All language subtitles for Californication S02E02 The Great Ashby

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,260 --> 00:00:11,200 PREVIOUSLY ON "CALIFORNICATION"... 2 00:00:12,260 --> 00:00:14,660 Hank: I CAN'T BELIEVE YOU MADE ME GET A VASECTOMY. 3 00:00:14,700 --> 00:00:17,330 WHAT DO YOU KNOW ABOUT IT? I KNOW YOU FUCKED AND PUNCHED HIM, 4 00:00:17,370 --> 00:00:19,600 SET HIM UP, STOLE HIS BOOK. 5 00:00:19,640 --> 00:00:21,270 OH, WHAT ARE YOU GONNA DO ABOUT IT, HUH? 6 00:00:21,310 --> 00:00:22,210 YOU GUYS ARE... 7 00:00:22,240 --> 00:00:23,740 WHAT -- YOU'RE OFFICIALLY BACK TOGETHER? 8 00:00:23,770 --> 00:00:24,710 UNTIL WE FUCK IT UP. 9 00:00:24,740 --> 00:00:27,140 WE'RE GOING TO THIS PARTY UP IN LAUREL CANYON. 10 00:00:27,180 --> 00:00:29,180 [ INHALES SHARPLY ] OH, MY MAMA! 11 00:00:29,210 --> 00:00:30,380 WHAT THE FUCK?! 12 00:00:30,410 --> 00:00:31,750 I LEAVE YOU ALONE FOR TWO SECONDS! 13 00:00:31,780 --> 00:00:33,320 YOU'RE NOT SUPPOSED TO DO THAT! 14 00:00:33,350 --> 00:00:35,520 WHAT ARE YOU DOING? ASSUMING THE "POSISH." 15 00:00:35,550 --> 00:00:37,290 [ Chuckling ] I'LL BE RIGHT BACK. 16 00:00:42,260 --> 00:00:44,560 [ SIGHS ] 17 00:00:46,260 --> 00:00:47,660 [ GASPS ] 18 00:00:47,700 --> 00:00:50,400 DUDE, THIS FUCKING PERV JUST TRIED TO MOUTH-RAPE ME! 19 00:00:50,430 --> 00:00:51,370 I ACCIDENTALLY WENT DOWN ON HER. 20 00:00:51,400 --> 00:00:53,270 HOW DO YOU ACCIDENTALLY GO DOWN ON SOMEONE? 21 00:00:53,300 --> 00:00:54,740 [ SIREN WAILS ] HAVE YOU BEEN DRINKING, SIR? 22 00:00:54,770 --> 00:00:56,110 HOURS AGO. 23 00:00:56,140 --> 00:00:57,170 OUT OF THE CAR. 24 00:00:57,210 --> 00:00:59,680 WHY DON'T YOU JUST MIND YOUR OWN FUCKING BUSINESS? 25 00:01:01,580 --> 00:01:03,810 Karen: NO! 26 00:01:10,250 --> 00:01:12,220 [ BUZZER ] 27 00:01:21,170 --> 00:01:23,400 SILENT TREATMENT? 28 00:01:23,430 --> 00:01:24,800 YES. 29 00:01:24,830 --> 00:01:26,600 HOW LONG? 30 00:01:26,640 --> 00:01:27,700 HARD TO SAY. 31 00:01:27,740 --> 00:01:30,770 THINK WE CAN SKIP THE PART WHERE I APOLOGIZE PROFUSELY 32 00:01:30,810 --> 00:01:33,210 AND TELL YOU WHAT A LAME PARENTAL FIGURE I AM? 33 00:01:33,240 --> 00:01:34,740 NO. 34 00:01:34,780 --> 00:01:36,350 I'M SORRY. 35 00:01:36,380 --> 00:01:37,510 I KNOW. 36 00:01:37,550 --> 00:01:38,680 ME TOO. 37 00:01:38,720 --> 00:01:40,650 WHY ARE YOU SORRY? 38 00:01:40,680 --> 00:01:43,150 BECAUSE WE'RE NOT BAILING YOU OUT. 39 00:01:43,190 --> 00:01:44,350 YOU'RE SHITTING ME. 40 00:01:44,390 --> 00:01:45,760 I SHIT YOU NOT. 41 00:01:45,790 --> 00:01:49,160 MOM SAYS YOU SHOULD USE THIS TIME TO THINK. 42 00:01:49,190 --> 00:01:51,430 ABOUT WHAT? HOW MUCH MY BALLS ACHE? 43 00:01:51,460 --> 00:01:53,230 WHAT ABOUT MOM'S HEART? 44 00:01:53,260 --> 00:01:55,470 DON'T YOU THINK THAT ACHES A BIT, TOO? 45 00:01:58,970 --> 00:02:00,840 TOUCHé, DAUGHTER. 46 00:02:02,410 --> 00:02:05,840 CHECK IT OUT -- YOU'RE ON DEFAMER. 47 00:02:08,910 --> 00:02:11,280 OW! THAT'S A PRETTY GOOD PICTURE. 48 00:02:11,320 --> 00:02:13,680 [ Laughing ] I THOUGHT SO. 49 00:02:20,490 --> 00:02:22,430 I'LL WORK ON HER. 50 00:02:22,460 --> 00:02:23,690 OKAY. 51 00:02:23,730 --> 00:02:27,700 IN THE MEANTIME, DON'T BEND OVER FOR THE SOAP. 52 00:02:27,730 --> 00:02:28,730 OOH. 53 00:02:28,770 --> 00:02:31,840 [ RECEIVER CLICKS ] 54 00:03:20,020 --> 00:03:22,390 WHAT'S THE OCCASION? DO WE NEED AN OCCASION? 55 00:03:22,420 --> 00:03:23,990 LIFE IS GOOD. BUSINESS IS BETTER. 56 00:03:24,020 --> 00:03:26,460 LET'S PARTY WHILE THIS BITCH CAN STILL GET WET. 57 00:03:26,490 --> 00:03:28,360 AW. YOU GUYS ARE GREAT TOGETHER. 58 00:03:28,390 --> 00:03:30,930 BABY, TONIGHT WE ARE KICKIN' IT OLD-SCHOOL -- 59 00:03:30,960 --> 00:03:33,700 CONDOMS, COKE, AND LOBSTER CLAWS. 60 00:03:33,730 --> 00:03:35,330 MEET ME AFTER WORK. 61 00:03:35,370 --> 00:03:37,670 [ GASPS ] I RESERVED OUR FAVORITE ROOM. 62 00:03:37,700 --> 00:03:40,370 MARCE... DON'T "MARCE" ME, SHORT BUS. 63 00:03:40,400 --> 00:03:43,510 TURN OVER. I GOT TO GET YOUR TAIL. 64 00:03:45,580 --> 00:03:46,880 [ TAPE RIPS ] OHH! 65 00:03:46,910 --> 00:03:48,680 YOU SURE YOU DON'T WANT ME TO STEP OUTSIDE? 66 00:03:48,710 --> 00:03:50,750 PLEASE. I'VE HAD WAY GROSSER DUDES THAN YOU 67 00:03:50,780 --> 00:03:53,020 STARING INTO THE BUSINESS END OF MY COOTER ALL DAY LONG. 68 00:03:53,050 --> 00:03:54,950 PORN! THANKS. 69 00:03:54,980 --> 00:03:55,950 GOT IT. 70 00:03:55,990 --> 00:03:57,450 HOW'S THAT WORKING FOR YOU? 71 00:03:57,490 --> 00:03:59,590 I DON'T KNOW. I MEAN, I LOVE IT. I DO. 72 00:03:59,620 --> 00:04:02,460 BUT I'M JUST NOT GETTING THE KIND OF JOBS I REALLY WANT. 73 00:04:02,490 --> 00:04:03,690 YOU GOT TO BE CAREFUL. 74 00:04:03,730 --> 00:04:05,730 ONE WRONG MOVE, AND YOU END UP THE ASS-LICKER. 