All language subtitles for Californication S03E07 So Here s the Thing...

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,030 --> 00:00:12,830 - YOU'RE MY STUDENT. - NOT ANYMORE, I'M NOT. 2 00:00:12,860 --> 00:00:14,760 - THIS IS SO NOT FAIR. 3 00:00:14,800 --> 00:00:16,530 PREVIOUSLY ON CALIFORNICATION... 4 00:00:16,570 --> 00:00:19,400 - I'VE NEVER STEPPED OUTSIDE OF MY MARRIAGE BEFORE. 5 00:00:19,440 --> 00:00:20,270 - WHO IN THEIR RIGHT MINDS 6 00:00:20,300 --> 00:00:24,070 WOULD STEP OUT ON HIS ROYAL DEANNESS? 7 00:00:24,110 --> 00:00:27,140 OH, I AM FLATTERED, BUT I... 8 00:00:27,180 --> 00:00:28,450 MMM! 9 00:00:28,480 --> 00:00:30,480 - AND I'M WET. 10 00:00:30,510 --> 00:00:33,320 - OOH, HARD AND WET-- THAT'S A WINNING COMBINATION. 11 00:00:33,350 --> 00:00:35,350 [crunch] 12 00:00:37,220 --> 00:00:38,320 HEY! 13 00:00:39,460 --> 00:00:41,490 WHAT? NOT EVEN A HELLO. 14 00:00:41,530 --> 00:00:44,290 - WHAT, WERE YOU JUST GONNA LEAVE ME BEHIND? 15 00:00:44,330 --> 00:00:46,100 - YOU'RE SAYING WE JUST PACK UP AND LEAVE L.A.? 16 00:00:46,130 --> 00:00:48,270 THE THREE OF US MOVE BACK TO NEW YORK TOGETHER? 17 00:00:48,300 --> 00:00:49,770 - YEAH, END OF THE SEMESTER. 18 00:00:49,800 --> 00:00:51,500 - FOR THE FIRST TIME IN MY LIFE, I'M ACTUALLY HAPPY, 19 00:00:51,540 --> 00:00:52,840 AND NOW YOU WANT ME TO PACK UP 20 00:00:52,870 --> 00:00:53,740 AND MOVE SOMEPLACE I HAVE NO FRIENDS? 21 00:00:53,770 --> 00:00:55,310 - WHAT DID YOU SAY YOUR NAME WAS AGAIN? 22 00:00:55,340 --> 00:00:57,740 - SHE DIDN'T. NEXT. 23 00:00:57,770 --> 00:00:59,210 - AAAAH! 24 00:00:59,240 --> 00:01:02,180 RUNKLE IS ANKLING! 25 00:01:02,210 --> 00:01:05,720 - RICK FUCKING SPRINGFIELD IS HERE IN MY HOUSE 26 00:01:05,750 --> 00:01:07,120 RIGHT FUCKING NOW? 27 00:01:07,150 --> 00:01:08,650 - '80s POP LEGEND RICK SPRINGFIELD 28 00:01:08,690 --> 00:01:10,120 IS IN THERE STEALING YOUR GIRL. 29 00:01:10,150 --> 00:01:12,590 - YOU HAVE TO OUT-FUCK RICK SPRINGFIELD. 30 00:01:12,620 --> 00:01:14,590 - THE ONLY TIME I EVER MADE MARCY SQUEAL LIKE THAT 31 00:01:14,620 --> 00:01:16,530 WAS WHEN I PUT THE RING ON HER FINGER. 32 00:01:16,560 --> 00:01:19,460 [Marcy and Rick moaning] 33 00:01:19,500 --> 00:01:21,630 - DESTROY ME, RICK SPRINGFIELD! 34 00:01:23,370 --> 00:01:24,770 - CHRIST ON THE CROSS, HANK. 35 00:01:24,800 --> 00:01:26,870 MY LUNGS ARE ABOUT TO EXPLODE. 36 00:01:26,900 --> 00:01:28,340 - YOU DIDN'T HAVE TO COME. 37 00:01:28,370 --> 00:01:29,310 YOU COULD HAVE STAYED HOME 38 00:01:29,340 --> 00:01:31,580 AND MADE THE FUCKY-FUCKY WITH THE BOSS LADY. 39 00:01:31,610 --> 00:01:33,440 - HEY, LAUGH ALL YOU WANT. 40 00:01:33,480 --> 00:01:34,540 HOW MANY PEOPLE CAN SAY 41 00:01:34,580 --> 00:01:35,610 THEY'VE BEEN IN THE SAME HONEY POT 42 00:01:35,650 --> 00:01:36,550 AS JACK NICHOLSON? 43 00:01:36,580 --> 00:01:38,420 - HOW MANY PEOPLE IN THE L.A. PHONE BOOK? 44 00:01:38,450 --> 00:01:39,750 - AH, WHO AM I KIDDING? 45 00:01:39,780 --> 00:01:42,350 I USED TO BE CHARLIE RUNKLE. 46 00:01:42,390 --> 00:01:44,220 NOW... 47 00:01:44,250 --> 00:01:46,590 [imitating Collini] I'M RUNKLE! 48 00:01:46,620 --> 00:01:49,160 - HMM. LOOK AT US, RUNKLE. 49 00:01:49,190 --> 00:01:50,360 L.A. HAS MADE US SOFT. 50 00:01:50,390 --> 00:01:52,700 YOU USED TO BE ABLE TO RUN FOR THE LEXINGTON AVENUE EXPRESS 51 00:01:52,730 --> 00:01:54,360 WITH THE BEST OF THEM, 52 00:01:54,400 --> 00:01:56,570 ELBOWING INVESTMENT WANKERS OUT OF THE WAY. 53 00:01:56,600 --> 00:01:57,770 YOUR CELL PHONE IN ONE HAND, 54 00:01:57,800 --> 00:01:58,840 YOUR MAMMOTH BALL SACK IN THE OTHER, 55 00:01:58,870 --> 00:02:00,940 A HOLLYWOOD REPORTER BETWEEN YOUR TEETH, 56 00:02:00,970 --> 00:02:02,910 NOT EVEN BREATHING SO YOU WOULDN'T 57 00:02:02,940 --> 00:02:04,840 INHALE THE FUCKING PISS STENCH. 58 00:02:04,870 --> 00:02:06,580 - JESUS CHRIST, WE'RE OUT HERE 'CAUSE OF KAREN, 59 00:02:06,610 --> 00:02:07,780 AREN'T WE? 60 00:02:07,810 --> 00:02:08,780 - THAT'S RIGHT. 61 00:02:08,810 --> 00:02:10,780 THE GODS HAVE SEEN FIT TO GIVE ME ANOTHER SHOT 62 00:02:10,810 --> 00:02:11,920 WITH THE SOUL MATE. 63 00:02:11,950 --> 00:02:13,920 SHE'S IN NEW YORK, FEATHERING THE NEST, 64 00:02:13,950 --> 00:02:15,520 AND I GOT TO BE READY FOR HER, 65 00:02:15,550 --> 00:02:18,290 MENTALLY... PHYSICALLY... 66 00:02:18,320 --> 00:02:19,660 SEXUALLY. 67 00:02:19,690 --> 00:02:21,360 - MAYBE IT'S TIME TO STOP BANGING 68 00:02:21,390 --> 00:02:22,790 THE ENTIRE COLLEGE CAMPUS. 69 00:02:22,830 --> 00:02:23,930 - RIGHT YOU ARE... 70 00:02:23,960 --> 00:02:25,800 * MOTHERFUCKER 71 00:02:25,830 --> 00:02:27,530 RIGHT AS RAIN. 72 00:02:27,560 --> 00:02:30,270 IT'S TIME FOR ME TO GROW UP, DO THE RIGHT THING. 73 00:02:30,300 --> 00:02:32,570 - EASIER SAID THAN DONE, THOUGH, HUH? 74 00:02:32,600 --> 00:02:35,310 - NAH, JACKIE'S 23. 75 00:02:35,340 --> 00:02:37,440 SHE'S NOT LOOKING TO MAKE THOSE BREASTESES EXCLUSIVE. 76 00:02:37,470 --> 00:02:39,340 AND JILL, SHE KNOWS I GOT A SNIP AND A BABY. 77 00:02:39,380 --> 00:02:42,810 AND FELICIA, I'M JUST A DAYDREAM TO HER-- 78 00:02:42,850 --> 00:02:44,680 AN ESCAPE HATCH FROM THE DEANERY. 79 00:02:44,710 --> 00:02:46,550 SHIT, I CAN GET THIS DONE IN ONE DAY-- 80 00:02:46,580 --> 00:02:47,950 BREAKFAST, LUNCH, DINNER, 81 00:02:47,980 --> 00:02:50,690 THEN HOME FOR SOME CYBERSEX WITH THE SOUL MATE. 82 00:02:50,720 --> 00:02:52,420 - THAT'S NOT A BAD IDEA. 83 00:02:52,460 --> 00:02:54,320 - YOU KIDDING? IT'S A TERRIBLE IDEA. 84 00:02:54,360 --> 00:02:55,860 THE LIGHTING IS SUBPAR, 85 00:02:55,890 --> 00:02:57,960 VERY DIFFICULT TO PROPERLY SHOWCASE 86 00:02:57,990 --> 00:02:59,330 ONE'S DANGLING MAJESTY. 87 00:02:59,360 --> 00:03:01,230 BUT IT SURE BEATS PHONE-ILINGUS. 88 00:03:01,270 --> 00:03:04,230 [upbeat music] 89 00:03:04,270 --> 00:03:12,210 * 90 00:03:47,740 --> 00:03:49,010 [knock at door] 91 00:03:49,050 --> 00:03:51,050 - YOU WANTED TO SEE ME, PROFESSOR MOODY? 92 00:03:51,080 --> 00:03:52,980 - JACKIE, MY PRIZED PUPIL. 