All language subtitles for Californication S06E03 Dead Rock Stars

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,560 --> 00:00:08,730 - [gasps] 2 00:00:08,760 --> 00:00:10,760 PREVIOUSLY ON CALIFORNICATION... 3 00:00:10,790 --> 00:00:12,760 THIS BETTER NOT BE AN INTERVENTION. 4 00:00:12,800 --> 00:00:14,400 - YOU GOTTA GET YOUR ASS TO REHAB. 5 00:00:14,430 --> 00:00:16,800 - WHY ARE YOU HERE? WHY ARE YOU WASTING ALL OF OUR TIME? 6 00:00:16,830 --> 00:00:18,500 MAYBE YOU'RE JUST AN ASSHOLE. 7 00:00:18,540 --> 00:00:21,240 - YOUR FRIEND CHARLIE SAID YOU DRANK YOUR OWN URINE. 8 00:00:21,270 --> 00:00:22,470 - HANK MOODY. 9 00:00:22,510 --> 00:00:23,810 - IS THAT ATTICUS FETCH? 10 00:00:23,840 --> 00:00:26,180 - LET'S MAKE A FUCKIN' MASTERPIECE. 11 00:00:26,210 --> 00:00:27,440 WHAT DO YOU SAY? 12 00:00:27,480 --> 00:00:28,710 - [retches] 13 00:00:28,750 --> 00:00:29,780 - [whimpers] 14 00:00:29,810 --> 00:00:31,220 - ARE YOU HIGH RIGHT NOW? 15 00:00:31,250 --> 00:00:32,120 - [laughs] 16 00:00:32,150 --> 00:00:34,250 IT WAS SUCH AN INCREDIBLE OPPORTUNITY, 17 00:00:34,280 --> 00:00:35,720 I DIDN'T WANT TO MISS OUT. - WHEN CAN YOU START? 18 00:00:35,750 --> 00:00:37,120 - I HAVE THE JOB? 19 00:00:37,150 --> 00:00:38,790 - WHAT DO YOU DO IN THE REAL WORLD? 20 00:00:38,820 --> 00:00:41,660 - I TRAVERSE THE GLOBE IN THE COMPANY OF MUSICIANS. 21 00:00:41,690 --> 00:00:43,430 - YOU'RE A GROUPIE. - I PREFER "MUSE." 22 00:00:43,460 --> 00:00:47,760 I WOKE UP WITH THE MOST GIFTED GUITAR PLAYER, BUT HE WAS DEAD. 23 00:00:47,800 --> 00:00:49,270 - DO YOU WANT TO GET HIGH? 24 00:00:55,610 --> 00:00:58,580 [rock music] 25 00:00:58,610 --> 00:01:01,810 * 26 00:01:01,850 --> 00:01:03,850 - LOOK, COULD I STAND TO LOSE A FEW POUNDS? 27 00:01:03,880 --> 00:01:05,450 SURE, I'M A BIG BOY, I GET IT, 28 00:01:05,480 --> 00:01:08,450 BUT ADDICTED TO FOOD? THAT'S JUST FUCKIN' GAY. 29 00:01:08,490 --> 00:01:10,650 GAY, MAN--I MEAN, NO OFFENSE, BUT IT'S GAY. 30 00:01:10,690 --> 00:01:12,420 I EAT 'CAUSE I LIKE THE TASTE. 31 00:01:12,460 --> 00:01:15,130 LOOK, IF I DIDN'T LIKE THE TASTE OF IT, I WOULDN'T EAT IT. 32 00:01:15,160 --> 00:01:18,200 YOU KNOW WHAT I'M TALKIN' ABOUT, SWEETHEART, RIGHT? HUH? 33 00:01:18,230 --> 00:01:20,160 - BUT WASN'T A TRIP TO THE EMERGENCY ROOM 34 00:01:20,200 --> 00:01:21,730 WHAT BROUGHT YOU HERE? SEVERE CHEST PAINS? 35 00:01:21,770 --> 00:01:23,300 - BULLSHIT. - BULLSHIT. 36 00:01:23,330 --> 00:01:24,870 - THAT WAS A PANIC ATTACK, NOT A HEART ATTACK. 37 00:01:24,900 --> 00:01:27,740 IT WAS A PANIC ATTACK BROUGHT ON BY THAT SHRILL VOICE 38 00:01:27,770 --> 00:01:29,370 OF THAT FUCKIN' MOTHER OF MINE. 39 00:01:29,410 --> 00:01:31,380 "OH, YOU'RE TOO FAT, TEDDY. YOU'RE GONNA DIE. 40 00:01:31,410 --> 00:01:33,240 "YOU'RE TOO FUCKIN' FAT TO DO ANYTHING, TEDDY. 41 00:01:33,280 --> 00:01:35,180 YOU'RE TOO FAT TO WORK THE SNOWBLOWER." 42 00:01:35,210 --> 00:01:37,650 FUCK HER. SHE'S THE REASON I'M IN HERE, YOU UNDERSTAND? 43 00:01:37,680 --> 00:01:40,280 THEY TOOK AN EKG ON ME, ALL RIGHT? 44 00:01:40,320 --> 00:01:42,190 I GOT THE HEART OF A TEENAGER. 45 00:01:42,220 --> 00:01:44,550 - [laughs] 46 00:01:44,590 --> 00:01:46,390 A MORBIDLY OBESE TEENAGER. 47 00:01:46,420 --> 00:01:49,190 - [mocking laugh] - [laughs] COME ON. 48 00:01:49,230 --> 00:01:51,930 DON'T BE SO SENSITIVE. 49 00:01:51,960 --> 00:01:52,630 - FAITH? 50 00:01:52,660 --> 00:01:55,530 DO YOU KNOW WHAT TIME IT IS? 51 00:01:55,570 --> 00:01:58,240 IT'S TIME TO GET REAL. 52 00:01:58,270 --> 00:02:00,540 SHARE WITH US. 53 00:02:00,570 --> 00:02:01,910 - WELL, UM, 54 00:02:01,940 --> 00:02:04,310 AS MANY OF YOU KNOW... - [coughs] 55 00:02:04,340 --> 00:02:08,210 - THE OTHER DAY I WOKE UP NEXT TO A GUY 56 00:02:08,250 --> 00:02:12,450 I WAS PRETTY FUCKING FOND OF, AND HE WAS DEAD. 57 00:02:12,480 --> 00:02:18,390 SO TEARS WERE SHED, BOOS WERE FUCKIN' HOO'D, 58 00:02:18,420 --> 00:02:20,320 AND IT SUCKS TO BE ME. 59 00:02:20,360 --> 00:02:21,790 - AND THAT LED TO THE DRUGS AND ALCOHOL. 60 00:02:21,830 --> 00:02:23,930 - NO, NOT REALLY. 61 00:02:23,960 --> 00:02:26,930 UM, BEEN ON PRETTY GOOD TERMS WITH DRUGS AND ALCOHOL. 62 00:02:26,960 --> 00:02:28,870 - HALLELUJAH! PREACH ON, SISTER. 63 00:02:28,900 --> 00:02:30,500 - YOU KNOW WHAT I THINK, FAITH? 64 00:02:30,530 --> 00:02:32,570 I THINK YOU NEED TO GO AND SAY GOOD-BYE TO THIS MAN. 65 00:02:32,600 --> 00:02:36,270 - TOO LATE. FUNERAL'S HAPPENING AS WE SPEAK. 66 00:02:36,310 --> 00:02:37,940 - WELL, THEN YOU SHOULD BE THERE. 67 00:02:37,970 --> 00:02:41,950 - THAT WOULD BE A PRETTY SERIOUS BREACH OF GROUPIE ETIQUETTE. 68 00:02:41,980 --> 00:02:43,810 - YEAH, WELL, NOT HEALING THYSELF, 69 00:02:43,850 --> 00:02:45,680 THAT'S A SERIOUS BREACH OF HUMAN ETIQUETTE. 70 00:02:45,720 --> 00:02:48,790 - BIBLES OF TRUTH, GABE. AS-SALAAM ALAIKUM, MY BROTHER! 71 00:02:48,820 --> 00:02:49,950 - [laughs] 72 00:02:49,990 --> 00:02:51,360 "AS-ALAIKA MALA." [laughs] 73 00:02:51,390 --> 00:02:53,820 [coughs] I'M SORRY. - [laughs] 74 00:02:53,860 --> 00:02:56,930 - YOU SHOULD GO, FAITH. PAY YOUR RESPECTS. SAY GOOD-BYE. 75 00:02:56,960 --> 00:02:58,700 THE WEIGHT, IT WILL LIFT OFF YOUR CHEST 76 00:02:58,730 --> 00:03:00,560 AND YOU WILL BE ABLE TO SOAR AGAIN. 