75 00:04:05,760 --> 00:04:06,730 OHH! 76 00:04:06,760 --> 00:04:08,930 I'M LOATHE TO ASK. 77 00:04:08,970 --> 00:04:11,840 YOU'RE WATCHING SOME PORN, AND THERE'S TWO GIRLS AND A GUY. 78 00:04:11,870 --> 00:04:13,570 ONE GIRL -- SHE'S CLEARLY THE STAR. 79 00:04:13,600 --> 00:04:16,570 BUT THE OTHER ONE -- SHE ENDS UP TONGUING THE DUDE'S BALLOON KNOT 80 00:04:16,610 --> 00:04:18,480 WHILE HE FUCKS THE SHIT OUT OF THE LEADING LADY. 81 00:04:18,510 --> 00:04:22,380 THAT'S WHAT I'M AFRAID OF -- CHOCOLATE-STARFISH DUTY. 82 00:04:22,410 --> 00:04:25,820 OHH! COME ON, YOU'RE FAR TOO PRETTY FOR SUCH THINGS. 83 00:04:25,850 --> 00:04:27,580 YOU REALLY THINK SO? I DO. 84 00:04:27,620 --> 00:04:28,990 YOU COULD CROSS OVER, GO MAINSTREAM. 85 00:04:29,020 --> 00:04:30,090 I'VE SEEN IT HAPPEN. 86 00:04:30,120 --> 00:04:31,320 DON'T TELL HER THAT. 87 00:04:31,360 --> 00:04:34,760 DON'T FILL HER PRETTY LITTLE HEAD FULL OF HOLLYWOOD BULLSHIT. 88 00:04:34,790 --> 00:04:37,060 SHE DOES WHAT SHE DOES, AND SHE'S GOOD AT IT. 89 00:04:37,090 --> 00:04:38,130 THAT'S THE SECRET. 90 00:04:38,160 --> 00:04:41,770 YOU FIND YOUR FUCKING NICHE, AND YOU STICK TO IT. 91 00:04:41,800 --> 00:04:45,000 LIKE ME -- I COULD BRANCH OUT. I COULD DIVERSIFY. 92 00:04:45,030 --> 00:04:47,970 BUT, NO, I WAX HAIRY TACOS. 93 00:04:48,000 --> 00:04:50,040 MAYBE I BLEACH AN ASSHOLE OR TWO. 94 00:04:50,070 --> 00:04:51,480 THAT'S MY THING. 95 00:04:51,510 --> 00:04:53,940 ONE WRONG MOVE, YOU END UP THE ASS-LICKER. 96 00:04:53,980 --> 00:04:55,850 WORDS TO LIVE BY. 97 00:04:55,880 --> 00:04:57,480 GIVE ME SOME. 98 00:05:00,020 --> 00:05:01,850 YEAH, CHARLIE RUNKLE. 99 00:05:01,890 --> 00:05:02,850 YEAH. 100 00:05:02,890 --> 00:05:05,460 NO, HE'S NOT IN A MEETING. HE HATES MEETINGS. 101 00:05:05,490 --> 00:05:07,590 COME ON, TRY HIS CELL. NO, DON'T HANG UP. 102 00:05:07,620 --> 00:05:09,530 LISTEN, TELL HIM HANK MOODY CALLED. 103 00:05:09,560 --> 00:05:11,130 TELL HIM THEY SET BAIL. 104 00:05:11,160 --> 00:05:12,630 JUST -- 105 00:05:14,600 --> 00:05:16,030 ONE MORE. 106 00:05:16,070 --> 00:05:17,900 I'M TRYING TO REACH MY AGENT. COME ON. 107 00:05:17,930 --> 00:05:20,370 MAYBE YOU SHOULD THINK ABOUT NEW REPRESENTATION, HOMEY. 108 00:05:21,810 --> 00:05:23,770 EVERYBODY'S A FUCKING COMEDIAN. 109 00:05:30,980 --> 00:05:33,920 WHAT THE FUCK? 110 00:05:37,120 --> 00:05:38,460 WHAT? 111 00:05:38,490 --> 00:05:40,520 YOU TOUCHED MY ASS. 112 00:05:40,560 --> 00:05:43,530 NOT MY THING, MAN. TRUST ME. 113 00:05:46,660 --> 00:05:50,930 MY SWEET, SEXY ASS, AND YOU TOUCHED IT. 114 00:05:52,670 --> 00:05:54,140 CAN'T SAY I BLAME YA. 115 00:05:54,170 --> 00:05:56,510 WHAT ARE YOU ON? I WANT SOME. 116 00:06:05,050 --> 00:06:06,920 AH. 117 00:06:06,950 --> 00:06:08,790 AH. 118 00:06:08,820 --> 00:06:10,990 [ URINATING ] NOW YOU'RE LOOKING AT IT. 119 00:06:11,020 --> 00:06:14,490 WELL, YOU'RE NOT GIVING ME A WHOLE LOT OF CHOICE IN THE MATTER, ARE YOU? 120 00:06:14,520 --> 00:06:15,430 THING OF BEAUTY, AIN'T IT? 121 00:06:15,460 --> 00:06:18,900 THIS NICE, WHITE, MICK-KRAUT ASS OF MINE. 122 00:06:18,930 --> 00:06:21,930 THERE'S NO PLACE LIKE HOME. THERE'S NO PLACE LIKE HOME. 123 00:06:23,730 --> 00:06:26,540 Man: COMING IN ON THE GATE! 124 00:06:39,920 --> 00:06:41,950 Lew: YOU. 125 00:06:41,990 --> 00:06:43,820 I KNOW YOU. 126 00:06:43,850 --> 00:06:45,890 LAST NIGHT -- 127 00:06:45,920 --> 00:06:48,660 THE WHOLE CUNNILINGUS SWITCHEROO INCIDENT. 128 00:06:48,690 --> 00:06:50,460 RIGHT. MOUTH RAPE. 129 00:06:50,490 --> 00:06:51,600 [ CHUCKLES ] 130 00:06:51,630 --> 00:06:53,860 THAT CHICK -- STONE FREAK. 131 00:06:53,900 --> 00:06:55,670 I ENDED UP BANGING THESE OTHER TWO. 132 00:06:55,700 --> 00:06:58,800 SHE FLIPS OUT, CALLS THE COPS, AND CRIES "DOMESTIC ABUSE." 133 00:06:58,840 --> 00:07:02,110 I'M PRETTY SURE I NEVER LAID A HAND ON HER. 134 00:07:03,640 --> 00:07:05,010 LEW ASHBY. 135 00:07:05,040 --> 00:07:06,640 HANK MOODY. 136 00:07:12,620 --> 00:07:13,920 THE WRITER? 137 00:07:13,950 --> 00:07:15,720 SO, HOW'S THE SCRIPT COMING? 138 00:07:15,750 --> 00:07:16,550 REALLY GOOD. 139 00:07:16,590 --> 00:07:18,490 I DON'T SEE WHAT THE BIG DEAL IS. 140 00:07:18,520 --> 00:07:19,920 SCREENPLAYS ARE EASY. 141 00:07:19,960 --> 00:07:21,860 WHAT'S HARD IS ADAPTING YOUR OWN WORK. 142 00:07:21,890 --> 00:07:24,560 SURE, SURE. I WOULD IMAGINE. 143 00:07:24,590 --> 00:07:26,660 I BET YOU JUST LOOK AT THOSE PAGES SOMETIMES 144 00:07:26,700 --> 00:07:29,030 AND HAVE NO IDEA WHERE ALL THAT BRILLIANCE CAME FROM. 145 00:07:29,070 --> 00:07:32,170 YOU KNOW, AS ONE OF MY AGENTS, 146 00:07:32,200 --> 00:07:34,600 I WOULD THINK YOU'D BE A WHOLE LOT NICER TO ME. 147 00:07:34,640 --> 00:07:35,740 I WOULD THINK SO, TOO. 148 00:07:35,770 --> 00:07:36,910 YOU KNOW WHAT, LADIES? 149 00:07:36,940 --> 00:07:40,080 JUST DON'T GANG-BANG UP ON ME, OKAY? PLEASE. 150 00:07:40,110 --> 00:07:43,210 OH, YOU'D LIKE THAT, WOULDN'T YOU, YOU SWEATY LITTLE PERV? 151 00:07:43,250 --> 00:07:44,280 [ CHUCKLES ] 152 00:07:44,310 --> 00:07:45,780 I'VE GOT A MEETING. 153 00:07:45,820 --> 00:07:48,920 GOOD LUCK. JUST BE YOURSELF. 154 00:07:48,950 --> 00:07:51,050 A LITTLE CLEAVAGE IS ALWAYS GOOD. 155 00:07:51,090 --> 00:07:52,890 DONE...AND DONE. 156 00:07:52,920 --> 00:07:55,290 DON'T YOU HAVE A SCHOOL TO ATTEND SOMEWHERE? 