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1
00:00:06,660 --> 00:00:08,830
- PREVIOUSLY ON
CALIFORNICATION...
2
00:00:08,860 --> 00:00:10,560
YOU'RE SO BEAUTIFUL,
YOU'RE ALMOST UGLY.
3
00:00:10,590 --> 00:00:12,530
IT'S OFF-PUTTING.
I'M HANK.
4
00:00:12,560 --> 00:00:13,760
- IT WAS NICE
TO MEET YOU, HANK.
5
00:00:13,800 --> 00:00:16,270
- BYE,
MISS NEVER-GOT-YOUR-NAME.
6
00:00:16,300 --> 00:00:18,300
- I'M GONNA DO MY OWN THING,
MY OWN MOMENT.
7
00:00:18,340 --> 00:00:21,640
SANTA MONICA COP IS MY
EDDIE MURPHY MOMENT RIGHT NOW.
8
00:00:21,670 --> 00:00:23,210
GET YOUR SEXY ASS OVER HERE.
9
00:00:23,240 --> 00:00:25,440
HANK MOODY,
THIS IS MY PROTEGE, KALI.
10
00:00:25,480 --> 00:00:26,440
BETTER NOT BE HITTING
ON MY GIRL.
11
00:00:26,480 --> 00:00:28,210
WHAT'S UP, MAN?
12
00:00:28,250 --> 00:00:29,350
YOU SHOULD BE AT STARBUCKS
WRITING ME SOME FUNNY SHIT, MAN.
13
00:00:29,380 --> 00:00:30,680
- I DON'T THINK
I CAN DO IT.
14
00:00:30,710 --> 00:00:35,150
- GET YOUR PAWS OFF HER,
AND YOUR FUCKING PENIS.
15
00:00:35,190 --> 00:00:36,620
- I'D LIKE TO INTRODUCE YOU
TO RICHARD BATES.
16
00:00:36,650 --> 00:00:38,220
- HAVEN'T TOUCHED THE STUFF
17
00:00:38,260 --> 00:00:40,220
SINCE SLICK WILLY
WAS IN THE WHITE HOUSE.
18
00:00:40,260 --> 00:00:41,590
POUR ME ANOTHER.
19
00:00:41,630 --> 00:00:44,260
HE UNVEILED
HIS BEAUTIFUL MAN-PUSSY.
20
00:00:44,290 --> 00:00:45,460
- HOW'S BECCA?
21
00:00:45,500 --> 00:00:47,560
- THE BOYFRIEND,
I WANNA KILL HIM, HANK.
22
00:00:47,600 --> 00:00:49,200
- HEY, TYLER.
23
00:00:49,230 --> 00:00:51,300
- THIS--THIS IS--
THIS IS NOT WHAT IT LOOKS LIKE.
24
00:00:51,340 --> 00:00:52,640
THIS IS MY SISTER.
25
00:00:52,670 --> 00:00:54,270
- WHAT THE FUCK
WAS THAT ALL ABOUT?
26
00:00:54,300 --> 00:00:56,110
- SOME GUY
MY DAUGHTER'S SEEING.
27
00:00:56,140 --> 00:00:57,610
I THINK HE'S GONNA
BREAK HER HEART.
28
00:00:57,640 --> 00:00:59,540
- MAYBE YOU SHOULD
BREAK HIS LEGS FIRST.
29
00:00:59,580 --> 00:01:01,150
- TYLER WAS LEAVING
SOME CLUB IN HOLLYWOOD,
30
00:01:01,180 --> 00:01:02,880
AND HE GOT JUMPED
BY A BUNCH OF GANGBANGERS.
31
00:01:02,910 --> 00:01:04,850
[phone beeps]
32
00:01:16,530 --> 00:01:17,590
[gunshots]
33
00:01:20,330 --> 00:01:21,670
- WOW.
34
00:01:21,700 --> 00:01:23,270
KILLING BAD GUYS
IS YOUR BUSINESS,
35
00:01:23,300 --> 00:01:25,570
AND BUSINESS BE FUCKING
CRACKIN', YO.
36
00:01:25,600 --> 00:01:27,600
- THAT'S RIGHT,
MOTHERFUCKER.
37
00:01:27,640 --> 00:01:30,540
KNOW WHO THAT IS?
- UH, NO.
38
00:01:30,570 --> 00:01:33,240
IT LOOKS KINDA LIKE
RYAN SEACREST THOUGH.
39
00:01:33,280 --> 00:01:35,310
- WHAT THE FUCK YOU GOT
AGAINST RYAN SEACREST, MAN?
40
00:01:35,350 --> 00:01:36,610
- NOTHING IN PARTICULAR.
41
00:01:36,650 --> 00:01:37,850
THE GUY JUST BUGS
THE SHIT OUTTA ME.
42
00:01:37,880 --> 00:01:39,250
- WHY?
43
00:01:39,280 --> 00:01:40,280
THIS MOTHERFUCKER,
HE WORKS HARD,
44
00:01:40,320 --> 00:01:41,490
MAKE MILLIONS OF DOLLARS,
45
00:01:41,520 --> 00:01:42,720
AND HE GOT
A FUCKING CATCHPHRASE,
46
00:01:42,750 --> 00:01:44,250
WHICH I DON'T HAVE,
ALL RIGHT?
47
00:01:44,290 --> 00:01:45,460
AND YOU WANNA KILL HIM DEAD?
48
00:01:45,490 --> 00:01:46,660
THAT'S SOME HARSH SHIT,
MOODY.
49
00:01:46,690 --> 00:01:48,360
YOU GOT TOO MUCH
NEGATIVE ENERGY IN YOU.
50
00:01:48,390 --> 00:01:49,690
YOU NEED TO WORK
THAT SHIT THE FUCK OUT.
51
00:01:49,730 --> 00:01:51,660
- WELL, EXCUSE ME.
52
00:01:51,700 --> 00:01:54,360
- NO, THAT'S FUCKING KALI'S
NEW BOYFRIEND RIGHT THERE, MAN.
53
00:01:54,400 --> 00:01:57,570
- OH, SHE'S GOT
A NEW BOYFRIEND, DOES SHE?
54
00:01:57,600 --> 00:01:58,940
- I DON'T KNOW, MAN,
55
00:01:58,970 --> 00:02:00,500
BUT SHE MOVED OUT OF MY
FUCKING CRIB LAST WEEK,
56
00:02:00,540 --> 00:02:02,240
TALKING ABOUT
SHE AIN'T COMFORTABLE
57
00:02:02,270 --> 00:02:03,610
MIXING BUSINESS
AND PLEASURE ANYMORE.
58
00:02:03,640 --> 00:02:05,210
WHAT KINDA SHIT
IS THAT, MAN?
59
00:02:05,240 --> 00:02:07,280
- DID SHE SAY SHE WAS
SEEING SOMEONE ELSE?
60
00:02:07,310 --> 00:02:08,580
- FUCK NO.
61
00:02:08,610 --> 00:02:10,380
BUT I KNOW HOW
THAT SHIT GOES, MAN.
62
00:02:10,410 --> 00:02:12,520
I MEAN, SOMEBODY
GOTTA BE TAPPING THAT ASS,
63
00:02:12,550 --> 00:02:13,750
'CAUSE THAT ASS
IS TOO FINE
64
00:02:13,780 --> 00:02:15,420
NOT TO BE TAPPED.
65
00:02:15,450 --> 00:02:17,420
AND THAT MR. SOMEONE
WILL GET HIS MOTHERFUCKING DICK
66
00:02:17,450 --> 00:02:18,920
SHOT THE FUCK OFF.
67
00:02:18,960 --> 00:02:21,390
- HEY, YOU KNOW,
DON'T DO ANYTHING CRAZY,
68
00:02:21,430 --> 00:02:23,260
SAM YOU AM.
69
00:02:23,290 --> 00:02:26,930
YOU'RE MERE MONTHS AWAY FROM
BECOMING AN A-LIST "RAPTOR."
70
00:02:26,960 --> 00:02:28,570
- WHAT THE FUCK IS THAT?
71
00:02:28,600 --> 00:02:30,300
- RAPPER TURNED ACTOR.
GET IT?
72
00:02:30,330 --> 00:02:31,440
- NO, I DON'T GET THAT.
73
00:02:31,470 --> 00:02:32,600
- I LIKE IT.
74
00:02:32,640 --> 00:02:34,270
WHATEVER.
75
00:02:34,300 --> 00:02:37,740
- FUCKING BITCH JUST DRIVES
ME CRAZY, MAN.
76
00:02:37,770 --> 00:02:39,440
YOU KNOW WHAT, MAYBE IT'S
THE CASE OF A NIGGA
77
00:02:39,480 --> 00:02:41,310
WHO WANTS SOME SHIT
HE CAN'T HAVE.
78
00:02:41,350 --> 00:02:42,350
- TRUE DAT.
79
00:02:42,380 --> 00:02:44,410
THIS NIGGA HAS OFTEN
80
00:02:44,450 --> 00:02:46,580
FELL PREY TO THAT
ON SOME OCCASIONS.
81
00:02:46,620 --> 00:02:47,920
I'M SORRY.
82
00:02:47,950 --> 00:02:49,520
MY BAD.
83
00:02:49,550 --> 00:02:52,590
I MEAN, YOU KNOW,
I'M IN THE WRONG THERE.
84
00:02:52,620 --> 00:02:53,990
- WHAT YOU DOING
TONIGHT, MAN?
85
00:02:54,020 --> 00:02:55,330
- MMM?
- WHAT YOU DOING TONIGHT?
86
00:02:55,360 --> 00:02:56,760
- NOTHING.
- WRONG.
87
00:02:56,790 --> 00:02:58,360
YOU'RE ROLLING WITH ME
ON A RIDE-ALONG.
88
00:02:58,400 --> 00:02:59,830
- A RIDE-ALONG?
89
00:02:59,860 --> 00:03:01,670
- YEAH, WITH THE REAL
SANTA MONICA P.D.
90
00:03:01,700 --> 00:03:03,330
I GOTTA GET MY FUCKING COP.
91
00:03:03,370 --> 00:03:04,730
REALLY WANNA BE AUTHENTIC,
YOU KNOW WHAT I MEAN?
92
00:03:04,770 --> 00:03:05,840
AND I NEED
TO HIT THE STREETS
93
00:03:05,870 --> 00:03:07,640
TO GET THE FEEL
FOR THIS SHIT.
94
00:03:07,670 --> 00:03:09,410
AND YOU NEED TO BE TAKING
SOME FUCKING NOTES, ALL RIGHT?
