All language subtitles for Californication S06E08 Everybody s a Fucking Critic

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These are the user uploaded subtitles that are being translated: 1 00:00:07,260 --> 00:00:09,260 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:09,290 --> 00:00:11,100 IT'S TIME, BECCA, TIME YOU STOPPED 3 00:00:11,130 --> 00:00:12,530 THIS FUNNY BUSINESS AND WENT BACK TO SCHOOL. 4 00:00:12,560 --> 00:00:14,100 - NO, I'M NOT DOING THAT. 5 00:00:14,130 --> 00:00:15,330 - THERE'S A LOT MORE, LITTLE MISSY, 6 00:00:15,370 --> 00:00:16,570 TO BEING AN ARTIST 7 00:00:16,600 --> 00:00:18,270 THAN JUST ALTERING YOUR CONSCIOUSNESS 8 00:00:18,300 --> 00:00:19,170 ON A DAILY BASIS. 9 00:00:19,200 --> 00:00:20,400 - WHICH IS WHY I'M WRITING. 10 00:00:20,440 --> 00:00:21,510 - HOW MANY PAGES YOU GOT? 11 00:00:21,540 --> 00:00:22,540 - I'M CLOSING IN ON THREE HUNDY. 12 00:00:22,570 --> 00:00:23,710 - I HATE YOU. 13 00:00:23,740 --> 00:00:25,240 - IF I'M GONNA DO THIS THING, 14 00:00:25,280 --> 00:00:27,280 GET ME THE GUY WHO WROTE THE FUCKING BOOK. 15 00:00:27,310 --> 00:00:29,680 - DO WHAT? - GOD HATES US ALL. 16 00:00:29,710 --> 00:00:31,320 I FUCKING LOVED IT, MAN. 17 00:00:31,350 --> 00:00:33,280 - THEY'RE TURNING IT INTO A BROADWAY MUSICAL. 18 00:00:33,320 --> 00:00:35,720 - YOU WRITE THE SCRIPT, I WRITE THE MUSIC AND LYRICS. 19 00:00:35,750 --> 00:00:37,490 LET'S MAKE A FUCKING MASTERPIECE. 20 00:00:37,520 --> 00:00:38,620 - CONGRATULATIONS. 21 00:00:38,660 --> 00:00:42,230 YOU HAVE MADE IT TO THE NEXT ROUND. 22 00:00:42,260 --> 00:00:44,630 - I'LL GIVE YOU ONE OF DADDY'S LONG, SLOW TONGUE BATHS. 23 00:00:44,660 --> 00:00:45,630 [flutters tongue] 24 00:00:45,660 --> 00:00:47,630 - MEN ARE THE ENEMY. 25 00:00:47,660 --> 00:00:50,230 I ADVOCATE THE USE OF A COCK CAGE. 26 00:00:50,270 --> 00:00:52,340 - OPHELIA'S GONNA BE SO PISSED AT ME. 27 00:00:52,370 --> 00:00:55,140 - WE HAVE SEX FOR THE FIRST TIME IN YEARS, 28 00:00:55,170 --> 00:00:57,270 AND THIS IS THE FIRST THING TO CROSS YOUR MIND? 29 00:00:57,310 --> 00:00:59,710 - SO HOW WAS THE FUCKING FUN ZONE? 30 00:00:59,740 --> 00:01:01,150 - THERE WAS THIS ONE MOM-- 31 00:01:01,180 --> 00:01:03,180 - DID YOU DO SOMETHING WITH HER? - NO! 32 00:01:03,210 --> 00:01:05,680 - I'D KNOW THAT BENT FUCKING CHODE ANYWHERE. 33 00:01:05,720 --> 00:01:07,720 [moaning on laptop] 34 00:01:07,750 --> 00:01:09,850 - IS THAT WHAT I THINK IT IS? - SURE IS. 35 00:01:09,890 --> 00:01:11,520 WOULD YOU MIND TAKING A LOOK? 36 00:01:11,560 --> 00:01:14,190 - OF COURSE. I'D BE HONORED. 37 00:01:36,410 --> 00:01:39,350 WHAT ARE YOU DOING? - I'M STUDYING YOUR FACE. 38 00:01:39,380 --> 00:01:43,450 FOR THE TRUTH. 39 00:01:44,850 --> 00:01:46,190 YOU HATE IT. 40 00:01:46,220 --> 00:01:47,460 - THAT'S NOT TRUE. 41 00:01:47,490 --> 00:01:48,630 WHY WOULD YOU SAY THAT? 42 00:01:48,660 --> 00:01:49,730 NO. NO, NO, NO. 43 00:01:49,760 --> 00:01:51,400 - I CAN SEE IT ON YOUR FACE. 44 00:01:51,430 --> 00:01:53,160 - HAVE YOU MET ME, BECCA? I COULD BE HATING 45 00:01:53,200 --> 00:01:54,460 ON A MILLION OTHER THINGS RIGHT NOW. 46 00:01:54,500 --> 00:01:57,630 - WOW. THANKS. 47 00:01:57,670 --> 00:01:58,870 - IS IT PERFECT? 48 00:01:58,900 --> 00:02:00,870 NO, IT'S NOT, 49 00:02:00,900 --> 00:02:03,610 BUT FIRST DRAFTS RARELY ARE, SWEETHEART. 50 00:02:03,640 --> 00:02:06,210 - OKAY. SO WHAT ARE YOUR NOTES? 51 00:02:07,640 --> 00:02:09,250 - OKAY, THIS IS WHAT I WOULD DO. 52 00:02:09,280 --> 00:02:11,250 I WOULD TAKE THIS DRAFT, AND I WOULD PUT IT IN A DRAWER-- 53 00:02:11,280 --> 00:02:13,320 IT DOESN'T HAVE TO BE A REAL DRAWER, 54 00:02:13,350 --> 00:02:14,950 IT COULD BE A VIRTUAL DRAWER-- 55 00:02:14,980 --> 00:02:17,490 AND THEN GO OUT TONIGHT AND CELEBRATE ITS BIRTH. 56 00:02:17,520 --> 00:02:20,460 YOU KNOW, HOIST AN ALCOHOLIC BEVERAGE OR TWO. 57 00:02:20,490 --> 00:02:21,590 I WILL JOIN YOU. 58 00:02:21,630 --> 00:02:22,860 AND THEN, IN THE MORNING, 59 00:02:22,890 --> 00:02:24,230 YOU SHUT THAT DRAWER AND FORGET ABOUT IT. 60 00:02:24,260 --> 00:02:27,700 AND THEN YOU START ON THE NEXT ONE. 61 00:02:27,730 --> 00:02:29,900 - THE NEXT ONE? - YEAH. 62 00:02:29,930 --> 00:02:33,300 - WELL, WHAT KIND OF NOTE IS THAT? 63 00:02:34,570 --> 00:02:36,170 - A BIG ONE? 64 00:02:37,940 --> 00:02:39,780 - SO IT'S A DISASTER. - NO, I DIDN'T-- 65 00:02:39,810 --> 00:02:43,310 NO, NOT AT ALL. NOT AT ALL. 66 00:02:43,350 --> 00:02:45,350 - YOU DON'T EVEN THINK I'M A WRITER, DO YOU? 67 00:02:45,380 --> 00:02:48,820 - I THINK YOU'RE A WRITER IF YOU KEEP ON WRITING, BECCA. 68 00:02:48,850 --> 00:02:50,620 - AM I A WRITER? 69 00:02:50,650 --> 00:02:53,390 - WELL, I KNOW THAT, WHEN I SAW YOU READ YOUR PAGES HERE 70 00:02:53,420 --> 00:02:56,490 IN THE COFFEEHOUSE, I WAS-- I WAS PROUD OF YOU. 71 00:02:56,530 --> 00:02:57,630 - YOU SAW ME? 72 00:02:57,660 --> 00:03:00,300 - YEAH. YEAH, I SNUCK IN 73 00:03:00,330 --> 00:03:02,230 AND THEN OUT AGAIN UNSEEN. 74 00:03:02,270 --> 00:03:03,670 - I ASKED YOU NOT TO COME. 75 00:03:03,700 --> 00:03:05,600 - I KNOW, BUT YOU DIDN'T REALLY MEAN IT. 76 00:03:05,640 --> 00:03:07,400 - YES, I DID. 77 00:03:07,440 --> 00:03:11,580 - WELL, AREN'T YOU SECRETLY TOUCHED THAT I CARED ENOUGH 78 00:03:11,610 --> 00:03:15,810 TO DISOBEY YOUR WISHES? 79 00:03:15,850 --> 00:03:18,420 - THANKS FOR THE DESTRUCTIVE CRITICISM, DAD. 80 00:03:18,450 --> 00:03:20,720 - TO BE CONTINUED, SWEETHEART. 81 00:03:20,750 --> 00:03:24,290 ONE PAGE AT A TIME. 82 00:03:27,890 --> 00:03:29,660 I'M AN ASSHOLE. 83 00:03:29,690 --> 00:03:32,660 [upbeat music] 84 00:03:32,700 --> 00:03:40,800 * 85 00:04:14,440 --> 00:04:18,510 - [hums] 86 00:04:18,540 --> 00:04:22,750 [knocks rhythmically] 87 00:04:22,780 --> 00:04:25,880 OW. 88 00:04:25,920 --> 00:04:27,620 HEY. - HI, CHARLIE. 