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[CAPTIONING MADE POSSIBLE BY
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TURNER ENTERTAINMENT GROUP]
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>> � LA LA LA LA LA �
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>> NO, SHAPEY!
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>> MINE!
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>> OREL, PLAY NICE WITH YOUR
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LITTLE BROTHER.
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>> MOM, HE WAS POINTING THE
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B.B. GUN RIGHT AT HIS EYE.
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>> WELL, YOU'RE THE OLDER ONE.
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DEAL WITH IT.
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>> AAGH!
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>> AND, FOR GOODNESS SAKES,
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GIVE HIM HIS TOY BACK.
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THE WHOLE NEIGHBORHOOD IS GOING
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TO THINK I'M A BAD MOTHER.
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>> SORRY, MOM.
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>> OOH, DARK!
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>> SHAPEY, BE CAREFUL.
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DON'T PULL THE TRIGGER.
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>> DA-DA!
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>> OREL,
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YOU KNOW THE RULE.
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DON'T UPSET YOUR BROTHER UNTIL
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DADDY'S HAD HIS HIGHBALL.
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>> SORRY, DAD.
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BUT SHAPEY--
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>> IS ONLY 7.
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YOU SHOULD KNOW BETTER.
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>> BUT--
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>> NO "BUTS," YOUNG MAN.
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YOU NEED TO BEHAVE MORE LIKE AN
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ADULT AROUND HERE.
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>> BUT I'M ONLY 12.
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>> THAT'S NO EXCUSE.
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WHY, YOU'RE OWN PERSONAL HERO
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JESUS WAS VERY MATURE AT YOUR
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AGE.
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>> HE WAS?
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>> OF COURSE.
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AT 12, HE WAS ALREADY BUSY
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PROVING THE JEWS WRONG.
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>> WOW.
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[POW]
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YEOW!
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>> OREL!
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>> OH!
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OW!
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>> HOLD STILL OR IT WILL GET
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INFECTED.
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AND THEN YOU'LL LOOK EVEN
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SILLIER.
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>> BUT IT STINGS.
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>> THAT MEANS THE CHEMICALS ARE
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WORKING.
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[KNOCK ON DOOR]
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>> EXCUSE ME, FAMILY.
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DADDY NEEDS TO POWDER HIS
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BLADDER.
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>> SORRY.
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OREL HAD AN ACCIDENT WITH THE
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B.B. GUN.
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>> HA HA HA HA.
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WELL, YOU SHOULD BE MORE
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CAREFUL, SON.
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>> I WAS, DAD.
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BUT I WAS DISTRACTED.
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>> BY WHAT?
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>> JESUS.
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>> JESUS, EH?
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>> YEAH.
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I COULDN'T STOP THINKING ABOUT
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HOW MATURE HE ALREADY WAS AT 12.
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>> THAT'S RIGHT.
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HE WAS.
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>> HOW CAN I BE LIKE THAT, DAD?
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>> WELL, YOU HAVE A WHOLE TOWN
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FULL OF ROLE MODELS.
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WHY DON'T YOU OBSERVE THE
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BEHAVIOR OF ADULTS RIGHT HERE IN
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MORALTON.
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>> GOLLY, GOOD IDEA.
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AND I THINK I KNOW THE PERFECT
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PLACE TO START.
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>> GEE...
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WHY ARE WE SNEAKING AROUND THIS
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TAVERN, OREL?
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>> BECAUSE, DOUGHY, I NEED TO
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OBSERVE MATURITY.
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AND I FIGURE THERE'S NO MORE
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MATURE PLACE THAN--
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>> FOOTBALL!
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>> HOCKEY!
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>> FOOTBALL!
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>> HOCKEY!
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>> AAGH!
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FOOTBALL!
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>> HOCKEY!
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>> FOOTBALL!
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>> HOCKEY!
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>> FOOTBALL!
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>> HOCKEY!
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>> OH, NOW'S OUR CHANCE.
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>> HOCKEY!
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>> FOOTBALL!
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>> � SAD, SAD, SAD �
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>> WOW, LOOK.
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THEY'RE ALL HERE.
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MS. SENSORDOLL, THE LIBRARIAN,
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COACH STOPFRAME, PRINCIPAL
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FAKEY, OFFICER PAPERMOUTH.
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ALL OF THEM UNDER ONE ROOF.
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>> GOSH.
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PRINCIPAL FAKEY IS KISSING
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NURSE BLINKLESS.
