All language subtitles for Californication S03E10 Dogtown

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,030 --> 00:00:11,560 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:11,600 --> 00:00:12,760 - NOT HANK'S FAULT? EXCUSE ME. 3 00:00:12,800 --> 00:00:14,800 WHAT DOES THAT MEAN? - IT'S NOT MY FAULT. 4 00:00:14,830 --> 00:00:16,530 - YOU DIDN'T TELL HER. 5 00:00:16,570 --> 00:00:17,600 - TELL ME WHAT? 6 00:00:17,630 --> 00:00:20,170 - BECCA'S FATHER AND I HAD A SLIGHT INDISCRETION. 7 00:00:20,200 --> 00:00:21,370 - SHE'S GOT TO BE KIDDING ME, RIGHT? 8 00:00:21,410 --> 00:00:24,670 I DON'T WANT TO HEAR ABOUT FELICIA AND HER MID-LIFE CRISIS. 9 00:00:24,710 --> 00:00:26,610 - FUCK ME, BONE ME, STUFF ME. 10 00:00:26,640 --> 00:00:28,150 TAKE YOUR PICK. - OH. 11 00:00:28,180 --> 00:00:30,710 - WAIT, WHO ELSE HAS HE BEEN FUCKING? 12 00:00:30,750 --> 00:00:33,420 YOU? OH, GROSS. 13 00:00:33,450 --> 00:00:35,690 - CAN'T BELIEVE YOU SLEPT WITH ALL OF THEM. 14 00:00:35,720 --> 00:00:37,190 - YOU'RE A GODDAMN GIRL-WHISPERER. 15 00:00:37,220 --> 00:00:38,260 - OKAY. 16 00:00:38,290 --> 00:00:40,090 - JULIAN'S A WRITER TOO. - REALLY. 17 00:00:40,120 --> 00:00:41,390 - HE WROTE THE ARTIST WITHIN. 18 00:00:41,430 --> 00:00:42,730 FUCKING GENIUS. 19 00:00:42,760 --> 00:00:44,390 - WHY ARE YOU ASKING ME TO PROCURE YOU DRUGS 20 00:00:44,430 --> 00:00:45,830 LIKE I'M YOUR ASSISTANT? 21 00:00:45,860 --> 00:00:48,300 - I'M DATING MY DREAM CRUSH. 22 00:00:48,330 --> 00:00:50,370 HITTING MY PEAK SEXUALLY. 23 00:00:50,400 --> 00:00:52,500 - JUST GIVE ME MY BLOW, AND LET'S JUST CALL IT A DAY. 24 00:00:52,540 --> 00:00:54,570 - NO FUCKING WAY, RICK SPRINGFIELD. 25 00:00:54,600 --> 00:00:56,710 - YOU JUST DON'T WANT ME TO BE HAPPY, CHARLIE. 26 00:00:56,740 --> 00:00:59,310 - HA HA HA. - [grunts] 27 00:00:59,340 --> 00:01:00,510 SHIT. 28 00:01:00,540 --> 00:01:02,180 YOU'RE GOING TO GET YOUR ASS FIRED? 29 00:01:02,210 --> 00:01:03,710 - IF I FIRE YOU FIRST. - CHARLIE. 30 00:01:03,750 --> 00:01:07,580 YOU WANT TO GO BACK TO SLINGING BEAMERS IN THE VALLEY? 31 00:01:07,620 --> 00:01:09,320 - ALL RIGHT, MAYBE I GOT CARRIED AWAY. 32 00:01:15,490 --> 00:01:18,730 [Black Sabbath's N.I.B.] 33 00:01:18,760 --> 00:01:20,730 - * OH, YEAH 34 00:01:24,430 --> 00:01:28,810 * SOME PEOPLE SAY MY LOVE CANNOT BE TRUE * 35 00:01:28,840 --> 00:01:33,880 * PLEASE BELIEVE ME, MY LOVE, AND I'LL SHOW YOU * 36 00:01:33,910 --> 00:01:38,480 * I WILL GIVE YOU THOSE THINGS YOU THOUGHT UNREAL * 37 00:01:38,520 --> 00:01:42,620 * THE SUN, THE MOON, THE STARS ALL BEAR MY SEAL * 38 00:01:42,650 --> 00:01:44,690 [music stops] 39 00:01:44,720 --> 00:01:46,490 - LIKE ONE GLASS OF THAT WINE, 40 00:01:46,520 --> 00:01:47,490 BUT I DON'T LIKE-- - HEY. 41 00:01:47,520 --> 00:01:48,890 - HEY. - WHAT'S THE DILLY, YO? 42 00:01:48,930 --> 00:01:50,190 WHERE ARE YOU FINE YOUNG WENCHES 43 00:01:50,230 --> 00:01:51,200 OFF TO THIS EVENING? 44 00:01:51,230 --> 00:01:52,760 - OH, DINNER, YEAH. - OH. 45 00:01:52,800 --> 00:01:53,760 GREAT, I COULD EAT. 46 00:01:53,800 --> 00:01:54,830 YOU JUST GIVE ME A SECOND? 47 00:01:54,860 --> 00:01:57,600 I WANT TO CHANGE MY SHIRT. THESE PITS ARE BARKING. 48 00:01:57,630 --> 00:01:59,300 NO, ACTUALLY, THAT'S PRETTY GOOD. 49 00:01:59,340 --> 00:02:00,370 SALTY. 50 00:02:00,400 --> 00:02:01,570 YEAH, YOU GIRLS WANT SOME OF THIS? 51 00:02:01,610 --> 00:02:03,510 CHECK IT OUT? KEEPS YOU REGULAR. 52 00:02:03,540 --> 00:02:05,580 ALL RIGHT, WHAT ARE WE THINKING? 53 00:02:05,610 --> 00:02:08,250 - WE'RE THINKING THAT YOU WEREN'T EXACTLY INVITED. 54 00:02:08,280 --> 00:02:09,480 - OH. 55 00:02:09,510 --> 00:02:11,420 [cell phone rings] THAT SHIT IS COLD. 56 00:02:11,450 --> 00:02:13,550 - YEAH, YOU KNOW MARCY'S IN A FUNK 57 00:02:13,580 --> 00:02:15,520 ABOUT THE WHOLE RICK SPRINGFIELD OF IT ALL. 58 00:02:15,550 --> 00:02:16,520 SO-- - HEY, CHELS. 59 00:02:16,550 --> 00:02:18,520 - WE WERE GOING TO, YOU KNOW, TAKE HER OUT, 60 00:02:18,560 --> 00:02:19,760 SHOW HER A GOOD TIME. 61 00:02:19,790 --> 00:02:21,960 LADY STUFF. - I LIKE THE LADY STUFF. 62 00:02:21,990 --> 00:02:22,830 - I KNOW YOU DO. 63 00:02:22,860 --> 00:02:24,790 - I WAS KIND OF LOOKING FORWARD TO THIS 64 00:02:24,830 --> 00:02:27,800 AS A LITTLE FAMILY TOGETHERNESS TIME. 65 00:02:27,830 --> 00:02:30,530 - OH, WELL, MAYBE NEXT TIME. 66 00:02:30,570 --> 00:02:33,770 - 'CAUSE I THOUGHT IT MIGHT BE GOOD FOREPLAY. 67 00:02:33,800 --> 00:02:36,870 - OH, UM, FAMILY TOGETHERNESS EQUALS FOREPLAY HOW EXACTLY? 68 00:02:36,910 --> 00:02:37,940 - WELL, IT'S BEEN QUITE SOME TIME 69 00:02:37,970 --> 00:02:39,340 SINCE WE'VE LAIN TOGETHER-- 70 00:02:39,380 --> 00:02:40,880 - YEAH. YEAH. - AS MAN AND WOMAN. 71 00:02:40,910 --> 00:02:42,810 - AND IT'S GOING TO BE--IT'S GOING TO BE SOME TIME, HANK. 72 00:02:42,850 --> 00:02:43,880 - REALLY? CAN YOU-- - MM-HMM. 73 00:02:43,910 --> 00:02:46,920 - HOW MANY... DAYS, WEEKS, MONTHS? 74 00:02:46,950 --> 00:02:51,260 - WELL, WHEN I CLOSE MY EYES, AND I DON'T SEE YOU INSIDE 75 00:02:51,290 --> 00:02:53,220 THAT ANNOYING LITTLE SIMP OF A WOMAN. 76 00:02:53,260 --> 00:02:54,360 - OH, THAT'S GROSS. 77 00:02:54,390 --> 00:02:56,290 - THEN--THEN MAYBE I'LL BE GOOD TO GO. 78 00:02:56,330 --> 00:02:57,530 - WHY, WHY-- - I MEAN, ROUGHLY SPEAKING. 79 00:02:57,560 --> 00:02:58,700 - WHY YOU GOT TO BE LIKE THAT? 80 00:02:58,730 --> 00:03:00,430 - WAS IT GOOD, HANK? THE SEX? 81 00:03:00,460 --> 00:03:02,830 - AH, COME ON. - DID SHE ROCK YOUR WORLD? 82 00:03:02,870 --> 00:03:03,870 DID SHE FUCK YOUR BRAINS OUT? 83 00:03:03,900 --> 00:03:06,970 - OH, STOP, I WAS PERFORMING A SERVICE, KAREN. 84 00:03:07,000 --> 00:03:08,470 WHEN A PLUMBER WORKS ON PIPES, 85 00:03:08,510 --> 00:03:10,440 HE DOESN'T THINK ABOUT THE QUALITY OF THE PIPES. 