All language subtitles for sexy museum tour USAC

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (SoranĂ®)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:14,330 --> 00:00:16,590 Don't you want to dance with me? 2 00:00:17,430 --> 00:00:19,570 Don't you want to dance with me? 3 00:00:20,030 --> 00:00:25,750 I want to hold you so bad. I want you so bad. Don't you want to dance with me? 4 00:00:50,989 --> 00:00:56,910 Special to me. Special to me. Yeah, yeah, yeah. 5 00:00:57,210 --> 00:00:59,210 Special to me. 6 00:02:24,820 --> 00:02:25,820 Oh, 7 00:02:26,260 --> 00:02:29,160 thank you. It's so nice to have a man around. It's my pleasure. 8 00:02:46,830 --> 00:02:47,830 I'm Mr. Lewis. 9 00:02:49,630 --> 00:02:51,130 Welcome to our museum. 10 00:02:51,790 --> 00:02:56,090 In today's slide show, I've tried to highlight several different periods. 11 00:02:56,370 --> 00:02:57,370 Hey, listen to that. 12 00:02:59,850 --> 00:03:01,370 Splendid enthusiasm, boys. 13 00:03:03,430 --> 00:03:04,730 Quiet, quiet. 14 00:03:05,670 --> 00:03:09,090 Afterwards, when you go through our museum, you can have a little more 15 00:03:09,090 --> 00:03:11,350 understanding of what art is all about. 16 00:03:11,650 --> 00:03:12,950 Look, let's just get started. 17 00:03:13,210 --> 00:03:14,330 Do you have any questions? 18 00:03:16,560 --> 00:03:19,880 Jot them down, and I'll try to answer them later. No, you can turn out the 19 00:03:19,880 --> 00:03:20,880 light over there for me. 20 00:03:24,800 --> 00:03:25,800 You got it. 21 00:03:27,300 --> 00:03:29,300 All right, quiet, please. 22 00:03:31,320 --> 00:03:32,860 Hey, he's cute. 23 00:03:33,560 --> 00:03:34,560 Hey, Dory. 24 00:03:34,980 --> 00:03:35,980 Why? 25 00:03:36,320 --> 00:03:37,320 Check him out. 26 00:03:37,600 --> 00:03:38,640 Look at that boat. 27 00:03:38,840 --> 00:03:41,440 We've just been around boys. That's a real man. 28 00:03:42,240 --> 00:03:43,800 He's more your type. 29 00:03:44,580 --> 00:03:45,580 Wow. 30 00:03:45,940 --> 00:03:47,420 He's too old. 31 00:03:47,700 --> 00:03:53,040 His beard probably tickles. He couldn't get it up in a hundred years. 32 00:03:53,480 --> 00:03:54,560 Hey, he'd be surprised. 33 00:03:55,200 --> 00:03:58,060 Bet you he could outperform Mr. Muscle back there. 34 00:03:58,300 --> 00:04:01,560 I don't doubt it. Oh, don't be crazy, sissy. 35 00:04:01,860 --> 00:04:05,700 You couldn't get him up even if you were Charo. What do you want to bet? 36 00:04:06,960 --> 00:04:08,320 Two weeks allowance. 37 00:04:08,940 --> 00:04:10,240 You're on. Bet. 38 00:04:10,460 --> 00:04:13,100 Bet. Just go along with what I do. 39 00:04:31,500 --> 00:04:32,700 She doesn't feel well. 40 00:04:33,180 --> 00:04:34,079 Oh, dear. 41 00:04:34,080 --> 00:04:35,920 Shall I get the nurse? Yes. No. 42 00:04:36,420 --> 00:04:38,920 No. I've got to go lie down. I'm going to die. 43 00:04:39,280 --> 00:04:42,360 She's got to lie down. I'll take you to the... Miss Ginny, can you hold down the 44 00:04:42,360 --> 00:04:44,140 fort here? I'll take her. Nurse. 45 00:04:46,560 --> 00:04:49,300 All right, all right. Wait a minute. Be quiet. 46 00:04:54,060 --> 00:05:00,460 The rape of the Sabine woman. 47 00:05:00,920 --> 00:05:04,820 This Victorian bronze takes its theme from the capture of a group of women by 48 00:05:04,820 --> 00:05:11,220 Roman soldiers Notice the total abandon of the woman in the arms of her captor 49 00:05:11,220 --> 00:05:18,180 In case any of you were interested this act is how Rome was 50 00:05:18,180 --> 00:05:25,180 populated It represents the attack by Romulus and his soldiers on the town 51 00:05:25,180 --> 00:05:28,680 of Sabine to gather together wives for his soldiers 52 00:05:33,680 --> 00:05:38,720 Thus was the sordid beginning of the greatest Empire the world has ever known 53 00:05:38,720 --> 00:05:42,720 Rome You 54 00:06:07,659 --> 00:06:08,659 You're going to like it. 55 00:08:40,670 --> 00:08:41,670 What do you do with this? 56 00:08:42,590 --> 00:08:44,830 Huh? So what do you do with this? 57 00:08:45,870 --> 00:08:46,870 Suck it. 58 00:08:47,170 --> 00:08:48,170 Suck it. 59 00:08:52,170 --> 00:08:53,230 You whore. 