All language subtitles for Californication S02E06 Coke Dick & First Kick

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,260 --> 00:00:11,800 PREVIOUSLY ON "CALIFORNICATION"... THAT'S IT! BIGS, STOP THE VAN! 2 00:00:13,160 --> 00:00:14,130 WHAT? 3 00:00:14,160 --> 00:00:16,270 OVITZ! HIT THE BRICKS! 4 00:00:16,300 --> 00:00:17,670 SEE YOU AT THE OSCARS, PAL. 5 00:00:17,700 --> 00:00:19,440 HE RUINED MY CAREER. 6 00:00:19,470 --> 00:00:22,570 LOOK -- DAISY'S FAMILY, AND YOU FUCKED HER SHIT UP. FIX THIS. 7 00:00:22,610 --> 00:00:24,510 "VAGINATOWN" IS PROBABLY NOT GONNA HAPPEN ANYWAY. 8 00:00:24,540 --> 00:00:25,780 THE FINANCING FELL THROUGH. 9 00:00:25,810 --> 00:00:27,710 YOU'RE SHITTING ME! I WISH I WAS. 10 00:00:27,740 --> 00:00:29,410 THE "WALL OF COCKS" SEQUENCE ALONE 11 00:00:29,450 --> 00:00:31,150 WOULD HAVE BLOWN PEOPLE'S MINDS. 12 00:00:31,180 --> 00:00:32,720 THE "WALL OF COCKS"... 13 00:00:32,750 --> 00:00:36,120 OH, HELLS, YEAH! YOU GOT DAISY THE PART. 14 00:00:36,150 --> 00:00:38,190 I HAD TO INVEST 100 GRAND IN HIS MOVIE. 15 00:00:38,220 --> 00:00:39,420 YEAH. I AM, UH, I AM PREGNANT. 16 00:00:39,460 --> 00:00:40,390 I'M NOT THE FATHER. 17 00:00:40,420 --> 00:00:43,130 THERE WAS ONLY ONE GUY, ACCORDING TO SONJA. 18 00:00:43,160 --> 00:00:44,230 CORRECT ME IF I'M WRONG, 19 00:00:44,260 --> 00:00:48,170 BUT HANK COULD VERY WELL BE THE FATHER OF THE CHILD. 20 00:00:48,200 --> 00:00:49,270 Hank: WHAT THE FUCK IS THIS? 21 00:00:49,300 --> 00:00:50,800 JUST GIVING YOU A LITTLE SOMETHING TO PUT IN YOUR BOOK. 22 00:00:50,830 --> 00:00:52,300 WE DROVE OUT HERE TOGETHER. 23 00:00:52,340 --> 00:00:54,470 I ENDED UP PRODUCING. SHE ENDED UP ALONE. 24 00:01:05,280 --> 00:01:06,880 [ ROCK MUSIC PLAYS ] 25 00:01:06,920 --> 00:01:08,890 * ...DEEP INSIDE 26 00:01:08,920 --> 00:01:11,420 * I SAY, YEAH, YEAH, CAN'T YOU SEE? * 27 00:01:11,460 --> 00:01:12,520 * I SAY, YEAH 28 00:01:12,560 --> 00:01:14,560 [ MUSIC STOPS ] 29 00:01:33,710 --> 00:01:35,250 [ VEHICLE APPROACHES ] 30 00:01:35,280 --> 00:01:37,880 OH, HEY. 31 00:01:39,850 --> 00:01:41,690 OH. GREETINGS. 32 00:01:41,720 --> 00:01:42,790 JUST, UH... 33 00:01:42,820 --> 00:01:46,160 YOU WANT TO TELL ME WHAT YOU'RE DOING ON MY PROPERTY? 34 00:01:46,190 --> 00:01:48,360 OH, YEAH, I'M JUST, UH, I, UH, I WANTED TO KNOW 35 00:01:48,390 --> 00:01:50,160 IF THE LADY OF THE HOUSE WAS HOME. 36 00:01:50,190 --> 00:01:51,430 AND YOU ARE? 37 00:01:51,460 --> 00:01:52,800 I'M A FRIEND. 38 00:01:52,830 --> 00:01:55,370 WELL, I'M -- I'M MORE OF A FRIEND OF A FRIEND, ACTUALLY. 39 00:01:55,400 --> 00:01:57,400 MY WIFE DOESN'T HAVE ANY FRIENDS THAT I DON'T KNOW. 40 00:01:57,430 --> 00:01:58,500 OH, SO YOU'RE MARRIED? 41 00:01:58,540 --> 00:02:00,800 [ CHUCKLES ] THAT'S NONE OF YOUR GODDAMN BUSINESS. 42 00:02:00,840 --> 00:02:02,640 WELL, NO, LOOK, I-I APPRECIATE THE HOSTILITY. 43 00:02:02,670 --> 00:02:05,280 BUT I'M NOT TRYING TO BREAK INTO YOUR CASTLE AND YOUR KEEP HERE. 44 00:02:05,310 --> 00:02:06,840 I'M A WRITER. I'M DOING SOME RESEARCH. 45 00:02:06,880 --> 00:02:08,950 MY NAME IS HANK MOODY. IT'S A PLEASURE. 46 00:02:08,980 --> 00:02:10,650 THERE'S NO SMOKING HERE. 47 00:02:12,220 --> 00:02:13,320 OUTSIDE. 48 00:02:13,350 --> 00:02:15,190 THERE'S NO SMOKING OUTSIDE? REALLY? 49 00:02:15,220 --> 00:02:17,750 Woman: IS EVERYTHING OKAY OUT HERE? OH, IS THIS HER? 50 00:02:17,790 --> 00:02:19,720 HONEY, IT'S OKAY. GO BACK INSIDE. 51 00:02:19,760 --> 00:02:21,360 HEY, MY NAME IS HANK MOODY. I'M A WRITER. 52 00:02:21,390 --> 00:02:24,290 AND I WAS JUST -- I WAS DOING SOME RESEARCH. 53 00:02:24,330 --> 00:02:26,500 DID I...SAY THAT YOU COULD TALK TO HER? 54 00:02:26,530 --> 00:02:30,230 JESUS, YOU GOT A BIT OF AN OVERPROTECTIVE VIBE HAPPENING HERE. 55 00:02:30,270 --> 00:02:32,970 I WANT TO ASK YOU A QUESTION ABOUT LEW, LEW ASHBY. 56 00:02:33,000 --> 00:02:36,640 HEY! HEY, I ASKED YOU NICELY TO GET OFF MY PROPERTY. 57 00:02:36,670 --> 00:02:39,280 I DON'T KNOW ABOUT "NICELY," MOTHERFUCKER. 58 00:02:39,310 --> 00:02:41,810 I WILL LEAVE YOUR PROPERTY WHEN I'M GOOD AND READY... 59 00:02:41,850 --> 00:02:43,380 MOTHAFUCKAH. 60 00:02:50,020 --> 00:02:51,360 [ GATE OPENS ] 61 00:02:51,390 --> 00:02:53,320 WHO PUTS A FUCKIN' BUSH THERE?! 62 00:03:36,470 --> 00:03:37,800 Charlie: I'M JUST SAYING, 63 00:03:37,830 --> 00:03:40,340 ASHBY MANOR MIGHT NOT BE THE BEST PLACE FOR YOU 64 00:03:40,370 --> 00:03:42,570 IN YOUR CURRENT DEPRESSED FRAME OF MIND. 65 00:03:42,610 --> 00:03:44,610 IT'S NOT THE BEST PLACE FOR ANYBODY 66 00:03:44,640 --> 00:03:46,740 SINCE ASBHY LET THE DOUCHE BAG WITHIN TAKE UP RESIDENCE. 67 00:03:46,780 --> 00:03:48,610 OH, YOUR FAVORITE. YOU REALLY LIKE THAT GUY. 68 00:03:48,650 --> 00:03:50,750 OH, WHO? JULIAN SELF, THE SNAKE-OIL SALESMAN? 69 00:03:50,780 --> 00:03:52,850 10 GRAND A WEEK THAT BEARDED BOZO'S MAKING, 70 00:03:52,880 --> 00:03:54,650 DISPENSING HIS DIARRHEA-OF-THE-MOUTH THERAPIES 71 00:03:54,680 --> 00:03:56,520 TO THE CREATIVELY BLOCKED. 72 00:03:56,550 --> 00:03:58,360 CAN YOU BELIEVE THAT SHIT? 10 GRAND. 73 00:03:58,390 --> 00:04:00,560 THAT'S WHAT YOU SHOULD HAVE PUT THE RUNKLE NEST EGG INTO -- 74 00:04:00,590 --> 00:04:01,930 SELF-HELP. 75 00:04:01,960 --> 00:04:03,830 OH, WAIT A MINUTE -- THAT'S SLEAZIER THAN PORN. 76 00:04:03,860 --> 00:04:06,300 SO I THINK YOU MADE THE RIGHT CHOICE. LAUGH IT UP, PAL. 77 00:04:06,330 --> 00:04:07,660 ONLY ONE MORE DAY OF SHOOTING, 78 00:04:07,700 --> 00:04:09,700 WE SELL THIS PUPPY, AND I DOUBLE MY INVESTMENT. 79 00:04:09,730 --> 00:04:11,300 SO YOU'RE SANGUINE ABOUT THE WHOLE... 80 00:04:11,340 --> 00:04:13,040 I AM SANGUINISSIMO, BABY. SANGUINISSIMO. 