All language subtitles for Californication S01E06 Absinthe Makes the Heart Grow Fonder

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,130 --> 00:00:11,030 PREVIOUSLY ON "CALIFORNICATION"... 2 00:00:11,460 --> 00:00:12,730 MY NAME IS HANK. 3 00:00:12,760 --> 00:00:14,260 I KNOW. 4 00:00:14,300 --> 00:00:15,330 [ MOANS ] 5 00:00:15,370 --> 00:00:18,400 THIS IS MIA, BILL'S DAUGHTER. 6 00:00:18,440 --> 00:00:19,670 AND THIS IS HANK. 7 00:00:19,700 --> 00:00:21,370 YOU KNOW EACH OTHER? NO. 8 00:00:21,410 --> 00:00:22,610 I AM 16, YOU KNOW. 9 00:00:22,640 --> 00:00:24,670 SO I'VE BEEN TOLD. 10 00:00:24,710 --> 00:00:27,110 I WAS SUPPOSED TO BE THE GUEST SPEAKER 11 00:00:27,140 --> 00:00:28,350 AT MIA'S SCHOOL TODAY, 12 00:00:28,380 --> 00:00:29,750 BUT I HAVE TO GO OUT OF TOWN. 13 00:00:29,780 --> 00:00:31,280 THEY'RE VERY YOUNG. 14 00:00:31,320 --> 00:00:33,520 OH, SAY THAT AGAIN... SLOWER THIS TIME. 15 00:00:33,550 --> 00:00:35,450 MY FLESHY T.A. DIDN'T HEAR YOU. 16 00:00:35,490 --> 00:00:38,320 LOOK, JUST BE CAREFUL OF HIM AND THOSE OF HIS ILK. 17 00:00:38,360 --> 00:00:40,290 HANK MOODY, AS I LIVE AND BREATHE, 18 00:00:40,320 --> 00:00:41,790 ARE YOU LOOKING OUT FOR ME? 19 00:00:41,830 --> 00:00:42,790 BACK TO WORK. 20 00:00:42,830 --> 00:00:44,360 YES, SIR. 21 00:00:44,390 --> 00:00:46,230 ANYTHING YOU WANT TO TELL ME ABOUT? 22 00:00:46,260 --> 00:00:47,660 PLEASE. I'M A MARRIED MAN. 23 00:00:50,230 --> 00:00:52,700 IN THIS PAST LIFE OF OURS, WAS I MEAN? 24 00:00:52,740 --> 00:00:53,670 YOU WEREN'T MEAN, NO. 25 00:00:53,700 --> 00:00:56,510 BUT YOU CAN BE PRETTY HARD ON PEOPLE, HANK. 26 00:00:56,540 --> 00:00:58,110 I WISH IT WAS DIFFERENT. 27 00:00:58,140 --> 00:00:59,440 AND SO DO I. 28 00:01:05,550 --> 00:01:08,150 [ UP-TEMPO MUZAK PLAYS ] 29 00:01:34,280 --> 00:01:35,380 HEY. 30 00:01:35,410 --> 00:01:37,510 YIKES. 31 00:01:37,550 --> 00:01:39,920 DO YOU KNOW ANYTHING ABOUT WINE? 32 00:01:39,950 --> 00:01:44,520 WINE IS FINE, BUT WHISKEY IS QUICKER. 33 00:01:44,550 --> 00:01:47,320 SUICIDE IS SLOW WITH LIQUOR. 34 00:01:47,360 --> 00:01:48,430 OH. 35 00:01:48,460 --> 00:01:50,330 SABBATH. 36 00:01:50,360 --> 00:01:51,900 CLOSE -- OZZY, SOLO. 37 00:01:52,860 --> 00:01:54,530 BUT NICE TRY. 38 00:01:54,560 --> 00:01:56,570 THANKS. 39 00:01:56,600 --> 00:01:58,570 UM... THAT STUFF WILL KILL YOU. 40 00:01:58,600 --> 00:02:00,700 LIFE WILL KILL YOU. 41 00:02:00,740 --> 00:02:03,710 THAT'S HEAVY. IT WILL MAKE SENSE. 42 00:02:03,740 --> 00:02:05,810 TAKING IT IN. 43 00:02:05,840 --> 00:02:07,740 LET IT SINK IN. 44 00:02:14,820 --> 00:02:17,590 HERE YOU GO. 45 00:02:17,620 --> 00:02:20,420 NO, NO. I CAN'T LET YOU DO THAT. 46 00:02:20,460 --> 00:02:22,330 UNLESS YOU'VE GOT SOME "FUCK YOU" MONEY 47 00:02:22,360 --> 00:02:23,790 STASHED UP YOUR WHOSIE-WHATSIT, 48 00:02:23,830 --> 00:02:25,600 YOU'RE SHIT OUT OF PLACES TO LOOK. 49 00:02:25,630 --> 00:02:27,300 SO JUST TAKE IT. 50 00:02:27,330 --> 00:02:28,530 YOU'RE SWEET. 51 00:02:28,570 --> 00:02:30,300 IT'S MY PLEASURE. AND CUTE. 52 00:02:30,330 --> 00:02:31,640 OOH. 53 00:02:32,570 --> 00:02:33,540 THANK YOU. 54 00:02:33,570 --> 00:02:35,510 YOU'RE WELCOME. 55 00:02:37,010 --> 00:02:39,310 [ DOOR DINGS ] 56 00:02:39,340 --> 00:02:42,510 WHAT? IT'S A DAMSEL IN DISTRESS. 57 00:02:42,550 --> 00:02:44,850 I LOVE ALL WOMEN. I LOVE YOU. 58 00:02:44,880 --> 00:02:48,180 I'LL MAKE A RUN AT YOU, CRUSTY. I WILL. 59 00:02:49,820 --> 00:02:51,390 [ MUZAK CONTINUES ] 60 00:02:51,420 --> 00:02:53,420 [ DOOR DINGS ] 61 00:03:39,770 --> 00:03:42,370 [ INTRO TO GUS BLACK'S "PARANOID" PLAYS ] 62 00:03:47,640 --> 00:03:50,480 * DRINKING WITH MY WOMAN 63 00:03:50,510 --> 00:03:55,620 * 'CAUSE SHE, 'CAUSE SHE HELPS ME WITH MY MIND * 64 00:03:55,650 --> 00:03:58,590 * PEOPLE THINK I'M INSANE 65 00:03:58,620 --> 00:04:01,930 * 'CAUSE I AM FROWNING ALL THE TIME * 66 00:04:01,960 --> 00:04:03,790 I FUCKING LOVE VINYL. 67 00:04:03,830 --> 00:04:06,930 YEAH, IT JUST SOUNDS BETTER. 68 00:04:06,960 --> 00:04:10,930 IT'S WARMER, RIGHT? IT'S JUST HUMAN. 69 00:04:10,970 --> 00:04:12,700 YOU'RE JUST AN ANALOG GUY 70 00:04:12,740 --> 00:04:14,970 IN A DIGITAL WORLD, AREN'T YOU? 71 00:04:15,000 --> 00:04:17,840 I MIGHT STEAL THAT. 72 00:04:17,870 --> 00:04:22,050 WHAT IS YOUR NAME, BY THE WAY? 73 00:04:22,080 --> 00:04:27,680 WOULDN'T YOU RATHER JUST FUCK ME AND NEVER KNOW? 74 00:04:27,720 --> 00:04:30,690 OH, FUCK. WHO SAYS ROMANCE IS DEAD? 75 00:04:30,720 --> 00:04:34,790 * OH, YEAH 76 00:04:34,820 --> 00:04:38,660 * OH, YEAH 77 00:04:50,770 --> 00:04:53,010 [ KNOCKING ON DOOR ] 78 00:04:53,040 --> 00:04:54,340 AAH. 79 00:04:54,380 --> 00:04:56,780 [ GROANING ] 80 00:05:13,660 --> 00:05:14,900 [ DOOR OPENS ] 81 00:05:14,930 --> 00:05:17,070 OH, SHIT. YOU AGAIN? 