All language subtitles for Californication S02E03 No Way to Treat a Lady

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,330 --> 00:00:11,260 PREVIOUSLY ON "CALIFORNICATION"... 2 00:00:12,360 --> 00:00:14,060 SO, WHY THE VASECTOMY? I HATE THE RUBBERS. 3 00:00:14,100 --> 00:00:15,570 [ MOANS ] 4 00:00:15,600 --> 00:00:18,070 Hank: WHAT HAPPENED BACK THERE COULD HAVE HAPPENED TO ANYBODY. 5 00:00:18,100 --> 00:00:19,940 WRONG PLACE, WRONG TIME... 6 00:00:19,970 --> 00:00:21,570 WRONG VAGINA! 7 00:00:21,610 --> 00:00:23,870 I THINK IT'S TIME I GO HAVE A LITTLE CHAT WITH OUR PRESIDENT. 8 00:00:23,910 --> 00:00:24,770 [ BEEP ] 9 00:00:24,810 --> 00:00:27,040 AHHHH! 10 00:00:28,910 --> 00:00:31,580 THAT'S IT! RUNKLE IS ANKLING! 11 00:00:31,620 --> 00:00:33,880 ARE YOU SURE YOU DON'T WANT ME TO STEP OUTSIDE? 12 00:00:33,920 --> 00:00:35,350 I'VE HAD WAY GROSSER DUDES THAN YOU 13 00:00:35,390 --> 00:00:37,550 STARING INTO THE BUSINESS END OF MY COOTER ALL DAY LONG. 14 00:00:37,590 --> 00:00:38,620 PORN! 15 00:00:38,660 --> 00:00:40,190 JULIAN'S A WRITER, TOO. 16 00:00:40,220 --> 00:00:41,790 REALLY? MY CONDOLENCES. 17 00:00:41,830 --> 00:00:43,960 WHAT I WRITE ABOUT IS, UH... 18 00:00:43,990 --> 00:00:48,100 ACCESSING THE ARTIST THAT EXISTS WITHIN EVERY SINGLE ONE OF US. 19 00:00:48,130 --> 00:00:49,600 [ SNIFFING ] 20 00:00:49,630 --> 00:00:51,940 SO, LET ME GET THIS STRAIGHT -- YOUR NAME IS TRIXIE, 21 00:00:51,970 --> 00:00:53,500 AND YOU ARE A WHORE? 22 00:00:53,540 --> 00:00:54,500 LEW ASHBY. 23 00:00:54,540 --> 00:00:55,740 HANK MOODY. 24 00:00:55,770 --> 00:00:56,740 THE WRITER? 25 00:00:56,770 --> 00:00:59,810 I GOT THIS, UH, BOOK DEAL. 26 00:00:59,840 --> 00:01:02,010 THEY WANT TO WRITE ABOUT WHY EVERYTHING I TOUCH 27 00:01:02,050 --> 00:01:03,150 TURNS TO GOLD. 28 00:01:03,180 --> 00:01:04,310 YOU WRITE IT. 29 00:01:16,360 --> 00:01:18,130 HEY, GREAT. YOU'RE UP. 30 00:01:18,160 --> 00:01:19,500 I MADE SOME COFFEE. 31 00:01:19,530 --> 00:01:20,660 [ SMOOCHES ] 32 00:01:20,700 --> 00:01:23,030 HEY, BECCA, LET'S GO! 33 00:01:23,070 --> 00:01:25,030 UM, YOU KNOW THE HOUSE -- 34 00:01:25,070 --> 00:01:26,470 THE JOB THAT WE'RE BIDDING ON? 35 00:01:26,500 --> 00:01:28,240 IT'S OVER IN THE VALLEY, 36 00:01:28,270 --> 00:01:31,180 SO I THOUGHT I COULD JUST GET SONJA TO DROP ME 37 00:01:31,210 --> 00:01:33,210 AT LEW ASHBY'S HOUSE TONIGHT, 38 00:01:33,240 --> 00:01:34,580 AND MAYBE WE COULD GO 39 00:01:34,610 --> 00:01:36,580 GET DINNER SOMEPLACE IN HOLLYWOOD. 40 00:01:36,610 --> 00:01:37,810 MMM. WHAT DO YOU THINK? 41 00:01:37,850 --> 00:01:38,820 I'M LISTENING. 42 00:01:38,850 --> 00:01:40,280 WHAT, WITH YOUR HANDS? 43 00:01:40,320 --> 00:01:41,890 I'M LIKE A BLIND MAN. 44 00:01:41,920 --> 00:01:43,450 [ CHUCKLES ] 45 00:01:43,490 --> 00:01:45,790 SOME OF US HAVE JOBS TO GO TO, 46 00:01:45,820 --> 00:01:48,290 YOU KNOW, LIKE, RESPONSIBILITIES? 47 00:01:48,330 --> 00:01:50,930 SO DO I, BUT I-I BALANCE THAT SHIT. 48 00:01:50,960 --> 00:01:53,360 I DON'T LET THE CRUSHING PRESSURES OF THE WORKDAY WORLD 49 00:01:53,400 --> 00:01:56,600 INTERFERE WITH THE RICHNESS OF MY LIFE AS A SEXUAL BEING. I NOTICED THAT. 50 00:01:56,630 --> 00:01:59,600 BUT I DON'T KNOW IF GETTING PAID SIX-FIGURE SUMS 51 00:01:59,640 --> 00:02:03,340 TO HANG OUT WITH ROCK STARS ALL DAY REALLY CONSTITUTES WORK, 52 00:02:03,370 --> 00:02:04,940 BUT, YOU KNOW... OF COURSE IT DOES. 53 00:02:04,970 --> 00:02:06,440 DON'T YOU WANT TO SEND ME OFF 54 00:02:06,480 --> 00:02:08,450 TO THE SALT MINES WITH A SMILE ON MY FACE? 55 00:02:08,480 --> 00:02:10,150 YOU'RE NOT GIVING UP, RIGHT? OKAY. 56 00:02:10,180 --> 00:02:11,050 MNH-MNH. 57 00:02:11,080 --> 00:02:12,450 MMM. [ DOORBELL RINGS ] 58 00:02:12,480 --> 00:02:14,380 OH, MY GOD. THAT'S -- NO. HEY! 59 00:02:14,420 --> 00:02:17,050 THAT'S THE MAILMAN. THAT'S THE WRONG NUMBER. 60 00:02:17,090 --> 00:02:19,820 BECCA. IT'S MIA. [ Laughing ] SHE'S HERE. 61 00:02:19,860 --> 00:02:21,060 Mia: HELLO, HELLO! 62 00:02:21,090 --> 00:02:22,430 Hank: NOBODY'S HOME! 63 00:02:22,460 --> 00:02:24,460 KNOCK, KNOCK, FOSTER FAMILY. 64 00:02:24,490 --> 00:02:25,830 HEY. 65 00:02:25,860 --> 00:02:28,700 Karen: BECCA, COME ON. 66 00:02:28,730 --> 00:02:30,770 YOU DON'T WANT TO BE LATE ON YOUR FIRST DAY. 67 00:02:30,800 --> 00:02:32,500 YOU CAN SULK LATER. HONEY, COME ON. 68 00:02:32,540 --> 00:02:33,740 DID YOU HAVE BREAKFAST? 69 00:02:33,770 --> 00:02:35,840 Becca: DID I MENTION I HATE YOU? 70 00:02:35,870 --> 00:02:37,040 YES, YOU DID. I KNOW. 71 00:02:37,070 --> 00:02:40,240 I'M EVIL, BUT JUST GET OUT HERE NOW. PLEASE? 72 00:02:40,280 --> 00:02:42,710 YOU PROMISE YOU WON'T MAKE FUN? 73 00:02:42,750 --> 00:02:43,650 YES. 74 00:02:43,680 --> 00:02:44,710 NO! NO. 75 00:02:44,750 --> 00:02:46,650 Hank: COME ON. WE'RE KIDDING. 76 00:02:46,680 --> 00:02:48,390 NO ONE'S GONNA MAKE THE FUN. 77 00:02:48,420 --> 00:02:51,720 I'M SURE YOU NEVER LOOKED LOVELIER. [ DOOR OPENS ] 78 00:02:51,760 --> 00:02:54,290 PARENTS WHO TRULY LOVE THEIR CHILDREN 79 00:02:54,320 --> 00:02:56,760 MAKE SACRIFICES TO HOMESCHOOL THEM. 80 00:02:56,790 --> 00:02:58,700 LET'S GO. COME ON. GET YOUR STUFF. 81 00:03:01,060 --> 00:03:03,530 AND, YOU... 82 00:03:03,570 --> 00:03:04,700 GOOD LUCK TODAY. 83 00:03:04,730 --> 00:03:07,300 YOU TOO. KICK SOME ARCHITECTURAL ASS. 84 00:03:07,340 --> 00:03:11,070 AND MAY THE FORCE BE WITH YOU, MY PREPPY-GOTH PRINCESS. 85 00:03:11,110 --> 00:03:12,680 HEY, AND WHATEVER YOU DO, 86 00:03:12,710 --> 00:03:14,980 DON'T BE ANOTHER BRICK IN THE WALL! 87 00:03:58,090 --> 00:03:59,760 [ ROCK MUSIC PLAYS ] 88 00:04:08,930 --> 00:04:15,240 * A GIRL WITH STIGMATA 89 00:04:21,410 --> 00:04:23,880 [ GUITAR SOLO ] 90 00:04:30,790 --> 00:04:33,090 [ MUSIC STOPS ] 91 00:04:34,660 --> 00:04:37,830 THE CHORUS IS THE VERSE. 