Original subtitles

"My Outro For For My 21st Birthday"

"My Outro For For My 21st Birthday" Come in London.

Do you read me? This is flight 612 to London control A. We've hit a solar

turbulence area and it's jamming a radio band.

Can you switch to an alternate range? Over.

It's getting rougher by the minute.

What's happening to us? What's that thing out there, man?

I don't know what it is. That's terrible.

What is it? Please, everyone return to your seats

and fasten your seat belts. I'm sure it's only

some kind of atmospheric disturbance.

Pull above it, get away from it. I can't. I think I'm losing control.

Give me a hand. It's the response. It's trying to seem like a magnet.

It's no use, Dan. It's completely out of control.

How are they taking it? Like me, scared.

She's in control again. Ready for re-entry?

Yeah. Re-entry out of two computed and pre-set.

Begin re-entry. This is Captain Burton.

We are now approaching London re-entry.

The extreme turbulence that you've been experiencing is now over.

Thank you. Hello, London. Suborbital flight

612 to London control A. We are in full atmosphere

and awaiting landing instructions. Do you scan us?

Over. Is it still out of order? There's nothing coming in.

Take a look. It can't be.

There's a city down there and we're getting those signals.

Take her down. We don't have tower clearance.

We don't have any choice. Our power cells are fading.

Okay, old buddy. I just hope we hit a solid spot.

No, my chair. Listen. My bag. Everyone, please

stay where you are. Stay where you are, please.

That's the funniest looking London fog I've ever seen.

If it really is London. Anything from control

A? I've got the radio signal seeker ranging in

all bands, but nothing. Not a funny thing.

I don't hear any landing stewards tapping on the hatch.

Maybe we'd better go out to see where we are.

Betty, keep them happy till we get back.

What's going on? Where are we? What happened to the lights?

There's no need for concern. We've made an emergency

landing just outside London. For the time being,

will you all remain in your seats and fasten your seat belts?

Ma'am? Yes. Can you please help me with this?

It came untied. Of course. Thank you.

You know, I was wondering what will happen if those cousins of mine don't meet me.

You think they will, ma'am? Oh, yes. But if they don't,

honey, I'll take you home with me and you'll

never be an orphan again. Miss, there's no need

to get me over to the airport. I'll get off right here.

Oh, well, I'm sorry, Commander, but no one

can leave the ship right now. Why don't you just

sit back and relax, huh? Look, I'll...

Don't touch that! Stuart is. Yes, Miss Scott. We can't be too

far out of London. And if I could just get to a

telephone, I could call my chauffeur and he could

pick me up right here. Oh, I'm afraid that's impossible.

However, surface transportation will be arranged for everyone as soon as possible.

That's not good enough. I have a 50 million dollar deal in London that won't wait.

Well, I'm sorry, Mr. Wilson. We're doing the best that we can.

Get that captain in here. I want to know

what's happening. Captain Burton's out of the

ship for the moment making transfer arrangements.

He'll be back as soon as he can make some kind of contact.

[Music]

Everyone, strap in. We're taking off. Taking off?

London? London is my destination. What's happening? Where are we? What's the matter? Why are we lifting

off? There's something out there. I just hope it didn't see us. There's something. What's something?

[Music]

[Screams]

[Music] 5,000 feet.

5,000 feet and there's still buildings all around us.

It can't be. It just can't be.

[Music]

Steve, what are you doing? We can't knock them off.

Betty, get back and prepare for landing.

You can't get back into orbit. Look for yourself. You don't have to reserve power.

[Music]

Put us down and recharge our power cells. We're going to need enough

thrust to reach escape velocity. Do you really think there is an escape?

[Music]

Sit down secure. Nice going, Skipper. There's just one little thing.

What's that? What do we tell the passengers?

24 hours. You've got to be kidding. I have to be in London when the Bank of

England opens this morning. I'm sorry, Mr. Wilson. Well, sorry isn't good enough.

Okay, let's get to the bottom line.

How much do you want? How much? You heard me. How much?

Whatever they're paying you to delay my arrival in London, I'll beat the price.

No one is paying me. What I told you is true.

Spare me the fairy tales. You know what I'm talking about. I'm on the open market.

So what's your price for getting me to London in half an hour?

