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These are the user uploaded subtitles that are being translated: 1 00:00:06,620 --> 00:00:09,160 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:09,190 --> 00:00:10,830 - YOU HAVE A MAGNIFICENT BODY. 3 00:00:10,860 --> 00:00:13,160 - DO YOU THINK I HAVE WHAT IT TAKES TO BE AN ACTRESS? 4 00:00:13,200 --> 00:00:14,500 - YES. 5 00:00:14,530 --> 00:00:15,600 - EDDIE NERO SAID YOU GOT MAGIC FINGERS. 6 00:00:15,630 --> 00:00:17,530 I NEED YOUR WORDS. 7 00:00:17,570 --> 00:00:19,340 - GUESS WHO'S BACK IN THE PICTURE? 8 00:00:19,370 --> 00:00:21,510 EDDIE FUCKING NERO! 9 00:00:21,540 --> 00:00:22,810 - I DON'T WORK FOR STU AND MARCY ANYMORE. 10 00:00:22,840 --> 00:00:24,410 SO THIS WHOLE THING 11 00:00:24,440 --> 00:00:27,740 ISN'T QUITE AS INAPPROPRIATE AS IT ONCE WAS. 12 00:00:27,780 --> 00:00:28,850 - WHAT? 13 00:00:28,880 --> 00:00:30,180 - WILL YOU READ MY SCREENPLAY? 14 00:00:30,210 --> 00:00:31,620 - I GIVE IT TEN PAGES. 15 00:00:31,650 --> 00:00:33,650 - HEY, CAN I COME IN? 16 00:00:33,680 --> 00:00:35,850 IT'S RICHARD, YOU KNOW, HE WON'T STOP DRINKING. 17 00:00:35,890 --> 00:00:38,460 I THINK I MADE A TERRIBLE MISTAKE, YOU KNOW? 18 00:00:38,490 --> 00:00:40,690 - HANK, I WOKE UP IN A STRANGE WOMAN'S BED. 19 00:00:40,720 --> 00:00:42,130 I CAN'T FIND MY WEDDING RING. 20 00:00:42,160 --> 00:00:43,130 I'M FUCKED! 21 00:00:43,160 --> 00:00:44,190 - WHO'S THAT? 22 00:00:44,230 --> 00:00:45,200 - THIS IS MY GIRLFRIEND. 23 00:00:45,230 --> 00:00:46,560 - HOLLY. - HOLLY. 24 00:00:46,600 --> 00:00:47,660 - UH-HUH, UH-HUH, UH-HUH. 25 00:00:47,700 --> 00:00:49,170 - WHOA! - [shrieks] 26 00:00:49,200 --> 00:00:50,330 - HEY, HEY! 27 00:00:50,370 --> 00:00:51,570 - WHAT THE FUCK? - HEY, HEY-- 28 00:00:51,600 --> 00:00:52,600 - YOU COME TO MY HOME? 29 00:00:52,640 --> 00:00:53,870 HOW FUCKING DARE YOU? 30 00:00:53,900 --> 00:00:55,770 - BATESY, BATESY, SHE'S WITH ME. 31 00:00:55,810 --> 00:00:57,270 - YOU CAN TAKE YOUR TRAMP 32 00:00:57,310 --> 00:00:59,810 AND YOU CAN GET THE FUCK OUT OF MY HOUSE. 33 00:01:06,180 --> 00:01:09,150 [upbeat music] 34 00:01:09,190 --> 00:01:15,130 * 35 00:01:16,860 --> 00:01:18,360 - THANK YOU FOR AGREEING 36 00:01:18,400 --> 00:01:20,760 TO BREAK YOUR FAST WITH ME THIS MORNING. 37 00:01:20,800 --> 00:01:22,470 - IT'S FINE. 38 00:01:22,500 --> 00:01:23,900 - IT'S MORE THAN FINE, YOUNG LADY. 39 00:01:23,930 --> 00:01:25,870 I KNOW HOW PARTICULARLY DISPLEASED 40 00:01:25,900 --> 00:01:27,870 YOU'VE BEEN WITH YOUR PAPA OF LATE. 41 00:01:27,900 --> 00:01:30,140 - YOU HAVEN'T REALLY GIVEN ME MUCH OF A CHANCE 42 00:01:30,170 --> 00:01:32,210 TO THINK FONDLY OF YOU, PAPA. 43 00:01:32,240 --> 00:01:34,540 OR EVEN MISS YOU, FOR THAT MATTER. 44 00:01:34,580 --> 00:01:35,710 YOU'VE BEEN AROUND. 45 00:01:35,750 --> 00:01:36,710 A LOT. 46 00:01:36,750 --> 00:01:38,250 MUCKING WITH THINGS. 47 00:01:38,280 --> 00:01:39,720 - I MUCK NOT. 48 00:01:39,750 --> 00:01:42,290 - SAYS THE MAN RESPONSIBLE FOR THE SAVAGE BEATING 49 00:01:42,320 --> 00:01:44,720 MY BOYFRIEND SUFFERED AT THE HANDS OF SOME THUG. 50 00:01:44,750 --> 00:01:47,390 - NONSENSE, THAT WAS JUST AN UNFORTUNATE MISUNDERSTANDING. 51 00:01:47,420 --> 00:01:49,730 AND HE'S NOT A THUG, HE'S AN ENTREPRENEUR. 52 00:01:49,760 --> 00:01:51,800 AND A HUMANITARIAN. 53 00:01:51,830 --> 00:01:53,560 AND YOU KNOW WHAT THEY SAY-- 54 00:01:53,600 --> 00:01:56,600 WHATEVER DOESN'T KILL US MAKES EVEN US MORE ANNOYING. 55 00:01:56,630 --> 00:01:57,930 - DID YOU READ HIS SCREENPLAY YET? 56 00:01:57,970 --> 00:01:59,800 - [stammers] IS YOUR MOM STILL MAD AT ME? 57 00:01:59,840 --> 00:02:00,900 - WHAT DO YOU THINK? 58 00:02:00,940 --> 00:02:02,370 - ON A SCALE OF ONE TO TEN. 59 00:02:02,410 --> 00:02:03,440 - 11. 60 00:02:03,470 --> 00:02:04,710 - I CAN GET THAT DOWN. 61 00:02:04,740 --> 00:02:06,280 - DID YOU READ HIS SCREENPLAY YET? 62 00:02:06,310 --> 00:02:08,310 [blender grinding] 63 00:02:08,350 --> 00:02:11,680 - WHAT? I CAN'T HEAR YOU. 64 00:02:14,780 --> 00:02:15,850 NO, NOT YET. 65 00:02:15,890 --> 00:02:17,720 - WHY? YOU PROMISED. 66 00:02:17,750 --> 00:02:19,620 - THERE'S JUST NO UPSIDE, DARLIN'. 67 00:02:19,660 --> 00:02:21,690 IF I READ IT AND IT SUCKS, 68 00:02:21,730 --> 00:02:23,230 THEN I HAVE TO ENDURE HIS PATHETIC ATTEMPTS 69 00:02:23,260 --> 00:02:24,430 AND GIVE HIM FEEDBACK. 70 00:02:24,460 --> 00:02:25,730 THE LAST YOUNG ASPIRANT 71 00:02:25,760 --> 00:02:27,530 I GAVE NOTES TO WOUND UP IN THE HOSPITAL. 72 00:02:27,560 --> 00:02:28,730 AND IF IT'S EVEN REMOTELY GOOD, 73 00:02:28,770 --> 00:02:30,400 WHY WOULD I WANT TO KNOW THAT ABOUT HIM? 74 00:02:30,430 --> 00:02:31,640 YOU SEE MY DILEMMA HERE? 75 00:02:31,670 --> 00:02:32,900 - I'LL NEVER TALK TO YOU AGAIN. 76 00:02:32,940 --> 00:02:34,900 - YOU BARELY TALK TO ME NOW. 77 00:02:34,940 --> 00:02:36,270 - I'LL BECOME A STRIPPER. 78 00:02:36,310 --> 00:02:38,740 - I'LL READ IT. 79 00:02:38,780 --> 00:02:39,840 TOMORROW. 80 00:02:39,880 --> 00:02:40,880 - TODAY. 81 00:02:40,910 --> 00:02:42,780 - TODAY. 82 00:02:42,810 --> 00:02:48,450 - [groaning] 83 00:02:48,490 --> 00:02:50,350 - YOU'RE FUCKING KIDDING ME. 84 00:02:50,390 --> 00:02:54,460 - [imitates Tarzan yell] 85 00:02:54,490 --> 00:02:58,730 REBECCA! 86 00:02:58,760 --> 00:03:01,930 - THIS IS WHY I HATE COMING HERE. 87 00:03:03,870 --> 00:03:06,840 [upbeat music] 88 00:03:06,870 --> 00:03:14,810 * 89 00:03:47,010 --> 00:03:49,980 [reggae music] 90 00:03:50,010 --> 00:03:55,950 * 91 00:03:58,620 --> 00:04:02,430 - [groans] 92 00:04:02,460 --> 00:04:04,590 - THAT BAD, HUH? 93 00:04:04,630 --> 00:04:05,900 - IT'S THAT GOOD. 94 00:04:05,930 --> 00:04:07,830 - REALLY? 95 00:04:07,860 --> 00:04:09,570 - THE WRITING IS EXCEPTIONAL. 