92 00:04:37,860 --> 00:04:40,800 WHAT -- WHAT THE FUCK DOES THAT MEAN? 93 00:04:40,830 --> 00:04:42,400 [ SIGHS ] 94 00:04:42,430 --> 00:04:45,900 WORK IT OUT, GRASSHOPPERS. 95 00:04:45,940 --> 00:04:46,800 SMOKE? 96 00:04:46,840 --> 00:04:49,340 AW, NO, THANKS. I QUIT. 97 00:04:49,370 --> 00:04:50,870 CHORUS WAS THE VERSE. 98 00:04:50,910 --> 00:04:52,610 YEAH. THE CHORUS WAS THE VERSE. 99 00:04:52,640 --> 00:04:53,940 SO YOU KNOW YOU JUST -- 100 00:04:53,980 --> 00:04:55,480 YOU JUST LISTENED TO THAT SONG ONE TIME? 101 00:04:55,510 --> 00:04:57,810 I HEAR. I SPEAK. I MOVE ON. THAT'S MY JOB. 102 00:04:57,850 --> 00:05:00,420 RIGHT. SO YOU JUST OPERATE ON PURE INSTINCT? 103 00:05:00,450 --> 00:05:02,420 WHAT THE FUCK ELSE IS THERE? 104 00:05:02,450 --> 00:05:04,190 I DON'T KNOW -- INTELLECT, TECHNIQUE, 105 00:05:04,220 --> 00:05:06,220 SOMEBODY LIKE WARREN ZEVON, FOR INSTANCE. 106 00:05:06,260 --> 00:05:07,460 HEY, HEY, HEY, HEY, HEY. 107 00:05:07,490 --> 00:05:10,630 WARREN ZEVON COULD SIT DOWN AND TALK 12-TONE THEORY 108 00:05:10,660 --> 00:05:11,860 WITH, UH, STRAVINSKY. 109 00:05:11,900 --> 00:05:13,860 HALF THE COCKBAGS THAT COME THROUGH HERE 110 00:05:13,900 --> 00:05:16,670 BARELY PLAY THEIR FUCKING INSTRUMENTS. 111 00:05:16,700 --> 00:05:19,040 [ SIGHS ] YESTERDAY THE LEAD SINGER'S GIRLFRIEND COMES BY 112 00:05:19,070 --> 00:05:20,670 WITH ALL THESE SPRINKLES CUPCAKES, 113 00:05:20,700 --> 00:05:22,710 AND ONE OF THOSE LITTLE SCREAMO FAGS IN THERE 114 00:05:22,740 --> 00:05:25,110 PULLS OUT THIS LITTLE PLASTIC KNIFE, CUTS ONE IN HALF, 115 00:05:25,140 --> 00:05:26,940 SHARES IT WITH THE OTHER JOHNNY CUPCAKE. 116 00:05:26,980 --> 00:05:30,380 ELTON JOHN GOING DOWN ON GEORGE MICHAEL IN A PUBLIC WASHROOM -- 117 00:05:30,410 --> 00:05:31,380 LESS GAY. 118 00:05:31,420 --> 00:05:33,250 WELL, IT WOULD'VE BEEN MORE GAY 119 00:05:33,280 --> 00:05:35,890 IF HE SHOVES A CUPCAKE UP THE OTHER GUY'S ASS AND THEN ATE IT OUT OF THERE, 120 00:05:35,920 --> 00:05:38,020 BUT THANK YOU FOR PUTTING THAT IN MY HEAD, YOU KNOW? 121 00:05:38,050 --> 00:05:39,560 BECAUSE I LOVE ME SOME ELTON JOHN. 122 00:05:39,590 --> 00:05:40,990 OH, YOU LOVE ME SOME ELTON JOHN? 123 00:05:41,020 --> 00:05:42,860 MM. MM. MM. HEY! OHH. WHOA. OHH! 124 00:05:42,890 --> 00:05:44,790 WHAT ARE YOU -- GET OFF OF MY ASS. 125 00:05:44,830 --> 00:05:47,430 LOOKS LIKE WE'RE JUST IN TIME. 126 00:05:47,460 --> 00:05:49,970 UH, TAKE-OUT HAS ARRIVED. 127 00:05:50,000 --> 00:05:50,830 HI. 128 00:05:50,870 --> 00:05:52,770 HOW YOU DOING? GOOD. 129 00:05:54,100 --> 00:05:55,640 HANK MOODY. 130 00:05:55,670 --> 00:05:57,610 BEATRICE TRIXIE. 131 00:05:57,640 --> 00:05:58,980 YOU TWO KNOW EACH OTHER? 132 00:05:59,010 --> 00:06:03,710 UH, I SEEM TO RECALL... AN EXCHANGE OF CURRENCY, YES. 133 00:06:03,750 --> 00:06:05,820 WELL, COOL. THEN YOU TAKE TRIXIE, I'LL TAKE AMBER, 134 00:06:05,850 --> 00:06:07,780 UNLESS YOU WANT TO GO TOGETHER? NO. 135 00:06:07,820 --> 00:06:09,550 SWAP MIDSTREAM? NO! 136 00:06:09,590 --> 00:06:10,490 NO? COOL. 137 00:06:10,520 --> 00:06:12,390 CATCH YOU ON THE FLIP SIDE. 138 00:06:12,420 --> 00:06:14,190 AMBER! 139 00:06:14,220 --> 00:06:15,890 SO... 140 00:06:15,930 --> 00:06:17,860 HOW'S TRIX? 141 00:06:17,890 --> 00:06:19,330 CHARLIE RUNKLE FROM -- 142 00:06:19,360 --> 00:06:21,670 UM...J-JUST -- JUST CHARLIE RUNKLE. 143 00:06:21,700 --> 00:06:23,270 WHERE? F-FROM PLANET EARTH. 144 00:06:23,300 --> 00:06:25,300 THAT'S WHERE I'M CALLING FROM, OKAY? 145 00:06:25,330 --> 00:06:28,670 MEANWHILE, HOW ABOUT WE JUST GET A LUNCH ON... 146 00:06:28,710 --> 00:06:30,310 THE BOOKS. 147 00:06:30,340 --> 00:06:32,180 NICE. 148 00:06:33,340 --> 00:06:35,510 [ SIGHS ] 149 00:06:37,510 --> 00:06:38,850 HEY. 150 00:06:38,880 --> 00:06:40,550 HEY, I KNOW YOU. HOW YOU DOING? 151 00:06:40,580 --> 00:06:42,150 YOU -- YOU DON'T REMEMBER ME? 152 00:06:42,190 --> 00:06:43,650 WE MET AT MY WIFE'S SALON. 153 00:06:43,690 --> 00:06:46,520 YEAH, YOU WERE HAVING YOUR LADY NEEDS TENDED TO, AND I WAS -- 154 00:06:46,560 --> 00:06:47,820 OH, MARCY'S DUDE. 155 00:06:47,860 --> 00:06:49,130 YES. CHARLIE RUNKLE. 156 00:06:49,160 --> 00:06:50,430 DAISY. 157 00:06:50,460 --> 00:06:52,360 DAISY. THAT'S RIGHT. DAISY. SO, THE LOVELY DAISY. 158 00:06:52,400 --> 00:06:54,100 WHERE ARE YOU OFF TO THIS LOVELY AFTERNOON? 159 00:06:54,130 --> 00:06:55,500 YOU KNOW, JUST WORK. 160 00:06:55,530 --> 00:06:58,500 WORK? WELL, THAT'S GREAT. THAT MEANS YOU SCORED A PART. 161 00:06:59,700 --> 00:07:00,940 WELL, YOU'RE NOT PSYCHED. 162 00:07:00,970 --> 00:07:03,140 THESE GUYS ARE JUST TOTAL AMATEURS, 163 00:07:03,170 --> 00:07:04,970 AND I HATE WORKING FOR THEM. 164 00:07:05,010 --> 00:07:07,410 I JU-- I UNDERSTAND BASIC IMPULSE 165 00:07:07,440 --> 00:07:09,180 TO WANT TO STICK YOUR DICK IN SOMETHING. 166 00:07:09,210 --> 00:07:10,110 LIKE, I GET THAT. 167 00:07:10,150 --> 00:07:11,750 I'M JUST NOT ONE OF THESE CHICKS 168 00:07:11,780 --> 00:07:13,950 THAT'S DOWN WITH OBJECTS. 169 00:07:13,980 --> 00:07:16,420 OBJECTS? YOU KNOW, LIKE BOTTLES OF BOOZE, 170 00:07:16,450 --> 00:07:18,490 CELLPHONES, AND WHATNOT. 171 00:07:18,520 --> 00:07:19,460 UH, TOYS, SURE. 172 00:07:19,490 --> 00:07:21,190 FOOD -- MAYBE. FOOD'S ORGANIC. 173 00:07:21,220 --> 00:07:22,490 WELL, SOME OF IT IS. 174 00:07:22,530 --> 00:07:25,360 I MEAN, YOU REALLY -- YOU GOT TO READ THE LABELS. 175 00:07:25,390 --> 00:07:28,000 BUT ONCE YOU BECOME THAT CHICK, YOU'RE IN A BOX, RIGHT? 176 00:07:28,030 --> 00:07:29,130 FOREVER AND EVER, 177 00:07:29,170 --> 00:07:31,000 YOU'RE THE GIRL THAT STICKS STUFF UP THERE. 