95
00:03:09,440 --> 00:03:13,910
SO BE THERE OR BE
SIX FEET UNDER, MOTHERFUCKER.
96
00:03:17,380 --> 00:03:20,350
[upbeat music]
97
00:03:20,380 --> 00:03:28,330
*
98
00:04:06,800 --> 00:04:07,830
- YOU GOTTA GO.
99
00:04:07,860 --> 00:04:09,530
- I DON'T GOTTA DO NOTHING.
100
00:04:09,570 --> 00:04:11,700
- GOOD GOD, MAN,
IT'S A RIDE-ALONG.
101
00:04:11,740 --> 00:04:13,070
AT THE ABSOLUTE WORST,
102
00:04:13,100 --> 00:04:15,000
IT'LL BE AN ABSOLUTE
FUCKING BLAST.
103
00:04:15,040 --> 00:04:17,610
- LOOK, SOONER OR LATER
THIS GUY'S GONNA FIND
104
00:04:17,640 --> 00:04:18,940
OR FIGURE OUT
THAT I'M FUCKING
105
00:04:18,980 --> 00:04:20,710
THE OBJECT
OF HIS GANGSTERY AFFECTIONS,
106
00:04:20,740 --> 00:04:22,410
AND WHEN THAT HAPPENS,
I'M TOAST.
107
00:04:22,450 --> 00:04:23,910
BLOODY, BULLET-RIDDEN TOAST.
108
00:04:23,950 --> 00:04:25,620
- I STILL THINK
YOU SHOULD GO.
109
00:04:25,650 --> 00:04:27,450
- AND I THINK YOU SHOULD BE
ON MY SIDE FOR ONCE.
110
00:04:27,480 --> 00:04:28,850
YOU SHOULD BE FOCUSED
ON PROTECTING MY ASS,
111
00:04:28,890 --> 00:04:30,090
NOT JUST MY CAREER.
112
00:04:30,120 --> 00:04:32,390
- YOUR CAREER
IS JUST FINE, BUDDY-BOY.
113
00:04:32,420 --> 00:04:34,420
YOU ARE THE GUY THAT GOT
SANTA MONICA COP
114
00:04:34,460 --> 00:04:35,490
A GREEN LIGHT.
115
00:04:35,530 --> 00:04:36,630
- WOW.
116
00:04:36,660 --> 00:04:37,730
THERE'S A DUBIOUS HONOR.
117
00:04:37,760 --> 00:04:38,830
- DUBIOUS OR NOT,
118
00:04:38,860 --> 00:04:40,030
I GOT SERIOUS INTEREST IN YOU
119
00:04:40,060 --> 00:04:41,700
FOR A WHOLE BUNCH
OF PROJECTS.
120
00:04:41,730 --> 00:04:43,500
- THAT'S GREAT.
REALLY?
121
00:04:43,530 --> 00:04:44,970
WELL, WHY AM I JUST
HEARING ABOUT IT NOW?
122
00:04:45,000 --> 00:04:46,900
WHY JUST AS AN ASIDE?
WHAT ARE THEY?
123
00:04:46,940 --> 00:04:48,610
- I DON'T KNOW.
124
00:04:48,640 --> 00:04:50,710
I GOT 'EM WRITTEN DOWN
ON A BUCKSLIP SOMEWHERE.
125
00:04:50,740 --> 00:04:53,810
- WORST AGENT EVER.
126
00:04:53,840 --> 00:04:56,450
- I'LL TELL YOU WHAT,
I WILL GO WITH YOU.
127
00:04:56,480 --> 00:04:57,980
KEEP YOU OUT
OF HARM'S WAY.
128
00:04:58,010 --> 00:05:00,120
I WILL BE YOUR
HUMAN KEVLAR.
129
00:05:00,150 --> 00:05:02,520
IT'S NO PROBLEM,
NONE AT ALL.
130
00:05:02,550 --> 00:05:05,460
THAT'S JUST THE KIND OF SERVICE
YOU GET FOR YOUR 10%.
131
00:05:05,490 --> 00:05:07,660
- BULLSHIT, YOU JUST WANNA
RIDE IN THE POLICE CAR.
132
00:05:07,690 --> 00:05:09,930
- EVER SINCE
I WAS A LITTLE BOY.
133
00:05:09,960 --> 00:05:11,460
- YOU'RE HERE, YOU'RE QUEER,
AND I'M USED TO IT,
134
00:05:11,500 --> 00:05:12,530
BUT YOU'RE NOT INVITED.
135
00:05:12,560 --> 00:05:14,460
- BUT I COULD BE, RIGHT?
136
00:05:14,500 --> 00:05:15,470
I COULD TAG ALONG
137
00:05:15,500 --> 00:05:17,100
FOR THE RIDE-ALONG.
138
00:05:17,130 --> 00:05:20,800
- I FEEL LIKE CRUSHING ONE
OF YOUR TESTICLES RIGHT NOW.
139
00:05:20,840 --> 00:05:23,710
- DOES THAT MEAN I CAN GO?
140
00:05:26,540 --> 00:05:27,710
- FINE, LET'S GO, POWDER.
141
00:05:27,740 --> 00:05:29,380
- [exclaims]
142
00:05:29,410 --> 00:05:31,050
- I HOPE YOU GET KILLED
IN THE LINE OF DUTY.
143
00:05:38,520 --> 00:05:40,020
THIS FEELS UNNATURAL TO ME,
144
00:05:40,060 --> 00:05:42,490
VOLUNTARILY ARRIVING
AT A POLICE STATION.
145
00:05:42,530 --> 00:05:43,660
- [sniffs]
I LIKE IT.
146
00:05:43,690 --> 00:05:45,030
SMELLS LIKE CRIME,
PUNISHMENT,
147
00:05:45,060 --> 00:05:46,600
AND THE URINE
OF HOMELESS MEN AND WOMEN.
148
00:05:46,630 --> 00:05:50,030
- WHERE IS THAT
FUCKING LUNATIC?
149
00:05:50,070 --> 00:05:51,700
- HANDS BEHIND YOUR BACK,
MOTHERFUCKER.
150
00:05:51,740 --> 00:05:53,640
'CAUSE YOU UNDER ARREST.
- WHAT THE FUCK FOR?
151
00:05:53,670 --> 00:05:57,610
- FOR JERKING OFF ON THE JOB,
DR. EVIL!
152
00:05:57,640 --> 00:06:00,080
- WHAT THE FUCK?
153
00:06:00,110 --> 00:06:01,810
- I SCARED THE SHIT
OUT YOU.
154
00:06:01,850 --> 00:06:03,650
- HEY, HEY,
DO YOUR RUNKLE IMITATION
155
00:06:03,680 --> 00:06:06,420
FOR RUNKLE HIMSELF.
CHECK IT OUT.
156
00:06:06,450 --> 00:06:08,620
- [grunting]
157
00:06:08,650 --> 00:06:10,190
- HUH?
158
00:06:10,220 --> 00:06:11,920
- I DON'T SEE WHAT'S
SO FUNNY ABOUT THAT.
159
00:06:11,960 --> 00:06:13,520
IT'S NOT EVEN REALISTIC.
160
00:06:13,560 --> 00:06:16,530
DID YOU WATCH THE VIDEO?
IT WAS MORE LIKE THIS.
161
00:06:16,560 --> 00:06:17,860
WHOO!
162
00:06:17,890 --> 00:06:18,900
- THAT'S TRUE.
163
00:06:18,930 --> 00:06:20,800
- [sighs]
COMMANDO.
164
00:06:20,830 --> 00:06:21,800
- HEY, WHAT THE FUCK
HE DOING HERE, MAN?
165
00:06:21,830 --> 00:06:23,070
I DIDN'T INVITE HIM.
166
00:06:23,100 --> 00:06:24,800
- FUCKER INVITED HIMSELF.
TELL HIM.
167
00:06:24,830 --> 00:06:27,040
- I ALWAYS WANTED TO RIDE
IN A COP CAR.
168
00:06:27,070 --> 00:06:28,770
IT'S A BOYHOOD DREAM,
ACTUALLY.
169
00:06:28,810 --> 00:06:30,140
- WELL, KEEP YOUR MOUTH SHUT
170
00:06:30,170 --> 00:06:31,680
AND YOUR DICK
IN YOUR PANTS, A'IGHT?
171
00:06:31,710 --> 00:06:33,010
- A'IGHT.
172
00:06:33,040 --> 00:06:34,540
- A'IGHT.
- A'IGHT.
173
00:06:34,580 --> 00:06:36,450
- SHOTGUN.
174
00:06:36,480 --> 00:06:39,450
[rock music]
175
00:06:39,480 --> 00:06:41,520
- * COME ON,
PUT 'EM UP, PUT 'EM UP *
176
00:06:41,550 --> 00:06:42,950
- SO THIS IS IT, BOYS.
177
00:06:42,990 --> 00:06:45,560
WELCOME TO THE JUNGLE.
TAKE A WHIFF.
178
00:06:45,590 --> 00:06:48,220
- [sniffs]
- SORRY, THAT WAS ME.
179
00:06:48,260 --> 00:06:50,030
HEY, LOOK,
I'LL BE HONEST WITH YOU,
180
00:06:50,060 --> 00:06:51,760
THERE'S NOT A WHOLE LOT
OF GLAMOUR TO THE PROFESSION.
181
00:06:51,800 --> 00:06:53,560
- ARE YOU KIDDING?
THIS IS FUCKING AWESOME.
182
00:06:53,600 --> 00:06:54,930
CAN I TURN THIS LIGHT ON?
183
00:06:54,960 --> 00:06:56,570
- NO.
- CAN I PULL SOMEONE OVER?
184
00:06:56,600 --> 00:06:57,900
- AND STOP TOUCHING STUFF.
185
00:06:57,930 --> 00:06:59,500
COME ON, MAN,
YOU'RE LIKE A BIG BABY.
186
00:06:59,540 --> 00:07:01,200
- HEY, THAT'S EXACTLY
WHAT I ALWAYS SAY.
187
00:07:01,240 --> 00:07:02,970
- ANY AVAILABLE UNIT IN
THE VICINITY OF PICO AND 23RD,
188
00:07:03,010 --> 00:07:04,470
POSSIBLE "B" AND "E"
IN PROGRESS.
189
00:07:04,510 --> 00:07:06,040
- AIN'T YOU GONNA
GET THAT, MAN?
190
00:07:06,080 --> 00:07:07,610
THAT SHIT'S CLOSE BY.
191
00:07:07,640 --> 00:07:09,850
- NAH, SOMEBODY
WILL GET IT.