60 00:08:56,250 --> 00:08:58,950 You fucking filthy whore. 61 00:10:57,100 --> 00:10:58,100 Oh. 62 00:11:26,990 --> 00:11:27,990 How deep, huh? 63 00:11:28,390 --> 00:11:31,250 You want it deep? How deep, huh? 64 00:11:32,090 --> 00:11:33,970 Oh, yeah. 65 00:11:34,990 --> 00:11:36,090 Oh, yeah. 66 00:11:38,170 --> 00:11:39,170 Deeper. 67 00:11:39,650 --> 00:11:40,650 Come on. 68 00:11:43,690 --> 00:11:44,690 Good. 69 00:13:06,250 --> 00:13:07,390 You old maid. 70 00:13:08,690 --> 00:13:12,170 Oh, anyone here? Looks like we're all alone. 71 00:13:13,790 --> 00:13:16,010 I'm sure they'll be back in just a minute. 72 00:13:16,790 --> 00:13:18,450 People are never here when you need them. 73 00:13:20,230 --> 00:13:21,230 Oh. 74 00:13:21,950 --> 00:13:22,950 What is it? 75 00:13:23,050 --> 00:13:24,650 Oh, my stomach. 76 00:13:24,850 --> 00:13:26,310 Here, sit down. I'm dying. 77 00:13:26,570 --> 00:13:27,570 I'm dying. 78 00:13:29,270 --> 00:13:32,910 I'm sure it's nothing serious. Probably just a bad hot dog, maybe. 79 00:13:35,400 --> 00:13:38,420 Oh, Lord, I hope it's not appendicitis. Does it hurt when I press here? 80 00:13:38,720 --> 00:13:41,100 Oh, just a little bit. 81 00:13:41,900 --> 00:13:45,160 Maybe if you didn't press quite so hard, it wouldn't hurt. 82 00:13:46,040 --> 00:13:49,140 Well, I'm sure it's not appendicitis. You would have hit the ceiling. 83 00:13:50,540 --> 00:13:54,860 You know, my screw's kind of tight. Maybe I should go and take off my 84 00:13:54,860 --> 00:13:56,840 clothes. Maybe I'd feel better. 85 00:13:57,500 --> 00:13:58,500 Well, 86 00:13:58,920 --> 00:13:59,659 all right, then. 87 00:13:59,660 --> 00:14:00,720 I'll go look for the nurse. 88 00:14:12,750 --> 00:14:13,790 Here, put this on. 89 00:14:14,110 --> 00:14:15,110 I'll wait right here. 90 00:14:15,350 --> 00:14:17,010 You're not going to go anywhere. 91 00:14:17,630 --> 00:14:19,090 No, no, I'll stay right here. 92 00:14:19,490 --> 00:14:21,790 Promise? Yes, I promise. 93 00:14:23,310 --> 00:14:24,310 Okay. 94 00:14:29,430 --> 00:14:30,430 You promise? 95 00:14:30,830 --> 00:14:32,150 Oh, yes, I promise. 96 00:14:32,970 --> 00:14:33,970 Okay. 97 00:14:38,170 --> 00:14:39,450 There, how's that better? 98 00:14:41,100 --> 00:14:41,979 Thank you, Mr. 99 00:14:41,980 --> 00:14:45,920 Peterson. I don't know what I ever would have done if you hadn't have come along. 100 00:14:46,380 --> 00:14:47,460 Oh, it was nothing, really. 101 00:14:48,520 --> 00:14:52,580 Maybe if you rubbed my tummy a little bit, my cramps would go away. 102 00:14:53,900 --> 00:14:54,900 Yes. 103 00:14:57,920 --> 00:15:00,440 You know what, Mr. Peterson? 104 00:15:00,840 --> 00:15:07,620 I read an old wife's tale where he gets rid of cramps. Maybe if you 105 00:15:07,620 --> 00:15:08,900 rubbed me like this. 106 00:15:09,770 --> 00:15:11,330 It'll go away faster. 107 00:15:13,910 --> 00:15:14,910 That's nice. 108 00:15:15,770 --> 00:15:17,650 It's doing better already. 109 00:15:20,350 --> 00:15:21,350 Mr. 110 00:15:22,230 --> 00:15:23,230 Peterson! 111 00:15:25,230 --> 00:15:27,870 Doesn't your daddy ever stroke your pussy? 112 00:15:28,090 --> 00:15:30,030 My daddy's a vulnerable man. 113 00:15:32,850 --> 00:15:34,290 How about your boyfriend? 114 00:15:35,170 --> 00:15:36,870 Would you like to be my boyfriend? 115 00:15:37,290 --> 00:15:39,190 Oh, yes. Right now, especially. 116 00:15:39,790 --> 00:15:41,670 Oh, then let's play doctor. 117 00:15:52,430 --> 00:15:53,430 That's strange. 118 00:15:54,330 --> 00:15:57,450 Your heart's not beating down here. I think we'd better do something about it. 119 00:15:57,510 --> 00:16:00,750 I think a little bit of mouth-to-mouth resuscitation's in line here. 120 00:16:02,050 --> 00:16:03,050 What? 121 00:16:16,010 --> 00:16:17,010 Better. 