82 00:05:19,040 --> 00:05:20,670 FUCK ME. 83 00:05:20,700 --> 00:05:21,770 ALL RIGHT, SURE. WHY NOT? 84 00:05:21,810 --> 00:05:23,570 STOP IT. I'VE BEEN ROBBED. 85 00:05:23,610 --> 00:05:25,480 SAVE THE DRAMA FOR YOUR MAMA. 86 00:05:25,510 --> 00:05:29,110 SHE STOLE MY GUITAR... AND MY RECORDS. 87 00:05:29,150 --> 00:05:32,450 MY RECORDS! OH, THE HUMANITY! 88 00:05:32,480 --> 00:05:33,980 WHO DID THIS? 89 00:05:34,020 --> 00:05:35,220 I DON'T KNOW. SOME GIRL. 90 00:05:35,250 --> 00:05:38,120 SHE LET YOU HAVE ACCESS TO THE MOST INTIMATE OF HER AREAS, 91 00:05:38,150 --> 00:05:39,720 AND SHE DIDN'T GIVE YOU HER NAME? 92 00:05:39,760 --> 00:05:42,460 WELL, IT SEEMED LIKE A PRETTY FAIR TRADE-OFF AT THE TIME. 93 00:05:42,490 --> 00:05:44,630 YOU SHOULD HAVE SEEN HER. WHAT DO YOU WANT? 94 00:05:44,660 --> 00:05:47,130 PEACE IN THE MIDDLE EAST, A TWO-HOUR ORGASM, 95 00:05:47,160 --> 00:05:49,170 A FEW PAGES OF YOUR LESSER WORK. 96 00:05:49,200 --> 00:05:50,070 THAT IS NOT POSSIBLE. 97 00:05:50,100 --> 00:05:52,470 THERE IS NO SUCH THING AS A TWO-HOUR ORGASM 98 00:05:52,500 --> 00:05:54,470 OR MY LESSER WORK. 99 00:05:54,500 --> 00:05:55,610 NO. NO? 100 00:05:55,640 --> 00:05:56,870 YES. YES? 101 00:05:56,910 --> 00:05:59,040 YES -- NO, IF YOU WANT LESSER WORK, 102 00:05:59,080 --> 00:06:01,040 JUST WRITE SOMETHING YOURSELF. 103 00:06:01,080 --> 00:06:02,610 I CAN'T. I'M LAZY. 104 00:06:02,650 --> 00:06:03,610 I'LL SAY. 105 00:06:03,650 --> 00:06:04,650 I'LL CRY RAPE. 106 00:06:04,680 --> 00:06:05,680 NO, YOU WON'T. 107 00:06:05,720 --> 00:06:07,420 HOW DO YOU KNOW? 108 00:06:07,450 --> 00:06:09,520 'CAUSE YOU ENJOY TORTURING ME ENTIRELY TOO MUCH. 109 00:06:09,550 --> 00:06:10,650 THAT'S TRUE. 110 00:06:10,690 --> 00:06:14,060 OKAY, LISTEN, YOU JUST WRITE SOMETHING -- 111 00:06:14,090 --> 00:06:17,960 ANYTHING -- OKAY, AND I WILL HELP YOU WITH IT. 112 00:06:17,990 --> 00:06:19,000 I'LL GIVE YOU NOTES. 113 00:06:19,030 --> 00:06:20,000 REALLY? 114 00:06:20,030 --> 00:06:21,000 YES. 115 00:06:21,030 --> 00:06:22,430 YOU'D DO THAT FOR ME? 116 00:06:22,470 --> 00:06:24,700 OF COURSE. WHY WOULDN'T I? 117 00:06:24,730 --> 00:06:26,570 MY OWN FATHER HASN'T EVEN SO MUCH 118 00:06:26,600 --> 00:06:28,970 AS OFFERED TO HELP ME WITH MY HOMEWORK, SO... 119 00:06:29,010 --> 00:06:30,910 YOU KNOW, AS MUCH AS I LOVE TO HEAR 120 00:06:30,940 --> 00:06:32,810 ABOUT BILL'S FAILINGS AS A PARENT, 121 00:06:32,840 --> 00:06:35,010 I DO NOT LIKE TO BE COMPARED TO HIM 122 00:06:35,040 --> 00:06:36,450 IN THE SAME SENTENCE. 123 00:06:36,480 --> 00:06:37,750 IT KIND OF CREEPS ME OUT. 124 00:06:37,780 --> 00:06:39,880 GIVEN THAT YOU'VE BEEN INSIDE OF ME AND ALL? 125 00:06:39,920 --> 00:06:41,150 SOMETHING LIKE THAT, OKAY. 126 00:06:41,180 --> 00:06:42,990 NOW, YOU'RE A SMART LITTLE SOCIOPATH. 127 00:06:43,020 --> 00:06:45,090 I'M SURE YOU CAN PUT TWO SENTENCES TOGETHER. 128 00:06:45,120 --> 00:06:47,790 NOW SCRAM. 129 00:06:47,820 --> 00:06:49,860 YOU WANTED ME? 130 00:06:49,890 --> 00:06:53,460 UH, HMM... YOU KNOW, I -- 131 00:06:53,500 --> 00:06:55,530 I DROPPED AN ADVIL ON THE FLOOR EARLIER 132 00:06:55,570 --> 00:06:56,630 AND COULDN'T FIND IT. 133 00:06:56,670 --> 00:06:58,170 I THOUGHT MAYBE YOU COULD... 134 00:06:58,200 --> 00:07:01,000 CRAWL AROUND AND LOOK FOR IT. 135 00:07:01,040 --> 00:07:03,770 WHATEVER YOU SAY, BOSS. 136 00:07:06,010 --> 00:07:08,010 MNH-MNH, MNH-MNH. GO SLOWLY. 137 00:07:08,040 --> 00:07:10,510 I DON'T WANT YOU TO MISS ANYTHING. 138 00:07:10,550 --> 00:07:11,310 YES, BOSS. 139 00:07:11,350 --> 00:07:13,750 MAYBE I SHOULD LOOK MORE CLOSELY. 140 00:07:13,780 --> 00:07:15,180 MM-HMM. 141 00:07:19,920 --> 00:07:22,630 POOR YOU. YOUR HEAD MUST BE THROBBING. 142 00:07:22,660 --> 00:07:26,730 IT -- IT -- IT IS ACTUALLY, A BIT. 143 00:07:28,730 --> 00:07:30,100 [ KNOCK ON DOOR, DOOR OPENS ] 144 00:07:30,130 --> 00:07:31,700 ANYBODY HOME? 145 00:07:31,740 --> 00:07:33,100 HEY, BABY! 146 00:07:33,140 --> 00:07:34,600 HI, BABY. 147 00:07:34,640 --> 00:07:36,110 GOOD AFTERNOON, MRS. RUNKLE. 148 00:07:36,140 --> 00:07:39,210 DANI? 149 00:07:40,280 --> 00:07:42,580 WHAT'S GOING ON? 150 00:07:42,610 --> 00:07:45,580 I DROPPED AN ADVIL ON THE FLOOR EARLIER AND COULDN'T FIND IT. 151 00:07:45,620 --> 00:07:47,720 I LOOKED MYSELF, YOU KNOW. AND THEN MY BACK JUST -- 152 00:07:47,750 --> 00:07:50,190 FOUND IT. 153 00:07:51,660 --> 00:07:53,260 OH. 154 00:07:53,290 --> 00:07:54,890 THANK YOU, DANI. 155 00:07:54,920 --> 00:07:56,630 [ CLICKS TONGUE ] 156 00:07:56,660 --> 00:07:58,490 THAT'S AN ADVIL. 157 00:08:00,300 --> 00:08:01,870 OH, YOU CAN TAKE LUNCH. 