192
00:07:09,880 --> 00:07:11,580
EVENTUALLY.
193
00:07:11,620 --> 00:07:12,980
SOUNDS PRETTY UNPLEASANT.
194
00:07:13,020 --> 00:07:15,490
BESIDES, I GOTTA BABYSIT
YOU BED WETTERS.
195
00:07:15,520 --> 00:07:18,250
SO WHAT'S THIS MOVIE ABOUT?
196
00:07:18,290 --> 00:07:20,960
- IT'S ABOUT HOLLYWOOD'S
NEED TO RECYCLE
197
00:07:20,990 --> 00:07:25,260
EVEN THE LAMEST IDEAS
IN AN EFFORT TO MAXIMIZE...
198
00:07:25,290 --> 00:07:26,600
STUFF.
199
00:07:26,630 --> 00:07:27,930
I DON'T KNOW.
I'M OUT.
200
00:07:27,960 --> 00:07:28,930
I GOT NOTHING.
- SHUT THE FUCK UP, MOODY.
201
00:07:28,970 --> 00:07:30,770
YOU'RE TOO CYNICAL, MAN.
202
00:07:30,800 --> 00:07:32,000
YOU NEED TO LOOK AT THE WORLD
THROUGH THE EYES OF A CHILD
203
00:07:32,040 --> 00:07:34,000
LIKE RUNKLE HERE.
204
00:07:34,040 --> 00:07:35,670
- OOH.
- HEY, YO.
205
00:07:35,710 --> 00:07:36,970
IT'S ABOUT A TOUGH KID
WHO GREW UP IN COMPTON,
206
00:07:37,010 --> 00:07:38,540
BECOMES A COP,
207
00:07:38,580 --> 00:07:39,940
GETS TRANSFERRED OVER
TO SANTA MONICA,
208
00:07:39,980 --> 00:07:42,110
AND USES HIS STREET SMARTS
TO FUCK UP WHITEY.
209
00:07:42,150 --> 00:07:44,250
- SO IT'S LIKE
BEVERLY HILLS COP.
210
00:07:44,280 --> 00:07:45,720
- YOU ARE CORRECT, SIR.
211
00:07:45,750 --> 00:07:47,020
- EVERYBODY KEEPS
SAYING THAT SHIT.
212
00:07:47,050 --> 00:07:48,890
NAH, MAN, IT'S BASED
IN SANTA MONICA.
213
00:07:48,920 --> 00:07:50,150
- YEAH, IT'S SET
IN SANTA MONICA.
214
00:07:50,190 --> 00:07:53,560
- HEY, HEY, HEY,
MR. OFFICER, SIR,
215
00:07:53,590 --> 00:07:55,160
THAT GUY IS CLEARLY
TEXTING WHILE DRIVING.
216
00:07:55,190 --> 00:07:57,690
LET'S GET HIM.
- WHO GIVES A FUCK?
217
00:07:57,730 --> 00:07:59,300
WHO DOESN'T?
I DO IT ALL THE TIME.
218
00:07:59,330 --> 00:08:00,530
I'D BE A HYPOCRITE
IF I PULLED SOMEBODY OVER
219
00:08:00,560 --> 00:08:01,870
FOR THAT SHIT.
220
00:08:01,900 --> 00:08:03,670
YOU IMAGINE GETTING
PULLED OVER FOR TEXTING?
221
00:08:03,700 --> 00:08:04,800
WOULDN'T THAT JUST
CHAP YOUR FUCKING HIDE?
222
00:08:04,830 --> 00:08:06,300
- FUCK, MAN.
223
00:08:06,340 --> 00:08:08,810
- WHAT'S YOUR TAKE
ON DRUNK DRIVING, OFFICER?
224
00:08:08,840 --> 00:08:09,910
- YEAH, THAT'S A GOOD
QUESTION, RIGHT?
225
00:08:09,940 --> 00:08:10,940
- THANK YOU.
226
00:08:10,970 --> 00:08:12,140
- THAT DEPENDS REALLY,
227
00:08:12,180 --> 00:08:13,740
MOSTLY ON THE CUT
OF THEIR JIB.
228
00:08:13,780 --> 00:08:16,610
IF THE GUY'S A REAL D-BAG,
HIS ASS IS MINE.
229
00:08:16,650 --> 00:08:18,110
HE IS GOING DOWN.
230
00:08:18,150 --> 00:08:20,120
AND THE SAME THING
FOR A HOT CHICK.
231
00:08:20,150 --> 00:08:21,590
DOWN ON THIS.
232
00:08:21,620 --> 00:08:23,050
- OH-HO!
ALL RIGHT.
233
00:08:23,090 --> 00:08:24,720
GET A LOAD
OF BAD LIEUTENANT.
234
00:08:24,750 --> 00:08:26,290
- HEY, YO, YOU EVER SHOOT
A MOTHERFUCKER BEFORE?
235
00:08:26,320 --> 00:08:27,860
- JUST ONCE.
236
00:08:27,890 --> 00:08:29,230
KIND OF A SAD STORY,
ACTUALLY.
237
00:08:29,260 --> 00:08:30,730
IT WAS A LITTLE KID.
238
00:08:30,760 --> 00:08:32,000
I MEAN, I THOUGHT
THE KID HAD A PIECE.
239
00:08:32,030 --> 00:08:35,800
TURNS OUT IT WAS
AN IPOD TOUCH.
240
00:08:35,830 --> 00:08:37,000
- BET HE WAS BLACK.
WAS HE BLACK?
241
00:08:37,030 --> 00:08:38,100
- WAS HE BLACK?
242
00:08:38,130 --> 00:08:39,200
- OF COURSE HE WAS BLACK.
243
00:08:39,240 --> 00:08:41,200
WHY DO YOU THINK
I SHOT FIRST?
244
00:08:41,240 --> 00:08:42,940
[laughs]
- THIS NIGGA, MAN.
245
00:08:42,970 --> 00:08:45,340
COP OR NO COP, MAN,
HE PULL THIS FUCKING CAR OVER,
246
00:08:45,370 --> 00:08:47,180
I'M GONNA BITCH-SMACK
THAT MOTHERFUCKER.
247
00:08:47,210 --> 00:08:48,210
- CHURCH.
248
00:08:48,240 --> 00:08:49,210
- [whimpers]
249
00:08:49,250 --> 00:08:50,680
- HEY, RUNKS,
250
00:08:50,710 --> 00:08:51,780
GET YOUR SHIT
TOGETHER, MAN.
251
00:08:51,820 --> 00:08:53,220
- UH, I'M SORRY.
252
00:08:53,250 --> 00:08:55,020
I WAS JUST--I WAS THINKING
ABOUT LITTLE STEWIE.
253
00:08:55,050 --> 00:08:56,850
HE'S ALWAYS PLAYING
WITH HIS IPOD TOUCH.
254
00:08:56,890 --> 00:08:58,220
HE'S GOT THIS APP ON IT
255
00:08:58,250 --> 00:08:59,690
THAT MAKES IT SOUND
LIKE A GUN, YOU KNOW?
256
00:08:59,720 --> 00:09:00,960
HE USED TO LOVE
TO POINT IT AT IRMA
257
00:09:00,990 --> 00:09:02,290
AND PRETEND
TO SHOOT HER IN THE HEAD
258
00:09:02,330 --> 00:09:04,930
EXECUTION STYLE.
- THAT'S ADORABLE.
259
00:09:04,960 --> 00:09:06,600
- JESUS, THERE BUT FOR
THE GRACE OF GOD, HUH?
260
00:09:06,630 --> 00:09:07,730
- [laughs]
261
00:09:07,760 --> 00:09:10,170
I'M JUST FUCKING
WITH YOU MORONS.
262
00:09:10,200 --> 00:09:12,100
NEVER PULLED
MY PIECE OUT ON THE JOB.
263
00:09:12,140 --> 00:09:14,370
NEVER.
NOT ONCE.
264
00:09:14,400 --> 00:09:17,370
- TOO BAD THE SAME CAN'T
BE SAID FOR RUNKS, HUH?
265
00:09:17,410 --> 00:09:18,370
- [chuckles]
266
00:09:18,410 --> 00:09:21,110
[both grunting]
267
00:09:21,140 --> 00:09:23,080
- I DON'T KNOW.
268
00:09:23,110 --> 00:09:26,020
- HEY, HEY, HEY,
WHO'S HUNGRY?
269
00:09:33,690 --> 00:09:35,390
- I CAN'T BELIEVE THIS,
WE'RE ACTUALLY SITTING AROUND
270
00:09:35,420 --> 00:09:36,860
WATCHING A COP
EAT DONUTS.
271
00:09:36,890 --> 00:09:38,360
- I KNOW, IT'S A CLICHE,
272
00:09:38,390 --> 00:09:40,100
BUT THEY'RE SO FUCKING
DELICIOUS, YOU KNOW?
273
00:09:40,130 --> 00:09:42,300
PLUS DONUTS
GOT SUGAR AND CARBS,
274
00:09:42,330 --> 00:09:44,200
WHICH ALLOWS FOR
A QUICK BURST OF ENERGY.
275
00:09:44,230 --> 00:09:45,800
COFFEE KEEPS ME
AWAKE AND ALERT.
276
00:09:45,840 --> 00:09:48,740
HOT CALL COMES IN,
I'M FUCKING READY.
277
00:09:48,770 --> 00:09:50,240
YOU GETTING ALL THIS, WRITER?
278
00:09:50,270 --> 00:09:51,710
YOU NEED ME
TO TALK SLOWER?
279
00:09:51,740 --> 00:09:54,710
- IT'S ALL RIGHT UP HERE.
280
00:09:54,740 --> 00:09:55,980
- FILL 'ER UP, DOTTY.
281
00:09:56,010 --> 00:09:57,650
- THIS SHIT
IS FUCKING BORING, YO.
282
00:09:57,680 --> 00:09:59,150
IF I WANT TO SIT AROUND
AND EAT DONUTS ALL NIGHT,
283
00:09:59,180 --> 00:10:01,180
I COULDA STAYED HOME AND
SMOKED SOME FUCKING WEED, MAN.
284
00:10:01,220 --> 00:10:02,720
- HEY, YOU WANTED
TO SEE WHAT A NIGHT
285
00:10:02,750 --> 00:10:03,950
IN THE LIFE
OF A COP IS LIKE.
286
00:10:03,990 --> 00:10:05,350
THIS IS IT.
I DRIVE AROUND.
287
00:10:05,390 --> 00:10:07,020
I TRY NOT
TO GET MYSELF KILLED.