178 00:07:31,030 --> 00:07:33,200 AND I JUST DIDN'T GET INTO THIS BUSINESS 179 00:07:33,240 --> 00:07:35,840 TO BECOME SOME KIND OF FREAK SHOW. NO, NO. YOU MOST CERTAINLY DID NOT. NO. 180 00:07:35,870 --> 00:07:38,340 THAT'S WHY YOU GOT TO STAND UP FOR YOURSELF WITH THOSE PEOPLE. 181 00:07:38,370 --> 00:07:40,380 YOU GOT TO TELL THEM WHAT YOU JUST TOLD ME. 182 00:07:40,410 --> 00:07:41,910 YEAH, RIGHT, LIKE THEY REALLY WANT TO HEAR THAT 183 00:07:41,950 --> 00:07:44,180 FROM SOME CHICK JUST OFF THE BUS FROM HICKSVILLE. HEY, HEY. 184 00:07:44,210 --> 00:07:46,720 HOW ARE YOU GONNA GET WHAT YOU WANT IF YOU DON'T ASK FOR IT, HUH? 185 00:07:46,750 --> 00:07:48,320 I'LL TELL YOU WHAT WE'RE GONNA DO -- 186 00:07:48,350 --> 00:07:50,090 LET ME TALK TO THEM FOR YOU. [ HORN HONKS ] 187 00:07:50,120 --> 00:07:52,060 THAT SOUNDS REALLY NICE, BUT -- I'M GONNA GO WITH YOU TO THE SET, 188 00:07:52,090 --> 00:07:54,390 ACTUALLY, THAT -- I'LL PUT IN A FEW WELL-CHOSEN WORDS... 189 00:07:54,420 --> 00:07:57,060 THAT SOUNDS REALLY GREAT BUT, UM -- WHAT'S UP, SWEETHEART? 190 00:07:57,090 --> 00:08:00,360 YOU AND, UH, UNCLE FESTER NEED A LIFT? 191 00:08:00,400 --> 00:08:02,370 UM, LOOK, MISTER, YOU'VE BEEN REALLY...NICE, 192 00:08:02,400 --> 00:08:04,330 BUT THAT'S ACTUALLY MY RIDE, SO I HAVE TO GO. 193 00:08:04,370 --> 00:08:05,500 HEY, HEY. NOT SO FAST. 194 00:08:05,540 --> 00:08:07,270 ARE YOU GOING TO THE SET? I'LL COME WITH. 195 00:08:07,300 --> 00:08:08,770 HOW YOU DOING, PAL? 196 00:08:08,810 --> 00:08:10,670 OKAY, SHOVE OVER, MAKE ROOM. 197 00:08:10,710 --> 00:08:13,280 ONE REAL HOLLYWOOD AGENT AT YOUR SERVICE. 198 00:08:13,310 --> 00:08:14,440 AH! 199 00:08:14,480 --> 00:08:16,580 Karen: IN CASE THEY DON'T WANT TO DO THAT, 200 00:08:16,610 --> 00:08:18,580 I-I'VE PREPARED A COUPLE OF OPTIONS. 201 00:08:18,620 --> 00:08:20,450 BUT -- SO WE'VE GOT... 202 00:08:20,480 --> 00:08:23,590 THE SAFE...APPROACH, WHICH IS THAT. 203 00:08:23,620 --> 00:08:25,760 AND THEN WE'VE GOT THE MORE RADICAL APPROACH -- 204 00:08:25,790 --> 00:08:26,720 [ CLEARS THROAT ] 205 00:08:26,760 --> 00:08:28,390 HONEY, HONEY. 206 00:08:28,420 --> 00:08:31,460 I THINK YOU'RE THROWING KAREN OFF. JESUS. NO, NO. IT'S FINE. 207 00:08:31,490 --> 00:08:34,100 I'M THE ONE THAT'S INTRUDING. 208 00:08:34,130 --> 00:08:36,330 I, UM, I JUST WANTED TO CHECK IN WITH YOU 209 00:08:36,370 --> 00:08:38,900 BEFORE WE MEET THE CLIENTS AND GO THROUGH, UM... 210 00:08:38,940 --> 00:08:41,870 IT'S NOT REALLY YOUR FORTE, IS IT... 211 00:08:41,910 --> 00:08:43,340 SELLING YOURSELF? 212 00:08:43,370 --> 00:08:45,510 WELL, I'M NOT SELLING MYSELF. 213 00:08:45,540 --> 00:08:47,510 I'M SELLING MY WORKS. 214 00:08:47,540 --> 00:08:49,410 HEY, GIVE ME YOUR WRIST. 215 00:08:49,450 --> 00:08:51,550 I DON'T REALLY WANT TO GIVE YOU MY WRIST. 216 00:08:51,580 --> 00:08:53,280 KAREN? GO WITH IT, OKAY? 217 00:08:53,320 --> 00:08:54,950 TRUST ME. THE MAN KNOWS HIS SHIT. 218 00:08:54,980 --> 00:08:57,790 OH, OF COURSE, I-I JUST... [ Laughing ] GIVE ME YOUR WRIST. 219 00:08:57,820 --> 00:08:59,490 OH, MY GOD. HERE'S MY WRIST. 220 00:08:59,520 --> 00:09:00,890 THANK YOU. 221 00:09:03,060 --> 00:09:06,100 CLOSE YOUR EYES. 222 00:09:06,130 --> 00:09:07,600 CLOSE YOUR EYES. 223 00:09:07,630 --> 00:09:10,070 DON'T BE SCARED. 224 00:09:10,100 --> 00:09:11,400 GOOD. 225 00:09:11,430 --> 00:09:14,000 NOW, WE ALL HAVE THIS PRESSURE POINT IN OUR WRISTS 226 00:09:14,040 --> 00:09:18,070 RIGHT ABOUT HERE THAT REDUCES NERVOUSNESS. 227 00:09:18,110 --> 00:09:19,540 WOW. 228 00:09:19,580 --> 00:09:22,210 YOUR HEART IS RACING. 229 00:09:22,250 --> 00:09:24,050 WHY IS THAT? 230 00:09:25,250 --> 00:09:28,420 MM-HMM. BECAUSE YOU'RE FEELING JUDGED. 231 00:09:28,450 --> 00:09:32,420 THE ARTIST WITHIN FEELS THREATENED... 232 00:09:32,460 --> 00:09:34,360 UNDER ATTACK. 233 00:09:34,390 --> 00:09:36,760 NOW, THOSE ARE VERY PRIMAL EMOTIONS. 234 00:09:36,790 --> 00:09:38,960 YOU DON'T HAVE TO BE ASHAMED. NOW, LISTEN TO ME, KAREN. 235 00:09:39,000 --> 00:09:39,960 I'M HERE TO TELL YOU -- 236 00:09:40,000 --> 00:09:41,900 IF YOU'RE OPERATING FROM A PLACE 237 00:09:41,930 --> 00:09:43,900 OF INNER STRENGTH AND CONVICTION, 238 00:09:43,930 --> 00:09:46,000 ANYTHING IS POSSIBLE. 239 00:09:46,040 --> 00:09:47,370 YES. 240 00:09:47,400 --> 00:09:51,310 AND NO DREAM THAT YOU DARE TO DREAM 241 00:09:51,340 --> 00:09:54,380 CAN BE BEYOND YOUR GRASP. 242 00:09:56,010 --> 00:09:58,110 THANK YOU. 243 00:09:58,150 --> 00:10:00,380 BELIEVE IT. 244 00:10:00,420 --> 00:10:03,050 [ SNIFFS ] 245 00:10:03,090 --> 00:10:05,090 [ CHUCKLES ] 246 00:10:05,120 --> 00:10:06,920 THANKS. 247 00:10:06,960 --> 00:10:08,560 Man: [ SIGHS ] THIS IS TOTALLY UNCOOL, DAISY. 248 00:10:08,590 --> 00:10:10,660 WHAT THE FUCK? YOU HAD TO BRING YOUR BOYFRIEND? 249 00:10:10,690 --> 00:10:12,160 Daisy: HE IS NOT MY BOYFRIEND. 250 00:10:12,200 --> 00:10:13,760 I'M JUST ALONG FOR THE RIDE, FELLAS. 251 00:10:13,800 --> 00:10:15,700 HEY, HEY, WHERE WE SHOOTING TODAY ANYWAY, HUH? 252 00:10:15,730 --> 00:10:17,200 DO YOU KNOW WHAT A HASSLE THIS IS? 253 00:10:17,230 --> 00:10:19,400 YOU KNOW WHAT? WE'RE JUST GONNA HAVE TO FUZZ HIM OUT. 254 00:10:19,440 --> 00:10:21,140 FUZZ ME OUT OF WHAT? 255 00:10:21,170 --> 00:10:23,110 LISTEN, BROTHER, IF YOU WANT TO RIDE IN THE SLAM VAN, 256 00:10:23,140 --> 00:10:24,310 YOU'VE GOT TO SIGN A RELEASE. 257 00:10:24,340 --> 00:10:26,680 [ Chuckling ] I'M SORRY. "THE SLAM VAN"? 258 00:10:26,710 --> 00:10:27,740 [ SIGHS ] 259 00:10:27,780 --> 00:10:29,310 FUZZ ME OUT OF WHAT?! 260 00:10:29,350 --> 00:10:31,920 LOOK, I DON'T EVEN UNDERSTAND WHAT THE PROBLEM IS, ALL RIGHT? 261 00:10:31,950 --> 00:10:33,850 I'M JUST -- I'M CATCHING A RIDE TO THE SET. 262 00:10:33,880 --> 00:10:35,750 I'M GONNA SAY HELLO ONCE TO THE DIRECTOR. 