Look, Captain. Either you take me to London right now

or when we get there, you'll answer to the police.

That suits me fine. Now get back to your seat.

All of you, please get back to your own seats.

[Music]

How come you didn't mention that London's radio report on Commander Fitzhugh?

It's none of my business that they're police waiting for.

As long as he doesn't give us any trouble. Well, I think they picked the wrong man.

He just doesn't look the type that would steal a million dollars.

[Music] Commander.

That way. Get back in there.

But Commander.

Come here.

But nobody's supposed to leave the ship. That's a direct order.

Every soldier or sailor has to pay a direct order.

I know. Before he died, my father was a Marine Lieutenant Colonel.

Young man, you're forcing me to perpetrate a breach in your official confidence act.

But I feel you can be trusted. Actually, I'm a top secret courier.

How come that isn't chained to your wrist?

You're as bright as a penny, aren't you? Let me put it another way. They're

devilish men who would stop at nothing if they could get their hands on this bag.

So I must take my chances out there.

I understand, sir.

I knew you were my boy. Oh, by the way, for the sake of security,

I trust everything we've discussed will remain confidential.

It will, sir.

You're a good boy.

Good-bye, sir.

Commander.

Get away, get away. You'll ruin everything.

Established men you mentioned, sir. I think they may be catching up with you.

Where? Where?

That's there.

Tell him I went the other way. Tell him you didn't see me. Tell him anything.

Commander Fitz, you and the boy are gone.

When did you see them last?

Just a little while ago.

I was in the galleon when I came back. They weren't there.

Okay, see if the others know where they are.

Right.

Take her off recharge. I'm going to turn the landing lights on full power.

We might be able to spot them out there.

Steve, that'll set our recharge back an hour at least.

Look, will you do it?

Break out the hand radio. I want to take a look.

I've got a smashing idea. I'll go with you.

I don't think that'll be necessary.

Dan, you keep the landing lights off and don't turn them

on for any reason. I'll call in here for fifteen minutes.

All right?

Yeah, fine.

I've got to see what's out there.

[Music]

[Music]

Dan, this is Steve. Do you read me?

Yeah, loud and clear. Any luck?

No, no sign of them yet.

Look, set up a radar scan to see if you can pick up anything moving in this area.

Right.

Steve, I don't know what it is, but there's a lot of movement out there.

Does it look like it could be anything our size?

I know, it's hard to figure. They come in all shapes and all sizes.

Steve, take it easy out there. You've got a lot of company.

[Music]

[Music]

Steve, what's happening?

Steve, do you read me? Are you all right?

Dan, I'm all right.

What's going on out there?

Giant spiders.

Hang on, Steve. I'm coming out.

It's okay. I'm clear of them now. Just sit tight. I'll check with you later.

Spiders. Giant spiders.

[Music]

I know what you're going to say, but I had to come.

Get back to that ship now.

All by myself. If something could happen to me.

Well, I've got to find Fitzhugh and that boy before it's too late.

Too late?

Before someone else finds him.

Everything Captain Burton told us is true.

Yes, sir. Maybe we'd better get back to the ship.

Let's go.

[Music] Open it up.

Open it up.

You must get out of here.

Hurry up.

Fitzhugh, I have to close it. That thing is after us.

There are two more people!

[Music] Gas!

Gas! Let me out of here. Shut up and stay put.

Are you all right?

I'm okay.

Dance firing the stabilizing retros.

What good could that possibly do? We are doomed.

I know, I know. Shut up.

When that cat gets anywhere near those hot

motors, it could give them a lot to think of.

What's that?

I don't know. Whatever it is, let's leave it alone.

[Music]

Burton to spin drift. Burton to spin drift.

Are you there, Dan?

Dan, do you read me?

That's wrong. Stay out of there.

Don't worry, I won't buy it without my lawyer's advice.

What kind of a man are you? I told you to stay out of there.

Don't you ever listen to anyone? We don't know what kind of... Now what?

Keep trying to shut up.

[Music]

[Music]

Whatever it was, it must have found him.

Tragic, tragic. The last hope of our two friends, undoubtedly perished.

Shut up, that's you.

Your loyalty does you credit, Mr. Erickson. When we return to our

own world, I'll see to it that your heroic intentions are duly noted.