93 00:03:53,020 --> 00:03:54,720 COME ON IN. HAVE A SEAT AND SHUT THE DOOR. 94 00:03:54,750 --> 00:03:56,720 OR--OR WAIT. DON'T--DON'T SHUT THE DOOR. 95 00:03:56,750 --> 00:03:58,920 I DON'T KNOW. WHAT--WHAT DO YOU THINK? 96 00:03:58,960 --> 00:04:01,730 - WELL, I THINK YOU'RE MORE OF A THRILL-SEEKER 97 00:04:01,760 --> 00:04:04,460 THAN I THOUGHT IF YOU WANT TO FUCK ME WITH THE DOOR OPEN. 98 00:04:04,490 --> 00:04:06,300 - I KNOW. YOU KNOW, I-I THINK, 99 00:04:06,330 --> 00:04:08,000 A-AS YOU GOT TO KNOW ME, YOU'D FIND THAT I WAS 100 00:04:08,030 --> 00:04:09,370 PRETTY MUCH OF A FUDDY-DUDDY, 101 00:04:09,400 --> 00:04:10,500 JUST AN OLD-FASHIONED-- 102 00:04:10,530 --> 00:04:12,940 - YEAH, I ACTUALLY WANTED TO TALK TO YOU ABOUT THAT. 103 00:04:12,970 --> 00:04:15,070 I THINK THAT WE NEED TO SPICE THINGS UP A LITTLE BIT. 104 00:04:15,100 --> 00:04:17,770 I'M GETTING SORT OF TIRED OF BEING ON TOP ALL THE TIME. 105 00:04:17,810 --> 00:04:20,080 - OH, WELL, DON'T--DON'T KNOCK COWGIRL. 106 00:04:20,110 --> 00:04:21,950 THAT'S--THAT'S MY FAVORITE "POSISH." 107 00:04:21,980 --> 00:04:23,910 YOU KNOW, I DO SOME OF MY BEST WORK FROM THE BOTTOM. 108 00:04:23,950 --> 00:04:25,520 YOU KNOW WHY? - WHY? 109 00:04:25,550 --> 00:04:26,620 - I GOT MY HANDS FREE. 110 00:04:26,650 --> 00:04:30,350 IT'S LIKE SEXUAL BLUETOOTH. 111 00:04:30,390 --> 00:04:32,790 - I MISSED YOU. IT'S BEEN A WHILE. 112 00:04:32,820 --> 00:04:34,060 - YEAH, ABOUT THAT... 113 00:04:34,090 --> 00:04:35,330 - DID YOU MISS ME? 114 00:04:35,360 --> 00:04:37,760 - WELL, SURE I DID, 115 00:04:37,790 --> 00:04:39,400 TONS. 116 00:04:39,430 --> 00:04:42,100 UM...LOOK, HERE'S THE THING. 117 00:04:42,130 --> 00:04:45,030 - OH, MY GOD. SERIOUSLY? 118 00:04:45,070 --> 00:04:47,070 YOU'RE TRYING TO END THIS THING. 119 00:04:47,100 --> 00:04:48,170 - UH, A THING, IS IT? 120 00:04:48,200 --> 00:04:51,910 - WOW, WELL, IT SOUNDS TO ME LIKE YOU'RE DUMPING ME. 121 00:04:51,940 --> 00:04:54,580 - THAT'S HARSH WHEN YOU PUT IT THAT WAY, 122 00:04:54,610 --> 00:04:55,780 BUT, UH, THAT'S EXACTLY RIGHT, 123 00:04:55,810 --> 00:04:56,910 IN A MANNER OF SPEAKING. 124 00:04:56,950 --> 00:04:59,550 YOU'RE A LOVELY GIRL, THE LOVELIEST OF THE LOVELIEST. 125 00:04:59,580 --> 00:05:01,720 - THIS IS BECAUSE OF THAT WOMAN, ISN'T IT? 126 00:05:01,750 --> 00:05:03,420 WHO WAS IN CLASS THE OTHER DAY-- 127 00:05:03,450 --> 00:05:05,360 YOUR OLD LADY. 128 00:05:05,390 --> 00:05:07,090 - THAT'S THE WOMAN WHAT DONE IT, YES. 129 00:05:07,120 --> 00:05:08,890 - SO, UM... 130 00:05:08,930 --> 00:05:10,690 YOU'RE BACK WITH HER NOW? 131 00:05:10,730 --> 00:05:12,530 - SHE IS THE MOTHER OF MY CHILD. 132 00:05:12,560 --> 00:05:16,100 - OH, AND SHE DOESN'T MIND YOU SLEEPING WITH STUDENTS 133 00:05:16,130 --> 00:05:18,700 WHO AREN'T VERY MUCH OLDER THAN THAT CHILD? 134 00:05:18,740 --> 00:05:21,000 - WELL, THAT IS...LOW. 135 00:05:21,040 --> 00:05:23,710 - OH, COMING FROM THE GUY WHO LOVED MY WORK 136 00:05:23,740 --> 00:05:24,870 AND FOUND ME OH-SO-TALENTED, 137 00:05:24,910 --> 00:05:27,610 BUT NOW HAS GROWN TIRED OF FUCKING ME. 138 00:05:27,640 --> 00:05:30,080 - REALLY? HAVE I-- HAVE I MADE YOU FEEL THAT WAY? 139 00:05:30,110 --> 00:05:31,480 - IT'S COOL. DON'T SWEAT IT. 140 00:05:31,520 --> 00:05:34,120 IT'S NOT LIKE IT WAS SERIOUS, RIGHT? 141 00:05:34,150 --> 00:05:35,420 JUST FUN? 142 00:05:35,450 --> 00:05:37,650 - FUN IT WAS. 143 00:05:37,690 --> 00:05:40,160 - BESIDES, I'M A SEX WORKER, RIGHT? 144 00:05:40,190 --> 00:05:41,460 - WHAT DOES THAT MEAN? 145 00:05:41,490 --> 00:05:43,530 - DON'T WORRY ABOUT ME. 146 00:05:43,560 --> 00:05:44,730 I CAN'T GET HURT. 147 00:05:44,760 --> 00:05:47,660 I'M JUST A HOT PIECE OF STRIPPER ASS. 148 00:05:47,700 --> 00:05:49,670 YOU HAVE YOUR FUN WITH ME, AND THEN YOU'RE DONE. 149 00:05:49,700 --> 00:05:51,900 I GOT IT, LOUD AND CLEAR. 150 00:05:51,940 --> 00:05:53,470 - I DON'T LIKE THE WAY THAT SOUNDS. 151 00:05:53,500 --> 00:05:55,510 - WELL, MAYBE I DON'T LIKE THE WAY IT FEELS. 152 00:05:55,540 --> 00:05:57,740 - [sighs] JACKIE, I'M SORRY. 153 00:05:57,770 --> 00:05:59,040 - [chuckles] SORRY. 154 00:05:59,080 --> 00:06:05,050 I'M SORRY. I AM SO, SO SORRY. 155 00:06:05,080 --> 00:06:07,080 NO NEED TO MAKE A FUSS. 156 00:06:07,120 --> 00:06:08,890 WE CAN HANDLE THIS LIKE ADULTS. 157 00:06:08,920 --> 00:06:10,890 IN FACT, SINCE I'M... 158 00:06:10,920 --> 00:06:12,460 [scoffs] RIGHT HERE... 159 00:06:12,490 --> 00:06:13,420 - MM-HMM. 160 00:06:13,460 --> 00:06:16,160 - WHY NOT JUST, UH, BLOW YOU ONE MORE TIME? 161 00:06:16,190 --> 00:06:19,500 - OH. WELL... 162 00:06:19,530 --> 00:06:21,500 NO, THAT'S REALLY NOT NECESSARY. 163 00:06:21,530 --> 00:06:23,770 - OH, COME ON, JUST LET THE SEX WORKER 164 00:06:23,800 --> 00:06:25,570 DO WHAT THE SEX WORKER DOES BEST. 165 00:06:25,600 --> 00:06:26,770 - NO, NO, NO, NO. 166 00:06:26,800 --> 00:06:27,770 - MOODY, I-- 167 00:06:27,800 --> 00:06:31,780 JESUS, MARY, AND JOSEPH, WHAT IS GOING ON HERE? 168 00:06:31,810 --> 00:06:35,480 - OH! THIS IS SO NOT WHAT IT SEEMS. 169 00:06:35,510 --> 00:06:38,180 - I KNEW IT. I KNEW YOU WERE A DEPRAVED LUNATIC. 170 00:06:38,210 --> 00:06:40,020 - WELL, THAT MAY VERY WELL BE THE CASE, 171 00:06:40,050 --> 00:06:41,790 BUT THINGS ARE NOT ALWAYS AS THEY APPEAR. 172 00:06:41,820 --> 00:06:44,790 - GOOD GOD, MAN, YOUR FLY IS OPEN. 173 00:06:44,820 --> 00:06:47,760 - THANK YOU FOR EMBARRASSING ME IN FRONT OF MY STUDENT. 174 00:06:47,790 --> 00:06:50,930 - WHAT DO YOU HAVE TO SAY FOR YOURSELF, JACKIE? 175 00:06:50,960 --> 00:06:52,930 - WELL, HE SAID HE'D GIVE ME AN "A." 176 00:06:52,960 --> 00:06:54,930 - OH, THAT IS SOME FUCKED-UP SHIT RIGHT THERE, WOMAN. 177 00:06:54,960 --> 00:06:55,870 REVERSE COURSE. 178 00:06:55,900 --> 00:06:58,070 - I'M GONNA HAVE YOU DRAWN AND QUARTERED. 179 00:06:58,100 --> 00:07:00,540 MAYBE JACKIE'S GONNA WANT TO PRESS CHARGES 180 00:07:00,570 --> 00:07:01,740 AGAINST THE AGING DEGENERATE 181 00:07:01,770 --> 00:07:03,570 WHO COMPROMISED HER COLLEGE EXPERIENCE. 