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1
00:00:07,160 --> 00:00:09,130
- PREVIOUSLY
ON CALIFORNICATION...
2
00:00:09,160 --> 00:00:10,290
STU, NIKKI.
3
00:00:10,330 --> 00:00:11,660
- UH, YOU TWO GUYS
KNOW EACH OTHER?
4
00:00:11,700 --> 00:00:12,600
- MM-HMM.
5
00:00:12,630 --> 00:00:14,330
- SHE RELIEVED MY SON
OF HIS VIRGINITY.
6
00:00:14,360 --> 00:00:16,130
- NIKKI'S HERE.
- SHE'S WITH STU.
7
00:00:16,170 --> 00:00:17,270
- THAT FEELING IS BACK,
YOU KNOW,
8
00:00:17,300 --> 00:00:18,540
LIKE I GOT TO FUCK SOMETHING.
9
00:00:18,570 --> 00:00:21,670
- I HAVE A PROPOSAL FOR YOU.
10
00:00:21,710 --> 00:00:25,480
AND, YES,
IT IS QUITE INDECENT.
11
00:00:25,510 --> 00:00:28,680
- YOU'D SERIOUSLY PAY
A MILLION DOLLARS TO FUCK ME?
12
00:00:28,710 --> 00:00:29,850
- OH, YEAH.
13
00:00:29,880 --> 00:00:31,550
I'M GOING TO BE PUTTING
A CLOCK
14
00:00:31,580 --> 00:00:33,350
ON THAT OFFER
I MADE YOU, CHARLIE.
15
00:00:33,380 --> 00:00:35,220
I THINK YOU KNOW
WHICH ONE I'M TALKING ABOUT.
16
00:00:35,250 --> 00:00:37,290
- KRULL?
- HEY.
17
00:00:37,320 --> 00:00:39,160
HOW'S IT GOING, CHURCHILL?
- WHAT ARE YOU DOING HERE?
18
00:00:39,190 --> 00:00:41,290
- TIME TO WORK ON ME MOTORBIKES
AND ME MEMOIRS.
19
00:00:41,330 --> 00:00:43,360
- YOU WERE MACKING ON HER
WHEN YOU WERE INSIDE OF ME?
20
00:00:43,390 --> 00:00:45,360
- YOU WERE INSIDE HER?
WHAT THE FUCK, MAN?
21
00:00:45,400 --> 00:00:46,560
- RATH, LOOK,
IT'S COMPLICATED.
22
00:00:46,600 --> 00:00:48,100
- IT'S NOT COMPLICATED.
23
00:00:48,130 --> 00:00:49,300
- THEY WANT TO MAKE AN OFFER
TO EDDIE NERO.
24
00:00:49,330 --> 00:00:51,440
- OH.
DON'T DO IT.
25
00:00:51,470 --> 00:00:52,700
YOU'LL REGRET IT.
- WHY?
26
00:00:52,740 --> 00:00:54,700
- HE POOPS ON PEOPLE.
27
00:00:54,740 --> 00:00:56,470
- NERO'S A FUCKING PSYCHO.
28
00:00:56,510 --> 00:00:58,710
I THINK WHAT HE REALLY WANTS
IS TO TAKE YOU IN HIS MOUTH.
29
00:00:58,740 --> 00:01:00,710
- OH, WELL, IT'S ALWAYS NICE
TO BE WANTED.
30
00:01:00,740 --> 00:01:02,750
- HANK, SHUT UP
AND LISTEN TO ME.
31
00:01:02,780 --> 00:01:05,580
KAREN WAS IN A CAR ACCIDENT.
32
00:01:05,620 --> 00:01:08,790
- THIS DOESN'T CHANGE ANYTHING,
YOU KNOW.
33
00:01:08,820 --> 00:01:10,850
I'M STILL PISSED AT YOU.
34
00:01:10,890 --> 00:01:12,620
- I WOULDN'T HAVE IT
ANY OTHER WAY.
35
00:01:18,660 --> 00:01:21,630
[upbeat music]
36
00:01:21,670 --> 00:01:25,540
*
37
00:01:26,670 --> 00:01:27,900
HI!
38
00:01:27,940 --> 00:01:29,610
- HANK, I TOLD YOU!
39
00:01:29,640 --> 00:01:33,640
- I KNOW YOU TOLD ME,
BUT I WANTED TO SEE FOR MYSELF.
40
00:01:33,680 --> 00:01:35,610
YOU'RE CONVALESCING
QUITE NICELY...
41
00:01:35,650 --> 00:01:38,220
QUITE NICELY, INDEED.
- THANK YOU VERY MUCH.
42
00:01:38,250 --> 00:01:40,880
NOW, IF YOU'LL EXCUSE ME,
I HAVE SOME FOOD ON THE STOVE.
43
00:01:40,920 --> 00:01:42,550
- OH, YOU'RE HUNGRY, ARE YOU?
44
00:01:42,590 --> 00:01:45,820
- HANK, I'M MAKING MYSELF
SOMETHING TO EAT.
45
00:01:45,860 --> 00:01:47,490
- WOULDN'T YOU RATHER
GO OUT TO DINNER,
46
00:01:47,520 --> 00:01:48,830
YOU KNOW, BLOW THE STINK OFF?
47
00:01:48,860 --> 00:01:50,490
I MEAN, NOT THAT YOU EVER
REALLY STINK,
48
00:01:50,530 --> 00:01:51,930
ALTHOUGH SOMETIMES
IN THE MORNING WITH THE BREATH,
49
00:01:51,960 --> 00:01:53,500
BUT I DON'T MIND THAT.
50
00:01:53,530 --> 00:01:54,830
I CAN KISS
RIGHT THROUGH THAT SHIT.
51
00:01:54,860 --> 00:01:56,630
I LOVE IT, ACTUALLY.
52
00:01:56,670 --> 00:01:58,670
YOUR EFFLUVIUM HAS ALWAYS BEEN
QUITE REFRESHING TO ME...
53
00:01:58,700 --> 00:02:00,370
- OKAY!
- LIKE CUCUMBER LEMONADE...
54
00:02:00,400 --> 00:02:01,640
OR CUCUMBER SPA WATER.
55
00:02:01,670 --> 00:02:03,670
- HANK, ARE THESE WORDS
FOR ME OR FOR YOU?
56
00:02:03,710 --> 00:02:05,640
- FOR BOTH OF US, KAREN.
57
00:02:05,680 --> 00:02:07,710
WORDPLAY, FOREPLAY--
IT'S ALL THE SAME THING.
58
00:02:07,740 --> 00:02:09,850
- YOU KNOW WHAT?
I'M EXHAUSTED.
59
00:02:09,880 --> 00:02:11,850
I WANT TO GO LIE DOWN.
IT'S JUST, LIKE--
60
00:02:11,880 --> 00:02:15,250
- OH, OH, IS THAT AN INVITE?
61
00:02:15,290 --> 00:02:16,650
J.K., AS THE KIDS SAY.
J.K.
62
00:02:16,690 --> 00:02:18,320
COME ON,
I'LL PROVIDE THE TRANSPO.
63
00:02:18,360 --> 00:02:20,420
I WON'T EVEN TRY
TO FINGER YOU WHILE I DRIVE.
64
00:02:20,460 --> 00:02:21,790
- OH, PLEASE.
- I PROMISE.
65
00:02:21,830 --> 00:02:23,590
I MIGHT TRY TO GAUGE
YOUR HEAT, THOUGH...
66
00:02:23,630 --> 00:02:24,730
OVER THE CLOTHES.
67
00:02:24,760 --> 00:02:26,400
I AM NOT A FUCKING ANIMAL.
68
00:02:26,430 --> 00:02:29,300
- YOU ARE MAKING IT REALLY HARD
FOR ME TO SAY NO.
69
00:02:29,330 --> 00:02:30,930
- ALLOW ME TO APPEAL
TO THE FOODIE IN YOU.
70
00:02:30,970 --> 00:02:33,570
IT'S AT A NEW PLACE.
A POP-UP, IF YOU WILL.
71
00:02:33,600 --> 00:02:35,270
IT'S ALL THE RAGE,
FOUR STARS.
72
00:02:35,310 --> 00:02:37,270
THE BLOGOSPHERE IS ABUZZ.
73
00:02:37,310 --> 00:02:39,810
- THAT IS SO MEAN.
- I KNOW. I KNOW.
74
00:02:39,840 --> 00:02:42,210
- YOU KNOW HOW MUCH I LOVE
TRYING NEW RESTAURANTS.
75
00:02:42,250 --> 00:02:43,410
- I DO.
- DON'T SAY THAT SHIT.
76
00:02:43,450 --> 00:02:44,880
- I DO KNOW THAT.
I DO KNOW THAT.
77
00:02:44,910 --> 00:02:46,580
KAREN?
- HMM?
78
00:02:46,620 --> 00:02:48,890
- SOMETHING IS BURNING.
- [gasps] OH!
79
00:02:48,920 --> 00:02:51,560
- I DO BELIEVE YOUR SAD LITTLE
SOLO DINNER IS RUINED.
80
00:02:51,590 --> 00:02:53,720
- FIRE!
- OH, MY!
81
00:02:53,760 --> 00:02:56,730
[upbeat music]
82
00:02:56,760 --> 00:03:04,730
*
83
00:03:40,570 --> 00:03:43,340
- OKAY, SO YOU DIDN'T FORGET
YOUR WALLET.
84
00:03:43,370 --> 00:03:44,540
- NOPE.
85
00:03:44,570 --> 00:03:46,010
- THIS IS A NEW POP-UP
RESTAURANT?
86
00:03:46,040 --> 00:03:47,880
- YEP.
87
00:03:47,910 --> 00:03:51,010
- SO LET'S GET IT OVER WITH.
I'M FUCKING STARVING.
88
00:03:51,050 --> 00:03:53,350
- OH, I SEE
WHAT YOU'RE DOING HERE, KAREN.
