Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:02:18,820 --> 00:02:23,700
My name is Russ Meyer. Here we got some
more voluptuous vixens. I'm so pleased
2
00:02:23,700 --> 00:02:28,520
to have this opportunity to present
myself and, of course, the ladies, all
3
00:02:28,520 --> 00:02:30,700
outrageously abundant.
4
00:02:30,960 --> 00:02:35,420
That's important with me. You got to
have a big set of news and a big set of
5
00:02:35,420 --> 00:02:41,340
knockers. And I'm here to congeal these
women together and make sure that I
6
00:02:41,340 --> 00:02:46,280
can... Find that there will be another
group of women next year. God help me
7
00:02:46,280 --> 00:02:49,800
that I can be present to do it again as
I'm doing it now.
8
00:03:00,340 --> 00:03:03,440
She's the kind of girl that'll drive you
wild.
9
00:03:03,800 --> 00:03:06,840
Always doing something. She's like a
child.
10
00:03:07,380 --> 00:03:10,240
Drive you crazy with everything you do.
11
00:03:10,990 --> 00:03:13,350
Oh, man, you know it's true.
12
00:03:13,810 --> 00:03:16,970
She puts her head in the world.
13
00:03:17,670 --> 00:03:19,390
She's that kind of girl.
14
00:03:20,870 --> 00:03:23,570
I was with her just the other day.
15
00:03:24,330 --> 00:03:26,930
Never know what she's going to say.
16
00:03:27,530 --> 00:03:33,770
When she said changes of mind, you know
she does that all the time.
17
00:03:34,250 --> 00:03:37,150
She'll take you all around the world.
18
00:03:37,850 --> 00:03:39,570
She's that kind of girl.
19
00:03:41,360 --> 00:03:43,720
Always looking for a difference somehow.
20
00:03:44,300 --> 00:03:47,180
You want something, she wants it now.
21
00:03:47,740 --> 00:03:50,460
If you can't do it, she says never mind.
22
00:03:51,100 --> 00:03:54,000
Just when you think you're wasting your
time.
23
00:03:54,380 --> 00:03:57,420
She puts her head in the world.
24
00:03:58,380 --> 00:03:59,860
She's that kind of girl.
25
00:04:34,660 --> 00:04:35,660
Oh,
26
00:04:38,380 --> 00:04:39,380
baby.
27
00:04:39,880 --> 00:04:42,260
Oh, yeah, now, baby.
28
00:04:44,880 --> 00:04:47,940
But you can't leave her. You know it's
true.
29
00:04:48,340 --> 00:04:51,420
It doesn't matter what you do.
30
00:04:51,760 --> 00:04:54,840
A fun-loving girl can treat you right.
31
00:04:55,360 --> 00:04:56,680
Oh, baby.
32
00:05:00,520 --> 00:05:01,580
Baby, baby.
33
00:05:02,250 --> 00:05:03,270
Oh, baby.
34
00:05:03,710 --> 00:05:06,570
Baby, baby. Oh, baby.
35
00:05:07,010 --> 00:05:09,990
Baby, baby. Oh, baby.
36
00:05:10,470 --> 00:05:13,430
Baby, baby. Oh, baby.
37
00:05:13,690 --> 00:05:14,990
Baby, baby.
38
00:05:15,330 --> 00:05:17,590
Oh, baby right now.
39
00:06:06,480 --> 00:06:13,420
And try to break me with everything she
do Oh man, you know it's true She
40
00:06:13,420 --> 00:06:18,360
puts her head in the world She is that
kind of girl
41
00:08:06,320 --> 00:08:11,540
All these things I have make me feel so
far away.
42
00:08:13,780 --> 00:08:16,660
I've been a forgotten man.
43
00:08:17,880 --> 00:08:18,920
I
44
00:08:18,920 --> 00:08:30,940
feel
45
00:08:30,940 --> 00:08:35,360
so different now like I've never seen
before.
46
00:08:48,420 --> 00:08:51,220
Thank you.
47
00:09:33,770 --> 00:09:34,770
Listen.