182 00:07:03,610 --> 00:07:04,670 - MAYBE I WILL. 183 00:07:04,710 --> 00:07:05,980 - [whispering] WHAT THE FUCK? 184 00:07:06,010 --> 00:07:07,810 - BUT I CAN'T. 185 00:07:07,840 --> 00:07:09,680 - WHY ON EARTH NOT? 186 00:07:09,710 --> 00:07:11,620 - [laughing] 'CAUSE I WAS JUST KIDDING. 187 00:07:11,650 --> 00:07:13,950 - YOU WERE KIDDING? 188 00:07:13,980 --> 00:07:15,890 - LOOK, I'M SORRY, BUT THIS IS RIDICULOUS. 189 00:07:15,920 --> 00:07:17,850 HE WAS JUST GIVING ME NOTES ON A STORY. 190 00:07:17,890 --> 00:07:18,920 WE WERE TALKING 191 00:07:18,960 --> 00:07:21,690 ABOUT THE ENDING, ACTUALLY, OF THE STORY, RIGHT? 192 00:07:21,730 --> 00:07:22,760 - MM-HMM. YES. 193 00:07:22,790 --> 00:07:24,730 - AND HE THINKS IT'S OVER. - RIGHT. 194 00:07:24,760 --> 00:07:27,600 - BUT I KNOW THAT IT'S JUST BEGUN. 195 00:07:27,630 --> 00:07:28,730 - RIGHT. 196 00:07:28,770 --> 00:07:30,700 - BUT DON'T WORRY, DEAN KOONS, REALLY. 197 00:07:30,730 --> 00:07:33,840 HE'S NEVER DONE ANYTHING EVEN REMOTELY INAPPROPRIATE. 198 00:07:33,870 --> 00:07:36,240 REALLY, HE'S VERY BORING 199 00:07:36,270 --> 00:07:38,780 AND SO NOT MY TYPE. 200 00:07:38,810 --> 00:07:40,840 I LIKE THEM DARKER, 201 00:07:40,880 --> 00:07:42,580 HANDSOMER. 202 00:07:42,610 --> 00:07:44,980 GOD, YOU HAVE GREAT EYEBROWS, SIR. 203 00:07:45,010 --> 00:07:47,250 A GIRL COULD REALLY GET LOST IN THOSE THINGS. 204 00:07:47,280 --> 00:07:48,890 - HE'S GOT, UH, PRETTY BLUE EYES, TOO, DOESN'T HE? 205 00:07:48,920 --> 00:07:50,120 - GORGEOUS. 206 00:07:50,150 --> 00:07:51,760 - WELL, THANK YOU. THANK YOU, JACKIE. 207 00:07:51,790 --> 00:07:52,760 THAT'S VERY KIND OF YOU. 208 00:07:52,790 --> 00:07:53,760 - YOU'RE WELCOME. 209 00:07:53,790 --> 00:07:55,590 THANKS FOR THE HELP. 210 00:07:55,630 --> 00:07:57,890 I'LL SHOW MYSELF OUT. 211 00:08:00,800 --> 00:08:03,300 [door opens, indistinct chatter from hall] 212 00:08:03,330 --> 00:08:05,270 - YOU HAVE A THUNDEROUS ERECTION RIGHT NOW, DON'T YOU? 213 00:08:05,300 --> 00:08:06,740 - OHH! [grunts with frustration] 214 00:08:06,770 --> 00:08:09,070 [phone ringing] 215 00:08:09,110 --> 00:08:11,780 - I'LL CLOSE THE DOOR, GIVE YOU SOME PRIVACY. 216 00:08:14,610 --> 00:08:17,580 - OH, YEAH. THAT'S-- OH, THAT'S MAMA'S SWEET SPOT. 217 00:08:17,610 --> 00:08:19,020 LOWER. AH, LOWER. 218 00:08:19,050 --> 00:08:21,280 AH! ANOTHER TWO INCHES, I'LL READ YOUR SPEC SCRIPT. 219 00:08:21,320 --> 00:08:22,850 - OH, NO, I DON'T DO THAT. 220 00:08:22,890 --> 00:08:24,190 - OH, YOU'RE ONE OF THOSE, HUH? 221 00:08:24,220 --> 00:08:26,960 NO HAPPY ENDINGS, JUST CLIFF-HANGERS. 222 00:08:26,990 --> 00:08:28,630 WELL, GET THE FUCK OUT OF HERE! 223 00:08:28,660 --> 00:08:30,630 I'VE GROWN WEARY. I HAVE WORK TO DO. 224 00:08:30,660 --> 00:08:33,630 RUNKLE! I NEED YOU ON MY CARPET! 225 00:08:35,930 --> 00:08:38,600 - CRAZY BITCH. 226 00:08:38,640 --> 00:08:40,140 - MORNING, SUE. 227 00:08:40,170 --> 00:08:43,110 - AGH! THAT GUY... FIRED UP THE GRILL 228 00:08:43,140 --> 00:08:45,040 AND WALKED OUT OF HERE WITH AN UNCOOKED WIENER. 229 00:08:45,070 --> 00:08:46,810 CAN YOU BELIEVE THAT? 230 00:08:46,840 --> 00:08:48,210 - IT'S WHAT HAPPENS WHEN BUDDHISTS 231 00:08:48,240 --> 00:08:49,850 COMMANDEER A PROFESSION 232 00:08:49,880 --> 00:08:52,950 THAT RIGHTFULLY BELONGS TO WELL-HUNG SWEDES. 233 00:08:52,980 --> 00:08:54,220 - SO IT IS. 234 00:08:54,250 --> 00:08:55,990 WHAT ABOUT YOU? 235 00:08:56,020 --> 00:08:57,250 HAVE YOU EMPTIED THE CHAMBER TODAY? 236 00:08:57,290 --> 00:08:59,020 - [chuckles] WELL, AS A MATTER OF FACT-- 237 00:08:59,060 --> 00:09:01,190 - OF COURSE YOU HAVE. YOU'RE RUNKLE. 238 00:09:01,220 --> 00:09:05,190 YOU'D WHACK IT TO A CAT DANCING ON YOUTUBE. 239 00:09:05,230 --> 00:09:07,000 BUT I'M IN THE MOOD. 240 00:09:07,030 --> 00:09:09,230 WANT TO FIRE OFF ANOTHER ROUND, HUH? 241 00:09:09,270 --> 00:09:10,270 - PHONE CALL FOR YOU, SUE. 242 00:09:10,300 --> 00:09:12,170 - RHONDA, YOU KNOW BETTER THAN TO INTERRUPT ME 243 00:09:12,200 --> 00:09:13,770 WHEN I'M ENTERTAINING A GENTLEMAN. 244 00:09:13,800 --> 00:09:14,940 - IT'S HIM. 245 00:09:14,970 --> 00:09:16,670 - HIM? 246 00:09:16,710 --> 00:09:17,710 - MM-HMM. 247 00:09:17,740 --> 00:09:20,080 - EVERYBODY OUT. 248 00:09:20,110 --> 00:09:22,680 - UH-HUH. 249 00:09:24,980 --> 00:09:26,850 MM-HMM. 250 00:09:26,880 --> 00:09:28,690 - HOW YOU DOING? 251 00:09:28,720 --> 00:09:30,350 - [scoffs] 252 00:09:30,390 --> 00:09:33,060 - EVERYTHING GOOD OUT HERE? YOU--YOU HIP-POCKETING ANYONE? 253 00:09:33,090 --> 00:09:35,120 THAT WAS ALWAYS MY MOVE AS AN ASSISTANT. 254 00:09:35,160 --> 00:09:36,630 - [scoffs] 255 00:09:36,660 --> 00:09:39,700 I KNOW SHE'S SEEN YOUR PENIS. 256 00:09:39,730 --> 00:09:41,330 - GUESS WHAT, RHONDA? 257 00:09:41,360 --> 00:09:42,800 SHE'S NOT ALONE. 258 00:09:42,830 --> 00:09:44,870 11,000 HITS ON REDTUBE. 259 00:09:44,900 --> 00:09:46,340 WHOO. 260 00:09:46,370 --> 00:09:47,970 [chuckles] 261 00:09:48,000 --> 00:09:51,110 - DON'T GO ANYWHERE, RUNKLE. [breathes deeply] 262 00:09:51,140 --> 00:09:52,880 I NEED YOU. 263 00:09:59,450 --> 00:10:00,980 - JILLYBEAN. 264 00:10:01,020 --> 00:10:01,990 - [laughs] 265 00:10:02,020 --> 00:10:03,720 - NICE TO SEE YOU. 266 00:10:03,750 --> 00:10:06,120 - WOW, CLASSY. - AH. 267 00:10:06,160 --> 00:10:08,730 - MOODY, REAL TABLECLOTHS. 268 00:10:08,760 --> 00:10:10,160 YOU TRYING TO TELL ME SOMETHING? 269 00:10:10,190 --> 00:10:13,000 'CAUSE I DIDN'T EVEN THINK WE WERE DATING, PER SE. 270 00:10:13,030 --> 00:10:15,400 - THAT'S INTERESTING, BECAUSE... 271 00:10:15,430 --> 00:10:17,000 I'VE BEEN DOING SOME THINKING, 272 00:10:17,030 --> 00:10:18,400 AND I WANTED TO-- - YEAH, ME TOO. 273 00:10:18,430 --> 00:10:19,900 - YOU HAVE? - MM-HMM. 274 00:10:19,940 --> 00:10:21,870 - LADIES FIRST. 