89 00:04:27,650 --> 00:04:29,020 - WHAT'S UP? 90 00:04:29,050 --> 00:04:30,720 HOW COME YOU HAVEN'T BEEN RETURNING MY CALLS, 91 00:04:30,750 --> 00:04:32,590 MY TEXTS? - YEAH, WELL, I THINK 92 00:04:32,620 --> 00:04:34,990 THAT I REALLY TOOK A MAJOR STEP BACKWARD, 93 00:04:35,020 --> 00:04:36,960 AND I DISRESPECTED MY SHENESS. 94 00:04:36,990 --> 00:04:38,400 - YOUR--WAIT. WHOA, WHOA, YOUR WHAT? 95 00:04:38,430 --> 00:04:41,030 I DON'T-- YOUR--YOUR "SHENESS"? 96 00:04:41,060 --> 00:04:43,670 I-I DON'T KNOW WHAT THE FUCK THAT IS. 97 00:04:43,700 --> 00:04:45,940 IS THIS--IS THIS ABOUT THE HOUSEWIFE HANNAH THING? 98 00:04:45,970 --> 00:04:47,570 BECAUSE I'M SORRY, 99 00:04:47,600 --> 00:04:50,510 BUT COME ON, YOU'VE BEEN TO THE FUN ZONE, RIGHT? 100 00:04:50,540 --> 00:04:52,510 I MEAN, IF SOMEBODY, YOU KNOW, OFFERED YOU 101 00:04:52,540 --> 00:04:54,380 AN ICE CREAM CONE IN HELL, WOULDN'T YOU TAKE IT? 102 00:04:54,410 --> 00:04:56,680 - [laughs] - YOU KNOW YOU WOULD. 103 00:04:56,710 --> 00:04:58,050 YOU KNOW WHAT I'M SAYING? 104 00:04:58,080 --> 00:05:00,820 - WOW. HIS PICTURES DON'T DO HIM JUSTICE. 105 00:05:00,850 --> 00:05:03,750 - OH, THANK YOU. - WHAT A WORM. 106 00:05:03,790 --> 00:05:05,090 - I'M SORRY? 107 00:05:05,120 --> 00:05:07,090 - YEAH, YOU SHOULD BE, YOU FUCKING CREEP. 108 00:05:07,120 --> 00:05:09,430 - OKAY, WHO IS SHE, 109 00:05:09,460 --> 00:05:11,400 AND WHY IS SHE BEING SO MEAN TO ME? 110 00:05:11,430 --> 00:05:13,400 - WELL, THIS IS OPHELIA ROBINS. 111 00:05:13,430 --> 00:05:16,100 - OH, THIS IS OPHELIA, THE AUTHOR. 112 00:05:16,130 --> 00:05:19,440 I'M-- HEY, CONGRATULATIONS. 113 00:05:19,470 --> 00:05:22,440 'CAUSE YOU'VE REALLY CREATED QUITE A CULT FOR YOURSELF 114 00:05:22,470 --> 00:05:23,910 WITH THOSE BOOKS OUT THERE, RIGHT? 115 00:05:23,940 --> 00:05:26,610 I'M CHARLIE RUNKLE, FORMERLY OF UTK. 116 00:05:26,640 --> 00:05:28,110 VERY NICE TO MEET YOU. 117 00:05:28,140 --> 00:05:31,980 - HOW DARE YOU OFFER ME THAT DISEASED APPENDAGE? 118 00:05:32,020 --> 00:05:34,580 - SHE'S VERY HOSTILE. 119 00:05:34,620 --> 00:05:36,850 - [clears throat] 120 00:05:36,890 --> 00:05:40,660 WELL, I JUST--I CAN'T SEE YOU ANYMORE, CHARLIE. 121 00:05:40,690 --> 00:05:41,860 - WHY? - WHY? 122 00:05:41,890 --> 00:05:43,990 YOU'VE DISRESPECTED THIS WOMAN 123 00:05:44,030 --> 00:05:45,600 TIME AND TIME AGAIN. 124 00:05:45,630 --> 00:05:47,130 YOU'VE HAD YOUR CHANCE. YOU BLEW IT. 125 00:05:47,160 --> 00:05:49,130 GO AWAY. - OKAY, WAIT. 126 00:05:49,170 --> 00:05:50,700 I DON'T KNOW WHO THE FUCK YOU ARE, LADY, OKAY, 127 00:05:50,730 --> 00:05:52,100 BUT YOU HAVE NO BUSINESS 128 00:05:52,140 --> 00:05:53,800 TELLING ME WHAT TO DO-- - HOW DARE YOU RAISE 129 00:05:53,840 --> 00:05:55,410 YOUR VOICE TO ME? - UH-OH. 130 00:05:55,440 --> 00:05:56,710 - AND I BET YOU'RE PROBABLY ONE OF THOSE GUYS 131 00:05:56,740 --> 00:05:58,610 WHO LIKES TO RAISE HIS HAND TO WOMEN TOO. 132 00:05:58,640 --> 00:06:00,080 - NO! 133 00:06:00,110 --> 00:06:02,010 I MEAN, UNLESS SHE WANTS IT. 134 00:06:02,050 --> 00:06:03,410 'CAUSE, YOU KNOW, THERE ARE SOME WOMEN 135 00:06:03,450 --> 00:06:04,880 WHO SOMETIMES WANT TO BE, YOU KNOW, 136 00:06:04,910 --> 00:06:06,750 A LITTLE LIGHT SLAPPING NOW AND AGAIN. 137 00:06:06,780 --> 00:06:09,020 SOME EVEN LIKE TO HAVE THEIR BREASTS SLAPPED 138 00:06:09,050 --> 00:06:10,750 A LITTLE BIT-- - UGH, GOD, HE'S EVEN MORE 139 00:06:10,790 --> 00:06:12,460 OF A MONSTER THAN I EVER IMAGINED, MARCY. 140 00:06:12,490 --> 00:06:13,990 LET'S GO. - EVEN YOU ASKED ONE TIME. 141 00:06:14,020 --> 00:06:15,120 - DON'T! - YOU ASKED ME TO! 142 00:06:15,160 --> 00:06:17,590 MARCY! MARCY! 143 00:06:17,630 --> 00:06:19,960 I'LL CALL YOU. 144 00:06:21,200 --> 00:06:24,170 [lock clicks] JE-SUS. 145 00:06:24,200 --> 00:06:27,800 I HAVE TO SCHEDULE THE DEPROGRAMMING. 146 00:06:27,840 --> 00:06:30,470 [typing] 147 00:06:30,510 --> 00:06:32,740 HOW'S THE NEXT BROADWAY SMASH COMING, BUDDY? 148 00:06:32,780 --> 00:06:35,040 IS IT WHISKEY, WEED, AND ZEVON TIME YET? 149 00:06:35,080 --> 00:06:37,650 - ALMOST. JUST HOLD YOUR BALD HORSES. 150 00:06:37,680 --> 00:06:39,480 - YOU'RE WAY PAST DEADLINE, YOU KNOW? 151 00:06:39,520 --> 00:06:41,650 STU AND ATTICUS WERE EXPECTING A DRAFT WEEKS AGO. 152 00:06:41,690 --> 00:06:44,050 - YES, I'M WELL AWARE, BUT I'VE BEEN BUSY, 153 00:06:44,090 --> 00:06:45,190 YOU KNOW, PUTTING 'EM OFF. 154 00:06:45,220 --> 00:06:46,590 YOU'RE NOT HELPING. 155 00:06:46,620 --> 00:06:47,990 - SORRY. 156 00:06:48,020 --> 00:06:50,630 JEEZ. 157 00:06:54,100 --> 00:06:55,670 HOW DO YOU FEEL ABOUT IT? IS IT ANY GOOD? 158 00:06:55,700 --> 00:06:57,230 - HOW THE FUCK SHOULD I KNOW? 159 00:06:57,270 --> 00:06:58,870 I DO LIKE WRITING MUSICALS, THOUGH. 160 00:06:58,900 --> 00:07:00,470 YOU JUST WRITE A FEW PAGES, AND THEN SOMEBODY 161 00:07:00,500 --> 00:07:01,770 SUDDENLY BREAKS INTO SONG, 162 00:07:01,810 --> 00:07:03,740 AND I DON'T HAVE TO WORRY ABOUT THAT PART. 163 00:07:03,770 --> 00:07:05,070 WINNING! 164 00:07:05,110 --> 00:07:07,010 - I LOVE MUSICALS. 165 00:07:07,040 --> 00:07:08,040 - REALLY? 166 00:07:08,080 --> 00:07:09,610 SINCE WHEN? 167 00:07:09,650 --> 00:07:11,750 - HIGH SCHOOL PRODUCTION OF GUYS AND DOLLS. 168 00:07:11,780 --> 00:07:13,950 THE TIME OF MY YOUNG LIFE. 169 00:07:13,980 --> 00:07:15,220 - [chuckles] 170 00:07:15,250 --> 00:07:16,590 - I FINGERED A GIRL FOR THE FIRST TIME 171 00:07:16,620 --> 00:07:17,920 AT THE OPENING NIGHT PARTY. - OOH. 172 00:07:17,950 --> 00:07:20,060 - SHE WAS INCREDIBLY DRY, HANK. 173 00:07:20,090 --> 00:07:22,790 I THINK I WAS HURTING HER. 174 00:07:22,830 --> 00:07:24,060 SHE CRIED. 