89
00:03:53,380 --> 00:03:55,050
YOU'RE ESTABLISHING
AN ATTITUDE
90
00:03:55,080 --> 00:03:58,520
TO COMBAT THE ROMANTIC MOOD
THAT I'VE ESTABLISHED HERE.
91
00:03:58,560 --> 00:04:00,720
AND YOU KNOW WHAT?
I'M OKAY WITH THAT.
92
00:04:00,760 --> 00:04:02,630
YOU KNOW, THAT ACTUALLY GIVES ME
SOMETHING TO WORK WITH.
93
00:04:02,660 --> 00:04:04,630
IN FACT, IT'S THE VERY ESSENCE
OF DRAMA.
94
00:04:04,660 --> 00:04:07,630
A GUY WANTS SOMETHING,
SOMETHING STANDS IN HIS WAY.
95
00:04:07,660 --> 00:04:08,970
LITTLE ENGINE THAT COULD--
SAME THING.
96
00:04:09,000 --> 00:04:11,940
- OH, MY GOD.
HANK, JUST SHUT THE FUCK UP.
97
00:04:11,970 --> 00:04:13,970
- REFRESH YOURSELF.
TRANYA!
98
00:04:14,000 --> 00:04:17,410
HAVE A DRINK.
IN VINO VERITAS...
99
00:04:17,440 --> 00:04:18,580
OR SOMETHING LIKE THAT.
100
00:04:18,610 --> 00:04:20,810
IN WINE, THERE IS TRUTH,
I BELIEVE.
101
00:04:20,840 --> 00:04:22,380
- MM-HMM.
102
00:04:22,410 --> 00:04:23,810
- IN WHISKEY,
THERE MAY BE A LITTLE MORE.
103
00:04:23,850 --> 00:04:25,320
IN TEQUILA,
THERE'S, LIKE, A LOT OF TRUTH.
104
00:04:25,350 --> 00:04:26,380
- OKAY, GREAT.
WHERE ARE THE RUNKLES?
105
00:04:26,420 --> 00:04:27,850
- MM.
OH, THOSE GUYS?
106
00:04:27,880 --> 00:04:29,650
YEAH, THEY WENT OUT TO DINNER
ON ABBOT KINNEY--
107
00:04:29,690 --> 00:04:31,960
THAT LITTLE POP-UP
I WAS TELLING YOU ABOUT.
108
00:04:31,990 --> 00:04:34,960
- WHAT?
THEY GOT TO GO THERE?
109
00:04:34,990 --> 00:04:36,960
WELL, YOU KNOW I WANTED
TO TRY THAT PLACE.
110
00:04:36,990 --> 00:04:38,660
WHY DIDN'T YOU JUST
TAKE ME THERE?
111
00:04:38,700 --> 00:04:41,100
- BECAUSE I THOUGHT
THIS WOULD BE WAY MORE CHARMING.
112
00:04:41,130 --> 00:04:43,100
- DINNER AT CHARLIE
AND MARCY'S HOUSE?
113
00:04:43,130 --> 00:04:46,400
- COME ON, A DINNER SLAVED OVER
BY YOURS TRULY...
114
00:04:46,440 --> 00:04:48,570
AT AN EMPTY MALIBU
BEACH HOUSE?
115
00:04:48,610 --> 00:04:50,410
THIS PLACE IS OURS
FOR HOURS.
116
00:04:50,440 --> 00:04:52,010
- HANK.
- YES.
117
00:04:52,040 --> 00:04:53,680
- LOOK AT ME.
118
00:04:53,710 --> 00:04:55,680
I AM NOT GONNA SLEEP
WITH YOU.
119
00:04:55,710 --> 00:04:58,420
- I HAVE NO SUCH EXPECTATIONS.
- BULLSHIT.
120
00:04:58,450 --> 00:05:01,550
WHAT IS ALL THIS FOR IF IT'S
NOT TO PRY MY LEGS APART?
121
00:05:01,590 --> 00:05:04,620
- I WANTED TO DO THIS FOR YOU.
YOU DESERVE IT.
122
00:05:04,650 --> 00:05:07,820
I MEAN, EVER SINCE I'VE
COME BACK, I'VE BEEN ADRIFT.
123
00:05:07,860 --> 00:05:09,890
OBVIOUSLY
LEVON ROCKED MY WORLD.
124
00:05:09,930 --> 00:05:11,130
- MM-HMM.
125
00:05:11,160 --> 00:05:12,830
- AND I'VE BEEN DOWN SOME ROADS
126
00:05:12,860 --> 00:05:14,630
THAT HAVE LED TO SOME
PRETTY DIRTY BACK ALLEYS,
127
00:05:14,660 --> 00:05:16,570
BUT THROUGH IT ALL,
I'VE KEPT MY EYE ON THE PRIZE.
128
00:05:16,600 --> 00:05:18,700
- HANK.
- YES.
129
00:05:18,740 --> 00:05:20,500
- AREN'T YOU TIRED?
130
00:05:20,540 --> 00:05:22,770
I MEAN, DON'T YOU JUST, LIKE,
131
00:05:22,810 --> 00:05:24,610
WANT TO START AGAIN
WITH SOMEONE NEW?
132
00:05:24,640 --> 00:05:27,480
- NO. GOD, NO.
IS THAT WHAT YOU WANT?
133
00:05:27,510 --> 00:05:30,110
- YEAH.
I MEAN, SOMETIMES. SURE.
134
00:05:30,150 --> 00:05:31,880
- WHY WOULD I FIND A NEW LIFE
135
00:05:31,920 --> 00:05:34,020
WHEN I HAVEN'T PERFECTED
THE PERFECTLY GOOD OLD ONE?
136
00:05:34,050 --> 00:05:36,790
- WELL, EXACTLY.
MAYBE YOU CAN'T PERFECT IT.
137
00:05:36,820 --> 00:05:38,760
I MEAN, AT A CERTAIN POINT,
138
00:05:38,790 --> 00:05:40,990
IT JUST--
YOU KNOW, IT IS WHAT IT IS.
139
00:05:41,020 --> 00:05:42,460
AND THEN WE DIE.
- I DON'T AGREE.
140
00:05:42,490 --> 00:05:43,930
I DO NOT AGREE.
141
00:05:43,960 --> 00:05:45,800
SEE, I'VE LEARNED A LOT
ABOUT MYSELF
142
00:05:45,830 --> 00:05:47,600
DURING OUR TIME IN THE SUN.
- MM-HMM.
143
00:05:47,630 --> 00:05:50,870
- AND THROUGH IT ALL, I HAVE
ONLY EVER WANTED ONE THING--
144
00:05:50,900 --> 00:05:52,170
YOU.
145
00:05:52,200 --> 00:05:54,940
- MAYBE WANTING
IS NOT ENOUGH.
146
00:05:54,970 --> 00:05:57,610
- ISN'T IT, THOUGH?
- I DON'T THINK SO.
147
00:05:57,640 --> 00:05:58,910
- I DISAGREE.
148
00:05:58,940 --> 00:06:01,410
- YEAH,
BUT IT'S NOT A DEBATE.
149
00:06:01,450 --> 00:06:02,810
IT'S NOT SOMETHING
YOU CAN WIN.
150
00:06:02,850 --> 00:06:04,010
- I'M NOT TRYING
TO WIN ANYTHING.
151
00:06:04,050 --> 00:06:05,880
- YES, YOU ARE.
YES, YOU ARE.
152
00:06:05,920 --> 00:06:08,050
YOU'RE--YOU'RE ALWAYS, LIKE,
TRYING A NEW ANGLE,
153
00:06:08,080 --> 00:06:09,750
LIKE THIS, YOU KNOW...
- NO.
154
00:06:09,790 --> 00:06:11,760
- SOME HUGE, GRAND,
ROMANTIC GESTURE.
155
00:06:11,790 --> 00:06:14,760
- WHAT GRAND, ROMANTIC GESTURE?
- [laughing]
156
00:06:14,790 --> 00:06:17,790
WHAT WE REALLY NEED TO DO
IS JUST LOOK AT OUR HISTORY
157
00:06:17,830 --> 00:06:20,900
AND REALIZE...
IT DOESN'T WORK.
158
00:06:20,930 --> 00:06:23,570
I MEAN, WE DON'T WORK.
159
00:06:23,600 --> 00:06:25,170
- NOW, NOW, KAREN,
160
00:06:25,200 --> 00:06:27,440
LET'S NOT TURN THIS
INTO SOME DRY HISTORY LESSON.
161
00:06:27,470 --> 00:06:30,070
LET'S JUST ENJOY
THIS GLORIOUS MEAL, OKAY?
162
00:06:30,110 --> 00:06:32,910
HAVE A BITE,
HAVE ANOTHER SIP OF WINE.
163
00:06:32,940 --> 00:06:35,680
LET'S, YOU KNOW,
SAVOR EACH OTHER'S COMPANY.
164
00:06:35,710 --> 00:06:37,710
- MM-HMM.
- MANGIA!
165
00:06:37,750 --> 00:06:39,580
IN VINO VERITAS.
166
00:06:39,620 --> 00:06:41,920
- YOU SAID THAT ALREADY.
- I DID?
167
00:06:41,950 --> 00:06:43,990
- MM-HMM.
- WELL, IT'S TRUE.
168
00:06:48,560 --> 00:06:51,060
- HANK?
- HMM?
169
00:06:51,090 --> 00:06:53,530
- THIS IS REALLY GOOD.
- I KNOW, RIGHT?
170
00:06:53,560 --> 00:06:55,060
- DID YOU MAKE THIS
BY YOURSELF?
171
00:06:55,100 --> 00:06:56,870
- YEAH, YEAH.
172
00:06:56,900 --> 00:06:58,100
NO.
173
00:06:58,130 --> 00:07:00,140
[both laughing]
174
00:07:00,170 --> 00:07:02,070
I TRIED,
BUT I FAILED MISERABLY.
175
00:07:02,110 --> 00:07:03,710
WHAT I MADE LOOKED LIKE
SICK ON A PLATE,
176
00:07:03,740 --> 00:07:05,240
TASTED EVEN WORSE.