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I DON'T UNDERSTAND.
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ISN'T HE MARRIED TO MRS. FAKEY?
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>> DON'T QUESTION YOUR ELDERS,
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DOUGHY.
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PRINCIPAL FAKEY IS IN HIS
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FIFTIES.
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HE MUST KNOW WHAT'S BEST.
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WE JUST DON'T UNDERSTAND YET.
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HEY, LOOK OVER THERE.
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MR. AND MRS. JOINTSON--
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THEY'RE MARRIED.
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OH, LET'S WATCH THEM.
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>> HOW WAS YOUR DAY?
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>> IT WAS A DAY.
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>> WHAT DOES THAT MEAN?
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WHY DON'T YOU TALK TO ME LIKE A
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PERSON?
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>> I AM.
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>> AMAZING!
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>> IT'S LIKE THEY HAVE THEIR OWN
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LANGUAGE.
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>> THAT LANGUAGE IS CALLED
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MATURITY.
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>> � I'M SADLY SAD
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SADDITY SAD �
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>> YEAH!
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>> WHOO-HOO!
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>> � RIGHT NOW IS THE SADDEST
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I'VE EVER BEEN
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UNTIL NOW �
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>> DON'T GET ME WRONG.
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BEING ALONE IS GREAT.
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IT'S JUST I DON'T KNOW WHAT TO
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DO WITH ALL MY MONEY.
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>> OH, I CAN THINK OF A FEW
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THINGS, HONEY.
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>> THAT'S WHAT I'M SAYING!
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I'LL GIVE YOU MONEY!
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>> STANDING!
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>> SITTING!
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>> STANDING!
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>> SITTING!
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>> STANDING!
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>> SITTING.
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>> WHOA!
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THIS PLACE IS LIKE AN AMUSEMENT
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PARK FULL OF LIFE LESSONS.
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>> DID YOU GET ENOUGH NOTES YET,
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OREL?
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I WANT TO GO.
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IT SMELLS LIKE PEE AND POO IN
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HERE.
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>> � SAD SADDITY SAD
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I'M SAD... �
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>> BYE, OREL.
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>> BYE, DOUGHY.
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>> WAAH!
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>> YOU PIG!
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HOW DARE YOU?!
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I GAVE MY WHOLE LIFE TO YOU!
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>> [SOBBING]
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>> MOMMY, WAIT!
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>> LET HER GO, BILLY.
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THEY ALWAYS COME BACK!
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>> WHY DID YOU SCREAM THAT AT
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HER JUST NOW, MR. FIGURELLI?
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>> IT'S THE ONLY WAY TO REALLY
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GET RID OF THEM, OREL.
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>> HMM.
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>> SEE YOU AT TRACK TOMORROW,
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BILLY.
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>> I GAVE MY WHOLE LIFE TO YOU.
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>> DAD!
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>> IT'S BETTER NAPKINS THAN MOST
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NAPKINS.
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BUT IF YOU'RE GOING TO GO WITH
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THE 20-WEIGHT NAPKIN, YOU MIGHT
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AS WELL SPLURGE FOR THE 22
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NAPKIN, WHICH HAS GOT LINEN FOR
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A STRONGER BOND.
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[SIGHS]
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HERE'S WHY.
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>> � LA LA LA LA LA LA
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LA �
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>> THAT KID GETS MORE ACTION
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THAT I DO.
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>> HA HA.
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I AM STILL WEANING HIM, CLAY.
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>> BLOBERTA, HE'S 7.
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HE SHOULD NOT BE USING YOUR MILK
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TO WASH DOWN HIS MEATLOAF--
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WHICH I PAY FOR BY WORKING THAT
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STINKING DEAD-END JOB!
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>> HA HA.
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I AM SO SICK OF YOUR
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COMPLAINING.
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WHY DON'T YOU JUST QUIT YOUR JOB
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AND QUIT BEING SUCH A CRYBABY?
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>> OH, THANKS FOR THE SYMPATHY!
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YOU HAVE NEVER BEEN ON MY SIDE!
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>> WHY WOULD I BE ON THE SIDE OF
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A SELF-DESTRUCTIVE ALCOHOLIC?
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>> I CAN'T BELIEVE I GAVE YOU
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THE PRIVILEGE OF SATISFYING ME
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EVERY NIGHT.
