All language subtitles for Californication S05E06 Love Song

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,660 --> 00:00:09,160 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:09,190 --> 00:00:11,430 - COME ON UP, HONEY. - TYLER SWITCHED DRINKS. 3 00:00:11,460 --> 00:00:12,830 THOUGHT IT'D BE FUNNY TO WATCH HIM GET DRUNK. 4 00:00:12,860 --> 00:00:14,830 - JESUS, THAT KID REALLY IS A YOUNG ME. 5 00:00:14,860 --> 00:00:16,200 - GIVE ME A HUG. 6 00:00:16,230 --> 00:00:17,200 THERE WE GO. THERE WE GO. 7 00:00:17,230 --> 00:00:18,440 DON'T WAIT UP. 8 00:00:18,470 --> 00:00:20,100 - IS HE WITH YOU, BY ANY CHANCE? 9 00:00:20,140 --> 00:00:21,670 - NO, I'VE NEVER SEEN HIM BEFORE IN MY LIFE. 10 00:00:21,710 --> 00:00:22,670 - AIN'T THIS THE LITTLE ROMEO WE HAD TO SMACK DOWN 11 00:00:22,710 --> 00:00:23,740 AT THE CLUB THE OTHER NIGHT? 12 00:00:23,770 --> 00:00:25,240 - YES. YES, IT IS. 13 00:00:25,280 --> 00:00:27,480 - DAD, WHAT DID YOU DO? 14 00:00:27,510 --> 00:00:29,380 - I-I DID NOTHING. WILL YOU TELL 'EM? 15 00:00:29,410 --> 00:00:30,710 - I KNEW IT WAS IMPORTANT TO HIM, 16 00:00:30,750 --> 00:00:32,150 SO I TOOK CARE OF IT. 17 00:00:32,180 --> 00:00:34,750 THAT'S WHAT WE DO FOR EACH OTHER. 18 00:00:34,780 --> 00:00:36,550 - THAT'S PLENTY OF TIME TO TAKE KALI OUT. 19 00:00:36,590 --> 00:00:40,320 BUT YOU KEEP YOUR MOTHERFUCKIN' PAWS OFF HER, MOODY. 20 00:00:40,360 --> 00:00:42,790 AND YOUR FUCKIN' PENIS. 21 00:00:42,830 --> 00:00:46,200 NOW, THAT'S FUCKIN' KALI'S NEW BOYFRIEND RIGHT THERE, MAN. 22 00:00:46,230 --> 00:00:49,170 - OH, SHE'S GOT A-- A NEW BOYFRIEND, DOES SHE? 23 00:00:49,200 --> 00:00:50,800 SOONER OR LATER, HE'S GONNA FIND OUT ABOUT US. 24 00:00:50,830 --> 00:00:52,600 - I'M NOT GONNA TELL HIM. ARE YOU GONNA TELL HIM? 25 00:00:52,640 --> 00:00:54,470 - NO FUCKIN' WAY. - SO WE DON'T HAVE A PROBLEM. 26 00:00:54,500 --> 00:00:56,270 I'M GONNA ASK YOU A QUESTION. 27 00:00:56,310 --> 00:00:58,710 IF YOU'RE LEAVING TONIGHT-- LIKE, THIS VERY NIGHT, 28 00:00:58,740 --> 00:01:00,310 WHAT'S THE HARM IN A GOOD-BYE KISS? 29 00:01:00,340 --> 00:01:01,410 - MAYBE JUST ONE. 30 00:01:26,800 --> 00:01:27,840 - BATESY. 31 00:01:27,870 --> 00:01:30,340 - AAH! 32 00:01:30,370 --> 00:01:32,880 HANK? 33 00:01:32,910 --> 00:01:34,780 GOOD GOD, MAN, YOU'RE GIVING ME THE FUCKIN' WILLIES. 34 00:01:34,810 --> 00:01:36,680 - THOUGHT IT'D HELP MY CAUSE. 35 00:01:36,710 --> 00:01:38,880 WHO CAN TURN THEIR BACKS ON A SAD CLOWN? 36 00:01:38,920 --> 00:01:40,420 - [chuckles] 37 00:01:40,450 --> 00:01:43,250 LET ME GUESS: MY WIFE AND YOUR DAUGHTER. 38 00:01:43,290 --> 00:01:45,390 - NOT EVEN SO MUCH AS A SMILE. 39 00:01:45,420 --> 00:01:46,860 YOU STILL HITTIN' THE SAUCE? 40 00:01:46,890 --> 00:01:49,530 - YEAH, BUT, I MEAN, I GOT IT UNDER CONTROL. 41 00:01:49,560 --> 00:01:51,730 - UH-HUH. - FALLING OFF THE WAGON 42 00:01:51,760 --> 00:01:54,930 IS TYPICALLY FOLLOWED BY A BIT OF A BENDER. 43 00:01:54,960 --> 00:01:57,930 I MEAN, IT USUALLY WORKS ITSELF OUT IN A WEEK OR THREE. 44 00:01:57,970 --> 00:02:00,300 OHH. 45 00:02:00,340 --> 00:02:02,640 I'M NOT WORRIED. 46 00:02:02,670 --> 00:02:04,340 - I'M GLAD TO HEAR THAT. 47 00:02:04,370 --> 00:02:06,340 - I'M SORRY, HANK. 48 00:02:06,380 --> 00:02:08,650 OKAY? THEY'LL GET OVER IT. 49 00:02:08,680 --> 00:02:09,950 EVENTUALLY. - YEAH. 50 00:02:09,980 --> 00:02:11,620 YEAH, IN A WEEK OR THREE, 51 00:02:11,650 --> 00:02:13,420 BUT THAT'S THE THING ABOUT THIS THING. 52 00:02:13,450 --> 00:02:15,290 - HMM. - THERE'S NOTHING TO GET OVER. 53 00:02:15,320 --> 00:02:17,420 - HEY-- - I DIDN'T ACTUALLY DO ANYTHING. 54 00:02:17,450 --> 00:02:19,420 - UH, YOU--YOU'RE PREACHING TO THE CHOIR, HONEY. 55 00:02:19,460 --> 00:02:21,390 OKAY? I WOULDN'T GIVE TWO FUCKS 56 00:02:21,430 --> 00:02:23,230 IF YOU HAD DONE IT THE WAY THEY THINK YOU'VE DONE IT. 57 00:02:23,260 --> 00:02:24,290 - BUT I DIDN'T DONE IT. 58 00:02:24,330 --> 00:02:26,660 - OKAY. I GET IT. 59 00:02:28,600 --> 00:02:30,270 MAN, YOU KNOW I'D NEVER TELL, RIGHT? 60 00:02:30,300 --> 00:02:32,500 THAT SHIT WOULD BE BETWEEN YOU, ME, AND THE WALL. 61 00:02:32,540 --> 00:02:33,840 I'D TAKE A FUCKIN' BLOOD OATH. 62 00:02:33,870 --> 00:02:35,810 - NOTHING ACTUALLY HAPPENED. - OKAY. 63 00:02:35,840 --> 00:02:37,310 - SO THERE'S NOTHING TO TELL YOU. 64 00:02:37,340 --> 00:02:38,940 - I BELIEVE YOU. - IT'S DUE TODAY, SO... 65 00:02:38,980 --> 00:02:42,280 both: I'M SORRY, BABY. 66 00:02:42,310 --> 00:02:44,410 - COME IN. I'LL MAKE YOU SOME BREAKFAST. 67 00:02:44,450 --> 00:02:45,980 - OOH, YUMMY--THAT SOUNDS GOOD. I COULD EAT. 68 00:02:46,020 --> 00:02:47,720 - CAN YOU TELL HIM I'M NOT TALKING TO HIM? 69 00:02:47,750 --> 00:02:49,820 - SHE'S NOT TALKING TO HIM. - WHAT? 70 00:02:49,850 --> 00:02:51,720 - WELL, THAT'S A FINE HOW-DO-YOU-DO-DO. 71 00:02:51,760 --> 00:02:53,460 YOU'LL FORGIVE HIM, BUT NOT ME? 72 00:02:53,490 --> 00:02:54,860 - I'LL WORK ON HER FOR YOU. 73 00:02:54,890 --> 00:02:56,460 - ONE DAY AT A TIME, BATESY. 74 00:02:56,490 --> 00:02:59,600 [cell phone chiming] 75 00:02:59,630 --> 00:03:02,270 - AH, HELLS TO THE NO! 76 00:03:02,300 --> 00:03:03,600 - HANK FUCKIN' MOODY. [rap music in background] 77 00:03:03,630 --> 00:03:05,870 - NO MORE NOTES, SAM. I CAN'T TAKE IT. 78 00:03:05,900 --> 00:03:07,440 JUST FIND ANOTHER WRITER. 79 00:03:07,470 --> 00:03:09,470 I WON'T BE OFFENDED. I PROMISE. 