96 00:04:09,600 --> 00:04:11,470 BUT THAT'S NOT WHAT PISSES ME OFF. 97 00:04:11,500 --> 00:04:12,840 WELL, IT DOES PISS ME OFF. 98 00:04:12,870 --> 00:04:14,570 I MEAN, WHERE'S THAT LITTLE DOUCHE GET OFF 99 00:04:14,600 --> 00:04:16,340 BEING EVEN A HALFWAY DECENT WRITER? 100 00:04:16,370 --> 00:04:18,710 AND WHERE--WHERE DOES HE FIND TIME TO WRITE 101 00:04:18,740 --> 00:04:20,310 WHEN HE HAS TO TEND TO THAT FUCKING MOP OF HAIR? 102 00:04:20,340 --> 00:04:21,480 - OH, WHOA, WHOA YOU'RE GETTING OFF TOPIC. 103 00:04:21,510 --> 00:04:22,750 TELL ME MORE ABOUT THE SCRIPT. 104 00:04:22,780 --> 00:04:25,720 - DON'T YOU EVEN FUCKING DARE, AGENT. 105 00:04:32,790 --> 00:04:36,360 - SO...WHAT'S IT ABOUT? 106 00:04:36,390 --> 00:04:38,430 - THE WHOLE FUCKING THING IS ABOUT HIM. 107 00:04:38,460 --> 00:04:39,430 AND BECCA. 108 00:04:39,460 --> 00:04:41,000 - SO? 109 00:04:41,030 --> 00:04:43,600 - SO? IT'S--IT'S-- IT'S VERY SEXUAL, KAREN. 110 00:04:43,630 --> 00:04:44,730 VERY SEXUAL. 111 00:04:44,770 --> 00:04:46,370 - AND YOUR POINT IS? 112 00:04:46,400 --> 00:04:49,410 - IT'S ALSO-- IT'S VERY DIRTY. 113 00:04:49,440 --> 00:04:50,540 AND DISTURBING. 114 00:04:50,570 --> 00:04:52,040 AND IT'S VERY, VERY... 115 00:04:52,080 --> 00:04:53,540 SEXUAL. 116 00:04:53,580 --> 00:04:55,750 IT'S ALSO DISGUSTING, ACTUALLY. 117 00:04:55,780 --> 00:04:57,750 THAT'S WHAT IT IS, IS DISGUSTING. 118 00:04:57,780 --> 00:05:00,820 - YOUR ENTIRE LITERARY AESTHETIC REVOLVES AROUND SEX, SO... 119 00:05:00,850 --> 00:05:01,820 - IT DOES NOT. 120 00:05:01,850 --> 00:05:03,420 - DOES. - DOESN'T. 121 00:05:03,450 --> 00:05:04,450 - YOU KNOW WHAT, I'M NOT GONNA DO THIS WITH YOU. 122 00:05:04,490 --> 00:05:05,660 - DOESN'T. OKAY. 123 00:05:05,690 --> 00:05:07,390 WELL, SAY WHAT YOU WILL ABOUT MY OEUVRE. 124 00:05:07,420 --> 00:05:09,760 BUT TYLER'S SCRIPT INVOLVES A YOUNG ASPIRING WRITER 125 00:05:09,790 --> 00:05:11,930 WHO HAS A VERY DOWN AND DIRTY SEXUAL RELATIONSHIP 126 00:05:11,960 --> 00:05:14,600 WITH THE DAUGHTER OF A VERY SUCCESSFUL NOVELIST. 127 00:05:14,630 --> 00:05:15,770 - YOU'RE NOT THAT SUCCESSFUL. 128 00:05:15,800 --> 00:05:17,900 - OH, KAREN, THAT IS SO FUNNY. 129 00:05:17,930 --> 00:05:20,670 I'M GLAD YOU STILL FIND TIME TO EMASCULATE ME 130 00:05:20,700 --> 00:05:21,910 WHILE ROME IS CLEARLY BURNING. 131 00:05:21,940 --> 00:05:23,440 - I CAN ALWAYS FIND TIME FOR THAT. 132 00:05:23,470 --> 00:05:25,040 - SO WAIT, NO, WAIT, AND THIS, AND THIS. 133 00:05:25,070 --> 00:05:27,840 THE--THE--THE MAIN CHARACTER HARBORS FANTASIES ABOUT FUCKING 134 00:05:27,880 --> 00:05:29,410 THE EXTREMELY MILF-Y MOTHER OF HIS GIRLFRIEND. 135 00:05:29,450 --> 00:05:30,710 - REALLY? 136 00:05:30,750 --> 00:05:31,750 - HOW DO YOU LIKE THEM APPLES, KAREN? 137 00:05:31,780 --> 00:05:33,120 HOW'S THAT MAKE YOU FEEL? 138 00:05:33,150 --> 00:05:34,750 - GOOD, ACTUALLY. 139 00:05:34,780 --> 00:05:36,450 YEAH. 140 00:05:36,490 --> 00:05:37,590 HE'S KIND OF HOT. 141 00:05:37,620 --> 00:05:39,060 - YOU KNOW WHAT? IT'S NOT FUNNY. 142 00:05:39,090 --> 00:05:42,530 I AM JUST SO DISGUSTED BY YOUR WHOLE SCENE HERE. 143 00:05:42,560 --> 00:05:43,730 - YOU'RE DISGUSTED WITH MY SCENE? 144 00:05:43,760 --> 00:05:44,830 - YEAH, I AM. 145 00:05:44,860 --> 00:05:46,660 - HOW THE FUCK DID THAT HAPPEN? 146 00:05:46,700 --> 00:05:47,860 - IN MY ABSENCE, YOUR WHOLE LIFE 147 00:05:47,900 --> 00:05:50,970 HAS BECOME THIS SEXUAL PLAYGROUND. 148 00:05:51,000 --> 00:05:54,100 - JESUS, SO WHAT ARE YOU GONNA DO? 149 00:05:54,140 --> 00:05:55,100 ARE YOU--ARE YOU GONNA GIVE HIM NOTES, 150 00:05:55,140 --> 00:05:57,040 OR WHAT ARE YOU GONNA DO? 151 00:05:57,070 --> 00:05:58,580 - YEAH, I'M GONNA GIVE HIM NOTES, I'M GONNA GIVE HIM NOTES. 152 00:05:58,610 --> 00:05:59,580 BUT FIRST I'M GONNA SEE MY DAUGHTER. 153 00:05:59,610 --> 00:06:00,580 WHERE IS SHE? 154 00:06:00,610 --> 00:06:01,780 - SHE'S AT WORK. 155 00:06:01,810 --> 00:06:03,050 - I'M GONNA GO SEE HER AT WORK. 156 00:06:03,080 --> 00:06:04,580 I GOT A BONE TO PICK WITH HER. 157 00:06:04,610 --> 00:06:05,750 - GOOD LUCK WITH THAT. - ALL RIGHT, OKAY. 158 00:06:05,780 --> 00:06:07,620 - GOOD. - HEY, HEY, HEY, HEY, HEY. 159 00:06:07,650 --> 00:06:08,750 HOW'S BATESY? 160 00:06:08,790 --> 00:06:09,790 - REHAB. 161 00:06:09,820 --> 00:06:10,890 - [sighs] 162 00:06:10,920 --> 00:06:12,760 - TODAY'S FAMILY DAY. 163 00:06:12,790 --> 00:06:13,760 SHOULD BE A HOOT. 164 00:06:13,790 --> 00:06:15,560 - AWESOME. 165 00:06:15,590 --> 00:06:17,530 YOU STILL THINKING ABOUT LEAVING HIM? 166 00:06:27,500 --> 00:06:28,640 REALLY, BECCA? 167 00:06:28,670 --> 00:06:29,640 - WHAT? 168 00:06:29,670 --> 00:06:30,640 - I'M TROUBLED. 169 00:06:30,670 --> 00:06:32,140 - YOU DON'T LIKE IT? 170 00:06:32,180 --> 00:06:34,080 - NO, I DON'T LIKE IT. I DON'T LIKE IT ONE BIT. 171 00:06:34,110 --> 00:06:35,710 - WHAT DON'T YOU LIKE ABOUT IT? 172 00:06:35,750 --> 00:06:37,750 - WELL, FOR ONE, IT'S VERY DIRTY. 173 00:06:37,780 --> 00:06:39,080 VERY DIRTY. 174 00:06:39,120 --> 00:06:41,180 - SO? DIRTY IS YOUR THING, ISN'T IT? 175 00:06:41,220 --> 00:06:42,920 - WHATEVER. 176 00:06:42,950 --> 00:06:46,160 IT ALSO SEEMS PAINFULLY AUTOBIOGRAPHICAL. 177 00:06:46,190 --> 00:06:47,590 - DAD, PLEASE, IS EVERYTHING YOU WRITE THE TRUTH? 178 00:06:47,620 --> 00:06:48,760 OR IS IT EMBELLISHED? 179 00:06:48,790 --> 00:06:50,830 - YOUNG ASPIRING WRITER SEEKS OUT 180 00:06:50,860 --> 00:06:53,060 DAUGHTER OF VERY SUCCESSFUL NOVELIST 181 00:06:53,100 --> 00:06:54,160 AND PROCEEDS TO BED HER? 182 00:06:54,200 --> 00:06:55,700 SOUND FAMILIAR? 183 00:06:55,730 --> 00:06:56,930 - YOU'RE NOT THAT SUCCESSFUL, DAD. 184 00:06:56,970 --> 00:06:59,470 - JESUS CHRIST, IS NOTHING SACRED? 185 00:06:59,500 --> 00:07:00,840 - IS THIS ABOUT SEX? 186 00:07:00,870 --> 00:07:02,240 DID YOU THINK I WAS NEVER GOING TO GROW UP 187 00:07:02,270 --> 00:07:03,770 AND HAVE A SEXUAL RELATIONSHIP WITH SOMEONE? 