86 00:03:10,470 --> 00:03:11,980 HE JUST FIXES THE SHIT OUT OF THEM, 87 00:03:12,010 --> 00:03:13,580 AND THEN HE GOES THE FUCK HOME. 88 00:03:13,610 --> 00:03:15,510 AND DRINKS TO FORGET. 89 00:03:15,550 --> 00:03:17,750 ALL RIGHT, WELL, YOU GUYS HAVE A LOVELY EVENING. 90 00:03:17,780 --> 00:03:19,020 SAY HI TO THE MARCE FOR ME. 91 00:03:19,050 --> 00:03:20,550 TELL HER TO KEEP HER CHIN UP. 92 00:03:20,580 --> 00:03:22,590 I'LL BE FINE HERE ALONE. 93 00:03:22,620 --> 00:03:25,890 EATING A PB&J UNDER A BARE BULB. 94 00:03:25,920 --> 00:03:28,890 [upbeat music] 95 00:03:28,930 --> 00:03:36,870 * 96 00:04:13,840 --> 00:04:16,010 - GROUND CONTROL TO MAJOR DONG. 97 00:04:20,410 --> 00:04:22,680 - NOT A GOOD TIME, HANK. 98 00:04:22,710 --> 00:04:24,650 - I'M GETTING A SERIOUS RELOCATION VIBE, HERE. 99 00:04:24,680 --> 00:04:26,450 YOU MOVING NORTH OF WILSHIRE? 100 00:04:26,480 --> 00:04:28,020 - I GOT THE AX, HANK. 101 00:04:28,050 --> 00:04:29,220 SHIT-CANNED. 102 00:04:29,250 --> 00:04:32,890 CHARLIE RUNKLE IS ONCE AGAIN AN AGENT WITHOUT AN AGENCY. 103 00:04:32,920 --> 00:04:34,590 - RICK SPRINGFIELD ANKLED? 104 00:04:34,620 --> 00:04:35,760 - THAT'S RIGHT. 105 00:04:35,790 --> 00:04:39,600 THAT HE-MAN, WOMAN-HATING SALAD-TOSSER IS NOW IN PLAY. 106 00:04:39,630 --> 00:04:40,660 - BUCK UP, CHUCK. YOU'VE STILL GOT ME. 107 00:04:40,700 --> 00:04:43,030 I'M BOUND TO PUT PEN TO PAPER ONE OF THESE DAYS. 108 00:04:43,070 --> 00:04:43,830 HEY, FUCK YOU. 109 00:04:43,870 --> 00:04:46,100 - WHOO-HOO. - ALL RIGHT, RUNKLE. 110 00:04:46,140 --> 00:04:47,700 HERE ARE THE REST OF THEM. 111 00:04:47,740 --> 00:04:49,770 I TRUST YOU WILL BE DISCREET, 112 00:04:49,810 --> 00:04:52,540 ESPECIALLY WITH THE ONES WITH MY LEGS AKIMBO. 113 00:04:52,580 --> 00:04:53,840 - SURE THING, SUE. 114 00:04:53,880 --> 00:04:55,980 - AH, THE WRITER WHO DOESN'T WRITE. 115 00:04:56,010 --> 00:04:58,680 I TAKE IT YOU'RE OFF WITH JERRY MAGUIRE, HERE. 116 00:04:58,720 --> 00:04:59,680 - OH, UNDOUBTEDLY. 117 00:04:59,720 --> 00:05:01,520 HOMIES BEFORE HOS, YOU KNOW? 118 00:05:01,550 --> 00:05:04,820 - AH, GOOD. WELL, IT SAVED ME A PHONE CALL. 119 00:05:04,850 --> 00:05:06,090 THERE'S NO HEAT ON YOU. 120 00:05:06,120 --> 00:05:08,690 I MEAN, YOU'RE AS COLD AS A WITCH'S CUNNY. 121 00:05:08,730 --> 00:05:09,990 - OUCHIE-WAHWAH. 122 00:05:10,030 --> 00:05:11,900 THE LADY'S REALLY GOT IT IN FOR ME THIS EVENING. 123 00:05:11,930 --> 00:05:13,430 - HEY, HEY, HEY. IT'S JUST BUSINESS. 124 00:05:13,460 --> 00:05:14,500 - OH, YEAH. - YOU UNDERSTAND. 125 00:05:14,530 --> 00:05:15,500 - I GET IT. - NOTHING PERSONAL. 126 00:05:15,530 --> 00:05:16,900 - NOPE. 127 00:05:16,930 --> 00:05:18,370 - NOW, RUNKLE. 128 00:05:18,400 --> 00:05:19,700 JUST BECAUSE WE NO LONGER HAVE 129 00:05:19,740 --> 00:05:20,700 A PROFESSIONAL RELATIONSHIP 130 00:05:20,740 --> 00:05:25,070 DOES NOT MEAN THAT YOU CANNOT WINE ME, DINE ME, 131 00:05:25,110 --> 00:05:29,050 AND STAND-UP 69 ME ONCE IN A WHILE, HUH? 132 00:05:29,080 --> 00:05:30,580 - DEAR GOD. 133 00:05:30,610 --> 00:05:31,750 - WELL, SHE'S GOT A POINT. 134 00:05:31,780 --> 00:05:33,120 THERE'S NO REASON YOU SHOULD LET 135 00:05:33,150 --> 00:05:35,420 A PROFESSIONAL MISSTEP COME BETWEEN YOU 136 00:05:35,450 --> 00:05:36,850 AND A QUALITY 69. 137 00:05:36,890 --> 00:05:38,460 - SO YOU FIRE ME, 138 00:05:38,490 --> 00:05:41,460 BUT YOU STILL WANT ME AROUND AS SOME SORT OF BOY TOY? 139 00:05:41,490 --> 00:05:43,160 - HOW'S SUNDAYS FOR YOU? 140 00:05:43,190 --> 00:05:46,460 - CHARLIE RUNKLE IS NOT A DOORMAT. 141 00:05:46,500 --> 00:05:49,130 HE'S NOT SOME LITTLE PUPPY THAT COMES TROTTING BACK 142 00:05:49,170 --> 00:05:50,900 AFTER BEING KICKED TO THE CURB. 143 00:05:50,930 --> 00:05:51,900 - YOU GO, GIRL. 144 00:05:51,940 --> 00:05:53,740 - SUIT YOURSELF, STALLION. 145 00:05:53,770 --> 00:05:55,870 YOU KNOW, WE COULD HAVE BEEN 146 00:05:55,910 --> 00:05:58,480 LIFELONG FUCK BUDDIES, RUNKLE. 147 00:05:58,510 --> 00:06:00,640 LEAVE YOUR KEYS WITH RHONDA. 148 00:06:00,680 --> 00:06:04,610 COLLINI, OUT. 149 00:06:04,650 --> 00:06:06,580 - SHE'S A SWEET WOMAN. 150 00:06:06,620 --> 00:06:08,520 SALT OF THE EARTH, REALLY. I'M GOING TO MISS HER. 151 00:06:08,550 --> 00:06:10,150 - REALLY? - NOT REALLY. 152 00:06:10,190 --> 00:06:11,490 WANT TO GET SOME GIN AND JUICE? 153 00:06:11,520 --> 00:06:13,890 - OOH, HOOCHIE-MAMA. 154 00:06:13,920 --> 00:06:15,760 THINK I'M GOING TO TAKE ME ONE OF THESE. 155 00:06:15,790 --> 00:06:17,730 - BAD BOY. 156 00:06:17,760 --> 00:06:20,730 [upbeat music] 157 00:06:20,760 --> 00:06:24,600 * 158 00:06:24,630 --> 00:06:26,070 - TWO HAMSTERS IN A FUCKING CAGE, 159 00:06:26,100 --> 00:06:27,770 GOING ROUND AND ROUND. 160 00:06:27,800 --> 00:06:29,540 WHEN WILL WE EVER LEARN? 161 00:06:29,570 --> 00:06:32,210 - HEY, I'M STILL WORKING OFF LAST YEAR'S SINS. 162 00:06:32,240 --> 00:06:33,780 YOU'RE THE ONE WITH FRESH BLOOD ON YOUR HANDS. 163 00:06:33,810 --> 00:06:35,040 - NO, I DIDN'T COMMIT ANY CRIMES, THOUGH. 164 00:06:35,080 --> 00:06:36,450 THAT'S THE THING. 165 00:06:36,480 --> 00:06:37,650 KAREN WAS CLEAR ACROSS THE COUNTRY. 166 00:06:37,680 --> 00:06:38,650 I THOUGHT WE HAD AN UNDERSTANDING. 167 00:06:38,680 --> 00:06:40,050 WE DID. - OH. 168 00:06:40,080 --> 00:06:41,450 - SHE DID SOME THINGS. 169 00:06:41,490 --> 00:06:44,090 UGH. CLEARLY I DID SOME THINGS. 170 00:06:44,120 --> 00:06:47,090 BUT WE'RE BEING VERY ADULT AND EUROPEAN ABOUT IT. 171 00:06:47,120 --> 00:06:50,630 - NO MATTER WHAT THEY SAY, BITCHES DON'T LIKE IT 172 00:06:50,660 --> 00:06:52,060 WHEN YOU FUCK OTHER BITCHES. 173 00:06:52,100 --> 00:06:53,300 - WORD. 174 00:06:53,330 --> 00:06:55,830 AND THEY DON'T LIKE IT WHEN YOU CALL THEM BITCHES, EITHER. 175 00:06:55,870 --> 00:06:58,540 - OH. - FYI FOR YOU, CHARLIE RUNKLE. 176 00:06:58,570 --> 00:07:00,470 - SO YOU THINK WE'LL EVER GET IT RIGHT? 