275 00:10:21,910 --> 00:10:23,110 - ACTUALLY, NOT THAT MUCH THINKING, 276 00:10:23,140 --> 00:10:24,310 JUST A MEDIUM AMOUNT OF THINKING, 277 00:10:24,340 --> 00:10:25,940 'CAUSE TOO MUCH WITH THE THINKING, 278 00:10:25,980 --> 00:10:27,180 THAT DOES ME IN. 279 00:10:27,210 --> 00:10:28,340 THAT'S HOW I JINX THINGS. 280 00:10:28,380 --> 00:10:30,250 SO NOW I'M JUST TAKING IT SLOW, 281 00:10:30,280 --> 00:10:32,350 GOING DAY BY DAY. 282 00:10:32,380 --> 00:10:34,080 - MM-HMM. MM-HMM. 283 00:10:34,120 --> 00:10:36,020 - WHAT WERE YOU GONNA SAY? 284 00:10:36,050 --> 00:10:38,050 [giggles] 285 00:10:39,920 --> 00:10:42,030 - OKAY. 286 00:10:42,060 --> 00:10:43,360 OKAY, LOOK, HERE'S THE THING. 287 00:10:43,390 --> 00:10:47,000 - OH, MY GOD. OH, MY SWEET FUCKING GOD. 288 00:10:47,030 --> 00:10:49,030 - WHAT? - JACK. 289 00:10:49,070 --> 00:10:51,000 MY EGG-WASTER. OHH! 290 00:10:51,030 --> 00:10:52,900 - THAT'S THE EX DULL NORMAL? - YEAH. 291 00:10:52,940 --> 00:10:55,340 THE GUY I WAITED HALF A FUCKING DECADE 292 00:10:55,370 --> 00:10:56,410 TO PROPOSE TO ME. 293 00:10:56,440 --> 00:10:58,010 - THAT GUY? - YES! 294 00:10:58,040 --> 00:11:01,240 AND HE DUMPED ME, IN A PLACE JUST LIKE THIS-- 295 00:11:01,280 --> 00:11:03,050 FUCKING ITALIAN FOOD. - REALLY? 296 00:11:03,080 --> 00:11:04,180 THAT IS A DICK MOVE. 297 00:11:04,210 --> 00:11:06,480 - YEAH. AND YOU KNOW WHAT ELSE? 298 00:11:06,520 --> 00:11:08,990 HE SAID IT WAS UNETHICAL FOR HIM 299 00:11:09,020 --> 00:11:11,960 TO KEEP DATING ME, KNOWING THAT I WANTED TO GET MARRIED 300 00:11:11,990 --> 00:11:13,090 AND HAVE KIDS, 301 00:11:13,120 --> 00:11:14,390 AND HE WASN'T READY FOR THOSE THINGS. 302 00:11:14,420 --> 00:11:16,060 - WELL, SEE, THAT--THAT SOUNDS 303 00:11:16,090 --> 00:11:18,330 PRETTY MORALLY UPSTANDING TO ME. 304 00:11:18,360 --> 00:11:19,460 IN FACT-- - REALLY? 305 00:11:19,500 --> 00:11:21,030 'CAUSE IT DIDN'T STOP HIM 306 00:11:21,060 --> 00:11:23,230 FROM HAVING REGULAR SEX WITH ME FOR FIVE YEARS. 307 00:11:23,270 --> 00:11:25,130 - BUT YOU COULD HAVE GOTTEN RID OF HIM, RIGHT? 308 00:11:25,170 --> 00:11:26,400 WASH THAT MAN RIGHT OUT OF YOUR HAIR. 309 00:11:26,440 --> 00:11:27,400 BOOM! END OF PROBLEM. 310 00:11:27,440 --> 00:11:29,170 HAVE YOU EVER THOUGHT ABOUT BEING THE DUMPER 311 00:11:29,210 --> 00:11:30,770 INSTEAD OF THE DUMPEE? 312 00:11:30,810 --> 00:11:32,110 THAT'S NOT A BAD IDEA. 313 00:11:32,140 --> 00:11:33,980 WHY DON'T YOU PRACTICE ON ME? - OH, MY GOD! 314 00:11:34,010 --> 00:11:36,410 UHH! SHE HAS A RING. LOOK. 315 00:11:36,450 --> 00:11:37,380 LOOK AT HER FINGER. 316 00:11:37,410 --> 00:11:39,920 DO YOU SEE THAT MONSTROSITY ON HER FINGER? 317 00:11:39,950 --> 00:11:41,820 THEY'RE FUCKING ENGAGED! 318 00:11:41,850 --> 00:11:42,990 - I, UH-- - OH! 319 00:11:43,020 --> 00:11:45,490 OH, MY GOD, I... 320 00:11:45,520 --> 00:11:47,220 WHAT IS MY MOVE HERE? WHAT DO I DO? 321 00:11:47,260 --> 00:11:48,520 - NOTHING. THERE IS NO MOVE. 322 00:11:48,560 --> 00:11:49,790 - I HAVE TO GO AND SAY HI? 323 00:11:49,830 --> 00:11:51,190 - NO! FUCK, NO. YOU DON'T SAY HI. 324 00:11:51,230 --> 00:11:52,460 - BUT THAT'S WHAT NORMAL PEOPLE DO. 325 00:11:52,500 --> 00:11:54,500 - JILL, YOU'VE GOT TO GET OUT OF YOUR OWN WAY. 326 00:11:54,530 --> 00:11:56,770 THE ONLY THOUGHT IN YOUR HEAD RIGHT NOW 327 00:11:56,800 --> 00:11:57,900 SHOULD BE, "FUCK THAT GUY." 328 00:11:57,930 --> 00:11:59,940 - I'M REALLY STARTING TO THINK 329 00:11:59,970 --> 00:12:02,040 THAT'S THE ONLY PIECE OF ADVICE YOU HAVE. 330 00:12:02,070 --> 00:12:04,840 - THIS IS WHAT YOU SHOULD DO. 331 00:12:04,870 --> 00:12:06,110 - WHAT ARE YOU DOING? 332 00:12:06,140 --> 00:12:08,210 - OH, MY GOD, MOODY. 333 00:12:08,240 --> 00:12:09,410 MOODY. 334 00:12:11,410 --> 00:12:13,450 - OH, MY GOD, IT IS YOU. 335 00:12:13,480 --> 00:12:15,990 - YEAH, IT'S ME, BUDDY. KIND OF BUSY HERE. 336 00:12:16,020 --> 00:12:18,250 - WELL, EXCUSE ME FOR HAVING THE NERVE TO COME UP TO YOU 337 00:12:18,290 --> 00:12:19,360 AND SAY HI IN PUBLIC. 338 00:12:19,390 --> 00:12:20,360 DON'T BLOW ME OFF. 339 00:12:20,390 --> 00:12:21,520 I JUST WANTED YOU TO KNOW 340 00:12:21,560 --> 00:12:23,960 THAT I GOT THE TEST RESULTS BACK. 341 00:12:23,990 --> 00:12:26,230 AND, UH, SHIT, I HOPE YOU HAVE THE COURAGE 342 00:12:26,260 --> 00:12:28,330 TO INFORM THE REST OF YOUR SEXUAL PARTNERS, 343 00:12:28,360 --> 00:12:30,270 BECAUSE LORD KNOWS I NEVER HAD THE HERP 344 00:12:30,300 --> 00:12:32,200 BEFORE YOU BLEW ME UNTIL I WAS SHOOTING BLOOD 345 00:12:32,240 --> 00:12:34,070 AT THE PALM SPRINGS WHITE PARTY. 346 00:12:34,100 --> 00:12:35,240 WHATEVER. 347 00:12:35,270 --> 00:12:37,810 I HOPE YOU AND YOUR BEARD 348 00:12:37,840 --> 00:12:39,940 HAVE A WONDERFUL REST OF THE DAY. 349 00:12:39,980 --> 00:12:42,980 [snaps fingers three times] 350 00:12:43,010 --> 00:12:45,920 - [laughing] 351 00:12:50,590 --> 00:12:51,720 - NOW... - OH, GOD. 352 00:12:51,750 --> 00:12:54,390 OKAY, CAN I JUST TELL YOU THAT BEING INCREDIBLY SWEET 353 00:12:54,420 --> 00:12:56,560 AND SENSITIVE TO MY SITUATION RIGHT NOW 354 00:12:56,590 --> 00:12:59,360 IS NOT MAKING ME WANT TO FUCK YOU ANY LESS. 355 00:12:59,400 --> 00:13:02,230 - [chuckling] - LET'S GO, BABY. 356 00:13:02,270 --> 00:13:04,170 - OKAY, SO HERE'S THE THING. 357 00:13:10,340 --> 00:13:12,340 - UGH. HE'S MY LIFE, CHARLIE. 358 00:13:12,380 --> 00:13:13,910 HE'S MY FIRST CLIENT. 359 00:13:13,940 --> 00:13:16,180 I CAN'T LOSE HIM. I AM FUCKED IF I LOSE HIM. 360 00:13:16,210 --> 00:13:17,810 - LET ME HANDLE THIS FOR YOU, SUE. 361 00:13:21,380 --> 00:13:24,350 KNOCK-KNOCK. RUNKLE CALLING. 362 00:13:24,390 --> 00:13:26,960 HOW YOU DOING THERE? 363 00:13:26,990 --> 00:13:28,060 HELLO, HELLO. 364 00:13:28,090 --> 00:13:30,290 I'M CHARLIE RUNKLE AND... 365 00:13:30,330 --> 00:13:33,200 - ARE YOU THE LAW? 366 00:13:33,230 --> 00:13:35,530 OR ARE YOU AN OUTLAW? 367 00:13:35,560 --> 00:13:37,600 'CAUSE THERE'S ONLY ONE I CAN ABIDE. 368 00:13:37,630 --> 00:13:40,200 - SUE, UH... 369 00:13:40,240 --> 00:13:41,470 - SUSAN. 