188 00:07:03,810 --> 00:07:05,210 - A FATHER SURE CAN HOPE. 189 00:07:05,240 --> 00:07:07,040 - SOMETIMES I THINK YOU WISH 190 00:07:07,080 --> 00:07:09,950 I STAYED SOME ASEXUAL LITTLE GOTH MUPPET CREATURE FOREVER. 191 00:07:09,980 --> 00:07:13,080 - YOU SAY THAT LIKE IT'S A BAD THING. 192 00:07:13,120 --> 00:07:14,780 - WOULD YOU PREFER I DIDN'T ENJOY SEX? 193 00:07:14,820 --> 00:07:16,250 - WILL YOU STOP SAYING "SEX"? 194 00:07:16,290 --> 00:07:17,820 THIS IS A PLACE OF BUSINESS. 195 00:07:17,850 --> 00:07:19,260 - YEAH, AND YOU'RE HOLDING UP THE LINE. 196 00:07:19,290 --> 00:07:21,020 - THIS IS NOT WHAT I WANTED FOR YOU, BECCA. 197 00:07:21,060 --> 00:07:24,760 TO INSPIRE SOME STUPID FUCKING MUMBLECORE BULLSHIT. 198 00:07:24,790 --> 00:07:26,930 - JUST SIT DOWN WITH HIM. GIVE HIM YOUR THOUGHTS. 199 00:07:26,960 --> 00:07:28,530 - OH, YEAH, I'M GONNA GIVE HIM MY THOUGHTS ALL RIGHT. 200 00:07:28,570 --> 00:07:32,200 I GOT HIS ADDRESS. LOOK, RIGHT HERE. 201 00:07:32,240 --> 00:07:33,700 - BE GENTLE. 202 00:07:33,740 --> 00:07:34,970 HE TALKS A GOOD GAME, BUT DEEP DOWN, 203 00:07:35,000 --> 00:07:36,270 HE'S REALLY JUST A SENSITIVE ARTIST. 204 00:07:36,310 --> 00:07:37,770 - OH, UH-HUH. 205 00:07:37,810 --> 00:07:39,710 - UH, YEAH, I'M GONNA CALL HIM. 206 00:07:39,740 --> 00:07:40,810 I WILL LET HIM KNOW. 207 00:07:40,840 --> 00:07:42,510 OKAY, BYE. 208 00:07:42,550 --> 00:07:43,850 HELLO, HELLO! 209 00:07:43,880 --> 00:07:47,580 - UGH, WHAT THE FUCK ARE YOU DOING HERE? 210 00:07:47,620 --> 00:07:49,920 - OH, AND A VERY FINE DAY TO YOU TOO. 211 00:07:49,950 --> 00:07:51,220 - WHAT HAVE I TOLD YOU? 212 00:07:51,250 --> 00:07:52,220 YOU DON'T PISS ON THE LOSING CLASS. 213 00:07:52,260 --> 00:07:53,220 THAT'S RUDE. 214 00:07:53,260 --> 00:07:54,660 - I KNOW, BABY. 215 00:07:54,690 --> 00:07:56,590 BABY, HE JUST BRINGS IT OUT IN ME. 216 00:07:56,630 --> 00:07:59,100 - CHARLIE, I'M SORRY, I THINK WHAT MARCY WAS TRYING TO SAY IS 217 00:07:59,130 --> 00:08:00,800 WHAT THE FUCK ARE YOU DOING HERE? 218 00:08:00,830 --> 00:08:02,570 - I WAS IN THE NEIGHBORHOOD. 219 00:08:02,600 --> 00:08:05,570 I THOUGHT IT MIGHT BE NICE TO LAY EYES ON MY VERY OWN SON. 220 00:08:05,600 --> 00:08:07,800 - HA! YOU WERE IN THE NEIGHBORHOOD? 221 00:08:07,840 --> 00:08:09,040 THAT'S BULLSHIT. 222 00:08:09,070 --> 00:08:10,640 YOU WANTED TO LAY EYES ON LIZZIE. 223 00:08:10,670 --> 00:08:12,710 - WELL, YOU CAN'T BLAME A MAN FOR THAT. 224 00:08:12,740 --> 00:08:14,780 - OH, REALLY, SWEETHEART? 225 00:08:14,810 --> 00:08:16,610 YOU WANNA GO DOWN THIS ROAD? 226 00:08:16,650 --> 00:08:18,780 YOU WANNA SINK THE PINK EVER AGAIN IN THIS LIFETIME? 227 00:08:18,820 --> 00:08:21,120 - HEY, HEY, HEY, REMEMBER WHAT DR. LAWSON SAID 228 00:08:21,150 --> 00:08:22,120 ABOUT USING SEX AS A WEAPON. 229 00:08:22,150 --> 00:08:23,590 - I DON'T CARE. 230 00:08:23,620 --> 00:08:24,690 - WHOA, WHOA, WHO'S DR. LAWSON? 231 00:08:24,720 --> 00:08:26,560 - COUPLES THERAPIST. - SHH! 232 00:08:26,590 --> 00:08:29,060 - HEY, THERE'S NO SHAME IN WORKSHOPPING YOUR RELATIONSHIP. 233 00:08:29,090 --> 00:08:30,590 - [sighs] 234 00:08:30,630 --> 00:08:32,030 FIVE MINUTES, CHARLIE. 235 00:08:32,060 --> 00:08:33,660 OKAY? HE NEEDS A NAP. 236 00:08:33,700 --> 00:08:35,000 OTHERWISE HE'S GONNA BE A FUCKING NIGHTMARE 237 00:08:35,030 --> 00:08:36,770 WHEN WE GET BACK. 238 00:08:36,800 --> 00:08:38,100 GOD DAMN IT! COME ON. 239 00:08:38,130 --> 00:08:39,200 MOTHERFUCKER CHARGES US IF WE'RE LATE. 240 00:08:39,240 --> 00:08:43,710 - CHARLIE, UH, ENJOY YOURSELF. 241 00:08:43,740 --> 00:08:45,680 JUST KEEP YOUR FUCKING HANDS OFF MY OSCARS. 242 00:08:45,710 --> 00:08:47,140 COMING! 243 00:08:47,180 --> 00:08:49,780 - I DON'T LIKE THIS THING WITH THESE STONES. 244 00:08:49,810 --> 00:08:51,750 I NEED A FLAT SURFACE. 245 00:08:59,820 --> 00:09:01,060 - SHH, I'M SORRY, CHARLIE. 246 00:09:01,090 --> 00:09:02,060 HE JUST FELL ASLEEP. 247 00:09:02,090 --> 00:09:05,600 - [groans] BUMMER. 248 00:09:06,830 --> 00:09:09,800 GUESS I'LL JUST GO, THEN. 249 00:09:09,830 --> 00:09:11,200 NO OTHER REASON FOR ME TO BE HERE. 250 00:09:11,230 --> 00:09:14,240 - YEAH, YOU SHOULD GO. 251 00:09:14,270 --> 00:09:16,940 - YEP. 252 00:09:16,970 --> 00:09:20,340 I'LL JUST... BE ON MY WAY. 253 00:09:20,380 --> 00:09:23,210 - SEE YA. 254 00:09:29,820 --> 00:09:30,920 - GUEST HOUSE? 255 00:09:30,950 --> 00:09:32,990 - I GOT A BETTER IDEA. 256 00:09:48,300 --> 00:09:50,340 - HI THERE! 257 00:09:50,370 --> 00:09:51,810 - HI. 258 00:09:51,840 --> 00:09:54,140 - I'M LOOKING FOR TYLER. 259 00:09:54,180 --> 00:09:56,210 - OH, HE'S AT SCHOOL. 260 00:09:56,250 --> 00:09:59,780 OR WORK. OR...SOMEWHERE. 261 00:09:59,820 --> 00:10:01,850 I'M NOT REALLY SURE. 262 00:10:01,890 --> 00:10:03,750 SOME MOM I AM, HUH? 263 00:10:03,790 --> 00:10:05,660 - ANY IDEA WHEN HE MIGHT BE BACK? 264 00:10:05,690 --> 00:10:07,420 - NO. 265 00:10:11,290 --> 00:10:12,300 HEY. 266 00:10:12,330 --> 00:10:13,800 ARE YOU HANK MOODY? 267 00:10:13,830 --> 00:10:15,970 - YEP, GUILTY. 268 00:10:16,000 --> 00:10:17,970 - IT'S SO NICE TO MEET YOU. 269 00:10:18,000 --> 00:10:19,870 BECCA IS A DOLL. 270 00:10:19,900 --> 00:10:21,810 - OH, I LIKE TO THINK SO. YEAH. 271 00:10:21,840 --> 00:10:23,110 - I'M LISA. 272 00:10:23,140 --> 00:10:24,310 TYLER'S MOM. 273 00:10:24,340 --> 00:10:25,740 - OH, HEY, LISA. 274 00:10:25,780 --> 00:10:28,780 - DO YOU WANNA COME IN? 275 00:10:28,810 --> 00:10:29,950 - NO, I-- 276 00:10:29,980 --> 00:10:31,720 - ARE YOU SURE? 277 00:10:31,750 --> 00:10:33,280 - YEAH. 278 00:10:33,320 --> 00:10:35,820 - 'CAUSE I'M ABOUT TO GET REALLY FUCKING HIGH. 279 00:10:35,850 --> 00:10:37,390 - OH. 280 00:10:37,420 --> 00:10:40,190 WELL, IN THAT CASE. 281 00:10:40,220 --> 00:10:42,360 WHERE'S THE MAN OF THE HOUSE? 