177
00:07:05,270 --> 00:07:08,710
SO I WENT OUT AND I PROCURED
SOME HIGH-END TAKEOUT--
178
00:07:08,750 --> 00:07:10,580
FULL DISCLOSURE.
179
00:07:10,610 --> 00:07:13,850
I'M SORRY.
- THAT'S OKAY, SWEETIE.
180
00:07:13,880 --> 00:07:15,490
- YOU SEE THAT?
181
00:07:15,520 --> 00:07:17,950
YOU ARE CHARMED BY
MY FAILED ATTEMPTS TO CHARM YOU.
182
00:07:17,990 --> 00:07:19,890
- YEAH, A LITTLE.
- HAVE MORE WINE.
183
00:07:19,920 --> 00:07:21,630
THERE'S TRUTH IN IT,
YOU KNOW.
184
00:07:21,660 --> 00:07:24,590
[knock at door]
- THERE'S SOMEONE AT THE DOOR.
185
00:07:28,900 --> 00:07:30,230
HI!
- HI.
186
00:07:30,270 --> 00:07:32,570
- NOT A GOOD TIME.
- I'M SORRY.
187
00:07:32,600 --> 00:07:34,240
I JUST--I FELT BAD
ABOUT THINGS,
188
00:07:34,270 --> 00:07:36,710
AND I, UH--I WANTED TO SEE
HOW YOU WERE DOING.
189
00:07:36,740 --> 00:07:38,580
- I'M WELL.
- AND HOW'S KAREN?
190
00:07:38,610 --> 00:07:40,580
- SHE'S WELL--
- SHE'S FINE.
191
00:07:40,610 --> 00:07:42,050
- OH, HI!
192
00:07:42,080 --> 00:07:44,980
OH, I'M SO SORRY!
OH, GOD, I HAD NO IDEA.
193
00:07:45,010 --> 00:07:48,120
I-I'LL BE ON MY WAY.
- NO, PLEASE, STAY, STAY.
194
00:07:48,150 --> 00:07:49,850
- DON'T BE SILLY.
195
00:07:49,890 --> 00:07:51,290
I MEAN, YOU'RE OBVIOUSLY
IN THE MIDDLE OF SOMETHING.
196
00:07:51,320 --> 00:07:52,990
- NO, JUST DINNER.
197
00:07:53,020 --> 00:07:54,290
- WHAT DO YOU MEAN
"JUST DINNER"? "JUST DINNER"?
198
00:07:54,320 --> 00:07:55,760
- OH.
- PLEASE STAY.
199
00:07:55,790 --> 00:07:57,590
WE NEED TO GET TO KNOW
ONE ANOTHER.
200
00:07:57,630 --> 00:08:00,930
I MEAN, OUR PATHS ARE GONNA BE
CROSSING HERE AND THERE, RIGHT?
201
00:08:00,960 --> 00:08:02,870
- WELL, WHY DON'T YOU GUYS,
YOU KNOW,
202
00:08:02,900 --> 00:08:05,600
MAKE A DATE
TO MEET FOR COFFEE NEXT WEEK?
203
00:08:05,640 --> 00:08:07,540
THAT SOUNDS LIKE A GOOD IDEA.
- YOU WANT SOME WINE?
204
00:08:07,570 --> 00:08:08,740
- YOU KNOW, AFTER TONIGHT.
- OH, YEAH.
205
00:08:08,770 --> 00:08:10,070
YEAH, GOD, I WOULD LOVE
A GLASS OF WINE.
206
00:08:10,110 --> 00:08:11,680
- UH-HUH, IT'S KIND OF GOOD.
HERE.
207
00:08:11,710 --> 00:08:15,910
- THANK YOU, KAREN.
- YOU'RE WELCOME, JULIA.
208
00:08:15,950 --> 00:08:17,310
- WOW.
- [giggling]
209
00:08:17,350 --> 00:08:19,150
- THIS IS SO GREAT.
210
00:08:19,180 --> 00:08:22,150
[rock music]
211
00:08:22,190 --> 00:08:26,160
*
212
00:08:26,190 --> 00:08:27,920
- WE WERE THERE
AT THE SAME TIME.
213
00:08:27,960 --> 00:08:30,160
- WELL, IT STANDS TO REASON,
AND HAVING A KID WITH HIM.
214
00:08:30,190 --> 00:08:31,800
- HOLY SHIT, RIGHT?
- MM.
215
00:08:31,830 --> 00:08:34,030
- THIS IS STILL SO GREAT.
- YEAH.
216
00:08:34,060 --> 00:08:35,930
- COULD WE HAVE
SOME MORE WINE, PLEASE?
217
00:08:35,970 --> 00:08:37,300
- DO YOU HAVE ANY DESSERT?
218
00:08:37,330 --> 00:08:39,640
- OH, I'D BE HAPPY TO, KAREN.
219
00:08:39,670 --> 00:08:42,340
- HI!
- WHAT? WHAT'S WRONG?
220
00:08:42,370 --> 00:08:43,640
- WHAT'S NOT WRONG?
221
00:08:43,670 --> 00:08:45,070
WE GO TO DINNER,
222
00:08:45,110 --> 00:08:47,840
AND OUR CREDIT CARDS
GET DECLINED--ALL OF THEM.
223
00:08:47,880 --> 00:08:50,310
RUNKS GOT PISSY.
THEY CALLED THE COPS.
224
00:08:50,350 --> 00:08:53,050
IT WAS A WHOLE BIG TO-DO!
225
00:08:53,080 --> 00:08:55,180
- YOU COULD'VE LEFT
THE DOOR OPEN FOR ME, YOU KNOW.
226
00:08:55,220 --> 00:08:57,120
YOU KNEW I WAS COMING IN.
227
00:08:57,150 --> 00:09:00,090
JUST SLAMMING IT LIKE THAT--
THAT'S VERY RUDE.
228
00:09:00,120 --> 00:09:02,660
WE NEED TO STICK
TOGETHER HERE, MARCY.
229
00:09:02,690 --> 00:09:05,260
HELLO. HELLO.
- HI.
230
00:09:05,290 --> 00:09:08,700
- YOU INVITED JULIA TO YOUR
ROMANTIC DINNER WITH KAREN?
231
00:09:08,730 --> 00:09:10,200
YOU DIRTY DOG, YOU.
232
00:09:10,230 --> 00:09:11,700
- I JUST STOPPED BY
UNANNOUNCED.
233
00:09:11,740 --> 00:09:14,200
- OH, I SEE.
- MARCY RUNKLE.
234
00:09:14,240 --> 00:09:15,870
- HI.
- YOUR KID'S A DOLL.
235
00:09:15,910 --> 00:09:18,070
- THANK YOU SO MUCH!
WOW!
236
00:09:18,110 --> 00:09:19,710
YOU HAVE THE NICEST FRIENDS.
237
00:09:19,740 --> 00:09:21,810
- MARCY RUNKLE,
WOULD YOU LIKE PERHAPS
238
00:09:21,850 --> 00:09:23,810
TO CONTINUE
OUR PROPOSITIONAL CONVERSATION
239
00:09:23,850 --> 00:09:25,110
IN THE BEDROOM MAYBE?
240
00:09:25,150 --> 00:09:27,950
- NO, I WOULD LIKE
TO SEEK OUTSIDE COUNSEL.
241
00:09:27,980 --> 00:09:29,990
KARENINA, KARENINA.
242
00:09:30,020 --> 00:09:32,090
NOW THAT YOU'RE BETTER,
CAN I ASK YOU A QUESTION?
243
00:09:32,120 --> 00:09:34,220
- ANYTHING.
- OKAY.
244
00:09:34,260 --> 00:09:35,890
STU WANTS TO SLEEP
WITH ME AGAIN.
245
00:09:35,930 --> 00:09:38,860
- OF COURSE HE DOES.
- FOR A MILLION DOLLARS.
246
00:09:38,900 --> 00:09:41,100
- WHAT?
247
00:09:41,130 --> 00:09:44,270
HE WOULD PAY YOU A MILLION
DOLLARS TO SLEEP WITH YOU?
248
00:09:44,300 --> 00:09:45,740
- YES.
249
00:09:45,770 --> 00:09:47,240
- WOULD HE PAY ME
A MILLION DOLLARS
250
00:09:47,270 --> 00:09:49,040
TO SLEEP WITH ME?
- WHAT THE FUCK, KAREN?
251
00:09:49,070 --> 00:09:50,870
WHAT ARE YOU TALKING ABOUT?
252
00:09:50,910 --> 00:09:52,780
THAT'S DISGUSTING.
- WHAT? IT'S A LOT OF MONEY.
253
00:09:52,810 --> 00:09:54,240
- GLUTEN-FREE
ARTISANAL CUSTARD TORT.
254
00:09:54,280 --> 00:09:56,910
- OH, THAT'S LOVELY.
- WOW!
255
00:09:56,950 --> 00:09:58,410
- IS STU
THE BIG BALD PRODUCER GUY?
256
00:09:58,450 --> 00:10:00,280
- YEAH, THAT'S RIGHT.
257
00:10:00,320 --> 00:10:02,850
- YOU KNOW, I SAW THE OUTLINE
OF HIS PENIS THROUGH HIS PANTS
258
00:10:02,890 --> 00:10:04,990
AT THE TABLE READ THE OTHER DAY,
AND IT WAS FREAKISHLY BIG.
259
00:10:05,020 --> 00:10:07,720
- YEAH, THAT'S MY EX.
ANYWAY, LISTEN...
260
00:10:07,760 --> 00:10:09,730
HE WOULDN'T BE INTO YOU, HONEY,
261
00:10:09,760 --> 00:10:11,390
'CAUSE HE'S ONLY INTO TINY,
PETITE LITTLE FUCK DOLLS.
262
00:10:11,430 --> 00:10:13,760
- THAT'S MY GIRL--
TINY, LITTLE, PETITE FUCK DOLL.
263
00:10:13,800 --> 00:10:16,270
- OKAY, SO SHOULD I DO IT?
- NO. NO.