157 00:07:55,320 --> 00:07:57,160 IF IT'S ALL THE SAME TO YOU, RUNKLE, 158 00:07:57,190 --> 00:07:59,030 I THINK I'D RATHER SIT DOWN WITH DAVID FINCHER. 159 00:07:59,060 --> 00:08:01,930 WORD OF ADVICE -- IF HE'S ABOUT TO COME, JUST LET HIM COME. 160 00:08:01,970 --> 00:08:03,830 DON'T PUNCH THE POOR GUY IN THE FACE. 161 00:08:03,870 --> 00:08:05,840 DICK. 162 00:08:09,340 --> 00:08:10,970 WHAT'S YOUR PROBLEM? 163 00:08:11,010 --> 00:08:13,610 SHE'S AN IMPORTANT CLIENT. NOT TO ME. 164 00:08:13,640 --> 00:08:15,240 WELL, SHE IS TO ME AND THE AGENCY. 165 00:08:15,280 --> 00:08:18,010 SHE IS EVERYTHING THAT'S WRONG WITH HOLLYWOOD RIGHT NOW, 166 00:08:18,050 --> 00:08:20,080 MUCH LIKE YOURSELF. 167 00:08:20,120 --> 00:08:21,620 OH, HOW THE MIGHTY HAVE FALLEN. 168 00:08:21,650 --> 00:08:23,220 WHAT'S THAT SUPPOSED TO MEAN? 169 00:08:23,250 --> 00:08:25,320 YOU'VE GONE SOFT, CHARLIE. 170 00:08:25,350 --> 00:08:28,660 YOU LOST THAT KILLER INSTINCT I USED TO ADMIRE SO MUCH. 171 00:08:28,690 --> 00:08:30,230 OH, I SEE -- YOU'VE BEEN AN AGENT NOW FOR, 172 00:08:30,260 --> 00:08:31,660 WHAT IS IT, THREE WHOLE MONTHS? 173 00:08:31,700 --> 00:08:33,060 YOU GOT IT ALL FIGURED OUT NOW, HUH? 174 00:08:33,100 --> 00:08:34,660 I LOVE WHAT I DO. I KNOW THAT MUCH. 175 00:08:34,700 --> 00:08:36,300 BLACKMAILING YOUR WAY INTO A CAREER 176 00:08:36,330 --> 00:08:37,970 DOESN'T MAKE YOU A GOOD AGENT. 177 00:08:38,000 --> 00:08:40,700 NO, JUST A SUCCESSFUL ONE. 178 00:08:40,740 --> 00:08:43,270 I'M SORRY I EVER SPANKED YOU. 179 00:08:43,310 --> 00:08:46,210 I'M NOT. 180 00:08:46,240 --> 00:08:48,950 [ SIGHS ] 181 00:08:48,980 --> 00:08:52,120 I MISS YOU, BOSS. 182 00:08:52,150 --> 00:08:54,780 I MISS OUR LITTLE, UM... 183 00:08:54,820 --> 00:08:56,550 PLAYDATES. 184 00:08:57,850 --> 00:08:59,660 [ CHUCKLES ] 185 00:09:04,060 --> 00:09:06,000 OH HO HO HO HO. 186 00:09:06,030 --> 00:09:08,930 WRONG MOVE, CHARLIE. 187 00:09:08,970 --> 00:09:11,800 WOW, YOU ARE JUST TOTALLY BAT-SHIT CRAZY NOW, AREN'T YOU? 188 00:09:13,940 --> 00:09:16,270 A YEAR FROM NOW... 189 00:09:16,310 --> 00:09:19,180 WHEN YOU'RE SELLING BMWs IN THE VALLEY, 190 00:09:19,210 --> 00:09:20,680 REMEMBER THIS MOMENT. 191 00:09:20,710 --> 00:09:22,310 I'VE HAD ENOUGH OF THIS, ALL RIGHT? 192 00:09:22,350 --> 00:09:25,150 I THINK IT'S TIME I GO HAVE A LITTLE CHAT WITH OUR PRESIDENT. 193 00:09:25,180 --> 00:09:27,180 HE'S HAD HIS SHARE OF PSYCHO-HOSEBAG ASSISTANTS. 194 00:09:27,220 --> 00:09:29,150 I'M THINKING HE'S GONNA HAVE MY BACK! 195 00:09:29,190 --> 00:09:31,050 DON'T GO THERE, CHARLIE. 196 00:09:31,090 --> 00:09:33,260 INSTEAD, MAYBE IT'S TIME TO THINK ABOUT 197 00:09:33,290 --> 00:09:36,230 DOING SOMETHING A LITTLE DIFFERENT WITH YOUR SKILL SET. 198 00:09:36,260 --> 00:09:37,230 WHAT ABOUT PRODUCING? 199 00:09:37,260 --> 00:09:39,300 THE ONLY THING I'D LIKE TO PRODUCE RIGHT NOW 200 00:09:39,330 --> 00:09:41,160 IS A FIST UP YOUR ASS. 201 00:09:41,200 --> 00:09:43,900 ONCE UPON A TIME, I MIGHT'VE TAKEN YOU UP ON THAT. 202 00:09:45,070 --> 00:09:47,670 GOOD LUCK, BOSS. 203 00:09:51,840 --> 00:09:55,310 YOU GOT A LOT OF FANS IN THE MUSIC BUSINESS. 204 00:09:55,340 --> 00:09:57,150 HUH? YEAH? 205 00:09:57,180 --> 00:09:59,420 YOUR WRITING ALWAYS HAD THIS IN-YOUR-FACE, 206 00:09:59,450 --> 00:10:01,220 ROCK-'N'-ROLL ENERGY TO IT -- 207 00:10:01,250 --> 00:10:04,820 HUNTER S. THOMPSON MEETS A LOST STOOGES ALBUM. 208 00:10:04,850 --> 00:10:06,160 "GOD HATES US ALL" -- 209 00:10:06,190 --> 00:10:07,660 THAT WAS YOUR GATSBY. 210 00:10:07,690 --> 00:10:08,930 WHAT HAPPENED TO YOU, MAN? 211 00:10:08,960 --> 00:10:10,790 WHAT HAPPENED TO ME? 212 00:10:10,830 --> 00:10:11,900 YEAH. 213 00:10:11,930 --> 00:10:14,930 I CAME OUT HERE FROM NEW YORK TO FIGHT THE GOOD FIGHT. 214 00:10:14,960 --> 00:10:16,930 I LOST. THIS FUCKING CITY HAPPENED TO ME. 215 00:10:16,970 --> 00:10:18,270 AW, PLEASE. 216 00:10:18,300 --> 00:10:20,300 ALL YOU HATERS CAN GO FELLATE YOURSELVES. 217 00:10:20,340 --> 00:10:22,070 I MEAN, ALWAYS WHINING ABOUT L.A. 218 00:10:22,110 --> 00:10:23,870 AND HOW NEW YORK IS LIKE A HOLY LAND. 219 00:10:23,910 --> 00:10:26,040 WELL, GO THE FUCK MOVE BACK THERE. 220 00:10:26,080 --> 00:10:28,440 THE SHEER AMOUNT OF TALENT IN THIS TOWN, 221 00:10:28,480 --> 00:10:30,750 ANY GIVEN TIME -- MIND-BOGGLING. 222 00:10:30,780 --> 00:10:32,450 THAT CAVEMAN OVER THERE, FARTING IN HIS SLEEP -- 223 00:10:32,480 --> 00:10:35,050 ONE OF THE GREATEST ROCK 'N' ROLL GUITAR PLAYERS OF ALL TIME. 224 00:10:35,080 --> 00:10:36,650 [ FARTS ] 225 00:10:37,750 --> 00:10:39,090 I GOT A... 226 00:10:39,120 --> 00:10:41,320 I GOT THIS, UH, BOOK DEAL. 227 00:10:41,360 --> 00:10:44,230 THEY WANT TO WRITE ABOUT WHY EVERYTHING I TOUCH 228 00:10:44,260 --> 00:10:47,400 TURNS TO GOLD, UH, PLATINUM, ZIRCONIUM, OR SOME SUCH SHIT. 229 00:10:47,430 --> 00:10:49,300 FSG IS TRYING TO PUSH 230 00:10:49,330 --> 00:10:52,970 THESE DWEEBY ROLLING STONE WRITERS ON ME. 231 00:10:53,000 --> 00:10:54,740 YOU WRITE IT. 232 00:10:54,770 --> 00:10:56,470 BE MY BOSWELL. 