158 00:08:01,900 --> 00:08:03,970 OH, I'LL JUST EAT SOMETHING AT MY DESK. 159 00:08:04,000 --> 00:08:05,270 HMM. 160 00:08:09,610 --> 00:08:11,880 IT WAS NICE TO SEE YOU, MRS. RUNKLE. 161 00:08:13,910 --> 00:08:16,150 [ CLEARS THROAT ] 162 00:08:16,180 --> 00:08:19,150 SHE'S LIKE YOUR LITTLE SLAVE, THAT ONE. 163 00:08:19,180 --> 00:08:21,280 [ CHUCKLES NERVOUSLY ] 164 00:08:21,320 --> 00:08:24,090 UH, YOU WANT TO GET LUNCH? 165 00:08:24,120 --> 00:08:25,560 [ CLEARS THROAT ] 166 00:08:25,590 --> 00:08:27,690 I'D RATHER GET LAID. 167 00:08:27,720 --> 00:08:30,830 EXCUSE ME? 168 00:08:30,860 --> 00:08:33,030 I WANT TO CHANGE THINGS UP A LITTLE BIT. 169 00:08:33,060 --> 00:08:34,860 I USED TO COME BY FOR NOONERS 170 00:08:34,900 --> 00:08:36,800 ALL THE TIME WHEN YOU WERE AT CAA. 171 00:08:36,830 --> 00:08:39,670 YEAH, WELL, THAT WAS CAA. EVERYBODY WAS FUCKING EVERYBODY. 172 00:08:39,700 --> 00:08:42,740 BESIDES, DANI'S RIGHT OUTSIDE, THERE. 173 00:08:42,770 --> 00:08:43,840 EVEN BETTER. 174 00:08:43,870 --> 00:08:45,710 COME ON. 175 00:08:45,740 --> 00:08:48,680 I'LL LAP-DANCE YOU IF YOU THROW ME 20 BUCKS. 176 00:08:48,710 --> 00:08:49,950 OH. 177 00:08:49,980 --> 00:08:51,580 WOW. 178 00:08:51,620 --> 00:08:53,250 OH, YOU'RE ALREADY HALFWAY THERE. 179 00:08:53,280 --> 00:08:54,250 [ ZIPPER UNZIPS ] 180 00:08:54,280 --> 00:08:55,320 AHH. 181 00:08:55,350 --> 00:08:57,250 MMM, THAT'S IT. 182 00:08:57,290 --> 00:08:58,720 OH, OH! 183 00:08:58,760 --> 00:09:01,190 OH, YEAH. YEAH, BABY. 184 00:09:01,220 --> 00:09:03,260 THAT'S IT, BABY. 185 00:09:03,290 --> 00:09:04,690 BUT TAKE YOUR TIME. 186 00:09:04,730 --> 00:09:06,700 TAKE YOUR TIME. TAKE YOUR -- 187 00:09:06,730 --> 00:09:07,760 OH. 188 00:09:07,800 --> 00:09:09,770 [ SIGHS ] 189 00:09:09,800 --> 00:09:12,040 [ SIGHS HEAVILY ] 190 00:09:12,070 --> 00:09:13,640 [ EXHALES SHARPLY ] 191 00:09:13,670 --> 00:09:15,070 [ SIGHS ] 192 00:09:15,100 --> 00:09:17,840 MAYBE I'LL HIT NORDSTROM'S. 193 00:09:17,870 --> 00:09:20,110 Man: ALL RIGHT, TESTING, TESTING, 1, 2. 194 00:09:20,140 --> 00:09:21,750 HEY. 195 00:09:23,780 --> 00:09:26,020 GOOD. YOU'RE ON TIME, AS USUAL. 196 00:09:26,050 --> 00:09:29,620 THIS CHICK STOLE MY T-SHIRT -- MY FAVORITE T-SHIRT. 197 00:09:29,650 --> 00:09:32,220 THE "KEITH RICHARDS FOR PRESIDENT" ONE. 198 00:09:32,260 --> 00:09:35,730 THE ONE I GOT YOU AT THAT LITTLE BOUTIQUEY PLACE? 199 00:09:35,760 --> 00:09:36,730 I LOVE THAT. 200 00:09:36,760 --> 00:09:38,700 I KNOW. I'M SAD ABOUT IT. 201 00:09:38,730 --> 00:09:41,160 WHY DID SHE STEAL YOUR T-SHIRT? 202 00:09:41,200 --> 00:09:42,730 YOU REALLY WANT TO KNOW? 203 00:09:42,770 --> 00:09:44,130 GOOD POINT. 204 00:09:44,170 --> 00:09:47,300 LADIES AND GENTLEMEN, FROM VENICE, CALIFORNIA, 205 00:09:47,340 --> 00:09:50,240 PLEASE WELCOME KILL JILL! 206 00:09:50,270 --> 00:09:52,710 [ CHEERS AND APPLAUSE ] 207 00:10:01,220 --> 00:10:04,390 [ INTRO TO "DON'T LET US GET SICK" PLAYS ] 208 00:10:12,060 --> 00:10:14,700 * DON'T LET US GET SICK 209 00:10:14,730 --> 00:10:17,370 * DON'T LET US GET OLD 210 00:10:17,400 --> 00:10:22,170 * DON'T LET US GET STUPID, ALL RIGHT? * 211 00:10:22,210 --> 00:10:23,910 * JUST MAKE US BE BRAVE 212 00:10:23,940 --> 00:10:26,040 ARE YOU CRYING? 213 00:10:26,080 --> 00:10:27,310 SHUT UP. 214 00:10:27,340 --> 00:10:29,050 [ CHUCKLES ] 215 00:10:29,080 --> 00:10:30,380 ALLERGIES. 216 00:10:30,410 --> 00:10:32,750 * ...TONIGHT 217 00:10:34,080 --> 00:10:36,790 * 1, 2, 3, 4! 218 00:10:36,820 --> 00:10:37,990 [ TEMPO QUICKENS ] 219 00:10:38,020 --> 00:10:41,930 * DON'T LET US GET SICK 220 00:10:41,960 --> 00:10:44,760 * DON'T LET US GET OLD 221 00:10:44,790 --> 00:10:49,070 * DON'T LET US GET STUPID, ALL RIGHT? * 222 00:10:50,830 --> 00:10:53,370 * JUST MAKE US BE BRAVE 223 00:10:53,400 --> 00:10:56,270 * AND MAKE US PLAY NICE 224 00:10:56,310 --> 00:11:00,180 * AND LET US BE TOGETHER TONIGHT * 225 00:11:00,210 --> 00:11:03,180 [ CHEERS AND APPLAUSE ] 226 00:11:03,210 --> 00:11:04,780 WE SHOULD DO THIS MORE OFTEN. 227 00:11:04,810 --> 00:11:06,450 I MEAN, I'M NOT DELUDED OR ANYTHING. 228 00:11:06,480 --> 00:11:09,050 I KNOW YOU GUYS AREN'T GONNA LIVE HAPPILY EVER AFTER. 229 00:11:09,090 --> 00:11:11,790 IT'S JUST NICE TO BE TOGETHER SOMETIMES. 230 00:11:11,820 --> 00:11:13,790 AS LONG AS YOU GUYS DON'T HATE EACH OTHER, 231 00:11:13,820 --> 00:11:15,790 I DON'T SEE WHAT THE BIG DEAL IS. 232 00:11:15,830 --> 00:11:17,830 [ CELLPHONE RINGING ] 233 00:11:20,360 --> 00:11:23,070 OH, YOU KNOW, UM... THIS COULD BE UNCLE CHARLIE. 