> 00:18:41,540
WHAT IS IT, LOWELL?
404
00:18:41,540 --> 00:18:44,540
I HAVE A BIT OF
A PROBLEM HERE, ROY.
405
00:18:44,540 --> 00:18:48,040
YOU KNOW THAT
WROUGHT IRON FENCE
BY THE UTILITY SHED?
406
00:18:48,540 --> 00:18:50,050
YEAH.
407
00:18:50,050 --> 00:18:52,550
I'VE ALWAYS WONDERED
WHETHER THERE WAS
ENOUGH ROOM
408
00:18:52,550 --> 00:18:55,050
FOR ME TO STICK MY HEAD
BETWEEN THE BARS.
409
00:18:56,550 --> 00:19:00,120
WELL, I WON'T KEEP YOU
IN SUSPENSE. THERE IS.
410
00:19:00,120 --> 00:19:04,630
BUT EITHER MY HEAD'S SWELLED
OR MY EARS ONLY BEND ONE WAY.
411
00:19:04,630 --> 00:19:07,630
I GUESS
I'M KIND OF STUCK HERE.
412
00:19:07,630 --> 00:19:10,130
DON'T PANIC, LOWELL.
I'M ON MY WAY.
413
00:19:10,130 --> 00:19:14,640
I'LL BRING THE WALKIE-TALKIE
WITH ME SO WE'LL BE IN
CONSTANT COMMUNICATION.
414
00:19:14,640 --> 00:19:17,640
OK, BUT DON'T TAKE
TOO LONG, ROY.
415
00:19:17,640 --> 00:19:19,640
I'M STARTING TO LOSE
FEELING IN MY FACE.
416
00:19:22,140 --> 00:19:24,150
HEADING HOME, ROY?
YOU BETCHA.
417
00:19:25,250 --> 00:19:28,320
[laughing]
SEE YOU TOMORROW, HELEN.
418
00:19:28,320 --> 00:19:31,320
GOOD NIGHT, HELEN.
GOOD NIGHT.
419
00:19:31,320 --> 00:19:34,090
HEY. THANKS AGAIN
FOR TIPPING ME OFF
ABOUT MATT.
420
00:19:34,490 --> 00:19:36,990
YEAH, I KNEW
RIGHT OFF THE BAT THIS WAS
A PRETTY STUPID STUNT,
421
00:19:36,990 --> 00:19:38,290
EVEN BY BRIAN'S STANDARDS.
422
00:19:38,290 --> 00:19:40,200
PROP GUN, FAKE CELLO.
423
00:19:40,530 --> 00:19:42,300
YEAH. IT WAS FUN
STICKIN' IT TO HIM.
424
00:19:42,300 --> 00:19:44,300
YEAH, IT SURE WAS.
425
00:19:44,300 --> 00:19:46,230
THAT KISS SURE TOOK ME
BY SURPRISE, THOUGH.
426
00:19:46,230 --> 00:19:47,900
WE TALKED ABOUT THE KISS.
427
00:19:47,900 --> 00:19:48,900
NO, WE DIDN'T.
428
00:19:50,410 --> 00:19:52,910
AW, I COULD SWEAR
WE DID.
429
00:19:52,910 --> 00:19:54,910
I THINK I WOULD'VE
REMEMBERED.
430
00:19:55,410 --> 00:19:56,910
OH, GOD, I'M SORRY.
431
00:19:56,910 --> 00:19:58,910
NO, THAT'S OK. I THOUGHT
IT WORKED OUT ALL RIGHT.
432
00:19:58,910 --> 00:20:00,420
YEAH. ME, TOO.
433
00:20:00,420 --> 00:20:02,420
[chuckles]
IT WAS A GOOD KISS.
434
00:20:04,420 --> 00:20:05,250
UH-HUH.
435
00:20:07,760 --> 00:20:09,260
YOU DIDN'T THINK
IT WAS GOOD?
436
00:20:10,760 --> 00:20:12,660
NO, IT WAS FINE.
437
00:20:15,530 --> 00:20:18,030
FINE, BUT NOT GOOD?
438
00:20:19,030 --> 00:20:20,170
[clears throat]
439
00:20:20,170 --> 00:20:22,670
JOE, IT'S JUST A DIFFERENCE
IN TECHNIQUE, THAT'S ALL.
440
00:20:22,670 --> 00:20:25,670
YOU'RE A STIFF-LIPPER
AND I'M A SOFT.
441
00:20:25,670 --> 00:20:26,980
IT'S NO BIG DEAL.
442
00:20:26,980 --> 00:20:28,980
WELL, I NEVER REALLY
THOUGHT ABOUT IT BEFORE.
443
00:20:28,980 --> 00:20:30,950
DOES IT MAKE
THAT MUCH OF A DIFFERENCE?
444
00:20:30,950 --> 00:20:32,450
YES.
445
00:20:32,450 --> 00:20:33,280
HERE, I'LL SHOW YOU.
446
00:20:33,780 --> 00:20:34,780
WHAT? YOU WANNA
KISS ME AGAIN?
447
00:20:35,220 --> 00:20:37,720
OH, DON'T BE STUPID.
THIS IS JUST
AN ACTING EXERCISE.
448
00:20:37,720 --> 00:20:39,690
AND JUST RELAX.
449
00:20:39,690 --> 00:20:42,690
DON'T PUCKER UP
LIKE DUDLEY DO-RIGHT.
JUST RELAX YOUR LIPS.
450
00:20:51,330 --> 00:20:56,640
(Lowell on walkie-talkie)
MOON RIVER,
WIDER THAN A MILE
451
00:20:56,640 --> 00:20:59,370
I'M CROSSING YOU IN STYLE
452
00:20:59,880 --> 00:21:02,040
SOMEDAY
453
00:21:02,540 --> 00:21:04,750
GOD, I LOVE THAT SONG.
454
00:21:07,250 --> 00:21:09,250
HMM.
LIKE THAT?
455
00:21:09,250 --> 00:21:11,250
THAT WAS BETTER,
THAT WAS MUCH BETTER.
456
00:21:11,250 --> 00:21:13,190
WELL, THANKS FOR THE TIP.
457
00:21:13,190 --> 00:21:15,160
GOOD NIGHT.
GOOD NIGHT.
458
00:21:19,960 --> 00:21:20,900
CHAIRS.
459
00:21:29,040 --> 00:21:30,540
[ice cubes clinking]
460
00:21:30,540 --> 00:21:31,540
[sighing]
461
00:21:36,210 --> 00:21:38,210
(Lowell)
HEY, LOOK AT THAT.
462
00:21:38,210 --> 00:21:41,720
I JUST SAW A CAR EXACTLY
LIKE YOURS GO BY, ROY.
463
00:21:41,720 --> 00:21:45,720
WHO'D HAVE GUESSED
THERE WERE 2 PURPLE
EL CAMINOS ON NANTUCKET?
464
00:21:47,720 --> 00:21:51,230
WE'RE AFTER
THE SAME RAINBOW'S END
465
00:21:51,230 --> 00:21:54,230
WAITING ROUND THE BEND
466
00:21:54,230 --> 00:21:57,730
MY HUCKLEBERRY FRIEND
467
00:21:57,730 --> 00:22:00,740
ROY, ARE YOU
MY HUCKLEBERRY FRIEND?
468
00:22:03,240 --> 00:22:07,240
MOON RIVER AND ME
34618
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