233 00:10:56,510 --> 00:10:58,440 SLOW DOWN, THERE, CHARM SCHOOL. 234 00:10:58,470 --> 00:11:00,480 I DON'T PUT OUT ON A FIRST DATE. 235 00:11:00,510 --> 00:11:02,750 HEY, I'M NOT TRYING TO PUT IT IN YOUR PAIL, BUDDY. 236 00:11:02,780 --> 00:11:04,180 I GOT INSTINCTS ABOUT THESE THINGS. 237 00:11:04,210 --> 00:11:05,880 YEAH, BUT I'M ONE OF THE HATERS. 238 00:11:05,920 --> 00:11:07,750 I'M ACTUALLY DOING SOMETHING ABOUT IT. 239 00:11:07,780 --> 00:11:08,890 I'M MOVING BACK TO MECCA. 240 00:11:08,920 --> 00:11:10,790 BULLSHIT. YOU'RE NOT GOING ANYWHERE. 241 00:11:10,820 --> 00:11:13,260 YOU TOOK A SWING AT A COP. YOU NEED A FUCKIN' LAWYER. 242 00:11:13,290 --> 00:11:14,260 Man: ASHBY. 243 00:11:14,290 --> 00:11:16,460 A GOOD LAWYER IS EVERYTHING. I GOT A GREAT ONE. 244 00:11:16,490 --> 00:11:17,860 [ CELL DOOR OPENS ] 245 00:11:17,890 --> 00:11:19,800 GOOD HANGING WITH YOU, MOODY. 246 00:11:19,830 --> 00:11:20,800 ASHBY. 247 00:11:20,830 --> 00:11:21,800 GET WRITING AGAIN. 248 00:11:21,830 --> 00:11:23,100 PEACE. 249 00:11:25,030 --> 00:11:26,870 THANK YOU. 250 00:11:35,380 --> 00:11:38,480 OKAY, LOOK, I KNOW I'M SUPPOSED TO BE LIKE A SISTER HERE, 251 00:11:38,510 --> 00:11:40,920 BUT IT'S NOT LIKE HE DID IT ON PURPOSE. 252 00:11:40,950 --> 00:11:41,920 [ CHUCKLES ] 253 00:11:41,950 --> 00:11:45,520 SONJA...YOU SLEPT WITH THE FATHER OF MY CHILD 254 00:11:45,550 --> 00:11:48,060 IN MY VERY OWN BED, AND THEN YOU VOMITED ALL OVER IT. 255 00:11:48,090 --> 00:11:50,530 [ Chuckling ] I WOULD NEVER ACCUSE YOU OF BEING A SISTER. 256 00:11:50,560 --> 00:11:52,260 YOU HOOKED ME UP WITH HIM, SO... 257 00:11:52,300 --> 00:11:54,360 I KNOW. WHAT THE FUCK WAS I THINKING? 258 00:11:54,400 --> 00:11:56,070 I'M SORRY ABOUT THE COMFORTER. 259 00:11:56,100 --> 00:11:57,330 YOU READY? 260 00:11:57,370 --> 00:11:58,770 FOR WHAT? 261 00:11:58,800 --> 00:12:00,800 MM. MY PITCH. 262 00:12:00,840 --> 00:12:03,810 [ Chuckling ] WHAT, ARE YOU PEDDLING SCREENPLAYS NOW, OR... 263 00:12:03,840 --> 00:12:05,240 OH, GOD. NO, NO, NO. 264 00:12:05,270 --> 00:12:08,480 I THINK WE SHOULD GO INTO BUSINESS TOGETHER. 265 00:12:08,510 --> 00:12:10,780 I'M FLATTERED, REALLY. 266 00:12:10,810 --> 00:12:13,420 THANK YOU, BUT THIS IS, UM... 267 00:12:13,450 --> 00:12:15,990 THIS IS KIND OF A HARD TIME FOR ME RIGHT NOW. 268 00:12:16,020 --> 00:12:17,350 THE HOUSE IS ON THE MARKET, 269 00:12:17,390 --> 00:12:19,490 AND I'M INTERVIEWING FOR JOBS IN NEW YORK. 270 00:12:19,520 --> 00:12:20,590 HOW WOULD YOU FEEL 271 00:12:20,620 --> 00:12:23,860 ABOUT RESTORING AN ORIGINAL LAUTNER HOUSE WITH ME? 272 00:12:23,890 --> 00:12:25,490 DON'T FUCK WITH ME. 273 00:12:25,530 --> 00:12:27,060 I'M NOT. 274 00:12:27,100 --> 00:12:29,530 I'M BIDDING ON ONE TOMORROW. 275 00:12:29,570 --> 00:12:31,070 ARE YOU SERIOUS? 276 00:12:31,100 --> 00:12:32,100 YEAH. 277 00:12:33,440 --> 00:12:35,270 I GOT SOME THINGS TO SAY TO YOU -- 278 00:12:35,300 --> 00:12:37,240 SOME OF IT UGLY, SOME OF IT EMBARRASSING, 279 00:12:37,270 --> 00:12:38,570 BUT ALL OF IT TRUE. 280 00:12:38,610 --> 00:12:40,840 I AM NOT GOING DOWN WITHOUT A FIGHT. 281 00:12:44,610 --> 00:12:45,480 [ BEEP ] 282 00:12:45,510 --> 00:12:48,850 [ BREATHING HEAVILY ] 283 00:12:55,060 --> 00:12:57,490 AHH. 284 00:12:57,530 --> 00:12:58,790 [ BEEP ] 285 00:13:05,330 --> 00:13:07,270 SO, WHAT? 286 00:13:07,300 --> 00:13:10,070 YOU GONNA SHIT-CAN 15 YEARS' EXPERIENCE 287 00:13:10,110 --> 00:13:12,340 'CAUSE A GUY MESSES UP ONE TIME? 288 00:13:12,380 --> 00:13:13,340 [ SCOFFS ] [ BEEP ] 289 00:13:13,380 --> 00:13:15,180 [ BREATHING HEAVILY ] 290 00:13:17,510 --> 00:13:19,550 AH. 291 00:13:23,390 --> 00:13:24,390 AH! 292 00:13:26,260 --> 00:13:31,130 AHHHHHH! 293 00:13:39,470 --> 00:13:41,870 OKAY, THAT'S IT! 294 00:13:41,910 --> 00:13:43,110 I'M ANKLING! 295 00:13:43,140 --> 00:13:46,140 HUH?! RUNKLE IS ANKLING! 296 00:13:52,950 --> 00:13:57,150 WHOOOOOO! 297 00:13:57,190 --> 00:14:00,460 Karen: OKAY, BECCA, DINNER. 298 00:14:00,490 --> 00:14:03,460 WHAT ARE YOU UP TO, YOUNG LADY? 299 00:14:03,490 --> 00:14:06,400 HOW LONG ARE YOU GOING TO LET MY FATHER ROT IN JAIL? 300 00:14:08,500 --> 00:14:11,070 LOOK, I KNOW THIS IS HARD FOR YOU, 301 00:14:11,100 --> 00:14:14,070 BUT YOUR FATHER HAS TO UNDERSTAND 302 00:14:14,100 --> 00:14:16,570 THAT THERE ARE CONSEQUENCES TO HIS ACTIONS, OKAY? 303 00:14:16,610 --> 00:14:18,980 HE CAN'T JUST GO AROUND SAYING AND DOING 304 00:14:19,010 --> 00:14:21,340 EXACTLY WHAT HE WANTS AT ALL TIMES. 305 00:14:21,380 --> 00:14:22,910 I MEAN, YOU GET THAT, RIGHT? 306 00:14:22,950 --> 00:14:23,980 [ DOOR OPENS, CLOSES ] 307 00:14:24,010 --> 00:14:25,580 Mia: HEY! 308 00:14:25,610 --> 00:14:27,450 HI. 309 00:14:27,480 --> 00:14:28,680 HEY! 310 00:14:28,720 --> 00:14:30,050 OH, WHAT'S THIS? 311 00:14:30,090 --> 00:14:31,520 GALLEY PROOFS. 