77 00:03:00,600 --> 00:03:03,300 - THAT'S ALL WELL AND GOOD, IT REALLY IS, 78 00:03:03,330 --> 00:03:07,870 BUT I CAN'T JUST SHOW UP THERE ALL ALONE. [laughs] I C-- 79 00:03:07,900 --> 00:03:11,840 I MEAN, THE CHICK WHO ROLLS UP SOLO TO A FUNERAL 80 00:03:11,880 --> 00:03:14,780 IS USUALLY THE ONE WHO WAS FUCKING THE DEAD GUY. 81 00:03:14,810 --> 00:03:16,580 - HEY, THE ANSWER IS YES, SWEETHEART. 82 00:03:16,610 --> 00:03:18,850 I'LL BE YOUR DATE, ANY TIME. HERE'S THE THING, THOUGH, 83 00:03:18,880 --> 00:03:20,750 CAN WE STOP BY AN IN-N-OUT BURGER ON THE WAY? 84 00:03:20,780 --> 00:03:23,990 I'M FUCKING FAMISHED. [laughs] 85 00:03:24,020 --> 00:03:25,490 - HANK? - YES, GABE? 86 00:03:25,520 --> 00:03:26,860 - I THINK THAT YOU SHOULD GO WITH FAITH. 87 00:03:26,890 --> 00:03:28,360 - OH, GOSH. 88 00:03:28,390 --> 00:03:30,860 I WOULD TOTALLY LOVE TO, BUT, UH, 89 00:03:30,890 --> 00:03:32,600 FUNERALS KINDA BUM ME OUT. - YEAH. 90 00:03:32,630 --> 00:03:34,460 WELL, I THINK IT WOULD BE A GOOD TEST FOR YOU 91 00:03:34,500 --> 00:03:36,870 TO GO OUT INTO THE REAL WORLD, SEE IF YOU CAN STAY SOBER. 92 00:03:36,900 --> 00:03:38,770 - OH, I DON'T SEE WHY I WOULD. 93 00:03:38,800 --> 00:03:40,340 - YEAH. WELL, I THINK YOU SHOULD TRY. 94 00:03:40,370 --> 00:03:42,310 - TELL ME THE TRUTH, GABE. YOU JUST WANT ME 95 00:03:42,340 --> 00:03:45,280 OUT OF YOUR HAIR FOR THE DAY, IS THAT RIGHT? 96 00:03:45,310 --> 00:03:45,910 - YES. 97 00:03:45,940 --> 00:03:47,680 - THAT SHIT IS COLD. 98 00:03:47,710 --> 00:03:49,410 I'M JUST SAYIN'. 99 00:03:49,450 --> 00:03:52,950 AH, FUCK STICKS. I GUESS A FIELD TRIP 100 00:03:52,980 --> 00:03:56,320 DOES SOUND KINDA GOOD TO ME RIGHT ABOUT NOW. OKAY. 101 00:03:56,350 --> 00:03:58,790 CAN I BRING ANYTHING BACK FOR YOU DAMAGED FUCKERS? 102 00:03:58,820 --> 00:04:01,960 SOME COKE? SOME HEROIN? SOME, UH, PINK DOT? 103 00:04:01,990 --> 00:04:03,430 - YEAH, IF YOU GO TO PINK DOT, 104 00:04:03,460 --> 00:04:05,030 GET ME SOME BON BONS OR A DOUBLE DOG, OR SO-- 105 00:04:05,060 --> 00:04:06,800 AND DON'T TEASE ME, PRETTY BOY. 106 00:04:06,830 --> 00:04:08,700 I'LL FUCKIN' LAY YOU OUT, RIGHT? 107 00:04:08,730 --> 00:04:11,700 [upbeat music] 108 00:04:11,740 --> 00:04:19,840 * 109 00:04:57,950 --> 00:05:04,050 [moaning from the TV] 110 00:05:05,660 --> 00:05:07,090 - NOTHING. 111 00:05:07,120 --> 00:05:12,460 MAN-ON-MAN SEX IS INTRIGUING, YES, BUT NOT AROUSING. 112 00:05:12,500 --> 00:05:14,600 THAT'S VERY INTERESTING. 113 00:05:14,630 --> 00:05:15,900 [yells] 114 00:05:15,930 --> 00:05:19,100 [groans in frustration] 115 00:05:19,140 --> 00:05:21,970 [sighs] - IT'S--IT'S-- 116 00:05:22,010 --> 00:05:23,470 IT'S OKAY, CHARLIE. 117 00:05:23,510 --> 00:05:25,710 IT WAS BOUND TO HAPPEN SOONER OR LATER, BUDDY. 118 00:05:25,740 --> 00:05:30,010 IT'S OKAY, I-I SUPPORT YOU. IN FACT, I AM PROUD OF YOU. 119 00:05:30,050 --> 00:05:33,720 - NO, HANK, NO! I WAS JUST-- I WAS TESTING MYSELF, 120 00:05:33,750 --> 00:05:36,990 'CAUSE I'M IN A PICKLE, HANK. IT'S A BIG, GAY PICKLE. 121 00:05:37,020 --> 00:05:39,160 - I'M SURE IT IS, MY BALD BROMOSEXUAL, 122 00:05:39,190 --> 00:05:41,730 AND I SUPPORT YOU NO MATTER HOW MANY DUDES YOU PLOW. 123 00:05:41,760 --> 00:05:42,890 I JUST GOTTA GRAB A SUIT. 124 00:05:42,930 --> 00:05:44,530 - WHAT ARE YOU DOING OUT OF REHAB? 125 00:05:44,560 --> 00:05:45,860 - I GOT A FUNERAL. 126 00:05:45,900 --> 00:05:47,400 - WHAT? WHO DIED? 127 00:05:47,430 --> 00:05:48,600 - A GUY I WAS SEEING. 128 00:05:48,630 --> 00:05:50,000 - FAITH, CHARLIE. CHARLIE, FAITH. 129 00:05:50,030 --> 00:05:51,740 CHARLIE IS MY BALD, GAY AGENT. 130 00:05:51,770 --> 00:05:55,440 - LOVELY TO MEET YOU, FAITH. I'M TRULY SORRY FOR YOUR LOSS. 131 00:05:55,470 --> 00:05:57,540 I'M NOT GAY. IS THERE ANYTHING I CAN DO? 132 00:05:57,570 --> 00:06:00,540 - NO. THANK YOU, CHARLIE. THAT'S VERY SWEET. 133 00:06:00,580 --> 00:06:02,050 IT'S TRUE WHAT THEY SAY. - OH? 134 00:06:02,080 --> 00:06:03,450 GAY MEN ARE MORE SENSITIVE. 135 00:06:03,480 --> 00:06:05,050 - GONNA NEED THE PORSCHE TOO. 136 00:06:05,080 --> 00:06:06,880 - BUT I'VE GOT A BIG, GAY MEETING TODAY. 137 00:06:06,920 --> 00:06:10,020 - I BELIEVE FUNERAL TRUMPS BIG, GAY HOLLYWOOD MEETING, 138 00:06:10,050 --> 00:06:12,160 DON'T YOU THINK? - OH, DEPENDS WHOSE FUNERAL, 139 00:06:12,190 --> 00:06:13,520 I THINK. - DEAD ROCK STAR. 140 00:06:13,560 --> 00:06:16,730 - OH, OKAY, YEAH. SORRY. TAKE THE CAR. 141 00:06:16,760 --> 00:06:18,030 - THANKS, CHARLIE. 142 00:06:18,060 --> 00:06:21,030 NOW YOU CAN GET BACK TO YOUR GAY PORN. 143 00:06:21,060 --> 00:06:22,700 [moaning] - OH, YEAH. OH. 144 00:06:22,730 --> 00:06:25,130 [moaning] 145 00:06:25,170 --> 00:06:28,510 [hard rock music] 146 00:06:28,540 --> 00:06:36,480 * 147 00:06:41,180 --> 00:06:42,190 - HEY. - HEY. 148 00:06:42,220 --> 00:06:43,650 - IS KRULL AROUND? 149 00:06:43,690 --> 00:06:46,120 - UH, THAT DEPENDS. ARE YOU ON THE LIST? 150 00:06:46,160 --> 00:06:48,560 - MOST DEFINITELY NOT, MY GOOD SIR, BUT, UH, 151 00:06:48,590 --> 00:06:50,590 KRULL, THE TOUR MANAGER SHOULD BE AROUND HERE SOMEWHERE. 152 00:06:50,630 --> 00:06:53,030 HE'LL VOUCH FOR ME. - UM, SURE, SURE, 153 00:06:53,060 --> 00:06:54,700 BUT MAYBE I CAN VOUCH FOR YOU. 154 00:06:54,730 --> 00:06:58,030 MAYBE WE CAN MAKE THIS WHOLE THING BENEFICIAL FOR BOTH OF US. 155 00:06:58,070 --> 00:07:00,800 I MEAN, I WANT TO GET IT IN, YOU WANT IN, 156 00:07:00,840 --> 00:07:02,210 HOW BAD YOU WANT IT? TALK TO ME. 157 00:07:02,240 --> 00:07:06,210 - REALLY, DUDE? AT A FUNERAL? HAVE YOU NO SHAME? 