288
00:10:07,060 --> 00:10:08,890
AND I FEED THE PAIN
THAT COMES FROM KNOWING
289
00:10:08,930 --> 00:10:11,930
THAT I PUT MY LIFE ON THE LINE
NIGHT AFTER FUCKING NIGHT.
290
00:10:11,960 --> 00:10:15,160
THAT AND THE PAIN OF DEALING
WITH A MESSY DIVORCE.
291
00:10:15,200 --> 00:10:17,430
BANGING A FUCKING FIREMAN.
YOU BELIEVE THAT SHIT?
292
00:10:17,470 --> 00:10:19,940
- CHICK MUST REALLY HAVE
A THING FOR GUYS IN UNIFORM.
293
00:10:19,970 --> 00:10:21,100
- YEAH, EVER SINCE 9/11,
294
00:10:21,140 --> 00:10:23,310
FUCKING FIREMEN
GET ALL THE PUSSY.
295
00:10:23,340 --> 00:10:26,280
HEY, YOU SEE
THAT CHICK RIGHT THERE?
296
00:10:26,310 --> 00:10:27,710
TOTAL PRO.
297
00:10:27,740 --> 00:10:28,950
- WOW, HOW CAN YOU TELL?
298
00:10:28,980 --> 00:10:30,310
- YEARS OF EXPERIENCE,
MY FRIEND.
299
00:10:30,350 --> 00:10:32,420
- HEY, HEY, HOW MUCH
YOU THINK SHE CHARGES?
300
00:10:32,450 --> 00:10:35,020
- AH, 25 BUCKS
WILL GET YOU SOME SUCTION.
301
00:10:35,050 --> 00:10:36,920
GOTTA WEAR A RUBBER THOUGH.
302
00:10:36,950 --> 00:10:39,790
50 BUCKS, SHE'LL LET YOU
THROW DELI MEAT AT HER ASS.
303
00:10:39,820 --> 00:10:41,190
75, SHE'LL LET YOU TASE HER.
304
00:10:41,220 --> 00:10:42,430
- WHY WOULD ANYBODY
WANT TO DO THAT?
305
00:10:42,460 --> 00:10:44,090
- PEOPLE ARE SICK, MAN.
306
00:10:44,130 --> 00:10:45,190
I'M JUST TELLING YOU
WHAT'S ON THE MENU
307
00:10:45,230 --> 00:10:46,460
WITH THESE BROADS.
308
00:10:46,500 --> 00:10:48,870
- HEY, RUNKLE,
HOW MUCH TO TASE YOU?
309
00:10:48,900 --> 00:10:50,330
- HEY, HEY,
MR. SAMURAI, SIR,
310
00:10:50,370 --> 00:10:52,800
I'VE ACTUALLY BEEN TASED,
AND IT IS NO FUN.
311
00:10:52,840 --> 00:10:53,840
- NO, IT IS.
- NO FUN AT ALL.
312
00:10:53,870 --> 00:10:55,100
- IT'S FUN.
313
00:10:55,140 --> 00:10:56,470
- THAT SAID,
I'D PROBABLY DO IT
314
00:10:56,510 --> 00:10:58,340
FOR A CRISP HUNDY.
315
00:10:58,370 --> 00:11:00,040
- OH, YEAH?
ALL RIGHT, I'LL THROW IN.
316
00:11:00,080 --> 00:11:03,450
- EACH.
EACH MAYBE.
317
00:11:03,480 --> 00:11:04,810
- AH, SHIT,
IT'S HAPPENING!
318
00:11:04,850 --> 00:11:06,050
- WHAT'S HAPPENING?
319
00:11:06,080 --> 00:11:07,380
- MY HEART.
ANOTHER FUCKING EPISODE.
320
00:11:07,420 --> 00:11:09,720
GOD DAMN IT!
- ARE YOU SURE?
321
00:11:09,750 --> 00:11:12,090
- YEAH, GOT AN INTENSE
PAIN IN MY CHEST.
322
00:11:12,120 --> 00:11:13,960
ARMS ARE GOING ALL NUMB.
323
00:11:13,990 --> 00:11:15,290
SOMETHING NOT GOOD
IS DEFINITELY HAPPENING
324
00:11:15,320 --> 00:11:16,390
TO MY BODY RIGHT NOW.
325
00:11:16,430 --> 00:11:18,090
I'M STROKING OUT OVER HERE.
326
00:11:18,130 --> 00:11:19,260
YOU GUYS ARE
GONNA HAVE TO DRIVE ME
327
00:11:19,300 --> 00:11:20,360
TO THE FUCKING HOSPITAL,
OKAY?
328
00:11:20,400 --> 00:11:21,870
- I'M CALLING MY AGENT, MAN.
329
00:11:21,900 --> 00:11:23,830
- I'M RIGHT HERE.
- MY NEW AGENT.
330
00:11:23,870 --> 00:11:25,940
- NOW LET'S NOT BE RASH.
U.T.K. IS A UNIQUE AGENCY.
331
00:11:25,970 --> 00:11:28,040
OUR ABILITY TO PACKAGE
IS UNPARALLELED.
332
00:11:28,070 --> 00:11:29,270
HEY, HANG ON,
I'LL TAKE CARE OF THIS,
333
00:11:29,310 --> 00:11:30,510
THEN I'LL TAKE CARE
OF YOU.
334
00:11:30,540 --> 00:11:32,880
OKAY, 911 IT IS.
335
00:11:32,910 --> 00:11:34,510
- [groans]
336
00:11:34,540 --> 00:11:36,810
- OKAY, MAN DOWN!
337
00:11:38,920 --> 00:11:41,280
GOD DAMN.
338
00:11:41,320 --> 00:11:43,120
ONE MINUTE,
YOU'RE EATING A DONUT,
339
00:11:43,150 --> 00:11:44,790
WAXING ALL POETIC.
340
00:11:44,820 --> 00:11:46,390
THE NEXT YOU'RE STROKING
OUT ALL OVER THE FLOOR.
341
00:11:46,420 --> 00:11:48,020
THAT KINDA MAKES YOU THINK,
HUH?
342
00:11:48,060 --> 00:11:50,260
- ABOUT LAYING OFF
THE DONUTS, SURE.
343
00:11:50,290 --> 00:11:51,860
- THINK HE'S GONNA
BE OKAY?
344
00:11:51,900 --> 00:11:53,400
- I DON'T KNOW,
HE SEEMED PRETTY TWEAKED.
345
00:11:53,430 --> 00:11:55,130
I DO KNOW THAT HE APPRECIATED
YOU HOLDING HIS HAND
346
00:11:55,160 --> 00:11:57,030
THE ENTIRE TIME THOUGH,
RUNKS.
347
00:11:57,070 --> 00:11:58,400
- WELL, WHAT DO
YOU THINK, SAM?
348
00:11:58,430 --> 00:11:59,800
- I THINK WE SHOULD ADD
A STROKE SCENE
349
00:11:59,840 --> 00:12:01,100
TO THE SCRIPT, MAN.
- STROKE SCENE?
350
00:12:01,140 --> 00:12:02,170
- I CAN PULL THAT SHIT OFF
NO PROBLEM.
351
00:12:02,210 --> 00:12:04,110
[groaning]
- OH, YEAH.
352
00:12:04,140 --> 00:12:06,810
YEAH, YEAH, YEAH.
NICE.
353
00:12:06,840 --> 00:12:08,910
- WE BEST BE THINKING ABOUT
GETTING OURSELVES A CAB, HUH?
354
00:12:08,950 --> 00:12:10,310
OH, WAIT A MINUTE,
MAYBE ONE OF YOUR CREW GUYS
355
00:12:10,350 --> 00:12:11,510
CAN COME PICK US UP?
356
00:12:11,550 --> 00:12:12,520
- OH, YEAH, YEAH, YEAH,
CALL THE MIDGET.
357
00:12:12,550 --> 00:12:14,020
I LOVE THAT LITTLE DUDE.
358
00:12:14,050 --> 00:12:15,020
- THAT LITTLE NAPPY-HEADED
NIGGA, MAN.
359
00:12:15,050 --> 00:12:17,250
- YEAH, MR. LOWERCASE "T."
360
00:12:17,290 --> 00:12:19,860
- NAH, MAN.
- OH, NO, NO, NO.
361
00:12:19,890 --> 00:12:21,190
I DON'T THINK THAT'S
A VERY GOOD IDEA, SAM.
362
00:12:21,220 --> 00:12:22,790
NO, WE COULD REALLY GET
IN A LOT OF TROUBLE.
363
00:12:22,830 --> 00:12:24,160
- FOR WHAT?
364
00:12:24,190 --> 00:12:25,530
JUST GONNA TAKE IT BACK
TO THE POLICE STATION.
365
00:12:25,560 --> 00:12:26,900
- CHARLIE, IT'S
THE RIGHT THING TO DO.
366
00:12:26,930 --> 00:12:28,260
THE MORAL THING,
THE POLITE THING.
367
00:12:28,300 --> 00:12:30,530
- I JUST DON'T WANNA GET
IN ANY TROUBLE.
368
00:12:30,570 --> 00:12:32,040
- WHAT'S UP, ADAM-12?
369
00:12:32,070 --> 00:12:33,040
I THOUGHT IT WAS
YOUR BOYHOOD FUCKING DREAM
370
00:12:33,070 --> 00:12:34,270
TO RIDE IN A POLICE CAR.
371
00:12:34,300 --> 00:12:36,140
- AND I HAVE
FULFILLED THAT DREAM.
372
00:12:36,170 --> 00:12:39,340
NOW IT'S TIME WE SHOULD ALL
GO HOME AND REFLECT.
373
00:12:39,380 --> 00:12:41,480
- SHOTGUN!
374
00:12:41,510 --> 00:12:43,880
- HEY, GUYS,
WHERE YOU GOING?
375
00:12:43,910 --> 00:12:45,380
WHE--
376
00:12:45,410 --> 00:12:48,450
YOU'RE JUST GONNA
LEAVE ME HERE, IS THAT IT?
377
00:12:48,480 --> 00:12:50,450
YEP, IT LOOKS LIKE YOU'RE JUST
GONNA LEAVE WITHOUT ME.
378
00:12:50,490 --> 00:12:53,960
OKAY, OKAY, I'M COMING.
CAN I DRIVE, HUH?
379
00:12:53,990 --> 00:12:55,490
- * CAN'T STOP NOW
380
00:12:55,520 --> 00:12:57,330
* HOLD THE CHAINS
AND THE HARNESSES *
381
00:12:57,360 --> 00:12:59,930
* GET DOWN TO LAKE TOWN,
'CAUSE CAN'T STOP NOW *
382
00:12:59,960 --> 00:13:01,500
*
383
00:13:01,530 --> 00:13:03,300
- COULD HAVE AT LEAST LET
ME SIT IN THE FRONT.