264
00:10:16,300 --> 00:10:17,930
- THAT'S MY GIRL.
265
00:10:17,970 --> 00:10:20,870
- BUT WE ARE FUCKING BROKE!
- I KNOW.
266
00:10:20,900 --> 00:10:24,070
- JESUS CHRIST!
JULIA. JULIA.
267
00:10:24,110 --> 00:10:27,780
WOULD YOU FUCK A GUY
FOR A MILLION DOLLARS?
268
00:10:27,810 --> 00:10:30,410
HE'S GOT A GREAT BIG COCK,
FILLS YOU RIGHT UP.
269
00:10:30,450 --> 00:10:32,450
- JESUS, MARCY!
270
00:10:32,480 --> 00:10:34,680
- YOU KNOW, I HAVE NEVER BEEN
THAT MUCH OF A SIZE QUEEN.
271
00:10:34,720 --> 00:10:36,950
I PREFER A PRETTY PENIS.
272
00:10:36,990 --> 00:10:39,690
- THAT'S RIGHT, BABY.
273
00:10:39,720 --> 00:10:42,960
I'M SORRY, KAREN.
IT'S JUST--IT'S VERY CONFUSING.
274
00:10:42,990 --> 00:10:46,160
AND--AND YOU INVITED HER
TO JOIN US, SO...
275
00:10:46,200 --> 00:10:48,300
- IT'S TRUE--WE HAVE
BOTH EXPERIENCED HIS PENIS.
276
00:10:48,330 --> 00:10:50,070
AND IT--
- MM-HMM.
277
00:10:50,100 --> 00:10:52,440
- IT IS PRETTY.
- IT'S OKAY.
278
00:10:52,470 --> 00:10:54,040
- I'VE SEEN IT.
279
00:10:54,070 --> 00:10:55,370
I TUGGED ON IT
A COUPLE TIMES ACCIDENTALLY.
280
00:10:55,400 --> 00:10:57,170
- THAT'S DISGUSTING.
281
00:10:57,210 --> 00:10:59,380
- IT'S A NICE ONE--
SMOOTH HELMET. GOOD JOB, KID.
282
00:10:59,410 --> 00:11:01,110
- HEY, I'M RIGHT THERE
WITH YOU ALL.
283
00:11:01,140 --> 00:11:02,350
IT'S A GOOD-LOOKING COCK,
NO HOMO.
284
00:11:02,380 --> 00:11:04,210
- YOU GUYS ARE SWELL.
- WELL...
285
00:11:04,250 --> 00:11:06,980
[knock at door]
286
00:11:07,020 --> 00:11:10,120
- KRULL, MY GOOD MAN.
WELCOME.
287
00:11:10,150 --> 00:11:12,320
- SERIOUSLY,
WITH THIS FUCKING GUY AGAIN?
288
00:11:12,360 --> 00:11:13,790
- HELLO, LOVE.
289
00:11:13,820 --> 00:11:15,320
I'VE BEEN SEEING
A LOT OF YOU LATELY...
290
00:11:15,360 --> 00:11:16,860
IN MY DREAMS--
291
00:11:16,890 --> 00:11:19,800
ME DAYDREAMS,
ME WIDE-AWAKE DREAMS,
292
00:11:19,830 --> 00:11:21,800
WHEN I'M TUGGING MESELF.
293
00:11:21,830 --> 00:11:23,970
- OH. OKAY.
- THAT'S NEAT. THANKS.
294
00:11:24,000 --> 00:11:26,740
CHARLIE, ARE YOU JUST GONNA LET
THIS DEGENERATE
295
00:11:26,770 --> 00:11:28,240
TALK TO ME LIKE THAT?
296
00:11:28,270 --> 00:11:30,240
- THIS DEGENERATE
HAPPENS TO BE A CLIENT, MARCY.
297
00:11:30,270 --> 00:11:33,340
BESIDES, HE IS COMPLIMENTING
YOU, RIGHT, KRULL?
298
00:11:33,380 --> 00:11:34,940
- ABSOLUTELY, LOVE.
- OH.
299
00:11:34,980 --> 00:11:36,410
- AND, YEAH, I NOTICED
YOU NEVER HAVE A PROBLEM
300
00:11:36,450 --> 00:11:37,950
WHEN A CERTAIN
PERVERTED MILLIONAIRE
301
00:11:37,980 --> 00:11:39,750
TALKS TO YOU LIKE THAT.
302
00:11:39,780 --> 00:11:42,490
- EXCUSE ME. I WAS MARRIED
TO THAT PERVERTED MILLIONAIRE.
303
00:11:42,520 --> 00:11:44,220
- HELLO, HANK.
304
00:11:44,250 --> 00:11:45,760
- KRULL,
GOOD TO SEE YOU, MY MAN.
305
00:11:45,790 --> 00:11:47,120
- YOU TOO, BUDDY.
306
00:11:47,160 --> 00:11:49,160
I DROVE HIM BACK, YOU KNOW.
- OH, NICE.
307
00:11:49,190 --> 00:11:51,490
- ON THE BACK OF ME BIKE.
- MM-HMM, FOR YOU.
308
00:11:51,530 --> 00:11:53,160
- LEAST YOU COULD'VE DONE
WAS GIVE HIM SOME SUCTION.
309
00:11:53,200 --> 00:11:55,870
THAT WAS A LONG RIDE.
- BUMPY TOO.
310
00:11:55,900 --> 00:11:57,230
IT KIND OF NUMBED OUT
MY TAINT.
311
00:11:57,270 --> 00:11:59,100
- YEAH, THAT HAPPENS.
WHO'S THIS?
312
00:11:59,140 --> 00:12:01,770
- HI. I'M JULIA.
- HELLO, LOVE.
313
00:12:01,810 --> 00:12:03,270
MM.
314
00:12:03,310 --> 00:12:05,240
- [laughing]
315
00:12:05,270 --> 00:12:07,280
- KRULL.
ROCK 'N' ROLL BUTLER.
316
00:12:07,310 --> 00:12:08,380
- THAT'S COOL.
317
00:12:08,410 --> 00:12:10,110
- SPEAKING OF SUCH THINGS,
318
00:12:10,150 --> 00:12:12,150
I GOT SOME PAGES FOR YOU,
THERE, CHURCHILL.
319
00:12:12,180 --> 00:12:14,280
FORGOT ABOUT THE TIME
WHEN I WALKED IN ON ATTICUS,
320
00:12:14,320 --> 00:12:17,190
AND HE WAS BLOWING HIMSELF,
AND I SURPRISED HIM.
321
00:12:17,220 --> 00:12:19,290
HE ENDED UP BLOWING A LOAD
ON THE PAIR OF US.
322
00:12:19,320 --> 00:12:21,560
I GOT COMBAT PAY
FOR THAT ONE, THOUGH.
323
00:12:21,590 --> 00:12:23,160
- YOU SEE, MARCY?
YOU SEE?
324
00:12:23,190 --> 00:12:24,990
THIS IS EXACTLY
THE KIND OF SALACIOUS DETAILS
325
00:12:25,030 --> 00:12:26,930
THAT SELLS
THESE ROCK 'N' ROLL MEMOIRS.
326
00:12:26,960 --> 00:12:29,200
- OKAY.
327
00:12:29,230 --> 00:12:31,870
WHOA.
HI, LEVON.
328
00:12:31,900 --> 00:12:34,000
- HELLO, HELLO, HELLO.
329
00:12:34,040 --> 00:12:35,400
- HEY, EVERYONE.
330
00:12:35,440 --> 00:12:37,270
MOM?
WHAT ARE YOU DOING HERE?
331
00:12:37,310 --> 00:12:39,280
- WELL, I JUST--I HAD TO HAVE
A WORD WITH YOUR DAD.
332
00:12:39,310 --> 00:12:40,880
- DIDN'T I TELL YOU
TO STAY AWAY FROM HIM
333
00:12:40,910 --> 00:12:42,150
UNTIL HE PUTS A RING
ON THAT FINGER?
334
00:12:42,180 --> 00:12:43,810
- HEY, WHAT'S THAT ABOUT?
335
00:12:43,850 --> 00:12:45,410
- I DON'T WANT YOU
TAKING ADVANTAGE OF MY MOMS, YO.
336
00:12:45,450 --> 00:12:46,950
- WHAT THE--NOBODY'S
TAKING ADVANTAGE OF HER, YO.
337
00:12:46,980 --> 00:12:48,220
- SHE'S HORNY, SINGLE,
338
00:12:48,250 --> 00:12:50,020
AND EMOTIONALLY VULNERABLE
RIGHT NOW.
339
00:12:50,050 --> 00:12:51,890
- HONEY, THAT'S ENOUGH, OKAY?
WHO IS YOUR FRIEND?
340
00:12:51,920 --> 00:12:53,490
- CAN I GET YOU A DRINK?
- MM-HMM.
341
00:12:53,520 --> 00:12:55,090
- AH.
342
00:12:55,120 --> 00:12:56,330
- WHY AREN'T YOU ANSWERING
YOUR PHONE?
343
00:12:56,360 --> 00:12:57,890
- 'CAUSE I'VE BEEN BUSY
HOSTING.
344
00:12:57,930 --> 00:13:00,030
- WHO'S YOUR FRIEND?
- THIS IS MI.
345
00:13:00,060 --> 00:13:01,560
- HEY, HANG ON.
I KNOW MI.
346
00:13:01,600 --> 00:13:03,230
- [laughs]
347
00:13:03,270 --> 00:13:06,300
I KNEW YOU LOOK FAMILIAR,
BIG BOY.
348
00:13:06,340 --> 00:13:08,300
YOU PICK ME UP ON BIKE.
349
00:13:08,340 --> 00:13:10,570
- THAT'S RIGHT,
OUTSIDE THE ALL-AMERICAN BURGER.
350
00:13:10,610 --> 00:13:13,080
- YEAH,
YOU JERK OFF ON ME.
351
00:13:13,110 --> 00:13:14,510
- THAT'S A GOOD MEMORY.