234 00:11:23,100 --> 00:11:24,330 SO I'M -- I'M GONNA JUST... 235 00:11:24,370 --> 00:11:26,100 SURE. 236 00:11:28,400 --> 00:11:29,970 YES. 237 00:11:30,010 --> 00:11:31,810 YOU HAVE TO COME GET ME. 238 00:11:31,840 --> 00:11:34,780 NO, I CAN'T DO THAT. I'M A LITTLE BUSY RIGHT NOW. 239 00:11:34,810 --> 00:11:36,780 ASSHOLE, YOU HAVE TO. I'M IN TROUBLE. 240 00:11:36,810 --> 00:11:39,180 WHAT KIND OF TROUBLE? 241 00:11:39,220 --> 00:11:41,180 REMEMBER MY TEACHER? 242 00:11:41,220 --> 00:11:43,050 HE'S COKED OUT OF HIS MIND, 243 00:11:43,090 --> 00:11:45,190 AND HE'S TRYING TO GET ME INTO A THREESOME. 244 00:11:45,220 --> 00:11:46,320 JESUS. FUCK. 245 00:11:46,360 --> 00:11:48,120 I can't call Karen. 246 00:11:48,160 --> 00:11:50,530 SHE'LL TELL MY DAD, AND I'LL BE IN A WORLD OF SHIT. 247 00:11:50,560 --> 00:11:53,330 DON'T YOU HAVE ANY FRIENDS WHO CAN COME GET YOU, 248 00:11:53,360 --> 00:11:55,160 a friend with a fucking learner's permit? 249 00:11:55,200 --> 00:11:56,400 AREN'T YOU MY FRIEND, HANK? 250 00:11:56,430 --> 00:11:58,270 IN A WORD, NO. 251 00:11:58,300 --> 00:12:01,340 DON'T WORRY ABOUT IT. I'LL FIGURE IT OUT MYSELF. 252 00:12:01,370 --> 00:12:04,410 Get the fuck off me, you asshole! 253 00:12:04,440 --> 00:12:07,440 HOLD ON, WHERE -- WHERE ARE YOU? 254 00:12:07,480 --> 00:12:10,050 HEY. 255 00:12:10,080 --> 00:12:11,780 HEY. 256 00:12:11,820 --> 00:12:13,780 DO YOU WANT TO GO TO THE MOVIES WITH US, DAD? 257 00:12:13,820 --> 00:12:14,850 OH, WOULD THAT I COULD, 258 00:12:14,880 --> 00:12:17,550 BUT IT TURNS OUT THAT WAS BALD OLD UNCLE CHARLIE. 259 00:12:17,590 --> 00:12:19,820 AND HE'S GOING THROUGH A ROUGH PATCH, 260 00:12:19,860 --> 00:12:21,830 AND HE KIND OF NEEDS A FRIENDLY EAR, SO... 261 00:12:21,860 --> 00:12:25,090 UNCLE CHARLIE, HUH? JUST AN EAR? NOTHING ELSE? 262 00:12:25,130 --> 00:12:27,830 DO YOU THINK I'D RATHER BE ANYWHERE ELSE? 263 00:12:29,830 --> 00:12:32,240 [ INSECTS CHIRPING ] 264 00:12:45,250 --> 00:12:46,480 [ LOUD UP-TEMPO MUSIC PLAYS ] 265 00:12:46,520 --> 00:12:48,220 HEY. 266 00:12:48,250 --> 00:12:49,950 [ SNORTING ] 267 00:12:49,990 --> 00:12:51,090 [ SIGHS ] 268 00:12:51,120 --> 00:12:53,360 MOODY! HANK FUCKING MOODY! YOU CAME! 269 00:12:53,390 --> 00:12:56,490 WHAT THE FUCK IS UP, MY BROTHER FROM ANOTHER MOTHER? 270 00:12:56,530 --> 00:12:58,160 WHERE IS SHE? 271 00:12:58,190 --> 00:13:01,200 MIA? I DON'T KNOW. SHE SAID SHE WAS GONNA CALL YOU. 272 00:13:01,230 --> 00:13:03,170 GLAD YOU COULD MAKE IT, MOFRO. 273 00:13:03,200 --> 00:13:04,470 YOU WERE EXPECTING ME? 274 00:13:04,500 --> 00:13:08,040 YEAH, WE THOUGHT YOU MIGHT WANT TO PARTAKE. LINE? 275 00:13:11,110 --> 00:13:13,080 LET'S GO. 276 00:13:13,110 --> 00:13:14,210 HEY, WHERE ARE YOU GOING, MAN? 277 00:13:14,240 --> 00:13:16,950 I WAS HOPING YOU MIGHT WANT TO GET IN ON THIS ACTION. 278 00:13:16,980 --> 00:13:18,350 GET IN ON WHAT ACTION? 279 00:13:18,380 --> 00:13:21,220 YOU AND ME AND BETTY AND VERONICA HERE MAKE THREE. 280 00:13:21,250 --> 00:13:23,490 WELL, FOUR, ACTUALLY. I'M SORRY. 281 00:13:23,520 --> 00:13:26,990 MY BAD. I'M FUCKING SNOW-BLIND RIGHT NOW. 282 00:13:27,020 --> 00:13:28,990 YOU NEED TO GET OUT OF THE WAY. 283 00:13:29,030 --> 00:13:30,390 YOU'RE A ONE-ON-ONE KIND OF GUY. 284 00:13:30,430 --> 00:13:32,130 TAP THAT ASS, DUDE. GO FOR IT. 285 00:13:32,160 --> 00:13:35,000 HEY, YOU'VE GOT TO DRINK THE NECTAR, RIGHT? 286 00:13:35,030 --> 00:13:36,570 ONE MORE WORD... 287 00:13:39,270 --> 00:13:41,100 [ INHALES DEEPLY ] 288 00:13:41,140 --> 00:13:43,970 ...AND I WILL PUT YOU THROUGH THAT FUCKING WALL. 289 00:13:44,010 --> 00:13:45,980 OKAY. 290 00:13:46,010 --> 00:13:48,380 WOULD YOU MIND READING SOMETHING OF MINE SOMETIME? 291 00:13:48,410 --> 00:13:50,110 THAT'S GOOD. 292 00:13:50,150 --> 00:13:53,580 [ GASPS, CHUCKLES ] 293 00:14:00,190 --> 00:14:02,160 [ ENGINE TURNS OFF ] 294 00:14:02,190 --> 00:14:06,030 FINE. GIVE ME THE SILENT TREATMENT. 295 00:14:06,060 --> 00:14:07,560 SEE WHERE IT GETS YOU. 296 00:14:07,600 --> 00:14:09,170 WHAT WERE YOU THINKING? 297 00:14:09,200 --> 00:14:11,370 I WANTED OUT OF THERE. 298 00:14:11,400 --> 00:14:12,440 YOU WEREN'T IN TROUBLE. 299 00:14:12,470 --> 00:14:15,100 SURE I WAS. I WAS IN DANGER OF BEING BORED TO DEATH. 300 00:14:15,140 --> 00:14:16,370 YOU CRIED WOLF. 301 00:14:16,410 --> 00:14:19,240 SO? MAYBE I JUST WANTED TO SEE YOU. 302 00:14:19,280 --> 00:14:20,640 DID YOU EVER THINK 303 00:14:20,680 --> 00:14:23,650 THAT MAYBE I DID NOT WANT TO SEE YOU. 304 00:14:23,680 --> 00:14:27,080 NEVER ENTERED MY MIND. YOU ENJOY THE BANTER TOO MUCH. 305 00:14:27,120 --> 00:14:30,020 WHAT I WAS ENJOYING WAS SPENDING TIME WITH MY DAUGHTER. 306 00:14:30,050 --> 00:14:32,020 AND KAREN? 307 00:14:32,060 --> 00:14:33,290 YES, AND KAREN. 