48
00:10:17,870 --> 00:10:24,210
It's only for the moment, it's a tale of
mystery.
49
00:10:24,750 --> 00:10:31,690
I close my eyes and I can see you inside
dreams to
50
00:10:31,690 --> 00:10:32,690
extremes.
51
00:10:33,210 --> 00:10:39,550
It's only for the moment, it's a tale of
mystery.
52
00:11:58,930 --> 00:12:02,910
Daisy Mae, that was my turn on, more
than anything else. Because I was sort
53
00:12:02,910 --> 00:12:08,550
of a cartoonist, and I'd draw girls, and
Daisy Mae was a big influence. And I'd
54
00:12:08,550 --> 00:12:10,210
always make her breasts twice as large.
55
00:12:10,450 --> 00:12:14,150
And when my mother would come in, I had
to hide this stuff, because she thought
56
00:12:14,150 --> 00:12:18,450
I was, you know, doing some things that
might affect me later on in life. She
57
00:12:18,450 --> 00:12:20,410
didn't realize that they affected me
enormously.
58
00:12:53,800 --> 00:12:57,200
Sometimes I can't decide about one way
or the other.
59
00:12:58,160 --> 00:13:02,440
It's several things that make it happen
to keep you going.
60
00:13:03,400 --> 00:13:05,000
I'm a country boy.
61
00:13:05,280 --> 00:13:07,500
No city life for me.
62
00:13:08,500 --> 00:13:10,840
I like it slow and easy.
63
00:13:11,200 --> 00:13:12,620
Take it, not me.
64
00:13:14,260 --> 00:13:17,660
You've got drunk, but I think I'm
eating.
65
00:13:19,520 --> 00:13:20,960
Spad and snatcher.
66
00:13:25,320 --> 00:13:26,980
I'd like to try some.
67
00:14:10,100 --> 00:14:12,900
Thank you.
68
00:14:46,100 --> 00:14:49,440
Just like you.
69
00:14:50,240 --> 00:14:51,660
Make me a happy boy.
70
00:14:51,960 --> 00:14:53,420
Be my pride and joy.
71
00:14:53,940 --> 00:14:56,640
Honey, don't change your old. I think
it's you.
72
00:15:29,130 --> 00:15:32,950
country side to find another gal just
like you.
73
00:15:33,770 --> 00:15:36,970
Maybe I have a boy to feed my pride and
joy.
74
00:15:37,450 --> 00:15:40,090
Honey, don't say no. I think it's you.
75
00:16:25,040 --> 00:16:29,620
Lookin' far and wide, lookin' on from
the inside, to find a fun-lovin' gal
76
00:16:29,620 --> 00:16:30,940
just like you.
77
00:16:31,800 --> 00:16:38,000
Make me a happy boy, be my bride of joy,
fun and don't let you off, I think it's
78
00:16:38,000 --> 00:16:39,000
you.
79
00:17:15,210 --> 00:17:17,650
Find wives looking over from your side.
80
00:17:17,869 --> 00:17:20,750
You'll find fun in a gal just like you.
81
00:17:21,589 --> 00:17:22,990
Make me a happy boy.
82
00:17:23,230 --> 00:17:24,829
Be my pride and joy.
83
00:17:25,250 --> 00:17:28,530
Fun in those they know. I think it's
you. Yee-haw!
84
00:17:31,870 --> 00:17:33,070
Come on now.
85
00:17:33,950 --> 00:17:35,590
Make me a happy man.
86
00:17:38,010 --> 00:17:39,270
I'd like to try some.
87
00:17:39,470 --> 00:17:40,670
Just what they say.
88
00:18:24,140 --> 00:18:27,400
Mucho gusto como a mamá quiero.
89
00:19:17,500 --> 00:19:18,500
Oh,
90
00:19:19,480 --> 00:19:21,600
you go out dancing now.
91
00:19:22,360 --> 00:19:24,340
Yeah, you go all night.
92
00:19:25,820 --> 00:19:29,220
All the bright lights of the city.
93
00:19:29,580 --> 00:19:32,860
Do your thing. Looking so pretty.