384
00:13:03,330 --> 00:13:04,600
- I CALLED SHOTGUN.
385
00:13:04,630 --> 00:13:05,970
- THERE'S NOTHING
TO DO BACK HERE.
386
00:13:06,000 --> 00:13:07,370
- SHUT THE FUCK UP, RUNKLE.
387
00:13:07,400 --> 00:13:09,170
YOU'RE LIKE A SMALL CHILD
BACK THERE, MAN,
388
00:13:09,210 --> 00:13:10,610
AND IT'S PISSING ME
THE FUCK OFF.
389
00:13:10,640 --> 00:13:12,510
- BORING.
390
00:13:12,540 --> 00:13:15,340
- THIS MOTHERFUCKER
DRIVING ALL FUCKING SLOW.
391
00:13:15,380 --> 00:13:16,610
WATCH THIS, WATCH THIS.
392
00:13:16,650 --> 00:13:20,480
[siren blares]
393
00:13:20,520 --> 00:13:22,590
[laughs]
POW, MOTHERFUCKER!
394
00:13:22,620 --> 00:13:24,490
- EXCUSE ME,
395
00:13:24,520 --> 00:13:28,360
BUT, UM, I REALLY THINK WE'RE
PLAYING WITH FIRE HERE NOW, SAM.
396
00:13:28,390 --> 00:13:30,060
I DON'T KNOW
IF YOU'RE AWARE,
397
00:13:30,090 --> 00:13:32,460
BUT--BUT HANK HAS ONLY RECENTLY
FINISHED HIS PROBATION.
398
00:13:32,500 --> 00:13:33,960
SO--
399
00:13:34,000 --> 00:13:35,400
- FOR WHAT,
BEING A FUCKING RAPIST?
400
00:13:35,430 --> 00:13:38,230
- HEY, STOP IT WITH ALL THAT
RAPIST SHIT, OKAY?
401
00:13:38,270 --> 00:13:40,000
I'M SENSITIVE ABOUT THAT.
402
00:13:40,040 --> 00:13:41,570
- COME ON, MAN, I SAY THAT
SHIT WITH LOVE, MAN.
403
00:13:41,600 --> 00:13:43,110
THAT'S WHAT I LIKE
ABOUT YOU, MAN.
404
00:13:43,140 --> 00:13:45,140
YOU'RE AN OUTLAW, MAN.
TRUTH.
405
00:13:45,170 --> 00:13:47,180
- BONG, BONG.
- BONG, BONG.
406
00:13:47,210 --> 00:13:48,980
- I PREFER RAPER...
407
00:13:49,010 --> 00:13:50,180
TO RAPIST.
408
00:13:50,210 --> 00:13:51,310
[cell phone rings]
- OH, SHIT.
409
00:13:51,350 --> 00:13:53,520
GRAB THE WHEEL FOR ME.
410
00:13:53,550 --> 00:13:55,080
- OH!
411
00:13:55,120 --> 00:13:56,520
- YEAH.
412
00:13:56,550 --> 00:13:59,220
- YEAH, YOU PROBABLY WANT
TO PUT THAT ON SPEAKER.
413
00:13:59,260 --> 00:14:01,520
FINE, HAVE IT YOUR WAY.
- YO, WHAT UP, MAN?
414
00:14:01,560 --> 00:14:03,030
WHAT?
415
00:14:03,060 --> 00:14:04,960
NO, SINGED FOR NOTHIN'.
FUCK THAT.
416
00:14:04,990 --> 00:14:07,260
I'LL BE RIGHT THERE.
- BE RIGHT WHERE?
417
00:14:07,300 --> 00:14:08,660
- MY BOY SAW KALI
UP IN THE CLUB
418
00:14:08,700 --> 00:14:11,070
GETTING COZY WITH
SOME CLOWN-ASS NIGGA, MAN.
419
00:14:11,100 --> 00:14:13,140
- WELL, WE'RE GOING BACK TO
THE POLICE STATION FIRST, RIGHT?
420
00:14:13,170 --> 00:14:14,270
YOU'RE GONNA DROP US OFF.
421
00:14:14,300 --> 00:14:16,140
- SOMETHING TELLS ME NO.
422
00:14:16,170 --> 00:14:19,280
- FUCK THAT, YOU GOTTA STRIKE
WHEN THE IRON FIST IS HOT.
423
00:14:19,310 --> 00:14:21,480
- YEAH, BUT WHAT IF
SOMETHING BAD GOES DOWN?
424
00:14:21,510 --> 00:14:23,410
YOU DON'T WANT ANY
WITNESSES AROUND, DO YOU?
425
00:14:23,450 --> 00:14:25,010
- NO, I DO WANT
WITNESSES, MAN,
426
00:14:25,050 --> 00:14:26,350
ESPECIALLY SOME WHITE
MOTHERFUCKERS, MAN.
427
00:14:26,380 --> 00:14:28,020
- OH, WHY,
'CAUSE WE'RE WHITE?
428
00:14:28,050 --> 00:14:29,220
- YEAH, 'CAUSE YOU WHITE,
MOTHERFUCKER.
429
00:14:29,250 --> 00:14:30,950
COPS BELIEVE
WHITE MOTHERFUCKERS.
430
00:14:30,990 --> 00:14:32,960
YOU GOT MY BACK, RIGHT?
Y'ALL GOT MY BACK, RIGHT?
431
00:14:32,990 --> 00:14:35,460
YOU'D LIE FOR ME, RIGHT?
432
00:14:35,490 --> 00:14:36,930
- NOT IF IT'S
AGAINST THE LAW.
433
00:14:36,960 --> 00:14:39,300
- YOU LIE FOR A LIVING,
MOTHERFUCKER.
434
00:14:39,330 --> 00:14:41,060
- MAN'S GOT A POINT.
435
00:14:41,100 --> 00:14:42,400
- * CAN'T STOP NOW
436
00:14:42,430 --> 00:14:44,330
* WE WILL FIRE
LIKE AN ARSONIST *
437
00:14:44,370 --> 00:14:46,040
* NOT A FORCE
TO BE BARGAINED WITH *
438
00:14:46,070 --> 00:14:47,170
* AIN'T STOPPED US
439
00:14:47,200 --> 00:14:48,440
* WON'T STOP US
440
00:14:48,470 --> 00:14:51,010
* CAN'T STOP US NOW
441
00:15:11,160 --> 00:15:13,430
- OFFICER, I THINK
SOMEONE'S FOLLOWING ME.
442
00:15:13,460 --> 00:15:15,060
FEEL LIKE I'M IN DANGER.
443
00:15:15,100 --> 00:15:16,700
- GET THE FUCK OUTTA HERE,
STREETWALKER.
444
00:15:16,730 --> 00:15:18,370
CAN'T YOU SEE
WE'RE WORKING, MAN?
445
00:15:18,400 --> 00:15:20,300
WE ON A STAKEOUT.
- NO, THAT'S NOT NICE.
446
00:15:20,340 --> 00:15:21,700
THE LADY SAYS
SHE'S IN DANGER.
447
00:15:21,740 --> 00:15:25,170
- YOU JUST WANT A FREE HUMMER,
DON'T YOU?
448
00:15:25,210 --> 00:15:28,110
- COME ON INSIDE HERE,
SWEETHEART.
449
00:15:28,140 --> 00:15:29,550
THAT'S THE WAY
YOU TREAT A LADY.
450
00:15:29,580 --> 00:15:32,420
- THANK YOU.
OOH, MY DOGS ARE BARKING.
451
00:15:32,450 --> 00:15:34,480
- AWW.
HOW'S BUSINESS TONIGHT?
452
00:15:34,520 --> 00:15:36,550
- IT'S A LITTLE SLOW,
ACTUALLY.
453
00:15:36,590 --> 00:15:37,990
- THERE SHE IS.
454
00:15:38,020 --> 00:15:41,220
- ALL RIGHT, ALL RIGHT,
WHAT DO YOU SAY
455
00:15:41,260 --> 00:15:42,760
WE JUST--WE LEAVE THE CAR
OUT OF THIS
456
00:15:42,790 --> 00:15:44,360
AND WE PROCEED ON FOOT.
457
00:15:44,390 --> 00:15:45,530
- STOP WORRYING ABOUT
THE GOD DAMN CAR,
458
00:15:45,560 --> 00:15:47,160
YOU FUCKING NINNY.
459
00:15:47,200 --> 00:15:49,330
[starts car]
460
00:15:58,610 --> 00:16:00,240
CAN I DO IT?
461
00:16:00,280 --> 00:16:01,640
- FUCK YEAH, GO FOR IT.
[sirens blare]
462
00:16:01,680 --> 00:16:03,210
- HOW COME HE GETS TO DO IT?
463
00:16:03,250 --> 00:16:05,610
- 'CAUSE I LIKE HIM
BETTER, MAN.
464
00:16:05,650 --> 00:16:09,350
- THAT'S RIGHT, WE'RE PULLING
YOU OVER, MOTHERFUCKER.
465
00:16:09,390 --> 00:16:10,520
PULL OVER TO THE RIGHT.
466
00:16:10,550 --> 00:16:12,590
WHAT ARE YOU, STUPID?
467
00:16:12,620 --> 00:16:14,120
YOUR OTHER RIGHT, JACKASS.
468
00:16:14,160 --> 00:16:15,620
THERE YOU GO.
469
00:16:27,140 --> 00:16:28,370
SO WHAT'S THE MOVE HERE,
470
00:16:28,400 --> 00:16:30,810
GOOD COP, BAD COP, BALD COP?
471
00:16:30,840 --> 00:16:32,480
- NO, HOW 'BOUT
BAD COP, BAD COP,
472
00:16:32,510 --> 00:16:34,440
BALD COP STAYS
IN THE FUCKING CAR?
473
00:16:34,480 --> 00:16:36,680
- WORKS FOR ME.
474
00:16:44,750 --> 00:16:47,320
- THAT WAS SWEET OF YOU
TO LET ME IN.
475
00:16:47,360 --> 00:16:49,390
GIVE ME SHELTER
FROM THE STORM.
476
00:16:49,430 --> 00:16:51,130
- IT'S NOTHING.
477
00:16:51,160 --> 00:16:55,730
WHO LIKES TO SEE
A LADY IN DANGER?
478
00:16:55,760 --> 00:16:57,630
NOT THIS COP.