312 00:14:31,550 --> 00:14:32,690 ONCE UPON A TIME, 313 00:14:32,720 --> 00:14:35,120 BEFORE YOU HUMILIATED MY FATHER ON HIS WEDDING NIGHT, 314 00:14:35,160 --> 00:14:36,590 YOU PROMISED TO READ MY BOOK. 315 00:14:36,630 --> 00:14:38,530 HIGH TIME I COLLECT, DON'T YOU THINK? 316 00:14:38,560 --> 00:14:40,600 YOU'RE RIGHT. I DID AND I WILL. 317 00:14:40,630 --> 00:14:42,100 I WANT TO READ IT. 318 00:14:42,130 --> 00:14:43,970 OH, I THINK THIS ONE MIGHT BE 319 00:14:44,000 --> 00:14:45,970 A LITTLE TOO NC-17 FOR YOU, JUNO. 320 00:14:46,000 --> 00:14:47,570 WHAT ARE YOU TALKING ABOUT? 321 00:14:47,600 --> 00:14:49,970 IF I'VE READ ALL MY FATHER'S BOOKS, 322 00:14:50,010 --> 00:14:51,670 I'M SURE I CAN HANDLE YOURS. 323 00:14:51,710 --> 00:14:55,510 UH, WHERE IS THE ESTEEMED AUTHOR THIS EVENING? 324 00:14:55,540 --> 00:14:57,410 IN THE BIG HOUSE. 325 00:15:00,150 --> 00:15:01,320 JAIL. 326 00:15:01,350 --> 00:15:03,150 HE'S IN JAIL. 327 00:15:03,190 --> 00:15:05,220 NO SHIT. WHAT DID HE DO? 328 00:15:05,250 --> 00:15:06,620 I'M NOT ALLOWED TO KNOW. 329 00:15:06,660 --> 00:15:09,090 BECAUSE I DON'T WANT TO TURN YOU OFF MEN 330 00:15:09,130 --> 00:15:10,390 FOR THE REST OF YOUR LIFE. 331 00:15:10,430 --> 00:15:11,530 WELL, WHAT ARE WE GONNA DO? 332 00:15:11,560 --> 00:15:14,100 SHOULDN'T WE BE CALLING CHICO'S BAIL BONDS OR SOMETHING? 333 00:15:14,130 --> 00:15:16,100 MOM THINKS HE NEEDS TIME TO THINK. 334 00:15:16,130 --> 00:15:17,500 HE DOES NEED TIME. 335 00:15:17,530 --> 00:15:20,540 WELL, WHAT IF, WHILE HE'S THINKING, SOME CHOLO TOSSES HIS SALAD? 336 00:15:20,570 --> 00:15:21,600 UH, MIA... 337 00:15:21,640 --> 00:15:23,370 WHAT DOES THAT MEAN? 338 00:15:23,410 --> 00:15:25,070 NOTHING GOOD. 339 00:15:25,110 --> 00:15:28,210 I GOT TO SAY, I DON'T APPROVE OF THIS COURSE OF ACTION. 340 00:15:28,240 --> 00:15:31,280 FOR ALL OF HIS FAULTS, HANK'S A LOVER...NOT A FIGHTER. 341 00:15:31,310 --> 00:15:34,220 THE MAN IS FAR TOO PRETTY FOR JAIL, MOM. 342 00:15:34,250 --> 00:15:36,520 WHAT IF HE'S SOMEONE'S BITCH RIGHT NOW? 343 00:15:36,550 --> 00:15:38,650 INSTEAD OF BEING YOURS. 344 00:15:40,020 --> 00:15:42,390 THAT IS NOT FAIR... OR NICE. 345 00:15:42,430 --> 00:15:44,190 HE IS WHO HE IS, MOM. 346 00:15:44,230 --> 00:15:47,130 YOU KNEW THAT WHEN YOU JUMPED INTO THE CAR WITH US. 347 00:15:47,160 --> 00:15:51,270 IF YOU'RE WORRIED YOU MADE A MISTAKE, THAT'S NOT HIS FAULT. 348 00:15:51,300 --> 00:15:54,240 YOU HAVE TO LOVE HIM FOR WHO HE IS, 349 00:15:54,270 --> 00:15:56,310 NOT HIS POTENTIAL. 350 00:15:58,070 --> 00:15:59,210 [ PAPER RUSTLING ] 351 00:15:59,240 --> 00:16:00,410 NO, NO, NO, SWEETIE. 352 00:16:03,680 --> 00:16:06,580 SHIT. 353 00:16:06,620 --> 00:16:08,050 COULD YOU WATCH HER? 354 00:16:08,080 --> 00:16:10,050 SURE. WHERE YOU GOING? 355 00:16:10,090 --> 00:16:11,520 TO BAIL HIM OUT, 356 00:16:11,550 --> 00:16:16,330 BECAUSE THAT IS THE INFURIATING MAGIC OF HANK. 357 00:16:16,360 --> 00:16:17,330 [ KEYS JINGLING ] 358 00:16:17,360 --> 00:16:20,230 YOU CAN NEVER STAY MAD AT HIM FOR VERY LONG. 359 00:16:20,260 --> 00:16:23,700 I'LL BE BACK... WITH THE HANK. 360 00:16:28,100 --> 00:16:30,070 DUDE, YOU ATE THE WRONG PUSSY. 361 00:16:30,110 --> 00:16:31,710 THAT'S ALL THERE IS TO IT. 362 00:16:31,740 --> 00:16:33,710 THAT SHIT IS FUCKED UP. 363 00:16:33,740 --> 00:16:35,510 BEYOND FUCKED UP. 364 00:16:35,540 --> 00:16:36,680 [ Chuckling ] FUCK! 365 00:16:36,710 --> 00:16:38,780 IF I GOT CAUGHT MUNCHING THE WRONG RUG, 366 00:16:38,810 --> 00:16:41,720 THE WARDEN WOULD GO LORENA BOBBITT ON MY ASS. 367 00:16:41,750 --> 00:16:43,620 MY SWEET, SEXY ASS. 368 00:16:43,650 --> 00:16:45,520 MOODY, YOU'RE OUT OF HERE. 369 00:16:45,550 --> 00:16:47,090 [ SIGHS ] 370 00:16:47,120 --> 00:16:50,460 GENTLEMEN...LADY... IT'S BEEN A SLICE. 371 00:16:50,490 --> 00:16:52,400 LET'S KEEP IN TOUCH. 372 00:16:56,630 --> 00:16:57,670 YOU? 373 00:16:57,700 --> 00:16:59,540 THAT'S RIGHT, MOTHERFUCKER. 374 00:16:59,570 --> 00:17:01,670 WHY THE FUCK WOULD YOU BAIL ME OUT? 375 00:17:01,700 --> 00:17:04,110 WHY THE FUCK NOT? 376 00:17:04,140 --> 00:17:05,270 THAT'S MIGHTY WHITE OF YOU. 377 00:17:05,310 --> 00:17:06,480 HEY, IT'S ONLY MONEY. 378 00:17:06,510 --> 00:17:08,340 NOW YOU GOT TO DRINK WITH ME. 379 00:17:08,380 --> 00:17:10,150 WELL, I HATE TO SEEM UNAPPRECIATIVE, 380 00:17:10,180 --> 00:17:11,550 BUT I GOT SOME GIRLS BACK HOME 381 00:17:11,580 --> 00:17:13,620 WHO DESERVE THE FULL-COURT PRESS ON THIS ONE, 382 00:17:13,650 --> 00:17:14,720 SO I'M GONNA HAVE TO PASS. 383 00:17:14,750 --> 00:17:17,650 OH, COME ON, ONE DRINK, AND THEN I'LL DROP YOU OFF. 384 00:17:17,690 --> 00:17:19,460 ONE. 385 00:17:19,490 --> 00:17:20,390 COME ON. 386 00:17:20,420 --> 00:17:21,390 YES! 387 00:17:21,420 --> 00:17:23,330 SILENCE IS A "YES." 388 00:17:25,690 --> 00:17:27,860 [ INHALES SHARPLY ] 389 00:17:27,900 --> 00:17:30,270 [ CHUCKLES ] 390 00:17:30,300 --> 00:17:32,500 [ Groaning ] OH, MY BALLS. 391 00:17:32,540 --> 00:17:36,310 [ KID ROCK'S "SO HOTT" PLAYS ] 392 00:17:40,840 --> 00:17:42,510 Lew: TAKE A WHIFF. 393 00:17:42,550 --> 00:17:43,780 SMELL THE HISTORY. 394 00:17:43,810 --> 00:17:45,810 THIS WAS LED ZEPPELIN'S TABLE. 395 00:17:45,850 --> 00:17:48,880 JIMMY FUCKING PAGE USED TO GET UNDER-THE-TABLE ORAL 396 00:17:48,920 --> 00:17:50,820 FROM MISS PAMELA RIGHT HERE. 397 00:17:50,850 --> 00:17:53,820 I BET YOU COULD STILL SCRAPE SOME OF HIS DNA OFF THE FLOOR. 398 00:17:53,860 --> 00:17:56,430 FIRST ALBUM I EVER BOUGHT WITH MY OWN MONEY -- "ZEPPELIN II." 399 00:17:56,460 --> 00:17:59,200 OH, YOU GOT GOOD TASTE. MINE WAS CAPTAIN & TENNILLE. 400 00:17:59,230 --> 00:18:02,130 I WAS A HOMO UNTIL I HEARD THE HARD STUFF. INDEED. 401 00:18:02,170 --> 00:18:03,270 WANT A BLOWJOB? 402 00:18:03,300 --> 00:18:05,800 I DON'T KNOW. I THINK IT MIGHT RUIN THE FRIENDSHIP. 403 00:18:05,830 --> 00:18:07,840 TAKE YOUR PICK. I'LL HOOK YOU UP. 404 00:18:07,870 --> 00:18:08,840 HER? 405 00:18:08,870 --> 00:18:10,840 HER? NO, I'M -- I'M -- 406 00:18:10,870 --> 00:18:12,810 HIM? I'M GOOD. I HAD A BIG BREAKFAST. 407 00:18:12,840 --> 00:18:15,210 OKAY. YOU HAVE A PROBLEM WITH BLOWJOBS? 408 00:18:15,240 --> 00:18:17,350 OH, ACTUALLY, I'M A BIG FAN OF THE BLOWJOB, 409 00:18:17,380 --> 00:18:19,920 AS LONG AS SHE USES TWO HANDS AND DOESN'T MEANDER TOO MUCH. 410 00:18:19,950 --> 00:18:22,550 I JUST HAVE A WOMAN AT HOME WHO MIGHT NOT APPRECIATE 411 00:18:22,590 --> 00:18:24,750 SOMEBODY ELSE'S LIPS WRAPPED AROUND MY MONKEY. 412 00:18:24,790 --> 00:18:27,160 I IMAGINE SHE'S STILL A LITTLE MIFFED 413 00:18:27,190 --> 00:18:28,690 ABOUT THE, UH, ACCIDENTAL MUFF-DIVE. 414 00:18:28,720 --> 00:18:30,760 YOU WOULD IMAGINE CORRECTLY. RIGHT. 415 00:18:30,790 --> 00:18:32,200 ANY... 416 00:18:33,500 --> 00:18:35,200 ...TIT-SUCKERS? 417 00:18:35,230 --> 00:18:36,730 DAUGHTER -- REBECCA. 418 00:18:36,770 --> 00:18:37,830 SHE'S MAGIC. 419 00:18:37,870 --> 00:18:39,170 PLAYS GUITAR. 420 00:18:39,200 --> 00:18:42,270 LOVES THE HEAVY METAL. WORSHIPS SATAN. 421 00:18:42,310 --> 00:18:45,710 AW, SHUCKS, YOU GOT YOURSELF A LITTLE FAMN-DAMILY, MOODY, 422 00:18:45,740 --> 00:18:48,710 WHICH IS WHY YOU SHOULD WRITE MY FUCKIN' BOOK, 423 00:18:48,740 --> 00:18:51,280 'CAUSE YOU NEED TO PROVIDE FOR THEM. 424 00:18:51,310 --> 00:18:53,680 YOU KNOW WHAT? WHAT AM I GONNA WRITE ABOUT? 425 00:18:53,720 --> 00:18:55,950 WHAT, YOU WERE BORN A POOR, BLACK CHILD, 426 00:18:55,980 --> 00:18:57,690 AND NOW YOU'RE AN ICON? 427 00:18:57,720 --> 00:18:59,690 EVERYTHING YOU TOUCH TURNS TO GOLD? 428 00:18:59,720 --> 00:19:01,960 NO OFFENSE, BUT I NEED A BIGGER THEME. 429 00:19:01,990 --> 00:19:04,960 * BECAUSE YOU KNOW YOU'RE SO HOT * 430 00:19:04,990 --> 00:19:07,300 * I WANNA GET YOU ALONE 431 00:19:07,330 --> 00:19:08,500 * YOU'RE SO HOT 432 00:19:08,530 --> 00:19:11,530 * I WANNA GET YOU STONED 433 00:19:11,570 --> 00:19:12,900 * YOU'RE SO HOT 434 00:19:12,940 --> 00:19:15,740 [ CHUCKLES ] 435 00:19:15,770 --> 00:19:18,610 * I WANNA FUCK YOU LIKE I'M NEVER GONNA SEE YOU AGAIN * 436 00:19:18,640 --> 00:19:19,610 THANKS, SWEETHEART. 437 00:19:19,640 --> 00:19:20,980 ANYTIME. 438 00:19:21,010 --> 00:19:22,810 JOB WELL DONE. THANK YOU. 439 00:19:24,810 --> 00:19:26,480 COOL. 440 00:19:26,520 --> 00:19:27,580 VERY COOL. 441 00:19:27,620 --> 00:19:28,780 [ CHUCKLES ] 442 00:19:28,820 --> 00:19:32,290 LET'S FIND OURSELVES A BIGGER THEME? 443 00:19:32,320 --> 00:19:34,890 [ INHALES SHARPLY ] 444 00:19:34,920 --> 00:19:35,920 MMM! 445 00:19:35,960 --> 00:19:37,690 HANG THE FUCKIN' POPE! 446 00:19:37,730 --> 00:19:38,690 OH! 447 00:19:38,730 --> 00:19:40,600 YOU WANT SOME, DADDY? 448 00:19:40,630 --> 00:19:42,400 [ CLEARS THROAT LOUDLY, COUGHS ] 449 00:19:42,430 --> 00:19:43,900 I GOT TO TELL YOU SOMETHING, MARCE. 450 00:19:43,930 --> 00:19:45,270 [ SIGHS ] 451 00:19:45,300 --> 00:19:46,270 MARCE? 452 00:19:46,300 --> 00:19:47,840 MARCE! 453 00:19:47,870 --> 00:19:49,640 I GOT TO FUCKIN' TELL YOU SOMETHING, BABY. 454 00:19:49,670 --> 00:19:51,810 WHAT?! WHAT DO YOU GOT TO TELL ME?! 455 00:19:51,840 --> 00:19:54,740 [ BREATHING HEAVILY ] 456 00:19:56,040 --> 00:19:57,980 I LOVE YOU. 457 00:19:58,010 --> 00:20:01,520 OH, I FUCKIN' LOVE YOU, BABE. 458 00:20:01,550 --> 00:20:02,720 YOU WANT TO FUCK? 459 00:20:02,750 --> 00:20:05,250 YOU COULD CHOKE ME IF YOU WANT. 460 00:20:05,290 --> 00:20:06,390 JUST A LITTLE. 461 00:20:06,420 --> 00:20:07,190 [ SNIFFLES ] 462 00:20:07,220 --> 00:20:08,890 I DON'T KNOW IF I CAN DO IT ANYMORE. 463 00:20:08,920 --> 00:20:10,730 THAT'S COOL. TAKE IT EASY, BABY. 464 00:20:10,760 --> 00:20:11,960 [ SIGHS ] SLOW DOWN. 465 00:20:11,990 --> 00:20:13,630 I WON'T BOGIE ANY OF YOURS. 466 00:20:13,660 --> 00:20:15,760 NOT THE BLOW -- THE JOB! JESUS CHRIST! 467 00:20:15,800 --> 00:20:17,670 MARCY, YOU GOT TO LISTEN TO ME ONCE IN A WHILE! 468 00:20:17,700 --> 00:20:18,930 OKAY, OKAY! 469 00:20:18,970 --> 00:20:22,410 BUT WHAT THE FUCK ARE YOU TALKING ABOUT?! 470 00:20:22,440 --> 00:20:23,270 YOU LOVE YOUR JOB. 471 00:20:23,310 --> 00:20:25,510 YOU WERE BORN TO BE A 10-PERCENTER. 