81 00:04:13,070 --> 00:04:14,800 ALTHOUGH I GOT TO SAY, YOU KNOW WHAT? 82 00:04:14,840 --> 00:04:17,710 I'M -- I'M A LITTLE WORRIED ABOUT BEING ON THAT PORN SET. YEAH? 83 00:04:17,740 --> 00:04:19,980 'CAUSE I'M STARTING TO FEEL LIKE A GYNECOLOGIST. 84 00:04:20,010 --> 00:04:21,950 YIKES. DID YOU EVER THINK OF THAT GIRL? 85 00:04:21,980 --> 00:04:24,350 YOU KNOW, SHE LOOKS DOWN BETWEEN THE STIRRUPS 86 00:04:24,380 --> 00:04:26,650 AND SHE SEES YOUR GLEAMING ORB LOOMING STRAIGHT UP AT HER. 87 00:04:26,680 --> 00:04:28,050 YOU EVER THINK ABOUT THAT? 88 00:04:28,080 --> 00:04:29,550 SO, DID I EVER THINK ABOUT 89 00:04:29,590 --> 00:04:31,320 PENETRATING SOMEONE WITH MY HEAD? 90 00:04:31,360 --> 00:04:33,720 NO, I NEVER DID THINK ABOUT THAT. GOOD. 91 00:04:40,730 --> 00:04:42,870 HEY, LEW? 92 00:04:44,770 --> 00:04:48,070 LEW? 93 00:04:48,100 --> 00:04:49,910 [ WOMAN MOANING IN DISTANCE ] 94 00:04:49,940 --> 00:04:52,840 HEY, LEW! 95 00:04:52,880 --> 00:04:55,110 HEY, LEW, YOU DECENT? 96 00:04:55,140 --> 00:04:57,450 LEW. 97 00:04:58,650 --> 00:05:00,520 OH! OH! 98 00:05:00,550 --> 00:05:01,850 I KNEW YOU WERE A DICK! 99 00:05:01,890 --> 00:05:03,520 [ PANTING ] 100 00:05:03,550 --> 00:05:04,450 I KNEW IT. 101 00:05:04,490 --> 00:05:06,490 OKAY, CAN WE -- CAN WE DO THIS LATER, PLEASE? 102 00:05:06,520 --> 00:05:08,660 SURE, NO PROBLEM. 103 00:05:09,990 --> 00:05:11,430 [ WOMAN MOANING ] 104 00:05:11,460 --> 00:05:13,360 COME ON. LET GO OF IT. 105 00:05:13,400 --> 00:05:16,070 YOU CAN DO IT. 106 00:05:17,600 --> 00:05:19,900 ALL RIGHT, JUST SMILE. 107 00:05:19,940 --> 00:05:20,670 HANK! 108 00:05:20,700 --> 00:05:22,970 [ CAMERA SHUTTER CLICKS ] NICE. 109 00:05:23,010 --> 00:05:25,410 PLEASE. PLEASE. 110 00:05:25,440 --> 00:05:27,980 [ Chuckling ] OH. OH, THAT'S GOOD. WE'RE DONE. 111 00:05:28,010 --> 00:05:30,010 Charlie: NICE AND SECURE ON THERE. 112 00:05:30,050 --> 00:05:31,950 I'M A LITTLE CONCERNED WITH THE BUMP HERE. 113 00:05:31,980 --> 00:05:34,520 IF YOU COULD JUST -- I DON'T WANT IT TO FALL OFF. 114 00:05:34,550 --> 00:05:37,950 GEEZ! FOR THE LOVE OF FUCK, GUYS! 115 00:05:37,990 --> 00:05:39,090 CAREFUL, HUH?! 116 00:05:39,120 --> 00:05:41,460 I LOVE THIS THING -- MORE THAN LIFE ITSELF. 117 00:05:41,490 --> 00:05:43,860 THANK YOU VERY MUCH. 118 00:05:43,890 --> 00:05:45,930 HE-E-Y! 119 00:05:45,960 --> 00:05:48,060 [ CHUCKLES ] BABY! 120 00:05:48,100 --> 00:05:50,700 WHAT HAVE YOU DONE TO MY HOUSE? 121 00:05:50,730 --> 00:05:51,700 I'M SORRY, OKAY? 122 00:05:51,740 --> 00:05:54,140 IT'S JUST -- YOU KNOW, THE LOCATION FELL THROUGH. 123 00:05:54,170 --> 00:05:56,840 SO, LOOK, WE HAVE ONE MORE SCENE, 124 00:05:56,870 --> 00:05:58,480 AND "VAGINATOWN" IS A WRAP, OKAY? 125 00:05:58,510 --> 00:06:00,140 I JUST -- I-I-I FIGURED YOU'D BE WORKING. 126 00:06:00,180 --> 00:06:03,110 WHAT, A GIRL CAN'T COME HOME A LITTLE EARLY? 127 00:06:03,150 --> 00:06:05,780 KNOCK OFF, RELAX, WATCH A LITTLE "OPES"? 128 00:06:05,820 --> 00:06:06,880 Ronny: RUNKLE! 129 00:06:06,920 --> 00:06:09,190 I'M GONNA NEED TO KNOCK A COUPLE WALLS DOWN IN THERE. 130 00:06:09,220 --> 00:06:10,650 WHAT IS HE TALKING ABOUT? 131 00:06:10,690 --> 00:06:12,920 WHAT'S THAT? IS THAT THE SPINNER? 132 00:06:12,960 --> 00:06:14,990 DIDN'T WE SHOOT THAT SCENE ALREADY? 133 00:06:15,020 --> 00:06:17,390 THIS IS MY WIFE. 134 00:06:18,030 --> 00:06:20,000 OH. SORRY. 135 00:06:20,030 --> 00:06:22,730 'ELLO. RONNY PRAEGER. FILMMAKER. 136 00:06:22,770 --> 00:06:24,000 YOU NEVER TOLD ME YOUR OLD DEAR 137 00:06:24,030 --> 00:06:26,440 WAS SUCH A LOVELY BIT OF FILTH. 138 00:06:26,470 --> 00:06:27,640 YOU DIRTY BASTARD. 139 00:06:27,670 --> 00:06:30,210 WHAT DO YOU RECKON, SWEETHEART? DO YOU WANT TO BE IN IT? 140 00:06:30,240 --> 00:06:32,480 I COULD EASILY SEE YOU AND DAISY 141 00:06:32,510 --> 00:06:34,940 ENGAGED IN A NICE LITTLE BIT OF STAND-UP 69. 142 00:06:34,980 --> 00:06:38,150 69 IS A WASTE OF TIME, STAND-UP OR OTHERWISE. 143 00:06:38,180 --> 00:06:40,880 AND DON'T YOU DARE TOUCH MY WALLS. 144 00:06:40,920 --> 00:06:43,120 YOU ARE SPICY. I LIKE IT. 145 00:06:44,490 --> 00:06:45,960 THERE SHE IS. 146 00:06:45,990 --> 00:06:47,960 MY LEADING LADY. 147 00:06:47,990 --> 00:06:51,130 CAN YOU FEEL IT -- THE SEXUAL TENSION? 148 00:06:51,160 --> 00:06:53,200 [ SIGHS ] 149 00:06:53,230 --> 00:06:54,860 HOW DO I LOOK? 150 00:06:54,900 --> 00:06:57,130 OHH! [ MARCY CLEARS THROAT ] 151 00:06:57,170 --> 00:07:00,170 DON'T STARE, YOU FUCKING BABOON. IT'S RUDE! 152 00:07:00,200 --> 00:07:02,870 CHRIST ON THE CROSS, WHAT DID YOU DO TO YOURSELF? 153 00:07:02,910 --> 00:07:04,740 YOU LOOK LIKE A FUCKIN' CHILD! 154 00:07:04,770 --> 00:07:06,010 A VERY HOT CHILD. 155 00:07:06,040 --> 00:07:09,080 WHO'S BEEN POORLY WAXED. YOU CHEATED ON ME. 156 00:07:09,110 --> 00:07:11,180 I COULDN'T GET AN APPOINTMENT, AND HE TOLD ME TO SHAVE. 157 00:07:11,210 --> 00:07:12,750 I TOLD YOU TO TRIM. 158 00:07:12,780 --> 00:07:14,180 THIS IS "VAGINATOWN," SWEETHEART. 159 00:07:14,220 --> 00:07:17,790 THEY DIDN'T HAVE LITTLE HEART-SHAPED TUFTS OF PUBIS IN 1930's L.A. 160 00:07:17,820 --> 00:07:21,160 MAYBE NOT, BUT I THINK MY CHARACTER WAS BEFORE HER TIME. 161 00:07:21,190 --> 00:07:23,860 SORRY. WHO SAID IT'S YOUR CHARACTER? 162 00:07:23,890 --> 00:07:26,260 WE NEED A FUCKIN' MERKIN! 163 00:07:26,300 --> 00:07:29,270 OKAY, YOU KNOW WHAT? WE'VE GOT A FEW OF THOSE LYING AROUND. 164 00:07:29,300 --> 00:07:31,270 YOU DO? WHY? 165 00:07:31,300 --> 00:07:33,500 DON'T YOU TELL HIM, MARCE! 166 00:07:35,570 --> 00:07:38,270 TURN IT THIS WAY, IT'S LIKE HE'S STARING AT YOU. 167 00:07:38,310 --> 00:07:41,010 HANK, YOU GOT TO BE KIDDING ME, RIGHT? 168 00:07:41,040 --> 00:07:42,750 THAT COULD BE ANYBODY. YEAH, BUT IT'S NOT. 169 00:07:42,780 --> 00:07:45,550 IT'S "THE ARTIST WITHIN" A VERY NICE YOUNG GIRL NAMED HOLLY. 