177 00:07:00,500 --> 00:07:01,940 - MM. 178 00:07:01,970 --> 00:07:03,640 THAT REMAINS TO BE SEEN. 179 00:07:03,670 --> 00:07:04,840 I THINK THAT ULTIMATELY 180 00:07:04,870 --> 00:07:06,210 THEY'RE GOING TO HAVE TO RAISE THE WHITE FLAG 181 00:07:06,240 --> 00:07:08,140 AND JUST ACCEPT US FOR THE EMOTIONAL RETARDS 182 00:07:08,180 --> 00:07:09,150 THAT WE ARE, DON'T YOU THINK? 183 00:07:09,180 --> 00:07:11,080 - ONE WOULD THINK. - YEAH. 184 00:07:11,110 --> 00:07:12,550 - JUST HOPE MY WIENER STILL WORKS. 185 00:07:12,580 --> 00:07:13,680 - MM. 186 00:07:13,720 --> 00:07:14,950 YOU'LL BE PUNISHING THAT THING 187 00:07:14,980 --> 00:07:16,690 WITH GNARLED, ARTHRITIC HANDS. 188 00:07:16,720 --> 00:07:18,720 DON'T YOU WORRY. 189 00:07:18,760 --> 00:07:19,920 - I STILL LOVE HER, THOUGH. 190 00:07:19,960 --> 00:07:20,760 - YEAH. - YOU KNOW? 191 00:07:20,790 --> 00:07:23,060 MY SWEET LITTLE PIECE OF MARCIPAN. 192 00:07:23,090 --> 00:07:24,860 - YEAH. - THOSE BOOBIES? 193 00:07:24,890 --> 00:07:26,700 - MM. - HER TEENY, TINY BAJINIE. 194 00:07:26,730 --> 00:07:27,760 - THAT'S ENOUGH. 195 00:07:27,800 --> 00:07:28,970 - YEAH, AFTER ALL THESE YEARS, 196 00:07:29,000 --> 00:07:30,930 SHE STILL GETS THIS WHITE MAN HARDER THAN IGNEOUS ROCK. 197 00:07:30,970 --> 00:07:32,040 - SETTLE DOWN, WHITE MAN. 198 00:07:32,070 --> 00:07:33,240 TAKE IT TO THE RESTROOM. 199 00:07:33,270 --> 00:07:35,040 - DON'T YOU HAVE THOSE MOMENTS SOMETIMES? 200 00:07:35,070 --> 00:07:38,840 YOU KNOW, WHEN YOU JUST-- YOU THINK TO YOURSELF, GOD-- 201 00:07:38,880 --> 00:07:42,110 I LOVE THIS WOMAN, AND I ALWAYS WILL. 202 00:07:42,150 --> 00:07:43,980 - THERE WAS THIS ONE TIME-- 203 00:07:44,010 --> 00:07:46,580 I FELL ASLEEP IN THE PORSCHE OUTSIDE OF BILL'S HOUSE. 204 00:07:46,620 --> 00:07:49,150 - JUST ONCE? - BECCA FOUND ME. 205 00:07:49,190 --> 00:07:51,820 IT WAS, LIKE, TWO OR THREE YEARS AGO, I THINK. 206 00:07:51,860 --> 00:07:53,290 AND KAREN INVITED ME IN AND MADE ME BREAKFAST. 207 00:07:53,320 --> 00:07:54,320 NOW, I KNOW THAT BECCA, 208 00:07:54,360 --> 00:07:56,830 I'M SURE, STRONG-ARMED HER INTO INVITING ME IN. 209 00:07:56,860 --> 00:07:57,830 BUT, THAT'S NOT THE POINT. 210 00:07:57,860 --> 00:08:00,700 SHE MADE ME BREAKFAST, AND SHE DIDN'T HAVE TO. 211 00:08:00,730 --> 00:08:03,230 YOU KNOW, SHE MADE ME THIS OMELET THAT WAS DELICIOUS. 212 00:08:03,270 --> 00:08:04,200 PERFECT BREAKFAST. 213 00:08:04,230 --> 00:08:06,000 YOU KNOW WHY? BECAUSE SHE MADE IT FOR ME. 214 00:08:06,040 --> 00:08:07,240 - MM. 215 00:08:07,270 --> 00:08:08,740 - AND THEN SHE TOLD ME TO GROW THE FUCK UP 216 00:08:08,770 --> 00:08:09,740 AND GET ON WITH MY LIFE. 217 00:08:09,770 --> 00:08:10,910 BUT THAT DIDN'T MATTER. 218 00:08:10,940 --> 00:08:13,010 BECAUSE IT WAS ONE OF THOSE MOMENTS 219 00:08:13,040 --> 00:08:15,140 WHERE I DECIDED-- I RESOLVED-- 220 00:08:15,180 --> 00:08:17,550 THAT I WAS GOING TO KEEP ON FIGHTING. 221 00:08:17,580 --> 00:08:19,850 YOU KNOW, I'VE-- I'VE LOST MANY BATTLES, 222 00:08:19,880 --> 00:08:22,820 BUT I'VE NEVER LOST SIGHT OF THE WAR. 223 00:08:22,850 --> 00:08:24,090 NO RETREAT, BABY. 224 00:08:24,120 --> 00:08:27,690 NO SURRENDER. 225 00:08:27,720 --> 00:08:30,060 JESUS CHRIST, RUNKLE, ARE YOU WEEPING AGAIN? 226 00:08:30,090 --> 00:08:32,060 - WELL, IT WAS SWEET. YOU--YOU MOVED ME. 227 00:08:32,100 --> 00:08:33,060 [crash] 228 00:08:33,100 --> 00:08:34,600 - JESUS. - HEY, HEY. 229 00:08:34,630 --> 00:08:35,730 - GET A LOAD OF THIS ASSHOLE. 230 00:08:35,770 --> 00:08:38,700 - NO SHIT, BROSEPHINA, YOU SPILLED ON MY BUDDY HERE. 231 00:08:38,740 --> 00:08:41,670 - I DID, SORRY. [snickers] 232 00:08:41,710 --> 00:08:42,870 - HEY, UH, EXCUSE ME. 233 00:08:42,910 --> 00:08:44,040 - JUST, YOU KNOW WHAT, LET IT GO. 234 00:08:44,070 --> 00:08:45,940 - EXCUSE ME. I DON'T MEAN TO BE A NUDGE. 235 00:08:45,980 --> 00:08:47,310 - LET IT GO, HANK, JUST-- YOU KNOW, IT'S NOT WORTH-- 236 00:08:47,340 --> 00:08:49,080 - JUST NOW, WHEN YOU SAID YOU WERE SORRY, 237 00:08:49,110 --> 00:08:50,980 IT DIDN'T REALLY SOUND LIKE YOU WERE SINCERE TO ME. 238 00:08:51,010 --> 00:08:52,950 IT WAS, LIKE, "EH, I'M SORRY." 239 00:08:52,980 --> 00:08:54,650 PERFUNCTORY. - [laughs] 240 00:08:54,680 --> 00:08:56,050 - YOU UNDERSTAND THAT WORD? 241 00:08:56,090 --> 00:08:58,920 - MAN, I AM SORRY. DID I SPILL ON YOUR GIRLFRIEND? 242 00:08:58,960 --> 00:09:00,860 'CAUSE I CAN GET YOU AND YOUR LADY ANOTHER DRINK. 243 00:09:00,890 --> 00:09:02,690 - OH. 244 00:09:02,730 --> 00:09:05,630 I BELIEVE OUR MANHOOD WAS JUST ASSAILED. 245 00:09:05,660 --> 00:09:07,230 - I BELIEVE YOU'RE RIGHT. 246 00:09:07,260 --> 00:09:08,600 WHAT ARE WE GOING TO DO ABOUT THIS? 247 00:09:08,630 --> 00:09:10,670 - I KNOW WHAT I'M GOING TO DO ABOUT IT. 248 00:09:12,700 --> 00:09:14,040 - WHOA. 249 00:09:14,070 --> 00:09:15,300 FUCK, I KNEW IT. 250 00:09:15,340 --> 00:09:18,110 COUPLE OF REAL-LIFE FAGGOTS. 251 00:09:18,140 --> 00:09:19,810 - CHARLIE. 252 00:09:19,840 --> 00:09:21,040 THAT'S RIGHT, BABY. 253 00:09:21,080 --> 00:09:25,250 WE'RE HERE, WE'RE QUEER, AND GET USED TO IT. 254 00:09:25,280 --> 00:09:26,880 [crash] 255 00:09:28,650 --> 00:09:30,220 [crash] 256 00:09:30,250 --> 00:09:31,990 - LET ME AT HIM. 257 00:09:32,020 --> 00:09:34,790 - * LET IT SHINE 258 00:09:34,820 --> 00:09:37,290 * LET IT SHINE 259 00:09:37,330 --> 00:09:39,600 * LET IT SHINE 260 00:09:41,700 --> 00:09:42,830 - THANK YOU. 261 00:09:42,870 --> 00:09:44,370 - YOU MIGHT WANT TO THINK ABOUT POPPING A BREATH MINT 262 00:09:44,400 --> 00:09:46,140 OR CHEWING SOME GUM EVERY NOW AND AGAIN. 263 00:09:46,170 --> 00:09:47,940 YOUR MOUTH TASTES LIKE A HOBO'S TAINT. 264 00:09:47,970 --> 00:09:49,240 - WHY YOU GOT TO DO THAT? 265 00:09:49,270 --> 00:09:50,740 WHY YOU GOT TO MAKE ME FEEL SELF-CONSCIOUS? 