80 00:03:09,510 --> 00:03:10,740 - IT AIN'T ABOUT THAT MOVIE SHIT, MAN. 81 00:03:10,770 --> 00:03:13,510 I NEED TO SEE YOUR ASS NOW, THOUGH. 82 00:03:13,540 --> 00:03:15,750 - WHAT ABOUT? - KALI. 83 00:03:15,780 --> 00:03:19,620 - WHAT ABOUT KALI? - NOT OVER THE PHONE, NIGGA. 84 00:03:19,650 --> 00:03:22,490 JUST GET YOUR ASS OVER TO MY STUDIO RIGHT NOW. 85 00:03:22,520 --> 00:03:24,890 * 86 00:03:24,920 --> 00:03:26,760 YOU HEAR ME? - YEAH. I'M COMING. 87 00:03:26,790 --> 00:03:28,660 - OR ELSE MY BOYS COME GET YOU, NIGGA--YOUR CHOICE. 88 00:03:28,690 --> 00:03:30,490 - NO, NO, NO, NO. NO, THAT--THAT'S OKAY. 89 00:03:30,530 --> 00:03:31,930 - DON'T BLOW ME OFF, MOODY. I'M SERIOUS, MAN. 90 00:03:31,960 --> 00:03:33,500 - I'M ON MY WAY. 91 00:03:33,530 --> 00:03:34,900 - ALL RIGHT, MO'FUCKER. 92 00:03:34,930 --> 00:03:36,400 [phone beeps] 93 00:03:37,600 --> 00:03:40,570 [upbeat music] 94 00:03:40,600 --> 00:03:48,550 * 95 00:04:28,850 --> 00:04:30,550 - I CAN EXPLAIN. 96 00:04:30,590 --> 00:04:33,390 - YOU BETTER FUCKIN' EXPLAIN YOURSELF, MOTHERFUCKER. 97 00:04:33,420 --> 00:04:34,760 - WELL, IT WAS A LONG FLIGHT. 98 00:04:34,790 --> 00:04:36,490 YOU KNOW, WE GOT TO TALKING. 99 00:04:36,530 --> 00:04:38,730 ONE THING LED TO ANOTHER. 100 00:04:38,760 --> 00:04:40,460 - WHAT THE FUCK YOU TALKIN' ABOUT, MAN? 101 00:04:42,700 --> 00:04:43,670 - I DON'T KNOW, WHAT THE FUCK AM I TALKIN' ABOUT? 102 00:04:43,700 --> 00:04:45,030 WHAT THE FUCK AM I TALK-- 103 00:04:45,070 --> 00:04:46,400 WHAT THE FUCK ARE YOU TALKIN' ABOUT? 104 00:04:46,440 --> 00:04:47,900 - I'M TALKIN' ABOUT THE FACT 105 00:04:47,940 --> 00:04:49,770 THAT YOU'RE ALWAYS FUCKIN' LATE, MAN. 106 00:04:49,810 --> 00:04:51,510 - OH, ALL RIGHT. 107 00:04:51,540 --> 00:04:52,710 - THAT'S SOME REAL PASSIVE-AGGRESSIVE SHIT, RIGHT? 108 00:04:52,740 --> 00:04:53,710 YOU THINK YOUR TIME IS MORE VALUABLE 109 00:04:53,740 --> 00:04:55,010 THAN MY TIME, DON'T YOU? 110 00:04:55,040 --> 00:04:56,410 - ACTUALLY-- - I SENSE THAT SHIT, MAN. 111 00:04:56,450 --> 00:04:57,410 - ACTUALLY, I DON'T. I DON'T. 112 00:04:57,450 --> 00:04:59,050 BUT--BUT IN A LARGER SENSE, 113 00:04:59,080 --> 00:05:01,020 MY TIME WILL ALWAYS BE MY TIME. 114 00:05:01,050 --> 00:05:02,890 SO IT WILL ALWAYS MEAN MORE TO ME PERSONALLY. 115 00:05:02,920 --> 00:05:05,090 - AH, MAN, SHUT THE FUCK UP AND BUY A WATCH, NIGGA. 116 00:05:05,120 --> 00:05:06,090 - A'IGHT. 117 00:05:06,120 --> 00:05:07,090 - IN THE MEANTIME, NIGGA, 118 00:05:07,120 --> 00:05:08,590 I NEED YOUR HELP, MOODY. 119 00:05:08,630 --> 00:05:11,030 - HOW CAN I BE OF SERVICE, MY LIEGE? 120 00:05:11,060 --> 00:05:12,530 - I GOT THIS PIECE OF MUSIC HERE, RIGHT? 121 00:05:12,560 --> 00:05:15,530 [playing slow ballad on piano] 122 00:05:15,570 --> 00:05:23,510 * 123 00:05:33,750 --> 00:05:36,120 - THAT IS...MIGHTY PURTY. 124 00:05:36,150 --> 00:05:38,560 IT'S LIKE VINTAGE ELTON JOHN THERE. 125 00:05:38,590 --> 00:05:40,620 - YEAH, WELL, THIS BITCH AIN'T NO FUCKIN' BERNIE TAUPIN. 126 00:05:40,660 --> 00:05:42,030 - THAT'S WHY WE CAN'T WORK TOGETHER, CALVIN. 127 00:05:42,060 --> 00:05:43,890 BECAUSE IF I'M NOT SLEEPING WITH HIM, 128 00:05:43,930 --> 00:05:45,760 HE'S A TOTAL FUCKING ASSHOLE. - YEAH, WELL, YOU KNOW... 129 00:05:45,800 --> 00:05:47,460 - SHE CAN'T WRITE NOT FUCKIN' LYRICS, YO. 130 00:05:47,500 --> 00:05:48,930 JUST A PRETTY FACE AND A FUCKIN' SMILE. 131 00:05:48,970 --> 00:05:50,070 - ALL RIGHT, ALL RIGHT, ALL RIGHT. 132 00:05:50,100 --> 00:05:51,840 WELL, HOW CAN I HELP? 133 00:05:51,870 --> 00:05:53,870 - HELP THE GIRL WRITE SOME FUCKIN' LYRICS, MAN. 134 00:05:53,900 --> 00:05:55,440 - OH, NO, NO. 135 00:05:55,470 --> 00:05:58,810 I WRITE BOOKS... SCREENPLAYS, EMAILS, UH-- 136 00:05:58,840 --> 00:06:00,080 - NIGGA, WRITIN' IS WRITIN', MAN. 137 00:06:00,110 --> 00:06:02,010 - I DON'T. - HELP A BROTHER OUT. 138 00:06:06,620 --> 00:06:08,150 - OKAY, I'LL GIVE IT A SHOT. 139 00:06:08,180 --> 00:06:10,690 BUT WE'RE GONNA HAVE TO GET GOOD AND DRUNK FIRST. 140 00:06:10,720 --> 00:06:13,190 - SEE, NOW, THAT'S THE BEST FUCKIN' IDEA I'VE HEARD ALL DAY. 141 00:06:13,220 --> 00:06:15,160 LET'S GO. 142 00:06:15,190 --> 00:06:16,560 - ALL RIGHT, SO WHERE ARE WE STARTING? 143 00:06:16,590 --> 00:06:17,890 - I DON'T KNOW. 144 00:06:17,930 --> 00:06:19,160 - IT'S OBVIOUSLY A LOVE SONG, RIGHT? 145 00:06:19,200 --> 00:06:21,500 SO WHAT RHYMES WITH LOVE? 146 00:06:21,530 --> 00:06:23,200 DOVE, SHOVE. 147 00:06:23,230 --> 00:06:25,940 "DID YOU JUST SHOVE A DOVE UP MY ASS AND CALL IT LOVE?" 148 00:06:25,970 --> 00:06:26,940 DONE! 149 00:06:26,970 --> 00:06:29,010 WRITING LYRICS IS EASY. 150 00:06:29,040 --> 00:06:30,740 NEXT! 151 00:06:30,770 --> 00:06:31,910 OKAY, THE "NO FUN" FACE. 152 00:06:31,940 --> 00:06:33,480 WHAT DO YOU WANNA WRITE ABOUT? 153 00:06:33,510 --> 00:06:34,640 - I JUST DON'T WANT IT TO BE CHEESY. 154 00:06:34,680 --> 00:06:35,780 I DIDN'T COME ALL THE WAY HERE 155 00:06:35,810 --> 00:06:37,680 TO WRITE CHEESY LOVE SONGS. 156 00:06:37,710 --> 00:06:39,150 - SORRY, THAT'S MY THING. 157 00:06:39,180 --> 00:06:40,650 I SPECIALIZE IN CHEESE-- 158 00:06:40,680 --> 00:06:42,590 BIG, GOOEY GLOBS OF IT. 159 00:06:42,620 --> 00:06:43,720 YOU'RE OUT OF LUCK. 160 00:06:43,750 --> 00:06:46,190 - OKAY, I JUST WANT IT TO BE... 161 00:06:46,220 --> 00:06:48,020 BITTERSWEET AND DARK. 162 00:06:48,060 --> 00:06:52,830 - WELL, YOU ARE NOTHING IF NOT A SEMISWEET PIECE OF... 163 00:06:52,860 --> 00:06:53,960 MILK CHOCOLATE? 