472 00:20:25,540 --> 00:20:27,610 WELL, BABE, I GOT TO GET OFF THE TRAIN. 473 00:20:27,640 --> 00:20:28,740 IT'S FUCKING KILLING ME. 474 00:20:28,780 --> 00:20:29,750 YOU KNOW WHAT? 475 00:20:29,780 --> 00:20:31,310 MAYBE I NEED TO PRODUCE. 476 00:20:31,350 --> 00:20:33,880 OH, FUCK THAT, YOU FUCKING ASS-LICKER. 477 00:20:33,920 --> 00:20:35,920 YOU'RE NOT CREATIVE. 478 00:20:35,950 --> 00:20:37,950 [ SNIFFS ] YOU HAVEN'T HAD AN ORIGINAL THOUGHT 479 00:20:37,990 --> 00:20:41,060 SINCE THE DAY WE MET, WHICH ISN'T A BAD THING. 480 00:20:41,090 --> 00:20:42,120 YOU NEED TO SELL. 481 00:20:42,160 --> 00:20:45,730 IT IS WHAT YOU DO, AND YOU DO THE SHIT OUT OF IT. 482 00:20:45,760 --> 00:20:47,330 BUT WHAT IF I COULDN'T, HUH? 483 00:20:47,360 --> 00:20:49,030 WHAT IF, ALL OF A SUDDEN, I JUST, YOU KNOW, 484 00:20:49,060 --> 00:20:50,200 I FUCKIN' COULDN'T? 485 00:20:50,230 --> 00:20:52,870 LIKE WHAT? LIKE, IF YOU ENDED UP IN A FUCKIN' WHEELCHAIR, 486 00:20:52,900 --> 00:20:54,340 ALL TWEAKED AND SHIT? 487 00:20:54,370 --> 00:20:56,410 YOU'RE NOT FUCKIN' LISTENING TO ME! 488 00:20:56,440 --> 00:20:57,610 YOU NEVER FUCKIN' LISTEN TO ME! 489 00:20:57,640 --> 00:20:58,610 AAH! 490 00:20:58,640 --> 00:21:01,840 [ SHOUTING INDISTINCTLY ] 491 00:21:01,880 --> 00:21:03,550 I'M LISTENING, BABY. 492 00:21:03,580 --> 00:21:04,750 I'M RIGHT HERE. 493 00:21:04,780 --> 00:21:05,750 [ SNIFFS ] 494 00:21:05,780 --> 00:21:07,420 [ INHALES SHARPLY ] 495 00:21:12,590 --> 00:21:15,490 WHAT THE FUCK? YOU'RE SUPPOSED TO BE TAKING ME HOME. 496 00:21:15,520 --> 00:21:17,790 I JUST THOUGHT I'D GIVE YOU A LITTLE SOMETHING 497 00:21:17,830 --> 00:21:19,900 TO...PUT IN YOUR BOOK. 498 00:21:21,860 --> 00:21:23,870 WE DROVE OUT HERE TOGETHER IN A BEAT-TO-SHIT MUSTANG 499 00:21:23,900 --> 00:21:25,570 THAT DIDN'T GO IN REVERSE ANYMORE. 500 00:21:25,600 --> 00:21:27,540 I WAS GONNA BE A GUITAR HERO. 501 00:21:27,570 --> 00:21:29,840 SHE WAS GONNA DESIGN MY STAGE CLOTHES. 502 00:21:29,870 --> 00:21:31,840 I ENDED UP PRODUCING. 503 00:21:31,870 --> 00:21:35,080 SHE ENDED UP ALONE... ALL THE TIME. 504 00:21:35,110 --> 00:21:37,980 SHE WANTED THE HOUSE. 505 00:21:38,010 --> 00:21:41,480 I WANTED, UH, THE FREEDOM. 506 00:21:41,520 --> 00:21:44,120 SURE AS FUCK GOT IT. 507 00:21:44,150 --> 00:21:46,690 NOW I DRINK WHAT I WANT... 508 00:21:46,720 --> 00:21:48,720 SNORT WHAT I WANT... 509 00:21:48,760 --> 00:21:50,630 FUCK WHAT I WANT. 510 00:21:52,900 --> 00:21:54,660 ALL I WANT IS HER. 511 00:21:58,830 --> 00:22:00,500 LET'S GO KNOCK ON HER DOOR. 512 00:22:00,540 --> 00:22:01,640 FUCK THAT. 513 00:22:01,670 --> 00:22:04,870 NOT NEARLY DRUNK ENOUGH FOR THAT. 514 00:22:04,910 --> 00:22:06,740 THANK YOU. FOR WHAT? 515 00:22:06,780 --> 00:22:09,410 REMINDING ME TO CALL MY OLD LADY. 516 00:22:09,450 --> 00:22:11,610 THE ONE WHO DIDN'T BAIL YOU OUT? 517 00:22:11,650 --> 00:22:13,750 PROBABLY WHAT I DIG MOST ABOUT HER. 518 00:22:13,780 --> 00:22:14,750 OOH. 519 00:22:14,780 --> 00:22:16,150 [ CELLPHONE RINGS ] 520 00:22:16,180 --> 00:22:17,150 [ BEEP ] 521 00:22:17,190 --> 00:22:19,020 KAREN? 522 00:22:19,050 --> 00:22:20,390 MARCY? 523 00:22:21,790 --> 00:22:23,560 WHAT? HOLD ON A SEC. WHAT? 524 00:22:23,590 --> 00:22:24,960 IS SOMEBODY CRYING? 525 00:22:24,990 --> 00:22:26,800 CHARLIE'S CRYING? WHAT THE... 526 00:22:26,830 --> 00:22:29,030 [ SIGHS ] YOU GUYS ARE FUCKIN' RETARDED. 527 00:22:29,060 --> 00:22:30,630 [ KNOCK ON DOOR ] 528 00:22:33,170 --> 00:22:35,740 [ TAPPING ON DOOR ] 529 00:22:38,110 --> 00:22:39,880 WHAT'S UP, COKIE SMURF? 530 00:22:39,910 --> 00:22:43,650 HE KEEPS SAYING SOME SHIT ABOUT NOT WANTING TO BE AN AGENT ANYMORE. 531 00:22:43,680 --> 00:22:45,010 I DIDN'T KNOW WHAT TO DO. 532 00:22:45,050 --> 00:22:46,920 YOU DID THE RIGHT THING, HALF-PINT. 533 00:22:46,950 --> 00:22:48,880 HEY, RUNKLE, OPEN UP! 534 00:22:48,920 --> 00:22:51,750 CHARLIE, COME ON, LET ME IN. 535 00:22:51,790 --> 00:22:53,990 CHARLIE? 536 00:22:54,020 --> 00:22:55,990 CHARLIE? 537 00:22:56,020 --> 00:22:57,590 COME ON. 538 00:22:57,630 --> 00:22:59,160 CHARLIE! 539 00:23:06,030 --> 00:23:08,440 WHAT THE FUCK, RUNKLE? 540 00:23:09,570 --> 00:23:11,210 I GOT THE AX TODAY. 541 00:23:11,240 --> 00:23:12,710 YOU GOT FIRED?! 542 00:23:12,740 --> 00:23:15,610 WHY THE FUCK DIDN'T YOU TELL ME?! 543 00:23:15,640 --> 00:23:16,610 I TRIED! 544 00:23:16,650 --> 00:23:18,480 YOU WEREN'T FUCKING LISTENING! 545 00:23:18,510 --> 00:23:20,980 YOU NEVER FUCKING LISTEN TO ME ANYMORE! 546 00:23:21,020 --> 00:23:23,750 RIGHT, RIGHT, RIGHT! I NEVER LISTEN TO YOU! 547 00:23:23,790 --> 00:23:24,750 GOT IT! 548 00:23:24,790 --> 00:23:25,890 ASSHOLE! HOLD IT! 549 00:23:25,920 --> 00:23:27,760 AHHHHH! SCARFACE, YOU'RE NOT HELPING. 550 00:23:27,790 --> 00:23:29,460 GO ELSEWHERE. 551 00:23:29,490 --> 00:23:31,830 [ FOOTSTEPS DEPARTING ] 552 00:23:31,860 --> 00:23:33,600 OKAY, BIG BOY. 553 00:23:33,630 --> 00:23:35,100 LAY IT ON ME. 554 00:23:35,130 --> 00:23:37,900 [ ROCK MUSIC PLAYING THROUGH HEADPHONES ] 555 00:23:40,700 --> 00:23:42,910 WELL, HELP YOURSELF. WHATEVER. 