94
00:19:33,580 --> 00:19:34,580
Baby,
95
00:19:35,980 --> 00:19:37,480
won't you be mine?
96
00:19:41,280 --> 00:19:43,080
Oh, Chiquita.
97
00:19:48,910 --> 00:19:49,910
Are you crazy?
98
00:22:53,780 --> 00:23:00,680
Going through your mind, going through
your mind. And when you move like that,
99
00:23:00,780 --> 00:23:05,140
I'm baby right on time, baby right on
time.
100
00:23:06,440 --> 00:23:08,920
Oh, you're burning. I'm on fire.
101
00:23:09,540 --> 00:23:10,780
Oh, baby.
102
00:23:11,220 --> 00:23:12,760
You know it's desire.
103
00:23:13,500 --> 00:23:15,320
Mucho, mucho, baby.
104
00:23:16,500 --> 00:23:18,280
Come and get mine.
105
00:23:18,700 --> 00:23:20,080
Come and get mine.
106
00:23:21,180 --> 00:23:22,900
Oh, Chiquita.
107
00:23:24,300 --> 00:23:26,620
Get más bonita.
108
00:23:27,600 --> 00:23:29,400
You drive me crazy.
109
00:23:56,259 --> 00:24:03,040
Lately, I've been thinking about...
110
00:24:36,430 --> 00:24:42,650
Cause you give me so much when
111
00:24:42,650 --> 00:24:44,490
I'm with you
112
00:24:44,490 --> 00:24:52,630
Restless
113
00:24:52,630 --> 00:24:53,630
heart
114
00:25:08,240 --> 00:25:09,240
just can't
115
00:27:09,260 --> 00:27:11,900
You know you are my best friend.
116
00:27:12,260 --> 00:27:15,680
We'll be together till the end.
117
00:27:16,180 --> 00:27:19,100
We'll always have a good time.
118
00:27:20,020 --> 00:27:23,180
I'm looking to see what you find.
119
00:27:23,760 --> 00:27:27,040
Don't ever give up. We're going to win.
120
00:27:27,800 --> 00:27:29,120
That's the way.
121
00:28:17,710 --> 00:28:19,990
Open up to me, woman of the city.
122
00:28:21,030 --> 00:28:22,510
All right.
123
00:28:24,390 --> 00:28:26,290
Open up to me.
124
00:28:27,110 --> 00:28:31,170
See how good we can be, woman of the
city.
125
00:28:32,370 --> 00:28:33,750
Go pretty.
126
00:28:55,370 --> 00:28:58,650
Dreams and promises, don't hesitate.
127
00:28:59,790 --> 00:29:04,690
This is the time, but it's not too late.
128
00:29:05,350 --> 00:29:10,450
So many changes to go on through.
129
00:29:11,110 --> 00:29:15,690
It's amazing in life what one can do.
130
00:29:17,230 --> 00:29:19,090
Open up to me.
131
00:29:20,010 --> 00:29:22,630
See how good love can be.
132
00:29:22,930 --> 00:29:24,150
Woman of the city.
133
00:29:25,200 --> 00:29:26,200
Oh, baby.
134
00:29:27,960 --> 00:29:30,260
They're all clean up to me.
135
00:29:31,200 --> 00:29:33,700
See how good we can be.
136
00:29:34,020 --> 00:29:35,340
Woman of today.
137
00:29:36,640 --> 00:29:37,740
Looking so.
138
00:29:40,600 --> 00:29:43,660
We'll always go out together.
139
00:29:44,300 --> 00:29:45,940
It doesn't matter.
140
00:29:46,700 --> 00:29:47,700
Whatever.
141
00:29:48,240 --> 00:29:51,320
We'll have a good time. Whatever we do.
142
00:30:32,360 --> 00:30:33,580
Mae West was a great lady.
143
00:30:33,820 --> 00:30:38,680
I had an opportunity to meet her when I
first went to work at a major studio.
144
00:30:38,980 --> 00:30:43,800
And she came to give me that, come on,
boy, come on up and meet me sometime.