370 00:13:43,010 --> 00:13:45,610 NO HARM, MAN. 371 00:13:45,640 --> 00:13:47,910 COME IN PEACE. 372 00:13:49,980 --> 00:13:51,980 I OWE YOU AN APOLOGY. 373 00:13:52,020 --> 00:13:53,180 - DON'T DO THIS. 374 00:13:53,220 --> 00:13:55,080 JUST GET YOUR HEAD OUT OF YOUR ASS, 375 00:13:55,120 --> 00:13:56,190 AND YOU DON'T HAVE TO APOLOGIZE. 376 00:13:56,220 --> 00:13:57,590 - COME ON, SUE, YOU KNOW I LOVE YOU. 377 00:13:57,620 --> 00:13:59,260 - THEN WHY CHANGE? 378 00:13:59,290 --> 00:14:02,990 - IT'S--IT'S NOT ABOUT CHASING SOME SHINY HOLLYWOOD DREAM. 379 00:14:03,030 --> 00:14:04,230 HELL, I'VE-- 380 00:14:04,260 --> 00:14:06,130 I'VE SNORTED, FUCKED, AND SMOKED EVERYTHING 381 00:14:06,160 --> 00:14:07,600 HOLLYWOOD HAS TO OFFER. 382 00:14:07,630 --> 00:14:09,500 - HEH. 383 00:14:09,530 --> 00:14:11,630 - IT'S... 384 00:14:11,670 --> 00:14:14,240 IT'S ABOUT MY LEGACY. 385 00:14:14,270 --> 00:14:18,140 THESE YOUNG BULLDOGS FROM UTK CAME UP NIPPING AT MY HEELS, 386 00:14:18,170 --> 00:14:21,040 SAYING THEY COULD PUT MY FACE ON A SALAD-DRESSING BOTTLE 387 00:14:21,080 --> 00:14:23,580 AND SELL MILLIONS FOR CHARITY-- 388 00:14:23,610 --> 00:14:24,680 PAUL NEWMAN-TYPE SHIT. 389 00:14:24,710 --> 00:14:27,980 - SHIT IS EXACTLY WHAT IT IS. 390 00:14:28,020 --> 00:14:29,520 UTK GIVES THAT SPEECH 391 00:14:29,550 --> 00:14:31,620 TO EVERY POTENTIAL CLIENT OVER 50. 392 00:14:31,650 --> 00:14:35,420 IT'S HOW THEY POACH BOOMERS-- BY PREYING ON IDEALISM. 393 00:14:35,460 --> 00:14:37,390 - WHO THE FUCK ARE YOU? 394 00:14:37,430 --> 00:14:40,260 - I AM CHARLIE RUNKLE. 395 00:14:40,300 --> 00:14:42,530 YOU CAN CALL ME CHUCK. 396 00:14:42,570 --> 00:14:44,130 LOOK, WHAT THEY WANT TO DO 397 00:14:44,170 --> 00:14:46,370 IS TURN YOU INTO A CORPORATE BRAND, MAN. 398 00:14:46,400 --> 00:14:47,670 FORGET PAUL NEWMAN. 399 00:14:47,700 --> 00:14:49,110 UH, UTK IS MORE LIKELY 400 00:14:49,140 --> 00:14:50,540 TO PUT YOUR NAME ON A MCDONALD'S CUP. 401 00:14:50,570 --> 00:14:53,380 SUE HERE IS THE ONE-- - STOP THE VOMIT. 402 00:14:55,580 --> 00:14:58,010 LISTEN, SUE. 403 00:14:58,050 --> 00:15:00,550 DID YOU BRING ME ONE OF THOSE MBA TWERPS, 404 00:15:00,580 --> 00:15:02,290 OR IS THIS GUY A MAN? 405 00:15:02,320 --> 00:15:04,650 - OH, NO. HE'S A MAN. 406 00:15:04,690 --> 00:15:06,320 - RIGHT. 407 00:15:06,360 --> 00:15:09,030 WELL, THEN LET'S SETTLE THIS LIKE MEN. 408 00:15:18,570 --> 00:15:20,570 - YOU WANT ME TO FIGHT YOU? 409 00:15:20,600 --> 00:15:24,570 - YOU LICK ME, I GO WITH HER. 410 00:15:24,610 --> 00:15:28,140 I LICK YOU, YOU WILL LEAVE THE PREMISES. 411 00:15:28,180 --> 00:15:29,180 - [laughing] 412 00:15:29,210 --> 00:15:30,710 - ALL RIGHT, RUNKLE. 413 00:15:30,750 --> 00:15:32,380 - I--WHA-- - UHH! 414 00:15:32,420 --> 00:15:34,380 POUND HIM! 415 00:15:34,420 --> 00:15:36,190 - I'M NOT GONNA HIT AN OLD MAN. 416 00:15:36,220 --> 00:15:38,290 - I HEARD THAT, PANTYWAIST. 417 00:15:38,320 --> 00:15:41,290 FORGET TO TAKE YOUR PAMPRIN THIS MORNING? 418 00:15:44,060 --> 00:15:45,590 - OKAY, THEN. 419 00:15:48,230 --> 00:15:50,730 HOW DO YOU PROPOSE WE DO THIS, HUH? 420 00:15:50,770 --> 00:15:52,700 WE'RE GONNA DO IT TIGER STYLE? 421 00:15:52,740 --> 00:15:54,740 OR DO YOU LIKE THE SPIDER, HMM? 422 00:15:54,770 --> 00:15:56,070 HMM? 423 00:15:56,110 --> 00:15:58,140 AAH! UNH! 424 00:15:58,170 --> 00:15:59,280 - COME ON. 425 00:15:59,310 --> 00:16:01,280 - SUE IS SUE! 426 00:16:01,310 --> 00:16:03,410 SHE BELIEVES IN PEOPLE, NOT BRANDS. 427 00:16:03,450 --> 00:16:05,350 SHE HAD YOUR BACK WHEN YOU WERE LIVING IN HER VAN. 428 00:16:05,380 --> 00:16:07,120 SHE'LL HAVE IT TILL THE DAY YOU DI--OW! 429 00:16:07,150 --> 00:16:08,780 THAT'S MY FUCKING BAD NIPPLE! 430 00:16:08,820 --> 00:16:10,790 [both grunting] 431 00:16:10,820 --> 00:16:13,520 YOU WANT YOUR FACE ON SOME SALAD DRESSING, 432 00:16:13,560 --> 00:16:15,790 SUE WILL GET YOU SOME MOTHERFUCKING SALAD DRESSING. 433 00:16:15,820 --> 00:16:17,430 AGH! 434 00:16:17,460 --> 00:16:19,060 - ARRGH! 435 00:16:19,100 --> 00:16:21,230 OHH! GOD, FUCK. 436 00:16:21,260 --> 00:16:23,400 MY GODDAMN SCIATICA. 437 00:16:23,430 --> 00:16:25,600 - FUCK THE WHIMPERING DOG PACK! 438 00:16:25,630 --> 00:16:28,270 GO WITH THE LIONESS! 439 00:16:28,300 --> 00:16:29,510 - I'M IN. 440 00:16:29,540 --> 00:16:33,310 GET THE FUCK OFF ME. 441 00:16:33,340 --> 00:16:35,210 - RUNKLE. 442 00:16:35,240 --> 00:16:36,510 [grunts] 443 00:16:36,550 --> 00:16:37,780 COME ON, YOU. 444 00:16:37,810 --> 00:16:39,480 - [grunts] 445 00:16:39,520 --> 00:16:41,120 - [grunts] COME ON. 446 00:16:41,150 --> 00:16:43,690 YOU ALMOST GAVE ME A HEART ATTACK, YOU OLD BEAR. 447 00:16:43,720 --> 00:16:46,390 - OH, SUSIE, YOU KNOW I NEVER WOULD HAVE LEFT YOU. 448 00:16:46,420 --> 00:16:50,590 I DIDN'T WANT TO SIGN WITH THOSE UTK GUYS. 449 00:16:50,630 --> 00:16:52,130 THEY'RE THE LAUGH OF THE TOWN 450 00:16:52,160 --> 00:16:54,660 WITH THAT AGENT THAT'S MASTURBATING ALL THE TIME. 451 00:16:54,700 --> 00:16:56,770 - [laughs] YEAH. TELL ME ABOUT IT. 452 00:16:56,800 --> 00:16:59,100 THAT PLACE IS UNSAVORY. 453 00:17:15,550 --> 00:17:17,190 - [knocks] 454 00:17:19,260 --> 00:17:20,390 - [gasps] 455 00:17:20,420 --> 00:17:21,690 OH, PROFESSOR MOODY. 456 00:17:21,720 --> 00:17:23,660 OH, YOU SHOULDN'T HAVE. - CAN I COME IN? 457 00:17:23,690 --> 00:17:26,560 - UH, NOT THE BEST OF TIMES, ACTUALLY. 458 00:17:26,600 --> 00:17:29,470 - WELL, I HAVE SOME IMPORTANT THINGS TO DISCUSS, 459 00:17:29,500 --> 00:17:30,570 WEIGHTY THINGS-- 460 00:17:30,600 --> 00:17:33,140 STUFF I'D LIKE TO GET OFF MY CHEST. 461 00:17:34,600 --> 00:17:35,700 - WELL... 462 00:17:35,740 --> 00:17:36,770 BY ALL MEANS, THEN. 463 00:17:36,810 --> 00:17:39,140 - [clears throat] 464 00:17:39,180 --> 00:17:40,810 - I REALLY DO HAVE A MEETING. 465 00:17:40,840 --> 00:17:42,380 - OKAY, OKAY. 466 00:17:42,410 --> 00:17:43,780 [clears throat] 467 00:17:43,810 --> 00:17:45,850 [inhales sharply] SO LOOK, HERE'S THE THING. 