282 00:10:42,390 --> 00:10:44,290 - OUT AND ABOUT. 283 00:10:44,330 --> 00:10:46,730 WE HAD A BIG FIGHT. 284 00:10:46,760 --> 00:10:48,230 - ABOUT WHAT? 285 00:10:48,260 --> 00:10:50,430 - SAME OLD SHIT. 286 00:10:50,470 --> 00:10:54,040 THE DRINKING, THE CONTROL ISSUES. 287 00:10:54,070 --> 00:10:56,770 - YEAH, I HEAR THAT. THAT SHIT'S UNIVERSAL. 288 00:10:56,810 --> 00:10:59,380 - DID YOU READ TYLER'S SCRIPT? 289 00:10:59,410 --> 00:11:01,380 - YES, I DID. 290 00:11:01,410 --> 00:11:03,350 - IT'S VERY RAW, ISN'T IT? 291 00:11:03,380 --> 00:11:04,480 - YEAH, I, UH... THAT'S ONE WAY TO PUT IT. 292 00:11:04,510 --> 00:11:06,350 - YOU KNOW, IT'S OUR FAULT. 293 00:11:06,380 --> 00:11:11,820 BECAUSE WE RAISED HIM IN THIS VERY SEXUALLY FREE HOUSEHOLD. 294 00:11:11,860 --> 00:11:13,290 - YEAH, ABOUT THAT-- 295 00:11:13,320 --> 00:11:14,860 - CAN YOU DO ME A FAVOR? 296 00:11:14,890 --> 00:11:17,430 - SURE, BUT I CAN'T PROMISE ANYTHING. 297 00:11:17,460 --> 00:11:19,460 - CAN I SEE YOUR PENIS? 298 00:11:23,400 --> 00:11:24,800 - LOOK, I KNOW WHERE THIS IS GOING. 299 00:11:24,830 --> 00:11:26,970 - YOU DO? 300 00:11:27,000 --> 00:11:28,500 - YOU'RE A VERY BEAUTIFUL WOMAN. 301 00:11:28,540 --> 00:11:30,870 AND I'M VERY ANGRY WITH TYLER 302 00:11:30,910 --> 00:11:32,940 FOR DEFILING MY DAUGHTER ON THE PAGE. 303 00:11:32,980 --> 00:11:34,310 BUT AS MUCH AS I'D LIKE TO STICK IT TO TYLER 304 00:11:34,340 --> 00:11:36,110 AND BANG OUT HIS MOM-- 305 00:11:36,150 --> 00:11:37,810 SORRY FOR BEING SO CHARMING-- 306 00:11:37,850 --> 00:11:39,520 I DON'T WANT TO HURT MY DAUGHTER. 307 00:11:39,550 --> 00:11:40,950 - IT'S COOL, HANK. 308 00:11:40,980 --> 00:11:42,820 I JUST WANTED TO SEE YOUR COCK. 309 00:11:42,850 --> 00:11:45,960 I HAVEN'T SEEN ONE IN A WHILE AND I LIKE TO STUDY THEM. 310 00:11:45,990 --> 00:11:47,990 - YEAH? WELL, WHAT ABOUT TYLER'S DAD? 311 00:11:48,020 --> 00:11:52,400 HE--HE CAN'T SCRATCH THAT ITCH? 312 00:11:52,430 --> 00:11:53,960 - NOT EXACTLY. 313 00:11:54,000 --> 00:11:55,130 - WHAT ARE--WHAT ARE WE TALKING ABOUT HERE, 314 00:11:55,160 --> 00:11:58,030 A WHEELCHAIR SITUATION? 315 00:11:58,070 --> 00:12:02,440 - [laughs] NO. 316 00:12:02,470 --> 00:12:04,940 PENISES ARE MY PASSION. 317 00:12:04,970 --> 00:12:09,950 - OH...OOH. 318 00:12:09,980 --> 00:12:12,380 YIKES. 319 00:12:12,420 --> 00:12:15,080 OH, ALL RIGHT. 320 00:12:15,120 --> 00:12:17,550 OKAY, ALL RIGHT. 321 00:12:17,590 --> 00:12:19,820 ALL RIGHT, THESE ARE-- THESE ARE YOURS. 322 00:12:19,860 --> 00:12:21,120 - OH, THOSE ARE MINE. 323 00:12:21,160 --> 00:12:22,860 NOT THE PENISES. 324 00:12:22,890 --> 00:12:24,090 - RIGHT, I GOT IT, I GOT IT. 325 00:12:24,130 --> 00:12:26,830 [chuckles] OKAY. 326 00:12:26,860 --> 00:12:29,900 - SO WOULD YOU MIND? 327 00:12:29,930 --> 00:12:33,200 - WELL, I HAVE BEEN TOLD I HAVE A VERY PRETTY PENIS. 328 00:12:33,240 --> 00:12:35,140 - I'LL BE THE JUDGE OF THAT. 329 00:12:45,980 --> 00:12:48,120 - FLA-DONG. 330 00:12:48,150 --> 00:12:49,820 - SOLID. 331 00:12:49,850 --> 00:12:51,820 - SOLID? 332 00:12:51,860 --> 00:12:53,860 THANKS, I GUESS. 333 00:12:53,890 --> 00:12:57,230 HE LOOKS A LOT COOLER WITH SOME BLOOD RUSHING THROUGH HIM. 334 00:12:57,260 --> 00:12:59,560 - WHAT THE FUCK IS GOING ON HERE? 335 00:12:59,600 --> 00:13:01,600 - OH, SWEETIE, IT'S NOTHING. IT'S JUST WORK. 336 00:13:01,630 --> 00:13:03,030 - WE HAVE ONE-- ONE FIGHT. 337 00:13:03,070 --> 00:13:04,030 AND YOU GO LOOKING FOR DICK! 338 00:13:04,070 --> 00:13:05,400 YOU KNOW WHAT? 339 00:13:05,430 --> 00:13:07,070 AFTER I'M THROUGH WITH THIS PIECE OF SHIT, 340 00:13:07,100 --> 00:13:08,570 I'M GONNA BEAT THE FUCKIN' BI OUT OF YOU 341 00:13:08,600 --> 00:13:09,610 ONCE AND FOR ALL, WOMAN. - WAIT! 342 00:13:09,640 --> 00:13:10,970 WAIT, NO! 343 00:13:11,010 --> 00:13:12,040 PLEASE. - COME ON! 344 00:13:12,080 --> 00:13:13,340 - PLEASE! - COME ON! 345 00:13:13,380 --> 00:13:15,240 - WAIT! HE'S REBECCA'S FATHER! 346 00:13:15,280 --> 00:13:18,210 HE'S HANK MOODY. 347 00:13:23,050 --> 00:13:24,920 - AHH... 348 00:13:24,950 --> 00:13:26,960 - WE LOVE BECCA! [laughs] 349 00:13:26,990 --> 00:13:28,190 - OH! 350 00:13:28,220 --> 00:13:32,630 - SHE'S A DOLL! SHE'S A DOLL. 351 00:13:32,660 --> 00:13:35,930 [grunting] 352 00:13:35,970 --> 00:13:37,200 - AH, GOD, I LOVE FUCKING YOU. 353 00:13:37,230 --> 00:13:39,070 - GOD, I LOVE FUCKING YOU TOO. 354 00:13:39,100 --> 00:13:40,970 - I ESPECIALLY LOVE FUCKING YOU IN MY EX-WIFE'S MARITAL BED. 355 00:13:41,000 --> 00:13:42,270 - OH, UNDERSTANDABLY. 356 00:13:42,310 --> 00:13:43,940 BUT YOU SHOULD PROBABLY BE QUICK ABOUT IT, 357 00:13:43,970 --> 00:13:46,180 'CAUSE THEY'RE GONNA BE BACK IN A MINUTE. 358 00:13:46,210 --> 00:13:49,250 - DON'T THINK ANY WOMAN'S EVER TOLD ME TO BE QUICK ABOUT IT. 359 00:13:49,280 --> 00:13:51,310 THAT'S...GONNA MAKE ME... 360 00:13:51,350 --> 00:13:53,450 [yells] 361 00:13:53,480 --> 00:13:54,480 COME. 362 00:13:54,520 --> 00:13:57,350 [moaning] 363 00:13:57,390 --> 00:13:58,620 - NICELY DONE. 364 00:13:58,650 --> 00:14:02,030 - [groans] 365 00:14:02,060 --> 00:14:04,630 - YOU SEE HOW LONG I LAST WITH YOU? 366 00:14:04,660 --> 00:14:06,660 - YES, I HAVE NO COMPLAINTS IN THAT DEPARTMENT. 367 00:14:06,700 --> 00:14:08,500 - DID YOU COME? 368 00:14:08,530 --> 00:14:09,630 - NO. 369 00:14:09,670 --> 00:14:11,630 - HOW COME? 370 00:14:11,670 --> 00:14:13,000 - IT'S NOT YOUR PROBLEM, CHARLIE. 371 00:14:13,040 --> 00:14:14,640 - I DIDN'T MAKE YOU COME. 372 00:14:14,670 --> 00:14:17,440 THIS IS TOTALLY MY PROBLEM. 373 00:14:17,470 --> 00:14:22,080 - OKAY, WELL, UM, I'VE BEEN HAVING MONEY TROUBLES. 374 00:14:22,110 --> 00:14:23,650 I MEAN, STU AND MARCY PAY OKAY, 375 00:14:23,680 --> 00:14:26,520 BUT BETWEEN MY SHITTY CAR, ACTING LESSONS, 376 00:14:26,550 --> 00:14:27,650 NOW I NEED HEADSHOTS... 