263 00:10:35,790 --> 00:10:38,250 THE -- THE SET? THIS IS THE SET. 264 00:10:38,290 --> 00:10:40,660 AND-- HELLO -- AM THE DIRECTOR. 265 00:10:40,690 --> 00:10:42,630 OH, YOU'RE THE DIRECTOR. 266 00:10:42,660 --> 00:10:44,530 YEAH. CHARLIE RUNKLE, UTK -- 267 00:10:44,560 --> 00:10:45,860 OR FORMERLY UTK. 268 00:10:45,900 --> 00:10:49,530 LISTEN, I'M NOT FAMILIAR WITH YOUR WORK, PER SE, ALL RIGHT? 269 00:10:49,570 --> 00:10:51,600 BUT I THINK IT'S SAFE TO SAY 270 00:10:51,630 --> 00:10:53,840 WE'RE BOTH BIG FANS OF DAISY, HERE, RIGHT? 271 00:10:53,870 --> 00:10:55,200 YEAH, YEAH. YOU KNOW WHAT? 272 00:10:55,240 --> 00:10:56,970 I'D BE AN EVEN BIGGER FAN OF DAISY 273 00:10:57,010 --> 00:10:58,840 IF SHE WOULD START SCHLOBBING SOME KNOB. 274 00:10:58,880 --> 00:11:00,940 NOW, DAISY, CAN YOU HURRY IT UP, PLEASE? 275 00:11:00,980 --> 00:11:02,950 WE ARE LOSING DAYLIGHT, SWEETHEART. ALL RIGHT, ALL RIGHT. 276 00:11:02,980 --> 00:11:05,250 YOU KNOW WHAT? UM, FUCK IT. 277 00:11:05,280 --> 00:11:08,550 WE'RE JUST GONNA PUT POPEYE IN THIS SCENE HERE ANYWAY, MAN. 278 00:11:08,580 --> 00:11:11,990 YOU KNOW WHAT? YOU BE HER DADDY OR SOMETHING IN THIS ONE. 279 00:11:12,020 --> 00:11:14,020 OR MAYBE A CREEPY UNCLE, OKAY? 280 00:11:14,060 --> 00:11:15,730 DAISY, YOU'RE GOING TO GET SOME ICE CREAM. 281 00:11:15,760 --> 00:11:17,860 YOUR CAR BREAKS DOWN -- SHIT LIKE THAT. OKAY. 282 00:11:17,890 --> 00:11:19,200 LET'S JUST START SUCKING. OKAY. 283 00:11:19,230 --> 00:11:21,530 ALL RIGHT. ON MY GO! 284 00:11:21,560 --> 00:11:23,070 AND...ACTION! 285 00:11:23,100 --> 00:11:26,400 IT WAS SO COOL OF YOU TO HELP ME OUT LIKE THIS. 286 00:11:26,440 --> 00:11:31,810 I JUST WISH THERE WAS SOME WAY I COULD...THANK YOU. 287 00:11:31,840 --> 00:11:34,210 [ UNZIPPING ] 288 00:11:34,240 --> 00:11:35,310 WHAT THE F-- 289 00:11:35,340 --> 00:11:38,650 WHOA! SHIT! 290 00:11:38,680 --> 00:11:40,380 UH-OH. DADDY NO LIKEY. 291 00:11:40,420 --> 00:11:43,120 DAISY, WHAT ARE YOU DO-- OH, GEEZ! 292 00:11:43,150 --> 00:11:45,220 OH, COME ON, LITTLE GIRL. AW, FUCK! 293 00:11:45,250 --> 00:11:47,790 MAKE DADDY PROUD. LITTLE GIRL, MAKE DADDY PROUD. 294 00:11:47,820 --> 00:11:50,060 [ DAISY MOANING ] OKAY, THERE YOU GO. 295 00:11:50,090 --> 00:11:52,130 SEE, IT'S YOUR FRIEND. IT'S YOUR FRIEND. 296 00:11:52,160 --> 00:11:53,630 UH-OH. IT'S GETTING BIGGER. 297 00:11:53,660 --> 00:11:55,400 IT'S GETTING MEANER. FIGHT BACK! 298 00:11:57,170 --> 00:11:59,170 Hank: THEN SHE JUMPED INTO THE CAR, 299 00:11:59,200 --> 00:12:01,440 AND WE DROVE OFF INTO THE SUNSET. 300 00:12:01,470 --> 00:12:03,840 WELL, NO, IT WAS -- IT WAS ACTUALLY DARK ALREADY. 301 00:12:03,870 --> 00:12:05,410 BUT YOU GET THE IDEA, HUH? 302 00:12:05,440 --> 00:12:06,880 AWESOME. GOOD FOR YOU. 303 00:12:06,910 --> 00:12:09,910 YEAH, AND WE'VE BEEN LIVING HAPPILY EVER AFTER EVER SINCE. 304 00:12:09,950 --> 00:12:10,910 PRETTY MUCH. 305 00:12:10,950 --> 00:12:12,980 "PRETTY MUCH"? 306 00:12:15,580 --> 00:12:18,490 IT'S A LONG STORY, BUT, UM... 307 00:12:18,520 --> 00:12:21,760 ONE NIGHT, I ENDED UP BECOMING THE ACCIDENTAL ORALIST 308 00:12:21,790 --> 00:12:23,760 TO THIS VERY NAKED, VERY YOUNG GIRL. 309 00:12:23,790 --> 00:12:25,590 IT'S BEEN A STICKING POINT. 310 00:12:25,630 --> 00:12:28,200 I DON'T REALLY KNOW WHAT THAT MEANS, BUT IT SOUNDS BAD. 311 00:12:28,230 --> 00:12:29,370 [ CHUCKLES ] 312 00:12:29,400 --> 00:12:32,100 DO YOU WANT A TUG JOB? 313 00:12:32,140 --> 00:12:34,370 IS THAT WITH THE -- THE FOOT? 314 00:12:35,700 --> 00:12:36,910 NO -- WHAT? 315 00:12:36,940 --> 00:12:39,340 A LITTLE HAND RELEASE? OH, NO, THANKS. 316 00:12:39,380 --> 00:12:40,940 I'M NOT A BIG FAN OF HAND WORK IN GENERAL. 317 00:12:40,980 --> 00:12:42,550 AND I DON'T THINK IT WOULD BE APPROPRIATE, 318 00:12:42,580 --> 00:12:44,450 GIVEN THE STORY I JUST TOLD YOU. 319 00:12:44,480 --> 00:12:47,220 I WAS JUST ASKING. I AM ON THE CLOCK. 320 00:12:47,250 --> 00:12:48,850 RECORD COMPANY'S DIME. 321 00:12:48,890 --> 00:12:51,420 NOT THAT YOU'RE NOT DOING A GREAT JOB ON MY TOES. 322 00:12:51,450 --> 00:12:54,690 [ LAUGHING ] 323 00:12:54,720 --> 00:12:57,090 I JUST THOUGHT I'D PUT IT OUT THERE. 324 00:12:57,130 --> 00:12:58,460 IT'S HARDLY CHEATING. 325 00:12:58,490 --> 00:13:01,000 YEAH, I'M PRETTY SURE IT IS. 326 00:13:02,030 --> 00:13:03,230 MAYBE YOU'RE RIGHT. 327 00:13:03,270 --> 00:13:05,970 SOMETIMES MY WHORE LOGIC GETS ALL FUCKED UP. 328 00:13:06,000 --> 00:13:08,040 BUT I CAN TELL YOU THAT THERE'S A LOT OF HUSBANDS 329 00:13:08,070 --> 00:13:09,140 AND BOYFRIENDS OUT THERE 330 00:13:09,170 --> 00:13:11,470 WHO WOULD NOT FILE THAT UNDER "CHEATING." 331 00:13:11,510 --> 00:13:13,740 YEAH, WELL, CALL ME AN OLD FUDDY-DUDDY, 332 00:13:13,780 --> 00:13:15,110 BUT I THINK ANYTIME 333 00:13:15,140 --> 00:13:17,880 THE TUMESCENT HEAD MAKES AN APPEARANCE, IT'S CHEATING. 334 00:13:17,910 --> 00:13:19,280 IS THAT GOOD DIRTY TALK? 335 00:13:19,320 --> 00:13:21,080 LIKE, IF I SAID TO A CLIENT, 336 00:13:21,120 --> 00:13:23,750 "YOU'RE SO FUCKING TUMESCENT RIGHT NOW," WOULD THAT BE HOT? 337 00:13:23,790 --> 00:13:26,790 MAKES MY WIENER FEEL A LITTLE WEIRD, BUT THAT'S JUST ME. 338 00:13:26,820 --> 00:13:28,390 I LIKE WORDS. 339 00:13:28,420 --> 00:13:30,330 HOW COME YOU NEVER CALLED ME? 340 00:13:30,360 --> 00:13:33,330 IF YOU REMEMBER, I WAS A LITTLE STRAPPED FOR CASH. 341 00:13:33,360 --> 00:13:36,030 YOU COULD HAVE CALLED TO ASK ME OUT ON A PROPER DATE. 342 00:13:36,070 --> 00:13:38,400 I DID GIVE YOU MY CARD, DIDN'T I? 343 00:13:38,430 --> 00:13:40,570 I JUST FIGURED YOU GIVE IT TO ALL THE FELLAS. 344 00:13:40,600 --> 00:13:42,370 NO. NO? 345 00:13:42,410 --> 00:13:43,810 NO. 346 00:13:43,840 --> 00:13:46,440 YOU REALLY GOT UNDER MY SKIN, HANK MOODY. 