158 00:07:06,240 --> 00:07:08,010 WHAT, ARE WE GONNA GO BEHIND A TOMBSTONE? 159 00:07:08,040 --> 00:07:09,680 YOU BELIEVE THIS FUCKIN' GUY? 160 00:07:09,710 --> 00:07:11,620 - I'M NOT GONNA SUCK HIS DICK TO GET YOU IN THERE. 161 00:07:11,650 --> 00:07:12,950 - DON'T KNOCK IT TILL YOU TRY IT. 162 00:07:12,980 --> 00:07:14,050 BLOWJOBS OPEN A LOT OF DOORS. 163 00:07:14,080 --> 00:07:15,550 - BITCH. - OKAY, YOU KNOW WHAT? 164 00:07:15,590 --> 00:07:17,790 MOVE IT ALONG, GROUPIE, AND TAKE HIM WITH YOU. 165 00:07:17,820 --> 00:07:19,990 - YOU WATCH YOUR TONGUE, YOU FILTHY MONGREL. 166 00:07:20,020 --> 00:07:22,830 THIS IS FAITH. ALL RIGHT? 167 00:07:22,860 --> 00:07:25,090 HAVE A LOOK AND GRASP THE COSMIC IMPORTANCE 168 00:07:25,130 --> 00:07:27,530 OF THIS LOVELY, YOUNG LADY. 169 00:07:27,560 --> 00:07:29,970 WITHOUT HER THERE'D BE NO ROCK AND ROLL. 170 00:07:30,000 --> 00:07:32,240 GET IT? GOT IT? 171 00:07:32,270 --> 00:07:34,100 GOOD, NOW, FUCK OFF, FATTY. 172 00:07:34,140 --> 00:07:35,870 - [laughs] 173 00:07:35,910 --> 00:07:37,240 KRULL, COME HERE. MWAH. 174 00:07:37,270 --> 00:07:38,840 THANK YOU, YOU'RE THE BEST. 175 00:07:38,880 --> 00:07:41,850 - ANYTHING FOR YOU, LOVE. WHO'S THE CIVILIAN? 176 00:07:41,880 --> 00:07:44,280 - HANK. KRULL, HANK. 177 00:07:44,310 --> 00:07:47,220 - KRULL. RIGHT ON. 178 00:07:47,250 --> 00:07:48,220 GOOD TO MEET YOU. - [chuckles] 179 00:07:48,250 --> 00:07:50,290 - ONE DEAD ROCK STAR, 180 00:07:50,320 --> 00:07:52,290 NOW WE'RE DATING GEEZERS FROM THE REAL WORLD? 181 00:07:52,320 --> 00:07:54,260 - DOES HE LOOK LIKE HE'S FROM THE REAL WORLD? 182 00:07:54,290 --> 00:07:57,030 AND DO I LOOK LIKE I DATE? HE'S A FRIEND. 183 00:07:57,060 --> 00:07:58,600 - FRENEMY, REALLY. 184 00:07:58,630 --> 00:07:59,730 - YEAH. 185 00:07:59,760 --> 00:08:02,030 - WHAT ARE YOU DOING HERE, LOVE? YOU'RE NOT PLAYING NICE. 186 00:08:02,070 --> 00:08:03,700 - I JUST CAME TO PAY MY RESPECTS. 187 00:08:03,730 --> 00:08:07,300 - I LOVE YOU, BABE, I REALLY DO, BUT YOU KNOW WHAT I MEAN? 188 00:08:07,340 --> 00:08:08,870 IT'S INAPPROPRIATE, YOU BEIN' HERE. 189 00:08:08,910 --> 00:08:10,140 IT'S HIS OLD LADY. 190 00:08:10,170 --> 00:08:11,880 - COME ON, KRULL, I'LL BE IN AND OUT. 191 00:08:11,910 --> 00:08:15,710 NO MONKEY BUSINESS, I PROMISE. PLEASE, DON'T MAKE ME BEG. 192 00:08:15,750 --> 00:08:16,910 - YOU PROMISE. 193 00:08:16,950 --> 00:08:19,820 - SCOUT'S HONOR. 194 00:08:22,950 --> 00:08:24,150 - ALL RIGHT. 195 00:08:24,190 --> 00:08:25,620 KRULLER, COMIN' THROUGH. - NOT YOU, PAL. 196 00:08:25,660 --> 00:08:27,160 NOT YOU, PAL. - ALL RIGHT, NO PLUS ONE. 197 00:08:27,190 --> 00:08:29,530 UH-UHH. MM. - GOOD NIGHT. GOOD NIGHT. 198 00:08:41,070 --> 00:08:43,810 - AH, HELLO, HELLO. MM. 199 00:08:43,840 --> 00:08:46,180 - [laughs] - AH, KISS ON THE HEAD. AH. 200 00:08:46,210 --> 00:08:48,340 - GOTTA SAY, CHARLIE, I DON'T KNOW HOW I FEEL 201 00:08:48,380 --> 00:08:50,710 ABOUT MY NEW AGENT SHOWING UP IN A CAB. 202 00:08:50,750 --> 00:08:53,680 - SORRY, SORRY. THE PORSCHE IS IN THE SHOP. 203 00:08:53,720 --> 00:08:56,050 - DON'T WORRY, ROBBIE, CHARLIE'S GONNA GET A BIG RAISE. 204 00:08:56,090 --> 00:08:57,590 HE'LL BE ABLE TO AFFORD A SECOND CAR. 205 00:08:57,620 --> 00:08:59,720 - I'M GETTING A RAISE? - YOU BET, BUDDY. 206 00:08:59,760 --> 00:09:03,660 PARTNERS TALKED ABOUT IT. YOU'RE GOIN' PLACES, DOROTHY. 207 00:09:03,690 --> 00:09:04,890 - CHARLIE, I GOT A QUESTION FOR YOU. 208 00:09:04,930 --> 00:09:06,100 - YEAH, WHAT'S THAT? 209 00:09:06,130 --> 00:09:07,960 - HOW MANY DICKS HAVE YOU SUCKED TODAY? 210 00:09:08,000 --> 00:09:10,830 - [laughs] 211 00:09:10,870 --> 00:09:14,670 UH, SADLY, IT HAS BEEN A DICK-FREE DAY THUS FAR. 212 00:09:14,700 --> 00:09:18,070 - [clicks tongue] CHARLIE. DOESN'T HAVE TO BE THAT WAY. 213 00:09:18,110 --> 00:09:21,210 HAVE YOU TRIED GRINDR? - MM, I DON'T BELIEVE I HAVE. 214 00:09:21,240 --> 00:09:23,950 - OOH, YOU'D KNOW. - [chuckles] 215 00:09:23,980 --> 00:09:26,680 - IT'S AN APP. HERE, GIVE ME YOUR PHONE. 216 00:09:26,720 --> 00:09:29,350 - IT'S AMAZING, CHARLIE. IT USES YOUR GPS. 217 00:09:29,390 --> 00:09:31,760 ANYWHERE YOU ARE, YOU CAN FIND A GUY WHO'S READY TO FUCK. 218 00:09:31,790 --> 00:09:36,090 - WOW. STEVE JOBS. RESPECT. 219 00:09:36,130 --> 00:09:39,360 - THERE YOU GO. YOU'RE ALL SET. YOU'RE THE "BALD BEAR." 220 00:09:39,400 --> 00:09:42,400 - [laughs] GREAT. 221 00:09:42,430 --> 00:09:44,370 OKAY, [clears throat] ROBBIE. 222 00:09:44,400 --> 00:09:46,270 YOU'RE CLEAN, YOU'RE SOBER, 223 00:09:46,300 --> 00:09:47,940 LET'S GET YOU BACK IN THE GAME, HUH? 224 00:09:47,970 --> 00:09:51,740 LET'S REMIND THIS TOWN HOW FUCKING GOOD YOU REALLY ARE. 225 00:09:51,780 --> 00:09:53,240 ALL RIGHT, I GOT THREE SCRIPTS HERE. 226 00:09:53,280 --> 00:09:56,110 ANY ONE OF 'EM WOULD BE A KILLER MOVE. 227 00:09:56,150 --> 00:09:59,720 THIS ONE, A REMAKE OF CRUISING. 228 00:10:00,780 --> 00:10:02,950 - THAT'S AN INTERESTING IDEA. 229 00:10:02,990 --> 00:10:05,250 - IT'S A FUCKING HOT IDEA IS WHAT IT IS. 230 00:10:05,290 --> 00:10:07,890 SCRIPT GAVE ME A RAGING BONER. 