170 00:07:45,580 --> 00:07:47,880 LOOK. LOOK, IT'S LIKE ONE OF THOSE JESUS PICTURES, 171 00:07:47,920 --> 00:07:50,290 EXCEPT IT'S HIS BALLS THAT FOLLOW YOU WHEREVER YOU MOVE. 172 00:07:50,320 --> 00:07:52,620 SEE THAT BRUTE-LIKE APPENDAGE THERE? IT'S ACTUAL-SIZE. 173 00:07:52,660 --> 00:07:55,160 YOU CAME ALL THE WAY OVER HERE TO SHOW ME THAT? 174 00:07:56,190 --> 00:07:57,030 YOU'RE 12. 175 00:07:57,060 --> 00:07:59,030 WELL, THIS -- NO, THIS VINDICATES ME. 176 00:07:59,060 --> 00:08:00,630 PROVES THE GUY'S A DOUCHE BAG. 177 00:08:00,660 --> 00:08:02,670 HE'S A DANGER TO WOMEN. HE HAS TO BE STOPPED. 178 00:08:02,700 --> 00:08:04,030 HE'S GOT TO BE STOPPED? 179 00:08:04,070 --> 00:08:06,040 HE MANIPULATES THEM. HE FUCKS WITH THEIR MINDS. 180 00:08:06,070 --> 00:08:07,670 YOU'RE FRIENDS WITH SONJA, RIGHT? 181 00:08:07,700 --> 00:08:09,270 WHY DON'T YOU GO TELL HER? YOU SHOULD. 182 00:08:09,310 --> 00:08:12,310 POSSIBLY. BUT YOU'RE THE FATHER OF HER UNBORN CHILD. 183 00:08:12,340 --> 00:08:15,240 SO I THINK THAT TRUMPS "FRIEND." WE DON'T KNOW THAT FOR CERTAIN. 184 00:08:15,280 --> 00:08:16,610 WE DON'T KNOW FOR CERTAIN 185 00:08:16,650 --> 00:08:19,020 WHAT KIND OF ARRANGEMENT THEY HAVE, EITHER. 186 00:08:19,050 --> 00:08:20,880 THEY LIVE TOGETHER -- THAT'S THEIR ARRANGEMENT. 187 00:08:20,920 --> 00:08:22,150 MAYBE THEY HAVE ONE OF THOSE, 188 00:08:22,190 --> 00:08:24,550 YOU KNOW, LIKE, OPEN RELATIONSHIP OR SOMETHING. 189 00:08:24,590 --> 00:08:25,890 EW. NO, NO, NO, NO, NO. 190 00:08:25,920 --> 00:08:27,290 THAT -- THAT -- THAT IS DISGUSTING. 191 00:08:27,320 --> 00:08:29,060 THAT IS NOT A POSSIBILITY. 192 00:08:29,090 --> 00:08:31,030 THE OPEN RELATIONSHIP DOES NOT EXIST. 193 00:08:31,060 --> 00:08:33,560 IT'S LIKE AN OXYMORON, LIKE "JUMBO SHRIMP" OR -- 194 00:08:33,600 --> 00:08:35,830 OH, OKAY. SO THAT'S WHERE YOU DRAW THE LINE? 195 00:08:35,870 --> 00:08:37,000 AT OPEN RELATIONSHIPS? 196 00:08:37,030 --> 00:08:38,900 YES, THAT'S THOROUGHLY OFFENSIVE TO ME. 197 00:08:38,940 --> 00:08:42,210 HUH. THE MOUTH-RAPIST WHO SLEEPS WITH PROSTITUTES IS OFFENDED. 198 00:08:42,240 --> 00:08:43,770 NO, COME ON. LOOK -- 199 00:08:43,810 --> 00:08:45,210 LOOK, MY ETHICAL UNPREDICTABILITY 200 00:08:45,240 --> 00:08:47,110 IS DEFAULT PROOF OF ITS HARD-WON VITALITY. 201 00:08:47,140 --> 00:08:49,850 BECAUSE I'M NOT, LIKE, BY ROTE OR PROGRAMMATIC ABOUT IT. 202 00:08:49,880 --> 00:08:51,850 I THINK THIS SHIT THROUGH, EVERY ISSUE. 203 00:08:51,880 --> 00:08:53,720 ANYWAY, ARE YOU GONNA GO TATTLE TO SONJA 204 00:08:53,750 --> 00:08:55,350 OR DO I HAVE TO, 'CAUSE I'D BE GLAD TO. 205 00:08:55,380 --> 00:08:56,990 HANK, SHUT UP, OKAY? MIND YOUR OWN BUSINESS. 206 00:08:57,020 --> 00:08:57,890 GET OUT OF HERE. 207 00:08:57,920 --> 00:08:59,260 I'M MINDING OUR BUSINESS. 208 00:08:59,290 --> 00:09:00,990 GO PICK UP BECCA. SHE'S AT SCHOOL. 209 00:09:01,020 --> 00:09:02,590 THIS CONVERSATION IS NOT OVER. 210 00:09:04,230 --> 00:09:06,160 OKAY, CAPTAIN. WHAT'S THE PLAN? HMM? 211 00:09:06,200 --> 00:09:08,700 WE GONNA BE SHOOTING SOMETHING AT SOME POINT? 212 00:09:08,730 --> 00:09:10,930 I KIND OF -- I PROMISED MY WIFE, YOU KNOW, 213 00:09:10,970 --> 00:09:13,770 THAT THE, YOU KNOW, THINGS WOULD CLEAR OUT BY, SAY... 214 00:09:13,800 --> 00:09:15,300 OH, YOU PROMISED YOUR WIFE, DID YOU? YEAH. 215 00:09:15,340 --> 00:09:17,870 WHAT IS IT YOU THINK WE'RE DOING HERE, RUNKLE? 216 00:09:17,910 --> 00:09:19,640 DOES THIS LOOK LIKE CHATSWORTH? 217 00:09:19,680 --> 00:09:21,780 DO I LOOK LIKE A UKRAINIAN SEX WORKER? NO. 218 00:09:21,810 --> 00:09:24,250 WE ARE MAKING EROTIC ART HERE... 219 00:09:24,280 --> 00:09:27,380 SOMETHING MEN -- AND WOMEN, GOD-WILLING -- 220 00:09:27,420 --> 00:09:30,020 WILL BE PLEASURING THEMSELVES TO FOR DECADES TO COME. 221 00:09:30,050 --> 00:09:30,890 OKAY, OKAY. I GET THAT. 222 00:09:30,920 --> 00:09:32,790 AND I RESPECT YOUR VISION. REALLY, I DO. 223 00:09:32,820 --> 00:09:34,920 IT'S JUST, THE NEIGHBORS ARE GETTING A LITTLE RESTLESS. 224 00:09:34,960 --> 00:09:36,730 AND I WOULD RATHER THEY DON'T CALL THE COPS 225 00:09:36,760 --> 00:09:37,760 AND HAVE US SHUT DOWN. 226 00:09:37,790 --> 00:09:38,730 HEY, LOOK -- IT'S YOUR MONEY. 227 00:09:38,760 --> 00:09:41,030 BUT IF YOU'RE LOOKING FOR TRANSCENDENCE... 228 00:09:41,060 --> 00:09:42,970 Man: We should start shooting. 229 00:09:43,000 --> 00:09:45,640 BRING IN FIRST TEAM! [ SIGHS ] 230 00:09:45,670 --> 00:09:48,670 [ INTRO TO POETS & PORNSTARS' "ROCK AND ROLL" PLAYS ] 231 00:09:52,180 --> 00:09:53,340 WHERE'S CLITTES? 232 00:09:55,950 --> 00:09:58,180 [ SNORTING, SNIFFLES ] 233 00:09:58,210 --> 00:09:59,720 [ COUGHS SOFTLY ] 234 00:09:59,750 --> 00:10:01,050 [ CHUCKLES ] 235 00:10:01,080 --> 00:10:04,350 MAN, YOU LOOK SMOKIN' IN THAT PICTURE. 236 00:10:04,390 --> 00:10:05,890 HAPPIEST DAY OF MY LIFE. 237 00:10:05,920 --> 00:10:07,420 YEAH, YOUR DAD LOOKS SO PROUD. 238 00:10:07,460 --> 00:10:09,160 THAT'S NOT MY DAD. 239 00:10:09,190 --> 00:10:11,830 FOR CHRIST'S SAKE, MARCE. 240 00:10:11,860 --> 00:10:14,300 * ...LIKE IT'S A LOST DARK HEART THAT SEES... * 241 00:10:14,330 --> 00:10:18,100 YOU -- IT'S TIME TO GO DOWN AND UNLEASH THE MONSTER OF COCK. 242 00:10:19,470 --> 00:10:22,070 BE CAREFUL WHAT YOU WISH FOR. 243 00:10:22,110 --> 00:10:25,880 * ...CALL IT MY CONSTITUTION 244 00:10:25,910 --> 00:10:29,410 * CALL IT THE COMMON NEED 245 00:10:29,450 --> 00:10:32,780 * CALL IT A STRANGE DEVOTION, MAN... * 246 00:10:32,820 --> 00:10:34,920 THIS IS WHAT YOU CAME HOME EARLY FOR, ISN'T IT? 247 00:10:34,950 --> 00:10:36,920 TO DO SOME COCAINE. 248 00:10:36,950 --> 00:10:38,720 AND WATCH SOME "OPRAH." 