352
00:13:14,540 --> 00:13:16,310
- MI GOT GOOD HEAD
FOR TRICKS.
353
00:13:16,350 --> 00:13:18,950
- YEAH, YOU SURE DO, DARLING.
YOU SURE DO.
354
00:13:18,980 --> 00:13:20,450
- OH.
355
00:13:20,480 --> 00:13:22,120
- SO I WENT TO THAT
COMIC BOOK STORE ON SUNSET.
356
00:13:22,150 --> 00:13:24,250
I MET HER
WHEN I WAS COMING OUT.
357
00:13:24,290 --> 00:13:26,490
SHE WAS SUPER NICE,
REAL FRIENDLY.
358
00:13:26,520 --> 00:13:28,190
I GUESS I OWE HER MORE MONEY
359
00:13:28,220 --> 00:13:29,590
THAN I CURRENTLY HAVE
ON MY PERSON.
360
00:13:29,630 --> 00:13:31,330
- WHAT DID YOU DO?
- EVERYTHING, DUDE.
361
00:13:31,360 --> 00:13:33,100
WE WENT AROUND
THE FUCKING WORLD--
362
00:13:33,130 --> 00:13:34,930
IN THE BUTT AND EVERYTHING.
- HOLY SHIT.
363
00:13:34,960 --> 00:13:36,600
- SHE MADE ME WEAR
A CONDOM, THOUGH.
364
00:13:36,630 --> 00:13:39,240
IT WAS REALLY HARD TO COME.
- TOO MUCH. HOW MUCH?
365
00:13:39,270 --> 00:13:41,540
- LOOK, I DON'T WANT TO LIMIT
YOUR SEXUAL EXPLORATION,
366
00:13:41,570 --> 00:13:43,270
BUT YOU GOT TO LAY OFF
THE HOOKERS,
367
00:13:43,310 --> 00:13:45,410
BECAUSE IT'S ILLEGAL,
AND THERE'S DISEASES.
368
00:13:45,440 --> 00:13:46,980
- NO, MAMA!
369
00:13:47,010 --> 00:13:49,950
I MAKE HIM PUT BAG ON IT.
- MI.
370
00:13:49,980 --> 00:13:51,280
- THAT'S GOOD, I GUESS.
371
00:13:51,310 --> 00:13:52,950
- HE HAD A TOUGH TIME...
[imitates explosion]
372
00:13:52,980 --> 00:13:54,620
- I DID.
I'M SORRY, MOM.
373
00:13:54,650 --> 00:13:56,890
- THIS IS NOT WHAT
A MOTHER WANTS FOR HER SON.
374
00:13:56,920 --> 00:13:58,220
- NO.
375
00:13:58,250 --> 00:14:00,090
- JULIA, I TOLD THEM THAT
THE LAST TIME.
376
00:14:00,120 --> 00:14:01,620
- YOU DID?
- YES!
377
00:14:01,660 --> 00:14:03,490
- GOD, THANK YOU, KAREN.
THAT IS SO SWEET.
378
00:14:03,530 --> 00:14:05,230
- YOU'RE SO WELCOME.
I AM SO SORRY.
379
00:14:05,260 --> 00:14:06,530
- I DON'T UNDERSTAND.
[knock at door]
380
00:14:06,560 --> 00:14:08,000
- YES.
381
00:14:09,330 --> 00:14:10,570
- RATH.
WHAT ARE YOU DOING HERE?
382
00:14:10,600 --> 00:14:12,100
- HEY.
UH, IS HANK AROUND?
383
00:14:12,140 --> 00:14:14,240
HANK, SORRY TO BOTHER YOU
AT HOME,
384
00:14:14,270 --> 00:14:17,010
BUT A FRIEND OF YOURS
INSISTED.
385
00:14:18,470 --> 00:14:20,110
- MOODY!
386
00:14:20,140 --> 00:14:21,440
- EDDIE NERO--
AS I LIVE AND BREATHE.
387
00:14:21,480 --> 00:14:24,550
- AH!
388
00:14:27,420 --> 00:14:31,350
PUT ME BACK IN MY CHAIR.
- OKAY. ALL RIGHT.
389
00:14:33,690 --> 00:14:35,260
- NO! IT'S OKAY.
390
00:14:35,290 --> 00:14:37,890
I'LL DO IT MYSELF.
391
00:14:44,570 --> 00:14:47,200
- DARE I ASK WHY
YOU'RE IN A WHEELCHAIR?
392
00:14:47,240 --> 00:14:49,710
HAVE YOU FINALLY
HAD YOUR GENITALS REMOVED?
393
00:14:49,740 --> 00:14:52,710
- NO, DON'T BE SILLY.
IT WAS JUST A FLIGHT OF FANCY--
394
00:14:52,740 --> 00:14:54,540
AN A-LISTER'S DAYDREAM.
395
00:14:54,580 --> 00:14:56,680
I THOUGHT I'D LOST
ALL MY LOADS.
396
00:14:56,710 --> 00:15:01,120
THEN YOUR LOVELY SOUL MATE
TAUGHT ME OTHERWISE.
397
00:15:01,150 --> 00:15:03,090
KAREN!
- EDDIE.
398
00:15:03,120 --> 00:15:05,420
- LET ME PEPPER YOU
WITH KISSES.
399
00:15:05,450 --> 00:15:07,720
- HOW ARE YOU?
IT'S SO NICE TO SEE YOU.
400
00:15:07,760 --> 00:15:09,430
- IT'S SO GOOD TO SEE YOU,
KAREN.
401
00:15:09,460 --> 00:15:11,690
- GOOD.
- [sniffing]
402
00:15:11,730 --> 00:15:13,560
- OKAY.
- AH, CAN YOU FEEL IT?
403
00:15:13,600 --> 00:15:17,170
THIS IS THE SITE
OF OUR EROTIC ENCOUNTER.
404
00:15:17,200 --> 00:15:20,300
THE WOOD OF THIS HUMBLE ABODE
HAS ABSORBED MY SEED,
405
00:15:20,340 --> 00:15:22,040
MY VERY ESSENCE.
406
00:15:22,070 --> 00:15:24,440
ARE YOU AS MOIST AS I AM?
407
00:15:24,470 --> 00:15:26,310
HEY, PUSSY FART.
HOW ARE YOU?
408
00:15:26,340 --> 00:15:28,110
- GOOD, EDDIE.
HOW ARE YOU?
409
00:15:28,140 --> 00:15:29,450
- NO, NO.
I'M ON DUTY.
410
00:15:29,480 --> 00:15:30,750
- AH, OF COURSE.
KAREN?
411
00:15:30,780 --> 00:15:33,480
- FOR MY CHARACTER,
THAT I WILL BE ESSAYING
412
00:15:33,520 --> 00:15:36,490
IN AN UPCOMING EPISODE
OF TV'S SANTA MONICA COPS,
413
00:15:36,520 --> 00:15:38,320
WHICH I HAVE AGREED TO DO
414
00:15:38,350 --> 00:15:39,760
BECAUSE ALL THE FINEST
MOVIE STARS
415
00:15:39,790 --> 00:15:41,360
ARE COMING TO TELEVISION TODAY.
416
00:15:41,390 --> 00:15:42,730
AND WHY NOT?
417
00:15:42,760 --> 00:15:45,260
TWO DAYS ON A SET
PLUS A MEATY MONOLOGUE
418
00:15:45,290 --> 00:15:48,000
EQUALS...
EMMY NOMINATION!
419
00:15:48,030 --> 00:15:49,470
I'M GOING
FOR THE MOTHERFUCKING EGOT--
420
00:15:49,500 --> 00:15:52,600
EMMY, GOLDEN GLOBE,
OSCAR, TONY.
421
00:15:52,640 --> 00:15:54,470
AND FOR THAT,
I WILL PROVIDE SEXUAL FAVORS
422
00:15:54,500 --> 00:15:56,070
TO NEIL PATRICK HARRIS,
IF NEEDED.
423
00:15:56,110 --> 00:15:58,310
[gagging]
424
00:16:01,680 --> 00:16:05,150
ANYWAY, MOODY, I NEED YOU
TO WRITE ME A MONOLOGUE.
425
00:16:05,180 --> 00:16:07,080
I MISS OUR COLLABORATIONS.
426
00:16:07,120 --> 00:16:09,390
RATH IS A FINE WRITER,
BUT HE'S TERSE.
427
00:16:09,420 --> 00:16:11,220
I NEED SOMEONE
WHO CAN PROVIDE
428
00:16:11,250 --> 00:16:13,490
A GLORIOUS GOLDEN SHOWER
OF VERBIAGE.
429
00:16:13,520 --> 00:16:15,560
AND THE EMMY GOES...
430
00:16:15,590 --> 00:16:17,630
TO EDWARD FUCKING NERO.
431
00:16:17,660 --> 00:16:19,100
GOOD GOD, THERE ARE
SOME BEAUTIFUL WOMEN
432
00:16:19,130 --> 00:16:20,500
AROUND HERE TONIGHT.
433
00:16:20,530 --> 00:16:22,770
I'M GLAD I STILL HAVE
ALL MY LOADS.
434
00:16:22,800 --> 00:16:25,500
WE COULD HAVE QUITE
THE BUKKAKE PARTY LATER.
435
00:16:25,530 --> 00:16:29,040
MY CHARACTER--
HE CANNOT ACHIEVE AN ERECTION.
436
00:16:29,070 --> 00:16:30,510
HE'S BEEN ROBBED
OF HIS MANHOOD.
437
00:16:30,540 --> 00:16:32,510
BUT HE'S STILL A FORCE
TO BE RECKONED WITH.
438
00:16:32,540 --> 00:16:34,110
- OW!
439
00:16:34,140 --> 00:16:35,440
OW!
440
00:16:35,480 --> 00:16:38,110
- HEY! I KNOW YOU...
441
00:16:38,150 --> 00:16:39,650
FROM SUNSET AND GARDNER.
442
00:16:39,680 --> 00:16:42,390
- HEY!
THAT RIGHT, MOTHERFUCKER!