347 00:13:46,480 --> 00:13:48,510 I JUST COULDN'T SHAKE YOU OFF. 348 00:13:48,540 --> 00:13:50,980 LIKE, I'D BE BLOWING SOME GROSS PERSIAN DUDE 349 00:13:51,010 --> 00:13:53,080 AT THE WHORE SEASONS AND I'D BE THINKING, 350 00:13:53,120 --> 00:13:55,890 "I WONDER HOW HANK'S DOING?" 351 00:13:55,920 --> 00:13:58,750 FUCK, THAT'S ROMANTIC. 352 00:13:58,790 --> 00:13:59,890 Man: OW! 353 00:14:02,990 --> 00:14:04,730 ARE YOU GUYS GONNA BANG OR WHAT? 354 00:14:04,760 --> 00:14:06,330 WHAT'S IT TO YOU, BO BICE? 355 00:14:06,360 --> 00:14:07,500 I DON'T KNOW. 356 00:14:07,530 --> 00:14:09,370 I WAS JUST THINKING ABOUT HOW RAD IT WOULD BE 357 00:14:09,400 --> 00:14:11,070 TO BEND YOU OVER THAT BALCONY AND SCREAM, 358 00:14:11,100 --> 00:14:14,470 "I'M THE KING OF THE WORLD!" AS I'M ABOUT TO POP, HUH? 359 00:14:14,500 --> 00:14:16,310 HOW ABOUT IN A BED WITH A CONDOM? 360 00:14:16,340 --> 00:14:17,370 WHATEVER, DUDE. 361 00:14:17,410 --> 00:14:18,470 SURE ABOUT THIS? 362 00:14:18,510 --> 00:14:19,740 ALL IN A DAY'S WORK. 363 00:14:19,780 --> 00:14:22,010 HEY, MAN, YOU WANT TO WATCH FOR YOUR BOOK? 364 00:14:22,050 --> 00:14:24,280 OH, HEY, THANKS, BUT I'LL PASS. 365 00:14:24,310 --> 00:14:25,680 BE GOOD TO THE LADY. 366 00:14:25,710 --> 00:14:27,520 DON'T FUCK UP HER TOES. 367 00:14:27,550 --> 00:14:29,020 [ TRIXIE LAUGHS ] 368 00:14:29,050 --> 00:14:31,020 [ SCHOOL BELL RINGS ] 369 00:14:31,050 --> 00:14:33,560 [ INDISTINCT CONVERSATIONS ] 370 00:14:57,180 --> 00:14:58,510 UM... 371 00:14:58,550 --> 00:15:00,880 YOU MIGHT NOT WANT TO SIT THERE. 372 00:15:00,920 --> 00:15:03,920 WHY? HAVE YOU GOT THE HERP OR SOMETHING? 373 00:15:05,690 --> 00:15:07,020 NO. 374 00:15:07,060 --> 00:15:08,720 THEN I'M GOOD. 375 00:15:09,890 --> 00:15:11,430 LOOK, BUT S-SERIOUSLY. 376 00:15:11,460 --> 00:15:15,030 IF YOU SIT HERE, PEOPLE ARE GONNA THINK YOU'RE WEIRD. 377 00:15:16,700 --> 00:15:18,130 HOW UNFORTUNATE. 378 00:15:18,170 --> 00:15:22,770 AND HERE I WAS PLANNING TO RUN FOR PROM QUEEN. 379 00:15:25,410 --> 00:15:27,040 YOU'RE WEIRD. 380 00:15:27,080 --> 00:15:30,710 AT LEAST I'M NOT THE ONLY BOY AT AN ALL-GIRLS SCHOOL. 381 00:15:30,750 --> 00:15:32,450 YEAH...WELL... 382 00:15:32,480 --> 00:15:34,780 FOR YOUR INFORMATION, 383 00:15:34,820 --> 00:15:37,420 I DON'T ACTUALLY GO HERE. 384 00:15:37,450 --> 00:15:39,090 I GOT SUSPENDED FROM MY REAL SCHOOL. 385 00:15:39,120 --> 00:15:40,560 SOME BULLSHIT I DIDN'T EVEN DO. 386 00:15:40,590 --> 00:15:42,460 AND MY MOM WAS LIKE, "THERE'S NO F'ing WAY 387 00:15:42,490 --> 00:15:45,460 YOU'RE SITTING ON THE COUCH ALL DAY, PLAYING 'GUITAR HERO.'" 388 00:15:45,490 --> 00:15:47,860 SHE'S A TEACHER HERE. 389 00:15:47,900 --> 00:15:50,100 ENGLISH, I PRESUME. 390 00:15:50,130 --> 00:15:51,230 YEAH. 391 00:15:51,270 --> 00:15:53,970 UH, MRS. PATTERSON. 392 00:15:55,440 --> 00:15:57,170 WHAT, DO YOU HAVE HER OR SOMETHING? 393 00:15:57,210 --> 00:15:59,180 3rd PERIOD. 394 00:15:59,210 --> 00:16:01,480 BUT ETHAN FROME GAVE YOU AWAY. 395 00:16:01,510 --> 00:16:04,250 TSK. RIGHT. 396 00:16:04,280 --> 00:16:07,050 YEAH, SHE'S MAKING ME READ THIS ENTIRE STUPID BOOK. 397 00:16:07,080 --> 00:16:09,820 SOME SORT OF PUNISHMENT. 398 00:16:11,250 --> 00:16:12,860 I'M SORRY. I TALK A LOT. 399 00:16:12,890 --> 00:16:14,760 YOU DO. 400 00:16:14,790 --> 00:16:17,530 AND YOU FORGOT THE MOST IMPORTANT PART... 401 00:16:17,560 --> 00:16:18,790 ARE YOU ANY GOOD? 402 00:16:20,530 --> 00:16:22,330 YOU KNOW, "GUITAR HERO." 403 00:16:24,930 --> 00:16:26,470 [ MUMBLES ] 404 00:16:26,500 --> 00:16:28,340 [ DRUMS, GUITAR PLAYING ] 405 00:16:39,420 --> 00:16:42,550 OH, MAN, I THINK I JUST FOUND THE KEYS TO MY CHI. 406 00:16:42,590 --> 00:16:43,620 HOW'S TRIX? 407 00:16:43,650 --> 00:16:45,390 SHE WAS FANTASTIC. SHE'S A REAL DAME. 408 00:16:45,420 --> 00:16:47,890 WE DIDN'T DO ANYTHING, THOUGH. WE JUST HUNG OUT. 409 00:16:47,920 --> 00:16:49,960 WELL, IF I KNEW YOU WERE JUST GONNA HANG OUT, 410 00:16:49,990 --> 00:16:51,530 TALK ABOUT YOUR FEELINGS AND SHIT, 411 00:16:51,560 --> 00:16:53,430 I WOULD'VE GONE WITH TRIXIE. 412 00:16:53,460 --> 00:16:56,100 I MEAN, SHE'S MY FAVORITE, MY BEST. TOTALLY GETS ME. 413 00:16:56,130 --> 00:16:58,870 I KNOW YOU RESIDE IN A WHOLE OTHER SOLAR SYSTEM AND SHIT, 414 00:16:58,900 --> 00:17:00,870 BUT IN MINE, I DON'T CHEAT ON MY GIRL. 415 00:17:02,740 --> 00:17:06,240 LADIES AND GENTLEMEN -- HANK MOODY, DEBAUCHED MORALIST. 416 00:17:06,280 --> 00:17:08,210 WHY DON'T YOU, UH... 417 00:17:08,240 --> 00:17:10,310 WHY DON'T YOU TELL ME MORE ABOUT YOUR GIRL? 418 00:17:10,350 --> 00:17:12,320 WHAT GIRL? YOU KNOW, THE ONE. THE ONE THAT GOT AWAY. 419 00:17:12,350 --> 00:17:13,880 THE ONE WITH THE HOUSE IN BEVERLY HILLS. 420 00:17:13,920 --> 00:17:15,380 YOUR DAISY BUCHANAN. 421 00:17:15,420 --> 00:17:17,990 THAT'S NOT COOL, MOODY, CALLING BACK THAT SHIT. I WAS GORKED. 422 00:17:18,020 --> 00:17:20,120 I DON'T TALK ABOUT THAT STUFF IN BROAD DAYLIGHT. 423 00:17:20,160 --> 00:17:22,460 I DON'T KNOW IF YOU GOT THE MEMO, BUT I'M WRITING YOUR BIOGRAPHY. 424 00:17:22,490 --> 00:17:24,190 YOU MIGHT WANT TO START GETTING COMFORTABLE 425 00:17:24,230 --> 00:17:25,630 TALKING ABOUT THIS SHIT IN BROAD DAYLIGHT. 426 00:17:25,660 --> 00:17:27,100 Trixie: THIS IS IT, LEW. I AM DONE. 427 00:17:27,130 --> 00:17:29,700 NO MORE OF YOU AND YOUR FUCKING WHITE-TRASH LOTTERY WINNERS! 428 00:17:29,730 --> 00:17:31,270 Lew: WHAT'S WRONG, SWEETHEART? 429 00:17:31,300 --> 00:17:33,170 THAT FUCKING ASSHOLE GOT ROUGH WITH ME, 430 00:17:33,200 --> 00:17:35,000 AND HE WENT WAY OFF THE FUCKING MENU! 431 00:17:35,040 --> 00:17:36,770 WHAT'D HE DO, HONEY? YOU ALL RIGHT? 432 00:17:36,810 --> 00:17:38,640 I'M FINE! LUCKILY, HE'S A QUICK COMER. 433 00:17:38,670 --> 00:17:40,310 YEAH, YEAH, I'M SORRY, TRIX. 434 00:17:40,340 --> 00:17:42,410 THEY'RE ANIMALS. THEY DON'T KNOW ANY BETTER. 