249 00:10:38,760 --> 00:10:40,320 * ...IT'S JUST ROCK AND ROLL TO ME * 250 00:10:43,090 --> 00:10:44,290 [ SIGHS ] 251 00:10:44,330 --> 00:10:47,460 THAT THIRSTY LITTLE NOSE OF YOURS IS COSTING US SOME MONEY. 252 00:10:47,500 --> 00:10:49,800 HAVE YOU CHECKED OUR BANK BALANCE LATELY? 253 00:10:49,830 --> 00:10:51,030 [ SNIFFS ] 254 00:10:51,070 --> 00:10:54,170 ASSHOLE, YOU JUST PUT THE BULK OF OUR NEST EGG 255 00:10:54,200 --> 00:10:56,940 INTO A MOVIE CALLED "VAGINATOWN." 256 00:10:56,970 --> 00:10:59,180 AND YOU'RE GONNA MAKE ME FEEL BAD 257 00:10:59,210 --> 00:11:01,710 ABOUT A LITTLE AFTERNOON SNACK WITH JAKE CLITTES? 258 00:11:01,750 --> 00:11:03,380 THIS MOVIE IS AN INVESTMENT, 259 00:11:03,410 --> 00:11:05,450 WHICH WE'RE IN TOGETHER, REMEMBER? 260 00:11:05,480 --> 00:11:07,320 A LITTLE BIT OF SUPPORT, PLEASE. 261 00:11:07,350 --> 00:11:10,250 AND IT'S "CLITTES" -- SOUNDS LIKE "TITTIES." 262 00:11:11,250 --> 00:11:13,220 [ SNIFFS FORCEFULLY ] 263 00:11:13,260 --> 00:11:14,360 WELL, IF MEMORY SERVES, 264 00:11:14,390 --> 00:11:17,190 UH, THIS IS THE PART WHERE YOU SAY YOU CAN HANDLE IT 265 00:11:17,230 --> 00:11:19,360 AND THAT YOU CAN STOP WHENEVER YOU WANT. 266 00:11:19,400 --> 00:11:20,960 OH, I CAN STOP. 267 00:11:21,000 --> 00:11:22,470 THEN STOP. 268 00:11:22,500 --> 00:11:24,070 FOR A DAY. 269 00:11:24,100 --> 00:11:25,330 FOR AN HOUR. 270 00:11:25,370 --> 00:11:29,070 YEAH, YOU CAN SAY "NO, NO, NO" ALL YOU WANT, MISS WINEHOUSE. 271 00:11:29,110 --> 00:11:31,370 I'M THIS CLOSE TO BOOKING YOU A ROOM AT WISHES. 272 00:11:31,410 --> 00:11:33,440 WHAT HAPPENED TO PROMISES? 273 00:11:33,480 --> 00:11:36,450 PROMISES OF MALIBU IS NO LONGER IN THE RUNKLE FAMILY BUDGET. 274 00:11:36,480 --> 00:11:38,920 WISHES IS IN OXNARD. 275 00:11:38,950 --> 00:11:41,150 RUNKLE, BAD NEWS. DAISY'S IN HER TRAILER. 276 00:11:41,180 --> 00:11:44,090 SHE WON'T COME OUT. SHE'LL ONLY TALK TO YOU. 277 00:11:44,120 --> 00:11:45,190 [ SIGHS ] 278 00:11:45,220 --> 00:11:48,120 WE'LL FINISH THIS CONVERSATION LATER. 279 00:11:50,190 --> 00:11:53,830 DON'T YOU BE CONDESCENDING TO ME, MOTHERFUCKER. 280 00:11:53,860 --> 00:11:55,300 [ SNIFFS ] 281 00:11:55,330 --> 00:11:57,430 I CAN STOP. 282 00:11:57,470 --> 00:12:01,500 [ SNIFFS ] I CAN STOP WHENEVER THE FUCK I WANT. 283 00:12:01,540 --> 00:12:03,970 * ...IT'S JUST ROCK AND ROLL 284 00:12:05,270 --> 00:12:08,010 [ STATIC, MUSIC ALTERNATE ON RADIO ] 285 00:12:10,510 --> 00:12:12,780 [ FUNK MUSIC PLAYS ] 286 00:12:12,820 --> 00:12:15,180 GOOD AFTERNOON, LADIES. 287 00:12:15,220 --> 00:12:19,060 AH, IT'S THE SISTERHOOD OF THE TRAVELING FLANNEL. 288 00:12:19,090 --> 00:12:21,520 ON TIME FOR A CHANGE. IMPRESSIVE. 289 00:12:21,560 --> 00:12:23,890 WE'RE STILL GOING TO LEW ASHBY'S, RIGHT? 290 00:12:23,930 --> 00:12:25,930 YEAH, WE WANT TO GO, TOO. 291 00:12:25,960 --> 00:12:28,400 "WE"? OH, SORRY. 292 00:12:28,430 --> 00:12:30,300 HANK MOODY, THIS IS ANNIKA STALEY 293 00:12:30,330 --> 00:12:31,800 OF ROLLING STONE MAGAZINE. 294 00:12:31,840 --> 00:12:33,240 REALLY? THE ROLLING STONE MAGAZINE? 295 00:12:33,270 --> 00:12:35,270 THE ONE THAT USED TO HAVE SOME CULTURAL RELEVANCE? 296 00:12:35,300 --> 00:12:36,870 WELL, I AM DELIGHTED TO MEET YOU, 297 00:12:36,910 --> 00:12:38,810 ANNIKA STALEY FROM ROLLING STONE MAGAZINE. 298 00:12:38,840 --> 00:12:40,810 SORRY TO CRASH THE PARTY. 299 00:12:40,840 --> 00:12:43,210 I'M JUST TRAILING MIA FOR THE DAY. 300 00:12:43,250 --> 00:12:44,410 SHE'S GONNA BE IN OUR "HOT" ISSUE. 301 00:12:44,450 --> 00:12:46,220 OH, SHE'S HOT, IS SHE? 302 00:12:47,480 --> 00:12:48,850 FEVERISH? 303 00:12:50,320 --> 00:12:52,360 WILL YOU EXCUSE ME A MOMENT? 304 00:12:52,390 --> 00:12:54,320 SORRY. 305 00:12:54,360 --> 00:12:55,460 SURE. 306 00:12:55,490 --> 00:12:57,590 [ ANNIKA CHUCKLES ] 307 00:12:57,630 --> 00:12:59,600 IT'S YOU, ISN'T IT? 308 00:12:59,630 --> 00:13:02,930 I MADE A MESS OF YOUR BUSH THIS MORNING. 309 00:13:03,870 --> 00:13:06,600 THAT'S, UH... SHIT, THAT CAME OUT WRONG. 310 00:13:06,640 --> 00:13:08,000 FLOWERS. SHE'S GOT THIS... 311 00:13:08,040 --> 00:13:10,340 WOW. ...POTTED-FLOWER THING, AND I... 312 00:13:10,370 --> 00:13:11,340 I'LL SEE YOU GUYS. 313 00:13:11,370 --> 00:13:13,440 IT WAS NICE TALKING TO YOU, LADIES. YEAH. 314 00:13:13,480 --> 00:13:14,840 HEY, THIS IS A COINCIDENCE. 315 00:13:14,880 --> 00:13:16,350 I'M HERE PICKING UP MY DAUGHTER, AND -- 316 00:13:16,380 --> 00:13:18,280 WELL, I GOT SOME MAIL FOR YOU. 317 00:13:18,310 --> 00:13:19,520 YOU DO? YEAH. 318 00:13:19,550 --> 00:13:22,950 YOU ARE -- YOU ARE "RESIDENT," AREN'T YOU? 319 00:13:22,990 --> 00:13:25,050 BUT I-I DOUBT THAT YOU NEED YOUR CARPETS CLEANED. 320 00:13:25,090 --> 00:13:26,960 OR YOUR DRAPES. I BET YOUR CARPETS ARE IMMACULATE. 321 00:13:26,990 --> 00:13:28,460 I BET THE CARPETS MATCH THE DRAPES. 322 00:13:28,490 --> 00:13:30,490 DO YOU ALWAYS MAKE THIS GOOD OF A FIRST IMPRESSION? 323 00:13:30,530 --> 00:13:32,000 WELL, IT'S A SECOND IMPRESSION, ACTUALLY. 324 00:13:32,030 --> 00:13:33,030 HANK. HANK MOODY. 325 00:13:33,060 --> 00:13:35,600 AND THEY'RE ONLY GONNA GET WORSE FROM HERE ON IN, 326 00:13:35,630 --> 00:13:37,600 SO I'M JUST GONNA LAY MY CARDS ON THE TABLE. 327 00:13:37,630 --> 00:13:39,340 DO YOU KNOW A GUY NAMED LEW ASHBY? 328 00:13:39,370 --> 00:13:41,500 YEAH, SURE. HE'S SOME FAMOUS RECORD PRODUCER, RIGHT? 329 00:13:41,540 --> 00:13:42,440 A ROCK-'N'-ROLL LEGEND. 330 00:13:42,470 --> 00:13:44,940 I'M WRITING A BOOK ON HIM. OH? GOOD LUCK. 331 00:13:44,970 --> 00:13:47,310 YEAH. I'M GONNA NEED IT BECAUSE THE GUY'S A CYPHER. 332 00:13:47,340 --> 00:13:48,480 I CAN'T GET ANYWHERE. 333 00:13:48,510 --> 00:13:50,550 WELL, THEN WHY DO THE RESEARCH? JUST PRINT THE LEGEND. 