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SON OF A--
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[YELLING THROUGH GRITTED TEETH]
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[GROWLING]
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I'M A MAN.
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>> AHA!
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YEP.
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MATURITY JUICE.
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[SHUDDERS]
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[SHUDDERS]
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� ROOM-BOOM-BOOM-BOOM-BOOM
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AH!
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ROOM-BOOM-BOOM-BOOM-BOOM
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AH!
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A-ROOM-BOOM-BOOM-BOOM-BOOM
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HEY!
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A-ROOM-BOOM-BOOM-BOOM-BOOM
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OH! �
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>> [LAUGHTER]
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>> HEY, YOU KIDS!
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GET OFF THE LAWN!
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>> [LAUGHTER]
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[LAUGHING]
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� A-BOOM-BOOM-BOOM-BOOM-BOOM
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AH!
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BOOM-BOOM-BOOM-BOOM-BOOM
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AH! �
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>> SURPRISE!
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>> GREAT.
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ANOTHER YEAR.
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I DON'T WANT TO KNOW YOUR NAME.
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JUST FOR TONIGHT, I NEED TO BE
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HELD.
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I NEED TO BE WITH SOMEONE.
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IT DOESN'T MATTER WHO.
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>> I WANT TO GO AND SKIP.
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>> [GROANS]
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>> YEAH?!
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TRY BEING 12!
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>> [GIGGLING]
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>> SHUT UP, WOMAN!
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>> [SCREAMING]
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>> HAVE A GOOD DAY AT SCHOOL,
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DEAR.
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>> AH, HAVE A GOOD DAY YOURSELF.
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>> HMM.
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NOW, WHERE HAVE I SEEN THAT
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BEHAVIOR BEFORE?
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HAVE A GOOD DAY AT WORK, DEAR.
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>> AH, HAVE A GOOD DAY YOURSELF.
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>> CLAY?
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>> HMM?
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>> AHEM.
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00:09:15,189 --> 00:09:15,954
I THINK YOU NEED TO HAVE A
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00:09:15,956 --> 00:09:18,256
LITTLE TALK WITH YOUR SON.
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00:09:18,258 --> 00:09:20,024
>> HMM.
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00:09:20,026 --> 00:09:21,226
>> � A-ROOM-BOOM-BOOM-BOOM-BOOM
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00:09:21,228 --> 00:09:21,926
AH!
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00:09:21,928 --> 00:09:23,128
A-ROOM-BOOM-BOOM-BOOM-BOOM
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00:09:23,130 --> 00:09:23,828
AH!
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00:09:23,830 --> 00:09:25,163
A-ROOM-BOOM-BOOM-BOOM-BOOM
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00:09:25,165 --> 00:09:26,030
HEY!
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00:09:26,032 --> 00:09:26,598
A-ROOM-BOOM-BOOM-BOOM-BOOM-- �
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00:09:26,600 --> 00:09:27,399
>> OREL!
284
00:09:27,401 --> 00:09:29,601
YOU'RE ACTING LIKE A CHILD!
285
00:09:32,239 --> 00:09:33,706
>> [HICCOUGHS]
286
00:09:33,708 --> 00:09:35,039
>> I DON'T KNOW WHAT'S GOTTEN
287
00:09:35,041 --> 00:09:36,541
INTO YOU LATELY, YOUNG MAN.
288
00:09:36,543 --> 00:09:37,876
MY TALKS JUST DON'T SEEM TO BE
289
00:09:37,878 --> 00:09:38,777
HELPING.
290
00:09:38,779 --> 00:09:39,978
>> BUT, DAD, I THOUGHT I WAS
291
00:09:39,980 --> 00:09:41,580
DOING WHAT YOU WANTED.
292
00:09:41,582 --> 00:09:42,715
>> WHY ON EARTH WOULD I EVER
293
00:09:42,717 --> 00:09:44,216
WANT YOU TO TAKE MY PRECIOUS
294
00:09:44,218 --> 00:09:45,650
ALCOHOLIC BEVERAGES?
295
00:09:45,652 --> 00:09:47,285
>> BECAUSE YOU WANTED ME TO BE
296
00:09:47,287 --> 00:09:48,553
MORE ADULT.
297
00:09:48,555 --> 00:09:50,755
>> OREL, DRINKING ON A DAILY
298
00:09:50,757 --> 00:09:52,457
BASIS IS NOT THE ONLY WAY TO BE
299
00:09:52,459 --> 00:09:53,358
AN ADULT.