164 00:06:56,000 --> 00:06:57,900 - YOU ARE CHEESY. 165 00:06:57,930 --> 00:06:59,100 - YEAH. 166 00:06:59,140 --> 00:07:01,100 SPEAKING OF LOVE AND WHATNOT, UM-- 167 00:07:01,140 --> 00:07:02,240 OH, TWO WHISKIES, BARKEEP, PLEASE, 168 00:07:02,270 --> 00:07:03,670 AND KEEP 'EM COMING. 169 00:07:03,710 --> 00:07:05,810 I THINK THE SAMURAI IS DEEP IN IT. 170 00:07:05,840 --> 00:07:07,040 WIT' YOU. 171 00:07:07,080 --> 00:07:08,610 - GOD, PLEASE. 172 00:07:08,650 --> 00:07:10,050 WHAT THE FUCK DOES THAT GUY KNOW ABOUT LOVE? 173 00:07:10,080 --> 00:07:11,820 HE'S A SPOILED MAN-CHILD. 174 00:07:11,850 --> 00:07:14,720 HE GETS WHATEVER HE WANTS, AND HE CAN'T HAVE ME. 175 00:07:14,750 --> 00:07:16,520 HE JUST WANTS TO CONTROL HIS PRODUCT. 176 00:07:16,550 --> 00:07:18,020 - I DON'T THINK THAT'S IT. 177 00:07:18,050 --> 00:07:20,060 I-I THINK EVERYBODY'S GOT THAT SPECIAL SOMEONE 178 00:07:20,090 --> 00:07:21,790 THAT GETS UNDER THEIR SKIN AND DOESN'T GO AWAY. 179 00:07:21,830 --> 00:07:23,030 I THINK MAYBE YOU HAVE 180 00:07:23,060 --> 00:07:24,990 THAT PARTICULAR FUNGAL PROPERTY FOR HIM. 181 00:07:25,030 --> 00:07:26,930 - [chuckles] 182 00:07:26,960 --> 00:07:29,130 - ALL RIGHT, SO IF SOMEBODY WAS ASKING ME 183 00:07:29,170 --> 00:07:30,830 ABOUT A SHORT STORY, 184 00:07:30,870 --> 00:07:33,840 I'D ASK THEM, "WHAT ARE YOU TRYING TO SAY?" 185 00:07:35,300 --> 00:07:36,540 - I DON'T KNOW. 186 00:07:36,570 --> 00:07:40,010 UM... 187 00:07:40,040 --> 00:07:41,950 I'D LOVE TO TALK ABOUT 188 00:07:41,980 --> 00:07:45,520 COMING TO L.A. FOR THE FIRST TIME. 189 00:07:45,550 --> 00:07:48,890 AND THE FACT THAT YOU TEND TO LEAVE SOMETHING 190 00:07:48,920 --> 00:07:50,620 OR SOMEONE BEHIND. 191 00:07:50,650 --> 00:07:52,220 - ALL RIGHT. 192 00:07:52,260 --> 00:07:54,760 NOW WE'RE GETTING SOMEWHERE. I CAN RELATE TO THAT. 193 00:07:54,790 --> 00:07:58,960 I CAN REMEMBER THAT SHIT AS IF IT WERE FUCKIN' YESTERDAY. 194 00:07:59,000 --> 00:08:00,230 [car horn blares] 195 00:08:02,330 --> 00:08:04,100 - SO WHAT DO YOU THINK? 196 00:08:04,130 --> 00:08:05,670 - I DON'T KNOW, YOU KNOW. 197 00:08:05,700 --> 00:08:07,000 I THINK WE SHOULD KEEP LOOKING. 198 00:08:07,040 --> 00:08:08,610 - REALLY? - YEAH. 199 00:08:08,640 --> 00:08:09,940 - OH, I GOT A GOOD FEELING ABOUT THIS PLACE. 200 00:08:09,970 --> 00:08:11,640 - REALLY? - ESPECIALLY THE BEDROOM. 201 00:08:11,680 --> 00:08:13,710 I THINK WE COULD GET UP TO SOME TROUBLE IN THERE-- 202 00:08:13,740 --> 00:08:15,240 - YOU'VE SAID THAT ABOUT EVERY PLACE WE'VE SEEN. 203 00:08:15,280 --> 00:08:16,680 - WELL, THAT'S JUST A TRIBUTE 204 00:08:16,710 --> 00:08:18,010 TO HOW WARM I AM FOR YOUR FORM, WOMAN. 205 00:08:18,050 --> 00:08:19,580 - YOU KNOW WHAT? 206 00:08:19,620 --> 00:08:20,920 I'M STILL CHAFING FROM THIS MORNING, SO... 207 00:08:20,950 --> 00:08:22,320 - I'M SORRY. HOTELS MAKE ME HORNY. 208 00:08:22,350 --> 00:08:24,290 - WHAT DOESN'T MAKE YOU HORNY, BABY? 209 00:08:24,320 --> 00:08:26,720 - UM...COCKROACHES. 210 00:08:26,760 --> 00:08:28,630 DEAD BABIES. 211 00:08:28,660 --> 00:08:29,790 POOP. 212 00:08:29,830 --> 00:08:31,090 - [laughing] SHUT UP. 213 00:08:31,130 --> 00:08:32,800 - LOOK HOW CLOSE WE'D BE TO THE BEACH. 214 00:08:32,830 --> 00:08:35,060 - AND THE HOMELESS. - WHICH WOULD SURELY ALLEVIATE 215 00:08:35,100 --> 00:08:37,200 ANY HOMESICKNESS FOR NEW YORK THAT MIGHT DEVELOP. 216 00:08:37,230 --> 00:08:38,740 - [groans] - OH, GOD. 217 00:08:38,770 --> 00:08:40,070 YOU SO DON'T WANNA DO THIS, HUH? 218 00:08:40,100 --> 00:08:42,240 - YOU KNOW WHAT? I JUST THINK OF BECCA. 219 00:08:42,270 --> 00:08:43,670 - YEAH? - AND I-I-- 220 00:08:43,710 --> 00:08:45,210 AND IT-- IT FEELS ALL WRONG. 221 00:08:45,240 --> 00:08:47,080 - BUT SHE'S SO LITTLE AND ADAPTABLE. 222 00:08:47,110 --> 00:08:49,180 NOT TO MENTION TOTALLY DEPENDENT ON US. 223 00:08:49,210 --> 00:08:50,680 IF SHE COMPLAINED AT ALL, 224 00:08:50,710 --> 00:08:52,220 WE COULD EASILY THREATEN TO ABANDON HER. 225 00:08:52,250 --> 00:08:55,020 I'M PRETTY SURE THAT WOULD SHUT HER UP IMMEDIATELY. 226 00:08:55,050 --> 00:08:56,650 [both laughing] 227 00:08:56,690 --> 00:08:58,890 - YOU REALLY SURE ABOUT THIS? 228 00:08:58,920 --> 00:09:00,690 - I'M NOT, NO. NOT--NOT AT ALL. 229 00:09:00,720 --> 00:09:02,190 - JESUS. - CHARLIE THOUGHT IT WOULD BE 230 00:09:02,230 --> 00:09:03,960 A GOOD IDEA FOR ME TO SPEND SOME TIME OUT HERE 231 00:09:03,990 --> 00:09:07,100 SO PEOPLE COULD PUT THIS BEAUTIFUL VISAGE TO THE NAME. 232 00:09:07,130 --> 00:09:09,300 AND I'M TRYING TO DO WHAT MY AGENT SAYS FOR ONCE 233 00:09:09,330 --> 00:09:12,370 RATHER THAN JUST TELLING HIM TO FUCK OFF AND GET ME PAID. 234 00:09:12,400 --> 00:09:13,700 - YOU KNOW WHAT? 235 00:09:13,740 --> 00:09:15,070 - HUH? 236 00:09:15,100 --> 00:09:16,710 - WE WERE DOING JUST FINE. 237 00:09:16,740 --> 00:09:18,710 - NO, WE WEREN'T. - YES, WE WERE, WE WERE. 238 00:09:18,740 --> 00:09:20,810 - WE COULDN'T EVEN AFFORD CABLE, KAREN. 239 00:09:20,840 --> 00:09:22,250 - THAT WAS A CHOICE. 240 00:09:22,280 --> 00:09:23,350 - REALLY? - YES. 241 00:09:23,380 --> 00:09:24,980 - WHATEVER. 242 00:09:25,010 --> 00:09:28,750 YOU'RE NOT BEING A VERY SUPPORTIVE BABY MAMA. 243 00:09:28,790 --> 00:09:30,920 - I THOUGHT I WAS YOUR MUSE. 244 00:09:30,950 --> 00:09:33,020 - YOU ARE. 245 00:09:33,060 --> 00:09:34,990 AND RIGHT NOW, YOU'RE INSPIRING ME TO POINT OUT THAT, 246 00:09:35,020 --> 00:09:37,330 COMPARED TO WHAT WE PAID FOR IN NEW YORK FOR A BROOM CLOSET, 247 00:09:37,360 --> 00:09:39,730 THAT PLACE IS A STEAL. 