308 00:14:33,320 --> 00:14:35,020 DON'T ENJOY IT TOO MUCH, PAL. 309 00:14:35,060 --> 00:14:36,030 WHY NOT? 310 00:14:36,060 --> 00:14:37,660 BECAUSE SHE'S MARRYING MY FATHER. 311 00:14:37,690 --> 00:14:40,000 YOU DON'T EVEN LIKE THE GUY. WHAT DO YOU CARE? 312 00:14:40,030 --> 00:14:42,130 YEAH, MAYBE HE'S NOT MUCH OF A PARENTAL FIGURE. 313 00:14:42,170 --> 00:14:44,400 IT DOESN'T MEAN I DON'T WANT TO SEE HIM HAPPY. 314 00:14:44,430 --> 00:14:46,540 AND SHE MAKES HIM HAPPY, HANK. 315 00:14:46,570 --> 00:14:49,540 CAPTAIN FANTASTIC. 316 00:14:49,570 --> 00:14:53,010 BUT THE QUESTION IS DOES HE MAKE HER HAPPY? 317 00:14:53,040 --> 00:14:53,840 I MEAN, RIGHT? 318 00:14:53,880 --> 00:14:55,710 THAT'S WHAT YOU REALLY WANT TO KNOW. 319 00:14:55,740 --> 00:14:57,250 WHY CAN'T YOU JUST ASK ME? 320 00:14:57,280 --> 00:14:59,120 WHY DON'T YOU JUST FUCK OFF? 321 00:14:59,150 --> 00:15:01,320 COME ON. WHAT DO YOU THINK? 322 00:15:01,350 --> 00:15:03,950 IN YOUR HEART OR HEARTS, WHAT'S YOUR BEST GUESS? 323 00:15:06,090 --> 00:15:07,590 I DON'T KNOW. 324 00:15:07,620 --> 00:15:09,630 [ CHUCKLES ] 325 00:15:09,660 --> 00:15:11,360 [ SIGHS ] 326 00:15:11,390 --> 00:15:13,600 [ SMOOCHES ] 327 00:15:13,630 --> 00:15:16,370 THANKS FOR THE RIDE. 328 00:15:27,340 --> 00:15:30,110 [ SIGHS ] 329 00:15:30,150 --> 00:15:33,120 HOW'S UNCLE CHARLIE? 330 00:15:33,150 --> 00:15:34,550 I JUST CAME BY TO SAY GOODNIGHT 331 00:15:34,580 --> 00:15:36,490 TO OUR LITTLE COURTNEY LOVE IN TRAINING. 332 00:15:36,520 --> 00:15:39,320 WELL, SHE WENT TO CELEBRATE WITH HER BANDMATES. 333 00:15:39,360 --> 00:15:40,320 WILL YOU PLEASE TELL HER 334 00:15:40,360 --> 00:15:42,690 THAT I WILL CALL HER FIRST THING IN THE MORNING. 335 00:15:42,730 --> 00:15:44,060 YES, I WILL. 336 00:15:47,100 --> 00:15:49,730 WHOA, SHE WAS A... 337 00:15:49,770 --> 00:15:51,330 SHE WAS GOOD TONIGHT, HUH? 338 00:15:51,370 --> 00:15:53,500 I KNOW. SHE WAS INCREDIBLE. 339 00:15:53,540 --> 00:15:54,770 AND WE MADE THAT. 340 00:15:54,800 --> 00:15:56,710 YOU MADE IT. 341 00:15:56,740 --> 00:15:59,410 YOU HELPED, LIKE, A TEENY BIT. 342 00:16:01,140 --> 00:16:02,380 ALL RIGHT. 343 00:16:02,410 --> 00:16:06,380 I APOLOGIZE. GOOD NIGHT. 344 00:16:08,180 --> 00:16:10,150 DO YOU WANT TO COME IN FOR A DRINK? 345 00:16:12,060 --> 00:16:14,160 UH... 346 00:16:14,190 --> 00:16:15,420 [ CHUCKLES ] 347 00:16:18,760 --> 00:16:21,460 [ DOG BARKING IN DISTANCE ] 348 00:16:21,500 --> 00:16:25,030 SO, UH, DID DANI SAY ANYTHING TO YOU 349 00:16:25,070 --> 00:16:27,700 ABOUT OUR LITTLE AFTERNOON SESSION? 350 00:16:27,740 --> 00:16:29,040 [ SNIFFS ] 351 00:16:29,070 --> 00:16:32,440 NO. NO. 352 00:16:32,480 --> 00:16:33,440 NO? 353 00:16:33,480 --> 00:16:35,240 WELL, I MEAN, EVEN IF SHE HEARD, 354 00:16:35,280 --> 00:16:38,780 IT'S NOT LIKE I TALK ABOUT MY LOVE LIFE WITH MY ASSISTANT. 355 00:16:38,810 --> 00:16:40,280 OKAY. 356 00:16:42,320 --> 00:16:44,290 [ INHALES DEEPLY ] 357 00:16:44,320 --> 00:16:46,160 ALTHOUGH, I HAVE TO SAY, YOU KNOW, 358 00:16:46,190 --> 00:16:48,520 WHEN YOU SAID THAT THING ABOUT HER BEING MY SLAVE, 359 00:16:48,560 --> 00:16:51,290 IT -- IT DID GET ME KIND OF THINKING. 360 00:16:51,330 --> 00:16:53,300 THINKING ABOUT WHAT? 361 00:16:53,330 --> 00:16:56,300 YOU KNOW, UM... ROLE-PLAYING. 362 00:16:56,330 --> 00:16:58,170 YOU KNOW, MASTER/SLAVE, 363 00:16:58,200 --> 00:17:01,440 DOMINANCE/SUBMISSION, BONDAGE. 364 00:17:01,470 --> 00:17:04,440 YOU KNOW, WE NEVER TRIED ANY OF THAT STUFF. 365 00:17:04,470 --> 00:17:05,710 I'M JUST TRYING TO, YOU KNOW, 366 00:17:05,740 --> 00:17:08,410 MIX THINGS UP A LITTLE BIT, LIKE YOU DID TODAY. 367 00:17:08,440 --> 00:17:11,550 OKAY. OKAY, I HEAR YOU. 368 00:17:11,580 --> 00:17:15,720 SO, UH, DO YOU WANT ME TO BEAT THE CRAP OUT OF YOU? 369 00:17:15,750 --> 00:17:19,590 UH...IF YOU... 370 00:17:19,620 --> 00:17:22,290 IF YOU WANT, I GUESS. 371 00:17:22,330 --> 00:17:25,260 OR, YOU KNOW, I COULD BEAT YOU UP, 372 00:17:25,290 --> 00:17:26,860 WHICHEVER YOU PREFER. 373 00:17:26,900 --> 00:17:28,500 OR NOBODY HAS TO BEAT ANYBODY UP. 374 00:17:28,530 --> 00:17:30,300 WE JUST -- THERE'S A MASTER AND A SLAVE. 375 00:17:30,330 --> 00:17:34,440 AND THE SLAVE DOES WHATEVER THE MASTER TELLS HER TO. 376 00:17:34,470 --> 00:17:38,610 "HER" BEING ME, YOUR SLAVE. 377 00:17:38,640 --> 00:17:42,510 IN THAT EXAMPLE, YEAH. 378 00:17:42,550 --> 00:17:44,780 OKAY, SO... 379 00:17:44,810 --> 00:17:46,180 [ CLEARS THROAT ] 380 00:17:46,220 --> 00:17:48,150 WHAT DO YOU WANT ME TO DO? 381 00:17:48,180 --> 00:17:53,360 UH, UM, YOU KNOW, WHATEVER MAKES YOU HAPPY, RIGHT? 382 00:17:53,390 --> 00:17:54,620 MAYBE YOU WANT ME 383 00:17:54,660 --> 00:17:57,630 TO MAKE YOU WEAR A BALL GAG IN YOUR MOUTH. 