468 00:17:45,880 --> 00:17:47,450 NO. NO, NO. 469 00:17:47,480 --> 00:17:49,450 THIS IS YUMMIER. 470 00:17:49,490 --> 00:17:51,650 - YOU'RE QUITTING. I KNOW. 471 00:17:51,690 --> 00:17:54,420 YOU'RE MOVING BACK TO NEW YORK, AREN'T YOU? 472 00:17:54,460 --> 00:17:56,430 YOU AND KELLY ARE GOING TO GIVE IT ANOTHER GO. 473 00:17:56,460 --> 00:17:57,530 - KAREN. KAREN. 474 00:17:57,560 --> 00:17:58,530 - WHATEVER. 475 00:17:58,560 --> 00:18:00,730 THE POINT IS, I ASSUMED YOU'D BE MOVING BACK. 476 00:18:00,760 --> 00:18:02,400 NOT TO WORRY, WE'LL BE FINE. 477 00:18:02,430 --> 00:18:03,770 LIFE GOES ON. 478 00:18:03,800 --> 00:18:05,770 I'M SURE I COULD JUST CRUISE BY HOME DEPOT 479 00:18:05,800 --> 00:18:09,240 AND FIND SOMEONE MORE SUITABLE FOR THE JOB. 480 00:18:09,270 --> 00:18:10,540 - HMM. 481 00:18:10,570 --> 00:18:11,640 - [sighs] 482 00:18:11,670 --> 00:18:12,910 - WELL... 483 00:18:12,940 --> 00:18:15,610 YOU CAN'T SAY WE DIDN'T GIVE IT A SHOT, RIGHT? 484 00:18:15,640 --> 00:18:17,880 WE GAVE IT THE OLD COLLEGE TRY, DIDN'T WE? 485 00:18:17,910 --> 00:18:19,680 - DID YOU, HANK? 486 00:18:19,720 --> 00:18:20,880 - I LIKE TO THINK SO. 487 00:18:20,920 --> 00:18:23,350 - OH, WELL, THAT'S ALL THAT MATTERS, THEN. 488 00:18:23,390 --> 00:18:25,890 - YOU SEEM RATHER ANNOYED WITH ME. 489 00:18:25,920 --> 00:18:28,760 - AH, IT'S ALL FOR THE BEST, REALLY. 490 00:18:28,790 --> 00:18:30,560 - WHAT'S FOR THE BEST? 491 00:18:30,590 --> 00:18:31,830 - WELL, SEEING AS THOUGH 492 00:18:31,860 --> 00:18:33,630 I MADE AN ABSOLUTE FOOL OUT OF MYSELF, 493 00:18:33,660 --> 00:18:36,500 I CAN'T SAY THAT I'M ENTIRELY SAD TO SEE YOU GO. 494 00:18:36,530 --> 00:18:37,670 NO, IT'S TRUE, REALLY. 495 00:18:37,700 --> 00:18:38,770 YOU KNOW... 496 00:18:38,800 --> 00:18:42,240 I OFFERED MYSELF TO YOU, AND YOU WEREN'T INTERESTED. 497 00:18:42,270 --> 00:18:44,240 - WHOA, FELICIA, THAT'S NOT EXACTLY HOW IT WENT DOWN. 498 00:18:44,270 --> 00:18:46,380 Y-YOU HAVE SOME SERIOUS RELATIONSHIP ISSUES 499 00:18:46,410 --> 00:18:47,910 TO ATTEND TO, AS DO I. 500 00:18:47,940 --> 00:18:49,880 AND THE MOST THAT WE COULD HAVE OFFERED EACH OTHER 501 00:18:49,910 --> 00:18:52,680 IS SOME... [sniffs] SEXUAL HEALING-- 502 00:18:52,720 --> 00:18:54,780 PLEASURES OF THE FLESH AND WHATNOT, THAT'S ALL. 503 00:18:54,820 --> 00:18:56,820 - OH, BUT THAT'S EXACTLY WHAT I WAS LOOKING FOR. 504 00:18:56,850 --> 00:18:58,520 - OH, NO, NO, NO. YOU SAY THAT, BUT-- 505 00:18:58,550 --> 00:19:00,190 - NO, IT IS. - NO, BUT--BUT-- 506 00:19:00,220 --> 00:19:02,390 AFTER A WHILE, I WOULD WORK MY WAY UNDER YOUR SKIN 507 00:19:02,430 --> 00:19:04,860 LIKE THE SLOW-MOVING FUNGUS THAT I AM. 508 00:19:04,890 --> 00:19:07,360 AND YOU--I'VE ALWAYS BEEN A SUCKER FOR A WOMAN 509 00:19:07,400 --> 00:19:10,330 WHO'S A BOY ON MY ARM AND A PUMA IN THE BEDROOM. 510 00:19:10,370 --> 00:19:13,540 - IF ONLY I COULD HAVE JUST HAD ONE LITTLE NIBBLE. 511 00:19:13,570 --> 00:19:15,670 - A NIBBLE'S NOT ENOUGH. WE BOTH KNOW THAT, FELICIA. 512 00:19:15,700 --> 00:19:16,910 - YEAH. IT'S ALL FOR THE BEST. 513 00:19:16,940 --> 00:19:19,680 - SO WE'RE COOL? - YES, WE'RE COOL. 514 00:19:19,710 --> 00:19:21,910 [doorbell rings] - OKAY. 515 00:19:21,940 --> 00:19:23,550 - THAT'S MY MEETING. 516 00:19:23,580 --> 00:19:25,410 YOU KNOW WHAT? YOU CAN-- YOU CAN GO OUT THIS DOOR 517 00:19:25,450 --> 00:19:26,680 IF--IF YOU'D LIKE, IF IT'S MORE CONVENIENT. 518 00:19:26,720 --> 00:19:28,680 - BUT I-- MY--MY CAR IS RIGHT OUT FRONT, 519 00:19:28,720 --> 00:19:29,990 SO WHY DON'T I JUST-- - OH, OF COURSE. 520 00:19:30,020 --> 00:19:30,990 I'LL SEE YOU OUT. 521 00:19:31,020 --> 00:19:32,560 OH, OH, WAIT, WAIT. 522 00:19:33,860 --> 00:19:35,560 - DAVID. - HEY. 523 00:19:35,590 --> 00:19:36,560 OOH. 524 00:19:36,590 --> 00:19:38,390 - COME IN. - YOU LOOK GOOD. 525 00:19:38,430 --> 00:19:40,700 OH, I'M--I'M SORRY. UH, AM I EARLY? 526 00:19:40,730 --> 00:19:42,000 AM I INTERRUPTING SOMETHING? - NOT AT ALL. 527 00:19:42,030 --> 00:19:43,030 - YEAH, WELL, HE KIND OF IS. 528 00:19:43,070 --> 00:19:45,300 - NONSENSE. PROFESSOR MOODY WAS JUST LEAVING. 529 00:19:45,330 --> 00:19:46,840 - HANK MOODY. DAVID WILDER. 530 00:19:46,870 --> 00:19:48,340 BIG FAN. BIG, BIG FAN. 531 00:19:48,370 --> 00:19:50,840 - DAVID'S ANOTHER OF OUR NOTORIOUS WRITERS 532 00:19:50,870 --> 00:19:52,740 AT THE UNIVERSITY. - YEAH, THE HARDEST OF WOODS. 533 00:19:52,780 --> 00:19:53,580 - YEAH. - I'M AWARE. 534 00:19:53,610 --> 00:19:54,580 - YOU KNOW, BEFORE YOU CAME ALONG, 535 00:19:54,610 --> 00:19:56,850 I WAS IN A FAIR AMOUNT OF TROUBLE WITH THIS ONE 536 00:19:56,880 --> 00:19:58,610 FOR BEDDING THE LOCAL TALENT. 537 00:19:58,650 --> 00:20:00,620 SO THANK YOU FOR TAKING THE PRESSURE OFF ME. 538 00:20:00,650 --> 00:20:02,290 - AH, YOU'RE WELCOME... 539 00:20:02,320 --> 00:20:03,920 I GUESS. 540 00:20:03,950 --> 00:20:05,620 - YEAH, IT'S, UH-- IT'S GIVEN ME 541 00:20:05,650 --> 00:20:07,460 A HELL OF A LOT OF TIME TO WORK ON MY WRITING, 542 00:20:07,490 --> 00:20:08,790 WHICH IS NICE, 'CAUSE YOU KNOW WHAT I LIKE TO DO? 543 00:20:08,820 --> 00:20:09,790 I LIKE TO SIT AT MY DESK, 544 00:20:09,830 --> 00:20:13,000 AND I LIKE TO BREW UP A BIG MUG OF WORD TEA. 545 00:20:13,030 --> 00:20:14,600 - WORD TEA? SURE. 546 00:20:14,630 --> 00:20:15,930 - [laughing] - YOU SHOULD PROBABLY GO. 547 00:20:15,960 --> 00:20:17,030 WE HAVE WORK TO DISCUSS. 548 00:20:17,070 --> 00:20:19,270 - WHERE--WHERE EXACTLY IS, UH, 549 00:20:19,300 --> 00:20:21,040 HIS ROYAL DEANNESS THIS EVENING? 550 00:20:21,070 --> 00:20:22,470 - OH, HE'S OUT WITH FRIENDS, 551 00:20:22,510 --> 00:20:25,610 RE-CREATING, UH, THE BATTLE OF CHICKAMAUGA. 552 00:20:25,640 --> 00:20:27,610 - THAT'S INTERESTING. THAT'S VERY INTERESTING. 