All language subtitles for Californication S07E08 30 Minutes or Less

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,190 --> 00:00:09,090 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:09,130 --> 00:00:10,790 - RATH IS FUCKING MY SHIT UP. 3 00:00:10,830 --> 00:00:13,160 HE'S ALL ABOUT THE DRAMA, I'M ALL ABOUT THE FUCKING FUNNY. 4 00:00:13,200 --> 00:00:14,460 - I'M--I'M NOT THAT FUNNY. 5 00:00:14,500 --> 00:00:15,770 - YEAH, BUT YOU IS FUCKING WITTY, 6 00:00:15,800 --> 00:00:17,570 AND TOGETHER WE CAN-- 7 00:00:17,600 --> 00:00:19,070 DAMN. WHO'S THAT PIECE OF ASS? 8 00:00:19,100 --> 00:00:20,700 - THAT? THAT WOULD BE JULIA. 9 00:00:20,740 --> 00:00:23,140 - IS IT COOL IF I, UH, PURSUE HER? 10 00:00:23,170 --> 00:00:24,440 YOU'RE NOT LOOKING TO REKINDLE? 11 00:00:24,470 --> 00:00:26,080 - NO, NO, NOT AT ALL. - WHY NOT? 12 00:00:26,110 --> 00:00:27,240 - THIS IS... - IT'S A TERRIBLE IDEA. 13 00:00:27,280 --> 00:00:28,350 - A TERRIBLE IDEA. 14 00:00:28,380 --> 00:00:30,410 - I DON'T LIKE THE WAY RATH IS WRITING MY CHARACTER. 15 00:00:30,450 --> 00:00:33,680 - YOU'RE--YOU'RE VERY PLEASANT, UH, JUST VERY--VERY REAL. 16 00:00:33,720 --> 00:00:35,420 - [gasps] - OH! 17 00:00:35,450 --> 00:00:37,150 [clears throat] - I CAN DO BETTER. 18 00:00:37,190 --> 00:00:38,790 - I WANT TO SLEEP WITH MARCY AGAIN, 19 00:00:38,820 --> 00:00:41,290 WITH YOUR PERMISSION AND HERS, OF COURSE. 20 00:00:41,330 --> 00:00:46,230 I AM WILLING TO PAY YOU GUYS A COOL $1 MILLION 21 00:00:46,260 --> 00:00:49,470 IF YOU WILL LET ME SLEEP WITH HER AGAIN. 22 00:00:49,500 --> 00:00:51,440 THINK ABOUT IT. 23 00:00:51,470 --> 00:00:52,770 - WE WERE WONDERING 24 00:00:52,800 --> 00:00:54,470 IF MAYBE HE COULD AUDITION FOR A SMALL PART. 25 00:00:54,500 --> 00:00:55,740 - UM, YEAH, YOU CAN READ 26 00:00:55,770 --> 00:00:57,440 FOR SOMETHING. - AWESOME. 27 00:00:57,470 --> 00:00:58,840 - I WANT TO TALK TO YOU ABOUT BECCA. 28 00:00:58,880 --> 00:01:00,840 - I KNOW. THAT'S WHY I'M DUCKING YOU. 29 00:01:00,880 --> 00:01:03,710 - WELL, WHEN ARE YOU GONNA TELL HER ABOUT LEVON? 30 00:01:03,750 --> 00:01:06,550 - JUST DON'T GIVE UP ON ME, OKAY? 31 00:01:06,580 --> 00:01:08,720 I'M STILL ME. 32 00:01:08,750 --> 00:01:11,220 WE'RE STILL US. 33 00:01:19,530 --> 00:01:22,500 [upbeat music] 34 00:01:22,530 --> 00:01:30,640 * 35 00:02:10,250 --> 00:02:11,780 - I GOT IT. 36 00:02:11,820 --> 00:02:13,820 I FUCKING GOT IT. 37 00:02:13,850 --> 00:02:16,290 HOW ABOUT I JUST KISS THE BITCH? 38 00:02:16,320 --> 00:02:17,020 - WHAT? - NO. 39 00:02:17,050 --> 00:02:18,760 - WHAT? WAIT. WHAT DID YOU SAY? 40 00:02:18,790 --> 00:02:20,860 - WHAT IF I JUST GRABBED HER FACE, 41 00:02:20,890 --> 00:02:22,590 WENT IN FOR A SLOW KISS, 42 00:02:22,630 --> 00:02:24,860 AND JUST MADE OUT WITH HER, YOU KNOW WHAT I'M SAYING? 43 00:02:24,890 --> 00:02:26,660 - OKAY, GUYS, I'M CALLING MY FUCKING AGENT, 44 00:02:26,700 --> 00:02:27,730 'CAUSE THIS IS BULLSHIT. - AMY, HOLD ON. 45 00:02:27,760 --> 00:02:28,970 - WAIT. HOW IS THIS BULLSHIT? 46 00:02:29,000 --> 00:02:30,600 YO, LET'S BE BOLD UP IN THIS BITCH. 47 00:02:30,630 --> 00:02:31,800 - YEAH, I-- - WHAT DOES THAT EVEN MEAN? 48 00:02:31,840 --> 00:02:33,400 - I'M NOT REALLY UP ON THE RULES 49 00:02:33,440 --> 00:02:36,210 OF TELEVISION, PER SE, BUT I THINK THE IDEA IS TO-- 50 00:02:36,240 --> 00:02:38,210 IS TO MILK THE SEXUAL TENSION... - IT IS. 51 00:02:38,240 --> 00:02:39,940 - FOR AS LONG AS INHUMANLY POSSIBLE. 52 00:02:39,980 --> 00:02:41,410 - YEAH, YEAH, YEAH, YEAH. 53 00:02:41,450 --> 00:02:43,810 LET'S MILK THE SEXUAL TENSION, RIGHT? 54 00:02:43,850 --> 00:02:45,680 FUCK THAT. LET'S CHANGE THAT RULE. 55 00:02:45,720 --> 00:02:47,220 - I'D HAVE TO RUN THAT BY RATH. 56 00:02:47,250 --> 00:02:48,820 - YO, WHERE'S THAT MOTHERFUCKER ANYWAYS? 57 00:02:48,850 --> 00:02:49,950 HE'S NOT EVEN AROUND. HE'S NEVER EVEN HERE. 58 00:02:49,990 --> 00:02:51,760 HE JUST SITS UP IN HIS IVORY TOWER, 59 00:02:51,790 --> 00:02:53,320 PULLING STRINGS, JUST LIKE, 60 00:02:53,360 --> 00:02:55,830 "DANCE FOR ME, MOTHERFUCKER! DANCE! YEAH! UNH!" 61 00:02:55,860 --> 00:02:57,430 TELL HIM I AM NOT HIS BOJANGLES. 62 00:02:57,460 --> 00:02:59,330 - HE'S GOT, LIKE, A ZILLION THINGS TO DO, 63 00:02:59,360 --> 00:03:01,630 AND HE--HE THINKS THE SET IS A BIG TIME-WASTER, 64 00:03:01,670 --> 00:03:03,500 AND I'M BEGINNING TO SEE HIS POINT. 65 00:03:03,530 --> 00:03:04,970 - [sighs] - LET'S NOT WASTE TIME, THEN. 66 00:03:05,000 --> 00:03:08,570 WHAT IF I KISS THIS BITCH, MAKE HER JEALOUS, 67 00:03:08,610 --> 00:03:09,940 AND THEY JUST START, LIKE, FIGHTING. 68 00:03:09,970 --> 00:03:11,010 - CAN YOU STOP CALLING 69 00:03:11,040 --> 00:03:12,440 US BITCHES, HASHTAG? - YEAH. 70 00:03:12,480 --> 00:03:13,680 - OH, I'M SORRY, LADIES. 71 00:03:13,710 --> 00:03:15,480 LOOK, I'M-- LOOK, I MEAN NO HARM. 72 00:03:15,510 --> 00:03:16,850 IT'S JUST, LIKE--YOU KNOW, I GOT LOVE FOR BOTH OF Y'ALL, 73 00:03:16,880 --> 00:03:18,380 BUT IT'S THE WAY I EXPRESS MYSELF. 74 00:03:18,420 --> 00:03:19,880 YOU GOT TO LET ME BE FREE WITH MY LANGUAGE. 75 00:03:19,920 --> 00:03:21,850 THAT'S WHAT MAKES ME THE BRUCE LEE OF COMEDY, 76 00:03:21,890 --> 00:03:23,020 YOU KNOW WHAT I'M SAYING? 77 00:03:23,050 --> 00:03:25,260 "ENTER THE FUCKING DRAGON," WHOO! 78 00:03:25,290 --> 00:03:26,190 - HERR DIRECTOR, 79 00:03:26,220 --> 00:03:28,690 CARE TO WEIGH IN WITH YOUR EXPERT OPINION? 80 00:03:28,730 --> 00:03:30,960 - I MEAN, I THINK HASHTAG HAS A POINT. 81 00:03:30,990 --> 00:03:33,630 NETWORK TELEVISION IS ON ITS FUCKING DEATHBED. 82 00:03:33,660 --> 00:03:35,370 GOETHE SAID IT BEST. 83 00:03:35,400 --> 00:03:40,040 LET'S BE BOLD, MIGHTY FORCES WILL COME TO OUR AID. 84 00:03:40,070 --> 00:03:42,370 WHAT DO YOU THINK? - HUH? YEAH, YEAH, YEAH. 85 00:03:42,410 --> 00:03:44,270 I DON'T KNOW WHO THIS BITCH "BERTA" IS, 86 00:03:44,310 --> 00:03:45,710 BUT I LIKE THE WAY SHE THINKS. 87 00:03:45,740 --> 00:03:50,380 - ALL RIGHT, SO I THINK YOU SHOULD TALK TO RATH. 88 00:03:50,410 --> 00:03:51,580 HALF HOUR, YOU GUYS. 89 00:03:51,620 --> 00:03:54,050 HALF HOUR, EVERYBODY. 90 00:03:54,080 --> 00:03:55,620 - YOU REALLY THINK THIS IS A GOOD IDEA? 91 00:03:55,650 --> 00:03:56,890 - I THINK IT'S A TERRIBLE IDEA. 92 00:03:56,920 --> 00:03:58,760 HE'S A FUCKING CRAZY PERSON. 93 00:03:58,790 --> 00:03:59,960 HE TERRIFIES ME, HANK, 94 00:03:59,990 --> 00:04:01,460 BUT I GOT TO KEEP HIM ON MY SIDE, 95 00:04:01,490 --> 00:04:02,990 OR IT'S GONNA BE A LONG FUCKING SEASON. 