479
00:16:57,670 --> 00:16:59,700
LIEUTENANT CHARLES W. RUNKLE.
480
00:16:59,740 --> 00:17:01,170
NICE TO MEET YOU.
481
00:17:01,200 --> 00:17:05,310
- NICE TO MEET YOU TOO,
OFFICER.
482
00:17:05,340 --> 00:17:07,680
SO YOU A DETECTIVE?
- MM-HMM, YEP.
483
00:17:07,710 --> 00:17:09,210
I LIKE TO TAKE A COUPLE
OF THE ROOKIES
484
00:17:09,250 --> 00:17:10,750
OUT ON A 5-8-7
NOW AND AGAIN,
485
00:17:10,780 --> 00:17:12,550
MAKE SURE THEY KNOW
THEIR SHIT.
486
00:17:12,580 --> 00:17:15,380
IT'S JUST GOOD OLD-FASHIONED
POLICE WORK.
487
00:17:15,420 --> 00:17:17,820
- WELL, HOW 'BOUT A GOOD
OLD-FASHIONED BLOWJOB?
488
00:17:17,850 --> 00:17:19,460
THIS ONE'S ON ME,
489
00:17:19,490 --> 00:17:25,330
'CAUSE YOU'RE AN OFFICER
AND A GENTLEMAN.
490
00:17:25,360 --> 00:17:28,260
[unzips pants]
491
00:17:28,300 --> 00:17:29,770
- OHH!
492
00:17:29,800 --> 00:17:32,270
- OUT OF THE CAR, MA'AM.
493
00:17:32,300 --> 00:17:35,470
- HANK.
494
00:17:35,500 --> 00:17:37,770
- LICENSE AND REGISTRATION,
MOTHERFUCKER.
495
00:17:37,810 --> 00:17:39,380
COME ON, LOOK ALIVE.
496
00:17:39,410 --> 00:17:40,880
- WHAT THE FUCK?
497
00:17:40,910 --> 00:17:43,610
- HE'S REALLY PISSED.
HE MISSES YOU.
498
00:17:43,650 --> 00:17:44,810
- YOU KNOW, THIS IS WHY
I MOVED OUT OF HIS PLACE,
499
00:17:44,850 --> 00:17:46,320
BECAUSE HE IS
A FUCKING PSYCHO.
500
00:17:46,350 --> 00:17:48,220
- YEAH, BUT WE GOT
TO TALK ABOUT THIS,
501
00:17:48,250 --> 00:17:49,390
'CAUSE SOONER OR LATER
HE'S GONNA FIND OUT ABOUT US.
502
00:17:49,420 --> 00:17:50,890
- HOW?
I'M NOT GONNA TELL HIM.
503
00:17:50,920 --> 00:17:51,890
ARE YOU GONNA TELL HIM?
504
00:17:51,920 --> 00:17:53,320
- NO FUCKING WAY.
505
00:17:53,360 --> 00:17:54,590
- SO WE DON'T
HAVE A PROBLEM.
506
00:17:54,620 --> 00:17:55,890
- YEAH.
507
00:17:55,920 --> 00:17:57,560
NOW I KNOW WHERE
THE FUCK YOU LIVE AT.
508
00:17:57,590 --> 00:17:59,400
GET OUT THE CAR.
509
00:17:59,430 --> 00:18:01,230
- HE'S REALLY KIND OF SWEET
IN A WAY.
510
00:18:01,260 --> 00:18:03,530
- HANK, I KNOW YOU THINK
HE'S ALL WARM AND CUDDLY.
511
00:18:03,570 --> 00:18:04,770
- OH, NO, I DON'T.
512
00:18:04,800 --> 00:18:05,830
- I'M JUST SAYING
WATCH YOURSELF.
513
00:18:05,870 --> 00:18:07,640
- I AM WATCHING MYSELF.
514
00:18:07,670 --> 00:18:10,770
I TRY TO GET OUT, BUT HE PULLS
ME BACK IN WITH THE MONEY.
515
00:18:10,810 --> 00:18:13,240
AND, UH, THE MONEY.
516
00:18:13,280 --> 00:18:16,250
AND--AND, OH,
THE EXCEPTIONAL WEED.
517
00:18:16,280 --> 00:18:19,150
AND, WOW, YOU LOOK
REALLY HOT TONIGHT.
518
00:18:19,180 --> 00:18:21,450
YOU KNOW, I'M THINKING
MAYBE I SHOULD HANDCUFF YOU
519
00:18:21,480 --> 00:18:24,550
JUST TO BE SAFE.
520
00:18:24,590 --> 00:18:25,920
- WHAT WAS I DOING WRONG,
OFFICER?
521
00:18:25,950 --> 00:18:27,620
- YOU TELL ME.
522
00:18:27,660 --> 00:18:31,660
TURN AROUND.
523
00:18:31,690 --> 00:18:33,800
YOU BEEN DRINKING?
- NO, SIR, NOT AT ALL.
524
00:18:33,830 --> 00:18:36,230
- NOT AT ALL?
BULLSHIT.
525
00:18:36,270 --> 00:18:38,370
YOU WAS AT THE CLUB,
WASN'T YOU?
526
00:18:38,400 --> 00:18:40,800
STEP OVER THERE.
527
00:18:40,840 --> 00:18:42,810
[sniffs]
528
00:18:42,840 --> 00:18:44,670
SOMETHING SMELL
FUNKY TO ME, NIGGA.
529
00:18:44,710 --> 00:18:45,810
SMELL LIKE PUSSY.
530
00:18:45,840 --> 00:18:47,280
YOU BEEN DRINKING PUSSY?
531
00:18:47,310 --> 00:18:49,180
- NO.
- NO WHAT?
532
00:18:49,210 --> 00:18:51,810
- NO, I HAVEN'T
BEEN DRINKING PUSSY, OFFICER.
533
00:18:51,850 --> 00:18:53,750
- WHAT, THIS GIRL PUSSY AIN'T
GOOD ENOUGH FOR YOU TO DRINK?
534
00:18:53,780 --> 00:18:56,790
- I'M SURE SHE GOT
A VERY DRINKABLE PUSSY.
535
00:18:56,820 --> 00:18:58,650
WE JUST HAVEN'T
GOTTEN THERE YET.
536
00:18:58,690 --> 00:19:00,390
- THINK YOU GONNA GET THERE?
537
00:19:00,420 --> 00:19:02,430
- I THINK I CAN
CLOSE THIS, YEAH.
538
00:19:02,460 --> 00:19:03,830
- THINK YOU CAN CLOSE THIS.
539
00:19:03,860 --> 00:19:05,890
WHAT IF SHE'S
SOMEBODY ELSE'S GIRL?
540
00:19:05,930 --> 00:19:09,330
- THEN I SAY THAT THAT
SOMEONE ELSE IN QUESTION
541
00:19:09,370 --> 00:19:12,440
ISN'T DOING A GOOD JOB
MAKING HER HAPPY.
542
00:19:12,470 --> 00:19:15,970
- IS THAT WHAT
YOU SAY, NIGGA?
543
00:19:16,000 --> 00:19:17,410
- AHH!
544
00:19:17,440 --> 00:19:18,840
- CALVIN, WHAT THE FUCK
ARE YOU DOING?
545
00:19:18,870 --> 00:19:20,710
- THIS MOTHERFUCKER
DISRESPECTING BOTH OF US.
546
00:19:20,740 --> 00:19:23,310
- WAIT, YOU KNOW THIS GUY?
- YOU WANT ME TO CALL 911
547
00:19:23,350 --> 00:19:24,350
SO THAT YOU CAN DEAL
WITH THE REAL COPS?
548
00:19:24,380 --> 00:19:25,810
- FUCK THAT.
549
00:19:25,850 --> 00:19:27,320
LOOK, I WANT YOU TO COME HOME
WITH ME, A'IGHT?
550
00:19:27,350 --> 00:19:29,620
FORGET ALL THIS BULLSHIT.
- FUCK YOU.
551
00:19:29,650 --> 00:19:30,920
- WAIT A SECOND,
YOU AIN'T A REAL COP?
552
00:19:30,950 --> 00:19:32,720
SHIT, YOU COULD
HAVE FOOLED ME.
553
00:19:32,760 --> 00:19:34,460
- I'M GONNA TAKE THAT
AS A COMPLIMENT, MOTHERFUCKER.
554
00:19:34,490 --> 00:19:36,330
I AIN'T GONNA APOLOGIZE
FOR FUCKING YOUR LEGS UP.
555
00:19:36,360 --> 00:19:37,490
I KNOW WHERE
THE FUCK YOU LIVE.
556
00:19:37,530 --> 00:19:39,360
KEEP YOUR HANDS
OFF MY BITCH.
557
00:19:39,400 --> 00:19:40,660
- WAIT A SECOND.
558
00:19:40,700 --> 00:19:42,670
AREN'T YOU
SAMURAI APOCALYPSE?
559
00:19:42,700 --> 00:19:44,900
- OH, SHIT.
- NO SHIT.
560
00:19:44,930 --> 00:19:46,670
OH, SHIT!
561
00:19:46,700 --> 00:19:49,770
- GOD, YOU GIVE
AN EXCEPTIONAL BLOWJOB.
562
00:19:49,810 --> 00:19:53,340
I MEAN, SERIOUSLY.
563
00:19:53,380 --> 00:19:56,350
SOMETHING TO BE SAID
FOR PUTTING IN THE TIME.
564
00:19:56,380 --> 00:19:58,750
AHH!
565
00:19:58,780 --> 00:20:00,480
HAVE YOU READ OUTLIERS?
566
00:20:00,520 --> 00:20:02,550
- MM-MM.
- MALCOLM GLADWELL.
567
00:20:02,590 --> 00:20:06,590
HE CLAIMS THAT THE SECRET
TO SUCCESS IN ANY FIELD
568
00:20:06,620 --> 00:20:08,320
IS A SIMPLE MATTER
569
00:20:08,360 --> 00:20:10,760
OF PRACTICING
A SPECIFIC TASK
570
00:20:10,790 --> 00:20:14,900
FOR, MMM, ABOUT 10,000 HOURS.
571
00:20:14,930 --> 00:20:17,730
[moaning]
572
00:20:25,370 --> 00:20:26,640
- WHAT, YOU WANNA
SUCK MY DICK NOW?
573
00:20:26,680 --> 00:20:28,640
- WHAT?
574
00:20:28,680 --> 00:20:30,480
- YOU WANT ME
TO TAKE MINE OUT?
575
00:20:30,510 --> 00:20:32,620
WANT ME TO PUT IT
IN YOUR MOUTH?