231 00:10:07,920 --> 00:10:10,990 - ME TOO. [laughter] 232 00:10:11,030 --> 00:10:14,900 - OH, THERE YOU GO. YOUR FIRST DICK OF THE DAY. 233 00:10:16,030 --> 00:10:17,270 - HUH? WHAT? 234 00:10:17,300 --> 00:10:19,770 - GO FOR IT. YOU DESERVE IT. 235 00:10:19,800 --> 00:10:23,170 - OH, NO, NO, NO, NO, NO, NO, NO, NO, NO. 236 00:10:23,210 --> 00:10:25,140 I'M GOOD, I'M GOOD, YEAH. SEE, 237 00:10:25,170 --> 00:10:26,740 I JUST BEAT OFF THIS MORNING. 238 00:10:26,780 --> 00:10:28,750 YEAH, SHOULD CARRY ME RIGHT THROUGH LUNCH. 239 00:10:28,780 --> 00:10:31,680 - CHARLIE, WOULD YOU RATHER BEAT OFF 240 00:10:31,720 --> 00:10:34,080 OR GET YOUR DICK SUCKED BY A 21-YEAR-OLD 241 00:10:34,120 --> 00:10:36,320 WHO JUST SKIPPED OUT OF CRUNCH? 242 00:10:38,490 --> 00:10:42,360 - I SEE YOUR POINT. - CHARLIE, I INSIST. 243 00:10:42,390 --> 00:10:45,030 - THE CLIENT INSISTS, CHARLIE. 244 00:10:45,060 --> 00:10:49,000 NOW GO GET YOUR DICK SUCKED BY A STRANGER. 245 00:11:08,150 --> 00:11:09,790 - MISS YOU, BROHEME. 246 00:11:09,820 --> 00:11:11,720 I GOT THE FEELING THIS IS THE KIND OF SHINDIG 247 00:11:11,760 --> 00:11:12,860 YOU WOULD DIG, YOU KNOW? 248 00:11:12,890 --> 00:11:18,390 - [hiccups] - OOH. HOWDY. 249 00:11:18,430 --> 00:11:22,130 - HOWDY YOURSELF. I'M THE WIDOW. 250 00:11:22,170 --> 00:11:26,440 - OH, SHITNESS. MY CONDOLIES, AND WHATNOT. I'M HANK. 251 00:11:26,470 --> 00:11:28,340 - HOW DO YOU KNOW MY HUSBAND? 252 00:11:28,370 --> 00:11:30,440 - OH, I-I DIDN'T. I DIDN'T, I'M--I'M HERE WITH A FRIEND, 253 00:11:30,470 --> 00:11:32,780 AND VISITING WITH ANOTHER FRIEND. 254 00:11:32,810 --> 00:11:34,210 - YOU YOU KNOW WHAT THE WEIRD THING IS, FRANK? 255 00:11:34,240 --> 00:11:35,510 - UH, HANK. 256 00:11:35,540 --> 00:11:38,110 - MY HUSBAND'S DEAD AND I'M NUMB. 257 00:11:38,150 --> 00:11:40,380 - IT'S NOT SO WEIRD. - I JUST WANT TO FEEL SOMETHING, 258 00:11:40,420 --> 00:11:41,480 YOU KNOW? ANYTHING. - YEAH, YOU KNOW, IT'S-- 259 00:11:41,520 --> 00:11:43,090 IT'S UNDERSTANDABLE. 260 00:11:43,120 --> 00:11:44,490 I-I'M GOING THROUGH A SIMILAR THING RIGHT NOW. 261 00:11:44,520 --> 00:11:47,220 - I-I-I TOTALLY UNDERSTAND-- - SHUT UP! 262 00:11:47,260 --> 00:11:50,430 YOU'LL DO. 263 00:11:50,460 --> 00:11:52,430 - UH, [chuckles] - [laughs] 264 00:11:52,460 --> 00:11:54,960 HAVE YOU GOT A FEW MINUTES, FRANK? 265 00:11:55,000 --> 00:11:56,900 - WELL-- - 'CAUSE I'D REALLY LOVE 266 00:11:56,930 --> 00:11:58,800 TO GOB YOUR KNOB. 267 00:11:58,840 --> 00:12:02,210 - WELL, ANYTHING IN YOUR TIME OF NEED. COME ON. 268 00:12:02,240 --> 00:12:04,940 - [laughs] 269 00:12:04,970 --> 00:12:05,910 MM. 270 00:12:07,810 --> 00:12:11,410 [zipper zips] - LOOK AT THIS. 'ELLO. 271 00:12:12,920 --> 00:12:14,180 BRILLIANT. 272 00:12:14,220 --> 00:12:15,280 - HEY. 273 00:12:15,320 --> 00:12:18,860 - OH, HEY, UH, COULD YOU, UH, 274 00:12:18,890 --> 00:12:20,560 COULD YOU--COULD YOU GIVE US A FEW MINUTES HERE? 275 00:12:20,590 --> 00:12:21,930 - [laughs] OH, WHAT THE FUCK, DUDE? 276 00:12:21,960 --> 00:12:23,390 - CAN YOU GIVE ME A FEW MINUTES? 277 00:12:23,430 --> 00:12:24,930 - ALL RIGHT, IT'S YOUR FIELD TRIP TOO. 278 00:12:24,960 --> 00:12:26,260 - COME HERE. COME ON-- COME HERE, COME HERE. 279 00:12:26,300 --> 00:12:27,530 [straining] OH. - WHAT? OH. 280 00:12:27,560 --> 00:12:29,270 - IT WAS--IT WAS VERY NICE TO MEET YOU... 281 00:12:29,300 --> 00:12:30,530 - SO NICE TO MEET YOU. BRILLIANT. 282 00:12:30,570 --> 00:12:32,400 - AND I'M SO SORRY FOR YOUR LOSS. 283 00:12:32,440 --> 00:12:34,000 - NOT AS SORRY AS I AM, MY LOVE. 284 00:12:34,040 --> 00:12:37,840 - MM, APPARENTLY, HE IS NOT AS SORRY AS I AM. 285 00:12:39,980 --> 00:12:43,150 - YOU. 286 00:12:43,180 --> 00:12:44,180 - ME? 287 00:12:44,210 --> 00:12:46,920 - YOU LOOK FAMILIAR. 288 00:12:46,950 --> 00:12:48,220 - I DON'T BELIEVE WE'VE MET. 289 00:12:48,250 --> 00:12:50,890 - NO, I DON'T BELIEVE WE HAVE. 290 00:12:50,920 --> 00:12:53,420 YOU WERE ON THE ROAD WITH HIM, WEREN'T YOU? 291 00:12:53,460 --> 00:12:55,830 - OH, YOU MEAN BIG DAVE IN LIGHTING? 292 00:12:55,860 --> 00:12:58,230 YEAH, WELL, YOU KNOW, BINGO STARR. 293 00:12:58,260 --> 00:13:00,060 - OH, GIMME A BREAK. 294 00:13:00,100 --> 00:13:02,070 YOU'RE WAY TOO HOT FOR THE LIGHTING GUY. 295 00:13:02,100 --> 00:13:03,230 - WELL, THANK YOU. 296 00:13:03,270 --> 00:13:04,970 - NO, I RE-- I REMEMBER YOU. 297 00:13:05,000 --> 00:13:08,600 I REMEMBER, THE RECORD COMPANY THREW SOME KIND OF A PARTY. 298 00:13:08,640 --> 00:13:12,440 WAS IT GREENVILLE? MAYBE, I DON'T REMEMBER, 299 00:13:12,480 --> 00:13:14,910 BUT YOU WERE SORT OF HANGIN' AROUND. 300 00:13:14,940 --> 00:13:17,350 THERE WAS ENTIRELY WAY TOO MUCH EYE CONTACT 301 00:13:17,380 --> 00:13:19,350 BETWEEN THE TWO OF YOU. HUH? - LISTEN, LADY, 302 00:13:19,380 --> 00:13:21,180 I-I REALLY DON'T KNOW WHAT YOU'RE TALKING ABOUT. 303 00:13:21,220 --> 00:13:26,560 - HE WAS NEVER GONNA LEAVE ME, YOU KNOW. EVER. 304 00:13:26,590 --> 00:13:28,930 - WELL, WASN'T GONNA WRITE A SONG ABOUT YOU, EITHER. 305 00:13:28,960 --> 00:13:33,460 - OH, IS THAT WHAT HE TOLD YOU? THAT HE WROTE A SONG ABOUT YOU? 306 00:13:33,500 --> 00:13:36,100 HA! HOW CUTE! 307 00:13:36,130 --> 00:13:38,900 WHAT WAS THAT BALLAD FROM THE JAZZ RECORD, FRANK? HELP ME. 308 00:13:38,940 --> 00:13:40,570 - I--I NEVER LISTEN TO A-- 309 00:13:40,600 --> 00:13:42,370 - WHAT WAS IT? UM, FAITH? 