248 00:09:41,670 --> 00:09:42,870 - [sighs] - PLUS, YOU'D GET THAT. 249 00:09:42,900 --> 00:09:44,900 [urine trickling] 250 00:09:44,930 --> 00:09:47,070 - [laughing] - JUST LIKE HOME. 251 00:09:48,400 --> 00:09:50,940 - SO NEXT WE HAVE... 252 00:09:50,970 --> 00:09:52,880 WE NEED TO GO TO, UM... 253 00:09:52,910 --> 00:09:54,780 WHAT IS IT, "SEPUL-VEDA"? - SEPUL-VEDA? 254 00:09:54,810 --> 00:09:57,280 [paper rustling] 255 00:09:57,310 --> 00:09:59,420 - LOOK ALIVE. 256 00:09:59,450 --> 00:10:01,050 - AH, SORRY. 257 00:10:01,080 --> 00:10:03,020 - WHERE'D YOU JUST GO? 258 00:10:03,050 --> 00:10:04,090 - NOWHERE. 259 00:10:04,120 --> 00:10:06,290 JUST DIGGING DEEP. 260 00:10:06,320 --> 00:10:07,960 OKAY... 261 00:10:07,990 --> 00:10:10,160 WHAT RHYMES WITH "VAGINA"? 262 00:10:10,190 --> 00:10:11,760 - I'M NOT GONNA SING "VAGINA." 263 00:10:11,800 --> 00:10:13,060 - YOUR LOSS-- THAT COULD BE 264 00:10:13,100 --> 00:10:15,030 SOME SERIOUSLY GROUNDBREAKING SHIT. 265 00:10:15,060 --> 00:10:17,030 - YEAH, SOME SONGWRITER YOU ARE. 266 00:10:17,070 --> 00:10:18,770 - OOH, OOH, OOH. HERE WE GO. 267 00:10:18,800 --> 00:10:20,070 HERE WE GO. I GOT SOMETHING HERE. 268 00:10:20,100 --> 00:10:21,170 YOU READY? - YEP. 269 00:10:21,200 --> 00:10:23,240 - PEOPLE THINK IT'S FUNNY. 270 00:10:23,270 --> 00:10:24,870 * BUT IT'S REALLY HOT AND RUNNY * 271 00:10:24,910 --> 00:10:26,140 * DIARRHEA 272 00:10:26,180 --> 00:10:27,140 * DIARRHEA 273 00:10:27,180 --> 00:10:28,410 PEOPLE THINK IT'S GROSS. 274 00:10:28,440 --> 00:10:30,150 BUT IT'S REALLY GOOD ON TOAST. 275 00:10:30,180 --> 00:10:32,750 * DIARRHEA, DIARRHEA HERE COMES THE CHORUS. 276 00:10:32,780 --> 00:10:34,320 * DIARRHEA, CHA CHA CHA - OKAY, ASSHOLE. 277 00:10:34,350 --> 00:10:36,020 COME ON, COME ON, COME ON. THIS IS MY CAREER. 278 00:10:36,050 --> 00:10:37,120 - YOU DON'T WANNA HAVE ANY FUN? NO FUN. 279 00:10:37,150 --> 00:10:38,720 OKAY, NO FUN, NO FUN. 280 00:10:38,760 --> 00:10:39,960 ALL RIGHT, WHAT DO YOU WANT TO WRITE ABOUT? 281 00:10:39,990 --> 00:10:43,190 - [sighs] I DON'T KNOW. I JUST... 282 00:10:43,230 --> 00:10:45,360 - WELL, TELL ME ABOUT THE GUY YOU LEFT BEHIND. 283 00:10:45,390 --> 00:10:46,860 YOU KNOW, THAT GUY. THAT ONE. 284 00:10:46,900 --> 00:10:49,300 - UM... 285 00:10:49,330 --> 00:10:51,940 HE WAS JEALOUS. 286 00:10:51,970 --> 00:10:54,070 - WELL, YOU SEEM TO ATTRACT THE JEALOUS TYPE. 287 00:10:54,100 --> 00:10:55,300 YOU BAD GIRL, YOU. 288 00:10:55,340 --> 00:10:57,110 - I'M NOT BAD, I'M JUST... 289 00:10:57,140 --> 00:10:58,310 DRAWN THAT WAY. 290 00:10:58,340 --> 00:11:00,340 - A HIP-HOP JESSICA RABBIT, HUH? 291 00:11:00,380 --> 00:11:04,110 - HE DIDN'T LIKE... THE ATTENTION I WAS GETTING 292 00:11:04,150 --> 00:11:05,410 FROM OUR FRIEND SAMURAI. 293 00:11:05,450 --> 00:11:07,020 - WELL, WHO COULD BLAME HIM? 294 00:11:07,050 --> 00:11:08,850 - AND THAT I GOT THE OFFER TO COME HERE 295 00:11:08,890 --> 00:11:10,350 AND TO MAKE A RECORD. 296 00:11:10,390 --> 00:11:12,120 SO... 297 00:11:14,990 --> 00:11:18,490 - I...HAVE AN OFFER FOR YOU! 298 00:11:18,530 --> 00:11:20,400 - [chuckles] - WHY ARE YOU YELLING? 299 00:11:20,430 --> 00:11:21,970 - IT'S MY STYLE. 300 00:11:22,000 --> 00:11:24,100 MY THING. IT'S--IT'S BOMBASTIC. 301 00:11:24,130 --> 00:11:25,230 MY CLIENTS LOVE IT. 302 00:11:25,270 --> 00:11:26,740 - NOT THIS CLIENT. 303 00:11:26,770 --> 00:11:28,100 - OH. - SORRY. 304 00:11:28,140 --> 00:11:30,110 - [chuckles] - WHAT'S THE OFFER? 305 00:11:30,140 --> 00:11:32,310 - THERE IS A SCRIPT. IT'S AT UNIVERSAL. 306 00:11:32,340 --> 00:11:33,510 THEY'RE ABOUT TO START PRODUCTION. 307 00:11:33,540 --> 00:11:34,840 THEY NEED A POLISH. 308 00:11:34,880 --> 00:11:36,050 - OH! I CAN POLISH THINGS. 309 00:11:36,080 --> 00:11:37,350 - AH. - YEAH. 310 00:11:37,380 --> 00:11:39,850 - YOU HAVE NEVER POLISHED ANYTHING... 311 00:11:39,880 --> 00:11:41,280 - KAREN... - IN YOUR ENTIRE LIFE, EVER. 312 00:11:41,320 --> 00:11:42,950 - DO I NOT POLISH YOUR BEAUTIFUL LADY PARTS 313 00:11:42,990 --> 00:11:44,750 ON A SEMI-NIGHTLY BASIS? 314 00:11:44,790 --> 00:11:45,790 [high-pitched] NAILED IT! 315 00:11:45,820 --> 00:11:48,520 [trills] HOW MUCH? 316 00:11:48,560 --> 00:11:51,160 - 25 A WEEK. 317 00:11:52,230 --> 00:11:53,200 - 25... 318 00:11:53,230 --> 00:11:55,360 - GRAND. 319 00:11:55,400 --> 00:11:57,400 - LOOK AT HIS FACE. - I LOVE L.A. 320 00:11:57,430 --> 00:11:59,140 - [laughs] - I LOVE IT! I LOVE IT. 321 00:11:59,170 --> 00:12:00,540 I SAID IT, I MEANT IT. 322 00:12:00,570 --> 00:12:01,970 I'M HERE TO REPRESENT IT. 323 00:12:02,010 --> 00:12:03,370 - YOU KNOW THAT. - WHO ARE YOU RIGHT NOW? 324 00:12:03,410 --> 00:12:04,810 - I DON'T KNOW. I DON'T KNOW. 325 00:12:04,840 --> 00:12:06,240 - WHOO! 326 00:12:06,280 --> 00:12:07,480 - YOU'RE GONNA LOVE IT HERE TOO, KARENINA. 327 00:12:07,510 --> 00:12:08,910 - THEY KISSED. 328 00:12:08,950 --> 00:12:10,410 - I'M TELLING YOU-- OOH, OOH. 329 00:12:10,450 --> 00:12:12,150 - I DON'T THINK THAT... 330 00:12:12,180 --> 00:12:13,550 A DECISION HAS YET BEEN MADE. 331 00:12:13,580 --> 00:12:15,890 - WHY? - WELL, BECAUSE, YOU KNOW, 332 00:12:15,920 --> 00:12:17,220 WE'RE STILL LOOKING AT PLACES. 