576
00:20:32,650 --> 00:20:34,780
- YOUR DICK?
577
00:20:34,820 --> 00:20:39,460
[moaning]
578
00:20:39,490 --> 00:20:42,960
[screaming]
579
00:20:45,330 --> 00:20:47,600
[screaming, whimpering]
580
00:20:47,630 --> 00:20:50,570
[crying]
581
00:20:53,100 --> 00:20:54,800
- BUCK UP, BUDDY-BOY.
582
00:20:54,840 --> 00:20:57,470
IT DOESN'T MATTER.
YOU DIDN'T KNOW.
583
00:20:57,510 --> 00:20:58,870
IT DOESN'T COUNT.
584
00:20:58,910 --> 00:21:00,540
- DID YOU KNOW?
585
00:21:00,580 --> 00:21:01,580
- OF COURSE.
DIDN'T YOU KNOW?
586
00:21:01,610 --> 00:21:02,950
- FUCK YEAH.
587
00:21:02,980 --> 00:21:04,410
SEEN THE SIZE
OF THAT ADAM'S APPLE?
588
00:21:04,450 --> 00:21:05,710
- [sobs]
589
00:21:05,750 --> 00:21:06,950
- SHIT, DO I LOOK
IGNORANT TO YOU?
590
00:21:06,980 --> 00:21:08,620
- NO, NO,
YOU LOOK LIKE A GUY
591
00:21:08,650 --> 00:21:10,590
WHO COULD SPOT A TRANNY HOOKER
FROM A MILE AWAY.
592
00:21:10,620 --> 00:21:11,590
RESPECT.
593
00:21:11,620 --> 00:21:13,620
- MOTHERFUCKING RIGHT, MAN.
594
00:21:13,660 --> 00:21:16,630
SHIT, THIS BITCH KALI GOT
MY FUCKING HEART ON FIRE, MAN.
595
00:21:16,660 --> 00:21:18,490
- YEAH, I KNOW
HOW THAT FEELS, BROTHER.
596
00:21:18,530 --> 00:21:19,930
BUT YOU KNOW
WHAT STING SAYS.
597
00:21:19,960 --> 00:21:21,530
- WHAT DOES STING SAY?
598
00:21:21,560 --> 00:21:23,400
- HE SAYS THAT IF
YOU LOVE SOMEBODY,
599
00:21:23,430 --> 00:21:24,770
YOU SET THEM FREE.
600
00:21:24,800 --> 00:21:27,100
- STING SAYS THAT?
- YEP, HE SURE DOES.
601
00:21:27,140 --> 00:21:28,600
- YOU'RE FUCKING
WITH ME, MAN.
602
00:21:28,640 --> 00:21:30,440
- NO, HE SAYS THAT.
HE SINGS ABOUT IT.
603
00:21:30,470 --> 00:21:32,840
- THAT SAYING BEEN AROUND
SINCE THE STONE AGES.
604
00:21:32,880 --> 00:21:34,610
- YEAH, WELL, STING'S THE ONE
WHO WROTE A SONG ABOUT IT.
605
00:21:34,640 --> 00:21:36,350
- YOU THINK I'M DUMB,
DON'T YOU, MOODY?
606
00:21:36,380 --> 00:21:37,910
- NO, I DON'T.
607
00:21:37,950 --> 00:21:39,850
- THEN WHY ARE YOU ALWAYS
FUCKING CONDESCENDING TO ME?
608
00:21:39,880 --> 00:21:41,820
- I'M NOT CONDESCENDING TO YOU.
I'M RELATING.
609
00:21:41,850 --> 00:21:44,020
- YOU KNOW I GOT A FUCKING
BROKEN HEART RIGHT NOW, RIGHT?
610
00:21:44,050 --> 00:21:45,520
- I DO KNOW THAT.
YES, I KNOW.
611
00:21:45,550 --> 00:21:46,860
- FUCKING JERSEY SHORE
ASS NIGGA, MAN,
612
00:21:46,890 --> 00:21:49,460
STICKING HIS PENCIL DICK
IN MY SWEET POUND CAKE.
613
00:21:49,490 --> 00:21:50,830
- YEAH, I RELATE.
614
00:21:50,860 --> 00:21:52,460
YOU KNOW, RIGHT NOW
THE LOVE OF MY LIFE
615
00:21:52,500 --> 00:21:54,530
IS GETTING POUNDED BY SOME
OMNISEXUAL CHICKEN HAWK.
616
00:21:54,560 --> 00:21:56,030
DOESN'T FEEL GOOD.
617
00:21:56,060 --> 00:21:58,730
- NAH.
618
00:21:58,770 --> 00:22:01,570
- IT COULD BE WORSE.
- YEAH, HOW?
619
00:22:01,600 --> 00:22:03,870
- COULDA JUST HAD YOUR DICK
DRAINED BY A TRANNY HOOKER.
620
00:22:03,910 --> 00:22:05,070
[both laugh]
621
00:22:05,110 --> 00:22:06,880
- TRUE DAT.
622
00:22:06,910 --> 00:22:10,050
- IT'S NOT FUNNY!
WHY ARE YOU LAUGHING?
623
00:22:10,080 --> 00:22:12,750
- OH, MAN.
624
00:22:12,780 --> 00:22:14,650
[laughter]
625
00:22:14,680 --> 00:22:17,150
[cell phone rings]
626
00:22:17,190 --> 00:22:19,020
- OH.
627
00:22:19,050 --> 00:22:20,590
BECCA, HEY, SWEETIE.
628
00:22:20,620 --> 00:22:21,890
I THOUGHT YOU WEREN'T
TALKING TO ME.
629
00:22:21,920 --> 00:22:23,760
SHH!
630
00:22:23,790 --> 00:22:25,030
WAIT, HOLD UP.
631
00:22:25,060 --> 00:22:27,000
SLOW DOWN, SLOW DOWN,
SLOW DOWN.
632
00:22:27,030 --> 00:22:28,400
IT'S BACK?
633
00:22:28,430 --> 00:22:29,670
OKAY, I GOTTA SEE THIS.
634
00:22:29,700 --> 00:22:32,030
WE'LL BE THERE.
- WHAT'S UP?
635
00:22:32,070 --> 00:22:33,770
- WE GOT SOMEWHERE
WE GOTTA GO.
636
00:22:33,800 --> 00:22:37,510
[sirens blare]
- LET'S GO DEEP.
637
00:22:37,540 --> 00:22:39,940
[laughter]
638
00:22:44,080 --> 00:22:45,950
- YOU OKAY, BABY?
WHAT HAPPENED?
639
00:22:45,980 --> 00:22:48,780
- SEE FOR YOURSELF.
- IT WAS AMAZING, HANK.
640
00:22:48,820 --> 00:22:51,850
IT'S THE COOLEST THING
THAT I'VE EVER SEEN.
641
00:22:53,090 --> 00:22:54,820
WHAT?
IT WAS, I'M SORRY.
642
00:22:56,790 --> 00:22:58,030
- RICHARD--
- PEEK-A-BOO,
643
00:22:58,060 --> 00:22:59,530
AND FINE WINE.
644
00:22:59,560 --> 00:23:00,530
COME ON UP, HONEY.
645
00:23:00,560 --> 00:23:02,530
- COME--
GET DOWN NOW.
646
00:23:02,570 --> 00:23:04,430
- I CAN'T REMEMBER THE SONG.
- KAREN.
647
00:23:04,470 --> 00:23:05,670
- JESUS.
648
00:23:05,700 --> 00:23:07,000
WHAT THE FUCK
ARE YOU DOING HERE?
649
00:23:07,040 --> 00:23:08,670
- IT'S A LONG STORY,
AND ULTIMATELY
650
00:23:08,700 --> 00:23:09,970
NOT AS INTERESTING
AS WHAT'S HAPPENING HERE.
651
00:23:10,010 --> 00:23:13,010
WHAT HAPPENED?
- TYLER SWITCHED DRINKS,
652
00:23:13,040 --> 00:23:14,540
THOUGHT IT WOULD BE FUNNY
TO WATCH HIM GET DRUNK.
653
00:23:14,580 --> 00:23:16,550
- JESUS, THAT KID
REALLY IS A YOUNG ME.
654
00:23:16,580 --> 00:23:18,580
HEY, BATESY!
655
00:23:18,610 --> 00:23:20,120
- HANK, GOD DAMN IT!
IT'S GREAT TO SEE YOU!
656
00:23:20,150 --> 00:23:21,750
I'M SO GLAD
YOU COULD MAKE IT.
657
00:23:21,780 --> 00:23:22,750
- GOOD TO SEE YOU TOO, MAN.
658
00:23:22,790 --> 00:23:24,220
LOVING THAT MAN-GINA.
659
00:23:24,250 --> 00:23:26,590
- THANK YOU.
IT IS FUCKING LIBERATING.
660
00:23:26,620 --> 00:23:28,120
- HEY, YOU WANNA COME DOWN
AND PUT SOME CLOTHES ON
661
00:23:28,160 --> 00:23:29,830
BEFORE THE LAW GETS HERE?
662
00:23:29,860 --> 00:23:31,160
- NO, NO, NONSENSE.
I'M TUCKED.
663
00:23:31,190 --> 00:23:32,830
YOU KNOW,
I WAS JUST TELLING KAREN
664
00:23:32,860 --> 00:23:35,000
I USED TO FUCK GUYS
LIKE TYLER BACK IN PRISON.
665
00:23:35,030 --> 00:23:37,070
DID I EVER TELL YOU ABOUT
THE YEAR I SPENT BEHIND BARS?
666
00:23:37,100 --> 00:23:38,830
- NO.
667
00:23:38,870 --> 00:23:40,540
- YEAH, I WAS RESEARCHING
A NOVEL ABOUT PRISON LIFE,
668
00:23:40,570 --> 00:23:42,740
SO I KNOCKED OVER
A LITTLE LIQUOR STORE.
669
00:23:42,770 --> 00:23:44,570
THE RESEARCH WAS GREAT,
670
00:23:44,610 --> 00:23:46,680
BUT THERE WAS
AN UNEXPECTED GIFT.
671
00:23:46,710 --> 00:23:48,040
I FELL IN LOVE THERE, HANK.
672
00:23:48,080 --> 00:23:50,550
TWICE.
TWO VERY DIFFERENT MEN.
673
00:23:50,580 --> 00:23:51,750
- MM-HMM.
674
00:23:51,780 --> 00:23:53,080
- AND WE STILL
KEEP IN TOUCH.
675
00:23:53,120 --> 00:23:54,620
I GOTTA TELL YOU,
676
00:23:54,650 --> 00:23:56,250
MEN IN PRISON
MAKE EXCEPTIONAL PEN PALS.