334 00:13:50,580 --> 00:13:52,120 THAT'S WHAT PEOPLE WANT TO READ, RIGHT? 335 00:13:52,150 --> 00:13:53,650 ONE LONG ROCK-'N'-ROLL BACCHANALIA 336 00:13:53,680 --> 00:13:57,020 WHERE THE MUSIC NEVER ENDS, THE GROUPIES NEVER GET OLDER, 337 00:13:57,050 --> 00:13:59,160 AND YOUR DICK NEVER SHRIVELS UP AND FALLS OFF 338 00:13:59,190 --> 00:14:01,390 FROM SOME UNSPECIFIED VENEREAL DISEASE. 339 00:14:01,420 --> 00:14:04,390 WOW. THAT WAS UNKIND TO MY DICK. 340 00:14:04,430 --> 00:14:06,400 I HAD TO GET YOU BACK FOR RUINING MY BUSH. 341 00:14:06,430 --> 00:14:09,530 HMM. WELL, I'VE KNOWN THE GUY FOR LIKE SIX WEEKS NOW, 342 00:14:09,570 --> 00:14:11,430 AND THE ONLY GENUINE MOMENT I'VE HAD WITH HIM 343 00:14:11,470 --> 00:14:13,570 IS WHEN HE TOLD ME ABOUT THIS WOMAN THAT HE NEVER GOT OVER 344 00:14:13,600 --> 00:14:15,170 AND A MUSTANG THAT WOULDN'T GO IN REVERSE. 345 00:14:15,200 --> 00:14:17,470 THAT'S WHY I WAS SNOOPING AROUND YOUR HOUSE TODAY. 346 00:14:17,510 --> 00:14:19,480 I THINK YOU'D HAVE BETTER LUCK FINDING THE MUSTANG. 347 00:14:19,510 --> 00:14:20,610 WHY IS THAT? 348 00:14:20,640 --> 00:14:23,210 'CAUSE IT ACTUALLY EXISTED. BLUE WITH GREY INTERIOR. 349 00:14:23,250 --> 00:14:24,680 AND WHAT ABOUT THE GIRL? 350 00:14:24,710 --> 00:14:27,520 FIGMENT OF LEW'S IMAGINATION. 351 00:14:34,620 --> 00:14:36,890 [ DOG BARKING ] 352 00:14:43,070 --> 00:14:44,930 [ SIGHS ] 353 00:14:47,000 --> 00:14:49,410 I LIKE YOUR TRAILER. 354 00:14:49,440 --> 00:14:53,010 I DROVE OUT HERE IN THIS PIECE OF SHIT. 355 00:14:53,040 --> 00:14:56,210 [ SIGHS ] I WAS GONNA BE A BIG, BIG STAR. 356 00:14:56,250 --> 00:14:57,380 LOOK AT ME NOW. 357 00:14:57,410 --> 00:14:59,350 LOOK, IF YOU DON'T WANT TO DO THIS, 358 00:14:59,380 --> 00:15:01,480 IF YOU WANT TO GET OUT OF PORN, JUST -- 359 00:15:01,520 --> 00:15:03,350 I DON'T WANT TO GET OUT OF PORN. 360 00:15:03,390 --> 00:15:05,090 I LOVE PORN. 361 00:15:05,120 --> 00:15:06,560 WHY? 362 00:15:07,690 --> 00:15:09,590 'CAUSE I LOVE SEX. 363 00:15:09,630 --> 00:15:12,360 AND I LOST IT AT THE MOVIES. 364 00:15:12,400 --> 00:15:14,160 LITERALLY. 365 00:15:14,200 --> 00:15:18,500 I WAS 15, AND MY BOYFRIEND TOOK ME TO THE DRIVE-IN. 366 00:15:18,530 --> 00:15:21,640 THEY WERE SHOWING A REVIVAL OF "DIRTY DANCING." 367 00:15:21,670 --> 00:15:25,040 I LOVE THAT MOVIE! DEFINITELY IN MY TOP 10. 368 00:15:25,070 --> 00:15:26,380 MINE TOO. 369 00:15:26,410 --> 00:15:29,580 I JUST -- I GOT SO TURNED ON, 370 00:15:29,610 --> 00:15:32,280 I JUST JUMPED HIS BONES THEN AND THERE. 371 00:15:32,320 --> 00:15:36,050 AND EVER SINCE, I'VE ASSOCIATED MOVIES AND SEX. 372 00:15:36,090 --> 00:15:37,420 AND I STARTED TO THINK, 373 00:15:37,450 --> 00:15:40,260 "WHY DOES IT HAVE TO BE A GUILTY PLEASURE?" 374 00:15:40,290 --> 00:15:41,590 EVERYBODY WATCHES IT. 375 00:15:41,620 --> 00:15:43,090 YOU DO, RIGHT? 376 00:15:43,130 --> 00:15:44,660 VERY MUCH SO, YES. 377 00:15:44,690 --> 00:15:46,730 SOME MIGHT CALL IT A SOFT ADDICTION. 378 00:15:46,760 --> 00:15:49,570 BUT THEN I GOT OUT HERE AND... 379 00:15:49,600 --> 00:15:52,370 I JUST -- I SAW WHAT IT REALLY IS. 380 00:15:52,400 --> 00:15:55,770 JUST AN ENDLESS SERIES OF DISGUSTING SCENES 381 00:15:55,800 --> 00:15:59,240 SHOT BY DISGUSTING PEOPLE. 382 00:15:59,280 --> 00:16:02,350 BUT THEN YOU CAME ALONG. 383 00:16:02,380 --> 00:16:04,610 AND YOU GOT ME THIS CLOSE TO MY DREAMS. 384 00:16:04,650 --> 00:16:06,780 WELL, THAT'S A GOOD THING, RIGHT? 385 00:16:06,820 --> 00:16:08,020 BUT IT'S SCARY. 386 00:16:08,050 --> 00:16:09,750 I MEAN, WHAT IF I SUCK? 387 00:16:09,790 --> 00:16:12,690 YOU DO NOT SUCK, DAISY. TRUST ME. 388 00:16:12,720 --> 00:16:16,160 IF THERE'S ONE THING I KNOW, IT'S PORN, OKAY? 389 00:16:16,190 --> 00:16:17,290 AND YOU GOT SOMETHING 390 00:16:17,330 --> 00:16:19,760 THAT THOSE SILICONE VALLEY GALS DON'T -- THE 'X' FACTOR. 391 00:16:19,800 --> 00:16:21,160 IT SETS YOU APART. 392 00:16:21,200 --> 00:16:23,500 YOU'RE THE GIRL NEXT DOOR, 393 00:16:23,530 --> 00:16:26,540 AMERICA'S FUCKABLE SWEETHEART. 394 00:16:28,570 --> 00:16:31,470 I'M STARTING TO GET THAT FEELING, CHARLIE. 395 00:16:31,510 --> 00:16:33,540 WHAT FEELING WOULD THAT BE? 396 00:16:33,580 --> 00:16:35,740 THE SAME ONE I GOT AT THE DRIVE-IN. 397 00:16:35,780 --> 00:16:38,150 OH. 398 00:16:38,180 --> 00:16:41,150 WE BETTER GET YOU INSIDE, THEN. 399 00:16:41,180 --> 00:16:44,150 Please. [ GRUNTS ] I beg you... 400 00:16:44,190 --> 00:16:47,190 OKAY, PEOPLE, LET'S DO THIS THING! 401 00:16:47,220 --> 00:16:49,090 Come on... 402 00:16:49,130 --> 00:16:50,690 W-W-WHAT'S WRONG WITH CLITTES? 403 00:16:50,730 --> 00:16:52,330 COKE DICK. 404 00:16:52,360 --> 00:16:53,460 COKE DICK? 405 00:16:53,500 --> 00:16:56,570 TOO MUCH BLOW, AND THE COCK WON'T GROW. 406 00:16:56,600 --> 00:16:58,530 WHA-WHA-WHA-WHA? Ronny: THANKS TO YOUR OLD LADY, 407 00:16:58,570 --> 00:17:01,500 JAKE HERE IS ABOUT AS USEFUL AS TITS ON A NUN. 408 00:17:01,540 --> 00:17:03,370 WE'RE GONNA NEED A STUNT COCK. 409 00:17:03,410 --> 00:17:04,810 STUNT COCK? 410 00:17:04,840 --> 00:17:07,480 YOU -- DROP YOUR PANTS. 411 00:17:10,480 --> 00:17:12,750 CALL YOURSELF A MAN? 412 00:17:14,250 --> 00:17:16,120 I WEEP FOR YOU. 413 00:17:16,150 --> 00:17:19,120 RUNKLE, WHAT ARE YOU PACKING? 414 00:17:19,160 --> 00:17:21,120 ME? WHAT ABOUT YOU? 415 00:17:21,160 --> 00:17:24,130 WHY DON'T YOU WHIP OUT YOUR HITCHCOCK AND GIVE IT A CAMEO? 416 00:17:24,160 --> 00:17:26,100 OUR LEADING MAN IS CIRCUMCISED. 417 00:17:26,130 --> 00:17:27,800 CAN'T SAY THE SAME FOR MYSELF. 