384 00:17:57,660 --> 00:17:59,730 OR MAYBE YOU WOULD WANT ME TO DRIP HOT CANDLE WAX 385 00:17:59,760 --> 00:18:01,400 ON YOUR NIPPLES. 386 00:18:01,430 --> 00:18:03,530 OR MAYBE YOU LIKE TO BE TEASED, RIGHT? 387 00:18:03,570 --> 00:18:05,770 I COULD BRING YOU TO THE BRINK OF ORGASM 388 00:18:05,800 --> 00:18:07,770 WITHOUT EVER LETTING YOU COME. 389 00:18:07,800 --> 00:18:10,540 I FEEL LIKE WE'VE DONE THAT. 390 00:18:10,570 --> 00:18:12,680 [ SCOFFS ] 391 00:18:12,710 --> 00:18:16,850 ALL RIGHT, MAYBE -- MAYBE YOU WANT ME TO PEE ON YOU. 392 00:18:16,880 --> 00:18:18,680 WHY WOULD I WANT YOU TO PEE ON ME? 393 00:18:18,710 --> 00:18:19,920 I DON'T KNOW. I JUST -- 394 00:18:19,950 --> 00:18:21,650 I KNOW THERE'S PEOPLE THAT DO THAT. 395 00:18:21,680 --> 00:18:23,820 OKAY, THAT'S ALL. 396 00:18:23,850 --> 00:18:25,420 LOOK, BABY, I'M IN. 397 00:18:25,450 --> 00:18:28,560 JUST START DOING SOME SHIT TO ME. 398 00:18:28,590 --> 00:18:31,330 WE'LL SEE HOW IT GOES, OKAY? 399 00:18:33,830 --> 00:18:36,230 YOU KNOW WHAT, WE SHOULD PROBABLY HAVE A SAFE WORD, 400 00:18:36,270 --> 00:18:38,500 RIGHT, YOU KNOW, SO I KNOW WHAT YOUR LIMITS ARE. 401 00:18:38,530 --> 00:18:41,900 HOW ABOUT, "DON'T PEE ON ME"? 402 00:18:41,940 --> 00:18:46,240 OKAY, THAT SHOULD WORK. 403 00:18:47,740 --> 00:18:49,450 OW! GOD DAMN IT! 404 00:18:49,480 --> 00:18:50,710 SORRY. SORRY. 405 00:18:50,750 --> 00:18:53,280 OKAY, OKAY, LET ME RUB IT. 406 00:18:53,320 --> 00:18:55,380 DON'T TOUCH IT! 407 00:18:55,420 --> 00:18:57,150 OKAY. 408 00:18:59,720 --> 00:19:02,230 * GOOD MORNING, DEAR 409 00:19:02,260 --> 00:19:03,790 [ CHUCKLES ] 410 00:19:05,930 --> 00:19:11,330 WHAT WOULD YOU DO IF OUR LITTLE SPAWN 411 00:19:11,370 --> 00:19:13,740 ACTUALLY BECAME, LIKE, A ROCK STAR? 412 00:19:13,770 --> 00:19:15,340 I WOULD BE REALLY PROUD OF HER. 413 00:19:15,370 --> 00:19:16,340 YOU WOULD? 414 00:19:16,370 --> 00:19:17,210 AND I WOULD BE THERE 415 00:19:17,240 --> 00:19:19,440 TO HELP PUMP HER STOMACH WHEN SHE OD'd. 416 00:19:19,480 --> 00:19:21,440 OH, GOD. 417 00:19:21,480 --> 00:19:23,980 DO YOU THINK SHE'S EVER... 418 00:19:24,010 --> 00:19:26,320 DO YOU THINK SHE'S EVER SMOKED POT? 419 00:19:26,350 --> 00:19:27,850 I MEAN, LIKE, SUCCESSFULLY. 420 00:19:27,880 --> 00:19:28,750 NO, NO, SHE TOLD ME 421 00:19:28,780 --> 00:19:31,820 THAT SHE SAW YOU AND BILL GET HIGH ONCE, 422 00:19:31,850 --> 00:19:33,620 AND IT SO CREEPED HER OUT 423 00:19:33,660 --> 00:19:35,890 THAT SHE SWORE TO ME SHE WAS NEVER GONNA TRY IT. 424 00:19:35,920 --> 00:19:38,360 SO, WELL DONE WITH THAT. 425 00:19:38,390 --> 00:19:39,500 BILL -- 426 00:19:39,530 --> 00:19:40,660 YEAH? 427 00:19:40,700 --> 00:19:44,530 BILL SAW -- HE SAW A SPIDER. 428 00:19:44,570 --> 00:19:46,270 A SPIDER? 429 00:19:46,300 --> 00:19:50,470 THAT GUY, HE IS THE BIGGEST FUCKING PANSY IN CAPTIVITY. 430 00:19:51,970 --> 00:19:53,710 YOU HAPPY? 431 00:19:55,440 --> 00:19:56,550 WHAT? 432 00:19:56,580 --> 00:19:58,710 IT'S A SIMPLE QUESTION. ARE YOU HAPPY? 433 00:19:58,750 --> 00:20:00,750 I DON'T EVEN KNOW WHAT THAT MEANS ANYMORE. 434 00:20:00,780 --> 00:20:03,450 ALL RIGHT, I'LL -- I'LL MAKE IT SPECIFIC. 435 00:20:03,490 --> 00:20:05,720 DOES BILL MAKE YOU HAPPY? 436 00:20:05,750 --> 00:20:07,420 YES. 437 00:20:07,460 --> 00:20:10,690 BULLSHIT! NO! NO, NO! 438 00:20:10,730 --> 00:20:13,430 HE DOES. HE MAKES ME REALLY HAPPY. 439 00:20:13,460 --> 00:20:14,930 LIKE I MADE YOU HAPPY? 440 00:20:14,960 --> 00:20:16,430 YOU MADE ME FUCKING INSANE. 441 00:20:16,470 --> 00:20:17,930 SERIOUSLY, I NEVER MADE YOU HAPPY? 442 00:20:17,970 --> 00:20:18,930 I MADE YOU INSANE? 443 00:20:18,970 --> 00:20:22,440 I MEAN, ONCE UPON A TIME, YOU MADE ME HAPPY. 444 00:20:22,470 --> 00:20:24,510 BUT THEN YOU MADE ME CRAZY, 445 00:20:24,540 --> 00:20:27,480 AND THAT WAS OKAY, TOO, FOR A WHILE. 446 00:20:27,510 --> 00:20:29,310 BUT THEN I -- I EVOLVED. 447 00:20:29,350 --> 00:20:31,480 YOU OUTGREW ME. I UNDERSTAND. 448 00:20:31,510 --> 00:20:32,350 AND I DIDN'T? 449 00:20:32,380 --> 00:20:34,850 NO, YOU STAYED RIGHT IN THE CRAZY ZONE. 450 00:20:34,880 --> 00:20:37,320 WELL, THAT IS A HELL OF A WAY 451 00:20:37,350 --> 00:20:39,920 TO SUM UP A DECADE-LONG LOVE AFFAIR. 452 00:20:39,960 --> 00:20:44,590 WELL, MR. MOODY... HOW WOULD YOU SUM IT UP? 453 00:20:44,630 --> 00:20:47,000 I WOULD SAY WE LOVED EACH OTHER TOO MUCH. 454 00:20:47,030 --> 00:20:48,700 TOO MUCH. 455 00:20:48,730 --> 00:20:50,370 AND I THINK WE MADE THE MISTAKE 456 00:20:50,400 --> 00:20:51,970 OF GETTING IT RIGHT THE FIRST TIME, 457 00:20:52,000 --> 00:20:54,440 AND THAT PUT AN INSANE AMOUNT OF PRESSURE ON US 458 00:20:54,470 --> 00:20:55,700 TO KEEP IT GOING. 