677
00:23:56,280 --> 00:23:58,250
LETTERS LIKE FUCKING
SHORT STORIES.
678
00:23:58,290 --> 00:23:59,590
YOU REMEMBER YOUR FIRST
SHORT STORY, HANK?
679
00:23:59,620 --> 00:24:00,960
- YEAH.
680
00:24:00,990 --> 00:24:03,260
- FINISHING MINE
GAVE ME A THUNDEROUS ERECTION.
681
00:24:03,290 --> 00:24:05,060
YOU REMEMBER
YOUR FIRST ERECTION?
682
00:24:05,090 --> 00:24:06,700
- YEAH, I HAD A BIG CRUSH
683
00:24:06,730 --> 00:24:08,260
ON THE BLONDE FROM
THE BEVERLY HILLBILLIES.
684
00:24:08,300 --> 00:24:10,000
- ELLY MAY CLAMPETT.
685
00:24:10,030 --> 00:24:13,040
SPILT A LOT OF BOY MILK
TO THAT FOXY LITTLE TRAMP.
686
00:24:13,070 --> 00:24:15,000
YEAH.
687
00:24:15,040 --> 00:24:16,570
YOU KNOW, THANKS
TO THAT FINE MEMORY,
688
00:24:16,610 --> 00:24:18,570
THE BLOOD IS STARTING
TO FLOW DOWN SOUTH.
689
00:24:18,610 --> 00:24:20,940
THIS COULD BE
PRETTY HARD TO TUCK IN A MINUTE.
690
00:24:20,980 --> 00:24:22,680
- I HEAR YOU.
- I'M GOING FOR A RUN.
691
00:24:22,710 --> 00:24:24,280
GIVE ME A HUG.
692
00:24:24,310 --> 00:24:27,550
- THERE YOU GO.
THERE YOU GO.
693
00:24:27,580 --> 00:24:29,020
- I LOVE YOU, BABE.
694
00:24:29,050 --> 00:24:30,690
DON'T WAIT UP.
695
00:24:30,720 --> 00:24:32,890
- HEY, HEY, HEY.
696
00:24:32,920 --> 00:24:34,290
YOU WANT ME
TO GO AFTER HIM?
697
00:24:34,320 --> 00:24:36,990
- NO, I DON'T.
JUST LET HIM RUN IT OFF.
698
00:24:37,030 --> 00:24:39,530
- HEY, TYLER, NOT COOL.
- I'M SPEECHLESS.
699
00:24:39,560 --> 00:24:41,160
- NOT COOL.
- I AM SPEECHLESS.
700
00:24:41,200 --> 00:24:42,970
- NOT COOL AT ALL.
- I KNOW, I KNOW.
701
00:24:43,000 --> 00:24:44,700
OKAY, I'M SORRY, ALL RIGHT?
I FEEL BAD.
702
00:24:44,730 --> 00:24:46,100
- YEAH.
703
00:24:46,130 --> 00:24:47,640
- BUT, LOOK, BECCA TOLD ME
ALL THESE STORIES
704
00:24:47,670 --> 00:24:50,040
ABOUT HOW CRAZY HE GETS
WHEN HE DRINKS.
705
00:24:50,070 --> 00:24:51,770
AND, LOOK, IT WAS JUST--
IT WAS TOO TEMPTING.
706
00:24:51,810 --> 00:24:52,980
- ALL RIGHT,
MUCH AS I HATE TO SAY IT,
707
00:24:53,010 --> 00:24:54,540
I UNDERSTAND, BUT--
708
00:24:54,580 --> 00:24:55,980
- BESIDES, HE WAS BEING
A TOTAL DICK.
709
00:24:56,010 --> 00:24:57,210
IT'S LIKE HE WAS
STANDING IN FOR YOU TONIGHT.
710
00:24:57,250 --> 00:24:59,010
LITERALLY GIVING ME
A HARD TIME
711
00:24:59,050 --> 00:25:01,050
ABOUT EVERY SINGLE WORD THAT
WAS COMING OUT OF MY MOUTH.
712
00:25:01,080 --> 00:25:02,920
SHIT JUST GETS TIRING,
YOU KNOW,
713
00:25:02,950 --> 00:25:04,750
AND I JUST HIT MY LIMIT.
714
00:25:04,790 --> 00:25:06,590
- YO, AN ORDER
OF ANKIO, MAN.
715
00:25:06,620 --> 00:25:07,790
- IS HE WITH YOU
BY ANY CHANCE?
716
00:25:07,820 --> 00:25:09,560
- WHO, THAT--
- YEAH.
717
00:25:09,590 --> 00:25:10,890
- THAT WOMAN?
- NO, HIM.
718
00:25:10,930 --> 00:25:12,960
- OH, HIM?
OFFICER DOLEMITE OVER THERE?
719
00:25:13,000 --> 00:25:14,760
NO, I'VE NEVER SEEN HIM
BEFORE IN MY LIFE.
720
00:25:14,800 --> 00:25:16,330
- YEAH? 'CAUSE I'M PRETTY
SURE HE WAS THERE
721
00:25:16,360 --> 00:25:17,900
THE NIGHT I GOT
MY ASS KICKED.
722
00:25:17,930 --> 00:25:19,330
- REALLY? THAT WOULD BE
QUITE A COINKYDINK.
723
00:25:19,370 --> 00:25:20,570
YOU SURE YOU'RE NOT JUST
BEING RACIST?
724
00:25:20,600 --> 00:25:21,840
YOU GOTTA CHECK THAT--
725
00:25:21,870 --> 00:25:23,170
- YO, MOODY,
YOU SEEN THAT FUCKING
726
00:25:23,210 --> 00:25:24,310
NAKED GUY RUN OUTTA HERE?
727
00:25:24,340 --> 00:25:25,770
FUCKING DICK SWINGING
728
00:25:25,810 --> 00:25:26,940
IN SOME REAL
WHITE BOY SHIT, YO.
729
00:25:26,980 --> 00:25:29,780
CRAZY.
HEY, YO.
730
00:25:29,810 --> 00:25:31,210
YO, AIN'T THIS
THE LITTLE ROMEO
731
00:25:31,250 --> 00:25:32,580
WE HAD TO SMACK DOWN AT
THE CLUB THE OTHER NIGHT?
732
00:25:32,620 --> 00:25:34,920
- YES, YES, IT IS.
GOOD TO SEE YOU.
733
00:25:34,950 --> 00:25:36,820
- GOOD TO SEE YOU TOO.
YOU'RE HEALING REAL GOOD, SON.
734
00:25:36,850 --> 00:25:39,120
- THANKS.
735
00:25:39,150 --> 00:25:40,690
- DAD, WHAT DID YOU DO?
736
00:25:40,720 --> 00:25:43,090
- NOTHING.
I DID--I DID NOTHING.
737
00:25:43,130 --> 00:25:44,790
WILL YOU TELL THEM?
- WILL YOU ANSWER HER?
738
00:25:44,830 --> 00:25:46,230
- TELL 'EM.
- TELL 'EM WHAT?
739
00:25:46,260 --> 00:25:49,100
- THAT I DIDN'T DO ANYTHING
OF THAT NATURE.
740
00:25:49,130 --> 00:25:50,370
- NO, HE AIN'T DO ANYTHING
THOUGH,
741
00:25:50,400 --> 00:25:51,700
BUT I KNEW IT WAS
IMPORTANT TO HIM,
742
00:25:51,730 --> 00:25:52,970
SO I TOOK CARE OF IT.
743
00:25:53,000 --> 00:25:54,600
THAT'S WHAT WE DO
FOR EACH OTHER.
744
00:25:54,640 --> 00:25:56,300
I'D BE HAPPY TO DO IT AGAIN
IF NECESSARY.
745
00:25:56,340 --> 00:25:57,770
- IT'S NOT NECESSARY.
746
00:25:57,810 --> 00:26:00,110
- LET'S GO.
747
00:26:01,640 --> 00:26:03,280
- THEY MAKE
A CUTE COUPLE, MAN.
748
00:26:03,310 --> 00:26:04,950
I DON'T SEE WHY YOU GETTING SO
FUCKING BENT UP ABOUT IT.
749
00:26:04,980 --> 00:26:06,920
- THANKS.
THAT WAS VERY HELPFUL.
750
00:26:06,950 --> 00:26:08,650
- COOL, LET'S GET SOME SAKE.
751
00:26:08,680 --> 00:26:11,220
UNFILTERED SAKE, NIGORI.
752
00:26:15,690 --> 00:26:17,130
I WANNA SEE SOME NEW
PAGES TOMORROW, MOODY.
753
00:26:17,160 --> 00:26:20,160
- WHAT EXACTLY
HAVE WE LEARNED TONIGHT?
754
00:26:20,200 --> 00:26:21,860
- OUR BOY RUNKLE
LEARNED WHAT IT'S LIKE
755
00:26:21,900 --> 00:26:23,400
TO COME IN
A TRANNY HOOKER'S MOUTH.
756
00:26:23,430 --> 00:26:27,000
- THANK YOU, SAM.
THANK YOU SO MUCH.
757
00:26:27,040 --> 00:26:29,000
I'D ALMOST MANAGED
TO STOP THINKING ABOUT IT
758
00:26:29,040 --> 00:26:31,270
FOR FIVE WHOLE SECONDS THERE.
759
00:26:31,310 --> 00:26:32,740
- GARGLE, GARGLE, YO.
760
00:26:32,780 --> 00:26:34,740
[laughs]
761
00:26:34,780 --> 00:26:36,780
HOLY SHIT, YO.
CHECK THAT OUT.
762
00:26:36,810 --> 00:26:39,680
WHAT THE FUCK?
763
00:26:40,850 --> 00:26:42,920
- [laughing]
764
00:26:46,450 --> 00:26:47,920
- BATESY!
765
00:26:47,960 --> 00:26:49,960
- HEY!
- HEY, WANT A RIDE?
766
00:26:49,990 --> 00:26:51,330
- OH, I DON'T MIND
IF I DO.
767
00:26:51,360 --> 00:26:55,060
- WELL, GET ON IN.
768
00:26:55,100 --> 00:26:56,430
- THANKS, BOYS.
769
00:26:56,460 --> 00:26:58,830
WHO'S UP FOR A COCKTAIL?
770
00:27:01,270 --> 00:27:03,740
[siren blaring]
771
00:27:03,770 --> 00:27:07,040
- OH, FUCK.
772
00:27:07,080 --> 00:27:10,010
[rock music]
54718
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