418 00:17:27,830 --> 00:17:31,270 BESIDES, I CAN GO FOR HOURS. WE DON'T HAVE TIME FOR THAT. 419 00:17:31,300 --> 00:17:33,370 OH, WELL, IN THAT CASE... 420 00:17:33,400 --> 00:17:35,870 HONEY... WHAT? 421 00:17:35,900 --> 00:17:38,740 YOU'VE DELIVERED PLENTY OF ONE-MINUTE MONEY SHOTS IN THIS LIVING ROOM. 422 00:17:38,770 --> 00:17:40,140 ONE MORE'S NOT GONNA KILL YOU. 423 00:17:40,180 --> 00:17:42,510 HAVE YOU LOST YOUR MIND, WOMAN? 424 00:17:42,550 --> 00:17:44,350 YOU ACTUALLY WANT ME TO DO THIS? 425 00:17:44,380 --> 00:17:46,720 NO, BUT I ALSO DON'T WANT TO LIVE IN PARK LA BREA 426 00:17:46,750 --> 00:17:49,220 AND EAT CAT FOOD WHEN I'M OLD. 427 00:17:49,250 --> 00:17:51,650 100 GRAND, RUNKLE -- THE NEST EGG. 428 00:17:51,690 --> 00:17:54,890 AND IF OUR BLESSED UNION MEANS ANYTHING TO YOU, 429 00:17:54,920 --> 00:17:58,660 YOU WILL GET IN THERE AND DRIVE MISS DAISY, HO. 430 00:18:07,840 --> 00:18:10,110 Holly: * NOW I KNOW 431 00:18:11,810 --> 00:18:13,880 * SPANISH HARLEM 432 00:18:13,910 --> 00:18:20,420 * ARE NOT JUST PRETTY WORDS TO SAY... * 433 00:18:20,450 --> 00:18:22,820 I THINK WHAT I LOVE MOST ABOUT MIA'S BOOK 434 00:18:22,850 --> 00:18:24,690 IS HOW VISCERAL IT IS. 435 00:18:24,720 --> 00:18:26,820 THAT'S MY DAUGHTER. 436 00:18:26,860 --> 00:18:29,790 OH, YEAH. YEAH, GREAT. 437 00:18:29,830 --> 00:18:32,730 I GUESS IT'S TOO MUCH TO ASK OF A WRITER FROM ROLLING STONE 438 00:18:32,760 --> 00:18:34,500 TO LOVE MUSIC. IT'S NOT MY BEAT. 439 00:18:34,530 --> 00:18:37,270 YOU COVER WORDS. MM-HMM. 440 00:18:37,300 --> 00:18:39,600 ALL WORDS OR JUST... 441 00:18:39,640 --> 00:18:41,400 JUST THE HOT ONES? 442 00:18:41,440 --> 00:18:44,210 WHY DON'T YOU FIND OUT? LET ME INTERVIEW YOU. 443 00:18:44,240 --> 00:18:45,440 OH, GOD, NO. NO. 444 00:18:45,470 --> 00:18:47,810 COME ON, COME ON. YOU KNOW YOU WANT TO. 445 00:18:47,840 --> 00:18:48,940 NO, I DON'T WANT TO. 446 00:18:48,980 --> 00:18:51,810 COME ON. WE CAN HAVE A DRINK, WE'LL TALK ABOUT MIA. 447 00:18:51,850 --> 00:18:54,350 OH, I'M SURE MIA IS PERFECTLY CAPABLE 448 00:18:54,380 --> 00:18:55,820 OF TALKING ABOUT HERSELF. 449 00:18:55,850 --> 00:18:58,290 WILL YOU EXCUSE ME FOR A MOMENT? 450 00:18:59,460 --> 00:19:00,760 HEY. 451 00:19:00,790 --> 00:19:04,290 THAT IS A LOVELY SHADE OF BLUE YOUR FACE IS WEARING. 452 00:19:04,330 --> 00:19:07,200 OH, GOD. I THINK I'M -- I'M GONNA -- YOU GONNA -- 453 00:19:07,230 --> 00:19:09,270 [ VOMITS ] 454 00:19:09,300 --> 00:19:11,730 OH. [ SIGHS ] 455 00:19:11,770 --> 00:19:14,470 YOU KNOW, EVERYONE SAID IT WOULD STOP IN THE SECOND TRIMESTER. 456 00:19:14,500 --> 00:19:17,770 OH, CRAP, DID I GET SOME ON YOUR FOOT? OH, NO. NO WORRIES. 457 00:19:17,810 --> 00:19:20,810 UNLIKE YOU, I'M NOT A BIG SYMPATHETIC VOMITER. 458 00:19:20,840 --> 00:19:21,910 OH, THANKS. 459 00:19:21,940 --> 00:19:25,280 JULIAN -- JULIAN THINKS THAT ALL... HERE YOU GO. 460 00:19:25,310 --> 00:19:26,920 ...PHYSICAL ILLNESS -- OH, THANK YOU -- 461 00:19:26,950 --> 00:19:29,950 IS -- IS DUE TO SOME, YOU KNOW, MENTAL WEAKNESS. 462 00:19:29,990 --> 00:19:31,520 OH, REALLY? YEAH. 463 00:19:31,550 --> 00:19:33,620 WOW. WHAT CAUSES CANCER? 464 00:19:33,660 --> 00:19:35,660 BITTER-- NO. BITTERNESS. 465 00:19:35,690 --> 00:19:36,860 HANG ON. THAT'S NOT IT. 466 00:19:36,890 --> 00:19:38,790 SLOTH. NO. NO, IT'S NOT THAT. 467 00:19:38,830 --> 00:19:40,700 WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. FEAR. 468 00:19:40,730 --> 00:19:42,600 FEAR. WELL, LET'S ALERT THE FUCKIN' MEDIA! 469 00:19:42,630 --> 00:19:44,470 LET'S GET THAT SHIT TAKEN CARE OF. 470 00:19:44,500 --> 00:19:47,270 END SUFFERING IN OUR TIME. 471 00:19:47,300 --> 00:19:49,540 Sonja: [ SIGHS ] ISN'T HE HERE? 472 00:19:49,570 --> 00:19:52,280 I THOUGHT HE WAS WORKING WITH LEW THIS WEEK. 473 00:19:52,310 --> 00:19:53,640 NO. HE WAS. EARLIER. 474 00:19:53,680 --> 00:19:55,540 LAYING HANDS ON THE FAITHFUL. 475 00:19:55,580 --> 00:19:58,250 OH, GEE. ONLY HIS HANDS? POSSIBLY MORE. 476 00:19:58,280 --> 00:19:59,620 OH, GOD, I KNEW IT. 477 00:19:59,650 --> 00:20:02,450 EVERY TIME HE COMES OVER HERE, HE ENDS UP BONING SOME GROUPIE. 478 00:20:02,490 --> 00:20:03,590 AND THAT'S FUCKED UP, RIGHT? 479 00:20:03,620 --> 00:20:06,320 I MEAN, WHEN YOU'RE WITH SOMEBODY, YOU SHOULDN'T BE OFF, 480 00:20:06,360 --> 00:20:07,960 BONING SOME STRANGER, DOGGY-STYLE, RIGHT? 481 00:20:07,990 --> 00:20:09,290 RIGHT? 482 00:20:09,330 --> 00:20:11,030 THAT'S BULLSHIT. [ SIGHS ] 483 00:20:11,060 --> 00:20:14,530 RIGHT? YOU'RE NOT REACTING THE WAY I THOUGHT YOU'D REACT. 484 00:20:14,560 --> 00:20:16,430 WE KIND OF HAVE AN OPEN RELATIONSHIP, SO... 485 00:20:16,470 --> 00:20:17,970 NO SHIT. 486 00:20:18,000 --> 00:20:20,740 YEAH. WELL, IT'S HOW YOU GROW. 487 00:20:20,770 --> 00:20:23,040 IS THAT HOW YOU GROW? YOU HAVE TO VALIDATE YOURSELF, 488 00:20:23,070 --> 00:20:25,370 ASSUAGE YOUR OWN INSECURITIES BECAUSE YOU CAN'T RELY 489 00:20:25,410 --> 00:20:27,510 ON OTHER PEOPLE TO BRING THAT SHIT TO THE TABLE. 490 00:20:27,540 --> 00:20:29,550 ALL RIGHT, IF YOU DON'T MIND MY ASKING, 491 00:20:29,580 --> 00:20:31,380 IF HE'S NOT BEING FAITHFUL TO YOU 492 00:20:31,410 --> 00:20:33,380 AND HE'S NOT THE FATHER OF YOUR CHILD, 493 00:20:33,420 --> 00:20:34,980 WHAT IS HE BRINGING TO THE TABLE? 494 00:20:35,020 --> 00:20:37,350 ASIDE FROM THE FACIAL HAIR. 495 00:20:37,390 --> 00:20:40,590 OKAY, LOOK. THIS COULD BE MY LAST CHANCE. 496 00:20:40,620 --> 00:20:41,760 AND FUCK IT. 497 00:20:41,790 --> 00:20:45,660 I'M NOT -- I'M NOT ONE OF THOSE PEOPLE WHO WORKS ALONE. 498 00:20:45,690 --> 00:20:47,430 I NEED TO BE WITH SOMEBODY. 499 00:20:47,460 --> 00:20:48,930 I MEAN, FOR CHRIST SAKES, 500 00:20:48,960 --> 00:20:51,830 I WAS MARRIED TO A BIG HOMO FOR LIKE 10 YEARS, RIGHT? 