145
00:30:44,300 --> 00:30:48,400
It was wonderful to have Mae West. And
you could go up and meet her sometime.
146
00:30:48,820 --> 00:30:52,700
I went up and we went out and had
something to eat and so on. It was a
147
00:30:52,700 --> 00:30:53,700
delight to be with.
148
00:30:53,800 --> 00:30:58,100
All the women in my films are, well, are
they strong? I question the whole thing.
149
00:30:58,120 --> 00:31:00,540
I like the whole idea that the women are
giving.
150
00:31:01,600 --> 00:31:05,620
And encouraging people to take advantage
of them. The very idea that they're
151
00:31:05,620 --> 00:31:08,880
going to have somebody that's going to
be aggressive.
152
00:31:09,140 --> 00:31:13,620
They like that thing, as far as I was
concerned. The aggressiveness of the
153
00:31:13,620 --> 00:31:19,460
women that I used in my films. The women
that could really kick the hell out of a
154
00:31:19,460 --> 00:31:21,360
guy. And it was something that he
deserved.
155
00:31:21,980 --> 00:31:26,460
He was way out of line. He was doing
something that was not to the benefit of
156
00:31:26,460 --> 00:31:29,660
the lady. And I like that. Get in there
and just wail away and let him have it.
157
00:32:47,150 --> 00:32:48,890
She's a serious woman.
158
00:32:51,110 --> 00:32:53,990
Got a mind of her own.
159
00:32:56,130 --> 00:32:59,870
She's got what every woman wants.
160
00:33:00,930 --> 00:33:03,610
Yeah, she knows where she's going.
161
00:33:05,830 --> 00:33:08,930
Pick you up in her...
162
00:33:17,900 --> 00:33:20,680
Thank you.
163
00:33:22,000 --> 00:33:23,400
Thank
164
00:33:23,400 --> 00:33:30,800
you.
165
00:34:24,080 --> 00:34:27,960
You blew my truth and you blew my life.
166
00:34:28,520 --> 00:34:32,560
You know it happens with the time.
167
00:34:38,080 --> 00:34:38,840
Come
168
00:34:38,840 --> 00:34:45,800
on, come
169
00:34:45,800 --> 00:34:48,239
on. Yeah, baby, just like that.
170
00:34:49,159 --> 00:34:51,600
Oh, baby, that's where it happens.
171
00:34:53,580 --> 00:34:57,420
You know you blow my mind when you do
that every time.
172
00:34:58,180 --> 00:34:59,200
Come on, girl.
173
00:34:59,540 --> 00:35:01,440
You know I'd like it like that.
174
00:35:23,550 --> 00:35:24,950
Thank you.
175
00:36:52,640 --> 00:36:55,440
Thank you.
176
00:39:29,900 --> 00:39:32,400
We're going up, we're going down.
177
00:39:33,000 --> 00:39:36,180
We've got to pick ourselves all around
town.
178
00:39:36,420 --> 00:39:39,540
So many things we want to do.
179
00:39:40,180 --> 00:39:43,180
Let's get to get me and you.
180
00:39:43,760 --> 00:39:46,760
Let's give a shot, a sip of pain.
181
00:39:47,420 --> 00:39:50,180
Just got to see what it brings.
182
00:39:50,980 --> 00:39:53,960
Put your hands in the air.
183
00:39:54,520 --> 00:39:57,400
It's awesome fun, but we don't care.
184
00:40:00,200 --> 00:40:01,200
Happy time.
185
00:40:02,180 --> 00:40:04,740
Happy time.
186
00:40:05,200 --> 00:40:08,000
Happy time. Happy time. Happy time.
187
00:40:08,520 --> 00:40:09,960
Happy time.
188
00:40:10,340 --> 00:40:10,800
Happy
189
00:40:10,800 --> 00:40:28,000
time.
190
00:40:28,840 --> 00:40:29,840
Come on and dance.
191
00:40:30,720 --> 00:40:33,160
Yes, I take a chance.
192
00:40:34,420 --> 00:40:36,780
Shaggy fuzzy with a funny face.