556 00:23:46,170 --> 00:23:47,910 [ SNIFFS ] 557 00:23:50,650 --> 00:23:51,880 [ SNIFFS ] 558 00:23:51,910 --> 00:23:55,550 THEY SHIT-CANNED MY ASS, WHICH MAKES TOTAL SENSE. 559 00:23:55,580 --> 00:23:57,890 MY HEART WASN'T IN IT ANYMORE. 560 00:23:57,920 --> 00:24:00,920 WELL...THAT AND THE MASTURBATION VIDEOS. 561 00:24:00,960 --> 00:24:01,720 OH. 562 00:24:01,760 --> 00:24:04,030 DO I EVEN WANT TO KNOW? 563 00:24:04,060 --> 00:24:05,830 IT'S SOBERING, HANK, 564 00:24:05,860 --> 00:24:08,800 SEEING YOURSELF MAKE FACES LIKE THAT. 565 00:24:08,830 --> 00:24:09,930 I HEAR YA. 566 00:24:09,970 --> 00:24:13,500 NO MAN SHOULD EVER HAVE TO BEAR WITNESS TO HIS "OH" FACE. 567 00:24:13,540 --> 00:24:14,640 WORD. 568 00:24:14,670 --> 00:24:15,500 BUH-DOOP! 569 00:24:15,540 --> 00:24:18,040 WELL, WHAT'S THE WORST THAT CAN HAPPEN? 570 00:24:18,070 --> 00:24:20,540 YOU NEVER WORK AGAIN IN THIS TOWN? 571 00:24:20,580 --> 00:24:21,540 [ CRYING ] 572 00:24:21,580 --> 00:24:23,010 NO! OKAY, LOOK, NO, NO, SORRY. 573 00:24:23,050 --> 00:24:24,810 SORRY, SORRY, SORRY, SORRY. 574 00:24:24,850 --> 00:24:26,850 LOOK, THAT'S -- LET'S CROSS THAT BRIDGE 575 00:24:26,880 --> 00:24:28,580 WHEN WE INEVITABLY COME TO IT. 576 00:24:28,620 --> 00:24:31,020 OKAY? LOOK, BUT TILL THEN, IT'S ME AND YOU, BROHEIM. 577 00:24:31,050 --> 00:24:32,890 I'M WITH YOU THROUGH HILL AND DALE, 578 00:24:32,920 --> 00:24:33,990 THROUGH HELL AND BACK. 579 00:24:34,020 --> 00:24:34,990 THAT'S NICE, HANK. 580 00:24:35,020 --> 00:24:36,060 I'M RIGHT BEHIND YOU. 581 00:24:36,090 --> 00:24:37,890 BUT YOU DON'T BRING IN ANY MONEY. 582 00:24:37,930 --> 00:24:39,700 WELL, IT JUST SO HAPPENS, 583 00:24:39,730 --> 00:24:41,860 LEW ASHBY IS OUT THERE RIGHT NOW. 584 00:24:41,900 --> 00:24:44,300 WANTS ME TO WRITE HIS BIOGRAPHY FOR HIM. 585 00:24:44,330 --> 00:24:45,300 REALLY? MM-HMM. 586 00:24:45,330 --> 00:24:46,570 THAT'S A BIG DEAL. 587 00:24:46,600 --> 00:24:49,300 THEY'VE BEEN TRYING TO PUT A WRITER ON THAT FOR A WHILE NOW. 588 00:24:49,340 --> 00:24:52,040 YOU SEE THAT? THINGS ARE LOOKING UP ALREADY. 589 00:24:52,070 --> 00:24:54,510 YOU DONE WITH YOUR BATH, THERE, KING DONG? 590 00:24:55,880 --> 00:24:57,110 LET'S TOWEL YOU OFF, BIG BOY. 591 00:24:57,150 --> 00:24:59,650 WHAT'S WITH THE BIB, BUB? COME ON. 592 00:24:59,680 --> 00:25:01,080 I ATE SOME CRUSTACEANS. 593 00:25:01,120 --> 00:25:03,320 YOU LOOK LIKE YOU CRAWLED OUT OF A DUMPSTER 594 00:25:03,350 --> 00:25:04,690 BEHIND THE RED LOBSTER, 595 00:25:04,720 --> 00:25:06,860 AND YOU SMELL LIKE A MERMAID'S ASS CRACK. 596 00:25:41,720 --> 00:25:45,330 [ TOM PETTY'S "WAKE UP TIME" PLAYS ] 597 00:25:57,040 --> 00:25:58,740 [ SIGHS ] 598 00:25:58,770 --> 00:26:01,180 ANY POINTS FOR SAYING "I'M SORRY" 599 00:26:01,210 --> 00:26:02,810 IN A ROMANCE LANGUAGE? 600 00:26:02,850 --> 00:26:05,380 I DON'T KNOW. 601 00:26:05,410 --> 00:26:07,780 * YOU FOLLOW YOUR FEELINGS 602 00:26:07,820 --> 00:26:11,090 I'LL THINK ABOUT IT NEXT TIME I'M GOING DOWN ON THE WRONG GUY. 603 00:26:11,120 --> 00:26:12,620 FAIR ENOUGH. 604 00:26:12,660 --> 00:26:16,830 AS LONG HE'S THIN, BENT, AND UNCIRCUMCISED. 605 00:26:16,860 --> 00:26:19,090 THAT'S LOVELY. 606 00:26:23,970 --> 00:26:25,730 COME TO BED. 607 00:26:25,770 --> 00:26:29,200 * NEITHER ONE OF US KNOWS 608 00:26:29,240 --> 00:26:35,810 * YOU GOTTA KEEP ONE EYE OPEN THE FURTHER YOU GO * 609 00:26:38,850 --> 00:26:40,920 [ SIGHS ] 610 00:26:40,950 --> 00:26:44,950 * YOU NEVER DREAMED YOU'D GO DOWN ON ONE KNEE * 611 00:26:44,990 --> 00:26:47,920 I'M SORRY, BABY. 612 00:26:47,960 --> 00:26:49,690 I KNOW. 613 00:26:49,730 --> 00:26:51,290 ME TOO. 614 00:26:53,800 --> 00:26:56,970 I LOVE YOU. 615 00:26:57,000 --> 00:26:59,870 [ SIGHS ] 616 00:27:02,000 --> 00:27:04,010 I LOVE YOU, TOO. 617 00:27:06,270 --> 00:27:09,340 BUT WHAT IF THAT'S NOT ENOUGH? 618 00:27:13,750 --> 00:27:17,350 THIS IS NOT VERY GOOD PILLOW TALK. 619 00:27:17,390 --> 00:27:19,120 OH, SHUT UP. 620 00:27:19,150 --> 00:27:22,160 [ CHUCKLES ] 621 00:27:24,130 --> 00:27:28,460 * TIME TO OPEN UP YOUR EYES 622 00:27:28,500 --> 00:27:31,470 * AND RISE 623 00:27:31,500 --> 00:27:33,740 * AND SHINE 624 00:27:33,770 --> 00:27:35,270 -- Captions by VITAC -- www.vitac.com 625 00:27:35,300 --> 00:27:37,140 CLOSED CAPTIONING PROVIDED BY SHOWTIME NETWORKS 626 00:27:37,170 --> 00:27:38,470 AND BLIND DECKER PRODUCTIONS 627 00:27:38,510 --> 00:27:41,340 * YOU'RE JUST A POOR BOY 628 00:27:41,380 --> 00:27:44,480 * A LONG WAY FROM HOME 629 00:27:44,510 --> 00:27:47,450 * YOU'RE JUST A POOR BOY 630 00:27:47,480 --> 00:27:54,060 * A LONG WAY FROM HOME 631 00:27:54,090 --> 00:27:57,890 * AND IT'S WAKE UP TIME 632 00:27:57,930 --> 00:28:00,830 * TIME TO OPEN UP YOUR EYES 633 00:28:03,900 --> 00:28:07,000 * AND RISE 634 00:28:07,040 --> 00:28:09,440 * AND SHINE 43348

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