266 00:09:50,770 --> 00:09:52,940 DO YOU HAVE GUM OR A BREATH MINT OR SOMETHING? 267 00:09:52,980 --> 00:09:54,080 - WHAT ARE WE GOING TO DO NOW? 268 00:09:54,110 --> 00:09:55,980 - SOMETHING FUN, HUH? 269 00:09:56,010 --> 00:09:58,410 UM, YOU WANT TO GO BACK TO MY PLACE, 270 00:09:58,450 --> 00:09:59,220 WATCH SOME DVDs? 271 00:09:59,250 --> 00:10:01,720 THE GIRLS ARE OUT FOR THE NIGHT. 272 00:10:01,750 --> 00:10:03,020 - I'M NOT GOING TO WATCH PORNOGRAPHY 273 00:10:03,050 --> 00:10:04,150 WITH YOU, CHARLIE RUNKLE. 274 00:10:04,190 --> 00:10:05,660 CREEPS ME OUT. 275 00:10:05,690 --> 00:10:07,860 - WE'LL WATCH A REGULAR MOVIE. I DON'T CARE. 276 00:10:07,890 --> 00:10:09,090 - NO, NO, NO, THE LAST TIME YOU TALKED ME INTO MOVIE NIGHT, 277 00:10:09,130 --> 00:10:12,130 I SAT THERE AND WATCHED YOU PLAY POCKET POOL FOR TWO HOURS. 278 00:10:12,160 --> 00:10:14,160 MEN SHOULD NOT EXPERIENCE PORNOGRAPHY TOGETHER. 279 00:10:14,200 --> 00:10:16,870 IT'S UNSEEMLY. - EXCUSE ME, MR. MORALITY. 280 00:10:16,900 --> 00:10:17,800 I DIDN'T KNOW YOU HAD ALL THESE, YOU KNOW, 281 00:10:17,830 --> 00:10:19,140 SPECIAL RULES, ABOUT HOME ENTERTAINMENT. 282 00:10:19,170 --> 00:10:20,670 - YOU KNOW WHAT? THE NIGHT IS YOUNG. 283 00:10:20,700 --> 00:10:22,870 IT'S IN DIAPERS, FOR CHRIST'S SAKES. 284 00:10:22,910 --> 00:10:23,740 WHAT DO YOU SAY, YOU AND ME, 285 00:10:23,770 --> 00:10:26,080 WE GO ON A GOOD, OLD-FASHIONED BENDER? 286 00:10:26,110 --> 00:10:28,410 - AW, I COULD ROLL WITH THAT. 287 00:10:28,440 --> 00:10:29,910 - YOU CAN ROLL WITH IT? - I CAN ROLL WITH IT. 288 00:10:29,950 --> 00:10:32,380 - WELL, THEN, YOU ROLL WITH IT, MOTHERFUCKER. 289 00:10:32,420 --> 00:10:34,280 - PROCEEDING TO ROLL. 290 00:10:34,320 --> 00:10:37,290 [jazz music] 291 00:10:37,320 --> 00:10:39,020 * 292 00:10:39,060 --> 00:10:40,890 - I THINK I'M SEWING IT UP. 293 00:10:40,920 --> 00:10:43,690 I TELL YOU, SERIOUSLY. IT HAS LED ME ASTRAY. 294 00:10:43,730 --> 00:10:45,900 - THANK YOU. - THAT'S DISGUSTING. 295 00:10:45,930 --> 00:10:49,730 AND, ALSO, WHAT'S IT GOING TO SOLVE? 296 00:10:49,770 --> 00:10:50,800 - I'M LOST. 297 00:10:50,830 --> 00:10:55,070 ARE YOU TALKING ABOUT YOUR HEART OR YOUR VAGINA? 298 00:10:55,100 --> 00:10:56,210 - LOOK AT YOU. 299 00:10:56,240 --> 00:10:58,110 USING ALL THE PROPER NAMES FOR THINGS. 300 00:10:58,140 --> 00:11:01,010 - WELL, IT IS HER FATHER'S FAVORITE WORD. 301 00:11:01,040 --> 00:11:03,780 - I'M SPEAKING OF MY VAGINA, SWEETHEART. 302 00:11:03,810 --> 00:11:05,180 I DON'T HAVE A HEART ANYMORE. 303 00:11:05,210 --> 00:11:07,050 I LOST THAT YEARS AGO. 304 00:11:07,080 --> 00:11:10,320 I THINK IT WAS THE NIGHT OF THE SQUIRTING INCIDENT. 305 00:11:10,350 --> 00:11:12,490 REMEMBER THAT, HUH? 306 00:11:12,520 --> 00:11:16,130 OKAY, I'LL SAY NO MORE. 307 00:11:16,160 --> 00:11:17,730 - YOU KNOW--YOU KNOW WHAT? 308 00:11:17,760 --> 00:11:19,100 YOU HAD THE FANTASY. 309 00:11:19,130 --> 00:11:20,430 I MEAN, HOW MANY PEOPLE CAN SAY 310 00:11:20,460 --> 00:11:22,470 THAT THEY SLEPT WITH THEIR TEEN IDOL, RIGHT? 311 00:11:22,500 --> 00:11:23,470 THAT'S--THAT'S-- 312 00:11:23,500 --> 00:11:24,270 - HOW MANY PEOPLE CAN SAY 313 00:11:24,300 --> 00:11:26,840 THEY SLEPT WITH RICK SPRINGFIELD? 314 00:11:26,870 --> 00:11:30,340 ONLY EVERY TRAMP, HO, AND THIEF IN GREATER L.A. COUNTY. 315 00:11:30,370 --> 00:11:32,410 UGH! BLEH! 316 00:11:32,440 --> 00:11:34,140 AH, WHAT WAS I THINKING? 317 00:11:34,180 --> 00:11:37,210 YOU JUST--YOU DON'T PUT YOURSELF OUT THERE LIKE THAT. 318 00:11:37,250 --> 00:11:38,750 - IT WAS GOOD--IT WAS GOOD-- - TAKE NOTES. 319 00:11:38,780 --> 00:11:41,480 - BECAUSE YOU OWED IT TO YOUR YOUNGER SELF, RIGHT? 320 00:11:41,520 --> 00:11:45,390 I MEAN, YOU NEEDED TO EXPLORE THAT WHOLE AREA. 321 00:11:45,420 --> 00:11:47,220 - REALLY? 322 00:11:47,260 --> 00:11:49,290 WERE THERE ANY AREAS YOU EXPLORED 323 00:11:49,330 --> 00:11:51,190 WHEN YOU WAS IN NEW YORK? 324 00:11:51,230 --> 00:11:53,800 - I DON'T THINK WE NEED TO-- - WHAT, MOM? 325 00:11:53,830 --> 00:11:56,100 - YES, PLEASE, NOT IN FRONT OF THE CHILD. 326 00:11:56,130 --> 00:11:58,200 - NO, SCREW THAT. 327 00:11:58,230 --> 00:11:59,900 TONIGHT, YOU'RE A GROWN'S-UP. 328 00:11:59,940 --> 00:12:02,840 YOU'RE OUT ON GIRLS' NIGHT OUT--G.N.O. 329 00:12:02,870 --> 00:12:04,540 YOU WANT A "ZIP" OF MY WINE? 330 00:12:04,570 --> 00:12:05,980 - MARCE. - MM-HMM. 331 00:12:06,010 --> 00:12:08,980 [upbeat music] 332 00:12:09,010 --> 00:12:16,990 * 333 00:12:22,160 --> 00:12:25,390 - OH, CHECK IT OUT. 334 00:12:25,430 --> 00:12:27,360 SOUTH OF HEAVEN. - NO. 335 00:12:27,400 --> 00:12:29,530 - FIRST EDITION, SIGNED BY THE AUTHOR. 336 00:12:29,570 --> 00:12:31,530 - PORTRAIT OF THE ARTIST AS A DIRTY YOUNG MAN. 337 00:12:31,570 --> 00:12:33,000 WHAT DID I INSCRIBE? 338 00:12:33,040 --> 00:12:36,010 - "TO KELLY: BEST ORAL EVER." 339 00:12:36,040 --> 00:12:39,940 WHO IS KELLY? 340 00:12:39,980 --> 00:12:43,410 - I DON'T KNOW. [laughs] 341 00:12:43,450 --> 00:12:45,380 - I THINK WE SHOULD FIND OUT. - POOR KELLY. 342 00:12:45,410 --> 00:12:48,480 - SOUNDS LIKE SHE HAD MAD SKILLS. 343 00:12:48,520 --> 00:12:52,160 - OH, EARLY HANK MOODY, GOING FOR 100 BIG ONES. 344 00:12:52,190 --> 00:12:53,820 - THAT REAL MONEY? MAYBE IN PESOS. 345 00:12:53,860 --> 00:12:56,590 - THAT'S 100% JOHN WAYNE-STYLE AMERICAN DOLLAR. 346 00:12:56,630 --> 00:12:57,930 - SHIT. 347 00:12:57,960 --> 00:12:59,060 PEOPLE ARE WILLING TO PAY GOOD MONEY 348 00:12:59,100 --> 00:13:00,930 FOR MY EARLY, BEER-SOAKED RAMBLINGS? 349 00:13:00,960 --> 00:13:02,470 I'VE INCREASED IN VALUE. 350 00:13:02,500 --> 00:13:05,870 THE FRANKLIN MINT CAN LICK ME WHERE THE GOOD LORD SPLIT ME. 351 00:13:05,900 --> 00:13:07,200 - IT'S A SHAME THAT MONEY DOESN'T GO TO YOU. 352 00:13:07,240 --> 00:13:09,240 IT GOES TO SLEEPY-EYES OVER THERE. 