96 00:04:03,030 --> 00:04:04,760 - YOU'RE FUCKING USELESS, YOU KNOW THAT? 97 00:04:04,790 --> 00:04:05,930 - AM I? AM I USELESS? 98 00:04:05,960 --> 00:04:09,430 OR AM I, LIKE, A STRATEGIC THINKER? 99 00:04:09,470 --> 00:04:10,470 - USELESS. 100 00:04:10,500 --> 00:04:11,740 - JUST GO TALK TO RATH. 101 00:04:11,770 --> 00:04:14,300 HE'LL SHOUT IT DOWN. WE'LL DO IT AS SCRIPTED. 102 00:04:14,340 --> 00:04:17,470 SOMETIMES YOU GOT TO INDULGE THE CHILDREN. 103 00:04:17,510 --> 00:04:18,740 - HEY. - HEY. 104 00:04:18,780 --> 00:04:21,040 - YOU'RE NOT GONNA MAKE ME KISS THAT FUCKING LUNATIC, ARE YOU? 105 00:04:21,080 --> 00:04:23,880 - NOT IF I CAN HELP IT. - THANK GOD... 106 00:04:23,910 --> 00:04:26,580 'CAUSE I CAN THINK OF SOMEBODY ELSE I'D MUCH RATHER BE KISSING. 107 00:04:26,620 --> 00:04:28,720 - THE DIRECTOR? - [laughs] 108 00:04:28,750 --> 00:04:30,090 GOD. [gasps] DID I TELL YOU? 109 00:04:30,120 --> 00:04:32,320 HE TEXTED ME A PICTURE OF HIS PENIS. 110 00:04:32,360 --> 00:04:34,320 - OH. HOW'D YOU RESPOND? 111 00:04:34,360 --> 00:04:36,590 - I TEXTED BACK, SAYING, "WHERE'S THE REST OF IT?" 112 00:04:36,630 --> 00:04:37,660 - AH! - [laughs] 113 00:04:37,690 --> 00:04:39,060 HE HASN'T GIVE ME A NOTE SINCE. 114 00:04:39,100 --> 00:04:41,770 - AMY TAYLOR WALSH, KICKING ASS AND TAKING NAMES. 115 00:04:41,800 --> 00:04:43,100 - THAT'S RIGHT, MOTHERFUCKER. 116 00:04:43,130 --> 00:04:45,670 - YEAH, MOTHERFUCKER. - [laughs] 117 00:04:45,700 --> 00:04:47,340 SPEAKING OF NOTES... - YEAH? 118 00:04:47,370 --> 00:04:49,770 - DO YOU WANT TO COME TO MY TRAILER AND DISCUSS. 119 00:04:49,810 --> 00:04:52,340 - YEAH, I'M--I'M TRYING TO BE A GOOD BOY, YOU KNOW? 120 00:04:52,380 --> 00:04:53,680 I'M TRYING TO KEEP MY HEAD ON STRAIGHT. 121 00:04:53,710 --> 00:04:55,980 - [sighs] WHY, HANK? WHERE'S THE FUN IN THAT? 122 00:04:56,010 --> 00:04:57,810 - NO, IT'S NOT FUN. IT'S NOT FUN AT ALL. 123 00:04:57,850 --> 00:04:59,350 BUT I'M NOT A "FUNSTER" RIGHT NOW. 124 00:04:59,380 --> 00:05:00,880 - [laughs] - I'M TRYING TO BE A PRODUCER. 125 00:05:00,920 --> 00:05:02,120 - [gasps] THAT'S RIGHT. 126 00:05:02,150 --> 00:05:03,850 YOU'RE A PRODUCER. OF COURSE. - MM-HMM. 127 00:05:03,890 --> 00:05:05,050 - ACTUALLY, I DO NEED SOME HELP 128 00:05:05,090 --> 00:05:06,090 PRODUCING SOMETHING IN MY TRAILER. 129 00:05:06,120 --> 00:05:07,790 - YOU STOP! - [laughs] 130 00:05:07,820 --> 00:05:09,660 - I'VE GOT TO TALK TO RATH BEFORE WE SHOOT THE SCENE, 131 00:05:09,690 --> 00:05:11,600 AND I DON'T WANT A BONER WHILE I'M DOING THAT. 132 00:05:11,630 --> 00:05:13,060 - FINE. COME BY AFTERWARDS. 133 00:05:13,100 --> 00:05:15,700 THERE'S A FEW LINES THAT NEED SHARPENING. 134 00:05:15,730 --> 00:05:17,530 - IT'S MORE THAN A FEW. 135 00:05:17,570 --> 00:05:18,440 - IT'S TRIAGE, HANK. 136 00:05:18,470 --> 00:05:20,640 WE DO WHAT WE CAN IN THE TIME WE HAVE, 137 00:05:20,670 --> 00:05:22,070 AND IF WE'RE LUCKY, 138 00:05:22,110 --> 00:05:25,110 WE HAVE SOME GOOD OLD DIRTY FUN WHILE WE'RE AT IT. 139 00:05:25,140 --> 00:05:27,740 - GOSH, YOU MAKE IT SOUND SO HONORABLE. 140 00:05:27,780 --> 00:05:29,580 - YOU KNOW WHERE TO FIND ME. 141 00:05:31,880 --> 00:05:35,390 - NOT A GOOD IDEA, MY FRIEND. - WHAT? 142 00:05:35,420 --> 00:05:36,990 - THAT WOMAN IS A FUCKING MAN-EATER. 143 00:05:37,020 --> 00:05:38,150 THE STORIES ARE LEGENDARY. 144 00:05:38,190 --> 00:05:40,160 - I AM STAYING STRONG, LIKE BULL. 145 00:05:40,190 --> 00:05:41,530 - DO BETTER THAN THAT, OKAY? 146 00:05:41,560 --> 00:05:42,930 YOU START FUCKING THE ACTRESSES, 147 00:05:42,960 --> 00:05:44,560 THE WHOLE SHOW IS GONNA GO DOWN IN FLAMES. 148 00:05:44,590 --> 00:05:47,600 TRUST ME, I'VE BEEN THERE, A COUPLE OF TIMES. 149 00:05:47,630 --> 00:05:49,000 - I BELIEVE YOU. 150 00:05:49,030 --> 00:05:51,600 - FUN MEMORIES, THOUGH. - OKAY. 151 00:05:51,640 --> 00:05:54,940 BACK TO EARTH, WHERE HASHTAG WANTS ME TO REWRITE THE SCENE. 152 00:05:54,970 --> 00:05:56,170 - FUCK THAT! 153 00:05:56,210 --> 00:05:58,110 - THAT'S WHAT I SAID, IN MY HEAD. 154 00:05:58,140 --> 00:05:59,610 - YOU'RE PRODUCING THE EPISODE, HANK. 155 00:05:59,640 --> 00:06:01,110 YOU MAKE THE CALL. 156 00:06:01,140 --> 00:06:02,580 IF THEY WANT TO DO SOMETHING STUPID, DON'T LET THEM. 157 00:06:02,610 --> 00:06:04,010 YOU TELL THEM NO. IT'S THAT SIMPLE. 158 00:06:04,050 --> 00:06:06,480 - IT SOUNDS SIMPLE WHEN--WHEN YOU SAY IT. 159 00:06:06,520 --> 00:06:08,080 - ALL RIGHT, LET ME ASK YOU SOMETHING. 160 00:06:08,120 --> 00:06:09,050 - WHAT? 161 00:06:09,090 --> 00:06:11,020 - HOW DO I GET BACK IN JULIA'S GOOD GRACES? 162 00:06:11,050 --> 00:06:12,660 - I DON'T KNOW, MAN. 163 00:06:12,690 --> 00:06:14,060 I THINK MAYBE YOU JUST GOT TO LET IT GO FOR A WHILE. 164 00:06:14,090 --> 00:06:15,430 YOU KNOW, WAIT UNTIL-- 165 00:06:15,460 --> 00:06:18,090 WAIT UNTIL WE WRAP OR GET CANCELED. 166 00:06:18,130 --> 00:06:20,430 - I DON'T KNOW IF I CAN DO THAT, YOU KNOW? 167 00:06:20,460 --> 00:06:22,130 SHE HAUNTS MY DREAMS. - YEAH. 168 00:06:22,170 --> 00:06:24,500 - HAS SHE SAID ANYTHING ABOUT ME? 169 00:06:24,530 --> 00:06:25,700 - NO, NOT REALLY. 170 00:06:25,740 --> 00:06:29,070 YOU KNOW, JUST... NO. 171 00:06:29,110 --> 00:06:30,770 - YOU'RE NOT SNIFFING AROUND THERE, ARE YOU? 172 00:06:30,810 --> 00:06:33,780 I MEAN, I WOULD UNDERSTAND THE TEMPTATION IF YOU WERE. 173 00:06:33,810 --> 00:06:36,480 YOU HAVE THE KID IN COMMON. YOU BOTH HAVE PRIVATE PARTS. 174 00:06:36,510 --> 00:06:39,020 I WOULD IMAGINE SHIT COULD GO DOWN PRETTY EASILY. 175 00:06:39,050 --> 00:06:41,520 FUCK, I GOT TO GO. - REALLY? WHAT? WHERE? 176 00:06:41,550 --> 00:06:44,150 WHAT COULD BE MORE FASCINATING AND IMPORTANT THAN THIS? 177 00:06:44,190 --> 00:06:46,090 - I AM SITTING DOWN WITH EDDIE NERO. 178 00:06:46,120 --> 00:06:48,530 THE NETWORK'S DESPERATE FOR SOME STUNT CASTING. 179 00:06:48,560 --> 00:06:50,530 - WELL--WELL, GIVE THAT PANSEXUAL LOON MY BEST. 180 00:06:50,560 --> 00:06:51,460 - I WILL. 181 00:06:51,500 --> 00:06:53,060 - HE TOOK A MAN IN HIS MOUTH, YOU KNOW. 182 00:06:53,100 --> 00:06:55,030 - REALLY? - YEAH, IT WAS RESEARCH 183 00:06:55,060 --> 00:06:57,070 FOR A PART. HE'LL TELL YOU ALL ABOUT IT. 184 00:06:57,100 --> 00:07:00,070 HE ENGINEERED THAT ORGASM WITH HANDS AND FEET. 185 00:07:00,100 --> 00:07:01,840 - CAN'T WAIT. - YEAH. 186 00:07:01,870 --> 00:07:03,510 - STAY STRONG, HANK. - [groans] 187 00:07:03,540 --> 00:07:05,810 - THESE ARE THE TIMES THAT TRY A MAN'S SOUL. 188 00:07:05,840 --> 00:07:07,810 - YEAH. 189 00:07:07,840 --> 00:07:10,980 - PSST! PSST! 190 00:07:14,980 --> 00:07:17,920 - [sighs heavily] 191 00:07:17,950 --> 00:07:20,020 OOH, AH. - HI. 192 00:07:20,060 --> 00:07:21,690 - LET ME GUESS, RATH, HUH? 193 00:07:21,730 --> 00:07:22,960 LOVELY. 