553 00:20:27,640 --> 00:20:29,510 - NO, IT'S NOT, ACTUALLY. IT'S DULL AS SHIT. 554 00:20:29,550 --> 00:20:30,650 - YOU'RE DOING IT, AREN'T YOU? 555 00:20:30,680 --> 00:20:33,020 YOU'RE CASHING IN YOUR FREEBIE, YOUR MARITAL HALL PASS. 556 00:20:33,050 --> 00:20:34,650 - I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 557 00:20:34,680 --> 00:20:36,390 - YEAH, YOU DO. YOU'RE GONNA STICK IT TO THE DEANER 558 00:20:36,420 --> 00:20:38,620 BY LETTING WILDER HERE SHOW YOU HIS HARDEST OF WOODS. 559 00:20:38,650 --> 00:20:39,690 - I BEG YOUR PARDON. 560 00:20:39,720 --> 00:20:41,760 - UH, HEY, BUDDY, THAT IS COMPLETELY OUT OF LINE. 561 00:20:41,790 --> 00:20:42,760 - DON'T-- DON'T DO IT, FELICIA. 562 00:20:42,790 --> 00:20:45,030 DON'T THROW IT ALL AWAY FOR A FEW CLUMSY MINUTES 563 00:20:45,060 --> 00:20:46,500 WITH THE POOR MAN'S VERSION OF ME, 564 00:20:46,530 --> 00:20:47,800 THE ROAD-SHOW VERSION OF ME. 565 00:20:47,830 --> 00:20:48,930 - HEY, YOU KNOW WHAT? 566 00:20:48,960 --> 00:20:51,570 BRAGGING'S NOT MY THING, BUT I CAN GO FOR HOURS, MOODY. 567 00:20:51,600 --> 00:20:52,700 STAY AND WATCH. BE MY GUEST. 568 00:20:52,740 --> 00:20:54,000 MAYBE SHE'LL TAKE US BOTH ON. 569 00:20:54,040 --> 00:20:55,840 - HANK, THIS IS NONE OF YOUR BUSINESS. 570 00:20:55,870 --> 00:20:58,510 EVEN IF I WAS CASHING SOMETHING IN OR WHATEVER-- 571 00:20:58,540 --> 00:20:59,710 - FELICIA, DON'T DO IT. 572 00:20:59,740 --> 00:21:01,540 DON'T--DON'T-- DON'T CHUCK IT ALL 573 00:21:01,580 --> 00:21:03,450 FOR THE FUCKING NUTTY PROFESSOR HERE. 574 00:21:03,480 --> 00:21:04,310 THIS IS BULLSHIT. 575 00:21:04,350 --> 00:21:05,610 - YOU KNOW WHAT? THAT IS UNCALLED FOR. 576 00:21:05,650 --> 00:21:06,980 AND WE BOTH KNOW THAT I'M NOT BLACK. 577 00:21:07,020 --> 00:21:09,390 WHEN WAS THE LAST TIME, BY THE WAY, 578 00:21:09,420 --> 00:21:10,850 THAT YOU PUBLISHED ANYTHING, MOODY? 579 00:21:10,890 --> 00:21:12,050 - YOU KNOW WHAT? EASY FOR YOU TO SAY. 580 00:21:12,090 --> 00:21:13,490 NO, NO, NO, NO, NO, NO. YOU HAVE NO-- 581 00:21:13,520 --> 00:21:15,020 YOU JUST GOT BACK WITH YOUR EX-WHATEVER, 582 00:21:15,060 --> 00:21:17,460 JUST AS THINGS WERE STARTING TO HEAT UP BETWEEN US. 583 00:21:17,490 --> 00:21:18,660 - YOU KNOW WHAT, FELICIA? 584 00:21:18,690 --> 00:21:19,930 IT'S UP TO YOU. 585 00:21:19,960 --> 00:21:21,730 YOU KNOW THAT I WOULD JUMP AT THE OPPORTUNITY 586 00:21:21,760 --> 00:21:22,930 TO MAKE SWEET, HARD LOVE TO YOU. 587 00:21:22,970 --> 00:21:24,670 YOU HAVE THE-- YOU HAVE THE ASS 588 00:21:24,700 --> 00:21:26,970 OF A TEN-YEAR-OLD BOY. 589 00:21:27,000 --> 00:21:28,970 - HANK, PLEASE, JUST GO. 590 00:21:29,000 --> 00:21:30,670 IT'S TOO LITTLE, TOO LATE. 591 00:21:30,710 --> 00:21:32,710 I CAN'T. 592 00:21:32,740 --> 00:21:35,940 - FINE. YOU'RE A BIG GIRL. 593 00:21:35,980 --> 00:21:38,110 YOU CAN MAKE YOUR OWN DECISIONS. 594 00:21:38,150 --> 00:21:39,950 BE GOOD TO HER, WILDER. 595 00:21:39,980 --> 00:21:41,350 SHE'S WAY OUT OF YOUR LEAGUE. 596 00:21:41,380 --> 00:21:42,820 - I CONCUR. 597 00:21:42,850 --> 00:21:44,350 HEY, UH, MOODY... 598 00:21:44,390 --> 00:21:46,420 I HAVE A BOOK COMING OUT THIS SPRING. 599 00:21:46,460 --> 00:21:49,490 DO YOU THINK MAYBE YOU CAN WRITE ME UP A BLURB? 600 00:21:49,530 --> 00:21:52,500 - WHAT'S THIS ONE CALLED, THE BUOYANCY OF TURDS? 601 00:21:52,530 --> 00:21:54,800 - THINK ABOUT IT. I'LL SEND YOU A COPY, OKAY? 602 00:21:58,170 --> 00:21:59,570 I THINK HE'S DRUNK. 603 00:22:10,610 --> 00:22:12,720 - SO HOW DO YOU WANT TO DO THIS? 604 00:22:12,750 --> 00:22:14,580 DO YOU WANT TO JUST KICK BACK 605 00:22:14,620 --> 00:22:16,490 AND START WITH A LITTLE ORAL, HUH? 606 00:22:16,520 --> 00:22:17,950 DO YOU WANT A LITTLE BIT OF THIS? 607 00:22:17,990 --> 00:22:19,720 OR SHOULD I GO FOR A LITTLE BIT OF THAT, YOU KNOW? 608 00:22:19,760 --> 00:22:21,420 BECAUSE I'LL TELL YOU SOMETHING, 609 00:22:21,460 --> 00:22:23,760 I COULD EAT THAT PEACH ALL NIGHT LONG. 610 00:22:23,790 --> 00:22:26,130 I JUST CAMP OUT... 611 00:22:26,160 --> 00:22:27,660 S'MORES. 612 00:22:27,700 --> 00:22:29,670 [chuckles] 613 00:22:29,700 --> 00:22:30,870 YEAH, I THINK YOU'LL FIND 614 00:22:30,900 --> 00:22:32,800 THAT I'M A VERY GIVING AND CARING LOVER... 615 00:22:32,840 --> 00:22:34,640 [door slams] SO YOU DON'T HAVE TO WORRY-- 616 00:22:34,670 --> 00:22:37,770 - FINE, I'LL DO IT. 617 00:22:37,810 --> 00:22:40,140 YOU WANT TO THROW YOUR LIFE AWAY, USE ME. 618 00:22:40,180 --> 00:22:42,810 - WHAT? THAT'S THE MOST RIDICULOUS THING I'VE-- 619 00:22:42,850 --> 00:22:44,610 PLEASE! GO! 620 00:22:44,650 --> 00:22:47,880 MMM, MMM. 621 00:22:49,850 --> 00:22:52,490 OHH. 622 00:22:52,520 --> 00:22:55,860 - WILDER, GO BREW YOURSELF A BIG MUG OF WORD TEA... 623 00:22:55,890 --> 00:22:57,890 AND DIP YOUR BALLS IN IT. 624 00:23:01,830 --> 00:23:03,800 - HUH. 625 00:23:03,830 --> 00:23:06,570 BEHIND THE GREEN DOOR IS AVAILABLE ON BLU-RAY. 626 00:23:06,600 --> 00:23:08,540 - LASER DISC. 627 00:23:08,570 --> 00:23:10,170 PEOPLE WHO SOLD THEIR LASER DISCS 628 00:23:10,210 --> 00:23:12,540 WERE ABSOLUTE ASSHOLES, 629 00:23:12,580 --> 00:23:14,810 FOOLS AND ASSHOLES. 630 00:23:14,840 --> 00:23:16,510 - OH! WHAT? 631 00:23:16,550 --> 00:23:17,510 - FLIP IT. 632 00:23:17,550 --> 00:23:20,120 - AH, FLIP IT! 633 00:23:25,550 --> 00:23:26,820 WOW. 634 00:23:26,860 --> 00:23:28,620 OKAY. 635 00:23:30,030 --> 00:23:32,660 SO WHERE IS THE MAN OF THE HOUSE THIS EVENING? 636 00:23:32,700 --> 00:23:34,500 - BERLIN. 637 00:23:34,530 --> 00:23:37,800 DICKIE IS BIDDING ON AN EGYPTIAN FERTILITY AMULET. 638 00:23:37,830 --> 00:23:39,670 IT'S QUITE RARE, REALLY. 639 00:23:39,700 --> 00:23:42,670 IT'S THE WORLD'S FIRST DEPICTION OF A BUTT PLUG. 640 00:23:42,710 --> 00:23:44,640 - EXCELLENT. EXCELLENT. 641 00:23:44,670 --> 00:23:46,780 GOOD FOR HIM. 642 00:23:49,210 --> 00:23:51,180 - I MUST TOAST YOU. 643 00:23:51,210 --> 00:23:52,950 WHAT YOU DID TODAY WAS ASTONISHING. 644 00:23:52,980 --> 00:23:54,150 - THANK YOU, SUE. 645 00:23:54,180 --> 00:23:56,150 - WHEN YOU STARTED, I THOUGHT, 646 00:23:56,180 --> 00:23:58,820 "MY GOD, THIS MAN HAS DIARRHEA OF THE MOUTH 647 00:23:58,850 --> 00:24:00,860 AND THERE IS NO KAOPECTATE IN SIGHT." 