122 00:16:21,690 --> 00:16:22,770 Couldn't be better. 123 00:16:23,710 --> 00:16:24,710 Oh. 124 00:16:26,310 --> 00:16:27,310 Oh. 125 00:16:29,810 --> 00:16:32,790 Is this what they teach you at that girls' school? 126 00:16:33,610 --> 00:16:35,610 Over, over, over easy. 127 00:16:40,710 --> 00:16:42,210 It's been so long. 128 00:17:04,650 --> 00:17:05,650 Don't touch me. 129 00:17:13,990 --> 00:17:15,130 Oh, Professor. 130 00:17:15,490 --> 00:17:16,490 Oh, 131 00:17:24,650 --> 00:17:27,569 I'm going to take you to class next year. 132 00:17:47,150 --> 00:17:49,010 The older the better. 133 00:18:31,080 --> 00:18:33,840 I'll give you an A-plus for this one. 134 00:22:07,310 --> 00:22:08,310 Ugh. 135 00:23:03,960 --> 00:23:10,060 He emerged as an artist in the early 60s in connection with the New York pop art 136 00:23:10,060 --> 00:23:11,060 movement. 137 00:23:11,780 --> 00:23:18,540 And he would take ordinary objects, such as typewriters, toilets, 138 00:23:18,920 --> 00:23:23,300 pieces of cake, and render them into a sculptured form. 139 00:23:24,800 --> 00:23:29,340 His early work was considered a reaction to the crass commercialism of the art 140 00:23:29,340 --> 00:23:30,340 world. 141 00:23:30,990 --> 00:23:35,270 As you'd see, many of his sculptures appear to be soft and fleshy, 142 00:23:35,330 --> 00:23:41,530 thus giving a very strong sexual 143 00:23:41,530 --> 00:23:47,830 connotation, and in this case, a very blatant sexual connotation. 144 00:25:35,310 --> 00:25:36,510 Don't make me feel... 145 00:26:56,840 --> 00:26:57,840 No. 146 00:26:57,860 --> 00:26:58,860 No. 147 00:27:31,850 --> 00:27:32,850 No! 148 00:30:36,140 --> 00:30:37,140 Thank you. 149 00:31:07,470 --> 00:31:08,470 Oh. 150 00:31:50,060 --> 00:31:51,060 Huh? 151 00:33:03,269 --> 00:33:09,030 Note the similarity to this 20th century painter in the delineation of mass, the 152 00:33:09,030 --> 00:33:10,970 resident line, and the use of color. 153 00:33:13,370 --> 00:33:14,370 Modigliani. 154 00:33:15,980 --> 00:33:17,920 the master of sensuality. 155 00:33:18,740 --> 00:33:25,240 If you'll notice his elongated forms and how they accentuate the live, erotic 156 00:33:25,240 --> 00:33:26,420 nature of his news. 157 00:33:26,720 --> 00:33:28,640 I think Elizabeth likes him. 158 00:33:29,140 --> 00:33:31,500 She's always been teacher's pet. 159 00:33:32,280 --> 00:33:39,000 He was a master of creating a soft, warm light that emanates from his canvases. 160 00:33:44,140 --> 00:33:46,080 I've never posed for an artist before. 161 00:33:46,860 --> 00:33:47,880 Doing just fine. 162 00:33:49,100 --> 00:33:50,100 Are you comfortable? 163 00:33:50,320 --> 00:33:51,320 Yes. 164 00:33:51,660 --> 00:33:52,660 Don't move. 165 00:33:52,820 --> 00:33:53,820 I'm sorry. 166 00:33:55,440 --> 00:33:56,760 Why did you pick me? 167 00:33:57,900 --> 00:33:58,900 What do you mean? 168 00:34:00,120 --> 00:34:05,680 Well, why did you ask me to sit for you? I know there are plenty of prettier 169 00:34:05,680 --> 00:34:06,680 girls than I am. 170 00:34:07,120 --> 00:34:08,120 Nonsense. 171 00:34:08,560 --> 00:34:11,580 An artist looks for something more than just being pretty. 172 00:34:19,469 --> 00:34:21,409 I think that's enough for now. You're getting fidgety. 173 00:34:22,010 --> 00:34:23,730 Oh, I'm sorry. I forgot. 174 00:34:26,469 --> 00:34:27,530 I'll be all right. 175 00:34:28,050 --> 00:34:30,150 No, no, no. Rest now. We'll work later. 176 00:34:34,110 --> 00:34:35,110 Hey. 177 00:34:35,750 --> 00:34:36,750 Oh. 178 00:34:39,130 --> 00:34:42,969 Oh. I can't feel my feet. They must be asleep. 179 00:34:43,310 --> 00:34:44,489 See, I told you. 180 00:34:45,370 --> 00:34:47,770 Posing isn't as easy as it looks. I guess not. 181 00:34:48,620 --> 00:34:51,560 Here, lay back, relax. I'll get the blood circulating again. 