194 00:07:22,990 --> 00:07:26,100 GETS MY JUICES FLOWING. HOW ABOUT YO--MM. 195 00:07:26,130 --> 00:07:28,570 MM, WELL, I GUESS SO. 196 00:07:28,600 --> 00:07:30,730 HEY, YOU'RE NOT JUST BUTTERING ME UP FOR NOTES, ARE YOU? 197 00:07:30,770 --> 00:07:32,100 - I DO HAVE ONE NOTE. - YOU DO? WHAT IS IT? 198 00:07:32,140 --> 00:07:33,770 - SHUT UP AND FUCK ME. - WOW! 199 00:07:33,800 --> 00:07:35,840 YOU REALLY HAVE CAUGHT THE BONING BUG, HAVEN'T YOU? 200 00:07:35,870 --> 00:07:37,640 - IS THERE A PROBLEM WITH THAT? 201 00:07:37,670 --> 00:07:39,510 - NO, THERE'S NOTHING WRONG WITH IT AT ALL. IT'S JUST-- 202 00:07:39,540 --> 00:07:41,080 - DO YOU HAVE A PROBLEM WITH SINGLE MOMS BEING SEXUAL? 203 00:07:41,110 --> 00:07:42,250 - I-I ENCOURAGE SINGLE MOMS 204 00:07:42,280 --> 00:07:44,050 TO BE HIGHLY SEXUAL. - GOOD. [laughs] 205 00:07:44,080 --> 00:07:45,880 - IT'S JUST THAT I WOULDN'T WANT LEVON TO FIND OUT ABOUT IT. 206 00:07:45,920 --> 00:07:47,220 - FORGET ABOUT LEVON. 207 00:07:47,250 --> 00:07:48,620 - YES, BUT I DON'T WANT TO GET HIS HOPES UP. 208 00:07:48,650 --> 00:07:50,950 - OH, JUST STAY IN THE MOMENT, OKAY? 209 00:07:50,990 --> 00:07:53,890 OH, MY-- OH, MY GOD! 210 00:07:53,920 --> 00:07:56,890 [moaning] OH, MY GOD! 211 00:07:56,930 --> 00:07:59,860 [moaning] 212 00:07:59,900 --> 00:08:01,870 OH, MY GOD. 213 00:08:01,900 --> 00:08:04,300 OH, MY GOD. 214 00:08:04,330 --> 00:08:05,800 OH... [knock at door] 215 00:08:05,840 --> 00:08:07,270 - MOM! IS HANK IN THERE? 216 00:08:07,300 --> 00:08:10,740 - [sighs] FUCKING COCK-BLOCKER STRIKES AGAIN. 217 00:08:10,770 --> 00:08:13,840 OH. 218 00:08:13,880 --> 00:08:15,280 - HEY, BUDDY. 219 00:08:15,310 --> 00:08:17,080 - WHAT'S GOING ON? - WHAT? 220 00:08:17,110 --> 00:08:18,250 WHAT DO YOU MEAN? 221 00:08:18,280 --> 00:08:19,880 - YOU GUYS BEEN MESSING AROUND? - WHAT? 222 00:08:19,920 --> 00:08:21,690 WHY WOULD YOU--WHY WOULD YOU-- WHY WOULD YOU ASK THAT? 223 00:08:21,720 --> 00:08:23,250 - [laughs] - WHY WOULD YOU THINK THAT? 224 00:08:23,290 --> 00:08:26,160 THAT IS A WEIRD FUCKING QUESTION, DUDE, RIGHT? 225 00:08:26,190 --> 00:08:28,560 - NO, IT'S NOT. - IT'S FUCKED UP. 226 00:08:28,590 --> 00:08:30,260 - YEAH, WELL, THE ENERGY FEELS ALL WEIRD IN HERE RIGHT NOW... 227 00:08:30,290 --> 00:08:31,900 - DOES IT? - AND YOUR MAKEUP'S ALL SCREWY. 228 00:08:31,930 --> 00:08:34,030 YOU LOOK LIKE A HOMELESS HOOKER. - DON'T BE SILLY, HONEY. 229 00:08:34,060 --> 00:08:35,930 I JUST HAVE A FEW QUESTIONS ABOUT THE SCENE. 230 00:08:35,970 --> 00:08:37,170 - YEAH. - REALLY? 231 00:08:37,200 --> 00:08:38,840 - CAN I HELP YOU? - I NEED TO TALK TO YOU. 232 00:08:38,870 --> 00:08:42,110 - OKAY, WELL, LET'S TALK. I THINK WE'RE GOOD? 233 00:08:42,140 --> 00:08:43,640 - YEAH, I JUST NEED TO FIX UP MY MAKEUP. 234 00:08:43,670 --> 00:08:45,040 GET OUT OF HERE. - BUT YOU GOT--YOU KNOW-- 235 00:08:45,070 --> 00:08:46,810 YEAH, OKAY. ALL RIGHT, AND YOU? 236 00:08:46,840 --> 00:08:49,110 - [giggles] COME BACK. 237 00:08:50,210 --> 00:08:51,780 - I'M ABOUT TO DO MY AUDITION. 238 00:08:51,820 --> 00:08:53,350 CAN--CAN YOU BE IN THE ROOM WHEN I DO IT? 239 00:08:53,380 --> 00:08:55,050 - AH, I DON'T HAVE TIME FOR THAT SHIT 240 00:08:55,080 --> 00:08:56,850 RIGHT NOW, KID--SORRY. - PLEASE? 241 00:08:56,890 --> 00:08:59,590 THE CASTING DIRECTOR HATES ME. SHE THINKS IT'S JUST A FAVOR. 242 00:08:59,620 --> 00:09:01,930 - IT IS JUST A FAVOR. - YEAH, I KNOW. 243 00:09:01,960 --> 00:09:03,990 BUT AT LEAST THIS WAY YOU CAN TELL RATH YOU SAW ME 244 00:09:04,030 --> 00:09:05,600 AND I WAS FUCKING AWESOME. 245 00:09:05,630 --> 00:09:07,930 I'M WORRIED THAT SHE'LL TELL HIM I SUCK, 246 00:09:07,960 --> 00:09:09,170 AND HE'LL NEVER SEE IT. 247 00:09:09,200 --> 00:09:12,300 FIVE MINUTES-- THAT'S ALL I ASK. 248 00:09:23,650 --> 00:09:26,220 - HEY, HANK. UM, HASHTAG'S LOOKING FOR YOU. 249 00:09:26,250 --> 00:09:28,720 - FUCK, WHERE IS HE? - AROUND HERE SOMEWHERE. 250 00:09:28,750 --> 00:09:30,620 - ALL RIGHT, WELL, JUST TELL HIM I'M ON SET, ALL RIGHT? 251 00:09:30,650 --> 00:09:32,190 - WAIT. THAT'S A LIE. - SO WHAT? 252 00:09:32,220 --> 00:09:35,120 IT'S NOT THE FUCKING BOY SCOUTS. 253 00:09:40,060 --> 00:09:41,670 - YOU DON'T NEED TO SIT IN ON THIS, HANK. 254 00:09:41,700 --> 00:09:45,100 - YET, HERE I AM. LET'S GET THIS PARTY STARTED. 255 00:09:45,130 --> 00:09:47,300 - READY, LEVON? - [sighs] SURE. 256 00:09:47,340 --> 00:09:49,810 SHOULD--SHOULD I SIT OR STAND? 257 00:09:49,840 --> 00:09:51,980 - TOTALLY UP TO YOU, HON. 258 00:09:52,010 --> 00:09:54,080 - RELAX, KID. YOU'RE SWEATING LIKE A PIG. 259 00:09:54,110 --> 00:09:55,410 - I KNOW. I KNOW. 260 00:09:55,440 --> 00:09:57,710 I'M REALLY FUCKING NERVOUS. I'M SORRY. 261 00:09:57,750 --> 00:09:58,980 [exhales sharply] 262 00:09:59,020 --> 00:10:02,420 - NO, NO, I DON'T KNOW IF THAT'S GONNA HELP WITH THE SWEATING. 263 00:10:02,450 --> 00:10:05,660 JUST-- - [exhales sharply] 264 00:10:07,420 --> 00:10:09,230 - OH, MY GOD! OKAY. - YOU ALL RIGHT? 265 00:10:09,260 --> 00:10:10,730 MAN DOWN. - YEAH, YEAH, YEAH. 266 00:10:10,760 --> 00:10:11,830 - I AM SO SORRY. 267 00:10:11,860 --> 00:10:14,030 - YOU KNOW WHAT? NO PROBLEM. DON'T WORRY ABOUT IT. 268 00:10:14,060 --> 00:10:15,770 YOU ALL RIGHT? 269 00:10:15,800 --> 00:10:18,170 THANK YOU. OKAY, IT'S JUST-- 270 00:10:18,200 --> 00:10:20,270 - LEVON, LEAVE IT. - GREAT. 271 00:10:20,300 --> 00:10:22,110 - SORRY. - NO, NOT TO WORRY. 272 00:10:22,140 --> 00:10:23,840 HAVE A SEAT. 273 00:10:23,870 --> 00:10:26,010 OKAY. 274 00:10:26,040 --> 00:10:28,880 SLATE FOR THE CAMERA. 275 00:10:30,450 --> 00:10:33,420 - HELLO. I'M LEVON MOODY... 276 00:10:33,450 --> 00:10:35,280 - HEY-O. 277 00:10:35,320 --> 00:10:37,820 - REP--REPRESENTED BY CHARLES RUNKLE, 278 00:10:37,850 --> 00:10:39,190 THE RUNKLE AGENCY. 279 00:10:39,220 --> 00:10:42,090 I'M READING FOR THE PART OF THE KID. 280 00:10:42,130 --> 00:10:43,390 AND I'M OKAY WITH NUDITY. 281 00:10:43,430 --> 00:10:45,900 - NO NUDITY REQUIRED. 