310 00:13:42,410 --> 00:13:46,940 [chuckles] I BET YOU THINK THAT SONG'S ABOUT YOU, DON'T YOU? 311 00:13:46,980 --> 00:13:49,250 - GUESS I'M JUST THAT VAIN. - HUH. 312 00:13:49,280 --> 00:13:51,410 - FAITH. 313 00:13:51,450 --> 00:13:53,220 - OH, BOY. - HEY, 314 00:13:53,250 --> 00:13:56,620 LISTEN, [laughs] IT'S ALL JUST ROCK AND ROLL, RIGHT? 315 00:13:56,650 --> 00:14:01,360 - YOU THINK I GIVE A FUCK ABOUT ALL HIS ROAD WHORES? 316 00:14:01,390 --> 00:14:03,160 I'M THE ONE HE CAME HOME TO. 317 00:14:03,190 --> 00:14:04,430 - THOUGHT THEY HAD AN UNDERSTANDING. 318 00:14:04,460 --> 00:14:06,260 - [hisses] - SORRY, I JUST-- 319 00:14:06,300 --> 00:14:08,530 - I MAY NOT BE A NUN, BUT I'M NO WHORE. 320 00:14:08,560 --> 00:14:11,970 - HA! KEEP TELLING YOURSELF THAT, SWEETIE. 321 00:14:12,000 --> 00:14:16,910 AND BY THE WAY, OUR BULLDOG'S NAMED FAITH. 322 00:14:18,140 --> 00:14:20,110 - OOH. 323 00:14:20,140 --> 00:14:22,980 YOU KNOW, ALL THINGS CONSIDERED, THAT COULD'VE GONE A LOT WORSE. 324 00:14:23,010 --> 00:14:24,250 - FUCK! 325 00:14:24,280 --> 00:14:26,980 GOD, YOU KNOW, THE LAST THING I WANTED TO DO WAS UPSET HER, 326 00:14:27,020 --> 00:14:28,920 AND... - MM-HMM, I KNOW. 327 00:14:28,950 --> 00:14:31,520 I MEAN, JUST SEEING HIM ALL LAID OUT LIKE THAT, 328 00:14:31,550 --> 00:14:34,520 IT'S JUST TOO MUCH, YOU KNOW? - MM. 329 00:14:34,560 --> 00:14:36,530 HE EVEN HAD ON HIS NECKLACE. 330 00:14:36,560 --> 00:14:39,960 HIS CROSS. 331 00:14:40,000 --> 00:14:44,200 IT WAS MY FAVORITE, AND HE KNEW IT. 332 00:14:44,230 --> 00:14:46,270 HE GAVE IT TO ME THE NIGHT BEFORE HE DIED. 333 00:14:46,300 --> 00:14:48,040 I GOT RUSHED OUT OF THERE, I DIDN'T EVEN THINK 334 00:14:48,070 --> 00:14:50,010 TO TAKE IT WITH ME, AND NOW IT'S GONE FOREVER. 335 00:14:50,040 --> 00:14:52,440 - THAT'S--THAT'S THE PROBLEM WITH THIS OPEN CASKET SHIT. 336 00:14:52,480 --> 00:14:54,940 IN WHAT UNIVERSE IS SEEING A DEAD PERSON A GOOD THING? 337 00:14:54,980 --> 00:14:57,350 - SHIT'S FUCKED UP. [laughter] 338 00:14:57,380 --> 00:14:58,710 [sniffles] [geese honking] 339 00:14:58,750 --> 00:15:00,180 COME ON, LET'S JUST GET OUT OF HERE. 340 00:15:00,220 --> 00:15:02,020 [geese honking] - OH, BACK TO REHAB, REALLY? 341 00:15:02,050 --> 00:15:07,420 - NO, I NEED A DRINK, MAYBE TEN. THEN BACK TO REHAB. 342 00:15:07,460 --> 00:15:09,460 - HOLD ON, HOLD ON, HOLD ON. 343 00:15:12,200 --> 00:15:15,060 - WHAT ARE YOU DOING? - SOMETHING IDIOTIC, I'M SURE. 344 00:15:15,100 --> 00:15:18,030 IF I'M NOT BACK IN TEN MINUTES, BLOW SOMEONE TO FIND ME. 345 00:15:18,070 --> 00:15:21,040 [techno music] 346 00:15:21,070 --> 00:15:24,540 * 347 00:15:24,570 --> 00:15:27,540 - [chuckles] RIGHT ON, BALD BEAR. 348 00:15:27,580 --> 00:15:29,050 [chuckles] LET'S DO THIS. 349 00:15:29,080 --> 00:15:30,250 - HO, HO, HO, HOLD ON A SECOND. 350 00:15:30,280 --> 00:15:31,610 HOLD ON A SECOND. HOLD ON A SECOND. 351 00:15:31,650 --> 00:15:33,720 I HAVE A CONFESSION TO MAKE. 352 00:15:33,750 --> 00:15:36,420 I'M NOT REALLY A HOMOSEXUAL MAN. 353 00:15:36,450 --> 00:15:38,620 - [laughs] 354 00:15:38,650 --> 00:15:41,590 SO YOU WANNA PLAY THIS STRAIGHT? THAT'S YOUR GAME? 355 00:15:41,620 --> 00:15:43,990 WHATEVER, DUDE, I JUST WANNA GET MY DICK SUCKED. 356 00:15:44,030 --> 00:15:48,030 - AS YOU SHOULD. I TOTALLY UNDERSTAND, AND YOU'RE ENTITLED. 357 00:15:48,060 --> 00:15:53,500 I'M PRO-GAY. I'M PRO-SEXUALITY IN ANY FORM--ANY FORM, 358 00:15:53,540 --> 00:15:56,070 AND I REALLY RESPECT AND ADMIRE 359 00:15:56,110 --> 00:15:57,610 THE WAY YOU GUYS ARE USING TECHNOLOGY 360 00:15:57,640 --> 00:15:59,410 TO GET YOUR ROCKS OFF IN THE MIDDLE OF THE DAY, 361 00:15:59,440 --> 00:16:03,210 BUT ME, MYSELF, I'M NOT GAY. 362 00:16:03,250 --> 00:16:05,580 [laughing] I JUST-- I GOT MYSELF IN THE MIDDLE 363 00:16:05,610 --> 00:16:08,350 OF A HUGE MISUNDERSTANDING. HU-U-UGE. 364 00:16:08,380 --> 00:16:10,750 - [laughs] "MISUNDERSTANDING." - DON'T--NO, NO, NO. 365 00:16:10,790 --> 00:16:14,360 - DON'T DO THAT. YES, I SORT OF 366 00:16:14,390 --> 00:16:18,090 LED A PROSPECTIVE CLIENT TO BELIEVE I WAS GAY, 367 00:16:18,130 --> 00:16:20,800 'CAUSE THAT'S WHAT HE WAS LOOKING FOR IN AN AGENT. 368 00:16:20,830 --> 00:16:22,470 HE WANTED A "GAYGENT." 369 00:16:22,500 --> 00:16:26,640 - SO YOU'RE PRETENDING TO BE GAY FOR CAREER ADVANCEMENT? 370 00:16:26,670 --> 00:16:28,540 THAT'S REALLY OFFENSIVE, DUDE. 371 00:16:28,570 --> 00:16:30,170 ROBBIE MAC IS A BRAVE MAN. 372 00:16:30,210 --> 00:16:31,770 HE'S ONE OF THE FIRST FULLY-OUT MOVIE STARS. 373 00:16:31,810 --> 00:16:36,610 - I KNOW. HE'S INCREDIBLE. A REAL TRAILBLAZER. 374 00:16:36,650 --> 00:16:37,810 - WHAT IF I MARCHED OUT THERE 375 00:16:37,850 --> 00:16:41,150 AND TOLD HIM WHAT YOU JUST TOLD ME? 376 00:16:43,120 --> 00:16:45,220 - WHAT IF I PAID YOU NOT TO? 377 00:16:52,700 --> 00:16:54,530 - FORGIVE ME, FATHER, FOR I AM ABOUT TO 378 00:16:54,560 --> 00:16:58,130 PURLOIN SOME SHIT OFF A DEAD MAN. 379 00:16:58,170 --> 00:17:01,440 [sobs] 380 00:17:01,470 --> 00:17:04,310 [grunts, sobs] 381 00:17:04,340 --> 00:17:08,080 [sobbing] 382 00:17:08,110 --> 00:17:09,280 [grunts] 383 00:17:09,310 --> 00:17:11,680 [sobs] 384 00:17:11,710 --> 00:17:13,280 - WHAT THE FUCK DO YOU THINK YOU'RE DOING? 385 00:17:13,320 --> 00:17:18,290 - UH, I'M JUST PAYING RESPECTS TO A FALLEN HERO. 386 00:17:18,320 --> 00:17:19,160 - YOU KISSED HIM. 387 00:17:19,190 --> 00:17:22,690 - YEAH, I-I WAS OVERCOME WITH EMOTION. 