377 00:14:27,680 --> 00:14:29,290 - HEADSHOTS. 378 00:14:29,320 --> 00:14:31,190 DONE. MY TREAT. 379 00:14:31,220 --> 00:14:33,560 - I CAN'T LET YOU DO THAT, CHARLIE. 380 00:14:33,590 --> 00:14:34,920 - YOU JUST LET ME FOUL YOU. 381 00:14:34,960 --> 00:14:35,990 I OWE YOU ONE. 382 00:14:36,030 --> 00:14:39,960 - YOU'RE SO SWEET. 383 00:14:40,000 --> 00:14:45,570 [moaning] 384 00:14:45,600 --> 00:14:46,970 [door opens] 385 00:14:47,000 --> 00:14:48,640 OH, HOLY SHIT, THEY'RE HOME! 386 00:14:48,670 --> 00:14:51,140 THEY'RE HOME. 387 00:14:51,170 --> 00:14:53,640 - GOD, I'M SO HARD RIGHT NOW. 388 00:14:53,680 --> 00:14:55,710 - OH, GOD, I'M SO HARD RIGHT NOW. 389 00:14:55,740 --> 00:14:57,080 - OH, GOD, YES, YOU ARE. 390 00:14:57,110 --> 00:14:58,650 - DRAG THAT BIG BOY. 391 00:14:58,680 --> 00:15:01,350 - TAKE OUT THAT FUCKING BAT AND HIT ME WITH IT, BITCH. 392 00:15:01,380 --> 00:15:02,620 - YOU KNOW I WILL! 393 00:15:02,650 --> 00:15:03,720 YEAH, LET ME SEE THAT. 394 00:15:03,750 --> 00:15:05,550 YEAH, YEAH, YEAH, YEAH. 395 00:15:05,590 --> 00:15:07,420 OH, GOD! 396 00:15:07,460 --> 00:15:08,690 WHY DOES COUPLES THERAPY GET ME SO WORKED UP? 397 00:15:08,720 --> 00:15:10,560 - OURS IS NOT TO REASON WHY, BABY. 398 00:15:10,590 --> 00:15:12,560 OURS IS BUT TO FUCK EACH OTHER'S BRAINS OUT. 399 00:15:12,600 --> 00:15:13,630 - YEAH. - COME ON. 400 00:15:13,660 --> 00:15:15,630 - SO I'LL DO IT. - YEAH. 401 00:15:15,660 --> 00:15:17,970 - OH, WAIT A MINUTE, WAIT. 402 00:15:18,000 --> 00:15:19,240 WHAT DO YOU WANNA PLAY? 403 00:15:19,270 --> 00:15:21,200 - I DON'T KNOW, WHAT DO YOU WANNA PLAY? 404 00:15:21,240 --> 00:15:23,070 - OOH, OOH! 405 00:15:23,110 --> 00:15:25,240 LET'S DO THE ONE WHERE CHARLIE IS STILL YOUR HUSBAND, 406 00:15:25,270 --> 00:15:26,540 BUT HE'S UPSTAIRS IN A WHEELCHAIR. 407 00:15:26,580 --> 00:15:27,640 - I LIKE THAT ONE! 408 00:15:27,680 --> 00:15:29,250 WHO ARE YOU? 409 00:15:29,280 --> 00:15:30,580 - I'M GONNA BE THE CONTRACTOR. 410 00:15:30,610 --> 00:15:31,650 - OH, YEAH. 411 00:15:31,680 --> 00:15:34,120 - UH...HOWDY, MA'AM. 412 00:15:34,150 --> 00:15:37,290 UH, WE'RE JUST ABOUT DONE FOR THE DAY. 413 00:15:37,320 --> 00:15:38,550 - OH, WHY, THANK YOU VERY MUCH. 414 00:15:38,590 --> 00:15:41,320 YOU AND YOUR BOYS DO SUCH GOOD WORK. 415 00:15:41,360 --> 00:15:45,130 - YEAH, I WAS SORRY TO SEE YOUR BALD HUSBAND'S IN A WHEELCHAIR. 416 00:15:45,160 --> 00:15:48,660 - [fake crying] WELL, YES, 417 00:15:48,700 --> 00:15:51,070 TIMES HAVE BEEN TOUGH SINCE THE ACCIDENT. 418 00:15:51,100 --> 00:15:52,640 - I BET YA HE DOESN'T FUCK YOU SO GOOD NOW. 419 00:15:52,670 --> 00:15:53,640 - NO. - NO. 420 00:15:53,670 --> 00:15:55,540 - NO. NO. 421 00:15:55,570 --> 00:15:57,640 IT'S JUST LIKE A PIECE OF OVERCOOKED PENNE 422 00:15:57,670 --> 00:15:59,140 BETWEEN HIS LEGS. 423 00:15:59,180 --> 00:16:01,140 - NO! BUT DOES HE EAT YOUR PUSSY? 424 00:16:01,180 --> 00:16:03,080 - WELL, HE DOES TRY. 425 00:16:03,110 --> 00:16:04,350 BUT HE DOESN'T GET MY SPOT. 426 00:16:04,380 --> 00:16:06,650 - WELL, I GOT JUST THE TOOL FOR THAT. 427 00:16:06,680 --> 00:16:09,350 TAKE A LOOK AT THAT. 428 00:16:09,390 --> 00:16:11,350 - OH, MY. OH, MY GOD. - YEP. 429 00:16:11,390 --> 00:16:13,620 - SO THAT'S WHAT A DICK'S SUPPOSED TO LOOK LIKE. 430 00:16:13,660 --> 00:16:14,790 - NO, NO, NO, NO, NO. 431 00:16:14,820 --> 00:16:16,660 - YEAH. - OOH. 432 00:16:16,690 --> 00:16:18,360 - YEAH, COME ON! 433 00:16:18,390 --> 00:16:19,500 COME ON! 434 00:16:19,530 --> 00:16:22,670 - [screams] 435 00:16:22,700 --> 00:16:26,440 HOW MUCH DISRESPECT CAN ONE MAN TAKE? 436 00:16:30,670 --> 00:16:31,810 - OH, COME ON! 437 00:16:31,840 --> 00:16:33,640 - ARE YOU FUCKING KIDDING ME? 438 00:16:33,680 --> 00:16:35,640 - I JUST DON'T KNOW HOW Y-Y-YOU DEAL 439 00:16:35,680 --> 00:16:37,550 WITH THEM GROWING UP, THESE KIDS, 440 00:16:37,580 --> 00:16:39,550 AND BECOMING SEXUAL BEINGS, Y'KNOW? 441 00:16:39,580 --> 00:16:43,150 - THEY'RE SEXUAL BEINGS FROM THE MOMENT THEY'RE BORN, HANK. 442 00:16:43,190 --> 00:16:44,650 - YES. 443 00:16:44,690 --> 00:16:48,390 - TYLER, HE WAS FIXATED ON HIS PENIS FROM THE GET-GO. 444 00:16:48,420 --> 00:16:51,290 HE WAS ALWAYS, LIKE, FUCKING TUGGING ON THAT THING. 445 00:16:51,330 --> 00:16:53,100 - I HAVE A PHOTO SERIES 446 00:16:53,130 --> 00:16:59,070 THAT CHRONICLES TYLER'S PENIS FROM BIRTH TO NOW. 447 00:16:59,100 --> 00:17:00,270 WANNA SEE IT, HANK? 448 00:17:00,300 --> 00:17:01,700 - NO, NOT AT ALL. 449 00:17:01,740 --> 00:17:04,540 I-I THINK I'D RATHER SEE CRIME SCENE PHOTOS. 450 00:17:04,570 --> 00:17:08,640 - I THINK SOMEONE'S A LITTLE UPTIGHT, HUH, BABE? 451 00:17:08,680 --> 00:17:11,450 - YOU DON'T HAVE TO WORRY ABOUT BECCA, HANK. 452 00:17:11,480 --> 00:17:14,720 SHE'S EXPERIMENTING IN A VERY SAFE ENVIRONMENT. 453 00:17:14,750 --> 00:17:19,090 - WHAT DOES THAT MEAN EXACTLY? 454 00:17:19,120 --> 00:17:20,560 - WE ENCOURAGE TYLER TO BRING HIS GIRLFRIENDS HERE 455 00:17:20,590 --> 00:17:23,290 INSTEAD OF...YOU KNOW, FUCKING 'EM IN SECRET 456 00:17:23,330 --> 00:17:25,260 IN THE BACKSEAT OF A CAR OR SOME CHEAP MOTEL ROOM. 457 00:17:25,290 --> 00:17:26,560 - THAT'S--THAT'S NOT MAKING ME FEEL ANY BETTER. 458 00:17:26,600 --> 00:17:28,300 - WELL, IT SHOULD, 459 00:17:28,330 --> 00:17:30,530 BECAUSE IF THE SCREAMS THAT ARE COMING FROM THAT ROOM 460 00:17:30,570 --> 00:17:32,670 ARE ANY INDICATION... [laughing] 461 00:17:32,700 --> 00:17:36,470 THAT GIRL IS CLEARLY ENJOYING HERSELF. 462 00:17:36,510 --> 00:17:39,380 - STILL NOT HELPING. 463 00:17:39,410 --> 00:17:42,350 - YEAH, SHE IS A BEAUTIFUL GIRL, HANK. 464 00:17:45,710 --> 00:17:50,250 HEY, WOULD YOU CONSIDER LETTING US PHOTOGRAPH YOU, HMM? 465 00:17:50,290 --> 00:17:53,620 - OH, OH, WELL, I'M FLATTERED. 466 00:17:53,660 --> 00:17:56,830 BUT I DON'T WANNA END UP IN THE BIG BOOK OF COCKS. 