282 00:10:45,930 --> 00:10:47,900 - I KNOW. I'M JUST LETTING YOU KNOW I-I'M OKAY WITH IT. 283 00:10:47,930 --> 00:10:50,030 I'M PRETTY HAPPY WITH MY BODY RIGHT NOW. 284 00:10:50,070 --> 00:10:52,400 - GREAT. OKAY, YOU READY? 285 00:10:52,440 --> 00:10:54,300 - YES. YES, I AM. 286 00:10:54,340 --> 00:10:56,940 - YO, IS YOUR FATHER HOME? 287 00:11:00,940 --> 00:11:01,980 - [mouths words] 288 00:11:02,010 --> 00:11:04,310 - OH... 289 00:11:04,350 --> 00:11:06,980 WHO--WHO WANTS TO KNOW? 290 00:11:07,020 --> 00:11:08,050 - DANKO JONES IS WHO. 291 00:11:08,080 --> 00:11:10,220 GET YOUR OLD MAN OUT HERE, KID. 292 00:11:13,020 --> 00:11:15,320 - [farts] 293 00:11:15,360 --> 00:11:17,890 - [imitates farting] EXCUSE ME. 294 00:11:17,930 --> 00:11:19,130 I'M SORRY. 295 00:11:19,160 --> 00:11:20,930 - I AM SO SORRY. I-I MEAN, EXCUSE ME. 296 00:11:20,960 --> 00:11:22,870 I-I HAVE A REALLY NERVOUS TUMMY RIGHT NOW. 297 00:11:22,900 --> 00:11:25,330 CAN--CAN I DO THAT AGAIN? - [imitates farting, laughs] 298 00:11:25,370 --> 00:11:27,070 - YOU KNOW WHAT? I THINK WE GOT IT. 299 00:11:27,100 --> 00:11:28,740 [knock at door, door opens] 300 00:11:28,770 --> 00:11:30,810 - SORRY. UH, HE DIDN'T BELIEVE ME, HANK. 301 00:11:30,840 --> 00:11:33,240 HE'S COMING UP THE STAIRS. - FUCK! 302 00:11:33,280 --> 00:11:34,740 THAT WAS GREAT, KID. - IT STINKS IN HERE. 303 00:11:34,780 --> 00:11:36,280 - IT WOULD HAVE BEEN BETTER 304 00:11:36,310 --> 00:11:39,850 WITHOUT THAT ONE-CHEEK SNEAK, BUT RIGHT UP UNTIL THEN, ACES. 305 00:11:41,220 --> 00:11:42,750 HEY. SORRY. - OH, HEY, HANK. 306 00:11:42,790 --> 00:11:44,050 NO, YOU DO NOT HAVE TO APOLOGIZE. 307 00:11:44,090 --> 00:11:45,920 - I'M JUST-- I GOT TO WAIT FOR HASHTAG. 308 00:11:45,960 --> 00:11:47,390 HE'S JUST, YOU KNOW-- - OH, SIT DOWN. STAY. 309 00:11:47,420 --> 00:11:48,890 YOU WANT A WATER? 310 00:11:48,930 --> 00:11:50,490 - SURE. I'M--I'M A LITTLE PARCHED. 311 00:11:50,530 --> 00:11:52,360 - OH, GOOD. - YEAH. 312 00:11:52,400 --> 00:11:54,730 - HERE YOU GO. - THANK YOU. 313 00:11:56,470 --> 00:11:58,370 - OH, LOOK AT YOU. - [laughs] 314 00:11:58,400 --> 00:12:00,370 - YOU KIND OF FEEL IT, DON'T YOU? 315 00:12:00,400 --> 00:12:03,240 - MM, MM-HMM. WHAT? 316 00:12:03,270 --> 00:12:04,470 - YOU KNOW, LIKE, THE US OF IT ALL. 317 00:12:04,510 --> 00:12:06,240 - OH, THAT! both: YEAH. 318 00:12:06,280 --> 00:12:07,380 - SO MUCH TENSION. 319 00:12:07,410 --> 00:12:09,210 - RIGHT, RIGHT. - YOU KNOW, JUST-- 320 00:12:09,250 --> 00:12:10,480 EVER SINCE YOU STARTED WORKING HERE... 321 00:12:10,510 --> 00:12:11,850 - MM-HMM. - THIS JOB HAS JUST GOTTEN 322 00:12:11,880 --> 00:12:13,320 TO BE SO MUCH MORE FUN, YOU KNOW, 323 00:12:13,350 --> 00:12:14,780 LIKE, EXPONENTIALLY MORE FUN. 324 00:12:14,820 --> 00:12:16,550 - WELL, YOU KNOW, I-I TRY TO BE ADDITIVE. 325 00:12:16,590 --> 00:12:18,490 - YEAH. YEAH, IT'S JUST NICE 326 00:12:18,520 --> 00:12:20,490 TO HAVE SOME REAL MALE ENERGY AROUND HERE. 327 00:12:20,520 --> 00:12:22,060 - YEAH. MM-HMM. - YOU KNOW, RATH--HE'S COOL. 328 00:12:22,090 --> 00:12:23,330 HE'S GREAT AND ALL, 329 00:12:23,360 --> 00:12:24,890 BUT, YOU KNOW, HE'S JUST SO CLOSED OFF. 330 00:12:24,930 --> 00:12:26,560 - YEAH, I DO FIND HIM EMOTIONALLY UNAVAILABLE. 331 00:12:26,600 --> 00:12:28,400 - OH, TOTALLY. - MM, YEAH. 332 00:12:28,430 --> 00:12:30,400 - AND YOU DON'T KNOW WHAT IT'S LIKE TO SIT NEXT TO HUGH. 333 00:12:30,430 --> 00:12:31,430 - OH, I DO. - HE'S JUST-- 334 00:12:31,470 --> 00:12:33,100 - YEAH, IT'S EXCRUCIATING. 335 00:12:33,140 --> 00:12:35,470 - YEAH, SO I JUST WANT YOU TO KNOW THAT I AM INTO IT... 336 00:12:35,500 --> 00:12:36,540 - ALL RIGHT. - IF YOU ARE. 337 00:12:36,570 --> 00:12:37,970 - WELL, INTO WHAT EXACTLY? 338 00:12:38,010 --> 00:12:39,510 - YOU KNOW, LIKE AN INTEROFFICE ROMANCE... 339 00:12:39,540 --> 00:12:40,910 - OH, OKAY, YOU KNOW WHAT? - YOU KNOW, SOME KIND 340 00:12:40,940 --> 00:12:42,280 OF A THING LIKE--YOU KNOW? - [laughs] 341 00:12:42,310 --> 00:12:43,410 - OH. - YEAH, YOU KNOW WHAT, JADE? 342 00:12:43,450 --> 00:12:44,980 - OH. - I GOT AN IDEA. 343 00:12:45,010 --> 00:12:46,450 LET'S NOT, AND PLEASURE OURSELVES 344 00:12:46,480 --> 00:12:47,980 TO THE THOUGHT THAT WE DID. 345 00:12:48,020 --> 00:12:48,990 - OH, A LITTLE NAUGHTY. 346 00:12:49,020 --> 00:12:51,290 - YES, I TOOK THE SEXUAL HARASSMENT SEMINAR. 347 00:12:51,320 --> 00:12:53,420 OR I BRIBED HUGH TO TAKE IT... - UH-HUH. 348 00:12:53,460 --> 00:12:55,160 - WITH A SPRINKLES GIFT CARD, YOU KNOW? 349 00:12:55,190 --> 00:12:56,560 AND I JUST DON'T THINK 350 00:12:56,590 --> 00:12:58,960 THAT MY HANDSOME TEN INCHES IS WORTH THE TROUBLE. 351 00:12:59,000 --> 00:12:59,960 YOU KNOW WHAT THEY SAY-- 352 00:13:00,000 --> 00:13:02,030 A MOMENT ON THE LIPS, A LIFETIME ON THE HIPS. 353 00:13:02,070 --> 00:13:05,030 - IT DOESN'T REALLY MAKE SENSE. - OH, I AM MAKING YOU FLUSTERED! 354 00:13:05,070 --> 00:13:06,900 [laughs] AREN'T I? 355 00:13:06,940 --> 00:13:07,840 - YES, YOU ARE. 356 00:13:07,870 --> 00:13:09,540 - COME ON, IT WOULD BE SO FUN, YOU KNOW. 357 00:13:09,570 --> 00:13:11,270 AND IT'S NOT LOVE OR ANYTHING, YOU KNOW? 358 00:13:11,310 --> 00:13:12,440 - NO, NO. - BUT YOU ARE DEFINITELY 359 00:13:12,480 --> 00:13:14,210 THE HOTTEST GUY IN THE ROOM. 360 00:13:14,240 --> 00:13:15,850 - WELL, THAT'S--THAT'S NOT REALLY SAYING MUCH, IS IT? 361 00:13:15,880 --> 00:13:17,450 - OH, I MEAN, AND IT'S SAFE TO SAY 362 00:13:17,480 --> 00:13:19,280 THAT I'M THE HOTTEST GIRL IN THE ROOM. 363 00:13:19,320 --> 00:13:20,550 - WELL, YOU ARE. YOU ARE... 364 00:13:20,580 --> 00:13:22,420 EXCEPT FOR TERRY, OF COURSE. - OF COURSE! 365 00:13:22,450 --> 00:13:23,420 - RIGHT. - YEAH. 366 00:13:23,450 --> 00:13:24,590 - TERRY IS PRETTY HO-- 367 00:13:24,620 --> 00:13:26,290 WHAT IS THE DEAL WITH HIM, ANYWAY? 368 00:13:26,320 --> 00:13:28,120 I HAVEN'T BEEN ABLE TO GET THE STRAIGHT STORY FROM ANYBODY. 369 00:13:28,160 --> 00:13:29,390 - YEAH, I'M NOT REALLY SURE. 370 00:13:29,430 --> 00:13:30,490 EVERYONE SAYS ONE THING, AND THEN HE SAYS ANOTH-- 371 00:13:30,530 --> 00:13:32,060 - YEP. - OH! OH, HEY. 372 00:13:32,100 --> 00:13:33,600 - HANK, YOUR MANAGER'S HERE. - OH, AWESOME. 373 00:13:33,630 --> 00:13:35,200 - ALL RIGHT, WELL, YOU THINK ABOUT IT, HANK. 374 00:13:35,230 --> 00:13:36,930 - I WILL, "JARDE." 