388 00:17:22,730 --> 00:17:25,430 - HE WAS MY BEST FRIEND. A CHILDHOOD MATE. 389 00:17:25,460 --> 00:17:27,630 IF ANYONE'S GONNA PLANT LIPS ON HIM, IT SHOULD BE ME, 390 00:17:27,660 --> 00:17:29,270 OR HIS WIFE. 391 00:17:29,300 --> 00:17:31,700 - YEAH, YOU--YOU'RE RIGHT, IT WAS A MISCALCULATION. 392 00:17:31,730 --> 00:17:33,670 - WAIT A SECOND. 393 00:17:33,700 --> 00:17:36,740 YOU'RE THAT CHEEKY FUCKER WHO THREW UP ALL OVER MY BABY GRAND 394 00:17:36,770 --> 00:17:38,710 AND RUINED MY COCAINE. THE--THE WRITER. 395 00:17:38,740 --> 00:17:40,340 - HEY, NICE-- - WHO'S NOT A FAN OF MINE. 396 00:17:40,380 --> 00:17:41,510 - WELL. 397 00:17:41,540 --> 00:17:42,510 - WHAT THE FUCK ARE YOU DOING HERE? 398 00:17:42,550 --> 00:17:43,850 - I-I'M A BIG FAN. 399 00:17:43,880 --> 00:17:45,680 BIG FAN OF-- - OH, SO YOU'RE A FAN OF HIS, 400 00:17:45,710 --> 00:17:46,780 BUT NOT OF MINE? - HE'S A BRILLIANT 401 00:17:46,820 --> 00:17:48,380 FUCKING GUITAR PLAYER. 402 00:17:48,420 --> 00:17:50,390 - OH, AND I'M NOT BRILLIANT IN MY OWN REGARD? 403 00:17:50,420 --> 00:17:52,860 DO YOU HAVE ANY IDEA HOW HARD IT IS TO BE A FRONT MAN? 404 00:17:52,890 --> 00:17:54,460 THE--THE PRESSURE THAT'S ON ME 405 00:17:54,490 --> 00:17:57,690 TO ENTERTAIN MILLIONS OF WORKING-CLASS CITIZENS 406 00:17:57,730 --> 00:18:01,360 AND CONSTANTLY REINVENT MYSELF AND MAINTAIN MY BEAUTIFUL-- 407 00:18:01,400 --> 00:18:03,370 - EVERYTHING OKAY? - YEAH, IT'S PEACHY. 408 00:18:03,400 --> 00:18:05,730 IT'S PEACHY. - THIS ARROGANT FUCKING WANKER 409 00:18:05,770 --> 00:18:07,200 IS TRYING TO BUGGER OUR DEAD FRIEND. 410 00:18:07,240 --> 00:18:08,640 - WELL, MAYBE WE SHOULD BUGGER HIM. 411 00:18:08,670 --> 00:18:10,210 - NO, I DON'T THINK ANYBODY SHOULD BUGGER ANYBODY. 412 00:18:10,240 --> 00:18:11,340 - YEAH. - COME ON, NOW. COME ON, BOYS, 413 00:18:11,370 --> 00:18:12,740 BOYS, THIS IS REALLY MY FAULT. 414 00:18:12,780 --> 00:18:14,210 HE WAS JUST TRYING TO GET MY NECKLACE BACK. 415 00:18:14,240 --> 00:18:16,510 - YOU--YOU'RE STEALING FROM A DEAD MAN? 416 00:18:16,550 --> 00:18:17,750 - NO-- - TECHNICALLY, YES-- 417 00:18:17,780 --> 00:18:19,880 - TONY GAVE IT TO ME, OKAY? 418 00:18:19,920 --> 00:18:21,450 IT'S THE ONLY THING HE EVER GAVE ME. 419 00:18:21,480 --> 00:18:23,850 - FAITH, YOU NEED TO HIT THE ROAD, LOVE. 420 00:18:23,890 --> 00:18:27,460 - WAIT A SECOND. THIS IS FAITH? 421 00:18:27,490 --> 00:18:28,720 - YES. 422 00:18:28,760 --> 00:18:31,160 - IT IS A PLEASURE TO MEET YOU, SWEETHEART. 423 00:18:31,190 --> 00:18:32,560 TONY TALKED ABOUT YOU ALL THE TIME. 424 00:18:32,600 --> 00:18:33,860 - OH! 425 00:18:33,900 --> 00:18:36,370 - HE SAID YOU HAD AN UNCANNY ABILITY 426 00:18:36,400 --> 00:18:37,900 TO SUCK KILLER RIFFS OUT OF HIM. - AH! 427 00:18:37,930 --> 00:18:42,170 - WHAT THE FUCK IS THIS SKANKY SKANK STILL DOING HERE? 428 00:18:42,210 --> 00:18:43,510 - I WAS JUST LEAVING. - ALL RIGHT, YEAH. 429 00:18:43,540 --> 00:18:44,910 - GOOD! NO, HE CAN STAY. 430 00:18:44,940 --> 00:18:46,410 - OH, LADIES, LADIES-- - HE CAN STAY. 431 00:18:46,440 --> 00:18:47,810 - IT'S BIG ENOUGH FOR THE BOTH OF YOU. 432 00:18:47,840 --> 00:18:49,210 - I THINK SHE SHOULD PROBABLY STAY TOO. 433 00:18:49,250 --> 00:18:51,510 - UH, IF SHE INSISTS ON STAYING, 434 00:18:51,550 --> 00:18:54,680 THEN I INSIST ON KICKING HER IN THE FUCKING CUNT! 435 00:18:54,720 --> 00:18:56,220 [overlapping chatter] 436 00:18:56,250 --> 00:18:57,520 - OH, THE FUCKING CUNT! - THAT'S ENOUGH. 437 00:18:57,550 --> 00:18:58,650 - [whimpers] 438 00:18:58,690 --> 00:18:59,720 [crowd gasps] - I'LL KILL YOU! 439 00:18:59,760 --> 00:19:01,490 I'LL KILL YOU! 440 00:19:01,520 --> 00:19:03,390 [struggling] 441 00:19:03,430 --> 00:19:04,490 - OH. [crowd ohs] 442 00:19:04,530 --> 00:19:06,560 - [screams] OH, NO! MY HAIR! 443 00:19:06,600 --> 00:19:09,230 STOP IT! STOP IT! NO! 444 00:19:09,270 --> 00:19:10,800 - COME ON, IT'S TIME. - NO! 445 00:19:10,830 --> 00:19:11,800 - IT'S TIME. 446 00:19:11,830 --> 00:19:12,800 [organ fanfare] 447 00:19:12,840 --> 00:19:15,540 - HELLO, LOS ANGELES! 448 00:19:15,570 --> 00:19:18,610 IF YOU'RE SEEING ME IN THIS BADASS HOLOGRAPHIC FORM, 449 00:19:18,640 --> 00:19:19,710 THAT MEANS I MUST BE DEAD, 450 00:19:19,740 --> 00:19:21,410 WHICH TOTALLY SUCKS FOR ME, 451 00:19:21,440 --> 00:19:23,250 BUT I DON'T WANT ANY OF YOU GOOD PEOPLE 452 00:19:23,280 --> 00:19:26,520 FEELING SORRY FOR ME. I'VE HAD A GREAT FUCKING LIFE. 453 00:19:26,550 --> 00:19:27,920 I WANT TO THANK YOU ALL 454 00:19:27,950 --> 00:19:31,250 FOR COMING OUT TO CELEBRATE MY UNTIMELY DEMISE. 455 00:19:31,290 --> 00:19:33,520 I LEAVE YOU WITH THIS... 456 00:19:33,560 --> 00:19:36,960 [rock chord] 457 00:19:36,990 --> 00:19:39,400 [cheers and applause] 458 00:19:39,430 --> 00:19:42,570 [guitar soloing] [cheers and applause] 459 00:19:42,600 --> 00:19:50,570 * 460 00:19:50,610 --> 00:19:56,550 [cheers and applause] 461 00:19:58,610 --> 00:19:59,850 - COME HERE, BABY. - [sobs] 462 00:19:59,880 --> 00:20:01,820 - COME HERE. [kisses] 463 00:20:01,850 --> 00:20:03,520 I'M SORRY I WAS SUCH A BITCH. 464 00:20:03,550 --> 00:20:07,460 - NO, GOD, I'M SO SORRY I FUCKED YOUR HUSBAND. 465 00:20:07,490 --> 00:20:08,890 - [sniffs] HEY. 466 00:20:12,360 --> 00:20:14,560 IT'S ROCK AND ROLL, RIGHT? 