648 00:24:00,890 --> 00:24:03,530 BUT THE POETRY... 649 00:24:03,560 --> 00:24:05,260 THAT POURED OUT OF YOU-- 650 00:24:05,290 --> 00:24:08,200 I MEAN, YOU CAST YOUR ROD, 651 00:24:08,230 --> 00:24:10,230 AND YOU HOOKED THE OLD SWORDFISH, 652 00:24:10,270 --> 00:24:12,970 AND YOU REELED HIM IN BY HIS TAINT. 653 00:24:13,000 --> 00:24:15,570 TO CHARLES W. RUNKLE, 654 00:24:15,600 --> 00:24:16,740 MY HERO. 655 00:24:16,770 --> 00:24:18,710 - NO. NO. 656 00:24:18,740 --> 00:24:20,940 TO YOU, SUE. 657 00:24:27,980 --> 00:24:30,020 - AHH. - WELL, LOOK AT THAT. 658 00:24:30,050 --> 00:24:31,250 - SO LET'S GET THIS PARTY STARTED! 659 00:24:31,290 --> 00:24:32,690 - HMM. 660 00:24:32,720 --> 00:24:33,890 - TOOT? 661 00:24:35,190 --> 00:24:36,860 - UH... 662 00:24:36,890 --> 00:24:37,860 WHY NOT? 663 00:24:37,890 --> 00:24:39,860 [chuckles] 664 00:24:39,900 --> 00:24:42,130 WOW, THAT'S, UH... 665 00:24:42,160 --> 00:24:43,700 THAT'S A NICE COKE STRAW. 666 00:24:43,730 --> 00:24:45,970 [clicks tongue] VERY CLASSY. 667 00:24:46,000 --> 00:24:47,900 - YEAH. IT WAS GIVEN TO ME BY A FEMALE MEMBER 668 00:24:47,940 --> 00:24:49,000 OF FLEETWOOD MAC. 669 00:24:49,040 --> 00:24:51,240 - [nose honks] AHH. 670 00:24:51,270 --> 00:24:52,810 WHEW! [sniffs] 671 00:24:52,840 --> 00:24:54,040 STEVIE NICKS? 672 00:24:54,080 --> 00:24:55,880 - OH, I CAN'T SAY. 673 00:24:55,910 --> 00:24:57,780 BUT IT WASN'T CHRISTINE MCVIE 674 00:24:57,810 --> 00:24:59,880 OR LINDSEY BUCKINGHAM. 675 00:24:59,920 --> 00:25:01,620 - YEAH, LINDSEY'S A DUDE. 676 00:25:01,650 --> 00:25:03,790 - EXACTLY. 677 00:25:05,350 --> 00:25:07,960 I HAVE A DEVIATED SEPTUM. 678 00:25:07,990 --> 00:25:09,020 - OH... 679 00:25:09,060 --> 00:25:10,830 WELL, YOU REALLY SHOULDN'T TOUCH THIS STUFF AT ALL. 680 00:25:10,860 --> 00:25:13,230 YOU KNOW, THAT REALLY BURNS. 681 00:25:13,260 --> 00:25:15,730 - I WANT YOU TO DO ME A SOLID, RUNKLE. 682 00:25:15,760 --> 00:25:19,770 I NEED YOU TO BLOW THIS UP MY BUM-- 683 00:25:19,800 --> 00:25:22,710 YOU KNOW, A TUSH TOOT. 684 00:25:22,740 --> 00:25:27,610 THE OLD COKE IN THE CAN, HUH? 685 00:25:27,640 --> 00:25:28,840 [laughs] NO BIGGIE. 686 00:25:28,880 --> 00:25:31,310 - HA! HEH, NO, IT'S NO BIGGIE... 687 00:25:31,350 --> 00:25:32,850 - [laughing] 688 00:25:32,880 --> 00:25:34,120 - NO BIGGIE AT ALL. 689 00:25:34,150 --> 00:25:36,220 [both laughing] 690 00:25:41,090 --> 00:25:42,660 - GOT ANYTHING A LITTLE LONGER? 691 00:25:42,690 --> 00:25:44,130 - [laughs] - WE'LL USE THIS. 692 00:25:47,830 --> 00:25:49,130 - WHOA. NOT SO FAST. 693 00:25:49,160 --> 00:25:51,600 WHERE YOU GOING ON A SCHOOL NIGHT, YOUNG LADY? 694 00:25:51,630 --> 00:25:53,200 - ACTUALLY, I WAS HOPING 695 00:25:53,240 --> 00:25:55,600 WE COULD GO GRAB SOME ICE CREAM, 696 00:25:55,640 --> 00:25:58,140 MAKE THOSE COLDSTONE GUYS WORK FOR THEIR TIPS. 697 00:25:58,170 --> 00:25:59,170 - REALLY? 698 00:25:59,210 --> 00:26:00,940 WHAT, LIKE ME AND YOU? 699 00:26:00,980 --> 00:26:03,010 TOGETHER? 700 00:26:03,050 --> 00:26:05,980 LIKE FATHER AND DAUGHTER, ALMOST, TOGETHER? 701 00:26:06,010 --> 00:26:08,220 TO THE STONE THAT IS COLD, TOGETHER? 702 00:26:08,250 --> 00:26:11,050 [door opens] THAT'S COOL. 703 00:26:11,090 --> 00:26:12,790 WHAT THE FUCK? 704 00:26:16,860 --> 00:26:18,790 - HANK! [chuckles] MR. MOODY. 705 00:26:18,830 --> 00:26:19,630 - YOU'RE NOT GONNA "MR. HANK" 706 00:26:19,660 --> 00:26:21,230 YOUR WAY OUT OF THIS ONE, CHELSEA. 707 00:26:21,260 --> 00:26:23,670 JESUS CHRIST. - BECCA SAID YOU'D BE GONE. 708 00:26:23,700 --> 00:26:26,000 - DAD, CAN YOU PLEASE BE COOL? 709 00:26:26,030 --> 00:26:27,770 - BE COOL? 710 00:26:27,800 --> 00:26:29,170 I DON'T KNOW HOW MUCH SPUNK 711 00:26:29,200 --> 00:26:30,970 THIS KID HAS DEPOSITED ALL OVER YOUR BEDROOM! 712 00:26:31,010 --> 00:26:33,840 OKAY, THAT WAS UNSAVORY, ALL RIGHT? 713 00:26:33,880 --> 00:26:36,680 BUT IT HAD TO BE SAID. NOW, TIME TO GO! 714 00:26:39,280 --> 00:26:40,380 COME ON, CHELSEA. 715 00:26:40,420 --> 00:26:42,250 OW. 716 00:26:42,280 --> 00:26:43,350 - YOU LIMPING, HANK? 717 00:26:43,390 --> 00:26:45,150 - YES, I WENT JOGGING THIS MORNING, CHELSEA, OKAY? 718 00:26:45,190 --> 00:26:46,390 NOW GO. 719 00:26:46,420 --> 00:26:48,260 YOU'RE NOT INTERESTED IN WHAT I'M DOING. 720 00:26:48,290 --> 00:26:49,460 [door closes] 721 00:26:49,490 --> 00:26:52,130 IS THIS REALLY HOW YOU WANT TO SPEND YOUR SCHOOL NIGHTS? 722 00:26:52,160 --> 00:26:54,400 - I WASN'T DOING ANYTHING WRONG. 723 00:26:54,430 --> 00:26:56,130 - YOU WEREN'T DOING ANYTHING WRONG? 724 00:26:56,160 --> 00:26:58,070 BECCA, YOU INVITED YOUR FRIENDS OVER 725 00:26:58,100 --> 00:27:00,270 TO FUCK IN YOUR BEDROOM WHILE YOU WAITED OUTSIDE. 726 00:27:00,300 --> 00:27:01,940 THAT IS DISGUSTING. 727 00:27:01,970 --> 00:27:04,910 - AND THAT'S HILARIOUS, COMING FROM YOU AND ALL. 728 00:27:04,940 --> 00:27:07,280 - WHAT? I DON'T UNDERSTAND YOU. 729 00:27:07,310 --> 00:27:09,040 WHAT THE FUCK ARE YOU THINKING? 730 00:27:09,080 --> 00:27:11,180 DO YOU THINK THIS HOUSE IS A BORDELLO? 731 00:27:15,750 --> 00:27:17,290 OKAY, LOOK... 732 00:27:17,320 --> 00:27:19,390 HERE'S THE THING. - ACTUALLY, DAD, YES. 733 00:27:19,420 --> 00:27:21,220 THIS HOUSE IS A BORDELLO, 734 00:27:21,260 --> 00:27:22,390 BECAUSE THAT'S HOW IT'S RUN BY YOU! 735 00:27:22,420 --> 00:27:25,030 - NOW, DON'T YOU TRY TO TURN THIS AROUND ON ME. BECCA! 736 00:27:25,060 --> 00:27:27,100 BECCA! DON'T GO OUT THAT DOOR! 737 00:27:27,130 --> 00:27:29,970 - MIGHT AS WELL LIVE WHATEVER LIFE I HAVE LEFT 738 00:27:30,000 --> 00:27:31,930 BEFORE YOU SHIP ME OFF TO NEW YORK! 739 00:27:31,970 --> 00:27:33,240 - BECCA. 740 00:27:33,270 --> 00:27:34,670 BECCA! 741 00:27:35,770 --> 00:27:36,940 BECCA. 742 00:27:36,970 --> 00:27:38,010 [door closes] 743 00:27:38,040 --> 00:27:41,180 Captioning by CaptionMax www.captionmax.com 51608

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