375 00:13:36,970 --> 00:13:38,570 - [laughs] - THINK ABOUT WHAT? 376 00:13:38,600 --> 00:13:40,400 - NONE OF YOUR FUCKING BUSINESS, HUGH. 377 00:13:40,440 --> 00:13:41,940 GET OUT OF HERE. 378 00:13:41,970 --> 00:13:44,870 CLOSE THE DOOR. 379 00:13:44,910 --> 00:13:46,340 [sighs] 380 00:13:46,380 --> 00:13:48,610 - JADE'S PRETTY CUTE, HUH? - TOTES. 381 00:13:48,640 --> 00:13:50,880 - I'M TRYING TO GET THE NERVE TO ASK HER OUT. 382 00:13:50,910 --> 00:13:53,380 - YOU SHOULD DO THAT. YOU SHOULD DO THAT RIGHT NOW. 383 00:13:53,420 --> 00:13:54,980 - YEAH, YOU THINK I HAVE A SHOT? - YEAH. 384 00:13:55,020 --> 00:13:57,050 WE'RE ALWAYS THE LAST TO KNOW, AREN'T WE? 385 00:13:57,090 --> 00:14:00,090 SHE IS TOTALLY WARM FOR YOUR PEAR-SHAPED FORM, DUDE. 386 00:14:00,120 --> 00:14:01,490 TRUST. 387 00:14:01,520 --> 00:14:03,990 WHAT'S UP, SWEET CHEEKS? WHAT ARE YOU DOING HERE? 388 00:14:04,030 --> 00:14:06,100 - I CAME TO SUPPORT MY MOST IMPORTANT CLIENT 389 00:14:06,130 --> 00:14:08,230 AS HE PRODUCES HIS VERY FIRST EPISODE OF TELEVISION. 390 00:14:08,260 --> 00:14:10,270 - YEAH, IT'S REALLY KIND OF AN IMPOSITION, CHARLIE. 391 00:14:10,300 --> 00:14:11,500 I DON'T HAVE TIME TO BABYSIT 392 00:14:11,530 --> 00:14:13,200 YOUR PALE, POCKMARKED ASS RIGHT NOW. 393 00:14:13,240 --> 00:14:15,400 - ACTUALLY, I KIND OF NEED TO TALK TO YOU ABOUT SOMETHING. 394 00:14:15,440 --> 00:14:16,610 - OF COURSE IT'S ABOUT YOU. 395 00:14:16,640 --> 00:14:18,370 I SHOULD HAVE FIGURED THAT OUT SOONER. 396 00:14:18,410 --> 00:14:20,240 - I'M IN A REALLY BAD WAY RIGHT NOW, HANK. 397 00:14:20,280 --> 00:14:22,950 - WHAT IS IT--STILL WITH THE UNCOOPERATIVE WEEN? 398 00:14:22,980 --> 00:14:24,610 - NO, THAT'S WORKING PRETTY WELL NOW, ACTUALLY. 399 00:14:24,650 --> 00:14:26,580 - WELL, THAT'S GREAT! 400 00:14:26,620 --> 00:14:29,120 RIGHT? - NOT EXACTLY. 401 00:14:29,150 --> 00:14:30,590 - COME ON, CHARLIE, I DON'T HAVE ALL DAY. 402 00:14:30,620 --> 00:14:32,920 I GOT TO MEET KAREN FOR A DRINK LATER ON. 403 00:14:32,960 --> 00:14:35,020 - A DRINK WITH KAREN-- WHAT'S THAT ALL ABOUT? 404 00:14:35,060 --> 00:14:36,930 - EVERYTHING IS SO FUCKING CRAZY RIGHT NOW, 405 00:14:36,960 --> 00:14:39,400 I DON'T FEEL LIKE I CAN MAKE THE RIGHT MOVE TO SAVE MY LIFE, 406 00:14:39,430 --> 00:14:41,030 AND SHE CENTERS ME, YOU KNOW? 407 00:14:41,060 --> 00:14:43,400 - I COULD USE SOME CENTERING MYSELF RIGHT NOW. 408 00:14:43,430 --> 00:14:45,600 - OKAY. ALL RIGHT, BUDDY, OUT WITH IT. 409 00:14:45,630 --> 00:14:47,040 - [sighs] - WHAT IS IT? 410 00:14:47,070 --> 00:14:50,670 - STU HAS OFFERED ME A MILLION DOLLARS 411 00:14:50,710 --> 00:14:52,410 TO LET HIM FUCK MARCY AGAIN. 412 00:14:52,440 --> 00:14:54,140 - [laughs] YOU'RE KIDDING? 413 00:14:54,180 --> 00:14:56,150 - I'M NOT KIDDING. - THAT IS FUCKED UP, CHARLIE. 414 00:14:56,180 --> 00:14:57,350 - I KNOW! 415 00:14:57,380 --> 00:14:59,180 - YOU'RE NOT GONNA DO IT, ARE YOU? 416 00:14:59,220 --> 00:15:01,120 - I DON'T KNOW YET. 417 00:15:01,150 --> 00:15:03,150 MARCY REALLY WANTS THE MONEY. 418 00:15:03,190 --> 00:15:06,320 WE COULD REALLY USE THE CASH. - WOW. 419 00:15:06,360 --> 00:15:08,490 YOU KNOW, I-I WOULD NEVER BE OKAY WITH SOMEBODY 420 00:15:08,520 --> 00:15:10,090 FUCKING KAREN FOR A MILLION DOLLARS. 421 00:15:10,130 --> 00:15:11,730 I MEAN, I HAD TO PUT UP WITH BATES BANGING HER 422 00:15:11,760 --> 00:15:14,430 FOR THAT WHOLE TIME, AND I DIDN'T EVEN GET PAID FOR IT. 423 00:15:14,460 --> 00:15:16,030 AND WHO KNOWS WHAT KIND OF NASTY SHIT 424 00:15:16,070 --> 00:15:17,970 IS SWIMMING AROUND THAT GUY'S URETHRA? 425 00:15:18,000 --> 00:15:20,440 HE'S PROBABLY GOT THE AVIAN FLU SWIMMING AROUND IN HIS SEMEN. 426 00:15:20,470 --> 00:15:22,570 - BACK TO ME, OKAY? - SURE. WHAT? 427 00:15:22,610 --> 00:15:24,670 - ALL RIGHT, SLIGHTLY COMPLICATING MATTERS 428 00:15:24,710 --> 00:15:27,710 IS THE FACT THAT EVERY SINGLE TIME WE DISCUSS IT, 429 00:15:27,740 --> 00:15:30,380 WE GET INCREDIBLY TURNED ON AND END UP FUCKING. 430 00:15:30,410 --> 00:15:32,180 - WHAT THE FUCK IS WRONG WITH YOU TWO? 431 00:15:32,220 --> 00:15:34,020 - I DON'T KNOW. 432 00:15:34,050 --> 00:15:35,650 - I'LL TELL YOU WHAT'S WRONG WITH YOU AND YOUR DICK, CHARLIE. 433 00:15:35,680 --> 00:15:37,320 IT'S THAT DEEP DOWN, YOU DON'T BELIEVE 434 00:15:37,350 --> 00:15:38,490 THAT YOU DESERVE TO BE HAPPY. 435 00:15:38,520 --> 00:15:40,020 THAT'S YOUR FUCKING PROBLEM. 436 00:15:40,060 --> 00:15:41,420 YOU GOT TO TELL YOUR DICK THAT IT'S OKAY 437 00:15:41,460 --> 00:15:43,030 TO LIVE HAPPILY EVER AFTER. 438 00:15:43,060 --> 00:15:45,560 SPEAK OF THE FUCKING DEVIL. - THE HANDSOME DEVIL. 439 00:15:45,590 --> 00:15:47,200 HOW'S EVERYTHING GOING ON THE STAGE? 440 00:15:47,230 --> 00:15:48,600 - IT'S A FUCKING NIGHTMARE, STU. 441 00:15:48,630 --> 00:15:51,200 - CARE TO LEND A HAND? - OH, GOD, NO. 442 00:15:51,230 --> 00:15:53,770 I'M WHAT THEY CALL A "HANDS-OFF EXECUTIVE PRODUCER." 443 00:15:53,800 --> 00:15:55,470 - EXCEPT WHEN IT COMES TO THE MONEY, RIGHT? 444 00:15:55,500 --> 00:15:56,610 - OH, BUT OF COURSE. 445 00:15:56,640 --> 00:15:58,370 OH, SPEAKING OF MONEY, 446 00:15:58,410 --> 00:16:00,010 I'M GONNA BE PUTTING A CLOCK 447 00:16:00,040 --> 00:16:02,250 ON THAT OFFER I MADE YOU, CHARLIE. 448 00:16:02,280 --> 00:16:04,150 I THINK YOU KNOW WHICH ONE I'M TALKING ABOUT. 449 00:16:04,180 --> 00:16:06,480 - YEAH, WE KNOW ALL ABOUT YOUR INDECENT PROPOSAL, STU. 450 00:16:06,520 --> 00:16:08,280 - WELL, I THINK IT IS VERY DECENT-- 451 00:16:08,320 --> 00:16:10,120 - OH! OH-HO! - OH! 452 00:16:10,150 --> 00:16:11,620 - MY MAN, BUTTERBEAN! - OH! 453 00:16:11,650 --> 00:16:13,090 - CHAMPION! - JESUS! 454 00:16:13,120 --> 00:16:15,090 RUNKLE, ARE YOU OUT OF YOUR MIND? 455 00:16:15,120 --> 00:16:16,660 - YOU INSULTED MY MAN'S PRIDE. 456 00:16:16,690 --> 00:16:18,230 - THAT'S RIGHT. - INSULTED HIM? 457 00:16:18,260 --> 00:16:19,600 I MADE A VERY GENEROUS OFFER, 458 00:16:19,630 --> 00:16:22,130 AND I THINK IT SPEAKS TO THE DEPTH 459 00:16:22,170 --> 00:16:24,630 OF MY FEELINGS FOR MARCY THAT THE OFFER STILL STANDS, 460 00:16:24,670 --> 00:16:28,800 IN SPITE OF THIS COMPLETELY UNWARRANTED AGGRESSION. 461 00:16:28,840 --> 00:16:31,110 - HASHTAG'S LOOKING FOR YOU, HANK. 462 00:16:31,140 --> 00:16:35,040 - WHAT THE FUCK DOES THAT ASSHOLE WANT NOW? 463 00:16:35,080 --> 00:16:38,210 HE'S STANDING RIGHT BEHIND ME, ISN'T HE? 464 00:16:39,450 --> 00:16:40,580 - I THOUGHT WE WAS FRIENDS, MOODY. 465 00:16:40,620 --> 00:16:42,290 - WE ARE, HASHTAG. WE ARE. 466 00:16:42,320 --> 00:16:44,150 IT'S JUST--IT'S-- I'M IN SUCH A FRENZY HERE, 467 00:16:44,190 --> 00:16:47,660 AND THIS BITCH IS RUNNING OFF THE RAILS AS WE SPEAK. 