467 00:20:14,600 --> 00:20:16,430 - YEAH, YEAH. [sobs] 468 00:20:16,470 --> 00:20:17,930 - OH. 469 00:20:17,970 --> 00:20:19,870 - IT'S NOT THE DOPE TALKING, 470 00:20:19,900 --> 00:20:21,670 BUT I STILL REALLY DIG YOUR WRITING, MAN. 471 00:20:21,700 --> 00:20:23,840 - THANK YOU. 472 00:20:23,870 --> 00:20:26,480 YEAH, THANKS. 473 00:20:26,510 --> 00:20:28,880 - YOU REALLY GOTTA CHECK OUT SOME OF MY EARLIER STUFF. 474 00:20:28,910 --> 00:20:31,280 THERE'S SOME GOOD SHIT ON THERE. 475 00:20:31,310 --> 00:20:33,880 BEFORE EVERYTHING GOT SO FUCKING POLISHED. 476 00:20:35,920 --> 00:20:38,250 FUCKING PRO TOOLS. 477 00:20:42,990 --> 00:20:44,490 [piano chord] 478 00:20:44,530 --> 00:20:48,360 THAT DEAD MAN THERE WAS MY BEST FRIEND. 479 00:20:48,400 --> 00:20:49,930 WE MET WHEN WE WERE FIVE YEARS OLD. 480 00:20:49,970 --> 00:20:51,600 [piano chords] 481 00:20:51,630 --> 00:20:54,400 WE USED TO GO AROUND TO HIS MUM AND DAD'S AFTER SCHOOL 482 00:20:54,440 --> 00:20:58,810 AND WEAR OUT THEIR COPY OF EXILE ON MAIN STREET. 483 00:20:58,840 --> 00:21:02,010 ONE DAY HE SHOWED ME HIS PENIS. 484 00:21:02,040 --> 00:21:05,410 IT WAS ALARMINGLY BIG FOR A FIVE-YEAR-OLD. 485 00:21:05,450 --> 00:21:06,950 [piano chords] 486 00:21:06,980 --> 00:21:08,350 HE TOLD ME WHEN HE GREW UP 487 00:21:08,380 --> 00:21:11,390 HE WANTED TO BE A ROCK AND ROLL STAR, 488 00:21:11,420 --> 00:21:13,790 AND BUGGER ME IF HE DIDN'T GROW UP AND DO JUST THAT. 489 00:21:13,820 --> 00:21:15,520 [piano chords] 490 00:21:15,560 --> 00:21:17,790 SO BEFORE WE PUT THAT FUCKER IN THE GROUND, 491 00:21:17,830 --> 00:21:20,660 I'D LIKE TO PLAY YOU ONE OF HIS FAVORITE SONGS. 492 00:21:20,700 --> 00:21:22,670 AFTER THAT, YOU'RE ALL INVITED BACK TO MY PLACE. 493 00:21:22,700 --> 00:21:27,540 WE'LL CONSUME NARCOTICS, AND LISTEN TO EXILE, AND... 494 00:21:29,610 --> 00:21:33,010 GET OUR PENISES OUT IN HONOR OF OUR FALLEN COMRADE. 495 00:21:33,040 --> 00:21:34,540 [The Rolling Stones' Shine A Light] 496 00:21:34,580 --> 00:21:39,380 - * SAW YOU STRETCHED OUT IN ROOM 1009 * 497 00:21:39,420 --> 00:21:44,820 * WITH A SMILE ON YOUR FACE AND A TEAR RIGHT IN YOUR EYE * 498 00:21:44,850 --> 00:21:51,960 * WHOA-OH-OH, COULDN'T SEEM TO GET A LINE ON YOU * 499 00:21:51,990 --> 00:21:56,430 * MY SWEET HONEY LOVE 500 00:21:56,470 --> 00:21:58,430 * 501 00:21:58,470 --> 00:22:02,570 * MAY THE GOOD LORD SHINE A LIGHT ON YOU * 502 00:22:02,610 --> 00:22:04,770 [clapping along] 503 00:22:04,810 --> 00:22:06,710 * MAKE EVERY SONG YOU SING... * 504 00:22:06,740 --> 00:22:07,840 [fades into recorded Rolling Stones version] 505 00:22:07,880 --> 00:22:10,110 - * YOUR FAVORITE TUNE 506 00:22:10,150 --> 00:22:14,950 * MAY THE GOOD LORD SHINE A LIGHT ON YOU * 507 00:22:14,980 --> 00:22:17,020 - YOU DON'T SEEM NEARLY AS FUCKED-UP 508 00:22:17,050 --> 00:22:18,720 AS EVERYBODY ELSE HERE. 509 00:22:18,750 --> 00:22:22,120 - I WAS TEMPTED TO PARTAKE, BUT IT SEEMS LIKE 510 00:22:22,160 --> 00:22:25,130 THE KIND OF NIGHT WHERE YOU NEED TO FEEL EVERYTHING. 511 00:22:25,160 --> 00:22:28,430 EVEN IF IT HURTS SO BAD YOU WANT TO TEAR YOUR FUCKING SKIN OFF. 512 00:22:28,460 --> 00:22:31,070 - MM. I HEAR THAT, PRETTY LADY. 513 00:22:31,100 --> 00:22:34,000 OH, SHIT, I ALMOST FORGOT. 514 00:22:36,510 --> 00:22:39,410 [hums] 515 00:22:39,440 --> 00:22:40,380 - [sighs] 516 00:22:45,610 --> 00:22:47,580 THIS MEANS SO MUCH. 517 00:22:47,620 --> 00:22:49,380 THANK YOU. 518 00:22:50,850 --> 00:22:51,890 THANK YOU. 519 00:22:51,920 --> 00:22:54,620 SO WHAT NOW? BACK TO REHAB? 520 00:22:54,660 --> 00:22:56,830 - YEAH. - YEAH? 521 00:22:56,860 --> 00:22:58,530 - JUST TO PICK UP MY STUFF. 522 00:22:58,560 --> 00:23:02,200 I THINK IT'S TIME TO COME BACK TO LIFE. 523 00:23:02,230 --> 00:23:04,530 - MM. - ROAD BECKONS. 524 00:23:04,570 --> 00:23:08,840 ANOTHER PROJECT AWAITS. - REALLY? PROJECT? 525 00:23:08,870 --> 00:23:12,040 - YEAH. THEY'RE MY PROJECTS. 526 00:23:12,070 --> 00:23:16,040 YEAH, I SEE A SPARK, A FLASH OF TRUE GENIUS, 527 00:23:16,080 --> 00:23:18,510 AND I HAVE TO HELP. - MM. 528 00:23:18,550 --> 00:23:20,180 - I WANT THEM TO BE THE VERY BEST THEY CAN BE. 529 00:23:20,220 --> 00:23:22,590 - YOU SOUND LIKE QUITE THE PATRON OF THE ARTS. 530 00:23:22,620 --> 00:23:26,990 - IT'S WHAT I DO. HMM. HOW 'BOUT YOURSELF? 531 00:23:27,020 --> 00:23:28,660 - WHAT ABOUT ME? 532 00:23:28,690 --> 00:23:30,190 - WHAT'S NEXT? 533 00:23:30,230 --> 00:23:32,660 - OH, I SUPPOSE I SHOULD WRITE SOMETHING. 534 00:23:32,700 --> 00:23:34,930 SIT MY ASS IN A CHAIR. THE CHAIR BECKONS. 535 00:23:34,960 --> 00:23:37,530 - GOOD FOR YOU. 536 00:23:39,500 --> 00:23:41,870 - RIGHT, 'CAUSE IT'S JUST THAT EASY. 537 00:23:41,900 --> 00:23:44,170 - HAVE A LITTLE FAITH, HANK. 538 00:23:44,210 --> 00:23:47,010 - * WARM LIKE THE EVENING SUN * 539 00:23:47,040 --> 00:23:50,950 * [vocalizing] 540 00:23:50,980 --> 00:23:52,550 * YEAH 541 00:23:52,580 --> 00:23:53,650 * 542 00:23:53,680 --> 00:23:56,720 - HANK MOODY, GET UP OFF YOUR ASS AND COME WITH ME. 543 00:23:56,750 --> 00:23:59,490 I'M GONNA PLAY YOU THE GREATEST SONG EVER WRITTEN 544 00:23:59,520 --> 00:24:01,020 IN THE HISTORY OF THE UNIVERSE. 545 00:24:01,060 --> 00:24:03,790 AFTER WHICH, WE SHALL SNORT COCAINE 546 00:24:03,830 --> 00:24:07,500 AND HAVE OUR ASSHOLES TONGUED BY THE ANGELS. 