Meanwhile, Mr. Bilson will fix the ship's engines without delay. Won't you?

Look, I don't care whether he does or not. We are not leaving here

without Captain Burton or Miss Scott. Now do I make myself clear?

It's moving off the scope.

I'll increase the range two miles.

Anything?

No. Last sign of action was right there. Two small blips.

Yes, sir.

That's not making a Navy issue, is it, sir?

Let's just say it's part of our survival kit.

Yes, indeed. Very vital part of our survival kit.

Is that you, Professor?

Yes, that's me.

Yes, sir.

Yes, sir.

Yes, sir.

It's not too promising.

Charlie, he'll be back any second.

Okay, take it easy.

He doesn't even know we're here. Maybe he'd help us if he did.

What?

I'm going to ask him.

Are you out of your mind?

No, I think we should ask him. After all, he does appear to be civilized.

We're just six-inch oddities. Maybe you don't mind being kept in a bottle all

your life and fed three meals a day through an eyedropper, but not for me, thanks.

We've got to find the hiding place.

Give me your hand.

Are you really nuts?

Yes, sir.

(Music)

(Music)

(Music) (Music) Run!

Run!

Not much of a grappling hook, I'm afraid.

But it'll work.

What's so funny, if it's you?

A bunch of tiny midgets trying to attack a world of

giants with a broken razor blade and a safety pin.

We're going out to bring back Steve and Miss Scott.

Or die in the attempt.

Actually, sir, it's not as bad as you say.

We do have one more weapon. Your survival gun.

Gun? What gun?

This gun!

The one that says we leave right now. Without Burton or Miss Scott.

Mr. Fitzhugh.

This ship is inoperable.

If it is, Mr. Wilkes will make it operable. He's also an engineer.

Inside. Get the engines going.

You're not going to listen to him.

I learned a long time ago not to argue with a gun.

Come here.

Sit down!

Inside, you two.

Now. Now go ahead and shoot.

I'm not bluffing. Don't try to be a dead hero!

I want you. I'll shoot! I swear to you, I'll shoot!

Okay, so you'll shoot.

And then what?

Can you fly this ship out of here?

Can any of you?

Get back.

I'll shoot. I'll shoot!

I'll shoot.

Hold it!

Wait for me.

What are you looking at?

Nothing, sir.

Is that a snide reference to the fact that I am a nothing?

No, sir.

I just thought since you were the only real soldier here, you'd be the first to fight.

My boy.

I'm sorry.

I'm not a military man.

I'm just a worthless old nothing.

I've never fought in a war in his life.

But you could, sir.

You could now.

I'm not a soldier.

Let's try this way.

That's Valerie. Come on!

I'm not a soldier.

I'm not a soldier.

If you can create a distraction, I think I can climb up there.

Start climbing.

I'm not a soldier. I'm not a soldier.

I'm not a soldier.

What happened?

It's the gas. It exploded.

Steve.

Am I glad to see you two.

Hurry.

I'm not a soldier. I'm not a soldier.

Come on. Let's go.

Go ahead.

I'm not a soldier. I'm not a soldier.

I'm not a soldier. I'm not a soldier.

I'm not a soldier. I'm not a soldier.

I'm not a soldier. I'm not a soldier.

Steve. Steve.

Commander, we've got to do something right away.

Steve.

In there. Let's get out of here.

Hurry. Get in.

Come back.

I don't know where it goes.

We've got a chance.

I'm not a soldier. I'm not a soldier.

I'm not a soldier. I'm not a soldier.

(Coughing) Who?

Look. Somebody look.

This is the bottom of the barrel.

A garbage dump.

Let's find our way back to the ship.

If we can.

Chipper.

Chipper, come back.

Chipper.

Chipper.

(Barking) Barry.

Come on.

Get in the car.

Barry.

(Barking)

(Gasping)

(Gasping)

(Gasping)

(Barking)

Get him out of here.

Get him in the cart.

In there.

(Screaming)

(Gasping) Steve.

(Barking)

(Screaming) Steve.

(Gasping) I can't go on.

I can't stand it any longer.

It's past the nightmare in this hideous world.

I want to get out of here.

I'm never knowing what's going to come next.

I can't go on.

I'm going to get out of here.

From now on, that's just the way it's going to be in this world.

(Music)

(Music)