468 00:16:47,690 --> 00:16:49,560 - COME ON, WALK WITH ME. 469 00:16:49,590 --> 00:16:51,560 MAN, WHAT THE FUCK IS UP WITH THAT MOTHERFUCKER? 470 00:16:51,590 --> 00:16:53,130 - WHICH ONE? 471 00:16:53,160 --> 00:16:55,100 - THE ONE WHOSE GENDER CONFUSES THE SHIT OUT OF ME. 472 00:16:55,130 --> 00:16:57,770 - TERRY, YEP. - YEAH, TERRY. 473 00:16:57,800 --> 00:16:59,370 WHAT'S THE DEAL WITH THAT LADY-DUDE? 474 00:16:59,400 --> 00:17:01,240 - I HAVEN'T BEEN ABLE TO GET A STRAIGHT ANSWER. 475 00:17:01,270 --> 00:17:02,840 I DON'T KNOW. - YOU SMOKE WEED? 476 00:17:02,870 --> 00:17:05,540 - I MOST CERTAINLY DO. - SMOKE WITH ME. 477 00:17:05,570 --> 00:17:08,210 VAPORIZER. - I WILL. 478 00:17:11,750 --> 00:17:13,550 - LEVEL WITH ME, MOODY. 479 00:17:13,580 --> 00:17:15,820 YOU THINK I GOT WHAT IT TAKES? - WHAT IT TAKES? 480 00:17:15,850 --> 00:17:17,520 - YEAH, TO HANDLE SUPERSTARDOM. 481 00:17:17,550 --> 00:17:21,720 - SURE. WHY NOT, HASHTAG? YOU'RE AS COOL AS THEY COME. 482 00:17:21,760 --> 00:17:24,860 - I PRESENT MYSELF THAT WAY, BUT I DON'T KNOW, MAN. 483 00:17:24,890 --> 00:17:27,200 IT'S LIKE, SOMETIMES I WANT TO GO BACK TO THE CLUBS, 484 00:17:27,230 --> 00:17:28,730 YOU KNOW, MAKE MOTHERFUCKERS LAUGH THEIR ASSES OFF, 485 00:17:28,760 --> 00:17:30,700 YOU KNOW WHAT I'M SAYING? - YEAH, I GET IT. 486 00:17:30,730 --> 00:17:33,100 SOMETIMES I WANT TO GO BACK TO MY CHILDHOOD BEDROOM 487 00:17:33,140 --> 00:17:35,170 AND WRITE A SHORT STORY AND THEN PLEASURE MYSELF 488 00:17:35,200 --> 00:17:38,240 TO MY TRUSTY OLD COPY OF PENTHOUSE LETTERS. 489 00:17:38,270 --> 00:17:40,110 - YOU KNOW, IF THIS SHIT FLOPS, RIGHT, 490 00:17:40,140 --> 00:17:42,110 MY FACE IS ON EVERY BILLBOARD. 491 00:17:42,150 --> 00:17:43,850 THAT'S WHY I'M SO PARTICULAR ABOUT MY SHIT. 492 00:17:43,880 --> 00:17:45,710 - I-I UNDERSTAND. IT'S JUST-- 493 00:17:45,750 --> 00:17:48,320 I WOULDN'T STEER YOU WRONG, HASHTAG. 494 00:17:48,350 --> 00:17:51,390 - SO WHAT YOU THINK ABOUT AMY TAYLOR WALSH? 495 00:17:51,420 --> 00:17:52,720 - VERY TALENTED. 496 00:17:52,760 --> 00:17:54,420 - YEAH, YEAH, SHE'S A GOOD ACTOR AND ALL. 497 00:17:54,460 --> 00:17:56,890 I'M SAYING, LIKE, YOU KNOW, SHE'S CRAZY HOT, RIGHT? 498 00:17:56,930 --> 00:17:58,730 HEY, WHY DON'T YOU WRITE ME A SCENE WHERE ME AND HER-- 499 00:17:58,760 --> 00:18:00,460 LIKE, WE'RE JUST MAKING OUT. 500 00:18:00,500 --> 00:18:02,570 I MEAN, I DON'T CARE IF IT'S, LIKE, A DREAM SEQUENCE. 501 00:18:02,600 --> 00:18:03,600 THAT WAY, IF THE SHOW GET CANCELED, 502 00:18:03,630 --> 00:18:04,730 AT LEAST I'LL HAVE THAT. 503 00:18:04,770 --> 00:18:06,370 - I COULD DO THAT FOR YOU, HASHTAG, 504 00:18:06,400 --> 00:18:08,400 BUT I THINK THE THIRD EPISODE IS TOO SOON, YOU KNOW? 505 00:18:08,440 --> 00:18:10,640 - I TRUST YOUR INSTINCTS. 506 00:18:10,670 --> 00:18:12,310 - I THOUGHT YOU WERE INTO JULIA. 507 00:18:12,340 --> 00:18:15,210 - NAH, JULIA, MAN-- IT'S TOO COMPLICATED. 508 00:18:15,240 --> 00:18:16,750 YOU GOT A KID WITH HER. RATH DIGS HER. 509 00:18:16,780 --> 00:18:18,480 [clicks tongue] I'M GOOD, MAN. 510 00:18:18,510 --> 00:18:20,320 I'M NOT TRYING TO HAVE A PROJECT ON MY HANDS, YOU FEEL ME? 511 00:18:20,350 --> 00:18:23,220 - COPY THAT, MOTHERFUCKER. - [laughs] 512 00:18:23,250 --> 00:18:24,350 YEAH, MAN. 513 00:18:24,390 --> 00:18:25,750 YOU KNOW, I'M HAPPY WE HAD THIS TALK. 514 00:18:25,790 --> 00:18:27,520 I FEEL LIKE WE CONNECTED ON A HUMAN LEVEL. 515 00:18:27,560 --> 00:18:28,790 - ME TOO. 516 00:18:28,820 --> 00:18:30,660 - I REALLY RESPECT YOUR WRITING. - THANK YOU. 517 00:18:30,690 --> 00:18:33,160 AND I REALLY RESPECT YOUR TASTE IN WEED. 518 00:18:33,200 --> 00:18:35,600 - HEY, WE CAN SMOKE ANYTIME. 519 00:18:35,630 --> 00:18:37,300 - BOYS! AH! 520 00:18:37,330 --> 00:18:39,740 - [laughs] WHAT UP? WHAT UP? - OH, WHOO! 521 00:18:39,770 --> 00:18:41,570 - HEY, Y'ALL GOT SOME PITCHES FOR ME? 522 00:18:41,600 --> 00:18:43,510 - YEAH! YO, MAN, WE GOT A PHONE BOOK 523 00:18:43,540 --> 00:18:45,440 FULL OF FUNNY SHIT RIGHT HERE, BROTHER, RIGHT HERE. 524 00:18:45,470 --> 00:18:46,880 - WE'RE SHITTING JOKES ON THE WALK OVER HERE, BOY. 525 00:18:46,910 --> 00:18:48,240 - SHITTING JOKES? SHITTING JOKES! 526 00:18:48,280 --> 00:18:49,910 - WHAT? WHAT? WHAT? [laughter] 527 00:18:49,950 --> 00:18:51,580 - SHIT THEM JOKES! HEY, FUCK EXPOSITION, RIGHT? 528 00:18:51,610 --> 00:18:53,520 - WAIT, WAIT, HOLD IT. WHAT ARE YOU TALKING ABOUT? 529 00:18:53,550 --> 00:18:55,880 - OH, I HAD THEM REWRITE THE SCENE, YOU KNOW WHAT I'M SAYING? 530 00:18:55,920 --> 00:18:57,920 PUNCH IT UP, MAKE IT FUNNY. - MY--MY SCENE? 531 00:18:57,950 --> 00:18:59,890 THE ONE I WROTE, THE ONE WE'RE ABOUT TO SHOOT? 532 00:18:59,920 --> 00:19:01,560 - I MEAN, YOU SAID YOU DIDN'T WANT TO REWRITE IT, 533 00:19:01,590 --> 00:19:03,430 SO I HAD THESE BOYS COME IN, YOU KNOW, MAKE IT FUNNY. 534 00:19:03,460 --> 00:19:05,660 AND PLUS, YOU KNOW WHAT? YOU'RE NOT A COMEDY WRITER. 535 00:19:05,690 --> 00:19:08,260 - BUT I'M WITTY, RIGHT? [laughter] 536 00:19:08,300 --> 00:19:11,300 - SORRY, MOODY. - I STILL LOVE YOU, MOODY. 537 00:19:11,330 --> 00:19:13,640 - AMY TAYLOR WALSH WANTS TO SEE YOU... 538 00:19:13,670 --> 00:19:15,540 IN HER TRAILER. - LOVELY. 539 00:19:15,570 --> 00:19:16,940 - DO YOU WANT ME TO CHAPERONE? 540 00:19:16,970 --> 00:19:18,940 I DO HAVE A LOT OF EXPERIENCE WITH THESE WEIRDOES. 541 00:19:18,970 --> 00:19:21,540 - THAT IS A KIND OFFER, TERRY, BUT-- 542 00:19:21,580 --> 00:19:22,680 BUT, NO, THANK YOU. 543 00:19:22,710 --> 00:19:24,950 BUT--BUT CAN I ASK YOU SOMETHING? 544 00:19:24,980 --> 00:19:28,320 - YES. 545 00:19:28,350 --> 00:19:31,250 - NEVER MIND. 546 00:19:31,290 --> 00:19:32,860 FORGET IT. 547 00:19:40,960 --> 00:19:43,970 [knock at door] - COME IN. 548 00:19:47,970 --> 00:19:48,900 - WOWZA. 549 00:19:48,940 --> 00:19:51,670 - JUST WANTED YOUR THOUGHTS ON MY WARDROBE. 550 00:19:51,710 --> 00:19:53,440 - HUH. - WHAT DO YOU THINK? 551 00:19:53,480 --> 00:19:55,240 - I THINK IT LOOKS GREAT. 552 00:19:55,280 --> 00:19:57,350 IS--IS THERE ANOTHER OPTION? 553 00:19:57,380 --> 00:19:58,550 - NOPE. [laughs] 554 00:19:58,580 --> 00:20:01,820 I JUST REALLY WANTED YOU TO SEE ME IN MY LACY UNDERTHINGS. 555 00:20:01,850 --> 00:20:04,850 - MISSION ACCOMPLISHED, AND THANK YOU FOR THAT. 556 00:20:04,890 --> 00:20:06,460 - YOU'RE WELCOME. 