175 00:07:24,090 --> 00:07:25,830 - OH. 176 00:07:25,860 --> 00:07:29,100 NOTHING LIKE A SWEET, LITTLE CHUCK RUNKLE COMING-OF-AGE STORY 177 00:07:29,130 --> 00:07:31,740 TO MAKE YOU WANT TO STAB YOURSELF IN THE DICK. 178 00:07:31,770 --> 00:07:33,000 DONE. HIT IT! 179 00:07:33,040 --> 00:07:36,240 - WHOO-HOO-HOO! 180 00:07:36,270 --> 00:07:37,840 [a Warren Zevon song plays] 181 00:07:37,870 --> 00:07:39,580 - WHERE'S MY WEED? 182 00:07:39,610 --> 00:07:41,140 - WE'RE OUT. - WELL, YOU CAN'T 183 00:07:41,180 --> 00:07:43,680 REALLY HAVE WHISKEY, WEED, AND WARREN ZEVON 184 00:07:43,710 --> 00:07:45,720 WITHOUT THE WEED. 185 00:07:45,750 --> 00:07:46,980 - I KNOW. 186 00:07:47,020 --> 00:07:48,590 I'LL PICK SOME UP ON THE WAY BACK. 187 00:07:48,620 --> 00:07:50,720 I'M MAKING COPIES, AND I'M HAND-DELIVERING 188 00:07:50,750 --> 00:07:52,620 TO ATTICUS AND STU. 189 00:07:52,660 --> 00:07:53,860 - YEAH, BECAUSE THAT'S JUST THE KIND 190 00:07:53,890 --> 00:07:56,060 OF SIMPLE-MINDED LACKEY YOU ARE. 191 00:07:56,090 --> 00:07:57,590 - OH, OH, HANK? 192 00:07:57,630 --> 00:08:00,030 KAREN IS HERE, AND SHE DOES NOT LOOK HAPPY. 193 00:08:00,060 --> 00:08:01,730 - MM, WHAT ELSE IS NEW? 194 00:08:01,770 --> 00:08:03,930 - HEY. 195 00:08:03,970 --> 00:08:05,870 - PEACE OUT, BITCHES. 196 00:08:05,900 --> 00:08:08,770 - WHAT DID YOU SAY TO HER? 197 00:08:08,810 --> 00:08:10,110 - WHAT DID SHE SAY I SAID? 198 00:08:10,140 --> 00:08:12,580 - SHE SAID THAT YOU SAID IT WAS A PIECE OF SHIT 199 00:08:12,610 --> 00:08:15,040 AND THAT SHE SHOULD THROW IT OUT AND START AGAIN. 200 00:08:15,080 --> 00:08:16,610 - THAT IS NOT WHAT I SAID... 201 00:08:16,650 --> 00:08:17,850 EXACTLY. 202 00:08:17,880 --> 00:08:19,020 - WHY WOULD YOU DO THAT? 203 00:08:19,050 --> 00:08:20,680 WHY WOULD YOU BE SO BLUNT? 204 00:08:20,720 --> 00:08:22,190 WHY DO YOU WANT TO HURT HER FEELINGS? 205 00:08:22,220 --> 00:08:23,890 - I DIDN'T WANT TO. I DIDN'T MEAN TO. 206 00:08:23,920 --> 00:08:25,120 SHE KIND OF AMBUSHED ME. 207 00:08:25,150 --> 00:08:26,620 AND SHE DOES NEED TO THROW THAT OUT 208 00:08:26,660 --> 00:08:27,890 AND START AGAIN. 209 00:08:27,920 --> 00:08:29,790 IT'S A GOOD LESSON FOR A YOUNG SCRIBE. 210 00:08:29,830 --> 00:08:31,330 YOU KNOW, GET ALL THE BAD SHIT OUT OF YOUR SYSTEM. 211 00:08:31,360 --> 00:08:33,330 SHE'S WAY AHEAD OF WHERE I WAS AT THAT AGE. 212 00:08:33,360 --> 00:08:35,670 - OH, OKAY, GOOD. SO DID YOU TELL HER THAT? 213 00:08:35,700 --> 00:08:37,170 - NO, I DIDN'T GET A CHANCE. 214 00:08:37,200 --> 00:08:39,070 SHE STORMED OFF INTO A SILENT TREATMENT. 215 00:08:39,100 --> 00:08:41,200 JUST LIKE HER MOM. SHE GETS THAT FROM YOU. 216 00:08:41,240 --> 00:08:43,140 VERY EFFECTIVE. WORKS EVERY TIME. 217 00:08:43,170 --> 00:08:44,670 - SHE STORMED OFF 218 00:08:44,710 --> 00:08:46,310 BECAUSE YOU DON'T KNOW HOW TO TALK TO HER. 219 00:08:46,340 --> 00:08:48,180 - I THINK I KNOW HOW TO TALK TO MY OWN DAUGHTER, KAREN. 220 00:08:48,210 --> 00:08:49,810 - I DON'T THINK YOU DO, BECAUSE IF YOU DID, 221 00:08:49,850 --> 00:08:52,680 SHE WOULDN'T BE SO DEPRESSED RIGHT NOW. 222 00:08:52,720 --> 00:08:55,080 SHE'S TALKING ABOUT GOING TO LAW SCHOOL. 223 00:08:55,120 --> 00:08:56,920 - REALLY? AWESOME. 224 00:08:56,950 --> 00:08:58,820 - THAT'S AWESOME? - YEAH. 225 00:08:58,860 --> 00:09:00,920 BECAUSE IF I CAN TALK HER OUT OF BEING A WRITER, 226 00:09:00,960 --> 00:09:02,330 THEN SHE SHOULDN'T BE A WRITER. 227 00:09:02,360 --> 00:09:03,590 - OH, WHY? BECAUSE THERE'S ONLY ROOM 228 00:09:03,630 --> 00:09:05,190 FOR ONE WRITER IN THIS FAMILY? 229 00:09:05,230 --> 00:09:08,000 - AWW, YOU CALLED US A FAMILY. - SHUT UP. 230 00:09:08,030 --> 00:09:10,100 - NO, BECAUSE PEOPLE WHO AREN'T WRITERS 231 00:09:10,130 --> 00:09:11,740 SHOULD NOT BE WRITERS, KAREN. 232 00:09:11,770 --> 00:09:14,670 DOES THAT MAKE ANY SENSE? - I CAN UNDERSTAND THAT. 233 00:09:14,700 --> 00:09:17,210 WHAT I DON'T UNDERSTAND IS HOW YOU CAN BE SO HARSH 234 00:09:17,240 --> 00:09:19,080 AND SO MEAN TO SOMEONE YOU LOVE. 235 00:09:19,110 --> 00:09:20,680 YOU COULD SAVE THAT SHIT 236 00:09:20,710 --> 00:09:22,810 FOR WHEN YOU HAVE TO GO BACK TO TEACHING. 237 00:09:22,850 --> 00:09:25,180 - OOH, WHO'S BEING MEAN AND HARSH NOW? 238 00:09:25,210 --> 00:09:28,890 THERE IT IS! STORM OFF INTO SILENT TREATMENT! 239 00:09:31,760 --> 00:09:32,720 [door slams] 240 00:09:32,760 --> 00:09:34,290 MUST BE ME. 241 00:09:34,320 --> 00:09:37,660 [rock music] 242 00:09:37,690 --> 00:09:40,260 * 243 00:09:44,870 --> 00:09:49,140 - SAY, HAVE YOU MET THIS OPHELIA CHARACTER? 244 00:09:49,170 --> 00:09:51,640 - OH, SHE IS A FUCKING FRUITCAKE. 245 00:09:51,680 --> 00:09:53,310 - I KNOW. SHE SLAPPED ME. 246 00:09:53,340 --> 00:09:54,710 - OH, YOU THINK THAT'S BAD? 247 00:09:54,740 --> 00:09:56,410 SHE HAD ME IN A FUCKING COCK CAGE. 248 00:09:56,450 --> 00:09:58,680 - WHAT IS A COCK CAGE? 249 00:09:58,720 --> 00:10:01,220 - IT TRAPS YOUR PENIS IN ITS FLACCID STA-- 250 00:10:01,250 --> 00:10:02,990 - LADIES, ENOUGH OF YOUR JIBBER-JABBER. 251 00:10:03,020 --> 00:10:04,650 YOU HAVEN'T SAID ANYTHING ABOUT THE SCRIPT. 252 00:10:04,690 --> 00:10:07,790 HAVE YOU EVEN READ IT? 253 00:10:07,820 --> 00:10:09,130 - I HAVE. 254 00:10:09,160 --> 00:10:10,990 - OKAY. WHAT'D YOU THINK? 255 00:10:11,030 --> 00:10:15,130 - IT... WAS... 256 00:10:15,160 --> 00:10:16,700 VERY YOU. 257 00:10:16,730 --> 00:10:18,800 - WHAT THE FUCK DOES THAT MEAN? 258 00:10:18,840 --> 00:10:20,400 - IT'S A LITTLE DARK, HANK. 259 00:10:20,440 --> 00:10:22,670 - DARK IS WHAT I DO. THAT'S WHAT YOU HIRED ME FOR. 260 00:10:22,710 --> 00:10:24,170 - IT'S A BROADWAY MUSICAL, HANK. 261 00:10:24,210 --> 00:10:26,410 - IT'S A ROCK OPERA, AND IT'S TRUE TO THE BOOK, 262 00:10:26,440 --> 00:10:29,410 WHICH IS WHAT ATTICUS WANTED. 263 00:10:31,750 --> 00:10:32,980 - THANK YOU FOR COMING, EVERYBODY. 264 00:10:33,020 --> 00:10:34,220 UNFORTUNATELY, I HAVE TO GO IN A MOMENT. 265 00:10:34,250 --> 00:10:35,790 I'M FLYING TO LONDON 266 00:10:35,820 --> 00:10:39,090 TO SIT DOWN WITH EDDIE NERO AND SIR BOB GELDOFF. 267 00:10:39,120 --> 00:10:42,430 WE'RE TALKING ABOUT DOING THIS GLOBAL RELIEF CONCERT THING. 268 00:10:42,460 --> 00:10:43,990 IT'S, YOU KNOW-- 269 00:10:44,030 --> 00:10:45,290 SPEAKING OF RELIEF, 270 00:10:45,330 --> 00:10:48,260 THIS IS A FUCKING DISASTER. 271 00:10:48,300 --> 00:10:51,030 - WHAT? - IT'S SHIT, HANK. 272 00:10:51,070 --> 00:10:52,970 IT'S A FUCKING SHAMBLES. 273 00:10:53,000 --> 00:10:54,970 IT'S-- 274 00:10:55,000 --> 00:10:56,170 IT'S BOLLOCKS. 275 00:10:56,210 --> 00:10:57,710 - UM, I AGREE. 276 00:10:57,740 --> 00:11:01,140 HANK, I'M SORRY. IT NEEDS WORK. 277 00:11:01,180 --> 00:11:02,910 - YEAH, WE'RE REALLY GONNA HAVE 278 00:11:02,950 --> 00:11:04,410 TO ROLL UP OUR SLEEVES ON THIS ONE. 279 00:11:04,450 --> 00:11:05,980 - WHAT THE FUCK ARE YOU GUYS TALKING ABOUT? 280 00:11:06,020 --> 00:11:07,980 IT'S A ROCK OPERA WITH THE TONE OF MY BOOK. 281 00:11:08,020 --> 00:11:09,750 - [sniffs] - THAT'S WHAT YOU WANTED. 282 00:11:09,790 --> 00:11:11,320 - I DON'T EVEN LIKE THE FUCKING BOOK. 283 00:11:11,350 --> 00:11:13,790 - YOU SAID YOU LOVED IT. 284 00:11:13,820 --> 00:11:16,430 REMEMBER? ON YOUR FLYING WHOREHOUSE? 285 00:11:16,460 --> 00:11:17,990 - YEAH, I REMEMBER, BUT WHEN I SAID THAT, 286 00:11:18,030 --> 00:11:20,200 I HADN'T READ IT. - SO YOU LIED? 287 00:11:20,230 --> 00:11:21,930 - I WOULDN'T LOOK AT IT LIKE THAT. 288 00:11:21,970 --> 00:11:22,970 I LIKED THE TITLE. 289 00:11:23,000 --> 00:11:24,000 IT WAS QUITE STRIKING. 290 00:11:24,030 --> 00:11:25,400 TITLES MEAN A LOT TO ME, 291 00:11:25,430 --> 00:11:27,270 BUT WHEN I GOT AROUND TO READING THE FUCKING BOOK, 292 00:11:27,300 --> 00:11:29,240 OH, MY GOD, IT'S SO DEPRESSING. 293 00:11:29,270 --> 00:11:33,010 IT'S LIKE IT'S DICKENSIAN BUT NOT IN A GOOD WAY. 294 00:11:33,040 --> 00:11:35,010 THE WORKING CLASSES WANT TO LEAVE 295 00:11:35,040 --> 00:11:38,350 A BROADWAY THEATER FEELING THE WAY THEY FEEL 296 00:11:38,380 --> 00:11:39,820 WHEN THEY LEAVE ONE OF MY CONCERTS. 297 00:11:39,850 --> 00:11:42,220 - WITH TINNITUS? - HAPPY, UPLIFTED, INSPIRED, 298 00:11:42,250 --> 00:11:43,750 PREFERABLY A LITTLE BIT HORNY. 299 00:11:43,790 --> 00:11:45,220 - YEAH, WELL, THAT'S VERY FUNNY 300 00:11:45,250 --> 00:11:47,220 'CAUSE I'M NOT FEELING VERY HORNY RIGHT NOW. 301 00:11:47,260 --> 00:11:48,990 JUST HOMICIDAL MAYBE. 302 00:11:49,030 --> 00:11:51,490 - HANK, WE'RE GONNA NEED YOU TO BURN THIS DRAFT, 303 00:11:51,530 --> 00:11:53,830 JUST FORGET ALL ABOUT IT. 304 00:11:53,860 --> 00:11:57,830 CHALK IT UP TO A CREATIVE MISCARRIAGE. 305 00:11:57,870 --> 00:12:01,000 BUT WHEN YOU GET UP TOMORROW, 306 00:12:01,040 --> 00:12:02,370 YOU TAKE A FRESH PAGE, 307 00:12:02,410 --> 00:12:04,370 YOU PUT IT IN YOUR TYPER, 308 00:12:04,410 --> 00:12:06,480 AND YOU START A NEW ONE, 309 00:12:06,510 --> 00:12:11,850 ONE THAT HUES CLOSER TO THE TONE OF THE MOVIE. 310 00:12:11,880 --> 00:12:15,080 CAN YOU DO THAT? 311 00:12:15,120 --> 00:12:17,990 OTHERWISE, AARON SORKIN HAS EXPRESSED INTEREST 312 00:12:18,020 --> 00:12:19,420 IN WORKING WITH ATTICUS. 313 00:12:19,460 --> 00:12:20,890 - I HEAR HE'S QUITE GOOD, ISN'T HE? 314 00:12:20,920 --> 00:12:22,430 - HE'S THE BEST IN THE BUSINESS. 315 00:12:22,460 --> 00:12:24,290 JUST ASK HIM. 316 00:12:24,330 --> 00:12:26,200 AND HE IS A BIG ADMIRER OF YOUR WORK. 317 00:12:26,230 --> 00:12:28,000 - AS I AM OF HIS. 318 00:12:28,030 --> 00:12:29,570 - THIS IS BULLSHIT. 319 00:12:29,600 --> 00:12:31,300 - YOU KNOW WHY, HANK? 320 00:12:31,330 --> 00:12:34,470 - NO, WHY? 321 00:12:34,500 --> 00:12:37,440 - BECAUSE YOU CAN'T HANDLE THE TRUTH! 322 00:12:37,470 --> 00:12:40,080 [laughter] 323 00:12:40,110 --> 00:12:41,310 - [sarcastic laugh] 324 00:12:41,340 --> 00:12:42,480 - THAT'S SO GOOD. 325 00:12:42,510 --> 00:12:44,410 [indistinct chatter] 326 00:12:44,450 --> 00:12:47,580 [rock music] 327 00:12:47,620 --> 00:12:56,130 * 328 00:12:56,160 --> 00:12:59,260 - YOU THINK HANK'LL BE ABLE TO PULL A DECENT DRAFT 329 00:12:59,300 --> 00:13:01,160 OUT OF HIS ASS? - SURE, SURE. 330 00:13:01,200 --> 00:13:03,900 LOOK, IT'S JUST-- IT'S HIS PROCESS, STU, OKAY? 331 00:13:03,930 --> 00:13:05,400 HE BRINGS IN SOMETHING UNDERWHELMING, 332 00:13:05,430 --> 00:13:06,970 AND THEN HE KNOCKS IT OUT OF THE PARK. 333 00:13:07,000 --> 00:13:08,440 IT'S A CLASSIC BAIT-AND-SWITCH, THAT'S ALL. 334 00:13:08,470 --> 00:13:10,340 - RIGHT, RIGHT. 335 00:13:10,370 --> 00:13:11,980 AND WHEN HAS HE EVER DONE THAT EXACTLY? 336 00:13:12,010 --> 00:13:13,880 - YOU KNOW WHAT? ENOUGH ABOUT HANK. 337 00:13:13,910 --> 00:13:15,180 LOOK, I GOT A CONFESSION TO MAKE. 338 00:13:15,210 --> 00:13:17,050 - LOOK, LOOK, RUNKLE, I KNOW YOU ARE BROKE. 339 00:13:17,080 --> 00:13:18,580 I'M NOT GOING TO LEND YOU ANY MONEY. 340 00:13:18,610 --> 00:13:21,450 DON'T BE A FUCKING BEGGAR. IT'S UNBECOMING. 341 00:13:21,480 --> 00:13:23,590 - I DON'T WANT YOUR FUCKING MONEY, STU. 342 00:13:23,620 --> 00:13:26,120 - OH, OKAY. COOL. 343 00:13:26,160 --> 00:13:29,030 WHAT IS IT THEN? 344 00:13:29,060 --> 00:13:30,460 - I SLEPT WITH MARCY THE OTHER NIGHT. 345 00:13:30,490 --> 00:13:32,060 - [coughs] 346 00:13:32,100 --> 00:13:34,160 YOU DID? 347 00:13:34,200 --> 00:13:36,070 YOU FUCKING DOG. 348 00:13:36,100 --> 00:13:36,800 NOW I AM JEALOUS. 349 00:13:36,830 --> 00:13:39,500 WELL, GOOD FOR YOU, BRO. UP HIGH. 350 00:13:39,540 --> 00:13:42,070 - I'M STILL IN LOVE WITH HER, STU. 351 00:13:42,110 --> 00:13:44,940 - ME TOO. - SO WHAT ARE WE GONNA DO? 352 00:13:44,970 --> 00:13:47,040 - WELL, I DON'T KNOW WHAT YOU'RE GOING TO DO, 353 00:13:47,080 --> 00:13:49,250 BUT I AM PREPARED TO WRITE YOU A CHECK 354 00:13:49,280 --> 00:13:52,020 RIGHT THIS VERY INSTANT. - WHAT? 355 00:13:52,050 --> 00:13:53,420 YOU JUST SAID YOU WOULD NEVER GIVE ME-- 356 00:13:53,450 --> 00:13:55,480 - I WILL NOT LEND YOU A FUCKING DIME, 357 00:13:55,520 --> 00:13:58,150 BUT I WILL PAY YOU NOT TO PURSUE MARCY ANY LONGER. 358 00:13:58,190 --> 00:14:00,120 SO HOW MUCH YOU WANT? 359 00:14:00,160 --> 00:14:02,630 GIVE ME A NUMBER. 360 00:14:02,660 --> 00:14:06,000 - I DON'T WANT YOUR-- 361 00:14:06,030 --> 00:14:07,400 HOW MUCH ARE YOU WILLING TO PAY? 362 00:14:07,430 --> 00:14:10,000 - I WOULD SIGN OVER MY ENTIRE FORTUNE 363 00:14:10,030 --> 00:14:11,670 IF IT MEANT I COULD HAVE THAT SWEET AND SOUR 364 00:14:11,700 --> 00:14:17,070 LITTLE FIRECRACKER BACK IN MY LIFE. 365 00:14:17,110 --> 00:14:19,240 - SERIOUSLY? 366 00:14:19,280 --> 00:14:20,940 THIS IS CRAZY, STU. 367 00:14:20,980 --> 00:14:23,280 - NO, NO, NO. IT AIN'T OVER TILL IT'S OVER. 368 00:14:23,310 --> 00:14:24,510 MAY THE BEST MAN WIN, 369 00:14:24,550 --> 00:14:26,620 AND BY "BEST" I MEAN THE RICHEST 370 00:14:26,650 --> 00:14:28,650 AND THE MOST WELL-HUNG. 371 00:14:28,680 --> 00:14:30,390 - OKAY, HOW DO YOU PROPOSE WE GET PAST 372 00:14:30,420 --> 00:14:31,650 THIS OPHELIA BROAD, HUH? 373 00:14:31,690 --> 00:14:33,260 SHE SEEMS DETERMINED TO COCK-BLOCK US 374 00:14:33,290 --> 00:14:34,590 AT EVERY TURN. 375 00:14:34,620 --> 00:14:38,130 - WE COULD HAVE HER KILLED. - YOU THINK? 376 00:14:38,160 --> 00:14:39,630 - WELL, IT'S JUST A MATTER OF MONEY. 377 00:14:39,660 --> 00:14:41,060 NOW I DON'T KNOW A GUY, 378 00:14:41,100 --> 00:14:42,970 BUT I PROBABLY KNOW A GUY WHO KNOWS A GUY. 379 00:14:43,000 --> 00:14:46,570 - SOLID PLAN, BUT PERHAPS A LITTLE EXTREME. 380 00:14:46,600 --> 00:14:48,540 YOU KNOW, MAYBE WE TALK TO MARCY FIRST. 381 00:14:48,570 --> 00:14:50,270 - YOU'RE RIGHT, RUNKLE. 382 00:14:50,310 --> 00:14:54,540 AND IF I KNOW MY FAVORITE PINT-SIZED STONER CHICK, 383 00:14:54,580 --> 00:14:59,150 I BET SHE IS RUNNING LOW ON WEED. 384 00:14:59,180 --> 00:15:01,990 [rock music playing] 385 00:15:05,520 --> 00:15:09,060 - [strumming] 386 00:15:09,090 --> 00:15:11,160 HANK MOODY. 387 00:15:11,190 --> 00:15:12,630 LONG TIME NO SEE. 388 00:15:12,660 --> 00:15:13,730 - HE'S BEEN WORKING. 389 00:15:13,760 --> 00:15:16,270 - GOOD. GOOD TO HEAR. 390 00:15:16,300 --> 00:15:18,570 - YEAH, WELL, YOU HAD A LOT TO DO WITH IT, LADY. 391 00:15:18,600 --> 00:15:20,970 AFTER OUR WEEKEND IN NEW YORK, 392 00:15:21,000 --> 00:15:22,440 I BANGED OUT A DRAFT OF THAT THING 393 00:15:22,470 --> 00:15:23,570 I'M DOING WITH ATTICUS. 394 00:15:23,610 --> 00:15:25,440 - IT'S WHAT I DO. - YEAH. 395 00:15:25,470 --> 00:15:27,740 - HOW'D IT GO? 396 00:15:27,780 --> 00:15:30,580 - I LIKE IT. OTHERS, NOT SO MUCH. 397 00:15:30,610 --> 00:15:32,250 THEY'RE-- 398 00:15:32,280 --> 00:15:34,580 WELL, THEY'RE CALLING IT A CREATIVE MISCARRIAGE. 399 00:15:34,620 --> 00:15:37,020 - OH, GOD, NO. - YEAH. 400 00:15:37,050 --> 00:15:38,690 - THAT IS NO WAY TO TALK ABOUT OUR LOVE BABY. 401 00:15:38,720 --> 00:15:40,720 - IT ISN'T. AND I WANTED TO ASK YOU 402 00:15:40,760 --> 00:15:42,190 IF YOU MIGHT TAKE A READ, 403 00:15:42,230 --> 00:15:43,730 GIVE ME YOUR NOTES. 404 00:15:43,760 --> 00:15:46,100 I DON'T KNOW IF YOU MUSE TYPES 405 00:15:46,130 --> 00:15:48,500 DO THAT SORT OF THING, BUT I'D APPRECIATE IT. 406 00:15:48,530 --> 00:15:51,270 - OF COURSE I DO THAT. 407 00:15:51,300 --> 00:15:52,600 BUT ONLY IF YOU CAN HANDLE THE TRUTH. 408 00:15:52,640 --> 00:15:54,500 - NO, DON'T USE THAT PHRASE. 409 00:15:54,540 --> 00:15:58,040 - [laughs] OKAY. 410 00:15:58,070 --> 00:16:00,040 ALL RIGHT. YEAH. 411 00:16:00,080 --> 00:16:01,210 GRAB A DRINK. I'LL READ IT. 412 00:16:01,240 --> 00:16:02,480 - THANKS. - TAKE A SWIM. 413 00:16:02,510 --> 00:16:04,150 - THAT--THAT SOUNDS PRETTY RELAXING. 414 00:16:04,180 --> 00:16:06,350 - YEAH. OR... 415 00:16:06,380 --> 00:16:07,520 WE COULD HAVE SEX. 416 00:16:07,550 --> 00:16:09,720 YOU SEEM A LITTLE MOPEY. 417 00:16:09,750 --> 00:16:12,360 [laughs] AW, BABY! 418 00:16:12,390 --> 00:16:14,760 POOR YOU. 419 00:16:14,790 --> 00:16:17,660 MAYBE WE SHOULD COMBINE THE TWO. 420 00:16:17,690 --> 00:16:21,030 [rock music] 421 00:16:21,060 --> 00:16:24,500 * 422 00:16:24,530 --> 00:16:28,640 - [whistles] 423 00:16:28,670 --> 00:16:29,770 - WHERE IS IT? 424 00:16:29,810 --> 00:16:32,180 HAND IT OVER. - OH, SIT. 425 00:16:32,210 --> 00:16:34,040 MARCY, PLEASE. 426 00:16:34,080 --> 00:16:35,510 - I DON'T WANT TO SIT, STU. 427 00:16:35,540 --> 00:16:36,650 I JUST WANT YOU TO GIVE ME MY WEED, 428 00:16:36,680 --> 00:16:38,050 SO I CAN GO HOME AND SMOKE IT. 429 00:16:38,080 --> 00:16:40,180 - SIT DOWN, MARCY. JUST HEAR US OUT. 430 00:16:40,220 --> 00:16:42,790 - OH, FUCK, I KNEW THAT THIS WAS A FUCKING SETUP! 431 00:16:42,820 --> 00:16:45,120 - WE ARE WORRIED ABOUT YOU. 432 00:16:45,150 --> 00:16:47,690 - THIS OPHELIA BROAD HAS YOU ACTING ALL LOOPY. 433 00:16:47,720 --> 00:16:50,830 - LOOK, I KNOW SHE COMES OFF A LITTLE INTENSE... 434 00:16:50,860 --> 00:16:51,730 - OH! 435 00:16:51,760 --> 00:16:53,260 - BUT HER HEART IS IN THE RIGHT PLACE, 436 00:16:53,300 --> 00:16:55,700 AND SHE SPEAKS THE FUCKING TRUTH. 437 00:16:55,730 --> 00:16:58,070 - MARCY, THE WOMAN PUT ME IN A COCK CAGE. 438 00:16:58,100 --> 00:17:00,070 - YEESH! - YOU DESERVED IT, STU. 439 00:17:00,100 --> 00:17:01,370 YOU BETRAYED OUR LOVE. 440 00:17:01,400 --> 00:17:03,340 - I DID, AND I WILL FOREVER BE SORRY, 441 00:17:03,370 --> 00:17:06,210 BUT AT WHAT POINT CAN I TAKE THE DAMN THING OFF? 442 00:17:06,240 --> 00:17:08,540 - YOU'RE STILL WEARING IT? - YES. 443 00:17:08,580 --> 00:17:10,280 I'M TRYING TO PROVE THAT I'M DESERVING 444 00:17:10,310 --> 00:17:11,610 OF THIS WOMAN'S LOVE. - DOESN'T IT HURT? 445 00:17:11,650 --> 00:17:13,150 - IT'S EXCRUCIATING! 446 00:17:13,180 --> 00:17:15,150 DO YOU HAVE THE KEY, MARCY? 