547 00:24:07,530 --> 00:24:11,470 * 548 00:24:21,180 --> 00:24:23,750 [doorbell ringing] 549 00:24:30,320 --> 00:24:33,260 - [gasps] OKAY, HI. 550 00:24:33,290 --> 00:24:35,760 - GOOD MORNING, GORGEOUS. 551 00:24:35,790 --> 00:24:39,730 - UM... - YES, PLEASE. I'D LOVE SOME. 552 00:24:39,760 --> 00:24:40,700 - SOME WHAT? 553 00:24:40,730 --> 00:24:44,030 - SOME OF YOUR DELICIOUS GIRL SCOUT COOKIES. 554 00:24:44,070 --> 00:24:45,570 - NO, I'M NOT THAT. 555 00:24:45,600 --> 00:24:47,200 I'M--I'M HERE TO SEE NATALIE. YEAH. 556 00:24:47,240 --> 00:24:48,570 - NATALIE, NATALIE. 557 00:24:48,600 --> 00:24:52,680 AH, NATALIE'S MY WIFE. - OH. 558 00:24:52,710 --> 00:24:54,740 - NATALIE TOOK THE CHILDREN TO SCHOOL. 559 00:24:54,780 --> 00:24:57,680 NATALIE SAID, "LET THE NEW DESIGNER IN." 560 00:24:57,710 --> 00:24:59,180 - TH--THAT'S ME. IT'S-- 561 00:24:59,210 --> 00:25:01,720 - WHAT NATALIE FAILED TO SAY 562 00:25:01,750 --> 00:25:06,190 IS HOW ABSOLUTELY FUCKING SMOKINGLY GORGEOUS YOU ARE. 563 00:25:07,820 --> 00:25:10,560 - I'M GONNA GO, AND THEN-- - YOU'RE GONNA COME IN. 564 00:25:10,590 --> 00:25:13,960 I'M INCREDIBLY INTERESTED IN WHAT YOUR PLANS ARE 565 00:25:14,000 --> 00:25:16,300 FOR THE INTERIOR OF MY HOME. 566 00:25:16,330 --> 00:25:20,070 - UM, COULD-- COULD YOU PUT SOME CLOTHES ON? 567 00:25:20,100 --> 00:25:22,000 - WHY WOULD I PUT SOME CLOTHES ON? 568 00:25:22,040 --> 00:25:24,870 THIS IS THE WAY THE BABY JESUS MADE ME. 569 00:25:24,910 --> 00:25:26,640 - THAT'S NICE. UH-- 570 00:25:26,680 --> 00:25:29,680 - I'M JOKING. COME ON, I'LL DIG UP SOME TROUSERS. 571 00:25:29,710 --> 00:25:32,920 - ARE YOU A FAN OF MINE? AS I AM OF YOURS? 572 00:25:32,950 --> 00:25:37,090 - UM, YOU COULD-- UH, I--I DON'T KNOW. UH... 573 00:25:37,120 --> 00:25:40,620 [Father John Misty's Hollywood Forever Cemetery Sings] 574 00:25:40,660 --> 00:25:42,660 * 575 00:25:42,690 --> 00:25:44,230 - YOU ATTACHED? 576 00:25:44,260 --> 00:25:45,730 - EXCUSE ME? 577 00:25:45,760 --> 00:25:48,800 - ARE YOU SPOKEN FOR? DO YOU HAVE A LOVER? 578 00:25:48,830 --> 00:25:50,600 OR MANY LOVERS? 579 00:25:50,630 --> 00:25:54,340 THERE ARE NO WRONG ANSWERS HERE, ONLY AROUSING ONES. 580 00:26:00,880 --> 00:26:02,110 - MM. 581 00:26:02,140 --> 00:26:04,050 - [laughs] YOU KNOW THAT FUCKER? 582 00:26:04,080 --> 00:26:07,350 - OH, YEAH. I KNOW THIS FUCKER. 583 00:26:07,380 --> 00:26:10,350 THIS FUCKER IS SUPPOSED TO BE IN REHAB RIGHT NOW. 584 00:26:10,390 --> 00:26:13,360 - THAT FUCKER WAS ABOUT A MILLION MILES AWAY 585 00:26:13,390 --> 00:26:15,220 FROM REHAB LAST NIGHT. 586 00:26:15,260 --> 00:26:17,960 WE SHARED AN EIGHT BALL, AMONG OTHER THINGS. 587 00:26:17,990 --> 00:26:22,100 WE SPOKE OF HOPES AND DREAMS, OF WHAT THE WORLD NEEDS NOW. 588 00:26:22,130 --> 00:26:25,730 I PLAYED HIM A SONG INSPIRED BY HIS "MAGNUS OPUM," 589 00:26:25,770 --> 00:26:29,140 A SONG ABOUT THE HEALING POWER OF SEX AND LOVE 590 00:26:29,170 --> 00:26:32,370 AND ROCK AND ROLL. HE SAID IT SOUNDED 591 00:26:32,410 --> 00:26:36,180 LIKE A PIT BULL RAPING A SMALL, DEAF CHILD. 592 00:26:36,210 --> 00:26:37,680 I DON'T THINK HE MEANT IT 593 00:26:37,710 --> 00:26:38,850 AS A COMPLIMENT! [kicking sound] 594 00:26:38,880 --> 00:26:42,220 - NO, HE CAN BE A TOUGH CRITIC THAT WAY. 595 00:26:42,250 --> 00:26:46,050 - OW. OW, STOP KICKING ME. 596 00:26:46,090 --> 00:26:47,390 WHA--? 597 00:26:47,420 --> 00:26:50,330 KAREN, WHAT THE FUCK? 598 00:26:50,360 --> 00:26:52,130 - HEY, YOU STOLE MY LINE. 599 00:26:52,160 --> 00:26:54,260 - NO, THEN IT MUST BE A SIGN. 600 00:26:54,300 --> 00:26:58,400 IT APPEARS THAT I'VE HAD A RELAPSE OF SOME SORT. 601 00:26:58,430 --> 00:27:02,200 I'VE BEEN TESTED AND FOUND SEVERELY LACKING, 602 00:27:02,240 --> 00:27:06,010 AND I SHOULD PROBABLY GO BACK TO REHAB POSTHASTE. 603 00:27:06,040 --> 00:27:08,280 YOU THINK MAYBE YOU CAN-- YOU CAN GIVE ME A RIDE? 604 00:27:08,310 --> 00:27:11,080 PROBABLY GET MYSELF-- 605 00:27:11,110 --> 00:27:15,450 OH, WELL, MAYBE-- MAYBE JUST A FEW MORE WINKS. 606 00:27:15,480 --> 00:27:17,820 I WAS HAVING THE NICEST DREAM. 607 00:27:17,850 --> 00:27:19,990 I WAS ON A BEACH SOMEWHERE WITH YOU 608 00:27:20,020 --> 00:27:23,960 AND GOD WAS MARRYING US, AND YOU TURNED INTO A MERMAID, 609 00:27:23,990 --> 00:27:25,730 AND I COULDN'T FIND YOUR VAGINA, 610 00:27:25,760 --> 00:27:27,400 AND YOUR HAIR WAS COVERING YOUR BREASTS, 611 00:27:27,430 --> 00:27:29,030 WHICH WAS KIND OF PISSING ME OFF, 612 00:27:29,060 --> 00:27:30,900 AND THEN SOMEONE WAS KICKING ME. 613 00:27:30,930 --> 00:27:32,170 - HE'S FINE. 614 00:27:32,200 --> 00:27:36,170 IT'S COCAINE-INDUCED DEMENTIA, THERE'S NOTHING TO WORRY ABOUT. 615 00:27:36,200 --> 00:27:38,310 HE JUST NEEDS HIS BEAUTY SLEEP. 616 00:27:38,340 --> 00:27:41,440 IN THE MEANTIME, WOULD YOU LIKE TO HEAR A SONG 617 00:27:41,480 --> 00:27:44,710 THAT I PENNED ABOUT THE PROBLEMS IN THE SUDAN? 618 00:27:44,750 --> 00:27:47,420 I'D REALLY APPRECIATE YOUR TAKE. 619 00:27:47,450 --> 00:27:53,060 - * YOU CAME, I THINK * 620 00:27:53,090 --> 00:27:59,800 * 'CAUSE THE MARBLE MADE MY CHEEKS LOOK PINK * 621 00:27:59,830 --> 00:28:04,070 * BUT I'M UNSURE OF SO MANY THINGS * 622 00:28:04,100 --> 00:28:09,240 * 623 00:28:09,270 --> 00:28:16,810 - * [vocalizing] 46064

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