333 00:12:17,250 --> 00:12:18,420 - UH, "WE" MEANS "SHE." 334 00:12:18,450 --> 00:12:20,860 - I SENSED THAT. - YEAH. 335 00:12:20,890 --> 00:12:22,060 - YOU KNOW WHAT? 336 00:12:22,090 --> 00:12:23,190 THIS MOTHERFUCKER HAD TO DRAG ME 337 00:12:23,230 --> 00:12:24,790 KICKING AND SCREAMING HERE. 338 00:12:24,830 --> 00:12:26,060 AT FIRST, I HATED IT. 339 00:12:26,100 --> 00:12:28,300 NOW I FUCKING LOVE IT. 340 00:12:28,330 --> 00:12:29,800 - OKAY, WHAT DO YOU LOVE ABOUT IT? 341 00:12:29,830 --> 00:12:31,500 - EVERYTHING IS FUCKING FAKE! 342 00:12:31,530 --> 00:12:33,400 OKAY? THE HOUSES ARE LIKE SETS, 343 00:12:33,440 --> 00:12:35,840 AND THE PEOPLE ARE INDISTINGUISHABLE FROM ACTORS. 344 00:12:35,870 --> 00:12:37,240 IT'S AWESOME. 345 00:12:37,270 --> 00:12:40,040 - HANK'S CAREER IS ABOUT TO EXPLODE, KAREN. 346 00:12:40,080 --> 00:12:42,510 HE NEEDS TO BE HERE. - CHARLIE RUNKLE. 347 00:12:42,550 --> 00:12:45,280 - AH, ALI, SO NICE TO SEE YOU. 348 00:12:45,310 --> 00:12:46,850 - YOU TOO, MWAH. MWAH. 349 00:12:46,880 --> 00:12:49,350 MWAH. IS THIS HIM? 350 00:12:49,390 --> 00:12:51,450 - HANK MOODY, ALI ANDREWS, 351 00:12:51,490 --> 00:12:53,360 YOUR EXECUTIVE ON GOD HATES US ALL. 352 00:12:53,390 --> 00:12:54,890 - AH, NICE TO MEET YOU. 353 00:12:54,920 --> 00:12:56,060 - YOU DIDN'T TELL ME HE WAS GORGEOUS. 354 00:12:56,090 --> 00:12:57,590 - WELL, FOR YOU TO DISCOVER. 355 00:12:57,630 --> 00:12:59,500 - IT'S GREAT TO FINALLY MEET YOU, HANK. 356 00:12:59,530 --> 00:13:01,330 I'M A HUGE FAN. - NO, YOU'RE NOT. 357 00:13:01,360 --> 00:13:03,170 - [laughs] OH, I'M NOT, HUH? 358 00:13:03,200 --> 00:13:05,570 I AM A HUGE FAN, HANK. I SWEAR. 359 00:13:05,600 --> 00:13:07,470 I LOVE YOU. I CANNOT WAIT TO GET STARTED. 360 00:13:07,500 --> 00:13:09,210 - WOW, PEOPLE ARE VERY EXCITABLE HERE. 361 00:13:09,240 --> 00:13:10,540 YOU NOTICE THAT, KAREN? 362 00:13:10,570 --> 00:13:12,180 ALI, IS IT? - UH-HUH. 363 00:13:12,210 --> 00:13:13,280 - THIS IS KAREN. - HI. 364 00:13:13,310 --> 00:13:14,380 - KAREN IS MY... BEST FRIEND, 365 00:13:14,410 --> 00:13:15,850 MY LOVER... 366 00:13:15,880 --> 00:13:16,880 - [whispering] DON'T TELL HER-- 367 00:13:16,910 --> 00:13:18,050 - AND MY BABY MAMA. 368 00:13:18,080 --> 00:13:19,280 DID I COVER IT? - [giggles] YEAH. 369 00:13:19,320 --> 00:13:21,250 - PRETTY MUCH? - NICE TO MEET YOU, ALI. 370 00:13:21,280 --> 00:13:22,950 - NICE TO MEET YOU TOO. 371 00:13:22,990 --> 00:13:25,350 HEY, COULD I PULL YOU ASIDE AND BUY YOU A DRINK? 372 00:13:25,390 --> 00:13:27,020 I KNOW WE'VE GOT A MEETING ON THE BOOKS FOR TOMORROW, 373 00:13:27,060 --> 00:13:28,890 BUT I WOULD LOVE TO HIT THE GROUND RUNNING 374 00:13:28,930 --> 00:13:31,360 AND GET YOU UP TO SPEED. 375 00:13:31,390 --> 00:13:33,860 - GO. HIT THE GROUND RUNNING. 376 00:13:33,900 --> 00:13:35,360 [whispering] GET UP TO SPEED. - [whispering] OKAY. 377 00:13:35,400 --> 00:13:36,830 YOU KNOW HOW I LOVE JARGON. 378 00:13:39,170 --> 00:13:41,270 THERE'S SOMETHING YOU'RE NOT TELLING ME. 379 00:13:41,300 --> 00:13:42,940 YOU'RE HOLDING OUT ON ME, LADY. 380 00:13:47,110 --> 00:13:51,550 - BECAUSE WHAT IF I THINK THE TRUTH MAKES ME A BAD PERSON? 381 00:13:51,580 --> 00:13:53,080 - MAYBE THE TRUTH IS WHAT YOU NEED 382 00:13:53,120 --> 00:13:54,620 TO FINISH THIS SONG. 383 00:13:54,650 --> 00:13:56,520 [clicks tongue] 384 00:13:58,150 --> 00:13:59,560 - [sighs] 385 00:13:59,590 --> 00:14:01,260 THE NIGHT I LEFT FOR L.A., 386 00:14:01,290 --> 00:14:03,030 THE NIGHT THAT I MET YOU ON THE PLANE... 387 00:14:03,060 --> 00:14:04,290 - MM-HMM. 388 00:14:04,330 --> 00:14:06,500 - ME AND MY EX HAD ONE LAST DINNER. 389 00:14:06,530 --> 00:14:08,600 AND WE'D BEEN ARGUING A LOT, YOU KNOW. 390 00:14:08,630 --> 00:14:12,400 AND, TO BE HONEST, I WAS HAPPY TO LEAVE TOWN. 391 00:14:12,440 --> 00:14:15,000 BUT THAT NIGHT, HE WAS SO SWEET. 392 00:14:15,040 --> 00:14:17,510 HE WAS ACTUALLY THE GUY THAT I HAD BEEN IN LOVE WITH 393 00:14:17,540 --> 00:14:19,640 FOR AS LONG AS I CAN REMEMBER. 394 00:14:19,680 --> 00:14:23,010 AND I WANTED TO... 395 00:14:23,050 --> 00:14:24,580 STAY. 396 00:14:24,610 --> 00:14:27,620 I WANTED TO BE WITH HIM. 397 00:14:27,650 --> 00:14:30,150 BUT THEN HE ASKED ME IF I SLEPT WITH SAMURAI. 398 00:14:30,190 --> 00:14:32,290 AND I LIED. 399 00:14:32,320 --> 00:14:35,560 I TOLD HIM WHAT HE WANTED TO HEAR. 400 00:14:35,590 --> 00:14:38,160 AND THEN HE PULLED A RING OUT AND ASKED ME TO MARRY HIM. 401 00:14:38,190 --> 00:14:40,100 - OHH... 402 00:14:40,130 --> 00:14:41,360 WHAT'D YOU SAY? 403 00:14:41,400 --> 00:14:43,930 - NOTHING. 404 00:14:46,240 --> 00:14:47,600 [scoffs] 405 00:14:47,640 --> 00:14:51,540 I WAS SPEECHLESS. 406 00:14:51,570 --> 00:14:53,510 I GOT UP, I WENT TO THE BATHROOM. 407 00:14:53,540 --> 00:14:55,340 I SPLASHED SOME WATER ON MY FACE. 408 00:15:01,480 --> 00:15:03,420 I SLIPPED OUT THE BACK, 409 00:15:03,450 --> 00:15:05,090 JUMPED IN A CAB, 410 00:15:05,120 --> 00:15:06,990 AND WENT STRAIGHT TO THE AIRPORT. 411 00:15:10,130 --> 00:15:12,960 DIDN'T LOOK BACK. 412 00:15:13,000 --> 00:15:14,560 I KNEW, IF I WENT BACK TO THE TABLE, 413 00:15:14,600 --> 00:15:16,500 I WOULD HAVE SAID YES. 414 00:15:19,370 --> 00:15:21,340 BUT... 415 00:15:21,370 --> 00:15:24,140 THEN MY DREAMS WOULD NEVER COME TRUE. 416 00:15:34,480 --> 00:15:37,420 [waves crashing, seagulls calling] 417 00:16:02,550 --> 00:16:03,710 - HEY, LADY. 418 00:16:03,750 --> 00:16:05,050 COME ON BACK TO BED. 419 00:16:05,080 --> 00:16:08,180 - I FOUND THIS IN YOUR POCKET. 