467 00:17:56,860 --> 00:17:58,660 - HEY, MOMS. 468 00:17:58,690 --> 00:18:00,660 - OH, LOOK, TYLER'S HOME. 469 00:18:00,700 --> 00:18:03,670 - MY BABY. - OH, JESUS. 470 00:18:03,700 --> 00:18:06,670 WHOA. WHAT, ARE YOU GUYS HIGH AGAIN? 471 00:18:06,700 --> 00:18:08,170 [both laughing] 472 00:18:08,200 --> 00:18:09,640 HEY, HANK. 473 00:18:09,670 --> 00:18:11,640 WHAT, ARE YOU HERE TO BEAT ME UP FOR SOMETHING? 474 00:18:11,670 --> 00:18:14,180 - YEAH, BUT ONLY IN THE LITERARY SENSE. 475 00:18:14,210 --> 00:18:15,510 YOU READY FOR SOME NOTES? 476 00:18:15,540 --> 00:18:17,910 - WOW. 477 00:18:17,950 --> 00:18:19,920 - COME ON, LIZZIE. 478 00:18:19,950 --> 00:18:24,220 - I CAN'T BELIEVE THAT YOU FUCKED YOUR SON'S NANNY. 479 00:18:24,250 --> 00:18:27,720 IN HIS MOTHER'S BED! EW. 480 00:18:27,760 --> 00:18:29,930 - I CAN'T BELIEVE YOU PLAY DIRTY DISRESPECTFUL SEX GAMES 481 00:18:29,960 --> 00:18:32,360 INVOLVING YOUR SON'S FATHER! 482 00:18:32,400 --> 00:18:33,660 - I'M SORRY ABOUT THAT, CHARLIE. 483 00:18:33,700 --> 00:18:35,930 BUT THAT WAS ONE OF THE MILDER ONES. 484 00:18:35,960 --> 00:18:39,170 - THERE ARE OTHERS? 485 00:18:39,200 --> 00:18:42,340 WHAT ARE THEY? 486 00:18:42,370 --> 00:18:45,540 - WELL, UH...THERE'S ONE WHERE YOU JUST GOT FIRED. 487 00:18:45,570 --> 00:18:46,780 AND I PLAY THE BOSS WHO COMES TO CONSOLE YOU, 488 00:18:46,810 --> 00:18:49,950 BUT I END UP FUCKING MARCY INSTEAD. 489 00:18:49,980 --> 00:18:51,750 - OH, YEAH, AND THERE'S THE ONE THAT YOU PLAY CHARLIE. 490 00:18:51,780 --> 00:18:54,380 AND YOU JUST GOT THE OPERATION TO MAKE YOUR DICK BIGGER-- 491 00:18:54,420 --> 00:18:55,750 - [screams] 492 00:18:55,780 --> 00:18:56,920 - AND I COME TO THE HOSPITAL AND I SEE IT... 493 00:18:56,950 --> 00:18:59,260 both: FOR THE FIRST TIME! 494 00:18:59,290 --> 00:19:00,590 - CHARLIE, I KNOW IT'S VERY EMBARRASSING, 495 00:19:00,620 --> 00:19:02,690 BUT YOU DON'T HAVE TO WORRY ABOUT IT 496 00:19:02,730 --> 00:19:04,830 BECAUSE YOU ARE HAVING SEX WITH LIZZIE. 497 00:19:04,860 --> 00:19:07,830 AND THIS IS FUCKING PRIMO SHIT! 498 00:19:07,860 --> 00:19:09,670 I MEAN, RIGHT ON, BRO. 499 00:19:09,700 --> 00:19:11,670 - THANK YOU, STU. 500 00:19:11,700 --> 00:19:13,700 - LIZZIE, I'M SORRY ABOUT OBJECTIFYING YOU THERE, 501 00:19:13,740 --> 00:19:14,700 BUT YOU'RE JUST WAY OUT OF HIS LEAGUE. 502 00:19:14,740 --> 00:19:16,370 NO OFFENSE, RUNKLE. 503 00:19:16,410 --> 00:19:18,910 - NO, I GET IT, SHE'S TOTALLY OUT OF MY LEAGUE. 504 00:19:18,940 --> 00:19:21,680 - I'LL TAKE IT AS A COMPLIMENT. 505 00:19:21,710 --> 00:19:24,880 - OKAY, SO IF YOU'RE ALL DONE SUCKING EACH OTHERS' DICKS, 506 00:19:24,910 --> 00:19:27,620 CAN WE GET BACK TO THE BUSINESS OF FIRING LIZZIE AGAIN? 507 00:19:27,650 --> 00:19:29,350 - OKAY, LOOK. 508 00:19:29,390 --> 00:19:32,360 WE ONLY HAD SEX AFTER YOU FIRED HER THE FIRST TIME. 509 00:19:32,390 --> 00:19:34,260 THEN YOU REHIRED HER. 510 00:19:34,290 --> 00:19:35,560 IT'S VERY HARD TO PUT THE TOOTHPASTE 511 00:19:35,590 --> 00:19:37,360 BACK IN THE TUBE, MARCY. 512 00:19:37,390 --> 00:19:40,700 ONCE IT'S OUT, IT'S JUST-- IT--IT...IT'S OUT. 513 00:19:40,730 --> 00:19:43,470 - I DIDN'T MEAN FOR IT TO HAPPEN, MARCY. 514 00:19:43,500 --> 00:19:44,670 IT'S JUST THAT CHARLIE'S BEEN VERY KIND 515 00:19:44,700 --> 00:19:46,840 DURING A VERY TOUGH TIME IN MY LIFE. 516 00:19:46,870 --> 00:19:47,840 - [mocking British accent] OH, HAS IT BEEN TOUGH, DARLING? 517 00:19:47,870 --> 00:19:49,000 - OKAY, LOOK-- 518 00:19:49,040 --> 00:19:50,440 - HEY, COME ON! - HEY, HEY, LOOK. 519 00:19:50,470 --> 00:19:53,410 LOOK, WAIT! I HAVE A SUGGESTION. 520 00:19:53,440 --> 00:19:57,280 I THINK THAT WE ALL FEEL A SEXUAL TENSION BETWEEN US. 521 00:19:57,310 --> 00:19:58,850 all: WHAT? 522 00:19:58,880 --> 00:20:01,320 - CHARLIE IS TRYING TO WORK HIS WAY INTO OUR SEX LIFE. 523 00:20:01,350 --> 00:20:03,690 HE'S EVEN EROTICIZED THE VERY BED 524 00:20:03,720 --> 00:20:06,720 IN WHICH HIS EX-WIFE IS NOW SHARING WITH HER NEW HUSBAND. 525 00:20:06,760 --> 00:20:08,820 HE'S FUCKING HIS SON'S NANNY, 526 00:20:08,860 --> 00:20:10,430 WHO HAPPENS TO BE YOUNG AND BEAUTIFUL, 527 00:20:10,460 --> 00:20:12,700 THREATENS AND DELIGHTS ALL OF US IN SOME WAY. 528 00:20:12,730 --> 00:20:14,360 - OKAY, SO WHAT ARE YOU SAYING, STUART? 529 00:20:14,400 --> 00:20:16,830 YOU WANT US ALL TO HAVE A FUCKING ORGY OR SOMETHING? 530 00:20:16,870 --> 00:20:19,570 - YOU KNOW, I WAS THINKING THAT WE SHOULD ALL 531 00:20:19,600 --> 00:20:21,600 GO AND TALK THIS OUT WITH DR. LAWSON. 532 00:20:21,640 --> 00:20:23,270 BUT IF YOU'RE THINKING ORGY, 533 00:20:23,310 --> 00:20:24,670 I AM TOTALLY DOWN WITH THAT. - [laughs] 534 00:20:24,710 --> 00:20:25,940 - [Stu crying] 535 00:20:25,970 --> 00:20:27,780 - FUCKIN' JESUS. 536 00:20:27,810 --> 00:20:30,010 OH, GOD. 537 00:20:30,050 --> 00:20:33,380 - DO YOU WANT ME TO GO CHECK ON HIM OR AM I FIRED? 538 00:20:37,820 --> 00:20:40,060 - [sighs] 539 00:20:40,090 --> 00:20:45,990 WELL, IF YOU THINK YOU CAN GET HIM TO STOP CRYING, YEAH. 540 00:20:57,770 --> 00:21:00,310 - YOUR MOMS ARE PRETTY COOL. 541 00:21:00,340 --> 00:21:01,840 - YEAH, THEY'RE ALL RIGHT. 542 00:21:01,880 --> 00:21:05,680 - WANT TO TALK ABOUT YOUR SCRIPT? 543 00:21:05,710 --> 00:21:07,680 - YEAH, THANKS FOR READING IT, UM... 544 00:21:07,720 --> 00:21:09,690 I HAVE IMMENSE RESPECT FOR YOU, HANK. 545 00:21:09,720 --> 00:21:11,750 I'M--I'M A HUGE FAN. 546 00:21:11,790 --> 00:21:13,090 - THEN WHY ARE YOU SUCH AN IMMENSE PRICK 547 00:21:13,120 --> 00:21:14,690 AROUND ME ALL THE TIME? 548 00:21:14,720 --> 00:21:16,020 - WELL, I DIDN'T THINK YOU'D RESPECT ME 549 00:21:16,060 --> 00:21:17,930 IF I WAS KISSING YOUR ASS. 550 00:21:17,960 --> 00:21:19,030 - THAT'S A GOOD CALL. 551 00:21:19,060 --> 00:21:20,860 BUT YOU-- I DON'T GET IT. 552 00:21:20,900 --> 00:21:21,930 YOU SAY YOU'RE A FAN, YOU WANT ME TO READ YOUR SHIT. 553 00:21:21,960 --> 00:21:23,700 AND THEN YOU HAND ME A SCRIPT 554 00:21:23,730 --> 00:21:25,630 THAT'S ABOUT YOUR RELATIONSHIP WITH MY DAUGHTER. 