447 00:17:15,180 --> 00:17:18,150 - NO. ONLY OPHELIA HAS IT, 448 00:17:18,190 --> 00:17:20,490 AND SHE'S THE ONE WHO DECIDES WHEN IT COMES OFF. 449 00:17:20,520 --> 00:17:23,830 - THIS IS RIDICULOUS. 450 00:17:23,860 --> 00:17:25,790 I'M STILL IN LOVE WITH YOU, MARCY. 451 00:17:25,830 --> 00:17:27,200 - I'M STILL IN LOVE WITH YOU. 452 00:17:27,230 --> 00:17:28,830 - YES, BUT WE HAVE A CHILD TOGETHER. 453 00:17:28,860 --> 00:17:32,200 - TRUE, BUT I AM FAR MORE CAPABLE OF TAKING CARE OF YOU, 454 00:17:32,240 --> 00:17:35,540 BOTH FINANCIALLY AND SEXUALLY, 455 00:17:35,570 --> 00:17:38,170 AND I KNOW WHAT YOU ARE THINKING 456 00:17:38,210 --> 00:17:39,740 AT ALL TIMES. 457 00:17:39,780 --> 00:17:41,840 I MEAN, OKAY, 458 00:17:41,880 --> 00:17:43,810 LOOK AT THAT POOL TABLE OVER THERE. 459 00:17:43,850 --> 00:17:45,450 SEE, I KNOW YOU ARE THINKING, 460 00:17:45,480 --> 00:17:48,720 "MAYBE WE COULD PLAY JODIE FOSTER IN THE ACCUSED." 461 00:17:48,750 --> 00:17:51,220 WE HAD SUCH FUN TOGETHER, MARCY. 462 00:17:51,250 --> 00:17:53,390 OUR BEDROOM GAMES WERE SO DELIGHTFUL. 463 00:17:53,420 --> 00:17:54,820 - SEE, THERE YOU GO. 464 00:17:54,860 --> 00:17:56,590 NOW, I FIND THAT REVOLTING. 465 00:17:56,630 --> 00:17:59,360 BUT IT PROVES THAT YOU'RE STILL IN THERE SOMEWHERE. 466 00:18:00,800 --> 00:18:02,600 - I'M GOING. - WAIT! 467 00:18:02,630 --> 00:18:04,300 - STAY, MARCY! - ONE DRINK, ONE DRINK. 468 00:18:04,330 --> 00:18:06,670 ONE DRINK. - ONE DRINK, ONE DRINK. 469 00:18:06,700 --> 00:18:08,200 JUST HEAR A COUPLE BROTHERS OUT. 470 00:18:08,240 --> 00:18:10,340 - SOME APPLETINI TO START? 471 00:18:20,450 --> 00:18:22,890 - WHAT DO YOU THINK? YOU HATE IT, YOU HATE IT. 472 00:18:22,920 --> 00:18:24,590 I CAN TELL YOU HATE IT. THAT'S ALL RIGHT. 473 00:18:24,620 --> 00:18:26,520 - I DON'T HATE IT. - AND THAT TOTALLY BUMS ME OUT, 474 00:18:26,560 --> 00:18:28,220 BUT THEN YOU COULD-- - I DON'T HATE IT. 475 00:18:28,260 --> 00:18:29,730 - YOU COULD HAVE POOL SEX WITH ME AGAIN, 476 00:18:29,760 --> 00:18:32,560 AND I'LL MAYBE FEEL A LITTLE BETTER. 477 00:18:32,600 --> 00:18:34,900 WHAT DO YOU THINK? 478 00:18:34,930 --> 00:18:37,730 - WHAT DO I THINK? UM... 479 00:18:37,770 --> 00:18:40,540 IT'S VERY DARK. - UH-HUH. 480 00:18:40,570 --> 00:18:41,900 - DARK. FUNNY. 481 00:18:41,940 --> 00:18:43,570 FUNNY-DARK. - MM. 482 00:18:43,610 --> 00:18:46,310 - AND I DO REALLY GET WHAT YOU'RE TRYING TO DO 483 00:18:46,340 --> 00:18:48,180 AS FAR AS... 484 00:18:48,210 --> 00:18:49,750 YOU'RE DOING SOMETHING REALLY DIFFERENT WITH IT. 485 00:18:49,780 --> 00:18:51,510 I GET THAT. 486 00:18:51,550 --> 00:18:52,520 - BUT... 487 00:18:52,550 --> 00:18:55,780 - [laughs] BUT... 488 00:18:55,820 --> 00:18:57,250 IT DOESN'T HAVE ANY HEART. 489 00:18:57,290 --> 00:18:59,660 AND IF THERE IS ONE THING 490 00:18:59,690 --> 00:19:01,690 THAT I KNOW ABOUT YOU, HANK MOODY, 491 00:19:01,720 --> 00:19:06,330 IT'S THAT YOU HAVE A HUGE... 492 00:19:06,360 --> 00:19:07,730 HEART. 493 00:19:07,760 --> 00:19:09,800 [laughs] 494 00:19:09,830 --> 00:19:14,340 I THINK THAT MAYBE YOU WERE POSTURING A LITTLE BIT. 495 00:19:14,370 --> 00:19:15,840 - EWW. - YOU KNOW, YOU WERE TRYING 496 00:19:15,870 --> 00:19:17,740 TO SHOW THE WORLD THAT YOU ARE NOT GONNA WRITE 497 00:19:17,770 --> 00:19:20,380 SOME FLUFFY BROADWAY MUSICAL. 498 00:19:20,410 --> 00:19:23,280 AND I THINK, IN THE PROCESS OF DOING THAT, 499 00:19:23,310 --> 00:19:26,820 MAYBE YOU FORGOT THAT IT'S STILL A STORY 500 00:19:26,850 --> 00:19:28,820 OF BOY MEETS GIRL. 501 00:19:28,850 --> 00:19:32,320 YOU KNOW? IT'S SIMPLE. 502 00:19:32,360 --> 00:19:35,620 - I THINK I GET THAT. I DO, I GET IT. 503 00:19:35,660 --> 00:19:39,930 - ANYONE CAN BE CYNICAL, HANK. 504 00:19:39,960 --> 00:19:41,600 DARE TO BE AN OPTIMIST. 505 00:19:41,630 --> 00:19:45,530 - [sighs] 506 00:19:45,570 --> 00:19:48,940 YOU KNOW IT'S ALL JUST A BIG CAN OF KARMIC WHOOP-ASS ANYWAY, 507 00:19:48,970 --> 00:19:50,710 YOU KNOW? - MM-HMM. 508 00:19:50,740 --> 00:19:52,280 - 'CAUSE MY DAUGHTER, 509 00:19:52,310 --> 00:19:54,280 SHE JUST WROTE HER FIRST NOVEL, 510 00:19:54,310 --> 00:19:56,780 AND I WAS REALLY FUCKING HARD ON HER. 511 00:19:56,810 --> 00:19:58,810 - OH, YOU HAVE TO BE REALLY GENTLE 512 00:19:58,850 --> 00:20:01,350 WITH THOSE LITTLE GIRLS, HANK. 513 00:20:01,380 --> 00:20:04,320 GOD, MY PARENTS, 514 00:20:04,350 --> 00:20:06,590 THEY HIT ME PRETTY HARD ONCE UPON A TIME. 515 00:20:06,620 --> 00:20:07,720 I'M STILL SMARTING. 516 00:20:07,760 --> 00:20:09,890 - ABOUT WHAT? WHAT HAPPENED? 517 00:20:09,930 --> 00:20:11,860 - DO YOU KNOW BIG YELLOW TAXI? 518 00:20:11,890 --> 00:20:13,560 - NO. - BY JONI MITCHELL? 519 00:20:13,600 --> 00:20:15,730 - NO, I DON'T KNOW ANY JONI MITCHELL SONGS. 520 00:20:15,760 --> 00:20:16,970 - NO? NONE? 521 00:20:17,000 --> 00:20:19,570 - WHAT SELF-RESPECTING GUY KNOWS ANY? 522 00:20:19,600 --> 00:20:24,810 [playing Big Yellow Taxi] - * DON'T IT ALW-- 523 00:20:24,840 --> 00:20:27,480 - * DON'T IT ALWAYS SEEM TO GO * 524 00:20:27,510 --> 00:20:29,780 * THAT YOU DON'T KNOW WHAT YOU'VE GOT * 525 00:20:29,810 --> 00:20:31,450 * TILL IT'S GONE 526 00:20:31,480 --> 00:20:35,420 * PAVED PARADISE AND PUT UP A PARKING LOT * 527 00:20:35,450 --> 00:20:38,420 [both scatting] 528 00:20:38,450 --> 00:20:44,430 * 529 00:20:44,460 --> 00:20:46,760 I PLAYED THAT SONG 530 00:20:46,800 --> 00:20:49,330 AT THIS STUPID, LITTLE CHURCH SOCIAL. 531 00:20:49,370 --> 00:20:50,400 - MM. 532 00:20:50,430 --> 00:20:52,640 - I WAS OBSESSED WITH JONI MITCHELL 533 00:20:52,670 --> 00:20:54,070 WHEN I WAS A TEENAGER. 534 00:20:54,100 --> 00:20:56,070 I WANTED TO BE A LADY OF THE CANYON WHEN I GREW UP. 535 00:20:56,100 --> 00:20:57,370 - ME TOO. [laughter] 536 00:20:57,410 --> 00:20:59,040 - WE HAVE SO MUCH IN COMMON. 537 00:20:59,070 --> 00:21:03,680 AND SO I GOT TOGETHER WITH THIS CUTE BOY 538 00:21:03,710 --> 00:21:05,010 WHO PLAYED THE GUITAR, 539 00:21:05,050 --> 00:21:09,520 AND WE PRACTICED EVERY DAY AFTER SCHOOL. 