420 00:16:08,220 --> 00:16:09,750 ALI ANDREWS. - AH. 421 00:16:09,790 --> 00:16:11,350 - "PLEASE CALL ME ANYTIME." 422 00:16:11,390 --> 00:16:12,790 - [laughs] COME ON. GIVE ME A BREAK, KAREN. 423 00:16:12,820 --> 00:16:14,160 I DIDN'T EVEN LOOK AT IT. - OH, SHE'S A-- 424 00:16:14,190 --> 00:16:15,490 - SHOWS YOU HOW MUCH I CARE. 425 00:16:15,520 --> 00:16:17,160 - YOU LOOKED LIKE YOU CARED LAST NIGHT. 426 00:16:17,190 --> 00:16:19,260 - WELL, SHE WAS FULL OF KIND WORDS AND FLATTERY. 427 00:16:19,300 --> 00:16:20,760 WHO DOESN'T LIKE THAT SORT OF THING? 428 00:16:20,800 --> 00:16:21,800 - SHE'S A HUGE FAN. - WHAT'S NOT TO LIKE? 429 00:16:21,830 --> 00:16:23,270 - SHE WOULD TOTALLY FUCK YOU. 430 00:16:23,300 --> 00:16:25,300 - YES, AND I ONLY WANT TO FUCK YOU. 431 00:16:25,330 --> 00:16:26,540 SO WHAT? - YEAH, RIGHT NOW. 432 00:16:26,570 --> 00:16:27,800 BUT THAT COULD CHANGE, YOU KNOW. 433 00:16:27,840 --> 00:16:29,640 L.A. CHANGES PEOPLE. - NO, NO, NO. 434 00:16:29,670 --> 00:16:31,710 CITIES DON'T CHANGE PEOPLE. 435 00:16:31,740 --> 00:16:33,480 PEOPLE DON'T EVEN CHANGE PEOPLE. 436 00:16:33,510 --> 00:16:35,440 WE ARE WHO WE ARE. 437 00:16:37,450 --> 00:16:39,620 - DO YOU REALLY THINK WE'RE GONNA BEAT THE ODDS? 438 00:16:39,650 --> 00:16:42,620 - FUCK THE ODDS. YOU KNOW, WE MAKE OUR OWN ODDS. 439 00:16:44,720 --> 00:16:46,520 - YOU'RE INCREDIBLY NAIVE. 440 00:16:46,560 --> 00:16:50,060 - AND YOU'RE INCREDIBLY INCREDIBLE. 441 00:16:50,090 --> 00:16:52,560 NOT TO MENTION BEAUTIFUL. 442 00:16:52,600 --> 00:16:54,300 - AND, AFTER ALL THESE YEARS, 443 00:16:54,330 --> 00:16:56,800 YOU STILL GET ME WETTER THAN A WEST AFRICAN SLUT 444 00:16:56,830 --> 00:16:58,830 DURING MONSOON SEASON. HUH? 445 00:16:58,870 --> 00:17:00,440 - OH, MY GOD, I'M SO NOT CHARMED BY THAT. 446 00:17:00,470 --> 00:17:02,110 THAT'S REPULSIVE. - NO, YOU ARE CHARMED. 447 00:17:02,140 --> 00:17:03,840 BECAUSE YOU KNOW I LOVE YOU LONG TIME. 448 00:17:03,870 --> 00:17:07,310 AND NO TRAMPY D-GIRL THIS SIDE OF THE MISSISSIPPI 449 00:17:07,340 --> 00:17:09,450 IS EVER GONNA CHANGE ANY OF THAT. 450 00:17:09,480 --> 00:17:10,680 - REALLY? 451 00:17:12,880 --> 00:17:15,180 - NOW, COME ON. 452 00:17:15,220 --> 00:17:16,550 COME ON BACK TO BED. 453 00:17:16,590 --> 00:17:19,520 LET'S CALIFORNICATE. 454 00:17:19,560 --> 00:17:20,560 - REALLY? 455 00:17:20,590 --> 00:17:22,530 IS IT DIFFERENT HERE? 456 00:17:22,560 --> 00:17:24,460 - A LITTLE BIT. - OKAY. 457 00:17:24,490 --> 00:17:25,490 [chuckles] 458 00:17:25,530 --> 00:17:26,730 - LET'S GET WET. 459 00:17:26,760 --> 00:17:30,630 [chatter and laughter] 460 00:17:34,600 --> 00:17:35,800 - THIS IS CHEESY, HANK. 461 00:17:35,840 --> 00:17:37,710 - FUCK YOU. 462 00:17:37,740 --> 00:17:41,210 - I'M JUST KIDDING. IT'S BEAUTIFUL. 463 00:17:41,240 --> 00:17:43,710 - YEAH, YOU THINK YOU CAN WORK WITH IT? 464 00:17:43,750 --> 00:17:45,350 - [giggles] 465 00:17:45,380 --> 00:17:48,220 I HOPE SO. I MEAN, THEY'RE BEAUTIFUL WORDS. 466 00:17:48,250 --> 00:17:49,890 - YEAH, BUT THEY'RE JUST WORDS. 467 00:17:49,920 --> 00:17:51,590 YOU GOTTA MAKE THE MUSIC. 468 00:17:51,620 --> 00:17:54,760 - WELL, I DEFINITELY THINK I CAN MAKE THEM WORK. 469 00:17:54,790 --> 00:17:56,130 THEY'RE LIKE A TIME MACHINE. 470 00:17:56,160 --> 00:17:58,690 TAKE ME BACK TO NEW YORK. 471 00:17:58,730 --> 00:18:01,130 I REMEMBER EXACTLY HOW EXCITED I WAS, 472 00:18:01,160 --> 00:18:04,870 AND HOW SAD AND SCARED. 473 00:18:04,900 --> 00:18:08,840 - DO YOU THINK YOU'LL EVER MAKE IT BACK TO YOUR GUY? 474 00:18:08,870 --> 00:18:11,770 - I DON'T KNOW. 475 00:18:11,810 --> 00:18:14,580 I SPEND A LOT OF TIME GOING BACK AND FORTH IN MY HEAD 476 00:18:14,610 --> 00:18:16,910 ABOUT WHAT MIGHT HAVE BEEN 477 00:18:16,950 --> 00:18:19,580 AND, UH, "JUST AS WELL." 478 00:18:21,320 --> 00:18:23,390 - I KNOW THE FEELING. 479 00:18:23,420 --> 00:18:25,650 - I THINK THAT THERE ARE PEOPLE IN YOUR LIFE 480 00:18:25,690 --> 00:18:28,190 WHO--THEY INSPIRE ART. 481 00:18:28,220 --> 00:18:31,890 YOU KNOW, AND YOU BLOW THEM UP INTO THESE MYTHICAL CHARACTERS 482 00:18:31,930 --> 00:18:37,470 AND YOU GIVE THEM ALL THOSE MAGICAL QUALITIES. 483 00:18:37,500 --> 00:18:38,930 OR MAYBE THEY'RE JUST STEPPING STONES 484 00:18:38,970 --> 00:18:40,770 FOR SOMETHING BIGGER AND BETTER. 485 00:18:40,800 --> 00:18:42,910 - THAT'S A PRETTY CYNICAL WAY TO LOOK AT THINGS. 486 00:18:42,940 --> 00:18:44,640 - YEAH, WELL, LOOK AT YOU. 487 00:18:44,670 --> 00:18:47,410 I MEAN, SHIT, I GOT A FUCKIN' SONG OUT OF YOU. 488 00:18:47,440 --> 00:18:50,310 AND... THAT'S FUCKIN' COOL. 489 00:18:50,350 --> 00:18:52,680 - GOD, I FEEL SO EXPLOITED. 490 00:18:52,720 --> 00:18:54,480 - [laughs] 491 00:18:54,520 --> 00:18:55,950 - WHAT DO I GET IN EXCHANGE FOR DIGGING DEEP 492 00:18:55,980 --> 00:18:57,550 AND BARING YOUR SOUL? 493 00:19:02,930 --> 00:19:05,630 - ANYTHING YOU WANT. 494 00:19:05,660 --> 00:19:08,660 - NO, I... 495 00:19:08,700 --> 00:19:10,400 I DON'T THINK IT'S RIGHT TO CAPITALIZE 496 00:19:10,430 --> 00:19:12,470 ON ALL THIS HEARTBREAK AND CHAMPAGNE. 497 00:19:12,500 --> 00:19:14,470 - IT'S MORE THAN THAT, AND I THINK YOU KNOW THAT. 498 00:19:14,500 --> 00:19:15,840 - I DO? - MM-HMM. 499 00:19:15,870 --> 00:19:19,940 BECAUSE, NO MATTER HOW MESSY... 500 00:19:19,980 --> 00:19:22,410 OR WRONG... 