555 00:21:25,670 --> 00:21:27,940 IT'S KIND OF HARD FOR ME TO BE OBJECTIVE ABOUT THAT, YOU KNOW? 556 00:21:27,970 --> 00:21:30,710 - OKAY, LOOK, WHEN I FOUND OUT THAT YOU WERE BECCA'S DAD... 557 00:21:30,740 --> 00:21:32,710 THAT'S ALL IT WAS ABOUT. 558 00:21:32,740 --> 00:21:35,380 I WAS LIKE, "SURE, I'LL TAKE A SHOT AT HANK MOODY'S DAUGHTER." 559 00:21:35,410 --> 00:21:36,480 YOU KNOW? 560 00:21:36,510 --> 00:21:38,880 HOW FUCKING COOL WOULD THAT BE? 561 00:21:38,910 --> 00:21:40,420 I'M NOT PROUD OF THAT, OKAY? 562 00:21:40,450 --> 00:21:43,850 BUT THAT'S THE BRUTAL TRUTH, RIGHT? 563 00:21:43,890 --> 00:21:45,690 I JUST THOUGHT, IF I HUNG AROUND HER LONG ENOUGH, 564 00:21:45,720 --> 00:21:49,060 THAT I'D GET TO MEET YOU AT SOME POINT, YOU KNOW? 565 00:21:49,090 --> 00:21:50,930 AND THE REAL KICKER-- 566 00:21:50,960 --> 00:21:54,700 AND IT'S THE TRUEST PART OF THAT WHOLE FUCKING SCRIPT-- 567 00:21:54,730 --> 00:21:56,570 IS I FELL IN LOVE WITH HER, HANK. 568 00:21:56,600 --> 00:21:58,800 BECCA IS AMAZING. 569 00:21:58,830 --> 00:22:00,700 - I LIKE TO THINK SO. 570 00:22:00,740 --> 00:22:02,910 - SHE'S THE KIND OF GIRL A GUY MEETS WHEN HE'S TOO YOUNG 571 00:22:02,940 --> 00:22:05,910 AND HE FUCKS UP BECAUSE THERE'S TOO MUCH LIVING LEFT TO DO. 572 00:22:05,940 --> 00:22:08,380 SO YOU'RE--YOU'RE GONNA HAVE TO FORGIVE ME FOR FUCKING UP. 573 00:22:08,410 --> 00:22:09,950 BECAUSE... 574 00:22:09,980 --> 00:22:12,950 I'M TRYING MY BEST TO NOT MAKE THAT SAME MISTAKE AGAIN. 575 00:22:18,190 --> 00:22:20,690 - YOU READY FOR SOME NOTES? 576 00:22:20,720 --> 00:22:22,430 - YEAH, ABSOLUTELY, LET'S DO IT. 577 00:22:22,460 --> 00:22:23,890 - YOU SURE? 578 00:22:23,930 --> 00:22:25,890 LAST KIDS I GAVE NOTES TO TRIED TO OFF HIMSELF. 579 00:22:25,930 --> 00:22:29,700 - NO, I THINK I CAN HANDLE IT. 580 00:22:29,730 --> 00:22:30,870 - ALL RIGHT. 581 00:22:30,900 --> 00:22:32,640 PAGE ONE. 582 00:22:32,670 --> 00:22:36,300 WHY THE FUCK ARE YOU FADING IN? 583 00:22:40,180 --> 00:22:43,110 [knocks at door] 584 00:22:47,580 --> 00:22:49,820 OKAY. 585 00:22:49,850 --> 00:22:52,720 MAYBE HE'S NOT ALL BAD. 586 00:22:52,760 --> 00:22:55,090 - HE'S NOT GOOD OR BAD. 587 00:22:55,120 --> 00:22:57,130 HE'S A WORK IN PROGRESS, I GUESS. 588 00:22:57,160 --> 00:22:58,130 - DID YOU KNOW HE HAD TWO MOMS? 589 00:22:58,160 --> 00:22:59,130 - DEBBIE AND LISA? 590 00:22:59,160 --> 00:23:00,700 SURE. 591 00:23:00,730 --> 00:23:02,130 - LISA ASKED ME TO BE IN THE BIG BOOK OF COCKS. 592 00:23:02,160 --> 00:23:03,700 THE SEQUEL. 593 00:23:03,730 --> 00:23:05,470 PICTIONARY OF PENIS. - OKAY, ANYTHING ELSE? 594 00:23:05,500 --> 00:23:07,740 - YEAH, ACTUALLY. 595 00:23:07,770 --> 00:23:10,010 UM... 596 00:23:10,040 --> 00:23:14,480 IT'S JUST THE WHOLE FUCKING PARENTING THING, 597 00:23:14,510 --> 00:23:15,940 IT'S NOT GETTING ANY EASIER. 598 00:23:15,980 --> 00:23:18,850 I JUST SPENT THE AFTERNOON WITH A COUPLE OF DYKES 599 00:23:18,880 --> 00:23:21,080 THAT KNOW MORE ABOUT RAISING A CHILD THAN I EVER WILL. 600 00:23:21,120 --> 00:23:24,020 - YOU KNOW WHAT? 601 00:23:24,050 --> 00:23:27,590 I DON'T THINK YOU SHOULD BE SO HARD ON YOURSELF, 602 00:23:27,620 --> 00:23:29,190 'CAUSE IT'S MY JOB. 603 00:23:29,220 --> 00:23:32,730 - IT'S LIKE WE MADE THIS BEAUTIFUL CHILD, 604 00:23:32,760 --> 00:23:36,630 AND I STILL DON'T KNOW WHAT THE FUCK I'M DOING. 605 00:23:36,670 --> 00:23:39,670 - MAYBE YOU SHOULD JUST... 606 00:23:39,700 --> 00:23:41,800 START ENJOYING HER COMPANY, YOU KNOW? 607 00:23:41,840 --> 00:23:43,710 DON'T JUDGE IT SO MUCH. 608 00:23:43,740 --> 00:23:47,710 - MAYBE. 609 00:23:47,740 --> 00:23:50,650 - BY THE WAY, IT LOOKS LIKE I OWE YOU AN APOLOGY. 610 00:23:50,680 --> 00:23:52,050 - WHAT? - I KNOW. 611 00:23:52,080 --> 00:23:53,920 - THAT SOUNDS LIKE A FOREIGN LANGUAGE TO ME. 612 00:23:53,950 --> 00:23:57,890 YOU OWE ME AN APOLOGY? WHATEVER FOR? 613 00:23:57,920 --> 00:24:02,730 - WELL, RICHARD CAME CLEAN ABOUT THE WHOLE STRIPPER THING, AND... 614 00:24:02,760 --> 00:24:04,730 HE TOLD ME THAT YOU TOOK THE FALL FOR HIM. 615 00:24:04,760 --> 00:24:08,100 - YES, RIGHT, THAT. 616 00:24:08,130 --> 00:24:09,730 - WHY'D YOU DO THAT? 617 00:24:09,770 --> 00:24:12,570 - I FIGURED YOU'D BEEN THROUGH ENOUGH. 618 00:24:12,600 --> 00:24:18,470 I DIDN'T WANT TO SEE YOU HURT IF YOU DIDN'T HAVE TO BE. 619 00:24:24,550 --> 00:24:26,050 - THANK YOU. THANK YOU. 620 00:24:26,080 --> 00:24:29,150 - YEP, WE STILL GOT IT. 621 00:24:29,180 --> 00:24:30,750 - SHUT UP. 622 00:24:30,790 --> 00:24:32,990 - YOU STILL THINKING ABOUT LEAVING RICHARD? 623 00:24:33,020 --> 00:24:33,990 - GOOD NIGHT. 624 00:24:34,020 --> 00:24:35,690 - GOOD NIGHT, NOW. 625 00:24:47,340 --> 00:24:50,240 - WHAT'S UP, MOODY, HUH? 626 00:24:50,270 --> 00:24:52,040 - JESUS. 627 00:24:52,070 --> 00:24:53,740 WHAT THE FUCK ARE YOU DOING HERE? 628 00:24:53,780 --> 00:24:56,010 - WHERE YOU BEEN, MAN? 629 00:24:56,040 --> 00:24:57,810 WHAT, YOU DON'T FUCKING ANSWER YOUR PHONE NO MORE? 630 00:24:57,850 --> 00:24:59,620 - NO, I DON'T, NOT WHEN YOU CALL. 631 00:24:59,650 --> 00:25:01,620 YOU KNOW WHY? 'CAUSE YOU ONLY CALL WITH FUCKING NOTES. 632 00:25:01,650 --> 00:25:02,990 - [shouts] 633 00:25:03,020 --> 00:25:04,990 HOW THE FUCK ARE YOU DOING, MOODY? 634 00:25:05,020 --> 00:25:06,220 - NERO. 635 00:25:06,250 --> 00:25:07,590 - SAY MY NAME, SAY MY NAME AGAIN. 636 00:25:07,620 --> 00:25:09,790 - JESUS, GET OFF ME. 637 00:25:09,830 --> 00:25:12,730 WHATEVER HAPPENED TO JUST A SMILE AND A HANDSHAKE 638 00:25:12,760 --> 00:25:13,830 EVERY NOW AND THEN, YOU FUCKING PSYCHO? 