182 00:34:53,699 --> 00:34:59,420 I can 183 00:34:59,420 --> 00:35:03,600 see you've never been with a man before. 184 00:35:04,520 --> 00:35:05,580 Isn't that obvious? 185 00:35:07,600 --> 00:35:09,400 I suppose someday you will. 186 00:35:09,900 --> 00:35:11,280 I suppose I will. 187 00:35:15,020 --> 00:35:16,580 Ever wonder what it might be like? 188 00:35:17,100 --> 00:35:20,980 Yes. No, I mean, it's a sin to think of such things. 189 00:35:21,480 --> 00:35:23,660 It's not a sin to think about making love. 190 00:35:24,320 --> 00:35:26,780 Making love is one of the most beautiful things in the world. 191 00:35:27,620 --> 00:35:28,840 Like painting. 192 00:35:30,160 --> 00:35:31,760 You must think I'm very silly. 193 00:35:32,740 --> 00:35:35,820 I don't think being innocent is silly at all. 194 00:35:36,820 --> 00:35:40,020 And I don't think that making love is a sin, either. 195 00:35:42,040 --> 00:35:45,280 I could make it very beautiful for you. 196 00:35:45,700 --> 00:35:47,400 Well, I... It would hurt. 197 00:35:48,340 --> 00:35:49,420 I wouldn't hurt you. 198 00:35:50,260 --> 00:35:51,340 I'd be very gentle. 199 00:35:52,600 --> 00:35:53,600 What are you doing? 200 00:35:54,940 --> 00:35:56,340 You know what I'm doing. 201 00:35:56,700 --> 00:35:57,700 You're very wet. 202 00:35:58,640 --> 00:35:59,640 Please don't. 203 00:36:02,160 --> 00:36:03,580 Let me sit beside you. 204 00:36:09,140 --> 00:36:10,140 Give me your hand. 205 00:36:11,720 --> 00:36:14,020 I want you to feel how hard my cock is. 206 00:36:15,480 --> 00:36:16,480 It's so big. 207 00:36:16,960 --> 00:36:18,140 It would hurt me. 208 00:36:19,900 --> 00:36:21,540 I wouldn't put it in until you're ready. 209 00:36:23,880 --> 00:36:25,360 First, I want to kiss your pussy. 210 00:36:26,360 --> 00:36:27,520 Get it nice and wet. 211 00:36:30,560 --> 00:36:31,560 Open your legs. 212 00:36:31,780 --> 00:36:32,780 Open them wide. 213 00:36:35,020 --> 00:36:36,020 Just relax. 214 00:37:48,840 --> 00:37:50,100 Put your lips around it. 215 00:37:50,980 --> 00:37:52,500 Cover my cock with your mouth. 216 00:38:02,600 --> 00:38:03,600 Kiss it. 217 00:38:13,340 --> 00:38:14,340 Deeper. 218 00:38:14,780 --> 00:38:17,500 I want to go deeper and deeper into your mouth. 219 00:38:19,080 --> 00:38:22,160 I want to push my cock into your mouth. 220 00:38:22,880 --> 00:38:23,880 Swallow me. 221 00:38:24,680 --> 00:38:25,960 Oh, yeah. 222 00:38:27,140 --> 00:38:28,920 Your mouth is so hot. 223 00:38:29,720 --> 00:38:32,380 Oh, that's a good girl. 224 00:38:37,140 --> 00:38:40,140 I wish you were inside me. 225 00:38:41,440 --> 00:38:42,820 I am inside you. 226 00:39:43,680 --> 00:39:44,680 Explode. 227 00:39:45,500 --> 00:39:47,220 You are inside me. 228 00:39:57,020 --> 00:39:58,880 Oh, what am I feeling? I'm scared. 229 00:40:00,320 --> 00:40:01,980 It's all right. Just relax. 230 00:40:02,420 --> 00:40:05,940 Oh, no. I can't. Relax. 231 00:40:06,460 --> 00:40:07,460 You're coming. 232 00:40:08,080 --> 00:40:09,640 It feels good to come. 233 00:40:09,960 --> 00:40:10,960 Oh, yes. 234 00:40:13,130 --> 00:40:14,270 A man who is good to come to. 235 00:41:49,460 --> 00:41:50,960 Hi. Hi. 236 00:41:52,320 --> 00:41:53,320 Can I help you? 237 00:41:53,880 --> 00:41:55,520 I don't know. Maybe you can. 238 00:41:56,280 --> 00:41:59,540 Well, why don't you come on in and sit down and make yourself comfortable. 239 00:42:03,240 --> 00:42:05,080 Well, come on in. 240 00:42:05,520 --> 00:42:06,520 Come on. 241 00:42:07,900 --> 00:42:08,900 Please, sit down. 242 00:42:11,380 --> 00:42:14,860 Now, what seems to be the problem? 243 00:42:15,380 --> 00:42:18,200 That's just what my doctor always asks me. 244 00:42:19,230 --> 00:42:21,910 I assure you, I'm not a doctor. 