557 00:20:06,490 --> 00:20:08,620 YOU KNOW, I DO NEED TO FIX SOMETHING. 558 00:20:08,660 --> 00:20:11,890 - WHAT IS THAT? - THIS. 559 00:20:14,830 --> 00:20:16,630 - MM. - THERE, DONE. 560 00:20:16,670 --> 00:20:18,270 - WHAT--WHAT EXACTLY DID YOU FIX? 561 00:20:18,300 --> 00:20:19,870 - I JUST--I DIDN'T THINK IT WAS RIGHT 562 00:20:19,900 --> 00:20:22,540 THAT YOU'D GONE DOWN ON ME, AND WE HADN'T EVEN KISSED YET. 563 00:20:22,570 --> 00:20:23,710 - OH, YOU'RE RIGHT. 564 00:20:23,740 --> 00:20:25,270 THAT DOES SEEM A LITTLE IMPROPER. 565 00:20:25,310 --> 00:20:26,810 - MM-HMM. - ABSOLUTELY RIGHT. 566 00:20:26,840 --> 00:20:28,540 - YEAH, VERY. 567 00:20:28,580 --> 00:20:30,650 - OH, YOU--OOH, YOU KNOW WHAT, AMY TAYLOR WALSH? 568 00:20:30,680 --> 00:20:32,050 I'M GONNA GO OUT ON A LIMB HERE 569 00:20:32,080 --> 00:20:36,750 AND SUGGEST THAT PERHAPS THIS IS NOT THE BEST OF IDEAS. 570 00:20:36,790 --> 00:20:38,420 - WHY IS THAT? 571 00:20:38,450 --> 00:20:43,030 - BECAUSE THESE ARE THE TIMES THAT TRY MEN'S SOULS. 572 00:20:43,060 --> 00:20:44,890 - [laughs] IS THAT WHAT I'M DOING? 573 00:20:44,930 --> 00:20:47,500 - YEAH. - AM I TRYING YOUR SOUL? 574 00:20:47,530 --> 00:20:50,530 - AMONG OTHER THINGS. - [chuckles] 575 00:20:52,800 --> 00:20:55,440 MM. ARE YOU HIGH? 576 00:20:55,470 --> 00:20:57,940 - UM, A LITTLE BIT MORE THAN I'D LIKE TO BE. 577 00:20:57,970 --> 00:21:01,840 - HMM. WHO'D YOU GET HIGH WITH? 578 00:21:01,880 --> 00:21:04,710 [door opens] - AMY TAYLOR WALSH! 579 00:21:04,750 --> 00:21:07,080 WHAT THE-- WHAT THE-- 580 00:21:07,120 --> 00:21:09,080 WHAT THE FUCK IS THIS SHIT? - WHAT THE FUCK? 581 00:21:09,120 --> 00:21:10,920 YOU CAN'T JUST COME BUSTING INTO MY TRAILER! 582 00:21:10,950 --> 00:21:12,490 - LOCK THE FUCKING DOOR. 583 00:21:12,520 --> 00:21:14,490 - I WASN'T EXPECTING ANY FUCKING VISITORS. 584 00:21:14,520 --> 00:21:16,090 - LISTEN, I'M GONNA GO-- - THIS IS MY JOINT, OKAY? 585 00:21:16,120 --> 00:21:18,090 I'M NUMBER ONE ON THE CALL SHEET! 586 00:21:18,130 --> 00:21:20,330 - I DON'T GIVE A SHIT WHAT NUMBER YOU ARE, 587 00:21:20,360 --> 00:21:21,660 I'M NOT GONNA FUCK YOU, HASHTAG. 588 00:21:21,700 --> 00:21:23,100 - WELL, YOU MAKING A MISTAKE, 589 00:21:23,130 --> 00:21:24,970 'CAUSE BITCHES LOVE ME, AND I NEED AN ON-SET ROMANCE! 590 00:21:25,000 --> 00:21:26,870 - GO FUCK AN EXTRA! THAT'S WHAT THEY'RE FOR. 591 00:21:26,900 --> 00:21:29,710 - I'M TOO PRETTY FOR THAT. - GET OUT! 592 00:21:29,740 --> 00:21:31,110 - BULLSHIT! [door slams] 593 00:21:31,140 --> 00:21:33,810 - CAN YOU BELIEVE HOW UNPROFESSIONAL SOME PEOPLE ARE? 594 00:21:33,840 --> 00:21:35,410 - SO UNPROFESSIONAL. - SO CRAZY. 595 00:21:35,440 --> 00:21:36,450 [door opens] 596 00:21:36,480 --> 00:21:38,510 - MOODY, I CAN'T BELIEVE THIS, MAN. 597 00:21:38,550 --> 00:21:41,350 AFTER THE TALK WE HAD? THIS IS BULLSHIT. 598 00:21:41,380 --> 00:21:42,720 - GET OUT. 599 00:21:42,750 --> 00:21:44,090 - THEY'RE READY ON SET. 600 00:21:44,120 --> 00:21:46,860 - ALL RIGHT, LET'S MAKE SOME TELEVISION! 601 00:21:53,600 --> 00:21:55,830 ARE YOU ON YOUR WAY? - YEAH, I'M ON MY WAY. 602 00:21:55,860 --> 00:21:58,600 HOW ABOUT YOU? - I WILL BE, SHORTLY... 603 00:21:58,630 --> 00:21:59,770 VERY SHORTLY. 604 00:21:59,800 --> 00:22:00,970 WE JUST GOT TO REHEARSE THIS SCENE. 605 00:22:01,000 --> 00:22:02,810 30 MINUTES OR LESS. - OH, HANK. 606 00:22:02,840 --> 00:22:05,070 I DON'T WANT TO WAIT FOR WHAT ALREADY PROMISES 607 00:22:05,110 --> 00:22:07,110 TO BE A PRETTY UNPLEASANT CONVERSATION. 608 00:22:07,140 --> 00:22:08,680 - WHY YOU GOT TO BE LIKE THAT? 609 00:22:08,710 --> 00:22:10,580 I'M LOOKING FORWARD TO THIS. AND THANK YOU. 610 00:22:10,610 --> 00:22:12,150 THANK YOU FOR DOING IT. - IT'S OKAY. 611 00:22:12,180 --> 00:22:13,650 YOU KNOW, I JUST WANT TO TALK 612 00:22:13,680 --> 00:22:16,120 ABOUT HOW AND WHEN YOU PLAN TO TELL BECCA 613 00:22:16,150 --> 00:22:18,150 ABOUT ALL THE SHINY, NEW PEOPLE IN YOUR LIFE, 614 00:22:18,190 --> 00:22:19,760 AND THEN--AND THEN I WANT TO GO, OKAY? 615 00:22:19,790 --> 00:22:20,920 I WANT TO GO HOME. 616 00:22:20,960 --> 00:22:22,860 DEAL? - DEAL. 617 00:22:22,890 --> 00:22:24,490 BUT I JUST GOT TO SEE YOU SMILE 618 00:22:24,530 --> 00:22:27,700 BEFORE YOU GO HOME, OKAY? ONE TIME? 619 00:22:27,730 --> 00:22:29,130 - I CAN'T MAKE ANY PROMISES. 620 00:22:29,160 --> 00:22:31,730 - PERFECT. I WOULDN'T WANT IT ANY OTHER WAY. 621 00:22:31,770 --> 00:22:33,900 I'LL SEE YOU SOON. 622 00:22:42,580 --> 00:22:44,050 - I THOUGHT YOU COULD USE THIS. - OH. 623 00:22:44,080 --> 00:22:46,080 THANKS, KID, YOU READ MY MIND. 624 00:22:46,110 --> 00:22:48,520 - HOW DID I DO? WAS I ANY GOOD? 625 00:22:48,550 --> 00:22:50,890 - I DON'T REALLY REMEMBER IT, EXCEPT FOR THE FART, 626 00:22:50,920 --> 00:22:53,620 WHICH WAS GOOD-- SOLID, SOLID FART. 627 00:22:53,660 --> 00:22:55,920 - YEAH, IT WAS FUCKING EMBARRASSING, THOUGH. 628 00:22:55,960 --> 00:22:57,490 - IT WAS MEMORABLE. 629 00:22:57,530 --> 00:22:59,830 - YOU WERE RIGHT. EDDIE NERO IS A FUCKING PSYCHO. 630 00:22:59,860 --> 00:23:02,030 I MEAN, THE GUY WOULDN'T STOP TALKING ABOUT YOU 631 00:23:02,060 --> 00:23:03,230 AND TAKING A MAN IN HIS MOUTH. 632 00:23:03,270 --> 00:23:06,130 I THINK WHAT HE REALLY WANTS IS TO TAKE YOU IN HIS MOUTH. 633 00:23:06,170 --> 00:23:08,140 - OH, WELL, IT'S ALWAYS NICE TO BE WANTED. 634 00:23:08,170 --> 00:23:09,910 - YEAH. HOW'S IT GOING? 635 00:23:09,940 --> 00:23:11,910 - NOT GREAT. 636 00:23:11,940 --> 00:23:13,640 - ARE YOU STONED? - HUH? 637 00:23:13,680 --> 00:23:16,180 - ARE YOU STONED? - NOT AS MUCH AS I'D LIKE TO BE. 638 00:23:16,210 --> 00:23:18,510 - AND TRY ONE. - WE'LL JUST TRY IT. 639 00:23:18,550 --> 00:23:20,920 - WILL YOU JUST LISTEN? - AND ACTION. 640 00:23:20,950 --> 00:23:22,150 - FREEZE! - FREEZE! 641 00:23:22,180 --> 00:23:24,620 - YOU GOT THE RIGHT TO REMAIN SEXY. 642 00:23:24,650 --> 00:23:25,620 - OH, COME ON! 643 00:23:25,650 --> 00:23:28,960 - AND ANYTHING YOU SAY WILL BE HELD AGAINST ME. 644 00:23:28,990 --> 00:23:30,790 - ONE TIME, DO IT LIKE THE SCRIPT--ONCE. 645 00:23:30,830 --> 00:23:33,830 - DO YOU UNDERSTAND THE KISSES THAT'S COMING OUT OF MY MOUTH? 646 00:23:33,860 --> 00:23:36,160 - WHAT THE FUCK IS THIS? CUT! 647 00:23:36,200 --> 00:23:38,670 - WHO THE HELL IS YELLING "CUT" ON MY SE--OH, SORRY. 648 00:23:38,700 --> 00:23:40,470 - I CALL "CUT" WHEN I SEE THE INMATES 649 00:23:40,500 --> 00:23:41,540 RUNNING THE FUCKING ASYLUM! 