501 00:20:51,870 --> 00:20:52,970 [ WINCES ] SHIT. 502 00:20:53,000 --> 00:20:55,740 WHAT? YOU ALL RIGHT? NO. I MEAN, I DON'T KNOW. 503 00:20:55,770 --> 00:20:57,770 YOU GOT TO PUKE AGAIN? YOU GOT TO POOP? 504 00:20:57,810 --> 00:21:00,340 NO, I DON'T HAVE TO POOP! I FELT SOMETHING MOVE! 505 00:21:00,380 --> 00:21:02,750 IT MOVED, AND I'VE NEVER FELT THAT BEFORE. OH. 506 00:21:02,780 --> 00:21:05,910 HANG ON. HERE, HERE. JUST FEEL THAT. 507 00:21:05,950 --> 00:21:08,020 [ CLEARS THROAT ] ANYTHING? 508 00:21:08,050 --> 00:21:10,550 NO. LITTLE GAS, MAYBE. NO, IT'S NOT GAS. 509 00:21:10,590 --> 00:21:11,690 [ CHUCKLES ] 510 00:21:11,720 --> 00:21:13,420 NO. NOTHING. 511 00:21:13,460 --> 00:21:16,330 [ SIGHS ] I SWEAR. HOLD ON. LET ME. 512 00:21:16,360 --> 00:21:18,030 HELLO, IN THERE. 513 00:21:18,060 --> 00:21:19,700 ANYBODY HOME? 514 00:21:19,730 --> 00:21:22,030 ANYBODY HOME? 515 00:21:22,060 --> 00:21:24,430 OH, SHIT, I FELT -- 516 00:21:24,470 --> 00:21:26,440 RIGHT? RIGHT? ISN'T THAT WEIRD? YEAH. 517 00:21:26,470 --> 00:21:28,800 HEY, GUYS. THIS FEELS KIND OF FAMILIAR. 518 00:21:28,840 --> 00:21:30,840 OH, GOD, KAREN. HEY. 519 00:21:30,870 --> 00:21:33,080 SOUNDS GOOD. SOUNDS GOOD. THANKS. 520 00:21:33,110 --> 00:21:34,810 OKAY. ALL RIGHT, I'M GONNA, UM... 521 00:21:34,840 --> 00:21:37,980 I'M GONNA GO TRY TO FIND JULIAN. 522 00:21:38,010 --> 00:21:40,620 THANK YOU. OKAY. 523 00:21:40,650 --> 00:21:41,980 [ EXHALES SHARPLY ] 524 00:21:42,020 --> 00:21:43,850 I DON'T SAY THIS OFTEN ENOUGH, 525 00:21:43,890 --> 00:21:46,620 SO I'M JUST GONNA -- I'M GONNA COME OUT AND SAY IT. 526 00:21:46,660 --> 00:21:48,590 WHAT? YOU WERE RIGHT. 527 00:21:48,620 --> 00:21:49,830 ABOUT WHAT? 528 00:21:49,860 --> 00:21:51,930 They do have an open relationship. 529 00:21:51,960 --> 00:21:53,930 YOU JUST COULDN'T STAY OUT OF IT, COULD YOU? NO. 530 00:21:53,960 --> 00:21:54,800 GOOD. 531 00:21:54,830 --> 00:21:56,870 WHY IS THAT GOOD? WHAT DOES THAT MEAN? 532 00:21:56,900 --> 00:21:59,400 YOU KNOW, ONLY A TOTAL ASSHOLE WOULD GET SOMEONE PREGNANT 533 00:21:59,440 --> 00:22:01,140 AND THEN SIT BACK AND DO NOTHING ABOUT IT. 534 00:22:01,170 --> 00:22:03,010 AND YOU GOT INVOLVED. I MEAN, THAT'S GOOD. 535 00:22:03,040 --> 00:22:04,840 THAT'S PROGRESS FOR YOU. HEY, WELL DONE. 536 00:22:04,870 --> 00:22:07,410 HEY, BECCA. COME ON, LET'S GO. 537 00:22:07,440 --> 00:22:10,080 NO WAY. THIS IS TOO MUCH FUN. GRAB YOUR STUFF. 538 00:22:10,110 --> 00:22:12,010 IT'S LATE. DON'T ARGUE WITH ME. WE'RE GOING. 539 00:22:12,050 --> 00:22:13,650 FINE. 540 00:22:13,680 --> 00:22:16,450 DON'T WORRY, KAREN. I'VE BEEN KEEPING AN EYE ON HER. 541 00:22:16,490 --> 00:22:19,860 WELL, THAT'S GREAT. AND WHO'S BEEN KEEPING AN EYE ON YOU? 542 00:22:19,890 --> 00:22:22,560 GOOD NIGHT, SWEETIE. 543 00:22:22,590 --> 00:22:25,430 SUCH NICE FRIENDS. 544 00:22:28,460 --> 00:22:30,800 YOU KIND OF LOOK LIKE YOU COULD USE THAT DRINK. 545 00:22:30,830 --> 00:22:32,640 [ MID-TEMPO MUSIC PLAYS ] 546 00:22:34,170 --> 00:22:35,770 [ SCISSORS SNIPPING ] 547 00:22:35,800 --> 00:22:37,540 AIEE! NOT SO ROUGH. 548 00:22:37,570 --> 00:22:39,070 WOULD YOU QUIT SQUIRMING AROUND? 549 00:22:39,110 --> 00:22:40,940 I'M JUST TRYING TO MAKE YOUR MAN-BUSH 550 00:22:40,980 --> 00:22:42,510 A LITTLE MORE CAMERA-READY. 551 00:22:42,550 --> 00:22:44,610 YEAH, AND I'M GETTING THE FEELING 552 00:22:44,650 --> 00:22:46,480 THAT YOU'RE NOT SO OKAY ABOUT THIS. 553 00:22:46,520 --> 00:22:48,880 LOOK, I'M AS OKAY AS I CAN POSSIBLY BE. 554 00:22:48,920 --> 00:22:51,850 YOU, ON THE OTHER HAND, DON'T SEEM THAT EXCITED, 555 00:22:51,890 --> 00:22:52,990 ESPECIALLY FOR A GUY 556 00:22:53,020 --> 00:22:56,590 WHO'S ABOUT TO GET A LITTLE WIFE-SANCTIONED STRIZZ-ANGE. 557 00:22:56,630 --> 00:22:58,890 WELL, YOU KNOW, MAYBE A LITTLE LESS WITH THE SCISSOR. 558 00:22:58,930 --> 00:23:00,130 AND, I DON'T KNOW. 559 00:23:00,160 --> 00:23:01,660 COULD YOU, LIKE... 560 00:23:01,700 --> 00:23:04,670 DO THAT THING...YOU DO? 561 00:23:07,040 --> 00:23:08,970 OH, JESUS. 562 00:23:10,770 --> 00:23:12,710 [ SIGHS ] 563 00:23:15,540 --> 00:23:17,810 [ EXHALES DEEPLY ] 564 00:23:17,850 --> 00:23:20,520 ALMOST READY FOR YOU, RUNKLE. 565 00:23:20,550 --> 00:23:22,550 I KNEW YOU HAD IT IN YOU, MISSUS. 566 00:23:22,590 --> 00:23:24,550 DO YOU MIND? 567 00:23:29,690 --> 00:23:32,230 [ CLEARS THROAT ] 568 00:23:32,260 --> 00:23:36,630 NOW THERE THE PORCELAIN MONKEY I KNOW AND LOVE. 569 00:23:38,930 --> 00:23:40,870 I'M DOING THIS FOR US. 570 00:23:40,900 --> 00:23:42,670 [ INHALES, EXHALES DEEPLY ] 571 00:23:42,710 --> 00:23:44,110 I KNOW. 572 00:23:44,140 --> 00:23:47,010 NOW GO GET 'EM, QUICKDRAW. 573 00:23:47,040 --> 00:23:49,850 [ FILM NOIR MUSIC PLAYS ] 574 00:23:51,280 --> 00:23:53,050 [ EXHALES DEEPLY ] 575 00:24:01,990 --> 00:24:05,260 YOU'RE GONNA BE GREAT, CO-STAR. 576 00:24:05,290 --> 00:24:07,060 [ SIGHS ] 577 00:24:07,100 --> 00:24:09,200 HOW'S IT LOOK? DOES IT -- DOES IT LOOK OKAY? 578 00:24:09,230 --> 00:24:11,270 IT'S PERFECT, CHARLIE. 579 00:24:11,300 --> 00:24:13,540 YOU'RE PERFECT. 580 00:24:13,570 --> 00:24:16,040 ALL RIGHT, QUIET, PLEASE! 581 00:24:16,070 --> 00:24:18,210 ROLLING! 582 00:24:18,240 --> 00:24:20,840 AND...ACTION! 583 00:24:20,880 --> 00:24:22,850 [ PANTING, MOANING ] 584 00:24:25,880 --> 00:24:26,980 CHARLIE... 585 00:24:27,020 --> 00:24:29,180 OH, SHIT. CHARLIE... 586 00:24:29,220 --> 00:24:31,650 I KNOW THAT LOOK. HE'S GONNA BLOW. 587 00:24:31,690 --> 00:24:33,860 SLOW IT DOWN, RUNKLE. 588 00:24:33,890 --> 00:24:35,760 AAH! AH! AAH! 589 00:24:35,790 --> 00:24:37,860 FORGET IT, JAKE. 590 00:24:37,890 --> 00:24:39,900 IT'S VAGINATOWN! 