501 00:19:22,450 --> 00:19:25,680 OR HOW MUCH OF A SHITLOAD OF TROUBLE WE CAN GET INTO, 502 00:19:25,710 --> 00:19:28,280 WE JUST KEEP COMING BACK. 503 00:19:29,620 --> 00:19:30,990 - TRUE DAT. 504 00:19:31,020 --> 00:19:32,590 - [chuckles softly] 505 00:19:39,860 --> 00:19:42,470 OR MAYBE THAT'S WHAT MAKES IT SO HOT. 506 00:19:55,480 --> 00:19:57,550 [phone ringing] 507 00:19:57,580 --> 00:19:58,880 - CAN I GET YOU ANOTHER WATER? 508 00:19:58,910 --> 00:20:01,280 - MM. 509 00:20:01,320 --> 00:20:02,490 NO, I'M FINE. 510 00:20:02,520 --> 00:20:03,750 - YEAH, YOU DON'T LOOK FINE. 511 00:20:03,790 --> 00:20:05,450 - HOW DO I LOOK? 512 00:20:05,490 --> 00:20:06,890 - THUNDERSTRUCK. - MM. 513 00:20:06,920 --> 00:20:08,490 THAT'S A GOOD WORD. 514 00:20:08,520 --> 00:20:11,030 - LOOK, I KNOW IT'S A LOT TO TAKE IN. 515 00:20:11,060 --> 00:20:12,800 - MAYBE I SHOULD CALL CHARLIE. 516 00:20:12,830 --> 00:20:14,330 - WHY? WHAT WOULD YOU SAY? 517 00:20:14,360 --> 00:20:15,730 - I DON'T THINK I'D SAY ANYTHING. 518 00:20:15,760 --> 00:20:17,900 I'D JUST SCREAM. 519 00:20:17,930 --> 00:20:18,900 - I UNDERSTAND. 520 00:20:18,930 --> 00:20:20,900 - YOU DO? - I DO. 521 00:20:20,940 --> 00:20:22,540 YOUR BOOK IS BRILLIANT. 522 00:20:22,570 --> 00:20:23,840 AND NOW WE'RE GONNA MAKE IT INTO A MOVIE. 523 00:20:23,870 --> 00:20:25,370 - MM-HMM. - BUT YOU GOTTA TRUST ME. 524 00:20:25,410 --> 00:20:27,010 - BUT IT'S NOT A ROMANTIC COMEDY. 525 00:20:27,040 --> 00:20:29,040 - I KNOW WHAT I'M DOING. - IT'S NOT A ROMANTIC COMEDY. 526 00:20:29,080 --> 00:20:32,480 - YOUR BOOK IS DEEPLY ROMANTIC AND VERY FUNNY. 527 00:20:32,520 --> 00:20:34,350 - BUT IT'S ALSO VERY DARK AND BITTERSWEET. 528 00:20:34,380 --> 00:20:36,720 - MM-HMM, TOTALLY. 529 00:20:42,490 --> 00:20:43,560 - MM. 530 00:20:43,590 --> 00:20:45,630 IS THIS REALLY HAPPENING? 531 00:20:45,660 --> 00:20:47,400 - YES. - HMM. 532 00:20:47,430 --> 00:20:50,370 - AND YOU'RE NOT EXACTLY RESPONDING 533 00:20:50,400 --> 00:20:52,800 IN THE APPROPRIATE MANNER-- WHAT'S THAT ABOUT? 534 00:20:52,840 --> 00:20:54,940 - UH, IT'S ABOUT THE FACT THAT MY BETTER HALF 535 00:20:54,970 --> 00:20:57,410 WOULD CUT OFF MY DICK IF SHE KNEW WHAT WAS GOING ON. 536 00:20:57,440 --> 00:20:58,940 - WELL, THEN YOU PROBABLY SHOULDN'T MENTION IT. 537 00:20:58,970 --> 00:21:00,710 - WELL, I'M NOT GOING TO. 538 00:21:00,740 --> 00:21:02,010 SHE ALREADY THINKS YOU'RE A WOMAN OF ILL-REPUTE. 539 00:21:02,040 --> 00:21:03,450 - SHE'S RIGHT. 540 00:21:03,480 --> 00:21:04,450 - I WISH I COULD TELL HER, THOUGH. 541 00:21:04,480 --> 00:21:05,980 SHE'D BE THRILLED. 542 00:21:06,010 --> 00:21:08,020 I'M USUALLY TELLING HER HOW WRONG SHE IS ABOUT SHIT. 543 00:21:08,050 --> 00:21:10,690 - HOW LONG HAVE YOU GUYS BEEN TOGETHER? 544 00:21:10,720 --> 00:21:13,420 - DO YOU REALLY CARE? - YOU DON'T CHEAT ON HER? 545 00:21:13,460 --> 00:21:14,820 - NO. AM I SUPPOSED TO? 546 00:21:14,860 --> 00:21:17,430 - NONE OF MY BUSINESS. - HMM. 547 00:21:17,460 --> 00:21:20,800 - GUESS I JUST MISJUDGED YOU. 548 00:21:20,830 --> 00:21:22,570 - WHAT DOES THAT MEAN? - NOTHIN'. 549 00:21:22,600 --> 00:21:24,570 FIRST DRAFT, 12 WEEKS. 550 00:21:24,600 --> 00:21:25,600 IS THAT DOABLE? 551 00:21:25,630 --> 00:21:27,440 - I DON'T SEE WHY NOT. 552 00:21:27,470 --> 00:21:29,370 - GREAT. GOOD LUCK WITH THE WRITING. 553 00:21:29,410 --> 00:21:31,070 [intercom bloops] GET ME TODD CARR! 554 00:21:47,760 --> 00:21:50,530 [waves crashing] 555 00:21:50,560 --> 00:21:51,760 - HOW WAS YOUR MEETING? 556 00:21:51,790 --> 00:21:54,600 - KIND OF A NIGHTMARE, ACTUALLY. 557 00:21:54,630 --> 00:21:58,400 - DID SHE TRY TO FUCK YOU? - OF COURSE. 558 00:21:58,430 --> 00:22:00,000 I'M JUST THAT IRRESISTIBLE. 559 00:22:00,040 --> 00:22:02,640 I'M LIKE SPANISH FLY TO THESE HOLLYWOOD TYPES. 560 00:22:02,670 --> 00:22:03,870 [kiss] 561 00:22:03,910 --> 00:22:05,470 AH. 562 00:22:05,510 --> 00:22:06,810 BUT IT DID GET ME THINKIN'. 563 00:22:06,840 --> 00:22:10,910 - ABOUT... 564 00:22:10,950 --> 00:22:12,750 - LET'S NOT AND SAY WE DID. 565 00:22:12,780 --> 00:22:14,650 - WHAT DO YOU MEAN? 566 00:22:14,680 --> 00:22:17,020 - FUCK IT. FUCK THIS PLACE. 567 00:22:17,050 --> 00:22:19,620 WHY MESS WITH A GOOD THING? 568 00:22:19,660 --> 00:22:21,790 YOU KNOW, "LEAVE WELL ENOUGH ALONE" AND OTHER CLICHES. 569 00:22:21,820 --> 00:22:23,630 LET'S STAY IN NEW YORK. 570 00:22:23,660 --> 00:22:25,160 CHARLIE'LL UNDERSTAND. 571 00:22:25,190 --> 00:22:26,530 AND IF HE DOESN'T, 572 00:22:26,560 --> 00:22:29,770 FUCK HIM AND HIS BALD HEAD. 573 00:22:29,800 --> 00:22:30,800 - WE DO HAVE A GREAT LIFE. 574 00:22:30,830 --> 00:22:31,800 - WE DO. 575 00:22:31,830 --> 00:22:32,970 - WE'RE SO LUCKY. 576 00:22:33,000 --> 00:22:35,000 - [Valley girl accent] TOTALLY. 577 00:22:35,040 --> 00:22:36,570 - WHICH IS EXACTLY WHY WE SHOULD DO IT. 578 00:22:36,610 --> 00:22:37,640 - YEAH. 579 00:22:37,670 --> 00:22:39,880 WHAT? - MM-HMM. 580 00:22:43,550 --> 00:22:45,650 YOU'RE IN A REALLY EXCITING PLACE RIGHT NOW. 581 00:22:45,680 --> 00:22:49,820 I MEAN, MOST PEOPLE DON'T EVEN GET TO WHERE YOU ARE. 582 00:22:49,850 --> 00:22:53,020 IT'S LIKE... THE AMERICAN DREAM OR SOME SHIT. 583 00:22:53,060 --> 00:22:54,920 WE SHOULD JUST RIDE THE WAVE 584 00:22:54,960 --> 00:22:57,660 AND SEE WHERE IT TAKES US. 585 00:22:57,690 --> 00:22:59,060 - ARE YOU SURE? - I MEAN... 586 00:22:59,090 --> 00:23:01,060 YEAH, BECAUSE AS LONG AS WE'RE TOGETHER, 587 00:23:01,100 --> 00:23:04,130 WHO GIVES A FUCK WHERE WE LIVE, RIGHT? 