353 00:13:09,270 --> 00:13:10,270 - NO SHIT. 354 00:13:10,310 --> 00:13:11,840 I DO ALL THE WORK. 355 00:13:11,880 --> 00:13:14,440 AND WEIRD BEARD OVER THERE PROFITS OFF MY WORDS, 356 00:13:14,480 --> 00:13:18,180 MY AUTOGRAPH, MY MEMORIES OF SWEET GIFTED KELLY. 357 00:13:18,210 --> 00:13:20,150 IT PROBABLY COSTS 100 BUCKS A WEEK 358 00:13:20,180 --> 00:13:22,020 TO KEEP HIM IN TIE DYE AND BIRKENSTOCKS 359 00:13:22,050 --> 00:13:23,220 AND CRYSTALS. - TRUE "DAT." 360 00:13:23,250 --> 00:13:24,220 AND YOU KNOW THERE'S NO WAY 361 00:13:24,250 --> 00:13:26,190 I'M SEEING MY 10% EITHER. 362 00:13:26,220 --> 00:13:27,990 - YOU COULD REALLY USE THAT TEN-SPOT RIGHT ABOUT NOW, 363 00:13:28,020 --> 00:13:30,930 COULDN'T YOU. - RIGHT? 364 00:13:30,960 --> 00:13:32,630 - COVER ME--I'M GOING ABBIE HOFFMAN ON THIS SHIT. 365 00:13:32,660 --> 00:13:35,430 - OH, OKAY. HOLD ON, HOLD ON, HOLD ON, HOLD ON, HOLD ON. 366 00:13:35,460 --> 00:13:37,600 I GOT YOU. - YOU KNOW, RUNKLE. 367 00:13:37,630 --> 00:13:39,470 INFORMATION... - TAKE IT ON HOME. 368 00:13:39,500 --> 00:13:41,840 - WANTS TO BE FREE. 369 00:13:44,110 --> 00:13:46,040 I THINK WE'RE GOOD. - GOT IT? 370 00:13:46,080 --> 00:13:47,440 - LET'S GO. 371 00:13:47,480 --> 00:13:49,280 - WE BAD. 372 00:13:49,310 --> 00:13:51,110 WE BAD, WE BAD. - STOP THAT. 373 00:13:51,150 --> 00:13:52,180 - WE BAD. - STOP IT. 374 00:13:52,220 --> 00:13:53,420 - WAIT, LET ME GET YOU. - NO. 375 00:13:53,450 --> 00:13:54,420 - LET ME GET YOU COVERED, HERE. 376 00:13:54,450 --> 00:13:55,990 LET ME GET YOU. - CHARLIE. 377 00:13:56,020 --> 00:13:59,490 - I WHAT? - DON'T DO THAT, YOU'RE AN ASS. 378 00:13:59,520 --> 00:14:02,230 - HOLY FUCK, LOOK AT THIS. 379 00:14:02,260 --> 00:14:04,360 THE ARTIST WITHIN GETS HIMSELF AN ENTIRE TABLE. 380 00:14:04,390 --> 00:14:05,290 - ALL RIGHT, HOW MUCH DOES 381 00:14:05,330 --> 00:14:08,300 A FIRST EJACULATE SIR WALTER DALI GO FOR? 382 00:14:08,330 --> 00:14:10,230 - 95 BUCKS. - YES. 383 00:14:10,270 --> 00:14:11,970 I WIN. 384 00:14:12,000 --> 00:14:15,970 SUCK IT AND TASTE IT, ARTIST WITHIN MY YAM BAG. 385 00:14:20,040 --> 00:14:22,410 HOLD ON A SECOND, I GOT TO LET ONE RIP. 386 00:14:22,450 --> 00:14:24,450 SWITCH WITH ME? 387 00:14:24,480 --> 00:14:28,520 [flatulence] - OKAY, OKAY, OKAY. 388 00:14:28,550 --> 00:14:32,120 [upbeat music] 389 00:14:32,160 --> 00:14:34,020 [indistinct yelling] 390 00:14:34,060 --> 00:14:36,030 - COME ON. - SLOW DOWN! 391 00:14:36,060 --> 00:14:38,090 COME ON, MAN. 392 00:14:38,130 --> 00:14:40,560 WHOA, OW, OW. - GET UP. 393 00:14:40,600 --> 00:14:42,400 - I'M DOWN. MAN DOWN. 394 00:14:42,430 --> 00:14:43,570 - GET UP. GET THE MAN UP. 395 00:14:43,600 --> 00:14:45,400 - OKAY, THE MAN'S UP. OH! 396 00:14:45,430 --> 00:14:48,140 - HEY, DON'T FUCK WITH THE PINKBERRY. 397 00:14:48,170 --> 00:14:50,270 - WE CAN'T STOP. WE CAN'T STOP. 398 00:14:50,310 --> 00:14:53,680 - YOU KNOW THERE'S NO ONE CHASING YOU, RIGHT, DAD? 399 00:14:53,710 --> 00:14:55,540 - NO? - SO THERE ISN'T. 400 00:14:55,580 --> 00:14:57,950 PHEW. 401 00:14:57,980 --> 00:14:59,380 - THIS IS FUN. 402 00:14:59,420 --> 00:15:00,450 WE HAVE FUN. 403 00:15:00,480 --> 00:15:02,650 - WHY ARE YOU LOOKING AT ME LIKE THAT, YOU GOON? 404 00:15:02,690 --> 00:15:04,450 - ARE YOU READY FOR AN ADVENTURE, MARCE? 405 00:15:04,490 --> 00:15:05,320 - NO. 406 00:15:05,350 --> 00:15:07,290 PLEASE STOP DOING THAT WITH YOUR FACE. 407 00:15:07,320 --> 00:15:09,590 - WE SHOULD MOVE TO NEW YORK, HMM, 408 00:15:09,630 --> 00:15:11,230 WITH OUR FRIENDS, THE VAN DER MOODYS. 409 00:15:11,260 --> 00:15:13,100 - WHAT? - I DID IT. 410 00:15:13,130 --> 00:15:14,560 I GOT FIRED. 411 00:15:14,600 --> 00:15:17,530 WHOO! [chuckles] 412 00:15:17,570 --> 00:15:20,300 THAT'S IT--THERE'S NOTHING TYING US HERE, MAN. 413 00:15:20,340 --> 00:15:22,470 YOU GOT DUMPED BY A PERVY ROCK STAR, 414 00:15:22,510 --> 00:15:24,310 AND I LOST MY JOB. - WELL, TELL EVERYBODY. 415 00:15:24,340 --> 00:15:29,110 - * FREEDOM'S JUST ANOTHER WORD FOR * 416 00:15:29,150 --> 00:15:32,220 * I'M A FREE BIRD - HE'S FREAKING ME OUT. 417 00:15:32,250 --> 00:15:33,220 - YEAH, ME TOO. 418 00:15:33,250 --> 00:15:36,620 - THIS IS WHAT TWO WHITE WINTERS WILL DO TO YOU. 419 00:15:36,650 --> 00:15:38,750 - MY DEENY'S SEWN UP TIGHTER THAN EVER. 420 00:15:38,790 --> 00:15:41,060 - THAT WAS GREAT, CHARLIE. CONGRATULATIONS. 421 00:15:41,090 --> 00:15:41,990 - COME ON, COME WITH US. - NO. 422 00:15:42,030 --> 00:15:43,160 - THE NEXT STOP IS THE CONVENIENCE STORE. 423 00:15:43,190 --> 00:15:43,960 HEY, HEY. 424 00:15:43,990 --> 00:15:45,730 WHAT KIND OF SNACKS DO YOU LIKE? 425 00:15:45,760 --> 00:15:46,700 - STOP IT. 426 00:15:46,730 --> 00:15:48,300 - BECAUSE I--I LIKE SNACKS. - YOU KNOW WHAT? 427 00:15:48,330 --> 00:15:50,500 IT'S--IT'S--IT'S PAST OUR, UM, BEDTIME. 428 00:15:50,530 --> 00:15:52,270 - WHAT ABOUT US? WHAT ABOUT OURS? 429 00:15:52,300 --> 00:15:54,070 - WAY PAST YOUR BEDTIME. [laughs] 430 00:15:54,100 --> 00:15:55,300 COME ON. NO, YOU KNOW WHAT? 431 00:15:55,340 --> 00:15:56,540 YOU GET TO PUT YOURSELF TO BED TONIGHT. 432 00:15:56,570 --> 00:15:57,410 - YOU TOO, CHARLES, FROM NOW ON, YOU'RE GOING TO BE CHANGING 433 00:15:57,440 --> 00:16:00,110 YOUR OWN DIAPERS AND WIPING YOUR OWN ASS. 434 00:16:00,140 --> 00:16:02,350 I AM DONE BEING YOUR MOMMY. - OKAY. 435 00:16:02,380 --> 00:16:04,080 BUT COULD YOU JUST PLEASE-- COULD YOU-- 436 00:16:04,110 --> 00:16:06,020 COULD YOU SAY ASS ONE MORE TIME AGAIN? 437 00:16:06,050 --> 00:16:07,250 BECAUSE I CAN WORK WITH THAT FOR DAYS. 438 00:16:07,280 --> 00:16:08,250 - I WANT YOU TO HAVE THIS. 439 00:16:08,280 --> 00:16:10,020 THIS IS YOUR HERITAGE AND YOUR INHERITANCE. 