540 00:21:09,550 --> 00:21:13,890 AND FINALLY, THE BIG DAY CAME, 541 00:21:13,920 --> 00:21:17,560 AND WE PLAYED OUR LITTLE HEARTS OUT, 542 00:21:17,590 --> 00:21:22,470 AND, YOU KNOW, HE FORGOT A FEW CHORDS, 543 00:21:22,500 --> 00:21:24,800 AND I FORGOT A FEW WORDS, 544 00:21:24,830 --> 00:21:28,340 AND MY VOICE CRACKED AND-- - MM-HMM. 545 00:21:28,370 --> 00:21:30,540 - BUT PEOPLE CLAPPED. 546 00:21:30,570 --> 00:21:33,880 AND I WAS SO THRILLED. AH! - AH! 547 00:21:33,910 --> 00:21:36,010 THEY KIND OF LOVED US. - YEAH. 548 00:21:36,040 --> 00:21:39,110 - AND I WENT LOOKING FOR MY PARENTS, 549 00:21:39,150 --> 00:21:40,980 AND OF COURSE, ALL MY MOM HAD TO SAY 550 00:21:41,020 --> 00:21:42,950 WAS THAT I LOOKED LIKE A SLUT UP THERE. 551 00:21:42,990 --> 00:21:46,360 - [groans] - AND MY FATHER SAID, 552 00:21:46,390 --> 00:21:48,990 "DON'T QUIT YOUR DAY JOB, KID." 553 00:21:49,020 --> 00:21:53,500 - MM. - NICE, HUH? 554 00:21:55,960 --> 00:21:58,970 THE WHOLE THING WAS NOT A BUST, HOWEVER. 555 00:21:59,000 --> 00:22:03,070 I LOST MY VIRGINITY TO THAT CUTE GUITARIST. 556 00:22:03,110 --> 00:22:07,110 - OH. - YEAH. 557 00:22:07,140 --> 00:22:09,850 I THINK IT'S BECOMING A PATTERN. 558 00:22:09,880 --> 00:22:13,450 - MM-HMM. - MM-HMM. 559 00:22:13,480 --> 00:22:15,450 MM. 560 00:22:17,490 --> 00:22:20,490 * 561 00:22:20,520 --> 00:22:24,130 * I HEARD THAT SCREEN DOOR SLAM * 562 00:22:24,160 --> 00:22:26,600 * AND A BIG YELLOW TAXI 563 00:22:26,630 --> 00:22:30,470 * TOOK AWAY MY OLD MAN 564 00:22:33,170 --> 00:22:34,870 - OH! - OH-HO-HO! 565 00:22:34,900 --> 00:22:39,140 - HA. OH, TAKE THAT, BITCHES. 566 00:22:39,170 --> 00:22:40,910 MM. 567 00:22:40,940 --> 00:22:42,510 - MARCY. 568 00:22:42,550 --> 00:22:43,580 - OH, MY. 569 00:22:43,610 --> 00:22:45,480 - I'M SO DISAPPOINTED IN YOU. 570 00:22:45,510 --> 00:22:47,520 I MEAN, I'M NOT SURPRISED. 571 00:22:47,550 --> 00:22:50,020 THE ROAD TO SHENESS IS LONG, 572 00:22:50,050 --> 00:22:51,520 AND IT'S PAVED WITH POTHOLES. 573 00:22:51,550 --> 00:22:55,860 - OKAY, THAT JUST MAKES NO SENSE AT ALL. 574 00:22:55,890 --> 00:22:57,660 YOU DON'T PAVE WITH POTHOLES. 575 00:22:57,690 --> 00:22:58,860 YOU PAVE OVER POTHOLES. 576 00:22:58,890 --> 00:23:00,630 - IT ABSOLUTELY MAKES SENSE. 577 00:23:00,660 --> 00:23:04,530 IT'S IN MY THIRD BOOK, MENIS TO SOCIETY. 578 00:23:04,570 --> 00:23:08,170 M-E-N-I-S. 579 00:23:08,200 --> 00:23:10,470 - OH, CATCHY TITLE. AND SUBTLE. 580 00:23:10,510 --> 00:23:12,880 - AND WHAT HAVE YOU WRITTEN THAT'S CHANGED LIVES, 581 00:23:12,910 --> 00:23:14,180 YOU PATHETIC, LITTLE SIMIAN? 582 00:23:14,210 --> 00:23:17,910 MARCY, LET'S GO. I'LL DRIVE YOU HOME. 583 00:23:17,950 --> 00:23:19,620 - WAIT ONE SECOND, OPHELIA. 584 00:23:19,650 --> 00:23:22,520 HOW DID YOU EVEN KNOW WHERE I WAS JUST NOW? 585 00:23:22,550 --> 00:23:24,220 - OH, I TRACKED YOUR iPHONE. 586 00:23:24,250 --> 00:23:26,660 - OH. 587 00:23:26,690 --> 00:23:28,690 - OKAY, THAT'S JUST-- WHAT? 588 00:23:28,720 --> 00:23:30,660 THAT'S SO FUCKING WEIRD. 589 00:23:30,690 --> 00:23:32,460 - IT'S NOT THAT WEIRD. I MEAN, I'VE SEEN YOU 590 00:23:32,500 --> 00:23:33,930 CHECK YOUR EMAIL, LIKE, SEVERAL TIMES, 591 00:23:33,960 --> 00:23:36,060 AND I HAPPEN TO BE VERY GOOD AT RECOGNIZING KEYSTROKES. 592 00:23:36,100 --> 00:23:39,000 AND YOUR PASSWORD IS DISTINCTIVE 593 00:23:39,030 --> 00:23:40,840 AND DISGUSTING, AND, YOU KNOW, 594 00:23:40,870 --> 00:23:42,810 THAT'S WHEN I REALLY REALIZED THAT WE HAD A PROBLEM 595 00:23:42,840 --> 00:23:45,670 THAT WAS JUST MUCH BIGGER THAN I EVER IMAGINED. 596 00:23:45,710 --> 00:23:48,810 - OH, Y-YOU'RE KIDDING. IT'S NOT STILL... 597 00:23:48,840 --> 00:23:52,980 - OH, "I LOVE MY HUBBY'S BIG, FAT COCK," ALL ONE WORD. 598 00:23:53,020 --> 00:23:55,650 YES, IT IS. YOU MUST BE SO PROUD. 599 00:23:55,680 --> 00:23:58,990 - OH, I AM, AND YOU STILL CARE. 600 00:23:59,020 --> 00:24:01,620 - OH, I WAS TOO LAZY TO CHANGE IT! 601 00:24:01,660 --> 00:24:03,030 - YEAH, WELL, EITHER WAY, 602 00:24:03,060 --> 00:24:04,690 I AM THRILLED. - AND I'M NAUSEOUS. 603 00:24:04,730 --> 00:24:07,000 - MARCY, ARE YOU READY TO COME HOME? 604 00:24:07,030 --> 00:24:09,500 YOU CAN SPEND THE NIGHT AT MY HOUSE. 605 00:24:09,530 --> 00:24:10,630 - OKAY, YOU KNOW WHAT? 606 00:24:10,670 --> 00:24:12,700 I THINK THAT YOU SHOULD LET MARCY 607 00:24:12,740 --> 00:24:15,940 EMBRACE HER SHENESS AND MAKE UP HER OWN MIND 608 00:24:15,970 --> 00:24:18,040 WHERE SHE WANTS TO SPEND THE NIGHT. 609 00:24:18,070 --> 00:24:19,980 - YOU KNOW, I HEARTILY CONCUR. 610 00:24:20,010 --> 00:24:22,010 - NEED I REMIND YOU, STU, 611 00:24:22,040 --> 00:24:24,650 THAT I HOLD THE KEY TO YOUR COCK CAGE. 612 00:24:24,680 --> 00:24:26,180 - DO YOU HAVE IT ON YOUR PERSON? 613 00:24:26,210 --> 00:24:27,980 I'LL WRITE YOU A CHECK RIGHT THIS VERY INSTANT. 614 00:24:28,020 --> 00:24:29,520 - THIS IS JUST RIDICULOUS. 615 00:24:29,550 --> 00:24:31,590 LOOK, MARCY, YOU KNOW WHAT? DON'T WORRY. 616 00:24:31,620 --> 00:24:33,090 WE WILL MAKE SURE YOU GET HOME. 617 00:24:33,120 --> 00:24:34,690 - OH, ARE YOU GONNA LAY YOUR HANDS ON HER NOW? 618 00:24:34,720 --> 00:24:36,530 YOU WANT WORSE THAN YOU GOT YESTERDAY, 619 00:24:36,560 --> 00:24:37,990 YOU SLIMY, LITTLE SEA OTTER? 620 00:24:38,030 --> 00:24:39,130 - WHAT ARE YOU GONNA DO? 621 00:24:39,160 --> 00:24:40,260 YOU GONNA SLAP ME AGAIN, IS THAT IT, 622 00:24:40,300 --> 00:24:41,860 IN FRONT OF ALL THESE PEOPLE? 623 00:24:41,900 --> 00:24:43,100 [screams] 624 00:24:43,130 --> 00:24:45,170 [Taser buzzes] - OH! 625 00:24:45,200 --> 00:24:47,870 - WOMAN, YOU ARE A FUCKING FRUITCAKE! 626 00:24:47,900 --> 00:24:48,970 [Taser buzzes] 627 00:24:49,000 --> 00:24:50,670 - OH, MY GOD! OPHELIA! 