435 00:17:42,450 --> 00:17:43,980 YEAH, WELL, SOMEONE'S GONNA HAVE TO DEAL 436 00:17:44,010 --> 00:17:46,250 WITH THE CLEVELAND STEAMER THAT HE LEFT ON YOUR COFFEE TABLE. 437 00:17:46,280 --> 00:17:47,620 REALLY? REALLY. 438 00:17:47,650 --> 00:17:48,780 JESUS! 439 00:17:48,820 --> 00:17:50,250 CONSUELA! 440 00:17:50,290 --> 00:17:52,520 CONSUELA! 441 00:17:52,560 --> 00:17:55,920 YOU'RE A FUCKING PRICK! YOU KNOW THAT? THANK YOU. 442 00:17:55,960 --> 00:17:57,260 SHOW SOME RESPECT. 443 00:17:57,290 --> 00:17:58,860 WHAT, TO A FUCKING WHORE? COME ON. 444 00:17:58,890 --> 00:17:59,730 WHOA! 445 00:18:03,800 --> 00:18:06,400 Lew: WHAT THE FUCK ARE YOU DOING, MOODY?! 446 00:18:06,440 --> 00:18:09,270 SLASH TRADED ME THAT LES PAUL FOR AN EIGHTBALL! FUCK! 447 00:18:09,310 --> 00:18:11,770 Trixie: GET HIM! 448 00:18:11,810 --> 00:18:13,910 [ INDISTINCT YELLING ] 449 00:18:13,940 --> 00:18:17,280 I SWEAR TO GOD, I'LL KILL YOU! 450 00:18:19,220 --> 00:18:20,280 AAH! 451 00:18:21,780 --> 00:18:23,690 Lew: BACK TO WORK, ASSHOLES. 452 00:18:23,720 --> 00:18:25,690 WE'RE MAKING ROCK HISTORY HERE. 453 00:18:25,720 --> 00:18:27,990 ACT ACCORDINGLY. 454 00:18:28,020 --> 00:18:29,390 [ RIFLE COCKS ] 455 00:18:30,860 --> 00:18:33,500 [ DAISY MOANING ] Man: LOOK HOW GREAT YOUR TITS ARE! 456 00:18:33,530 --> 00:18:37,300 CELEBRATE THEM! THAT'S IT, DAISY! MOAN! 457 00:18:37,330 --> 00:18:39,340 MOAN LIKE IT HURTS A LITTLE. 458 00:18:39,370 --> 00:18:40,800 NOT LIKE AN OPERATION, 459 00:18:40,840 --> 00:18:43,470 MORE LIKE -- LIKE A DENTIST VISIT. 460 00:18:43,510 --> 00:18:45,310 COME ON, BABY! SLAM HER, FLEX! 461 00:18:45,340 --> 00:18:47,680 HOW LONG DOES THIS GENERALLY GO ON FOR, HUH, 462 00:18:47,710 --> 00:18:50,150 THESE, UH, CINEMA VéRITé MASTERPIECES OF YOURS? 463 00:18:50,180 --> 00:18:52,350 ASSHOLE, SHUT THE FUCK UP! 464 00:18:52,380 --> 00:18:54,620 Charlie: OKAY! OKAY! OKAY! I'LL MIND MY BUSINESS. 465 00:18:55,680 --> 00:18:59,150 I'M JUST A PASSENGER ON THE SLAM VAN. 466 00:18:59,190 --> 00:19:02,590 JUST ALONG FOR THE RIDE. 467 00:19:02,630 --> 00:19:03,890 ALTHOUGH I GOT TO SAY, DAISY, 468 00:19:03,930 --> 00:19:05,890 I'M A LITTLE BIT SURPRISED TO SEE YOU LIKE THIS. 469 00:19:05,930 --> 00:19:07,860 WHAT ARE YOU TALKING ABOUT? YOU KNEW I DID PORN. 470 00:19:07,900 --> 00:19:09,930 YES, I DID, BUT THE GIRL I MET BACK AT HOT LIPS 471 00:19:09,970 --> 00:19:11,530 HAD BIGGER PLANS FOR HERSELF, HUH? 472 00:19:11,570 --> 00:19:13,970 SHE HAD GOALS, SHE HAD DREAMS, SHE HAD AMBITION. 473 00:19:14,000 --> 00:19:16,100 SHE DID NOT -- AND I QUOTE -- 474 00:19:16,140 --> 00:19:18,270 "WANT TO END UP THE ASS-LICKER." 475 00:19:18,310 --> 00:19:19,280 YEAH, WELL, I'M NOT. 476 00:19:19,310 --> 00:19:21,110 YOU SEE ANY OTHER GIRLS IN THIS VAN? 477 00:19:21,140 --> 00:19:23,080 I'M TOTALLY THE STAR OF THIS PRODUCTION. 478 00:19:23,110 --> 00:19:25,450 THIS PRODUCTION IS ONE NOTCH ABOVE SNUFF FILM. 479 00:19:25,480 --> 00:19:26,550 HEY, EASY, BROTHER. 480 00:19:26,580 --> 00:19:27,950 TWO MORE PAYMENTS, AND I OWN THIS VAN. 481 00:19:27,980 --> 00:19:30,990 DID YOU NEGOTIATE BEFORE YOU GOT ON THIS VAN, DAISY, HUH? 482 00:19:31,020 --> 00:19:33,660 DID YOU LAY CLEAR RULES FOR WHAT YOU WILL AND WILL NOT DO? NO. 483 00:19:33,690 --> 00:19:35,290 THEN HOW YOU GONNA GET RESPECT, HUH? 484 00:19:35,320 --> 00:19:36,660 HOW YOU GONNA GET PAID ACCORDINGLY? 485 00:19:36,690 --> 00:19:38,260 WHAT'S THE INDUSTRY STANDARD HERE, ANYWAY? 486 00:19:38,290 --> 00:19:39,430 DOUBLE FOR ANAL? AM I RIGHT? 487 00:19:39,460 --> 00:19:41,330 DUMB SHIT, WE'RE SHOOTING IN A VAN. 488 00:19:41,360 --> 00:19:42,430 SO WHAT? 489 00:19:42,470 --> 00:19:44,170 DOES FAIRNESS NOT EXIST IN A VAN, HUH? 490 00:19:44,200 --> 00:19:46,500 JUST BECAUSE WE'RE NOT ON A SOUND STAGE, 491 00:19:46,540 --> 00:19:48,240 DOES THIS YOUNG LADY NOT DESERVE THE SAME DIGNITY, 492 00:19:48,270 --> 00:19:51,140 THE SAME RESPECT AS SOMEONE ON A SITCOM OR A BROADWAY PLAY? 493 00:19:51,170 --> 00:19:53,480 LOOK, MR. RUNKLE, IT'S FINE, REALLY. 494 00:19:53,510 --> 00:19:55,080 NO, NO, NO, DAISY, IT IS NOT FINE. 495 00:19:55,110 --> 00:19:57,450 THERE'S A LIMIT TO HOW MUCH SOMEONE CAN GET FUCKED IN THE ASS 496 00:19:57,480 --> 00:19:59,320 WITHOUT GETTING PAID FOR IT! 497 00:19:59,350 --> 00:20:02,420 AND YOU, YOUNG LADY, TODAY, HAVE REACHED THAT LIMIT! 498 00:20:02,450 --> 00:20:04,220 THAT'S IT! BIGS, STOP THE VAN! 499 00:20:04,250 --> 00:20:05,890 WHAT? [ TIRES SCREECH ] 500 00:20:05,920 --> 00:20:08,120 OVITZ! HIT THE BRICKS! GET THE FUCK OUT! 501 00:20:08,160 --> 00:20:11,030 WITH PLEASURE! 502 00:20:11,060 --> 00:20:13,030 DAISY? Daisy: UM, I'M GOOD. 503 00:20:13,060 --> 00:20:15,600 LITTLE GIRL, YOU'RE GOING TOO, SWEETHEART. 504 00:20:15,630 --> 00:20:16,700 GO MAKE YOUR DREAMS COME TRUE. 505 00:20:16,730 --> 00:20:18,300 BUT I DIDN'T DO ANYTHING! 506 00:20:18,330 --> 00:20:19,540 O-U-G-H-T -- OUT! 507 00:20:19,570 --> 00:20:21,140 Charlie: SHE'S REAL SCARED OF YOU. 508 00:20:21,170 --> 00:20:22,940 LET ME TELL YOU SOMETHING, AL GOLDSTEIN. 509 00:20:22,970 --> 00:20:23,940 TALENT RUNS THIS TOWN! 510 00:20:23,970 --> 00:20:25,540 SEE YOU AT THE OSCARS, PAL. 511 00:20:25,570 --> 00:20:26,580 LET'S GO! 512 00:20:26,610 --> 00:20:29,550 LET'S JUST SHOOT IT SOLO, BABY. 513 00:20:30,810 --> 00:20:33,350 OH, YOU LEFT YOUR -- YOUR SHIRT. 514 00:20:33,380 --> 00:20:34,880 NO PROBLEM. 515 00:20:34,920 --> 00:20:37,690 [ SIGHS ] 516 00:20:37,720 --> 00:20:39,090 HERE YOU GO. 517 00:20:39,120 --> 00:20:40,360 THANK YOU. 518 00:20:41,690 --> 00:20:43,830 LOOKS GOOD. 519 00:20:43,860 --> 00:20:46,160 [ SIGHS ] 520 00:20:46,190 --> 00:20:49,500 WHERE THE FUCK ARE WE? 521 00:20:49,530 --> 00:20:51,300 Hank: IT'S BASIC INSTINCT, REALLY. 