440 00:16:10,050 --> 00:16:11,750 I LIBERATED IT JUST MOMENTS AGO. 441 00:16:11,790 --> 00:16:14,120 - WHAT IS THAT? - STOP IT. 442 00:16:16,360 --> 00:16:18,230 - WHO'S KELLY? 443 00:16:18,260 --> 00:16:19,730 - [laughs] 444 00:16:19,760 --> 00:16:21,560 - I'VE BEEN THINKING ABOUT THAT FOR, LIKE, TEN MINUTES. 445 00:16:21,600 --> 00:16:23,370 SHE'S EITHER 446 00:16:23,400 --> 00:16:26,100 A COCKTAIL WAITRESS FROM TORONTO 447 00:16:26,140 --> 00:16:28,640 OR A VERY PROMISING YOUNG MARINE BIOLOGIST. 448 00:16:28,670 --> 00:16:30,540 - EITHER WAY, YOUR FATHER'S VERY LUCKY TO HAVE KNOWN HER. 449 00:16:30,570 --> 00:16:32,510 - OKAY, THAT'S IT. LET'S GO. 450 00:16:32,540 --> 00:16:33,640 - OKAY. - BYE. 451 00:16:33,680 --> 00:16:36,050 - YOUR LOSS, LADIES. - THANK YOU. 452 00:16:36,080 --> 00:16:37,380 - I GUESS YOU'RE NEVER GOING TO KNOW THE SPLENDOR 453 00:16:37,410 --> 00:16:39,520 OF A CHEESE DOODLE BURP. - STOP SELLING, RUNKLE. 454 00:16:39,550 --> 00:16:40,720 COME ON. - GOOD POINT. 455 00:16:40,750 --> 00:16:43,790 [laughs] 456 00:16:43,820 --> 00:16:45,750 [upbeat music] 457 00:16:45,790 --> 00:16:48,520 - GOOD EVENING. 458 00:16:48,560 --> 00:16:50,060 I THINK SHE LIKED ME. 459 00:16:50,090 --> 00:16:53,360 [laughs] 460 00:16:55,700 --> 00:16:58,430 - KIM, WASABI? - WASABI? 461 00:16:58,470 --> 00:17:00,670 - LIVING THE DREAMS, HANK. LIVING THE DREAM. 462 00:17:00,700 --> 00:17:02,710 - HEY, YOU GET THE BOOZE. I'LL GET THE SNACKS. 463 00:17:02,740 --> 00:17:04,440 - THIS IS ALL THE SNACK A BROTHER NEEDS. 464 00:17:04,470 --> 00:17:05,810 - HEY, YOU GOT YOUR GUILTY PLEASURES. 465 00:17:05,840 --> 00:17:06,810 I GOT MINE. I LIKE-- 466 00:17:06,840 --> 00:17:08,280 [crash] - OH! 467 00:17:08,310 --> 00:17:11,280 OW! THE HUMANITY. 468 00:17:11,310 --> 00:17:14,350 - JESUS CHRIST, HANK, COME ON. - JESUS, HANK. 469 00:17:14,380 --> 00:17:15,150 - I'M SORRY, KIM. I'LL PAY FOR IT. 470 00:17:15,180 --> 00:17:16,820 - YOU BET YOUR ASS YOU PAY FOR IT. 471 00:17:16,850 --> 00:17:18,290 - YEAH. - SHIT, MAN. 472 00:17:18,320 --> 00:17:19,560 - YEAH, YEAH. 473 00:17:19,590 --> 00:17:21,320 - YOU GOT SCOLDED. - YEAH. 474 00:17:21,360 --> 00:17:23,790 - I HEARD IT. 475 00:17:30,130 --> 00:17:31,730 - HEY, I SAW THAT. 476 00:17:31,770 --> 00:17:32,700 - SAW WHAT, HOMIE? 477 00:17:32,740 --> 00:17:34,300 - WHAT ARE YOU DOING? PUT THAT SHIT BACK. 478 00:17:34,340 --> 00:17:35,440 - THE FUCK YOU CARE? 479 00:17:35,470 --> 00:17:36,370 - WHAT DO I CARE? 480 00:17:36,410 --> 00:17:39,380 KIM AND HIS WIFE... KIM ARE GOOD PEOPLE, 481 00:17:39,410 --> 00:17:40,380 AND YOU'RE STEALING FROM THEM. 482 00:17:40,410 --> 00:17:41,710 YOU NEED MONEY, GET A PAPER ROUTE OR SOMETHING. 483 00:17:41,740 --> 00:17:43,180 THAT'S BULLSHIT. - WHATEVER. 484 00:17:43,210 --> 00:17:44,380 - WHATEVER? - LEAVE HIM ALONE, HANK. 485 00:17:44,410 --> 00:17:46,480 - NO, THE KID'S STEALING. THAT'S NOT COOL. 486 00:17:46,520 --> 00:17:47,780 - HE'S A KID, AND NEED I REMIND YOU, 487 00:17:47,820 --> 00:17:49,720 WE BORROWED OURSELVES SOME HARDCOVER NONFICTION 488 00:17:49,750 --> 00:17:50,750 THIS VERY EVENING? 489 00:17:50,790 --> 00:17:52,790 - THAT IS TOTALLY DIFFERENT. - OF COURSE IT IS. 490 00:17:52,820 --> 00:17:55,520 - THERE'S NO LAW AGAINST AN AUTHOR STEALING HIS OWN WORK. 491 00:17:55,560 --> 00:17:57,190 - WHAT ABOUT JULIAN? 492 00:17:57,230 --> 00:17:58,590 - THERE'S NO LAW AGAINST STEALING 493 00:17:58,630 --> 00:18:00,660 FROM A COLOSSAL DOUCHEBAG. 494 00:18:00,700 --> 00:18:02,470 WAIT, CHECK THIS OUT. NO, I GOT AN IDEA. 495 00:18:02,500 --> 00:18:04,870 HEY. NO, NO. NO, IT'S COOL. 496 00:18:04,900 --> 00:18:07,400 YOU PUT THAT SHIT BACK, AND I'LL GIVE YOU THIS BOOK. 497 00:18:07,440 --> 00:18:08,900 PEOPLE SWEAR BY IT. IT'LL CHANGE YOUR LIFE. 498 00:18:08,940 --> 00:18:10,410 PUT YOU ON THE STRAIGHT AND NARROW. 499 00:18:10,440 --> 00:18:12,340 AND IF IT DOESN'T, YOU CAN USE IT AS TOILET PAPER. 500 00:18:12,380 --> 00:18:15,640 CHECK IT OUT. THE ARTIST WITHIN. 501 00:18:15,680 --> 00:18:17,450 - HANK. - MY ASS. 502 00:18:17,480 --> 00:18:18,750 - HERE YOU GO. - HANK. 503 00:18:18,780 --> 00:18:19,750 - YEAH, TAKE IT, TAKE IT. SHUT UP, CHARLIE, 504 00:18:19,780 --> 00:18:21,450 I'M SCHOOLING THIS KID. - HANK. 505 00:18:21,480 --> 00:18:24,350 - WHAT, WHAT? 506 00:18:24,390 --> 00:18:25,290 AH, AH! 507 00:18:25,320 --> 00:18:26,460 - DUDE, GIVE ME YOUR FUCKING WALLET, MAN. 508 00:18:26,490 --> 00:18:27,590 - YEAH, YEAH. - ALL RIGHT. 509 00:18:27,620 --> 00:18:29,160 - OKAY, JUST TAKE IT EASY. - HURRY THE FUCK UP, MAN. 510 00:18:29,190 --> 00:18:30,530 - YOU WIN, ALL RIGHT. SETTLE DOWN. 511 00:18:30,560 --> 00:18:31,890 NO, YOU GOT IT. YOU GOT IT. 512 00:18:31,930 --> 00:18:33,900 - TAKE IT EASY. - SHUT THE FUCK UP. 513 00:18:33,930 --> 00:18:38,470 - JUST TAKE IT. TREAT YOURSELF. 514 00:18:38,500 --> 00:18:39,740 - WHAT, ARE YOU KIDDING ME? 515 00:18:39,770 --> 00:18:41,600 WHAT THE FUCK? WHAT THE FUCK IS THIS? 516 00:18:41,640 --> 00:18:44,240 - I WORK ON COMMISSION, BRO. - SHUT THE FUCK UP. 517 00:18:44,270 --> 00:18:46,310 YOU THINK THIS IS A FUCKING JOKE? 518 00:18:46,340 --> 00:18:51,580 - I GOT A DAUGHTER. 519 00:18:51,610 --> 00:18:52,880 - OH, SHIT. [gun shots] 520 00:18:52,920 --> 00:18:54,850 - GET OUT OF MY STORE, MOTHERFUCKERS! 521 00:18:54,880 --> 00:18:56,620 [gunshots] GET OUT! 522 00:18:56,650 --> 00:18:58,650 [alarm sounds] YOU MOTHERFUCKERS! 523 00:18:58,690 --> 00:19:00,890 [yells indistinctly] FUCK YOU! 524 00:19:00,920 --> 00:19:04,430 GET BACK HERE! - FUCK ME. 525 00:19:16,840 --> 00:19:18,570 - AH, RIGHT ON, LET'S GO. 526 00:19:31,350 --> 00:19:33,320 - I THOUGHT THAT WAS IT, HANK. 527 00:19:33,360 --> 00:19:34,690 THE END. 528 00:19:34,720 --> 00:19:38,860 - I KNOW WHAT YOU MEAN, BROHEME. 529 00:19:38,890 --> 00:19:41,530 - WHAT WAS GOING THROUGH YOUR HEAD? 530 00:19:41,560 --> 00:19:43,700 - WHAT DO YOU THINK? 