639 00:25:13,860 --> 00:25:15,130 - AH, WHAT CAN I SAY? 640 00:25:15,160 --> 00:25:16,130 YOU GOT ME ALL HOT AND BOTHERED, MOODY. 641 00:25:16,160 --> 00:25:17,330 GOOD TO SEE YOU. 642 00:25:17,370 --> 00:25:18,830 - WHAT THE FUCK ARE YOU DOING HERE? 643 00:25:18,870 --> 00:25:20,300 - I DO HAVE SOME NOTES ON THE SCRIPT. 644 00:25:20,340 --> 00:25:23,970 - LAST TIME I CHECKED, YOU WERE NOT IN THE MOVIE. 645 00:25:24,010 --> 00:25:25,910 - HE IS NOW, MOTHERFUCKER. 646 00:25:25,940 --> 00:25:28,110 NERO'S GONNA MAKE THIS FUCKIN' JOINT BULLETPROOF, MAN. 647 00:25:28,140 --> 00:25:29,750 - SAM'S CONVINCED ME TO DO A CAMEO. 648 00:25:29,780 --> 00:25:31,210 AND YOU ARE JUST THE MAN TO WRITE IT. 649 00:25:31,250 --> 00:25:32,980 WITH MY OWN INPUT, OF COURSE. 650 00:25:33,020 --> 00:25:34,920 - [groans] FINE. 651 00:25:34,950 --> 00:25:38,150 BUT I'M NOT WRITING ANY OF THAT WEIRD OMNISEXUAL SHIT 652 00:25:38,190 --> 00:25:39,760 ABOUT YOU TAKING A MAN IN YOUR MOUTH, ALL RIGHT? 653 00:25:39,790 --> 00:25:41,090 - NAH, NAH, DON'T WORRY ABOUT THAT SHIT. 654 00:25:41,120 --> 00:25:42,890 NO NUT-GUZZLING SHIT IN MY MOVIE, YO. 655 00:25:42,930 --> 00:25:44,730 - NO, NO, MAN, I'M OVER ALL THAT NOISE. 656 00:25:44,760 --> 00:25:45,990 THAT WAS LAST YEAR. 657 00:25:46,030 --> 00:25:47,730 THE YEAR OF LIVING AMBIGUOUSLY. 658 00:25:47,760 --> 00:25:48,830 I'M CELIBATE NOW. 659 00:25:48,860 --> 00:25:51,730 - OKAY. WHY? 660 00:25:51,770 --> 00:25:54,040 - A MAN CAN ONLY SHOOT SO MANY LOADS IN A LIFETIME. 661 00:25:54,070 --> 00:25:55,600 I MEAN, LITERALLY, YOU CAN RUN OUT. 662 00:25:55,640 --> 00:25:56,970 - THAT'S NOT MEDICALLY TRUE. 663 00:25:57,010 --> 00:26:00,010 - NO, IT'S TRUE. I'VE DONE THE RESEARCH. 664 00:26:00,040 --> 00:26:02,080 I HAVE ACCESS TO THE KIND OF MEDICAL SCIENCE 665 00:26:02,110 --> 00:26:04,150 THAT CIVILIANS DO NOT. 666 00:26:04,180 --> 00:26:05,680 MY DICK DON'T WORK NO MORE. 667 00:26:05,710 --> 00:26:06,950 I MEAN, I HAVEN'T HAD AN ERECTION 668 00:26:06,980 --> 00:26:08,180 SINCE LAST YEAR'S GOLDEN GLOBES. 669 00:26:08,220 --> 00:26:09,750 - HAVE YOU SEEN A DOCTOR ABOUT THAT? 670 00:26:09,790 --> 00:26:11,150 - NAH, I DON'T NEED TO. DON'T WANT TO. 671 00:26:11,190 --> 00:26:13,190 I'VE TRANSCENDED SEXUALITY. 672 00:26:13,220 --> 00:26:14,660 MOODY, LET'S FACE IT. 673 00:26:14,690 --> 00:26:16,890 I WAS PUT ON THIS EARTH FOR A REASON, 674 00:26:16,930 --> 00:26:19,360 TO LEAD THE WAY. AND I CAN SEE CLEARLY NOW. 675 00:26:19,390 --> 00:26:25,200 SEX STANDS IN THE WAY OF TRUE ARTISTIC ACHIEVEMENT. 676 00:26:25,230 --> 00:26:27,640 I WANT TO BE THE FIRST FILM ACTOR 677 00:26:27,670 --> 00:26:28,840 TO HAVE HIS GENITALS REMOVED. 678 00:26:28,870 --> 00:26:30,640 CAN YOU IMAGINE WHAT THAT WOULD BE LIKE? 679 00:26:30,670 --> 00:26:32,110 TO BE COMPLETELY DICKLESS? 680 00:26:32,140 --> 00:26:36,340 TO BE A SMOOTH, HAIRLESS, REAL LIFE ACTION FIGURE? 681 00:26:36,380 --> 00:26:38,210 LIKE A KEN DOLL, OR A HIGH-POWERED EUNUCH. 682 00:26:38,250 --> 00:26:42,750 CAN YOU EVEN COMPREHEND WHAT I WOULD BE ABLE TO ACCOMPLISH 683 00:26:42,790 --> 00:26:44,750 WITHOUT THE DISTRACTION OF SEX? 684 00:26:44,790 --> 00:26:46,690 LOOKING FOR A DOCTOR TO HELP ME WITH THIS. 685 00:26:46,720 --> 00:26:48,660 IT'S BEEN A LITTLE CHALLENGING. 686 00:26:48,690 --> 00:26:49,730 I MAY HAVE TO GO UNDERGROUND. 687 00:26:49,760 --> 00:26:50,960 OR TO EUROPE. 688 00:26:50,990 --> 00:26:52,960 - JESUS FUCK, I'M NAUSEOUS. 689 00:26:53,000 --> 00:26:55,030 - OH, GET OUT YOUR LAPTOP. 690 00:26:55,060 --> 00:26:57,700 I FEEL A MONOLOGUE COMING ON. 691 00:26:57,730 --> 00:27:01,340 MY CHARACTER... 692 00:27:01,370 --> 00:27:05,870 IS A GRIZZLED LAPD DETECTIVE 693 00:27:05,910 --> 00:27:07,880 WHO'S CONFINED TO A WHEELCHAIR. 694 00:27:07,910 --> 00:27:09,750 HE'S ADDICTED TO PAINKILLERS. 695 00:27:09,780 --> 00:27:11,280 HE HATES BLACK PEOPLE. 696 00:27:11,310 --> 00:27:12,280 BUT HE LOVES AMERICA. YOU KNOW WHAT I'M SAYING? 697 00:27:12,310 --> 00:27:13,950 - NO. 698 00:27:13,980 --> 00:27:15,750 - YOU'RE NOT FEELING THIS FUCKIN' SHIT, MAN? 699 00:27:15,780 --> 00:27:18,390 THIS MOTHERFUCKER'S DROPPIN' BOMBS, MAN. 700 00:27:18,420 --> 00:27:20,760 ALL OVER THE FUCKING PLACE, MAN. 701 00:27:20,790 --> 00:27:22,860 THIS IS GONNA BE HOT. 702 00:27:22,890 --> 00:27:25,860 GET YOUR FUCKING LAPTOP. 703 00:27:25,890 --> 00:27:27,730 - GO AHEAD, PUT IT IN MY MOUTH. 704 00:27:27,760 --> 00:27:29,770 COME ON, HONEY, DO IT TO ME, PUT IT AROUND MY NECK. 705 00:27:29,800 --> 00:27:30,930 THAT'S IT-- [muffled] 706 00:27:30,970 --> 00:27:32,200 YOU CANNOT QUIET ME! 707 00:27:32,230 --> 00:27:35,900 [muffled yelling] 708 00:27:35,940 --> 00:27:37,240 - JESUS, EDDIE. 709 00:27:37,270 --> 00:27:38,740 WHAT THE FUCK ARE YOU DOING UP SO EARLY? 710 00:27:38,770 --> 00:27:40,940 - UP? I DIDN'T GO TO SLEEP. 711 00:27:40,980 --> 00:27:42,750 I DON'T NEED IT. 712 00:27:42,780 --> 00:27:44,210 - RIGHT, BECAUSE YOU'RE A SUPERIOR BEING. 713 00:27:44,250 --> 00:27:45,280 - NO, IT'S NOT THAT. 714 00:27:45,310 --> 00:27:47,750 THAT'S ELITIST. 715 00:27:47,780 --> 00:27:50,150 BUT I DO THINK I'M THE NEXT STEP IN HUMAN EVOLUTION. 716 00:27:50,190 --> 00:27:51,790 - SURE, I BUY IT. 717 00:27:51,820 --> 00:27:53,760 - AND I THINK I FOUND MY NEXT MOVIE. 718 00:27:53,790 --> 00:27:55,360 - GOOD FOR YOU, EDWARD. 719 00:27:55,390 --> 00:27:56,760 GOOD FOR YOU. 720 00:27:56,790 --> 00:27:58,390 - THE WRITING. THE WRITING! 721 00:27:58,430 --> 00:28:00,200 REMINDS ME OF YOU. 722 00:28:00,230 --> 00:28:02,770 FUCKING & PUNCHING, BUT FOR THE TWITTER GENERATION. 723 00:28:02,800 --> 00:28:06,400 MUCH MORE YOUTHFUL. VITAL AND ALIVE AND... 724 00:28:06,430 --> 00:28:09,300 THIS SHIT IS FUCKIN' RAW. 725 00:28:09,340 --> 00:28:12,270 Captioning by CaptionMax www.captionmax.com 50516

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