443
00:16:42,420 --> 00:16:44,050
[laughs]
444
00:16:44,090 --> 00:16:48,190
DID NOT RECOGNIZE YOU
WITH THE MUSTACHE.
445
00:16:48,220 --> 00:16:50,730
HEY.
YOU POOP ON ME.
446
00:16:50,760 --> 00:16:53,030
- YOU'RE WELCOME.
447
00:17:01,700 --> 00:17:03,710
- GOOD NEWS--
448
00:17:03,740 --> 00:17:06,340
RATH'S HITTING IT OFF
WITH KAREN OVER THERE.
449
00:17:06,380 --> 00:17:08,540
- WHY IS THAT GOOD NEWS?
- GOOD NEWS FOR ME.
450
00:17:08,580 --> 00:17:10,550
HE'S STAYING THE FUCK AWAY
FROM MY MOM FOR ONCE.
451
00:17:10,580 --> 00:17:13,150
- YEAH, WELL, GUESS WHO'S
CHATTING UP YOUR FUCKING MOM,
452
00:17:13,180 --> 00:17:15,850
IS EDDIE FUCKING NERO.
- [scoffs] YEAH, WE'LL SEE.
453
00:17:15,880 --> 00:17:17,550
MOVIE STAR OR NOT, THAT GUY WILL
GET THE FUCKING STINK FINGER
454
00:17:17,590 --> 00:17:19,160
IF HE TRIES ANYTHING.
- NO, NO, NO. NO.
455
00:17:19,190 --> 00:17:20,620
- STINK FINGER
IS POWERLESS OVER HIM.
456
00:17:20,660 --> 00:17:22,430
DUDE POOPS ON PEOPLE.
457
00:17:22,460 --> 00:17:24,290
- UGH.
THAT'S FUCKING UNSETTLING.
458
00:17:24,330 --> 00:17:25,830
- YOU THINK?
- YEAH.
459
00:17:25,860 --> 00:17:26,760
- HMM.
460
00:17:28,760 --> 00:17:31,570
HI.
WHAT'S GOING ON HERE?
461
00:17:31,600 --> 00:17:33,740
HEY.
- HEY.
462
00:17:33,770 --> 00:17:36,170
UM, WELL, I WAS JUST HAVING
THE GREATEST CONVERSATION
463
00:17:36,210 --> 00:17:37,870
WITH YOUR BOSS.
- OH.
464
00:17:37,910 --> 00:17:40,310
YEAH, WELL, HE'S NOT REALLY
MY BOSS, PER SE.
465
00:17:40,340 --> 00:17:42,310
- WELL, HOW ELSE
WOULD YOU PUT IT, HANK?
466
00:17:42,350 --> 00:17:44,850
- I LIKE TO THINK OF US
AS COMPATRIOTS,
467
00:17:44,880 --> 00:17:47,180
YOU KNOW, BIRDS OF A FEATHER,
KINDRED SPIRITS,
468
00:17:47,220 --> 00:17:50,450
WRITERS, MEN...
469
00:17:50,490 --> 00:17:52,490
MEN.
- I HIRED YOU. I CAN FIRE YOU.
470
00:17:52,520 --> 00:17:53,860
I'D SAY THAT MAKES ME
YOUR BOSS.
471
00:17:53,890 --> 00:17:55,790
- OKAY, FINE.
YEAH, BE THAT WAY.
472
00:17:55,820 --> 00:17:57,490
YOU KNOW,
THIS EVENING STARTED OUT
473
00:17:57,530 --> 00:18:01,500
AS AN ATTEMPTED INTIMATE DINNER
FOR THE TWO OF US.
474
00:18:01,530 --> 00:18:04,130
AND AT SOME POINT,
I WOULD LIKE TO...
475
00:18:04,170 --> 00:18:05,670
- UM, YEAH.
- GET BACK TO...
476
00:18:05,700 --> 00:18:07,470
- WELL, IT'S OKAY, SWEETIE.
- THAT PARTICULAR--
477
00:18:07,500 --> 00:18:09,870
- 'CAUSE I CAN--
I CAN CATCH UP WITH YOU ANYTIME.
478
00:18:09,910 --> 00:18:11,670
I MEAN, YOU KNOW,
479
00:18:11,710 --> 00:18:14,340
I DON'T KNOW WHEN I'M NEXT
GONNA GET TO SEE RICK.
480
00:18:14,380 --> 00:18:16,750
- WE CAN SEE EACH OTHER
AS OFTEN AS YOU LIKE, KAREN,
481
00:18:16,780 --> 00:18:18,480
BECAUSE YOU GUYS
AREN'T TOGETHER, RIGHT?
482
00:18:18,510 --> 00:18:19,480
- WELL...
- RIGHT.
483
00:18:19,520 --> 00:18:21,250
- I MEAN, THAT'S A--
484
00:18:21,280 --> 00:18:23,220
- YEAH, WELL, THESE THINGS
ARE VERY COMPLICATED WITH HANK.
485
00:18:23,250 --> 00:18:24,520
YOU KNOW, I ASKED HIM
ABOUT JULIA.
486
00:18:24,550 --> 00:18:26,220
HE SAID HE WASN'T INVOLVED
WITH HER.
487
00:18:26,260 --> 00:18:28,220
NEXT THING YOU KNOW,
HE WAS INSIDE OF HER, SO...
488
00:18:28,260 --> 00:18:31,660
- INSIDE OF HER?
WOW.
489
00:18:31,690 --> 00:18:33,660
UM, OKAY.
490
00:18:33,700 --> 00:18:35,630
YEAH, WELL,
WHY AM I SURPRISED?
491
00:18:35,660 --> 00:18:37,770
I MEAN, OF COURSE HE WAS.
492
00:18:37,800 --> 00:18:39,670
[sighs]
493
00:18:39,700 --> 00:18:41,840
WELL...IT'S JUST AS WELL
I LIKE HER, I GUESS.
494
00:18:41,870 --> 00:18:43,510
[knock at door]
495
00:18:43,540 --> 00:18:47,240
I'LL GET THAT.
- I GOT IT. I GOT IT.
496
00:18:47,280 --> 00:18:49,250
- HELLO, LEON.
- IT'S LEVON.
497
00:18:49,280 --> 00:18:52,250
WHY IS THAT SO FUCKING HARD
FOR PEOPLE TO GET?
498
00:18:52,280 --> 00:18:54,250
- CHARLIE, MARCY,
499
00:18:54,280 --> 00:18:56,520
SO SORRY TO BARGE IN
ON YOU GUYS LIKE THIS,
500
00:18:56,550 --> 00:18:58,790
BUT I MUST HAVE A WORD.
501
00:18:58,820 --> 00:19:01,790
HELLO, EDWARD.
HOW ARE YOU, BRAH?
502
00:19:01,820 --> 00:19:03,690
- STU, MY FAVORITE MONEYMAN!
503
00:19:03,730 --> 00:19:05,530
- STU, I'M NOT EVEN GONNA
GET UP OFF THIS FUCKING COUCH
504
00:19:05,560 --> 00:19:06,860
TO DEAL WITH THIS SHIT.
505
00:19:06,900 --> 00:19:09,400
FIRST OF ALL,
THANKS TO EDDIE NERO HERE,
506
00:19:09,430 --> 00:19:11,270
MY FUCKING KNEE IS KILLING ME.
507
00:19:11,300 --> 00:19:13,800
BESIDES, EVERYONE KNOWS, STU.
EVERYONE KNOWS.
508
00:19:13,840 --> 00:19:16,270
- WELL, IN THAT CASE...
509
00:19:16,310 --> 00:19:18,470
- [gasps]
510
00:19:18,510 --> 00:19:20,680
- LOOK AWAY, MARCY!
LOOK AWAY!
511
00:19:20,710 --> 00:19:24,550
- BUT IT'S SO BEAUTIFUL.
- AND IT'S ALL YOURS.
512
00:19:24,580 --> 00:19:26,350
JUST SAY THE WORD
513
00:19:26,380 --> 00:19:29,990
AND, UH, SIGN RIGHT HERE
ON THE DOTTED LINE
514
00:19:30,020 --> 00:19:32,560
AND IF YOU COULD INITIAL
HERE AND HERE.
515
00:19:32,590 --> 00:19:35,290
- STU, WAS IS IT
ABOUT THIS WOMAN?
516
00:19:35,320 --> 00:19:38,430
- EDWARD,
I'M SO GLAD YOU ASKED ME.
517
00:19:38,460 --> 00:19:40,300
ENTERING HER
IS LIKE WALKING
518
00:19:40,330 --> 00:19:43,000
INTO THE MOST WONDERFUL
CANDY STORE IN THE WORLD.
519
00:19:43,030 --> 00:19:47,440
SPENDING TIME INSIDE OF HER
IS AKIN TO COCOONING YOURSELF
520
00:19:47,470 --> 00:19:50,010
IN THE SOFTEST,
MOST EXOTIC OF SILKS.
521
00:19:50,040 --> 00:19:52,440
I REMEMBER
I USED TO BE ABLE TO PRESS
522
00:19:52,480 --> 00:19:54,380
ON HER CUTE LITTLE TUMMY
523
00:19:54,410 --> 00:19:55,980
AND FEEL MYSELF
JUST THROBBING AWAY IN THERE.
524
00:19:56,010 --> 00:19:57,350
THE HUM WAS ELECTRIC.
525
00:19:57,380 --> 00:19:59,380
YOU HAVE TO REMEMBER
THAT, MARCY.
526
00:19:59,420 --> 00:20:03,850
- YEAH, I GUESS I DO.
- I'M GONNA THROW THE FUCK UP.
527
00:20:03,890 --> 00:20:06,360
- IF SEX IS WHAT ALLOWS US
528
00:20:06,390 --> 00:20:09,860
TO TRANSCEND THIS AVERAGE,
EVERYDAY, HUMDRUM EXISTENCE
529
00:20:09,890 --> 00:20:13,330
AND GET US
THAT MUCH CLOSER TO GOD,
530
00:20:13,360 --> 00:20:14,930
THEN IT WAS WITH MARCY
531
00:20:14,960 --> 00:20:19,740
THAT I CAME WITHIN
SPITTING DISTANCE OF MY MAKER.