628 00:24:50,710 --> 00:24:52,610 WHAT THE FUCK IS THE MATTER WITH YOU? 629 00:24:52,640 --> 00:24:54,610 - WHAT? IT'S FINE. I STUNNED THEM, YOU KNOW? 630 00:24:54,640 --> 00:24:56,850 MARCY, EVERY WOMAN SHOULD HAVE ONE OF THESE PUPPIES. 631 00:24:56,880 --> 00:24:59,750 IT JUST TOTALLY NEUTRALIZES THE HEIGHT-WEIGHT ADVANTAGE. 632 00:24:59,780 --> 00:25:01,050 I'LL GET YOU ONE. LET'S GO. 633 00:25:01,080 --> 00:25:02,650 - NO, MAN. 634 00:25:02,690 --> 00:25:04,620 THIS IS TOO FUCKING WEIRD. YOU JUST GO. 635 00:25:04,650 --> 00:25:06,990 YOU GET OUT OF HERE. GO. 636 00:25:07,020 --> 00:25:09,290 - MARCY. 637 00:25:09,320 --> 00:25:12,190 YOU'RE GONNA REGRET THIS. 638 00:25:18,270 --> 00:25:20,240 - JESUS. ARE YOU OKAY? 639 00:25:20,270 --> 00:25:21,840 WHAT DID THAT FEEL LIKE? 640 00:25:21,870 --> 00:25:23,840 - THIS TABLE IS ALL WET. 641 00:25:23,870 --> 00:25:27,780 - OH, GROSS. YOU PISSED YOUR PANTS, CHARLIE. 642 00:25:27,810 --> 00:25:29,880 - WHAT? NO! 643 00:25:29,910 --> 00:25:32,180 WHO PISSED ON MY PANTS? 644 00:25:32,210 --> 00:25:33,820 [screaming] WHO PISSED ON MY PANTS? 645 00:25:33,850 --> 00:25:36,820 [rock music] 646 00:25:36,850 --> 00:25:41,590 * 647 00:25:48,630 --> 00:25:52,970 - WOW. I DIDN'T TAKE YOU FOR A BOOK BURNER. 648 00:25:53,000 --> 00:25:54,340 - WHAT ELSE AM I GONNA DO? 649 00:25:54,370 --> 00:25:55,940 IT'S A PIECE OF SHIT. 650 00:25:55,970 --> 00:25:59,940 - AH. YOU MIGHT AS WELL THROW ANOTHER ONE ON THE PYRE. 651 00:25:59,980 --> 00:26:01,940 - * WHAT'S YOUR STORY? - WHAT'S THAT? 652 00:26:01,980 --> 00:26:04,380 - IT'S THE PLAY I WAS WRITING WITH ATTICUS. 653 00:26:04,410 --> 00:26:06,780 APPARENTLY, IT'S NOT VERY GOOD. 654 00:26:06,820 --> 00:26:08,150 THEY DON'T LIKE IT VERY MUCH. 655 00:26:08,180 --> 00:26:09,720 - REALLY? - YEAH. 656 00:26:09,750 --> 00:26:12,090 IT HAPPENS TO US LITERARY LIONS TOO. 657 00:26:12,120 --> 00:26:14,720 - HOW DOES THAT FEEL? 658 00:26:14,760 --> 00:26:16,360 - LIKE GETTING SHANKED IN PRISON. 659 00:26:16,390 --> 00:26:19,630 - I WOULD IMAGINE. 660 00:26:19,660 --> 00:26:22,400 - YOU KNOW, MAYBE YOU COULD READ IT FOR ME 661 00:26:22,430 --> 00:26:24,700 AND GIVE ME YOUR THOUGHTS? 662 00:26:24,730 --> 00:26:26,000 - WHY WOULD YOU WANT MY THOUGHTS? 663 00:26:26,030 --> 00:26:27,300 I'M NOT A WRITER. 664 00:26:27,340 --> 00:26:29,400 - BECCA, YOU WROTE A FUCKING NOVEL. 665 00:26:29,440 --> 00:26:30,810 DO YOU KNOW HOW AMAZING THAT IS? 666 00:26:30,840 --> 00:26:32,240 NOBODY YOUR AGE IS DOING THAT. 667 00:26:32,270 --> 00:26:34,080 THEY'RE TOO BUSY TEXTING, 668 00:26:34,110 --> 00:26:35,340 TWEETING, AND FACEBOOKING 669 00:26:35,380 --> 00:26:36,680 AND FEELING ENTITLED TO A LIFE 670 00:26:36,710 --> 00:26:37,950 THEY DON'T WANT TO WORK FOR. 671 00:26:37,980 --> 00:26:40,880 - WAY TO SLAM AN ENTIRE GENERATION, DAD. 672 00:26:40,920 --> 00:26:43,150 - THANK YOU. 673 00:26:43,190 --> 00:26:47,260 AND I'M SORRY THAT YOU STORMED OFF 674 00:26:47,290 --> 00:26:50,390 BEFORE I COULD GIVE YOU MY NOTES, YOU KNOW? 675 00:26:50,430 --> 00:26:52,390 YOU KNOW WHAT I REALLY DUG ABOUT YOUR WORK 676 00:26:52,430 --> 00:26:56,330 WAS THE RELATIONSHIP BETWEEN THE DAUGHTER 677 00:26:56,360 --> 00:26:58,000 AND THE ASSHOLE FATHER. 678 00:26:58,030 --> 00:27:01,870 I MEAN, OBVIOUSLY YOU TOOK A LOT OF CREATIVE LICENSE THERE, 679 00:27:01,900 --> 00:27:03,670 BUT IT FELT AUTHENTIC TO ME. 680 00:27:03,710 --> 00:27:06,110 AND I THINK, IF YOU FLESH IT OUT, 681 00:27:06,140 --> 00:27:08,910 YOU COULD MAYBE TURN IT INTO A NOVELLA. 682 00:27:08,940 --> 00:27:11,310 - YOU THINK SO? - I DO. 683 00:27:11,350 --> 00:27:14,120 AND I'M SORRY THAT YOU WALKED AWAY FROM ME, 684 00:27:14,150 --> 00:27:16,150 THINKING THAT I DIDN'T THINK YOU WERE SPECIAL, 685 00:27:16,180 --> 00:27:17,190 BECCA, 'CAUSE I DO. 686 00:27:17,220 --> 00:27:19,960 I THINK YOU'RE SO SPECIAL. 687 00:27:19,990 --> 00:27:22,120 AND I HOPE YOU DON'T GO TO LAW SCHOOL 688 00:27:22,160 --> 00:27:23,990 'CAUSE I DON'T THINK THAT'S YOU, 689 00:27:24,030 --> 00:27:27,130 AND I-I DON'T THINK THE WORLD NEEDS ANOTHER LAWYER. 690 00:27:27,160 --> 00:27:30,330 - I'M NOT SURE IT NEEDS ANOTHER WRITER EITHER. 691 00:27:30,370 --> 00:27:32,840 - YEAH, MAYBE NOT, BUT IF YOU'RE DOING 692 00:27:32,870 --> 00:27:36,940 WHAT YOU WERE BORN TO DO, THEN THAT'S A GOOD THING. 693 00:27:36,970 --> 00:27:39,170 YOU KNOW? 694 00:27:39,210 --> 00:27:41,280 - I GUESS. - YEAH. 695 00:27:41,310 --> 00:27:44,150 ANYBODY CAN BE CYNICAL. 696 00:27:44,180 --> 00:27:46,780 DARE TO BE AN OPTIMIST. 697 00:27:46,820 --> 00:27:49,820 - WHO ARE YOU RIGHT NOW? 698 00:27:49,850 --> 00:27:54,060 - JUST YOUR ASSHOLE FATHER. WHO ELSE? 699 00:27:54,090 --> 00:27:55,920 - OKAY. 700 00:27:55,960 --> 00:27:58,860 I'LL THINK ABOUT MY NEXT MOVE. 701 00:27:58,890 --> 00:28:04,800 IN THE MEANTIME, I'LL READ THIS. 702 00:28:04,830 --> 00:28:08,200 BUT I'M GOING TO BE BRUTAL WITH MY THOUGHTS, DAD. 703 00:28:08,240 --> 00:28:11,240 I THINK YOU NEED SOME HELP REACHING A YOUNGER DEMOGRAPHIC. 704 00:28:11,270 --> 00:28:14,180 - FUCK THE YOUNGER GENERATION. 705 00:28:14,210 --> 00:28:16,310 I JUST LIKE YOU. 706 00:28:16,340 --> 00:28:20,250 - * WHAT'S GOING ON IN YOUR MIND? * 707 00:28:20,280 --> 00:28:25,490 * WHAT'S THE STORY THAT YOU'RE LEAVING BEHIND? * 708 00:28:25,520 --> 00:28:28,490 * AND NOW YOU'RE NOWHERE 709 00:28:28,520 --> 00:28:33,060 * SO WHAT YOU GONNA DO? 710 00:28:33,100 --> 00:28:36,500 * WHILE THE WORLD APPEARS TOO SMALL * 711 00:28:36,530 --> 00:28:40,240 * AND YOU HAVE TO PLAY YOUR ROLE * 712 00:28:40,270 --> 00:28:43,210 * AND THE FACES THAT YOU KNOW * 713 00:28:43,240 --> 00:28:47,840 * JUST LOOK SO STRANGE 714 00:28:47,880 --> 00:28:50,280 * BUT EVERYTHING YOU KNOW 715 00:28:50,310 --> 00:28:53,520 * IS ABOUT TO CHANGE 50445

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