588 00:23:06,230 --> 00:23:07,600 SO... 589 00:23:07,640 --> 00:23:09,740 THERE IT IS. 590 00:23:09,770 --> 00:23:11,640 WE'RE MOVIN' TO L.A. 591 00:23:11,670 --> 00:23:14,940 - [chuckles] - SHIT, FUCK. 592 00:23:14,980 --> 00:23:17,780 NOW THAT I SAID IT OUT LOUD, I CAN'T TAKE IT BACK. 593 00:23:17,810 --> 00:23:20,150 [chuckles] 594 00:23:20,180 --> 00:23:22,950 - MMM. 595 00:23:22,990 --> 00:23:24,990 YOU'RE PRETTY AMAZING, YOU KNOW THAT? 596 00:23:25,020 --> 00:23:28,660 - NO, I'M NOT. - YEAH, YOU ARE. 597 00:23:28,690 --> 00:23:29,930 PRETTY MUCH THE BEST BABY MAMA 598 00:23:29,960 --> 00:23:31,590 A GUY COULD EVER HOPE FOR. 599 00:23:31,630 --> 00:23:32,830 - REALLY? 600 00:23:32,860 --> 00:23:35,600 AND DON'T FORGET IT. 601 00:23:35,630 --> 00:23:37,730 - NEVER. 602 00:23:37,770 --> 00:23:39,470 EVER. 603 00:23:43,570 --> 00:23:45,570 [indistinct chatter] 604 00:23:45,610 --> 00:23:47,680 - MOODY, BUDDY. 605 00:23:47,710 --> 00:23:49,580 YO, COME ON. GET IN ON SOME OF THIS SHIT. 606 00:23:49,610 --> 00:23:51,780 THERE YOU GO, BUDDY. 607 00:23:51,810 --> 00:23:52,980 - I TAKE IT YOU LIKEY? 608 00:23:53,020 --> 00:23:54,550 - IT'S BEAUTIFUL, MAN. 609 00:23:54,580 --> 00:23:55,820 IT'S THE MISSING PIECE OF THE PUZZLE. 610 00:23:55,850 --> 00:23:57,890 THIS ALBUM HAD A LOT OF COLOR ON IT. 611 00:23:57,920 --> 00:24:00,620 BUT WHAT Y'ALL DID, THAT'S THE HOME RUN, MAN. 612 00:24:00,660 --> 00:24:02,160 YOU BOTH OUTDID YOURSELVES. 613 00:24:02,190 --> 00:24:04,260 [pouring] - GLAD TO BE OF SERVICE. 614 00:24:04,290 --> 00:24:05,260 - [chuckles] 615 00:24:05,290 --> 00:24:07,560 [plastic cups clink] 616 00:24:13,540 --> 00:24:15,100 - YO, YOU TWO FUCKED? 617 00:24:17,640 --> 00:24:19,910 - COME ON, DOES IT SEEM LIKE WE HAD TIME TO DO THAT? 618 00:24:19,940 --> 00:24:21,940 WE BEEN WRITIN' A FRICKIN' SONG. 619 00:24:24,910 --> 00:24:27,220 - HEH, I'M FUCKIN' TRIPPIN'. 620 00:24:27,250 --> 00:24:28,280 HEY, YO. - YEAH? 621 00:24:28,320 --> 00:24:29,280 - PLAY THAT SHIT. 622 00:24:29,320 --> 00:24:30,620 - ALL RIGHT. 623 00:24:32,050 --> 00:24:34,160 [ballad playing] - GRAB SOME TISSUE, MOODY. 624 00:24:34,190 --> 00:24:35,960 IT'S JUST GONNA BREAK YOUR FUCKIN' HEART. 625 00:24:35,990 --> 00:24:37,590 * 626 00:24:37,630 --> 00:24:40,630 TURN THE SHIT UP, MOTHERFUCKER. 627 00:24:40,660 --> 00:24:42,900 [volume increasing] 628 00:24:42,930 --> 00:24:44,730 [exhales] 629 00:24:44,770 --> 00:24:50,170 * 630 00:24:50,210 --> 00:24:51,740 [acoustic guitar] 631 00:24:51,770 --> 00:24:54,640 - * SHE PROMISED YOU STARS 632 00:24:54,680 --> 00:24:58,910 * LIKE YOU READ ON HER PAGES 633 00:24:58,950 --> 00:25:02,020 * ALL OF THE TINSEL 634 00:25:02,050 --> 00:25:05,790 * AND THE COMPANY OF STRANGERS 635 00:25:05,820 --> 00:25:08,190 * THE FEAR THAT YOU CAME WITH * 636 00:25:08,220 --> 00:25:12,090 * YOU THOUGHT YOU'D ESCAPED IT * 637 00:25:12,130 --> 00:25:14,930 * BUT EVEN WHILE BREAKING 638 00:25:14,960 --> 00:25:19,970 * YOU COULD STILL BE PERSUADED * 639 00:25:20,000 --> 00:25:23,070 * LOOKING OUT 640 00:25:23,110 --> 00:25:26,240 * ACROSS THE LIGHTS 641 00:25:26,270 --> 00:25:31,950 * UNTIL THE MORNING 642 00:25:31,980 --> 00:25:33,580 * OH, BUT DIDN'T 643 00:25:33,620 --> 00:25:40,220 * THEY SHINE 644 00:25:40,260 --> 00:25:46,090 * LIKE THE NIGHT SKY 645 00:25:46,130 --> 00:25:53,870 * AND DIDN'T THEY SHINE 646 00:25:53,900 --> 00:25:58,010 * LIKE THE HAZY DAYBREAK 647 00:25:58,040 --> 00:26:02,380 * LIKE CHAMPAGNE AND HEARTBREAK * 648 00:26:02,410 --> 00:26:05,110 * OH 649 00:26:05,150 --> 00:26:09,650 * YEAH-EAH EH EH 650 00:26:09,690 --> 00:26:13,620 * OH, BUT DIDN'T THEY SHINE 651 00:26:13,660 --> 00:26:17,690 * OH, DIDN'T THEY SHINE 652 00:26:17,730 --> 00:26:20,860 * LIKE THE NIGHT SKY 653 00:26:20,900 --> 00:26:23,730 * HEY EH EH 654 00:26:23,770 --> 00:26:25,370 * DIDN'T THEY SHINE 655 00:26:25,400 --> 00:26:27,370 [doorbell rings] 656 00:26:27,400 --> 00:26:30,940 * OH, DIDN'T THEY SHINE... 657 00:26:34,440 --> 00:26:36,650 - HEY. CAN I COME IN? 658 00:26:36,680 --> 00:26:38,150 - SURE. EVERYTHING ALL RIGHT? 659 00:26:38,180 --> 00:26:39,410 IS IT BECCA? - NO, NO, NO. 660 00:26:39,450 --> 00:26:40,650 SHE'S--SHE'S GOOD. 661 00:26:40,680 --> 00:26:44,120 SHE'S FINE, ACTUALLY. 662 00:26:44,150 --> 00:26:46,150 - WHAT'S UP? 663 00:26:46,190 --> 00:26:47,420 - IT'S RICHARD. 664 00:26:47,460 --> 00:26:50,790 HE'S, UM... 665 00:26:50,830 --> 00:26:52,960 HE...YOU KNOW, HE WON'T STOP DRINKING. 666 00:26:53,000 --> 00:26:55,300 IT'S...I DON'T THINK HE CAN. 667 00:26:55,330 --> 00:26:56,730 SO... 668 00:26:56,770 --> 00:26:57,770 [sighs] 669 00:26:57,800 --> 00:26:59,070 [crying] AND I JUST... 670 00:27:01,470 --> 00:27:03,340 I-I DON'T THINK I CAN DO IT. 671 00:27:03,370 --> 00:27:05,040 I DON'T THINK I CAN, UM... 672 00:27:05,070 --> 00:27:06,680 I DON'T THINK I CAN LIVE LIKE THIS. 673 00:27:06,710 --> 00:27:08,910 - I-I'M SURE. I'M SURE HE'S GONNA BE-- 674 00:27:08,940 --> 00:27:10,410 I'M SURE HE'LL GET IT UNDER CONTROL. 675 00:27:10,450 --> 00:27:12,180 - YEAH, MAYBE. MAYBE. 676 00:27:12,210 --> 00:27:14,720 MAYBE HE WILL. 677 00:27:14,750 --> 00:27:17,690 [crying] I JUST DON'T KNOW IF I CAN WAIT, YOU KNOW? 678 00:27:22,290 --> 00:27:24,160 AND THE TRUTH IS THAT... 679 00:27:27,060 --> 00:27:29,770 I THINK I MADE A TERRIBLE MISTAKE, YOU KNOW? 680 00:27:39,840 --> 00:27:41,380 [crying softly] 681 00:27:41,410 --> 00:27:44,310 Captioning by CaptionMax www.captionmax.com 47071

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