245 00:42:22,190 --> 00:42:25,850 Oh, I'm glad about that, because I don't feel like taking my clothes off. 246 00:42:26,150 --> 00:42:27,330 But I do have a doctorate. 247 00:42:27,670 --> 00:42:28,670 What's that? 248 00:42:28,950 --> 00:42:30,130 It's a Ph.D. 249 00:42:31,590 --> 00:42:32,590 Oh. 250 00:42:33,450 --> 00:42:36,330 No wonder your office is so beautiful. 251 00:42:36,750 --> 00:42:38,870 You must be very important. 252 00:42:40,330 --> 00:42:42,130 Well, yes, 253 00:42:43,030 --> 00:42:46,110 I am, actually. I'm a curator. 254 00:42:47,010 --> 00:42:48,010 A who? 255 00:42:48,880 --> 00:42:52,680 A curator. I find things for the museum. 256 00:42:52,940 --> 00:42:55,780 As you can see, I've been all over the world. 257 00:42:56,380 --> 00:42:58,800 Oh, I just go to school. 258 00:42:59,620 --> 00:43:00,920 What did you say you were? 259 00:43:01,580 --> 00:43:02,580 I'm a curator. 260 00:43:03,280 --> 00:43:08,220 Gee, that sounds super. Going all around the world looking for treasures? 261 00:43:10,520 --> 00:43:16,960 Pardon me for asking this, but... Shouldn't a girl like you be in school 262 00:43:16,960 --> 00:43:17,960 now? 263 00:43:18,600 --> 00:43:19,600 Yes, I am. 264 00:43:20,220 --> 00:43:23,740 I'm on a field trip with the Mount Virginia Art Club. 265 00:43:25,340 --> 00:43:27,860 Mount Virginia Art Club? 266 00:43:29,760 --> 00:43:30,760 It's a girls' school. 267 00:43:31,620 --> 00:43:34,700 That's very nice, but why aren't you with them now? 268 00:43:36,180 --> 00:43:38,620 You won't believe me if I tell you. I'll believe you. 269 00:43:39,060 --> 00:43:40,060 I got lost. 270 00:43:40,960 --> 00:43:43,820 Oh, I'll believe it. You see, this is a very large museum. You can get lost 271 00:43:43,820 --> 00:43:46,110 easily. You can say that again. 272 00:43:46,330 --> 00:43:47,330 This is a large museum. 273 00:43:48,650 --> 00:43:49,650 Well, 274 00:43:51,450 --> 00:43:54,970 I'm not too worried. I have until 3 o'clock to find them. 275 00:43:56,150 --> 00:43:57,150 You do? 276 00:43:57,470 --> 00:43:59,150 Like a drink? I mean, a Coke? 277 00:44:00,690 --> 00:44:03,710 Sure. You got one? Well, I have a machine right outside. 278 00:44:04,130 --> 00:44:05,130 Your own machine? 279 00:44:06,290 --> 00:44:07,290 Yes. 280 00:44:09,470 --> 00:44:10,470 Wow. 281 00:44:10,990 --> 00:44:13,870 Well, I like to let the rest of the museum use it now and then. 282 00:44:39,110 --> 00:44:40,150 Oh, hi. 283 00:44:41,130 --> 00:44:42,790 Here's your Coke. Thank you. 284 00:44:43,850 --> 00:44:45,270 This is beautiful. 285 00:44:45,570 --> 00:44:46,570 Oh, yes, isn't it? 286 00:44:47,130 --> 00:44:49,210 It's rice paper, you know. 287 00:44:49,690 --> 00:44:51,610 They make paper out of rice? 288 00:44:52,510 --> 00:44:54,310 Yes, they also make cereal out of it. 289 00:44:57,010 --> 00:44:59,190 Well, I think it's sexy. 290 00:44:59,650 --> 00:45:00,930 You think that's sexy? 291 00:45:01,770 --> 00:45:02,770 Want to see my etchings? 292 00:45:03,130 --> 00:45:08,970 Huh? I have a book here of erotic art. 293 00:45:09,470 --> 00:45:10,710 Japanese erotic art. 294 00:45:11,930 --> 00:45:12,930 Erotic art. 295 00:45:13,440 --> 00:45:14,440 This is sexy. 296 00:45:14,940 --> 00:45:15,940 Please, sit down. 297 00:45:20,300 --> 00:45:23,020 Ready? Yeah. Really? Yeah. 298 00:45:27,100 --> 00:45:28,120 Are you kidding? 299 00:45:30,220 --> 00:45:31,980 They really did things like this? 300 00:45:32,200 --> 00:45:33,078 Oh, yes. 301 00:45:33,080 --> 00:45:37,520 To the Japanese, lovemaking is highly respected, and it's represented in much 302 00:45:37,520 --> 00:45:38,520 of their art, see? 303 00:45:39,340 --> 00:45:42,300 Wow. I thought they were just dirty pictures. 304 00:45:43,530 --> 00:45:48,430 Some people think of them as dirty pictures, but to a true artist, these 305 00:45:48,430 --> 00:45:51,370 are... They make me tingle. 306 00:45:53,370 --> 00:45:54,370 How old are you? 307 00:45:55,370 --> 00:45:56,370 Old enough. 