531 00:19:43,730 --> 00:19:45,570 KAREN AND BECCA. 532 00:19:45,600 --> 00:19:46,970 AND HOW MUCH I LOVE THEM. 533 00:19:47,000 --> 00:19:51,310 AND HOW MUCH TIME I'VE WASTED BEING A SELFISH PRICK. 534 00:19:51,340 --> 00:19:52,710 WHAT A COSMIC FUCK-YOU IT WOULD BE 535 00:19:52,740 --> 00:19:54,380 IF YOU WERE THE LAST PERSON I KISSED 536 00:19:54,410 --> 00:19:55,780 BEFORE I DIED. 537 00:19:55,810 --> 00:19:57,680 - I DON'T KNOW. 538 00:19:57,710 --> 00:19:59,850 I THINK IT WOULD HAVE BEEN KIND OF POETIC, ACTUALLY. 539 00:19:59,880 --> 00:20:03,450 - FOR YOU, MAYBE. 540 00:20:03,490 --> 00:20:04,850 - I KNOW WHAT YOU MEAN, THOUGH. 541 00:20:04,890 --> 00:20:07,760 I HAD MY WHOLE LIFE FLASH BEFORE MY EYES, REALLY. 542 00:20:07,790 --> 00:20:11,290 JUST LIKE, UH, LIKE A TIVO ON FAST-FORWARD. 543 00:20:11,330 --> 00:20:12,860 AND YOU KNOW WHAT? 544 00:20:12,900 --> 00:20:14,930 IT WAS REALLY FUCKING PATHETIC. 545 00:20:14,960 --> 00:20:19,540 - OH, I BELIEVE YOU. 546 00:20:19,570 --> 00:20:24,340 - OKAY, WHAT NOW? WHERE DO WE GO FROM HERE? 547 00:20:24,370 --> 00:20:25,270 - I'M NOT ENTIRELY SURE. 548 00:20:25,310 --> 00:20:26,910 BUT IF YOU THOUGHT WE WERE DRINKING BEFORE, 549 00:20:26,940 --> 00:20:29,410 YOU WERE DEAD WRONG BECAUSE NOW-- 550 00:20:29,450 --> 00:20:30,480 - [snickers] 551 00:20:30,510 --> 00:20:32,520 - WE ARE GOING TO DO SOME DRINKING. YOU WITH ME? 552 00:20:32,550 --> 00:20:34,880 - OH, TILL THE END, MY NUBIAN BROTHER. 553 00:20:34,920 --> 00:20:37,520 TILL THE BITTER END. 554 00:20:38,920 --> 00:20:40,290 I LOVE YOU, BRO. 555 00:20:40,320 --> 00:20:43,360 - HEY, SETTLE DOWN. DON'T SOIL YOURSELF. 556 00:20:43,390 --> 00:20:45,760 AGAIN. 557 00:20:45,790 --> 00:20:48,000 - MAKE THE CAR GO VERY FAST. 558 00:20:49,470 --> 00:20:51,530 - OKAY, JUST ONE DRINK. 559 00:20:51,570 --> 00:20:54,440 SO THAT MISSY HERE DOESN'T SLIT HER WRISTS 560 00:20:54,470 --> 00:20:56,370 WHEN SHE'S LEFT ALL ALONE. 561 00:20:56,410 --> 00:20:57,710 - OH, BUT YOU FORGET. 562 00:20:57,740 --> 00:20:59,380 I WON'T BE ALONE. 563 00:20:59,410 --> 00:21:02,680 'CAUSE I GOT YERTLE THE TURTLE AS MY ROOMMATE. 564 00:21:02,710 --> 00:21:05,850 ALL THE DISADVANTAGES OF BEING MARRIED 565 00:21:05,880 --> 00:21:07,520 AND NONE OF THE ADVANTAGES. 566 00:21:07,550 --> 00:21:10,850 - AND WHAT WOULD THOSE BE, IF YOU DON'T MIND MY ASKING? 567 00:21:10,890 --> 00:21:12,090 - THOSE WHAT? 568 00:21:12,120 --> 00:21:14,090 - THE ADVANTAGES OF BEING MARRIED. 569 00:21:14,120 --> 00:21:17,360 I NEED TO KNOW SO I DON'T END UP AS BITTER AS YOU GUYS. 570 00:21:17,390 --> 00:21:18,490 - SHIT, IS THAT HOW WE SOUND? 571 00:21:18,530 --> 00:21:21,100 - SO FAR I HAVEN'T HEARD MUCH IN THE PRO-MEN COLUMN. 572 00:21:21,130 --> 00:21:23,370 THE BEST YOU CAN HOPE FOR, I GUESS, 573 00:21:23,400 --> 00:21:25,430 IS THAT THEY MAKE YOU LAUGH AND OCCASIONALLY 574 00:21:25,470 --> 00:21:26,940 FIX THINGS AROUND THE HOUSE. 575 00:21:26,970 --> 00:21:30,470 - YEAH, THAT WOULD BE GREAT. WHAT? 576 00:21:30,510 --> 00:21:32,780 I WOULD KILL FOR A GUY TO FIX THINGS AROUND THE HOUSE. 577 00:21:32,810 --> 00:21:35,480 - WHAT WE MEANT TO SAY WAS-- - DON'T LOOK AT ME. 578 00:21:35,510 --> 00:21:37,810 I KNOW I'M BITTER. I OWN THAT SHIT. 579 00:21:37,850 --> 00:21:40,950 I AMS WHO I'S AMS. - WELL, I'M NOT BITTER. 580 00:21:40,980 --> 00:21:43,550 AM I BITTER? 581 00:21:43,590 --> 00:21:45,020 MAYBE I AM. 582 00:21:45,050 --> 00:21:46,690 I'M DISILLUSIONED. THAT'S WHAT I AM. 583 00:21:46,720 --> 00:21:48,890 I'M DEFINITELY DISILLUSIONED. 584 00:21:48,920 --> 00:21:50,790 - COME ON, MOM. WHAT DID YOU THINK WOULD HAPPEN? 585 00:21:50,830 --> 00:21:51,790 DID YOU THINK IF YOU LEFT 586 00:21:51,830 --> 00:21:53,700 HE WOULD GROW UP ALL OF A SUDDEN? 587 00:21:53,730 --> 00:21:55,000 - NO, I JUST-- 588 00:21:55,030 --> 00:21:56,060 YOU KNOW, I WISH WE DIDN'T 589 00:21:56,100 --> 00:21:58,630 HAVE TO PROP HIM UP ALL THE TIME. 590 00:21:58,670 --> 00:21:59,800 - SO WHAT'S THE POINT IN WISHING FOR SOMETHING 591 00:21:59,840 --> 00:22:02,610 THAT'S NEVER GOING TO COME TRUE? 592 00:22:02,640 --> 00:22:04,740 HE'S NEVER GOING TO CHANGE, MOM. 593 00:22:04,770 --> 00:22:07,380 HE'S ALWAYS GOING TO BE THAT DRUNKEN FOOL 594 00:22:07,410 --> 00:22:10,110 IN THE MIDDLE OF ABBOT KINNEY. 595 00:22:10,150 --> 00:22:15,980 THE SAME GUY WHO WROTE THIS BOOK. 596 00:22:16,020 --> 00:22:17,490 AND IF THAT'S NOT WHAT YOU WANT, 597 00:22:17,520 --> 00:22:20,460 THEN YOU HAVE TO BE THE ONE TO WALK AWAY. 598 00:22:20,490 --> 00:22:22,660 BECAUSE HE NEVER WILL. 599 00:22:24,160 --> 00:22:26,400 - GOD, JESUS. 600 00:22:26,430 --> 00:22:28,830 I LOVE THIS LITTLE BUDDHA YOU SHOT OUT OF YOUR VAG. 601 00:22:28,860 --> 00:22:31,370 SO WISE. 602 00:22:36,640 --> 00:22:40,080 [birds chirping] 603 00:22:40,110 --> 00:22:44,410 [dog barking] 604 00:22:49,650 --> 00:22:52,960 - [sighs] 605 00:22:52,990 --> 00:22:54,020 MM. 606 00:22:54,060 --> 00:22:58,490 - JESUS. 607 00:22:58,530 --> 00:23:02,630 FEEL LIKE I'VE BEEN FUCKED IN THE ASS BY GOD HIMSELF. 608 00:23:02,670 --> 00:23:07,600 AND HE--HE--HE PULLED OUT AND JIZZED ALL OVER MY FACE. 609 00:23:07,640 --> 00:23:10,870 GOT IN MY EYES, AND NOW I CAN'T EVEN OPEN THEM PROPERLY. 610 00:23:10,910 --> 00:23:13,510 - I'M HUNGRY. YOU? 611 00:23:13,540 --> 00:23:16,040 - SO OUR LADIES MUST BE WORRIED SICK ABOUT US, HUH? 612 00:23:16,080 --> 00:23:19,620 YOU KNOW WHY? - WHY? 613 00:23:19,650 --> 00:23:21,220 - 'CAUSE WE'RE A COUPLE OF DIRTY STAY-OUTS. 614 00:23:21,250 --> 00:23:23,150 - NO MISSED CALLS. 615 00:23:27,220 --> 00:23:30,490 - HUH, ME NEITHER. 616 00:23:30,530 --> 00:23:32,660 WELL, WHATEVER. 617 00:23:32,700 --> 00:23:37,130 OH, THIS WAS FUN. WE SHOULD DO THIS MORE OFTEN. 618 00:23:37,170 --> 00:23:41,100 - YOU KNOW, I CAN DO THIS BECAUSE I'M AN ARTIST. 