459 00:20:55,740 --> 00:20:58,940 AND...WE BUCKLED. 460 00:20:58,970 --> 00:21:02,450 YOU KNOW WHAT I MISS MOST ABOUT -- 461 00:21:02,480 --> 00:21:06,450 WELL, ASIDE FROM BECCA, OF COURSE. 462 00:21:08,350 --> 00:21:10,590 I MISS YOUR SMELL. 463 00:21:10,620 --> 00:21:12,590 THAT'S IT? 464 00:21:12,620 --> 00:21:14,490 WHEN YOU LEFT, I COULDN'T WASH THE SHEETS 465 00:21:14,520 --> 00:21:16,730 BECAUSE I DIDN'T WANT TO LOSE THAT COMPLETELY -- YOU. 466 00:21:16,760 --> 00:21:20,400 AND IT FUCKED ME UP FOR A LONG TIME 467 00:21:20,430 --> 00:21:22,870 BECAUSE I WOULD WAKE UP AND I'D SMELL YOU 468 00:21:22,900 --> 00:21:24,870 AND I'D THINK YOU WERE THERE. 469 00:21:24,900 --> 00:21:27,940 AND THAT WOULD -- MY HEART WOULD BREAK ALL OVER AGAIN. 470 00:21:27,970 --> 00:21:32,070 I THINK THAT'S WHY I GO IN FOR THE KISS ALL THE TIME. 471 00:21:32,110 --> 00:21:33,680 I KNOW, YEAH. 472 00:21:33,710 --> 00:21:37,410 I THINK I'M GOING FOR... ANOTHER HIT. 473 00:21:37,450 --> 00:21:40,350 HAVE YOU WASHED THOSE SHEETS YET? 474 00:21:40,380 --> 00:21:43,350 OH, WELL, YOU KNOW, I HAD TO THROW THEM AWAY. 475 00:21:43,390 --> 00:21:44,490 OH, GOOD. 476 00:21:44,520 --> 00:21:46,360 YEAH, THIS HOT LITTLE STARBUCKS BARISTA 477 00:21:46,390 --> 00:21:48,360 GOT HER PERIOD ALL OVER THEM. 478 00:21:48,390 --> 00:21:51,630 [ Laughing ] YOU'RE SO FUCKING DISGUSTING. 479 00:21:51,660 --> 00:21:53,600 YOU SEE? LOOK AT THAT. YOU SEE? 480 00:21:53,630 --> 00:21:55,800 WHY DO YOU HAVE TO SAY SHIT LIKE THAT? 481 00:21:55,830 --> 00:21:57,500 IF I CAN MAKE YOU LAUGH LIKE THAT, 482 00:21:57,530 --> 00:21:58,700 WHY CAN'T WE BE TOGETHER? 483 00:21:58,730 --> 00:22:00,440 THAT'S WHAT I DON'T UNDERSTAND. 484 00:22:00,470 --> 00:22:02,810 YOU KNOW WHAT? YOU DON'T WANT TO BE WITH ME. 485 00:22:02,840 --> 00:22:04,910 YOU THINK -- I KNOW YOU THINK YOU DO. 486 00:22:04,940 --> 00:22:06,510 OH. 487 00:22:06,540 --> 00:22:08,680 BUT IF I WERE TO GIVE MYSELF TO YOU, 488 00:22:08,710 --> 00:22:10,550 YOU WOULD RUN FOR THE HILLS, 489 00:22:10,580 --> 00:22:12,380 'CAUSE YOU'RE NOT IN LOVE WITH ME, HANK. 490 00:22:12,420 --> 00:22:17,650 YOU'RE IN LOVE WITH THE IDEA -- THE IDEA OF LOVE. 491 00:22:17,690 --> 00:22:20,060 NOW, ON THAT BRAVE, PROFOUND NOTE, 492 00:22:20,090 --> 00:22:22,930 I'M GONNA GO AND GET SOME COFFEE. 493 00:22:22,960 --> 00:22:24,660 HOW YOU CAN BE SO FUCKING BEAUTIFUL 494 00:22:24,690 --> 00:22:25,990 AND SO FUCKING WRONG? 495 00:22:26,030 --> 00:22:28,600 * ...CHANGED 496 00:22:28,630 --> 00:22:36,740 * BUT THE GARDEN THAT YOU PLANTED REMAINS * 497 00:22:40,480 --> 00:22:41,710 WHAT? 498 00:22:41,740 --> 00:22:43,650 YOU'RE RUNNING FOR THE HILLS. 499 00:22:43,680 --> 00:22:46,420 UNH-UNH. YES, YOU ARE. 500 00:22:46,450 --> 00:22:47,580 WHOA, WHOA, WHOA. 501 00:22:47,620 --> 00:22:48,780 WHOA, WHOA, HEY! 502 00:22:50,890 --> 00:22:53,590 OH, MY GOD! 503 00:22:53,620 --> 00:22:54,720 I'M SORRY. 504 00:23:17,250 --> 00:23:18,210 [ GASPS ] 505 00:23:18,250 --> 00:23:19,850 CALM DOWN, GIRLY MAN. 506 00:23:19,880 --> 00:23:22,050 IT'S NOT LIKE I BLEW YOU OR ANYTHING. 507 00:23:22,080 --> 00:23:23,190 GET OFF OF ME. 508 00:23:23,220 --> 00:23:25,050 HEY, I'M TAKING YOU UP ON YOUR OFFER. 509 00:23:25,090 --> 00:23:26,790 READ THIS AND GIVE ME NOTES. 510 00:23:26,820 --> 00:23:27,920 NOW?! 511 00:23:27,960 --> 00:23:29,990 YEAH. WHAT ELSE ARE YOU DOING? 512 00:23:30,030 --> 00:23:31,860 WHAT HAPPENED LAST NIGHT? 513 00:23:31,890 --> 00:23:34,460 TOO DRUNK TO DRIVE? TOO LIMP TO FUCK? 514 00:23:34,500 --> 00:23:36,530 DOES MY FATHER HAVE ANYTHING TO WORRY ABOUT? 515 00:23:36,570 --> 00:23:38,200 Karen: HEY, MIA? 516 00:23:38,230 --> 00:23:40,470 MIA? 517 00:23:40,500 --> 00:23:42,140 OH! 518 00:23:42,170 --> 00:23:43,870 [ KNOCK ON DOOR ] 519 00:23:43,910 --> 00:23:46,680 HEY. YOU'RE UP. 520 00:23:46,710 --> 00:23:47,910 GOOD MORNING... TO YOU. 521 00:23:47,940 --> 00:23:49,480 HAVE YOU SEEN MIA ANYWHERE? 522 00:23:49,510 --> 00:23:51,480 NO, WHO? MIA, NO. 523 00:23:51,510 --> 00:23:53,620 NO. 524 00:23:53,650 --> 00:23:55,780 UH, OKAY. 525 00:23:55,820 --> 00:23:57,820 ABOUT LAST NIGHT... 526 00:23:57,850 --> 00:24:00,260 LET'S -- LET'S -- LET'S NOT AND SAY WE DID. 527 00:24:00,290 --> 00:24:02,760 REALLY? YOU DON'T WANT TO TALK ABOUT IT? 528 00:24:02,790 --> 00:24:05,060 NOT SO MUCH...NOW. 529 00:24:05,090 --> 00:24:06,060 THAT'S FINE. 530 00:24:06,090 --> 00:24:07,800 I'M JUST A LITTLE RAW. 531 00:24:07,830 --> 00:24:10,770 IT'S TOO SOON FOR ME. 532 00:24:10,800 --> 00:24:13,640 ARE YOU OKAY? YOU'RE BEING KIND OF WEIRD. 