308 00:45:56,530 --> 00:45:57,830 No, no, no. How old are you? 309 00:45:59,910 --> 00:46:01,770 A woman never tells her age. 310 00:46:02,410 --> 00:46:03,790 I think the judge will buy that. 311 00:46:04,550 --> 00:46:09,570 Why, do you think I'm too young for you? Oh, no, no. I love chicken. 312 00:46:10,590 --> 00:46:12,370 Well, do you think... 313 00:46:12,590 --> 00:46:13,750 You're too old for me? 314 00:46:13,970 --> 00:46:17,230 Oh, no, no. I'm the youngest curator in the museum. In fact, I was at the bottom 315 00:46:17,230 --> 00:46:18,069 of my class. 316 00:46:18,070 --> 00:46:21,570 Oh. I was at the bottom of my class, too, in school. 317 00:46:22,470 --> 00:46:24,450 But there were some things that I did learn. 318 00:46:24,730 --> 00:46:25,730 Yes, like what? 319 00:46:25,970 --> 00:46:28,930 Like, for every action, there's a reaction. 320 00:46:29,390 --> 00:46:30,129 Yes, Newton. 321 00:46:30,130 --> 00:46:34,430 Like, if I touched you there... And if I were Roman Polanski? 322 00:46:34,990 --> 00:46:37,310 Who? No, no, no. General in London Napoleon. 323 00:46:38,470 --> 00:46:39,470 Oh. 324 00:46:40,670 --> 00:46:41,670 You went to jail. 325 00:46:48,010 --> 00:46:48,749 Is it working? 326 00:46:48,750 --> 00:46:49,750 It's working. 327 00:46:51,010 --> 00:46:52,890 Does this help? 328 00:46:54,230 --> 00:46:55,610 Oh, yes, that helps a lot. 329 00:46:56,890 --> 00:47:03,590 The judge won't believe it. 330 00:47:03,890 --> 00:47:05,670 I love older men. 331 00:47:05,970 --> 00:47:06,970 Yeah, they're very nice. 332 00:47:08,030 --> 00:47:09,030 You know why? 333 00:47:09,610 --> 00:47:12,630 Because they know how to treat a woman. 334 00:47:13,490 --> 00:47:15,230 Yeah, they do, don't they? 335 00:47:19,760 --> 00:47:20,760 Hi there. 336 00:47:21,020 --> 00:47:22,020 Hi. 337 00:47:22,740 --> 00:47:23,740 What's your name? 338 00:47:24,520 --> 00:47:26,260 Dory. Dory. 339 00:47:26,780 --> 00:47:28,500 I'm Harold Worthington III. 340 00:49:15,630 --> 00:49:16,630 You're such a nice person. 341 00:49:24,170 --> 00:49:26,090 Oh, wow. 342 00:49:31,830 --> 00:49:38,790 Oh, shit. 343 00:49:38,910 --> 00:49:40,970 Oh, shit. 344 00:50:16,450 --> 00:50:17,630 Better than the rug? 345 00:50:18,150 --> 00:50:22,290 Oh, I don't feel anything on that side of my body. 346 00:50:23,750 --> 00:50:24,790 You don't? 347 00:51:53,300 --> 00:51:57,060 Our discussion of Impressionism would not be complete without taking a look at 348 00:51:57,060 --> 00:52:00,000 this work. This happens to be one of my favorite paintings. 349 00:52:03,180 --> 00:52:09,340 Paul Gauguin rejected his bourgeois background early in his career and 350 00:52:09,340 --> 00:52:12,340 embarked on a journey in search of the ideal lifestyle. 351 00:52:13,020 --> 00:52:14,380 Quiet, please. Quiet. 352 00:52:18,060 --> 00:52:19,260 Quiet back here. 353 00:52:22,720 --> 00:52:29,680 He felt a need to return to a more primitive lifestyle and actually 354 00:52:29,680 --> 00:52:30,680 a paradise. 355 00:52:31,060 --> 00:52:37,080 He found his paradise in Tahiti, and he also found beautiful women. 356 00:52:42,300 --> 00:52:46,400 His style and form of painting reflects his... 357 00:52:47,530 --> 00:52:54,250 His fascination for the erotic and exotic beauty of the Tahitian women. 358 00:53:36,430 --> 00:53:37,970 Don't be afraid. Who are you? 359 00:53:42,630 --> 00:53:45,550 Yeah, I know. I died and I went to heaven, right? 360 00:53:46,390 --> 00:53:47,390 And you're an angel. 361 00:53:48,230 --> 00:53:49,770 What is an angel? 362 00:53:51,750 --> 00:53:52,569 You are. 363 00:53:52,570 --> 00:53:53,790 For saving my life. 364 00:53:55,290 --> 00:53:56,290 You're weak. 365 00:53:56,310 --> 00:53:57,450 You must lie down. 366 00:54:00,030 --> 00:54:01,110 Yeah, maybe you're right. 