619 00:23:41,140 --> 00:23:43,510 BUT YOU? YOU'RE A FUCKING BUSINESSMAN. 620 00:23:43,540 --> 00:23:45,070 A SUCKER IN A THREE-PIECE SUIT. 621 00:23:45,110 --> 00:23:46,940 YOU GOT TO KEEP YOUR SHIT TOGETHER. 622 00:23:46,980 --> 00:23:48,880 - DOESN'T SOUND VERY FAIR AT ALL. 623 00:23:48,910 --> 00:23:50,550 - I DIDN'T MAKE THE RULES. 624 00:23:55,520 --> 00:23:58,920 YOU KNOW, YOU'RE A GOOD FRIEND, YOU BALD MOTHERFUCKER. 625 00:23:58,950 --> 00:24:00,590 I'M LUCKY TO HAVE YOU. 626 00:24:00,620 --> 00:24:02,690 - SAME HERE, BUDDY. 627 00:24:02,730 --> 00:24:04,690 YOU'RE A REALLY GOOD KISSER, TOO, YOU KNOW THAT? 628 00:24:04,730 --> 00:24:08,100 KAREN DOESN'T KNOW WHAT SHE'S MISSING RIGHT NOW. 629 00:24:08,130 --> 00:24:09,230 - THERE'S A GOOD CHANCE I WOULD HAVE 630 00:24:09,260 --> 00:24:10,800 FORGOTTEN ABOUT THAT. - OH, NO. 631 00:24:10,830 --> 00:24:13,970 - THANKS FOR CALLING IT BACK. 632 00:24:14,000 --> 00:24:17,270 - GOD, I AM SORE. 633 00:24:17,310 --> 00:24:19,880 MY FUCKING BACK IS KILLING ME. 634 00:24:19,910 --> 00:24:22,140 GOT QUITE A WORKOUT LAST NIGHT, HUH? 635 00:24:22,180 --> 00:24:24,750 [groans] 636 00:24:28,020 --> 00:24:31,190 - HEY, CHARLIE? - YEAH. 637 00:24:31,220 --> 00:24:33,860 - DID WE GET TATTOOS LAST NIGHT? 638 00:24:33,890 --> 00:24:38,260 - DID WE WHAT? 639 00:24:38,290 --> 00:24:40,300 OH, NO, HANK. 640 00:24:40,330 --> 00:24:42,230 HANK, WHAT DID I DO? 641 00:24:42,260 --> 00:24:44,870 - I DON'T KNOW, BUT WE'RE ABOUT TO FIND OUT. 642 00:24:44,900 --> 00:24:46,870 BEND OVER, BIG BOY, AND DROP YOUR DRAWERS. 643 00:24:46,900 --> 00:24:48,200 AND I HOPE THAT'S THE LAST TIME 644 00:24:48,240 --> 00:24:49,710 I EVER SAY THAT TO YOU. 645 00:24:49,740 --> 00:24:52,010 - JESUS CHRIST, SAY IT AIN'T SO, HANK. 646 00:24:52,040 --> 00:24:53,910 - WHOO. [laughs] 647 00:24:53,940 --> 00:24:54,940 OH, IT IS SO. 648 00:24:54,980 --> 00:24:58,210 IT IS DEFINITELY SO. 649 00:24:58,250 --> 00:24:59,750 - WHY WOULD YOU LET ME DO THAT, HANK? 650 00:24:59,780 --> 00:25:01,220 WHY WOULD YOU LET ME GET A TRAMP STAMP? 651 00:25:01,250 --> 00:25:02,790 WHY--WHY WOULD YOU DO THAT TO ME? 652 00:25:02,820 --> 00:25:05,290 - LOOK ON THE BRIGHT SIDE. IT'S A BEAUTIFUL TATTOO. 653 00:25:05,320 --> 00:25:08,060 THE ARTIST DEFINITELY OUTDID HIS SELF. 654 00:25:08,090 --> 00:25:11,030 - JESUS CHRIST, IT'S A GOD DAMN BUTTERFLY, 655 00:25:11,060 --> 00:25:12,760 ISN'T IT HANK? NOW I REMEMBER. 656 00:25:12,800 --> 00:25:14,830 IT'S ALL COMING BACK TO ME. 657 00:25:14,860 --> 00:25:17,600 I'M SUCH A FUCKING IDIOT. 658 00:25:17,630 --> 00:25:19,640 OKAY, ALL RIGHT, COME ON. LET'S GO. 659 00:25:19,670 --> 00:25:21,300 WE'RE GOING TO THE REMOVAL PLACE RIGHT NOW. 660 00:25:21,340 --> 00:25:23,340 LET'S GO. HEY. 661 00:25:23,370 --> 00:25:27,680 - [sighs] [laughs] 662 00:25:27,710 --> 00:25:30,350 - COME ON, LET'S GO! 663 00:25:30,380 --> 00:25:33,650 - [laughs] 664 00:25:47,930 --> 00:25:50,970 - GOOD MORNING. - MORNING. 665 00:25:51,000 --> 00:25:52,300 - HOW WAS YOUR NIGHT? 666 00:25:52,330 --> 00:25:55,200 - YOU KNOW, IT WAS GREAT. IT WAS REALLY GOOD. 667 00:25:55,240 --> 00:25:57,110 - GREAT. 668 00:25:57,140 --> 00:25:58,240 - YOURS? 669 00:25:58,270 --> 00:25:59,940 - MINE WAS INTERESTING. 670 00:25:59,980 --> 00:26:04,180 DEFINITELY HAD ITS MOMENTS. 671 00:26:04,210 --> 00:26:07,820 I DIDN'T FUCK ANYONE, IF THAT'S WHAT YOU'RE WONDERING. 672 00:26:07,850 --> 00:26:11,720 - UH, NO, I WASN'T, ACTUALLY. 673 00:26:11,750 --> 00:26:13,360 - BULLSHIT. 674 00:26:13,390 --> 00:26:16,260 HOW'S MARCY? 675 00:26:16,290 --> 00:26:18,060 - UH, SHE'LL LIVE, YOU KNOW. 676 00:26:18,090 --> 00:26:20,130 - WELL, THAT'S GOOD. 677 00:26:20,160 --> 00:26:23,900 AND YOU? HOW ARE YOU? 678 00:26:23,930 --> 00:26:26,270 - I'M TRYING. 679 00:26:26,300 --> 00:26:29,970 - THAT'S ALL ANYBODY CAN ASK, HUH? 680 00:26:30,010 --> 00:26:32,270 - RIGHT. 681 00:26:37,250 --> 00:26:39,250 - HEY, CHECK THIS OUT. 682 00:26:39,280 --> 00:26:41,850 - HANK, DON'T-- - NO, NO, NO. NO. 683 00:26:41,880 --> 00:26:44,090 [winces] 684 00:26:48,690 --> 00:26:49,830 HUH? 685 00:26:49,860 --> 00:26:51,660 - [sighs] 686 00:26:51,690 --> 00:26:53,100 AM I SUPPOSED TO BE IMPRESSED? 687 00:26:53,130 --> 00:26:56,870 - THAT'S THE IDEA, YEAH. 688 00:26:56,900 --> 00:26:58,970 - HMM. 689 00:26:59,000 --> 00:27:00,170 - HMM? 690 00:27:00,200 --> 00:27:02,140 I SCAR MYSELF FOR YOU. 691 00:27:02,170 --> 00:27:03,740 I STIGMATIZE MYSELF FOR YOU. 692 00:27:03,770 --> 00:27:08,110 AND THAT'S ALL I GET AS A RESPONSE, IS "HMM?" 693 00:27:08,140 --> 00:27:10,210 HMM? 694 00:27:10,250 --> 00:27:13,020 - * CAN YOU SEE THE LIGHT 695 00:27:13,050 --> 00:27:14,220 - [sighs] 696 00:27:14,250 --> 00:27:18,020 - * CAN YOU HEAR THE HUM 697 00:27:18,050 --> 00:27:19,720 * OF OUR SONG 698 00:27:19,760 --> 00:27:22,260 - ARE YOU HUNGRY? 699 00:27:22,290 --> 00:27:25,760 - * I HOPE THEY GET IT RIGHT * 700 00:27:25,790 --> 00:27:27,430 - WOULD YOU LIKE SOME BREAKFAST? 701 00:27:27,460 --> 00:27:30,000 - * I HOPE WE DANCE TONIGHT * 702 00:27:30,030 --> 00:27:32,470 - I WOULD LOVE SOME BREAKFAST. 703 00:27:32,500 --> 00:27:35,170 - * BEFORE WE GET IT WRONG * 704 00:27:35,200 --> 00:27:38,070 * NOW I SEE YOU 705 00:27:38,110 --> 00:27:39,240 * TILL KINGDOM COME 706 00:27:39,270 --> 00:27:43,050 * YOU'RE THE ONE I WANT TO SEE ME * 707 00:27:43,080 --> 00:27:46,010 * FOR ALL THE STUPID SHIT I'VE DONE * 708 00:27:46,050 --> 00:27:51,990 * 709 00:27:52,020 --> 00:27:57,130 * SOIL AND SIX FEET UNDER 710 00:27:57,160 --> 00:28:01,160 * KILLED JUST LIKE WE WERE 711 00:28:01,200 --> 00:28:05,000 * BEFORE YOU KNEW YOU'D KNOW ME * 712 00:28:05,030 --> 00:28:08,470 * YOU KNOW ME 713 00:28:08,500 --> 00:28:16,480 * 50351

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