532
00:20:19,770 --> 00:20:22,000
- WHAT HAS HAPPENED
TO YOU, STU?
533
00:20:22,040 --> 00:20:23,870
HAVE YOU LOST
YOUR FUCKING MIND?
534
00:20:23,910 --> 00:20:26,340
- PERHAPS I NEED TO EXPERIENCE
THIS PINT-SIZED POWERHOUSE.
535
00:20:26,380 --> 00:20:27,880
- I'VE SEEN HER GO AT IT.
536
00:20:27,910 --> 00:20:30,350
SHE'S LIKE A FERAL CAT
WITH A GREEDY SNATCH.
537
00:20:30,380 --> 00:20:32,480
- GREEDY SNATCH!
GIVE ME, GIVE ME, GIVE ME!
538
00:20:32,520 --> 00:20:34,350
ALL FOR IT, NONE FOR YOU.
- WHAT?
539
00:20:34,380 --> 00:20:38,350
- WELL, CONSIDER THIS
A SIGNING BONUS--10% UP FRONT.
540
00:20:38,390 --> 00:20:41,690
DO WITH IT WHAT YOU WILL.
541
00:20:41,720 --> 00:20:43,760
- WE HAVE TO TALK.
- OW!
542
00:20:43,790 --> 00:20:45,560
- COME HERE.
543
00:20:45,590 --> 00:20:46,960
LISTEN TO ME.
- WHAT?
544
00:20:47,000 --> 00:20:48,700
- THIS KIND OF CASH
COULD GET US
545
00:20:48,730 --> 00:20:50,630
OUT OF ALL
OF OUR IMMEDIATE DEBT.
546
00:20:50,670 --> 00:20:53,400
- MARCY, I HAVE PUT OUT FEELERS
ABOUT THE KRULL BOOK,
547
00:20:53,440 --> 00:20:55,970
AND I COULD GET US
AT LEAST THAT MUCH...
548
00:20:56,000 --> 00:20:57,540
ALMOST.
549
00:20:57,570 --> 00:20:59,440
- WHAT ABOUT NEXT MONTH?
AND THE MONTH AFTER?
550
00:20:59,480 --> 00:21:01,680
- RUNKLE, DON'T KID YOURSELF.
THINGS ARE TOUGH OUT THERE.
551
00:21:01,710 --> 00:21:03,410
I'M OFFERING YOU
SOME SWEET RELIEF.
552
00:21:03,450 --> 00:21:05,410
I MEAN,
GIVE YOURSELF A BREAK.
553
00:21:05,450 --> 00:21:08,550
AND YOU GOT TO THINK
ABOUT LITTLE STUART, HUH?
554
00:21:08,580 --> 00:21:10,050
MY NAMESAKE.
555
00:21:10,090 --> 00:21:12,590
- STU, YOU HAVE GOT TO STOP
DISRESPECTING ME
556
00:21:12,620 --> 00:21:14,060
IN MY OWN HOME!
557
00:21:14,090 --> 00:21:18,930
- OH, THIS IS CLEARLY
A RENTAL.
558
00:21:18,960 --> 00:21:20,800
- HIT HIM!
559
00:21:20,830 --> 00:21:22,060
- OW! OW!
560
00:21:22,100 --> 00:21:23,970
OW!
561
00:21:24,000 --> 00:21:25,930
OKAY, RUNKLE...
562
00:21:25,970 --> 00:21:29,000
NOW YOU PUSHED ME TOO FAR.
563
00:21:29,040 --> 00:21:31,110
- [gasps]
564
00:21:31,140 --> 00:21:33,480
- I'M GONNA--
565
00:21:33,510 --> 00:21:37,680
AAH! AAH! AAH!
- STOP IT!
566
00:21:37,710 --> 00:21:38,850
CHARLIE!
567
00:21:42,720 --> 00:21:44,820
- ALL RIGHT.
568
00:21:44,850 --> 00:21:48,690
MY BOY RUNKLE'S GOT SOME SERIOUS
RETARD STRENGTH RIGHT NOW.
569
00:21:48,720 --> 00:21:50,590
- JUST--YEAH.
- COME ON.
570
00:21:50,630 --> 00:21:51,690
- GET HIM OFF.
571
00:21:51,730 --> 00:21:53,960
- NO FIGHTING!
NOT ON MY WATCH!
572
00:21:54,000 --> 00:21:55,760
- HOLY SHIT.
THAT THING IS REAL?
573
00:21:55,800 --> 00:21:57,570
- WHEN I'M IN RESEARCH MODE,
I GO ALL OUT.
574
00:21:57,600 --> 00:21:59,500
I'M NOT FUCKING AROUND.
575
00:21:59,540 --> 00:22:01,900
- OKAY, I'M CALLING THE NETWORK.
I CANNOT WORK WITH THIS GUY.
576
00:22:01,940 --> 00:22:04,970
I THOUGHT HASHTAG WAS BAD.
- NO ONE SHOULD FIGHT LIKE THIS.
577
00:22:05,010 --> 00:22:06,580
NO MAN SHOULD FIGHT
LIKE THIS.
578
00:22:06,610 --> 00:22:08,840
LAST TIME I WAS HERE,
I FOUGHT MUCH LIKE THIS
579
00:22:08,880 --> 00:22:10,910
WITH A MAN NAMED HANK MOODY,
580
00:22:10,950 --> 00:22:14,120
WHO BESTED ME THAT NIGHT
AND DESERVEDLY SO.
581
00:22:14,150 --> 00:22:15,720
AND DO YOU KNOW WHY?
582
00:22:15,750 --> 00:22:18,120
BECAUSE I SLEPT
WITH HIS WOMAN.
583
00:22:18,150 --> 00:22:19,520
- WHEELCHAIR OR NOT, NERO,
584
00:22:19,560 --> 00:22:21,590
I WILL KICK YOU
IN THE FUCKING COCK.
585
00:22:21,620 --> 00:22:24,460
- THERE'S NO NEED.
I HAVE A CONFESSION TO MAKE.
586
00:22:24,490 --> 00:22:28,000
I DID NOT PENETRATE
YOUR BELOVED THAT NIGHT.
587
00:22:28,030 --> 00:22:29,930
I FULLY INTENDED TO,
588
00:22:29,970 --> 00:22:34,740
BUT I HADN'T COME WITH A WOMAN
IN SO LONG THAT I MERELY...
589
00:22:34,770 --> 00:22:38,140
MADE WET IN MY TUNIC.
- WHOA.
590
00:22:38,170 --> 00:22:39,880
- SHE DID ME THE GREAT HONOR
591
00:22:39,910 --> 00:22:42,180
OF MAKING IT SEEM
LIKE WE MADE SWEET LOVE,
592
00:22:42,210 --> 00:22:44,080
WHICH IS WHY SHE IS SUCH
AN INCREDIBLE WOMAN.
593
00:22:44,110 --> 00:22:45,910
- WHAT IS THIS,
FUCKING CHRISTMAS?
594
00:22:45,950 --> 00:22:48,150
THIS IS GREAT NEWS.
WHY DIDN'T YOU TELL ME THAT?
595
00:22:48,180 --> 00:22:50,750
- BECAUSE I DIDN'T WANT
TO BETRAY EDDIE'S CONFIDENCE.
596
00:22:50,790 --> 00:22:52,490
- UH-HUH.
597
00:22:52,520 --> 00:22:54,090
- HER LOVELINESS IS GIVING ME
AN ERECTION RIGHT NOW...
598
00:22:54,120 --> 00:22:55,820
- NO.
599
00:22:55,860 --> 00:22:57,030
- IN SPITE OF MY BEST EFFORTS
TO STAY IN CHARACTER.
600
00:22:57,060 --> 00:22:58,630
- YOU KNOW, AND ALSO,
601
00:22:58,660 --> 00:23:00,630
I KIND OF WANTED YOU
TO THINK THAT WE HAD.
602
00:23:00,660 --> 00:23:02,430
- OH, REALLY?
YOU DID, DID YOU?
603
00:23:02,470 --> 00:23:05,830
- KAREN, IF YOU WOULD GRANT ME
ANOTHER CHANCE,
604
00:23:05,870 --> 00:23:08,540
I AM REASONABLY SURE
I COULD PENETRATE YOU
605
00:23:08,570 --> 00:23:10,640
IN A SATISFACTORY MANNER...
606
00:23:10,670 --> 00:23:11,910
- [laughs]
607
00:23:11,940 --> 00:23:14,040
- ALTHOUGH
YOU WOULD HAVE TO LIFT ME UP
608
00:23:14,080 --> 00:23:16,110
OFF OF THE CHAIR
INTO THE BED.
609
00:23:16,140 --> 00:23:17,910
HAVE YOU EVER HAD SEX
WITH A HANDICAPPED MAN?
610
00:23:17,950 --> 00:23:19,580
- EDDIE,
I THINK WE HAD A MOMENT,
611
00:23:19,620 --> 00:23:21,720
AND I THINK
THAT MOMENT'S PASSED.
612
00:23:21,750 --> 00:23:24,190
- OH.
613
00:23:24,220 --> 00:23:26,090
THANK YOU FOR YOUR HONESTY.
614
00:23:26,120 --> 00:23:27,520
WHAT ABOUT YOU, GOLDILOCKS?
615
00:23:27,560 --> 00:23:29,560
YOU EVER MADE LOVE
TO A PARAPLEGIC?
616
00:23:29,590 --> 00:23:31,060
- ACTUALLY, I DID ONCE.
617
00:23:31,090 --> 00:23:33,860
I REALLY LIKED HIM,
BUT THEN LEVON SCARED HIM AWAY.
618
00:23:33,900 --> 00:23:35,460
HE TOLD HIM
IF HE TRIED ANYTHING FUNNY,
619
00:23:35,500 --> 00:23:37,930
HE'D PUSHED HIM
INTO TRAFFIC.