367 00:54:05,740 --> 00:54:06,740 Where did you find me? 368 00:54:08,340 --> 00:54:11,480 You were lying on the beach, and we carried you here. 369 00:54:14,220 --> 00:54:15,640 How long have I been here? 370 00:54:15,980 --> 00:54:16,980 Four days. 371 00:54:18,080 --> 00:54:20,300 We've prayed to our gods to make you well. 372 00:54:20,720 --> 00:54:22,620 Well, you tell your gods I owe them one. 373 00:54:24,100 --> 00:54:25,260 What does that mean? 374 00:54:25,980 --> 00:54:32,760 It means you do something 375 00:54:32,760 --> 00:54:34,620 nice for me, and I'll do something nice for you. 376 00:54:44,060 --> 00:54:46,080 Where did you learn to speak so well? 377 00:54:48,180 --> 00:54:49,180 The traders. 378 00:54:49,500 --> 00:54:51,460 They come for pearls and fruit. 379 00:54:51,940 --> 00:54:54,620 Traders? Means there'll be ships in and out of here. 380 00:54:54,880 --> 00:54:56,380 There are no ships now. 381 00:54:57,240 --> 00:54:58,860 Every three moons they come. 382 00:54:59,400 --> 00:55:00,480 Every three moons? 383 00:55:02,220 --> 00:55:03,880 How many moons to go? 384 00:55:04,760 --> 00:55:08,960 Two have passed, but you have fruit, and we bring you this. 385 00:55:10,820 --> 00:55:11,820 What's that? 386 00:55:11,860 --> 00:55:12,860 That's to wear. 387 00:55:13,340 --> 00:55:14,340 To wear? 388 00:55:14,520 --> 00:55:15,680 You've got to be kidding. 389 00:55:15,940 --> 00:55:16,940 Wait a minute. 390 00:55:17,120 --> 00:55:18,480 I can't wear that. 391 00:56:42,220 --> 00:56:43,980 Thank you. 392 00:58:49,220 --> 00:58:50,220 Don't doubt. 393 01:04:30,740 --> 01:04:32,380 That was fantastic. 394 01:05:11,630 --> 01:05:12,970 Oh, did it feel good? 395 01:05:13,190 --> 01:05:14,630 Do you like that? 396 01:05:17,610 --> 01:05:24,330 I'm in 397 01:05:24,330 --> 01:05:25,330 paradise. 398 01:05:26,890 --> 01:05:28,390 I'm in paradise. 399 01:05:49,020 --> 01:05:50,260 And you walk me home. 400 01:07:03,340 --> 01:07:04,340 I'm in paradise. 401 01:07:05,580 --> 01:07:06,740 What's wrong with you? 402 01:07:11,340 --> 01:07:12,340 Sorry, 403 01:07:14,080 --> 01:07:15,080 sorry. 404 01:07:16,160 --> 01:07:17,640 Quiet, please, quiet, quiet. 405 01:07:20,900 --> 01:07:27,800 Another one 406 01:07:27,800 --> 01:07:29,600 of Gauguin's famous works. 407 01:07:31,560 --> 01:07:32,560 Anyway. 408 01:07:32,910 --> 01:07:33,910 Oh, we saw this one already. 409 01:07:34,090 --> 01:07:35,090 Well, 410 01:07:36,390 --> 01:07:40,250 we have covered many of the important movements in art history during this 411 01:07:40,250 --> 01:07:41,250 brief lecture. 412 01:07:41,470 --> 01:07:45,990 I've tried to evoke an appreciation for the sensitivity that moved the artists 413 01:07:45,990 --> 01:07:47,430 to create their masterpieces. 414 01:07:48,010 --> 01:07:53,310 I hope that you'll begin to explore and express your own creative potential. 415 01:07:58,230 --> 01:07:59,330 Third lights, please. 416 01:08:04,840 --> 01:08:05,840 Thank you. 417 01:08:07,240 --> 01:08:08,560 That concludes the show. 418 01:08:11,380 --> 01:08:17,279 I'm glad that you all settled down to show an interest in the art that I had 419 01:08:17,279 --> 01:08:18,279 to show you. 420 01:08:20,600 --> 01:08:24,399 Well, that's it. I guess you could go on through the museum now. Have a good 421 01:08:24,399 --> 01:08:25,399 time. 422 01:08:34,540 --> 01:08:37,340 We will meet back at the bus at 3 p.m. promptly. 423 01:08:37,580 --> 01:08:39,600 And please, everybody, be careful. 424 01:09:12,690 --> 01:09:17,210 I hope you don't think I'm being forward, but I'd really like to paint 425 01:09:17,210 --> 01:09:18,210 you sometime. 426 01:09:18,229 --> 01:09:19,790 I was afraid you wouldn't ask. 427 01:09:20,370 --> 01:09:24,710 Good. Why don't I give you a private tour of the museum and we'll talk about 428 01:09:24,710 --> 01:09:25,710 it. I'd love that. 429 01:09:26,069 --> 01:09:27,270 Do you have any favorite slides? 430 01:09:27,590 --> 01:09:30,529 I have to admit I have a weakness for Gauguin. 