522 00:20:51,330 --> 00:20:53,470 WHEN I SEE A GIRL IN TROUBLE, I JUST REACT. 523 00:20:53,500 --> 00:20:56,740 I DON'T THINK. I JUST DO. 524 00:20:56,770 --> 00:20:59,510 Trixie: HANK MOODY, MY HERO. 525 00:20:59,540 --> 00:21:02,850 JUST SAY THE WORD IF YOU WANT TO BE PROPERLY REWARDED. 526 00:21:02,880 --> 00:21:04,150 MY TREAT, OF COURSE. 527 00:21:04,180 --> 00:21:05,910 SERIOUSLY, YOU'D COMP HIM? 528 00:21:05,950 --> 00:21:08,580 SURE, WHY NOT? I'VE SAMPLED THE MERCHANDISE. 529 00:21:08,620 --> 00:21:09,750 I KNOW IT'S FRESH. 530 00:21:09,790 --> 00:21:11,050 I DO REMEMBER YOU TELLING ME 531 00:21:11,090 --> 00:21:13,090 THAT YOU NEVER CAME THAT HARD WITH A JOHN BEFORE. 532 00:21:13,120 --> 00:21:14,820 I THOUGHT IT WAS A LINE, BUT AS YOU WALKED AWAY, 533 00:21:14,860 --> 00:21:17,590 YOUR KNEES WERE A LITTLE WOBBLY, SO I THOUGHT, "MAYBE, YEAH --" 534 00:21:17,630 --> 00:21:18,660 HOLD ON. SLOW DOWN. 535 00:21:18,690 --> 00:21:20,100 ARE YOU SAYING 536 00:21:20,130 --> 00:21:21,660 HE'S FUCKING BETTER THAN ME? 537 00:21:21,700 --> 00:21:23,130 FUCKING BETTER AT THE FUCKING, YES. 538 00:21:23,170 --> 00:21:24,730 I BELIEVE THAT'S WHAT SHE'S GETTING AT. 539 00:21:24,770 --> 00:21:26,570 NO, THAT IS NOT WHAT I'M GETTING AT. 540 00:21:26,600 --> 00:21:28,040 PLEASE. WHAT A STUPID QUESTION. 541 00:21:28,070 --> 00:21:29,770 ARE THE STONES BETTER THAN THE BEATLES? 542 00:21:29,810 --> 00:21:31,010 FUCKING "A" THEY ARE. 543 00:21:31,040 --> 00:21:32,480 I MUST AGREE WITH THE MAN. 544 00:21:32,510 --> 00:21:34,940 OKAY, THERE'S ONLY ONE WAY TO SETTLE THIS. 545 00:21:34,980 --> 00:21:36,350 WE BOTH HAVE TO HAVE HER. 546 00:21:36,380 --> 00:21:37,850 WE BOTH HAVE HAD HER. NO. 547 00:21:37,880 --> 00:21:39,050 NOW. RIGHT HERE. 548 00:21:39,080 --> 00:21:41,120 OH, NO. NO, NO, NO. TRIXIE, YOU KNOW I'M A FAN. 549 00:21:41,150 --> 00:21:42,250 YOU GOT MAD SKILLS AND ALL -- 550 00:21:42,280 --> 00:21:43,620 WHIP IT OUT, MOODY! 551 00:21:43,650 --> 00:21:46,020 ONE GIRL, TWO COCKS -- ULTIMATE SHOWDOWN. 552 00:21:46,050 --> 00:21:48,190 SO, SO TEMPTING. BUT I'M STILL GONNA HAVE TO PASS. 553 00:21:48,220 --> 00:21:50,560 WHAT'S THAT WORD AGAIN? UH, "PUSSY." YES, THANK YOU. 554 00:21:50,590 --> 00:21:52,190 BUT ANY SCENARIO INVOLVING TWO COCKS 555 00:21:52,230 --> 00:21:53,800 I'M GENERALLY NOT DOWN WITH. 556 00:21:53,830 --> 00:21:55,230 UNLESS THEY'RE MY OWN. 557 00:21:55,260 --> 00:21:57,600 DON'T YOU SOMETIMES WISH YOU HAD TWO COCKS? 558 00:21:57,630 --> 00:21:58,970 I KNOW I DO. OH! 559 00:21:59,000 --> 00:22:00,040 I GUESS NOT. 560 00:22:00,070 --> 00:22:02,640 FOR THE SAKE OF, UH, BUSINESS, 561 00:22:02,670 --> 00:22:04,770 THAT LITTLE PRICK SHOULD THINK I'M KICKING YOUR ASS. 562 00:22:04,810 --> 00:22:07,540 FEEL FREE TO FIGHT BACK ANYTIME. 563 00:22:17,620 --> 00:22:20,290 WHOA! OHH! 564 00:22:20,320 --> 00:22:22,760 WHAT'S GOING ON? 565 00:22:22,790 --> 00:22:25,190 TYPICAL MALE-EGO BULLSHIT. 566 00:22:27,230 --> 00:22:28,900 I'VE HAD BOTH OF THEM, 567 00:22:28,930 --> 00:22:30,200 BUT WHAT THEY SEEM TO FORGET 568 00:22:30,230 --> 00:22:31,730 IS THAT THEY BOTH PAID FOR THE SEX. 569 00:22:31,770 --> 00:22:34,170 IT IS MY JOB TO MAKE THEM FEEL GOOD. 570 00:22:37,470 --> 00:22:41,410 THOUGH I MUST SAY THAT THE BROWN-HAIRED ONE, HANK -- 571 00:22:41,440 --> 00:22:44,280 HE'S PRETTY DAMN GOOD IN THE SACK DEPARTMENT. 572 00:22:44,310 --> 00:22:46,480 [ GRUNTING ] 573 00:22:46,520 --> 00:22:47,450 HAVE WE MET? 574 00:22:47,480 --> 00:22:49,790 NO. TRIXIE. 575 00:22:49,820 --> 00:22:51,390 KAREN. 576 00:22:51,420 --> 00:22:52,690 YOU'RE KAREN. 577 00:22:52,720 --> 00:22:53,590 UH-HUH. 578 00:22:53,620 --> 00:22:54,890 HANK'S KAREN. 579 00:22:54,920 --> 00:22:56,090 THAT'S RIGHT. 580 00:22:56,120 --> 00:22:59,260 YOU JUMPED IN THE CAR! HAPPILY EVER AFTER. 581 00:22:59,290 --> 00:23:01,660 THAT'S AWESOME! GOOD FOR YOU! 582 00:23:01,700 --> 00:23:02,730 THANKS. 583 00:23:02,770 --> 00:23:04,630 [ BOTH GRUNTING ] 584 00:23:08,600 --> 00:23:10,210 Hank: KAREN. 585 00:23:10,240 --> 00:23:13,080 [ Panting ] HEY! HEY! SWEETIE! 586 00:23:13,110 --> 00:23:14,540 [ Chuckling ] HI. 587 00:23:14,580 --> 00:23:16,510 HEY, DID YOU GET THE JOB? 588 00:23:16,550 --> 00:23:17,480 YEAH. 589 00:23:17,510 --> 00:23:19,310 OH, FANTASTIC. 590 00:23:19,350 --> 00:23:21,250 [ PANTING ] 591 00:23:21,280 --> 00:23:23,950 SO, YOU WANT TO... 592 00:23:23,990 --> 00:23:27,020 GET SOMETHING TO EAT? 593 00:23:27,060 --> 00:23:29,460 MOROCCAN? ETHIOPIAN? 594 00:23:29,490 --> 00:23:31,590 ITALIAN. 595 00:23:31,630 --> 00:23:33,860 INDIAN! 596 00:23:33,900 --> 00:23:35,660 [ KEYBOARD CLACKING ] 597 00:23:35,700 --> 00:23:37,600 [ DOOR OPENS ] 598 00:23:37,630 --> 00:23:39,330 HEY, SWEETIE. 599 00:23:40,570 --> 00:23:43,940 ARE YOU TUCKING ME IN OR AVOIDING MOM? 600 00:23:43,970 --> 00:23:47,380 WHAT, I CAN'T DO TWO THINGS AT ONCE? 601 00:23:48,980 --> 00:23:50,750 WAS IT WORTH IT? 602 00:23:50,780 --> 00:23:51,750 WHAT? 603 00:23:51,780 --> 00:23:54,520 WHATEVER YOU DID TO PISS HER OFF. 604 00:23:54,550 --> 00:23:57,620 [ SIGHS ] HEY... 605 00:23:57,650 --> 00:23:59,390 HOW WAS SCHOOL? 606 00:24:00,590 --> 00:24:02,160 FINE. 607 00:24:02,190 --> 00:24:03,590 "FINE"? 608 00:24:03,630 --> 00:24:05,760 ALREADY YOUR VOCABULARY HAS DECREASED. 609 00:24:05,790 --> 00:24:09,930 I MET SOMEONE WITH FRONTAL-LOBE CAPACITY. 610 00:24:09,970 --> 00:24:11,330 NAME? DAMIEN. 611 00:24:11,370 --> 00:24:14,640 THEY HAVE GIRLS NAMED DAMIEN NOW? WOW. 612 00:24:14,670 --> 00:24:15,940 WE'RE I.M.ing AS WE SPEAK. 613 00:24:15,970 --> 00:24:17,310 AH. 614 00:24:17,340 --> 00:24:19,710 NOT ANYMORE, HONEY. 