620
00:23:37,970 --> 00:23:40,000
- WHAT?
I WAS YOUNG AND ANGRY, OKAY?
621
00:23:40,040 --> 00:23:42,610
I DIDN'T HAVE
A FUCKING FATHER.
622
00:23:42,640 --> 00:23:44,010
- HE WAS REALLY GOOD
AT ORAL SEX.
623
00:23:44,040 --> 00:23:46,110
- [scoffs]
GROSS. THAT'S FUCKING FOUL.
624
00:23:46,140 --> 00:23:48,080
I KNEW I SHOULD'VE PUSHED
THAT FUCKING GIMP INTO TRAFFIC.
625
00:23:48,110 --> 00:23:49,810
- HEY, THAT'S NOT NICE.
626
00:23:49,850 --> 00:23:52,080
- HE WASN'T--HE WASN'T AS GOOD
AS YOURS TRULY?
627
00:23:52,110 --> 00:23:54,580
- I'M SORRY TO SAY, YES.
I MEAN, HE WAS REALLY GOOD.
628
00:23:54,620 --> 00:23:55,980
- THAT'S ROUGH.
- WHOA!
629
00:23:56,020 --> 00:23:58,250
NOT ANY BETTER
THAN EDWARD R. NERO,
630
00:23:58,290 --> 00:24:01,020
WHO IS NOTHING
IF NOT A CUNNING LINGUIST.
631
00:24:01,060 --> 00:24:02,860
- YOU KNOW,
I'M A SINGLE MOM, EDDIE.
632
00:24:02,890 --> 00:24:04,630
AND I'M NOT EASILY WOOED.
633
00:24:04,660 --> 00:24:06,760
- I'M A SINGLE FATHER
WITH MILLIONS OF DOLLARS
634
00:24:06,800 --> 00:24:08,700
AND UNLIMITED LOADS.
635
00:24:08,730 --> 00:24:12,840
- "UNRIMITED ROADS"?
[laughing]
636
00:24:12,870 --> 00:24:15,570
EMPTY YOUR POCKETS, BITCHES!
637
00:24:15,600 --> 00:24:17,710
- EVERYONE DO EXACTLY
WHAT SHE SAYS.
638
00:24:17,740 --> 00:24:19,270
I AM IN EXTRAORDINARY SHAPE,
639
00:24:19,310 --> 00:24:23,850
BUT I DO NOT THINK I COULD
SURVIVE A BULLET IN THE HEAD.
640
00:24:23,880 --> 00:24:26,050
- OKAY.
- COME ON!
641
00:24:26,080 --> 00:24:28,180
- ARE YOU FUCKING KIDDING?
- NOPE.
642
00:24:28,220 --> 00:24:30,920
HURRY! NOW!
643
00:24:30,950 --> 00:24:32,590
- I THOUGHT
YOU USED TO BE A COP.
644
00:24:32,620 --> 00:24:34,760
- SHUT UP.
- I WAS A FUCKING TRANSIT COP.
645
00:24:34,790 --> 00:24:36,990
OKAY? WHAT DIFFERENCE
DOES IT MAKE ANYWAY.
646
00:24:37,030 --> 00:24:39,060
I DON'T HAVE A GUN ON ME.
647
00:24:40,160 --> 00:24:42,970
- [screaming]
648
00:24:44,330 --> 00:24:47,900
- [screaming]
649
00:24:47,940 --> 00:24:51,610
[laughing]
- EDWARD!
650
00:24:51,640 --> 00:24:53,610
- OW!
651
00:24:53,640 --> 00:24:56,780
- LATER, BITCHES!
[laughing]
652
00:24:56,810 --> 00:24:58,750
[shouts indistinctly]
- BYE, MI.
653
00:24:58,780 --> 00:25:00,280
- HEY!
- I HAD FUN TONIGHT.
654
00:25:00,320 --> 00:25:04,190
- THAT'S MINE!
[horn blares]
655
00:25:04,220 --> 00:25:05,890
- AREN'T YOU GLAD
WE DIDN'T GO
656
00:25:05,920 --> 00:25:08,190
TO SOME BORING PLACE
ON ABBOT KINNEY?
657
00:25:08,220 --> 00:25:10,890
- DO YOU THINK
EDDIE'S GONNA BE OKAY?
658
00:25:10,930 --> 00:25:12,660
- HE SEEMED ALL RIGHT
AS THEY WERE LOADING HIM
659
00:25:12,700 --> 00:25:14,160
INTO THE AMBULANCE.
660
00:25:14,200 --> 00:25:16,630
HE ASKED ME TO EMAIL HIM
THE DRAFT OF THE MONOLOGUE ASAP
661
00:25:16,670 --> 00:25:18,930
SO HE CAN START LEARNING
HIS LINES.
662
00:25:18,970 --> 00:25:20,640
- [laughs]
663
00:25:20,670 --> 00:25:22,300
- IT'S NOT LIKE
HE'S ACTUALLY HUMAN OR ANYTHING.
664
00:25:22,340 --> 00:25:25,170
I THINK HE'S GONNA BE FINE.
665
00:25:25,210 --> 00:25:27,640
- ISN'T IT CRAZY
HOW NOTHING GOOD EVER HAPPENS
666
00:25:27,680 --> 00:25:29,650
IN CHARLIE AND MARCY'S HOUSE?
667
00:25:29,680 --> 00:25:31,650
IT'S LIKE THAT PLACE WAS BUILT
668
00:25:31,680 --> 00:25:34,980
ON SOME INDIAN BURIAL GROUND
OR SOMETHING.
669
00:25:35,020 --> 00:25:36,920
- YEAH. IT'S LIKE
THERE'S A WHOLE BUNCH
670
00:25:36,950 --> 00:25:41,090
OF HORNY MALIBU INDIANS
ROLLING AROUND UNDERNEATH THERE.
671
00:25:41,120 --> 00:25:43,190
I DON'T KNOW.
672
00:25:43,230 --> 00:25:47,600
- GOOD NIGHT.
- GOOD NIGHT.
673
00:25:47,630 --> 00:25:50,800
HEY, AT LEAST I LEARNED THAT YOU
DIDN'T DO SEX WITH EDDIE NERO,
674
00:25:50,830 --> 00:25:54,800
SO I WILL SLEEP EASIER
TONIGHT.
675
00:25:54,840 --> 00:25:58,270
- AND I LEARNED
THAT YOU RECENTLY DID DO SEX
676
00:25:58,310 --> 00:26:01,780
WITH THE MOTHER
OF YOUR FIRST CHILD.
677
00:26:01,810 --> 00:26:04,250
- I'M SORRY ABOUT THAT.
678
00:26:04,280 --> 00:26:07,080
- WHY?
IT'S YOUR LIFE.
679
00:26:07,120 --> 00:26:08,950
IF THERE'S SOMETHING ABOUT IT
YOU DON'T LIKE,
680
00:26:08,980 --> 00:26:10,020
YOU COULD CHANGE IT.
681
00:26:10,050 --> 00:26:13,090
- I AM TRYING.
- HANK...
682
00:26:13,120 --> 00:26:14,960
AGAIN, I ASK YOU WHY.
683
00:26:14,990 --> 00:26:18,160
YOU THRIVE ON CHAOS.
684
00:26:18,190 --> 00:26:21,860
I MEAN, YOU NEED TO BE
IN THE MIDDLE
685
00:26:21,900 --> 00:26:25,970
OF SOME KIND OF MESS
OF YOUR OWN CREATION, RIGHT?
686
00:26:26,000 --> 00:26:30,770
THAT'S WHAT MAKES YOU
ATTRACTIVE...
687
00:26:30,810 --> 00:26:35,840
AND ALSO IMPOSSIBLE
TO LIVE WITH.
688
00:26:35,880 --> 00:26:39,350
- "IMPOSSIBLE"
IS A VERY STRONG WORD, KAREN.
689
00:26:43,150 --> 00:26:45,790
- HANK, I LOVE YOU...
690
00:26:48,320 --> 00:26:50,990
BUT I CAN'T BE WITH YOU.
691
00:26:51,030 --> 00:26:53,730
WHEN WILL YOU ACCEPT THAT?
692
00:26:53,760 --> 00:26:57,070
- NEVER.
693
00:26:57,100 --> 00:27:00,870
IT'S ALSO
WHAT MAKES ME ATTRACTIVE.
694
00:27:00,900 --> 00:27:03,270
- [laughs]
695
00:27:03,310 --> 00:27:05,140
YEAH...
696
00:27:05,170 --> 00:27:08,210
AND VERY LONELY.
697
00:27:08,240 --> 00:27:12,680
- * TELL MYSELF
YOU NEVER LOVED ME *
698
00:27:12,720 --> 00:27:15,880
* NO
699
00:27:15,920 --> 00:27:19,120
* OH, NO
700
00:27:21,360 --> 00:27:25,160
* TIME CAST A SPELL ON YOU
701
00:27:25,190 --> 00:27:29,800
* BUT YOU WON'T FORGET ME
702
00:27:31,500 --> 00:27:36,040
* I KNOW
I COULD HAVE LOVED YOU *
703
00:27:36,070 --> 00:27:39,810
* BUT YOU WOULD NOT LET ME
704
00:27:41,940 --> 00:27:44,710
* I WILL FOLLOW YOU DOWN
705
00:27:44,750 --> 00:27:47,350
* TILL THE SOUND OF MY VOICE
706
00:27:47,380 --> 00:27:50,150
* WILL HAUNT YOU
707
00:27:52,220 --> 00:27:54,920
* YOU WILL NEVER GET AWAY
708
00:27:54,960 --> 00:27:57,860
* FROM THE SOUND OF A WOMAN
709
00:27:57,890 --> 00:28:00,360
* THAT LOVES YOU
710
00:28:02,430 --> 00:28:05,370
* I WILL FOLLOW YOU DOWN
711
00:28:05,400 --> 00:28:08,070
* TILL THE SOUND OF MY VOICE
712
00:28:08,100 --> 00:28:10,740
* WILL HAUNT YOU
51795
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