431 01:09:30,790 --> 01:09:31,790 Yes, me too. 432 01:09:40,779 --> 01:09:42,960 I cleaned up the joint and left my purse. You believe that? 433 01:09:48,939 --> 01:09:52,500 I've been looking for you. 434 01:09:54,960 --> 01:09:56,980 You know what? I just came back to get my purse. 435 01:09:57,200 --> 01:09:58,200 Yeah, I heard you. 436 01:09:58,500 --> 01:09:59,840 Yeah, I'm a little klutzy. 437 01:10:00,120 --> 01:10:01,120 Oh, no, you're not. 438 01:10:01,280 --> 01:10:02,360 Let me give you a hand. 439 01:10:06,000 --> 01:10:08,860 You look pretty. Yeah, I know. 440 01:10:22,350 --> 01:10:24,530 Anybody coming? Yeah, maybe you. 441 01:10:36,430 --> 01:10:39,690 Oh baby, this is crazy. 442 01:10:40,390 --> 01:10:41,910 I've never done this before. 443 01:11:17,200 --> 01:11:18,360 I can't believe it. 444 01:11:20,920 --> 01:11:23,840 Oh baby. 445 01:11:26,280 --> 01:11:27,280 Fuck it. 446 01:11:29,100 --> 01:11:30,240 Fuck it, baby. 447 01:11:40,260 --> 01:11:41,620 Oh Christ. 448 01:11:42,460 --> 01:11:44,780 Oh Christ, I can't believe we're doing this. 449 01:11:56,080 --> 01:11:57,080 Oh, yeah. 450 01:11:58,860 --> 01:12:00,040 Oh, yeah. 451 01:12:02,420 --> 01:12:03,680 Oh, yeah. 452 01:12:04,420 --> 01:12:05,600 I will. 453 01:12:15,900 --> 01:12:16,900 Oh, 454 01:12:22,040 --> 01:12:23,040 fucking hell. 455 01:13:05,000 --> 01:13:06,000 Yeah, baby. 456 01:13:54,160 --> 01:13:57,000 You should come quick because I'm getting caught. I'm hurrying, I'm 457 01:13:57,000 --> 01:13:58,000 hurrying. 458 01:15:34,670 --> 01:15:35,670 Thank you. 459 01:16:16,110 --> 01:16:17,470 Bessie. Bessie. 460 01:16:17,930 --> 01:16:18,930 Dory. 461 01:16:20,050 --> 01:16:21,390 Where are they? 462 01:16:24,350 --> 01:16:25,670 Where are they? 463 01:16:26,870 --> 01:16:28,630 Jesus Christ, was that close? 464 01:16:30,290 --> 01:16:31,310 Sure was. 465 01:16:31,630 --> 01:16:32,630 Come on. 466 01:16:40,170 --> 01:16:46,470 3 o'clock We're the white 467 01:17:14,440 --> 01:17:15,440 You want to taste your coke? 468 01:17:23,560 --> 01:17:29,000 Have you seen my shorts? 469 01:17:29,340 --> 01:17:31,800 My shorts, have you seen my shorts? No, I haven't seen them. 470 01:17:32,200 --> 01:17:33,200 My God, 471 01:17:34,020 --> 01:17:36,160 it's 3 o'clock. Come on, the lecture's going to be over. 472 01:17:36,740 --> 01:17:37,740 Come on, Professor. 473 01:17:47,600 --> 01:17:50,500 Wait a minute. You go ahead. You go ahead. And remember, not a word of this 474 01:17:50,500 --> 01:17:51,438 to anyone. 475 01:17:51,440 --> 01:17:52,440 Mr. Peterson! 476 01:18:59,020 --> 01:19:03,000 Oh, you won't believe it. I've been in the cure ready to go. You're kidding. 477 01:19:06,520 --> 01:19:09,020 Oh, Mr. Peterson. How is Sissy? 478 01:19:09,440 --> 01:19:13,720 Oh, Sissy's fine. I think she maybe had a bad hot dog or something. But the 479 01:19:13,720 --> 01:19:17,080 nurse gave her bicarbonate and she's just fine. Oh, that's good. I feel badly 480 01:19:17,080 --> 01:19:19,600 that we couldn't have been together more. 481 01:19:20,080 --> 01:19:21,080 Hey, Susie. 482 01:19:21,520 --> 01:19:25,040 What? Susie, you owe me two weeks of allowance. 483 01:19:25,320 --> 01:19:26,760 Yeah, prove it. 484 01:19:39,240 --> 01:19:43,920 It's much more open. Yes. If only we had some time. I'd love to show you the 485 01:19:43,920 --> 01:19:46,100 nurse's office. Thank you. It would be nice. 486 01:21:13,700 --> 01:21:17,960 Don't you want to tell a story to me, girl? I'll tell you why you're 487 01:21:17,960 --> 01:21:21,140 different, why you could be right for me. 488 01:21:21,740 --> 01:21:23,860 You've been right for me, girl. 489 01:21:25,440 --> 01:21:31,140 You know you're special to me, special to me. Yeah, yeah, yeah. 490 01:21:31,720 --> 01:21:35,120 You know you're special to me, special to me. 31679

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.