591 00:24:39,930 --> 00:24:42,670 AAAH! OH... 592 00:24:44,800 --> 00:24:47,040 [ SHUDDERS ] 593 00:24:47,070 --> 00:24:48,140 AND CUT! 594 00:24:48,170 --> 00:24:49,100 DID WE GET THAT? 595 00:24:49,140 --> 00:24:51,910 DID WE GET IT? PLEASE TELL ME YOU GOT THAT. 596 00:24:51,940 --> 00:24:56,140 THAT'LL DO, RUNKLE. THAT'LL DO. 597 00:24:56,180 --> 00:24:57,610 [ APPLAUSE ] 598 00:24:57,650 --> 00:25:01,250 WHOO! 599 00:25:12,960 --> 00:25:15,930 GOD, YOU'RE... EXACTLY LIKE YOUR BOOKS. 600 00:25:15,960 --> 00:25:18,100 I'M EXACTLY LIKE MY BOOKS? 601 00:25:18,130 --> 00:25:21,100 YES -- TOTALLY PUERILE... 602 00:25:21,140 --> 00:25:22,840 CRASS... 603 00:25:22,870 --> 00:25:24,810 ADOLESCENT... 604 00:25:24,840 --> 00:25:26,810 NO, I KNOW WHAT "PUERILE" MEANS. YEAH. 605 00:25:26,840 --> 00:25:28,810 I'M ACTUALLY JUST A LITTLE SURPRISED 606 00:25:28,840 --> 00:25:30,610 THAT YOU READ MY BOOKS AT ALL. 607 00:25:30,650 --> 00:25:31,910 OH, YEAH. WELL, SURE. 608 00:25:31,950 --> 00:25:34,650 YOU KNOW, I TRY TO READ ALL THE GREAT MISOGYNISTS. 609 00:25:34,680 --> 00:25:37,820 IT REALLY FUELS MY FEMINIST FIRE. 610 00:25:37,850 --> 00:25:42,220 IN FACT, I-I ACTUALLY WROTE A REVIEW OF YOUR FIRST NOVEL. 611 00:25:42,260 --> 00:25:43,490 DID YOU? WHAT'D YOU SAY? 612 00:25:43,530 --> 00:25:46,730 YEAH, FOR A LITTLE MAGAZINE BACK IN CHICAGO. WHAT'D YOU SAY? 613 00:25:46,760 --> 00:25:49,630 I SAID THE MAIN CHARACTER WAS A SELF-RIGHTEOUS PRICK 614 00:25:49,670 --> 00:25:52,770 NO WOMAN IN A MILLION YEARS WOULD EVER ACTUALLY SLEEP WITH. 615 00:25:52,800 --> 00:25:55,640 I CALLED IT "A RETARDED MAN'S"... "PORTNOY'S COMPLAINT." 616 00:25:55,670 --> 00:25:56,640 I REMEMBER THAT REVIEW. 617 00:25:56,670 --> 00:25:59,040 THAT WAS ONE OF THE WORST REVIEWS I EVER GOT. 618 00:25:59,070 --> 00:26:01,610 I'M DON'T KNOW IF WE CAN BE DRINKING BUDDIES ANYMORE, 619 00:26:01,640 --> 00:26:02,480 ANNIKA STALEY. 620 00:26:02,510 --> 00:26:04,880 THAT WAS DOWNRIGHT VICIOUS. THANK YOU. 621 00:26:04,910 --> 00:26:07,620 WHAT WOULD POSSESS YOU TO WRITE SOMETHING LIKE THAT? 622 00:26:07,650 --> 00:26:10,050 I WAS KIND OF GOING THROUGH A LITTLE ROUGH PATCH IN MY LIFE, 623 00:26:10,090 --> 00:26:11,820 WAS WORKING OUT MY ISSUES WITH GUYS. 624 00:26:11,850 --> 00:26:12,920 YOU THINK? YEAH. 625 00:26:12,960 --> 00:26:14,320 YOU KNOW, WHEN I READ THAT, 626 00:26:14,360 --> 00:26:16,760 I WANTED TO MUFF-PUNCH YOU WITH MY TYPEWRITER. 627 00:26:16,790 --> 00:26:18,160 [ Chuckling ] OH. YEAH. 628 00:26:18,190 --> 00:26:19,760 OH. 629 00:26:22,230 --> 00:26:24,030 YOU STILL WANT TO? 630 00:26:24,070 --> 00:26:27,040 [ INTRO TO "HAVE LOVE, WILL TRAVEL" PLAYS 631 00:26:27,070 --> 00:26:29,770 AAH! OH! FUCK! 632 00:26:29,810 --> 00:26:32,140 [ MOANING LOUDLY ] OKAY, OKAY, OKAY! 633 00:26:32,170 --> 00:26:33,740 [ CHUCKLES ] OKAY... 634 00:26:33,780 --> 00:26:35,210 OH... 635 00:26:35,240 --> 00:26:38,180 OH, I MAY NEED TO TAKE BACK "PUERILE." 636 00:26:38,210 --> 00:26:39,380 MM, SO YOU'RE SAYING 637 00:26:39,410 --> 00:26:42,750 YOU'RE WILLING TO REEVALUATE MY OEUVRE. 638 00:26:42,790 --> 00:26:45,250 OW! OOH! AAH! WHAT, DO WE GOT AFTERSHOCK? 639 00:26:45,290 --> 00:26:46,890 AH, NO, NO. TOE CRAMP. 640 00:26:46,920 --> 00:26:48,890 FLEX THAT SHIT. OW! FUCK, THAT HURTS! 641 00:26:48,920 --> 00:26:50,260 I GOT IT. LIKE A DOCTOR. 642 00:26:50,290 --> 00:26:53,000 PLEASE STOP THIS. PLEASE, I JUST NEED SOME WATER. 643 00:26:53,030 --> 00:26:54,360 I'M JUST REALLY DEHYDRATED. 644 00:26:54,400 --> 00:26:57,170 I JUST NEED -- JUST NEED SOMETHING WITH ELECTROLYTES. 645 00:26:57,200 --> 00:26:58,300 OH, OKAY. 646 00:26:58,330 --> 00:27:01,270 VAGATORADE. 647 00:27:01,300 --> 00:27:04,040 YEAH. GOOD ONE. THAT WAS NICE. 648 00:27:04,070 --> 00:27:07,040 * HAVE LOVE 649 00:27:07,080 --> 00:27:10,710 * YEAH, BABY, WILL TRAVEL... 650 00:27:10,750 --> 00:27:12,110 HEY... 651 00:27:12,150 --> 00:27:13,850 WHO'S THE SCREAMER? 652 00:27:13,880 --> 00:27:16,420 OH, IT'S THE, UH, WRITER WOMAN FROM ROLLING STONE. 653 00:27:16,450 --> 00:27:19,220 OOH, NICE! GOT ME OFF MY RHYTHM, THOUGH. 654 00:27:19,250 --> 00:27:21,460 THE CHICK I WAS WITH -- JUST ABOUT TO COME. 655 00:27:21,490 --> 00:27:23,990 HEARS THE OTHER ONE SCREAM, JUMPS RIGHT OUT OF HER SKIN. 656 00:27:24,030 --> 00:27:25,230 [ BOTH CHUCKLE ] 657 00:27:25,260 --> 00:27:27,230 SORRY. I SWEAR, FOR A SECOND THERE, 658 00:27:27,260 --> 00:27:29,430 I THOUGHT SHE WAS GONNA HIT ME OR SOMETHING, PUNCH ME. 659 00:27:29,460 --> 00:27:30,830 [ CHUCKLES ] ME LIKEY. 660 00:27:30,870 --> 00:27:33,270 * ...YEAH, BABY, WILL TRAVEL... * 661 00:27:33,300 --> 00:27:35,070 EXCUSE ME, GENTS. 662 00:27:35,100 --> 00:27:36,910 * ...HAVE LOVE... 663 00:27:36,940 --> 00:27:39,370 ME LIKEY. 664 00:27:39,410 --> 00:27:41,380 HAIL, CAESAR. 665 00:27:43,080 --> 00:27:46,350 * I SAID, IF YOU NEED LOVIN', BABY * 666 00:27:46,380 --> 00:27:50,290 * MM-MMM, I'LL TRAVEL 667 00:27:50,320 --> 00:27:52,390 * WELL, I MIGHT TAKE A BUS 668 00:27:53,860 --> 00:27:54,690 * OR I'LL TAKE A PLANE * TAKE A PLANE 669 00:27:55,260 --> 00:27:55,920 * I MIGHT HITCHHIKE 670 00:27:57,130 --> 00:27:58,130 * OR TAKE A RAILROAD TRAIN * RAILROAD TRAIN 671 00:27:59,060 --> 00:28:02,060 * YOUR KIND OF LOVE DRIVES A MAN INSANE * 672 00:28:02,100 --> 00:28:05,770 * SO LOOKIN' FOR ME WALKING JUST ANY OLD WAY * 673 00:28:05,800 --> 00:28:08,040 * HAVE LOVE 674 00:28:08,070 --> 00:28:11,170 * YEAH, BABY, WILL TRAVEL 675 00:28:12,910 --> 00:28:15,510 * I SAID, IF YOU NEED LOVIN', BABY * 676 00:28:15,540 --> 00:28:17,510 * MM-MMM, I'LL TRAVEL 677 00:28:17,550 --> 00:28:19,510 -- Captions by VITAC -- www.vitac.com 678 00:28:19,550 --> 00:28:21,420 CLOSED CAPTIONING PROVIDED BY SHOWTIME NETWORKS 679 00:28:21,450 --> 00:28:22,990 AND BLIND DECKER PRODUCTIONS 49363

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