615 00:24:19,740 --> 00:24:22,910 T.T.Y.L., DAMIEN. T.T.Y.L. 616 00:24:22,950 --> 00:24:24,510 I HEART YOU. 617 00:24:36,560 --> 00:24:38,990 OH, MY GOD. YOU REEK OF CIGARETTES. 618 00:24:39,030 --> 00:24:41,530 YES, BUT THEY'RE NOT MY CIGARETTES. 619 00:24:41,560 --> 00:24:43,030 [ SNIFFING ] 620 00:24:45,830 --> 00:24:47,370 HANK... 621 00:24:47,400 --> 00:24:48,900 WHAT ARE YOU DOING? 622 00:24:48,940 --> 00:24:51,270 I AM CHARMING YOU INTO OUR FIRST 623 00:24:51,310 --> 00:24:54,140 POST-SNIP, SAFE/UNSAFE ROMANCE EXPLOSION. 624 00:24:54,180 --> 00:24:56,210 ARE YOU AS EXCITED AS I AM? 625 00:24:56,240 --> 00:24:58,250 NO. 626 00:24:58,280 --> 00:24:59,580 NO? 627 00:24:59,620 --> 00:25:01,320 THAT'S IT? NO? 628 00:25:01,350 --> 00:25:04,450 NOTHING ABOUT YOU IS REALLY TURNING ME ON RIGHT NOW. 629 00:25:04,490 --> 00:25:06,090 THERE'S ALWAYS ANGRY SEX. 630 00:25:07,590 --> 00:25:09,760 YOU ACTUALLY THINK THIS IS FUNNY? 631 00:25:09,790 --> 00:25:11,160 IT'S A LITTLE FUNNY -- 632 00:25:11,190 --> 00:25:14,130 YOU THINK SLEEPING WITH PROSTITUTES IS FUCKING FUNNY?! 633 00:25:14,160 --> 00:25:15,400 ONE PROSTITUTE, 634 00:25:15,430 --> 00:25:17,300 AND I DIDN'T EVEN KNOW SHE WAS A PROSTITUTE UNTIL AFTER. 635 00:25:17,330 --> 00:25:20,440 YOU MEAN UNTIL AFTER YOU PAID HER TO HAVE SEX WITH YOU? 636 00:25:20,470 --> 00:25:22,910 WELL, TECHNICALLY, CHARLIE PAID FOR THE SEX. THAT'S DISGUSTING. 637 00:25:22,940 --> 00:25:24,310 BUT YOU MET HER. SHE WAS NICE, RIGHT? 638 00:25:24,340 --> 00:25:25,840 SHE DIDN'T SEEM LIKE A PROSTITUTE, DID SHE? 639 00:25:25,870 --> 00:25:27,880 I HAVE NO IDEA, HANK. 640 00:25:27,910 --> 00:25:30,150 I MEAN, YOU'RE THE EXPERT. YOU TELL ME. 641 00:25:30,180 --> 00:25:32,150 IS THERE LIKE A GROUP-DISCOUNT THING? 642 00:25:32,180 --> 00:25:34,520 DO YOU HAVE A LITTLE PUNCH CARD THAT YOU USE? 643 00:25:34,550 --> 00:25:36,520 ONE TIME. I WAS LONELY. SHE WAS NICE. 644 00:25:36,550 --> 00:25:38,120 AND I DON'T THINK THAT'S ANY WORSE 645 00:25:38,150 --> 00:25:39,290 THAN BUYING SOMEBODY A DRINK. 646 00:25:39,320 --> 00:25:40,660 ACTUALLY, I THINK IT'S MORE HONEST. 647 00:25:40,690 --> 00:25:42,190 THERE'S NO BULLSHIT ELEMENT OF SEDUCTION. 648 00:25:42,220 --> 00:25:44,360 YOU KNOW, WHAT RIGHT DOES THE GOVERNMENT HAVE -- 649 00:25:44,390 --> 00:25:46,260 OH, PLEASE! SHUT THE FUCK UP, HANK, OKAY? 650 00:25:46,290 --> 00:25:49,060 I MEAN, DON'T GIVE ME ONE OF YOUR FUCKING BULLSHIT LECTURES 651 00:25:49,100 --> 00:25:50,830 ON LIBERTARIANISM RIGHT NOW! 652 00:25:50,870 --> 00:25:53,340 BUT, HONEY, THAT MAKES ME KIND OF SAD, BECAUSE YOU USED TO LOVE 653 00:25:53,370 --> 00:25:54,970 MY BULLSHIT LECTURES ON LIBERTARIANISM. 654 00:25:55,000 --> 00:25:56,270 YOU'RE STILL FUCKING JOKING. 655 00:25:56,300 --> 00:25:58,170 NO, I MEAN, HOW COULD I BE -- WE WEREN'T TOGETHER. 656 00:25:58,210 --> 00:25:59,940 I'M NOT GONNA BE HELD ACCOUNTABLE 657 00:25:59,980 --> 00:26:01,840 FOR THOSE SINS. NO, OF COURSE NOT. 658 00:26:01,880 --> 00:26:03,780 YOU'RE NOT ACCOUNTABLE FOR ANY OF IT. 659 00:26:03,810 --> 00:26:06,080 "OOPS, I ACCIDENTALLY WENT DOWN ON HER. 660 00:26:06,110 --> 00:26:07,320 NOT MY FAULT." 661 00:26:07,350 --> 00:26:09,690 "OH, OFFICER, YOU KNOW, THAT COP, HE PROVOKED ME." 662 00:26:09,720 --> 00:26:12,720 I MEAN, HANK, YOU ALWAYS HAVE SOME FUCKING EXCUSE! 663 00:26:12,760 --> 00:26:15,760 AND I'M JUST MEANT TO STAND HERE AND ACCEPT IT... NO, NO -- 664 00:26:15,790 --> 00:26:17,890 ...OVER AND OVER AGAIN AND I'M SICK OF IT! 665 00:26:17,930 --> 00:26:19,700 FUCK, KAREN, YOU WANT TO BE MAD ABOUT THAT SHIT? 666 00:26:19,730 --> 00:26:21,300 THEN GO AHEAD, BE MAD ABOUT THAT SHIT, 667 00:26:21,330 --> 00:26:23,930 BUT JUST DON'T GIVE ME SOME BULLSHIT ABOUT HOW YOU FORGIVE ME 668 00:26:23,970 --> 00:26:25,570 AND THEN DREDGE UP SHIT FROM THE PAST 669 00:26:25,600 --> 00:26:26,800 THAT I CAN'T POSSIBLY FIX! 670 00:26:26,840 --> 00:26:28,440 THAT'S NOT FORGIVENESS! 671 00:26:28,470 --> 00:26:30,070 THAT'S NOT GIVING IT ANOTHER SHOT! 672 00:26:30,110 --> 00:26:32,240 I'M NOT TALKING ABOUT THE PAST, OKAY? 673 00:26:32,270 --> 00:26:33,980 I'M TALKING ABOUT RIGHT NOW. 674 00:26:34,010 --> 00:26:36,710 I'M TALKING ABOUT TRYING TO MAKE THIS WORK, HANK! 675 00:26:36,750 --> 00:26:38,750 OKAY, WELL, HOW AM I DIFFERENT FROM THIS MORNING? 676 00:26:38,780 --> 00:26:40,450 WHAT'S CHANGED? 677 00:26:40,480 --> 00:26:43,420 YEAH, NOTHING'S CHANGED. YOU'RE RIGHT. 678 00:26:43,450 --> 00:26:44,790 THAT'S THE FUCKING PROBLEM. 679 00:26:44,820 --> 00:26:46,660 NO, I'LL TELL YOU THE FUCKING PROBLEM IS 680 00:26:46,690 --> 00:26:48,460 THAT I WON'T SIT HERE AND BE CRUCIFIED 681 00:26:48,490 --> 00:26:50,330 FOR SHIT THAT I DID WHILE WE WERE APART. 682 00:26:50,360 --> 00:26:52,560 DID I FUCK HALF OF VENICE? YES. OH, PLEA-- I -- 683 00:26:52,590 --> 00:26:54,900 NO, NOT REALLY. I REALLY DON'T NEED TO HEAR THAT. 684 00:26:54,930 --> 00:26:56,330 BUT FOR THE SAKE OF THIS ARGUMENT -- YES. 685 00:26:56,360 --> 00:26:57,770 BUT I DIDN'T MOVE IN WITH ANY OF THEM. 686 00:26:57,800 --> 00:26:59,500 AND I DIDN'T SET UP HOUSE WITH BECCA 687 00:26:59,530 --> 00:27:01,540 AND THE FUCKING DIAL TONE. OKAY, RIGHT. 688 00:27:01,570 --> 00:27:04,810 WELL, YOU KNOW, NOW WHO'S CRUCIFYING WHO?! 689 00:27:04,840 --> 00:27:07,380 I MEAN, THAT'S NOT VERY FORGIVING, HANK, IS IT? 690 00:27:07,410 --> 00:27:08,610 IT'S NOT VERY NICE. 691 00:27:08,640 --> 00:27:10,050 OH, I FUCKING HATE YOU! 692 00:27:49,550 --> 00:27:52,190 -- Captions by VITAC -- www.vitac.com 693 00:27:52,220 --> 00:27:55,220 CLOSED CAPTIONING PROVIDED BY SHOWTIME NETWORKS 694 00:27:55,260 --> 00:27:57,060 AND BLIND DECKER PRODUCTIONS 695 00:27:57,090 --> 00:28:02,300 * GIRL WITH STIGMATA 696 00:28:08,540 --> 00:28:11,270 [ GUITAR SOLO ] 49885

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