650 00:23:41,570 --> 00:23:43,470 HANK, WHAT'S GOING ON HERE, MAN? 651 00:23:43,510 --> 00:23:45,170 - I THINK HASHTAG IS JUST WORKING SOME SHIT 652 00:23:45,210 --> 00:23:47,480 THROUGH HIS SYSTEM, AND--AND, YOU KNOW, 653 00:23:47,510 --> 00:23:49,180 WE'RE GONNA CIRCLE BACK AND GET IT ALL. 654 00:23:49,210 --> 00:23:50,750 IT'S GONNA BE FINE. - YOU'RE THE ADULT. 655 00:23:50,780 --> 00:23:52,050 YOU HAVE TO BABYSIT THEM, 656 00:23:52,080 --> 00:23:53,680 OR THEY'RE GONNA ROLLERBLADE ALL OVER YOU. 657 00:23:53,720 --> 00:23:55,780 - WAIT, WAIT, WAIT. MOODY'S YOUR IDEA OF AN ADULT... 658 00:23:55,820 --> 00:23:57,720 WHEN HE'S STICKING HIS PECKER IN ALL THE FEMALE ACTRESSES? 659 00:23:57,750 --> 00:23:58,950 FOR REAL? 660 00:23:58,990 --> 00:24:00,220 - OKAY, LET'S NOT REHASH ANCIENT HISTORY. 661 00:24:00,260 --> 00:24:02,060 THAT WAS WEEKS AGO. WE'RE PAST THAT. 662 00:24:02,090 --> 00:24:03,130 NOW LET'S DEAL WITH THIS. 663 00:24:03,160 --> 00:24:05,190 - OH, NO, IT WAS FIVE MINUTES AGO! 664 00:24:05,230 --> 00:24:07,000 I CAUGHT HIM MACKING ON AMY TAYLOR WALSH. 665 00:24:07,030 --> 00:24:08,230 - WHAT THE FUCK DID I TELL YOU? 666 00:24:08,260 --> 00:24:09,670 - YOU WERE MACKING ON HER? - [sighs] 667 00:24:09,700 --> 00:24:11,770 - WHAT DOES "MACKING" MEAN? - NOTHING. 668 00:24:11,800 --> 00:24:13,040 - IT MEANS, LIKE, MAKING OUT. 669 00:24:13,070 --> 00:24:16,040 - YOU WERE--YOU WERE MACKING ON HER WHEN YOU WERE INSIDE OF ME? 670 00:24:16,070 --> 00:24:17,770 - JULIA, HOLD ON. - WAIT. YOU WERE INSIDE HER? 671 00:24:17,810 --> 00:24:19,710 WHAT THE FUCK, MAN? - THAT DIDN'T HAPPEN. 672 00:24:19,740 --> 00:24:20,980 - MAY I SUGGEST A SIDEBAR? 673 00:24:21,010 --> 00:24:23,550 - SEE, I-I SHOULD HAVE TRUSTED MY GUT WITH YOU. 674 00:24:23,580 --> 00:24:25,250 I NEVER SHOULD HAVE HIRED YOU. I WAS RIGHT. 675 00:24:25,280 --> 00:24:27,950 YOU ARE A FUCKING TODDLER WITH A TOXIC PERSONALITY. 676 00:24:27,980 --> 00:24:29,590 - WAIT. DOES THIS MEAN YOU GUYS ARE GETTING BACK TOGETHER? 677 00:24:29,620 --> 00:24:31,290 'CAUSE THAT WOULD BE INCREDIBLE. 678 00:24:31,320 --> 00:24:32,920 IT'S LIKE THE WORLD'S GREATEST FUCKING LOVE STORY. 679 00:24:32,960 --> 00:24:34,720 - I CAN'T BELIEVE I'M PLAYING SECOND FIDDLE 680 00:24:34,760 --> 00:24:35,920 TO A FUCKING GUEST STAR. 681 00:24:35,960 --> 00:24:37,590 COME ON, REALLY? - THAT'S NOT VERY NICE. 682 00:24:37,630 --> 00:24:39,960 - LOOK, I'M NOT TRYING TO BE A BITCH. 683 00:24:40,000 --> 00:24:41,530 I'M-- - WAIT, WAIT. WAIT, WAIT. 684 00:24:41,560 --> 00:24:43,100 TIME-OUT, TIME-OUT. WHAT'S THE RULES? 685 00:24:43,130 --> 00:24:44,870 SHE SAID "BITCH." I CAN'T SAY "BITCH"? 686 00:24:44,900 --> 00:24:46,270 - NOBODY'S TALKING TO YOU! 687 00:24:46,300 --> 00:24:47,970 A WOMAN CAN SAY IT. EXACTLY. - OH, WOMEN CAN SAY IT? 688 00:24:48,000 --> 00:24:49,740 - I'M SORRY. I JUST-- I'M FEELING SLIGHTLY USED. 689 00:24:49,770 --> 00:24:51,740 THAT'S ALL IT WAS. SORRY. - I KNOW THE FEELING. 690 00:24:51,770 --> 00:24:53,280 - YOU KNEW I LIKED HER. WHERE'S YOUR FUCKING SENSE OF HONOR? 691 00:24:53,310 --> 00:24:55,940 - THIS GUY--HE HAS NO HONOR AND NO SHAME! 692 00:24:55,980 --> 00:24:57,610 - WATCH IT, YOU FUCKING WORM. YOU WANT THAT STINK FINGER? 693 00:24:57,650 --> 00:24:59,250 'CAUSE I'LL FUCKING GIVE IT TO YOU! 694 00:24:59,280 --> 00:25:00,920 - ALL RIGHT, YOU KNOW WHAT? YOU'RE FUCKING FIRED. 695 00:25:00,950 --> 00:25:03,190 TAKE YOUR FUCKING STINK FINGERS AND GET THE FUCK OFF MY SET, 696 00:25:03,220 --> 00:25:04,820 BEFORE YOU GIVE SOMEBODY PINKEYE! 697 00:25:04,850 --> 00:25:06,020 - OKAY, EXCUSE ME. 698 00:25:06,050 --> 00:25:07,660 WHOSE SET IS THIS? 699 00:25:07,690 --> 00:25:09,260 YOU WANT TO FIRE SOMEONE, YOU GOT TO GO THROUGH ME. 700 00:25:09,290 --> 00:25:12,030 - I'M AN EXECUTIVE PRODUCER. - IN NAME ONLY. 701 00:25:12,060 --> 00:25:13,830 - CAN I FIRE HIM? - NO! 702 00:25:13,860 --> 00:25:15,760 - YOU'RE LUCKY I LIVE TO SHOOT. 703 00:25:15,800 --> 00:25:18,130 - RATH, LOOK, IT'S COMPLICATED. - IT'S NOT COMPLICATED. 704 00:25:18,170 --> 00:25:20,170 I ASKED YOU, "ARE YOU OKAY WITH ME PURSUING HER?" 705 00:25:20,200 --> 00:25:21,670 - YES. - YOU SAID YOU WERE, RIGHT? 706 00:25:21,700 --> 00:25:23,310 - YES, YES. - THEN YOU MOVE IN ON HER? 707 00:25:23,340 --> 00:25:25,010 WHAT THE FUCK IS THAT? - I DIDN'T MOVE IN ON HER. 708 00:25:25,040 --> 00:25:26,270 BUT IT'S LIKE YOU SAID-- 709 00:25:26,310 --> 00:25:28,610 WE SHARE A KID. WE BOTH HAVE PRIVATE PARTS. 710 00:25:28,640 --> 00:25:30,050 SHIT HAPPENS. 711 00:25:30,080 --> 00:25:32,180 AND I'M NOT--I'M NOT GONNA APOLOGIZE FOR ANY OF THIS SHIT. 712 00:25:32,210 --> 00:25:33,880 IT'S NONE OF YOUR BUSINESS WHO SHE FUCKS 713 00:25:33,920 --> 00:25:37,020 OR WHO SHE DOESN'T FUCK, 'CAUSE IT'S UP TO HER. 714 00:25:37,050 --> 00:25:38,790 SHE DOESN'T EXIST TO SERVICE US. 715 00:25:38,820 --> 00:25:41,320 WE'RE LUCKY SHE EVEN LOOKS IN OUR DIRECTION OCCASIONALLY. 716 00:25:41,360 --> 00:25:43,930 - OH, I WANT TO BE MAD AT YOU, BUT THEN YOU'RE SO SWEET! 717 00:25:43,960 --> 00:25:46,700 - I KNOW. WHAT A FUCKING ASSHOLE. 718 00:25:46,730 --> 00:25:49,670 - WHAT THE-- - OKAY, BACK TO WORK! 719 00:25:49,700 --> 00:25:51,370 LET'S DO THE FUCKING SCENE, ALL RIGHT? 720 00:25:51,400 --> 00:25:53,240 IF THERE IS SO MUCH AS A COMMA OUT OF PLACE, 721 00:25:53,270 --> 00:25:56,670 WE STAY ALL NIGHT UNTIL WE GET IT! 722 00:25:56,710 --> 00:25:59,680 THIS ISN'T THE FUCKING IMPROV OLYMPICS, ALL RIGHT? 723 00:25:59,710 --> 00:26:02,040 IT'S RICK RATH'S FINISHING SCHOOL FOR ASSHOLES, 724 00:26:02,080 --> 00:26:05,080 WHERE THE SCRIPT IS INNOCENT UNTIL PROVEN GUILTY! 725 00:26:05,110 --> 00:26:08,220 [cell phone ringing] 726 00:26:11,120 --> 00:26:13,820 - KAREN, I AM SO SORRY. I'M ON MY WAY. 727 00:26:13,860 --> 00:26:15,720 - HANK, IT'S MARCY. 728 00:26:15,760 --> 00:26:17,690 - MARCY, WHAT ARE YOU DOING WITH KAREN'S PHONE? 729 00:26:17,730 --> 00:26:19,730 AND WHAT'S THIS I HEAR ABOUT YOU FUCKING STU FOR MONEY? 730 00:26:19,760 --> 00:26:21,230 - HANK, SHUT UP AND LISTEN TO ME. 731 00:26:21,260 --> 00:26:23,970 I GOT TO TRY TO GET THROUGH THIS WITHOUT CRYING. 732 00:26:24,000 --> 00:26:26,370 I'M AT THE HOSPITAL. 733 00:26:26,400 --> 00:26:29,870 KAREN WAS IN A CAR ACCIDENT. 734 00:26:36,950 --> 00:26:39,880 [engine turning] 55445

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