533 00:24:13,670 --> 00:24:14,740 DO YOU FEEL -- 534 00:24:14,770 --> 00:24:16,870 NO, NO, I'M GOOD. I'M GOOD. 535 00:24:16,910 --> 00:24:19,010 DO YOU WANT ME TO GET YOU SOME ADVIL? 536 00:24:19,040 --> 00:24:21,540 NO, NO, NO. NO, NO. NO, I'M GOOD. 537 00:24:21,580 --> 00:24:23,110 I'LL PUT SOME COFFEE ON. 538 00:24:23,150 --> 00:24:26,780 THANK YOU. YOU'RE TOO GOOD TO ME. 539 00:24:26,820 --> 00:24:29,050 OOH. WHAT ABOUT LAST NIGHT? 540 00:24:29,080 --> 00:24:32,090 DOES MY FATHER HAVE ANYTHING TO WORRY ABOUT? 541 00:24:32,120 --> 00:24:33,560 NO MORE THAN USUAL. 542 00:24:33,590 --> 00:24:35,590 [ INDISTINCT CONVERSATIONS ] 543 00:24:38,560 --> 00:24:40,800 OH, MY GOD! 544 00:24:40,830 --> 00:24:42,530 YOU LOOK SO LAME. 545 00:24:42,570 --> 00:24:44,300 WELL, GOOD, BECAUSE THAT'S EXACTLY THE LOOK 546 00:24:44,330 --> 00:24:45,630 THAT I'M GOING FOR. 547 00:24:45,670 --> 00:24:46,900 HAVE A SEAT. 548 00:24:46,940 --> 00:24:48,300 DON'T MIND IF I DO. 549 00:24:48,340 --> 00:24:49,300 COFFEE? 550 00:24:49,340 --> 00:24:51,770 FOR THE LOVE OF GOD, YES. 551 00:24:51,810 --> 00:24:53,310 TIMES? 552 00:24:53,340 --> 00:24:55,040 BOO-YA. 553 00:24:55,080 --> 00:24:57,050 [ BIRDS CHIRPING ] 554 00:25:05,690 --> 00:25:08,060 [ CHUCKLES ] 555 00:25:08,090 --> 00:25:09,290 WHAT? 556 00:25:09,320 --> 00:25:10,630 HMM. 557 00:25:10,660 --> 00:25:14,160 [ TELEPHONE RINGS ] 558 00:25:14,200 --> 00:25:15,900 YOU EAT POP-TARTS? 559 00:25:15,930 --> 00:25:17,200 HELLO? 560 00:25:17,230 --> 00:25:18,230 POP-TARTS? 561 00:25:19,940 --> 00:25:22,270 UH-HUH. I KNOW. 562 00:25:22,300 --> 00:25:23,870 [ MUMBLING ] 563 00:25:23,910 --> 00:25:25,610 YEAH, WE'RE GOOD. 564 00:25:25,640 --> 00:25:28,140 [ BOTH LAUGH ] 565 00:25:28,180 --> 00:25:30,980 I KNOW. YEAH, WE MISS YOU, TOO. 566 00:25:31,010 --> 00:25:33,880 SO MUCH. 567 00:25:33,920 --> 00:25:36,890 WHEN ARE YOU COMING BACK? 568 00:25:36,920 --> 00:25:39,720 OKAY, UH-HUH. YEAH. 569 00:25:39,760 --> 00:25:42,760 I've got to go. 570 00:25:42,790 --> 00:25:44,290 I'LL CALL YOU LATER. 571 00:25:44,330 --> 00:25:45,290 BYE. 572 00:25:45,330 --> 00:25:47,300 BYE-BYE, MIA. 573 00:25:47,330 --> 00:25:51,130 YES, SHE'S RIGHT HERE. 574 00:25:51,170 --> 00:25:52,270 [ SNIFFS ] 575 00:25:52,300 --> 00:25:53,270 MMM. 576 00:25:53,300 --> 00:25:55,170 WHAT? 577 00:25:55,200 --> 00:25:58,670 [ INTRO TO "DON'T LET US GET SICK" PLAYS ] 578 00:26:01,680 --> 00:26:06,010 * DON'T LET US GET SICK 579 00:26:06,050 --> 00:26:09,750 * DON'T LET US GET OLD 580 00:26:09,790 --> 00:26:13,160 * DON'T LET US GET STUPID, ALL RIGHT? * 581 00:26:13,190 --> 00:26:15,290 Mia: "ROME IS BURNING," HE SAID, 582 00:26:15,320 --> 00:26:17,760 AS HE POURED HIMSELF ANOTHER DRINK. 583 00:26:17,790 --> 00:26:20,760 "YET HERE I AM, KNEE-DEEP IN A RIVER OF PUSSY." 584 00:26:20,800 --> 00:26:21,960 "HERE IT COMES," SHE THOUGHT, 585 00:26:22,000 --> 00:26:24,770 "ANOTHER SELF-INDULGENT, WHISKEY-SOAKED DIATRIBE 586 00:26:24,800 --> 00:26:27,170 ABOUT HOW FUCKING GREAT EVERYTHING WAS IN THE PAST..." 587 00:26:27,200 --> 00:26:28,370 [ KNOCK ON DOOR ] 588 00:26:28,400 --> 00:26:31,640 "...AND HOW ALL US POOR SOULS BORN TOO LATE 589 00:26:31,670 --> 00:26:33,180 "TO SEE THE STONES AT WHEREVER 590 00:26:33,210 --> 00:26:36,650 "OR SNORT THE GOOD COKE LIKE THEY HAD AT STUDIO 54, 591 00:26:36,680 --> 00:26:38,180 "WELL, WE HAD ALL JUST MISSED OUT 592 00:26:38,210 --> 00:26:40,920 ON PRACTICALLY EVERYTHING WORTH LIVING FOR." 593 00:26:40,950 --> 00:26:44,190 AND THE WORST PART WAS, SHE AGREED WITH HIM. 594 00:26:44,220 --> 00:26:46,420 I FELT BAD. 595 00:26:46,450 --> 00:26:51,390 YOU WERE SO NICE TO ME, AND I TOTALLY TOOK ADVANTAGE. 596 00:26:53,730 --> 00:26:55,360 SO... 597 00:26:55,400 --> 00:26:58,830 DO YOU WANT TO GET HIGH AND LISTEN TO SOME RECORDS? 598 00:26:58,870 --> 00:27:02,040 * DON'T LET US GET SICK 599 00:27:02,070 --> 00:27:04,440 * DON'T LET US GET OLD 600 00:27:04,470 --> 00:27:08,780 BY THE WAY, MY NAME IS -- 601 00:27:08,810 --> 00:27:12,780 "HERE WE ARE," SHE THOUGHT, "AT THE EDGE OF THE WORLD, 602 00:27:12,820 --> 00:27:15,780 "THE VERY EDGE OF WESTERN CIVILIZATION, 603 00:27:15,820 --> 00:27:19,450 "AND ALL OF US ARE SO DESPERATE TO FEEL SOMETHING, 604 00:27:19,490 --> 00:27:22,190 "ANYTHING, THAT WE KEEP FALLING INTO EACH OTHER 605 00:27:22,220 --> 00:27:24,460 AND FUCKING OUR WAY TOWARDS THE END OF DAYS." 606 00:27:24,490 --> 00:27:29,830 * AND LET US BE TOGETHER TONIGHT * 607 00:27:29,870 --> 00:27:36,140 * AND LET US BE TOGETHER TONIGHT * 608 00:27:46,280 --> 00:27:49,250 -- Captions by VITAC -- www.vitac.com 609 00:27:49,280 --> 00:27:52,890 CLOSED CAPTIONING PROVIDED BY SHOWTIME NETWORKS AND BLIND DECKER PRODUCTIONS 40627

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