300
00:09:53,360 --> 00:09:54,759
>> WELL...
301
00:09:54,761 --> 00:09:56,595
I TRIED NOT TALKING ABOUT MY
302
00:09:56,597 --> 00:09:57,996
FEELINGS, TOO.
303
00:09:57,998 --> 00:09:59,331
>> OH, SON.
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00:09:59,333 --> 00:10:01,166
BEHAVING LIKE A GROWN-UP IS MANY
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00:10:01,168 --> 00:10:02,167
THINGS.
306
00:10:02,169 --> 00:10:03,768
FIRST AND FOREMOST, IT MEANS
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00:10:03,770 --> 00:10:04,803
DOING THINGS THAT YOU HATE
308
00:10:04,805 --> 00:10:05,670
DOING.
309
00:10:05,672 --> 00:10:07,172
>> LIKE WHAT, POP?
310
00:10:07,174 --> 00:10:08,340
>> WELL, LIKE DEALING WITH
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00:10:08,342 --> 00:10:10,075
PEOPLE WHO MAKE YOU UNHAPPY,
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00:10:10,077 --> 00:10:11,309
BEING STRESSED ABOUT THINGS YOU
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00:10:11,311 --> 00:10:13,078
HAVE NO CONTROL OVER,
314
00:10:13,080 --> 00:10:15,047
AND WORKING SOUL-NUMBING JOBS.
315
00:10:15,049 --> 00:10:16,415
>> OH.
316
00:10:16,417 --> 00:10:18,917
>> THEN, GRADUALLY, AS WE ENDURE
317
00:10:18,919 --> 00:10:20,519
THESE HARDSHIPS AND ACCEPT THEM
318
00:10:20,521 --> 00:10:22,287
AS NORMAL, THAT'S WHEN WE'VE
319
00:10:22,289 --> 00:10:24,489
FINALLY EARNED THE RIGHT TO GET
320
00:10:24,491 --> 00:10:25,890
DRUNK AND BE EMOTIONALLY DISTANT
321
00:10:25,892 --> 00:10:27,392
FROM OUR FAMILIES.
322
00:10:27,394 --> 00:10:29,594
>> JUST LIKE MY FATHER.
323
00:10:29,596 --> 00:10:31,864
I LOVE YOU, DAD.
324
00:10:31,866 --> 00:10:33,031
>> I'M HUNGRY, TOO.
325
00:10:33,033 --> 00:10:34,166
LET'S GO EAT.
326
00:10:36,837 --> 00:10:39,838
>> � SAD, SAD
327
00:10:39,840 --> 00:10:42,507
SADDER THAN SAD
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00:10:42,509 --> 00:10:44,743
I'M SADDER WITH EACH
329
00:10:44,745 --> 00:10:48,213
PASSING MOMENT
330
00:10:48,215 --> 00:10:50,482
I'M MUCH SADDER NOW
331
00:10:50,484 --> 00:10:54,018
THAN A SECOND AGO
332
00:10:54,020 --> 00:10:57,722
SADLY, EVEN SADDER NOW STILL �
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00:10:57,724 --> 00:10:58,657
[CAPTIONING MADE POSSIBLE BY
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00:10:58,659 --> 00:10:59,858
TURNER ENTERTAINMENT GROUP]
335
00:10:59,860 --> 00:11:02,094
� I LOOKED BACK AT LIFE
336
00:11:02,096 --> 00:11:05,197
20 SECONDS AGO
337
00:11:05,199 --> 00:11:10,569
WHEN FIRST I SANG OF MY SORROW
338
00:11:10,571 --> 00:11:13,572
T'WAS A HAPPIER TIME
339
00:11:13,574 --> 00:11:16,475
THAN I'M LIVING THROUGH NOW
340
00:11:16,477 --> 00:11:18,276
WHICH IS BLISS COMPARED
341
00:11:18,278 --> 00:11:22,481
WITH WHAT'S TO FOLLOW
342
00:11:22,483 --> 00:11:23,848
SAD �
343
00:11:23,850 --> 00:11:25,317
[CAPTIONED BY THE NATIONAL
344
00:11:25,319 --> 00:11:26,851
CAPTIONING INSTITUTE
345
00:11:26,853 --> 00:11:28,821
--www.ncicap.org--]
346
00:11:28,823 --> 00:11:30,855
>> HELLO, GOOD-BYE.24831
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