193
00:40:37,580 --> 00:40:40,540
And I'm about to win the race.
194
00:40:41,760 --> 00:40:44,080
Don't miss it. I tell you no lie.
195
00:41:46,830 --> 00:41:48,670
crazy. A heart of the head.
196
00:41:49,270 --> 00:41:50,550
What's he with now?
197
00:41:50,870 --> 00:41:52,170
That's what I said.
198
00:41:53,170 --> 00:41:55,950
Shot boom, shot boom, there's a boom.
199
00:41:56,430 --> 00:41:59,290
You know I like a sexy boom.
200
00:42:00,130 --> 00:42:02,950
Look through a father's wine.
201
00:42:03,570 --> 00:42:06,530
He did it just fine.
202
00:42:08,290 --> 00:42:10,270
A touch of sermon.
203
00:42:10,930 --> 00:42:13,730
Boy, we all can have some fun.
204
00:42:39,790 --> 00:42:43,390
I would say my favorite film is Beyond
the Valley of the Dolls. It was an
205
00:42:43,390 --> 00:42:47,630
opportunity for me to get into the
majors and do the kind of film that I
206
00:42:47,630 --> 00:42:48,630
wanted to do.
207
00:42:48,870 --> 00:42:53,610
I had a great associate, and that's
Roger Ebert. He's into the same thing as
208
00:42:53,610 --> 00:42:57,550
I is, and that's exactly really tits. He
loves tits. I love tits.
209
00:42:57,870 --> 00:43:02,630
Without him, we wouldn't have been able
to come up with something that had what
210
00:43:02,630 --> 00:43:04,590
we did come up with in the film.
211
00:43:05,050 --> 00:43:08,110
Beyond the Valley of the Dolls.
Recently, I showed the film in a
212
00:43:08,110 --> 00:43:13,530
rainstorm in Florida, and we had an
enormous collection of women to come to
213
00:43:13,530 --> 00:43:17,470
see the picture, and that's gratifying,
that when you have a film that's largely
214
00:43:17,470 --> 00:43:22,550
constructed of attractive ladies, and
then you find a whole bunch of ladies
215
00:43:22,550 --> 00:43:25,730
that want to just come in there and sit
down and enjoy the picture because of
216
00:43:25,730 --> 00:43:26,730
the content.
217
00:43:26,970 --> 00:43:29,190
Glamour. Yes, glamour.
218
00:43:29,410 --> 00:43:30,410
Glamour.
219
00:43:32,440 --> 00:43:35,560
Or Charles Albury would have said
glamour.
220
00:43:35,940 --> 00:43:37,560
I don't like the term.
221
00:43:38,160 --> 00:43:42,640
I'd rather think in terms of how a girl
was set up and constructed.
222
00:43:43,580 --> 00:43:48,380
The word glamorous seems to be an old,
old term. I don't care for it myself.
223
00:43:48,800 --> 00:43:49,800
It's not in your vocabulary.
224
00:43:49,900 --> 00:43:53,460
No, I'd much rather say that this girl's
built like a brick shithouse. It would
225
00:43:53,460 --> 00:43:55,020
do a lot more for me.
226
00:51:51,480 --> 00:51:52,840
Thank you.
227
00:53:17,800 --> 00:53:21,120
I just like the whole idea of what's
happened in my past.
228
00:53:22,080 --> 00:53:27,180
I've had the fortune of meeting some
wonderful ladies and married some of
229
00:53:27,180 --> 00:53:28,880
them and lived with them.
230
00:53:29,100 --> 00:53:34,220
I can only think highly of them, for
that matter. I just want to keep doing
231
00:53:34,220 --> 00:53:38,500
and making movies and make them funny. I
think the whole idea is coming out with
232
00:53:38,500 --> 00:53:41,260
things that are amusing to put on, send
up.
233
00:53:41,640 --> 00:53:44,080
That's it. That's what I want to do.
Keep doing it.
234
00:53:44,780 --> 00:53:48,040
On behalf of Playboy, thank you for
joining us.
16350
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Irish
Italian
Japanese
Javanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof