Original subtitles

- TONIGHT THE SOUL MAN IS BROADCAST LIVE

IN FRONT OF GOD AND EVERYBODY.

- OOH, PRAY FOR US!

- STOP! NO! - GIRL, WHERE YOU GOING?

I JUST WANNA LOVE YOU. - BECAUSE, STAMPS,

YOU WERE SUPPOSED TO SET THE ALARM.

- I-I DON'T WANT YOU TO LEAVE.

- WELL, BOYCE AND LOLLI ARE GONNA KILL US

IF THEY FIND OUT THAT I SPENT THE NIGHT AGAIN.

- WELL, BEFORE YOU GO... - HUH?

- AREN'T YOU FORGETTING SOMETHING?

- I THOUGHT I JUST PUT THAT ON.

- YOU DID. - OOH! [laughs]

YOU BAD.

LOLLI!

- OH, AND, GIRL, THAT IS HOW JELLYBEANS ARE MADE.

- OH, OKAY.

- OH, HEY, LOLLI.

- WHAT ARE YOU TWO UP TO?

- OH, NOTHING. I JUST GOT HERE.

MM-HMM.

- THEN WHY IS YOUR BRA IN YOUR POCKET?

- HEY, BABE. CHECK IT OUT.

"A NIGHT WITH BOYCE THE VOICE. SOLD OUT."

YOUR MAN'S STILL GOT IT, BABY.

- OH, WELL, COME GIVE ME SOME OF IT.

- [chuckles] - MWAH.

HONEY, I'M SO PROUD OF YOU.

THIS IS SO NICE THAT YOU'RE RAISING MONEY

FOR THE YOUTH CAMP. - YEAH.

YOU KNOW, STAMPS AND I, WE WENT TO CAMP SHAWNEE

EVERY SUMMER WHEN WE WERE KIDS, YOU KNOW.

IT'S THE FIRST PLACE I LEARNED HOW TO PLAY

"HIDE AND GO GET IT."

I AIN'T NEVER GET IT, THOUGH.

- I AM EXCITED, THOUGH, TO HAVE THE WHOLE GROUP BACK TOGETHER.

I HEARD FROM THE DANCERS, AND THEY'LL BE HERE SOON.

- COOL. DANCERS ON THE WAY,

BAND IS ON THE BUS,

AND WE GOT EIGHT HOURS TILL SHOWTIME.

[chuckles]

BABE, I CAN'T WAIT TO BE BACK ON THAT STAGE

DOING A SHOW.

A LIVE SHOW.

[soul music]

♪

- ♪ YEAH

- ♪ THE SOUL MAN ♪

- BOYCE... [sighs]

WE GOTTA TALK ABOUT STAMPS.

HE'S BEEN WITH US LIVING HERE

FOR A YEAR NOW, ALL RIGHT?

AND HE'S GOT MY SISTER SLEEPING UPSTAIRS.

I CAN'T EVEN GO IN OUR DAUGHTER'S BEDROOM ANYMORE.

IT SMELLS LIKE COCONUT OIL AND SHAME.

- YEAH, AND YOU KNOW, LAST WEEK,

HE MADE A PEANUT BUTTER AND JELLY SANDWICH

WITH THE SAME KNIFE.

GOT JELLY ALL IN MY PEANUT BUTTER.

YOU KNOW HOW I FEEL ABOUT THAT.

- YOU THINK THAT'S SOMETHING?

LAST WEEK, HE DRIED HIS FUNKY GYM CLOTHES

IN THE MICROWAVE.

STAMPS HAS GOT TO GO.

- YOU'RE RIGHT, BABE.

I'LL GO TALK TO HIM, ALL RIGHT?

- GOOD, AND-- AND T-TELL HIM WE LOVE HIM.

IT'S--TELL HIM WE'LL MISS HIM.

TELL HIM DON'T LEAVE THIS HOUSE

WITH MY SWEATIN' TO THE OLD TESTAMENTDVDs.

- ALL RIGHT, I MEAN, HE ALREADY BURNED A COPY, YOU KNOW.

STAMPS! HA, HA, WHAT'S UP, STAMPS?

- WHAT'S UP, BRO?

- HOW YOU DOING, MAN? - I'M GOOD.

- DOING GOOD, GOT YOUR CUPCAKE BUSINESS GOING,

AND YOU'RE SAVING A LITTLE MONEY.

THINGS GOING WELL, MAN.

- THANKS, BOYCE.

- [chuckles] YEAH.

LOLLI WANTS YOU TO GET THE HELL OUT.

- WHAT'D I DO?

- YOU'RE 36,

AND YOU'RE SLEEPING IN MY DAUGHTER'S PINK BED.

- I DON'T SEE COLOR, BOYCE.

ALL RIGHT, ALL RIGHT, MAN. I'M JUST PLAYING.

OKAY, MAYBE YOU'RE RIGHT. I SHOULD GET MY OWN PLACE.

- ALL RIGHT, GOOD MAN. ALL RIGHT, GOOD CALL.

[phone rings]

HUH. AH, IT'S DADDY.

- AH.

- HEY, DADDY'S WHAT'S UP?

- BOYCE, I NEED YOU TO COME DOWN HERE TO THE CHURCH.

THE ELDERS HAVE SOMETHING THEY WANT TO TALK TO YOU ABOUT.

- WELL, YOU KNOW I LIKE TO CHILL BEFORE THE SHOW.

CAN THIS WAIT?

- SURE, IT CAN WAIT.

THAT'S WHY I BOTHERED TO CALL YOU.

GET YOUR BUTT ON DOWN HERE!

- NAH, I AIN'T JUMP JUST BECAUSE

OLD GRUMPY DADDY SAYS "JUMP."

YOU KNOW, I'M A GROWN MAN. [phone rings]

I'M ALREADY IN THE CAR, DADDY. OKAY?

- HEY--HEY, BABE. - YEAH?

- GUESS WHAT. - HUH?

- YOUR MAN IS GETTING HIS OWN PLACE.

- OH. - MM-HMM.

YEAH, YOU KNOW, I'M THINKING IT'S TIME

FOR ME TO MOVE OUTTA HERE.

AND COINCIDENTALLY, SO DOES BOYCE AND LOLLI.

- [laughs] OH, WELL, STAMPS,

IF YOU'RE GONNA MOVE OUT OF HERE,

THEN WHY DON'T YOU JUST MOVE IN WITH ME, HUH?

I MEAN, COUPLES DO THAT, YOU KNOW.

- YEAH, THAT'S RIGHT. WE ARE A COUPLE, HUH?

- WELL, HAVE WE SLEPT TOGETHER MORE THAN THREE TIMES?

- WELL, YES. - THEN WE'RE A COUPLE.

- ALL RIGHT, WELL, LET'S DO THIS.

- YEAH? - BUT WAIT--

WHAT ABOUT YOUR ROOMMATE? - OH. HANDLED.

HI, BRENDA?

I HAVE SOME NEWS.

[laughs]

GIRL, YOU ARE CRAZY.

[laughing]

YEAH, STAMPS IS MOVING IN.

YOU GONNA HAVE TO FIND A NEW PLACE.

UH-HUH.

UH-HUH.

SEE? NO PROBLEM.

- SHE MAD?

- YEAH, I'M GONNA HAVE TO STAY HERE TONIGHT.

[upbeat music]

- YOU CAN'T JUST PUT THE CRYING BABIES

IN THE BASEMENT 'CAUSE THEY'RE MAKING NOISE.

[overlapping chatter]

- WHAT WE CELEBRATING, FELLAS? [chuckles]

- THEY'RE NOT AS HAPPY AS THEY LOOK.

YOU GOT A PROBLEM, SON. HERE.

- "I WANNA HAVE SEX WICHOO,

BITE YOUR THIGH..."

WHAT IS THIS, A SONG REQUEST LIST FOR TONIGHT'S SHOW?

[chuckles]

"SPANKIN' AIN'T JUST FOR KIDS."

I KNOW THAT'S FROM YOU, BROTHER DAVIS.

OKAY.

- THOSE AREN'T REQUESTS.

THE ELDERS HAVE DECIDED THAT THOSE SONGS

ARE TOO RISQUE FOR YOU TO SING IN YOUR SHOW TONIGHT.

- WHOA, WHOA, WHOA, WHOA. THESE ARE ALL MY HITS.

THIS IS WHAT PEOPLE ARE PAYING TO HEAR.

- SING THOSE SONGS, AND YOU'RE IN VIOLATION

OF YOUR MORALITY CLAUSE.

CLEAN UP YOUR ACT, OR CLEAN OUT YOUR PULPIT.

- ARE YOU SERIOUS, DADDY? - I-I'M SORRY, SON.

BUT AS YOU CAN SEE,

THE ELDERS ARE EXTREMELY WORKED UP ABOUT IT.

- WELL, WHAT DO Y'ALL EXPECT ME TO DO--SING HYMNS?

[elders shouting in agreement]

- OH, I GOT A HYMN FOR YA.

♪ MM-MM-MM

NO!

[plays chord]

- ♪ OH, BABY, IT'S TIME

♪ TO LOCK THE DOOR

♪ I WANNA HEAR THAT CLOTHING HIT THE FLOOR ♪

♪ I WANNA HAVE

♪ SNACKS WICHOO

SNACKS.

- BOYCE, DID YOU KNOW

THAT STAMPS WAS PLANNING ON MOVING IN WITH KIM?

- NO, BUT THAT'S A GOOD THING, RIGHT?

- NO, THAT'S NOT A GOOD THING.

- EXACTLY. THAT IS NOT A GOOD THING.

WHY IS THAT NOT A GOOD THING?

- BOYCE, I DON'T WANT MY SISTER LIVING WITH STAMPS.

I CAN'T HAVE HER GETTING SERIOUS ABOUT HIM.

HE'S A IMMATURE, NARCISSISTIC MAN-CHILD,

AND HE'S STILL GOT BABY HAIR.

- OKAY, BABE, THAT'S MY BROTHER WE TALKING ABOUT, OKAY?

SO IT'S NOT LIKE YOUR SISTER IS SO PERFECT.

- WHAT YOU MEAN BY THAT?

- [chuckles] I MEAN, WORDS COME TO MIND.

I MEAN, ARROGANT, CONTROLLING.

[chuckling] SHE'S A LOT LIKE YOUR MOTHER.

I MEAN, COME ON, LOLLI.

EVERYBODY KNOW THAT'S WHY YOUR DADDY DRINK.

- WOW!

YOU WANNA TALK ABOUT MY GRANDDADDY TOO?

- OH, NO, NO, NO, NO.

YOUR GRANDFATHER WAS A HARDWORKING MAN.

I MEAN, HE WOULD HAVE TO BE

IN ORDER TO TAKE CARE OF HIS FAMILY

AND THE OTHER FAMILY HE HAD ACROSS TOWN, YOU KNOW.

[doorbell rings]

YOU KNOW, I'M-- I'MA GET THE DOOR.

I'M GONNA GET THE DOOR.

both: HI! - [laughs]

IF IT AIN'T BOYCE'S BOUNCING BOOTY BRIGADE!

- OH! - OH, MY GIRLS!

[squeals]

- LOLLI, YOU LOOK AMAZING.

- AND I CAN STILL DROP IT LIKE IT'S HOT.

I JUST CAN'T PICK IT BACK UP.

- WE APPEAR TO BE ONE BOUNCING BOOTY SHORT.

WHERE'S RITA?

- HEY, Y'ALL!

THE GANG IS BACK TOGETHER.

- WELL, LOOK AT YOU!

HONEY, WHEN ARE YOU DUE?

- DUE FOR WHAT?

- WITH THE-- - UH--

- OH, THIS? MM-MM.

I STOPPED AT TACO BELL. I'M JUST FULL.

- WELL, UH, YOU LOOK LIKE

YOU ABOUT 11 MONTHS PREGNANT.

- I'M NOT PREGNANT.

I'M TELLING YOU, ONE GOOD POOT, AND I'M GOOD TO GO.

- GOOD!

[chuckles] GOOD, GOOD, GOOD, GOOD, GOOD.

GOOD, GOOD, GOOD.

BABE, WE CAN'T DO THE SHOW WITHOUT RITA.

SHE'S MY BEST BACKUP SINGER AND DANCER.

- BOYCE, IT'S TOO LATE FOR ME TO GET ANOTHER DANCER.

YOU GOTTA TRUST ME ON THIS. I CAN MAKE THIS WORK.

- I DON'T SEE HOW, LOLLI.

I MEAN, I CAN SEE A OUTLINE

OF THE BABY'S FACE THROUGH HER LEOTARD.

EITHER SHE HAVING A BOY OR A STRONG-FACED GIRL.

[sighs] STAMPS...

LOOK, MAN, YOU CANNOT MOVE IN WITH KIM.

- WHAT? WHAT DO YOU MEAN?

YOU SAID YOU WANTED ME TO MOVE OUT.

- LOOK, WHEN I SAID MOVE OUT,

I MEANT YOU GET YOUR OWN PLACE, MAN.

YOU GOT PLENTY OF TIME TO SETTLE DOWN WITH ONE WOMAN

AND BE MISERABLE THE REST OF YOUR LIFE.

- WHAT, TOO YOUNG TO SETTLE DOWN,

TOO OLD TO LIVE HERE?

36 IS AN AWKWARD AGE.

ANYWAY, BRO, WE GOT A PROBLEM.

THE BAND BUS IS STUCK IN A DITCH IN IOWA.

- IOWA?

BUT THEY WERE COMING FROM FLORIDA.

HOW DID THEY OVERSHOOT AN ENTIRE STATE?

- GREG IS DRIVING.

- OH.

WE AIN'T GONNA NEVER SEE THEM BROTHERS AGAIN.

ALL RIGHT, MAN, I NEED A BAND.

I'M--I'M JUST GONNA HAVE TO CALL CRAZY RUDY.

- NO, NO, NO, BRO, YOU CAN'T CALL CRAZY RUDY.

IT'S NOT EVEN A NICKNAME. IT'S A DIAGNOSIS.

- LOOK, MAN, I MEAN, HE CAN PUT TOGETHER A BAND

ON SHORT NOTICE, ALL RIGHT?

JUST TRUST ME ON THIS. - ALL RIGHT.

[phone rings]

[audience cheers] - PHONE.

- HEY, RUDY, IT'S BOYCE.

- BOYCE BALLENTINE.

I SUPPOSE YOU WONDERING WHY I CALLED.

- HEY, UH, HEY, LISTEN, RUDY, MAN.

I WAS WONDERING, COULD YOU PUT

A BAND TOGETHER FOR ME FOR TONIGHT?

- I DON'T KNOW, MAN. MY SCHEDULE IS PRETTY FULL.

DID YOU SEE ME PLAYING AT MANDELA'S FUNERAL?

YEAH, BABY, I ROCKED IT. GOT DOWN.

- YEAH, YEAH, I SAW THAT.

HE WASN'T IN NO DAMN MANDELA'S FUNERAL.

HEY--HEY, RUDY.

LOOK, CAN I COUNT ON YOU FOR TONIGHT, MAN?

- LET ME THINK ON IT, ALL RIGHT?

I'LL CALL YOU TOMORROW.

- THE SHOW IS TONIGHT!

RUDY, HELLO?

AW, MAN! CAN'T COUNT ON RUDY.

- TOLD YOU. [phone rings]

OH, IT'S PHIL DOWN AT THE VENUE.

- HELLO. THIS BETTER BE GOOD NEWS.

WHOA, WHOA, WHOA, WHOA.

WHAT DO YOU MEAN, YOU DOUBLE-BOOKED?

NO, YOU STAY RIGHT THERE. I'M COMING DOWN THERE.

AW, MAN.

I AIN'T GOT NO SONGS, I LOST MY BAND,

MY BACKUP SINGER PREGNANT.

NOW THEY TALKIN' ABOUT I'M ABOUT TO LOSE MY VENUE.

- AND IT'S RUSH HOUR.

IT'S GONNA TAKE YOU FOREVER TO GET DOWN THERE.

- YOU WANNA BET?

HEY, WHAT'S UP, Y'ALL?

[laughter, applause]

[inaudible]

YOU KNOW WHAT I'M SAYING?

[inaudible]

[loud cheers and applause]

IS THAT LARRY JONES?

THAT'S LARRY JONES RIGHT THERE, PRESIDENT OF THE NETWORK.

LARRY JONES. HEY, EVERYBODY, TWEET.

"SEASON4", # WILL BE SEASON4 RIGHT THERE.

SEASON4, LARRY.

THERE'S LARRY!

HOW YOU DOING? HOW YOU DOING?

K.B.! WHAT'S UP?

ALL RIGHT.

HI, MOM.

[laughter]

OKAY, WHAT IS GOING ON HERE, MAN?

WHO'S IN CHARGE?

- THAT WOULD BE ME. I'M GARY.

THAT GARY.

IF YOU HAVE AN ISSUE, YOU DEAL WITH ME.

- I'M NOT DEALING WITH A LITTLE KID, MAN.

- I'M NOT A KID.

THIS IS MY BAR MITZVAH.

TODAY I'M A MAN.

- OY, VEY.

- [groans] OKAY.

SO THIS IS WHERE WE ARE, GARY.

- MR. ROTHSTEIN.

- FINE. MR. ROTHSTEIN.

LOOK, MAN, I'LL COVER ALL OF YOUR OUT-OF-POCKET COSTS,

BOOK YOU A SUITABLE ALTERNATE VENUE AT MY EXPENSE.

SO DO WE HAVE A DEAL?

AND REMEMBER, IT'S FOR THE KIDS.

- I'M SYMPATHETIC.

IT WASN'T TOO LONG AGO I WAS A KID MYSELF.

- YEAH, WHERE DOES THE TIME GO?

- THERE IS ONE MORE THING.

I'M ALSO GOING TO NEED A STACK OF CRISP $1 BILLS

AND A RIDE TO A CLUB NEAR THE AIRPORT

CALLED "OMAR'S CLASSY LADIES."

- [chuckles] LOOK, YOU'VE BEEN A MAN

FOR ONLY 15 MINUTES.

THAT IS NOT GONNA HAPPEN.

- WORTH A SHOT.

OKAY.

YOU GOT YOURSELF A VENUE.

- AH, COOL, MAN.

THANKS A LOT.

HEY, UM,

HOW MUCH FOR YOUR BAND?

[soul music]

- ALL RIGHT.

A LITTLE SEXY TO THE RIGHT.

TAKE IT BACK.

SHOW 'EM WHAT THEY PAYING FOR.

WORK, WORK, WORK, WORK. YES!

NO, NO, NO, NO.

NO NO NO NO NO.

I'M SORRY, BABY.

IT LOOKS LIKE ANY SECOND,

YOU ABOUT TO TWERK A BABY OUT ON MY FLOOR.

- NOW, HOW MANY TIMES DO I GOTTA TELL YOU THAT I'M NOT...

PREEEEG!

[huffing and puffing]

HERE WE GO.

FIVE, SIX, SEVEN...

♪ EIIIIIIGGHT

[gasping]

- ARE YOU OKAY?

- I GOT SOMETHING I NEED TO TELL Y'ALL.

all: YOU'RE PREGNANT.

- LITTLE BIT.

I'M SORRY.

I JUST WANTED TO BE DOWN WITH Y'ALL.

- AW. - OH...

- ALL RIGHT, GOOD, HOW FAR APART ARE HER CONTRACTIONS?

- HOW DID YOU KNOW RITA WAS IN LABOR?

- REALLY, NIECY?

WE BEEN PRACTICING THIS ALL WEEK.

- OKAY. - YOU JUST GONNA DO THAT?

- UH, SIT HER DOWN. - OKAY, SIT DOWN, COME ON.

- YO!

BALLENTINE!

YOU TOLD STAMPS NOT TO MOVE IN WITH ME?

WHY YOU TRYING TO SABOTAGE OUR RELATIONSHIP?

- OH, LOLLI TOLD ME TO.

- [squeaks] WHAT-- I DIDN'T TELL YOU THAT.

- YEAH, YOU SAID THAT HE WAS NO GOOD FOR KIM.

- WH--LOLLI, YOU SAID THAT? THAT'S COLD.

NO WONDER BOYCE SAYS HE'S MISERABLE.

- OOH.

- YOU SAID YOU WERE MISERABLE?

- I W--I WASN'T TALKING ABOUT YOU SPECIFICALLY.

I WAS TALKING ABOUT, LIKE, THE WOMAN YOU LIVE WITH.

- RIGHT, BUT I'M THE WOMAN YOU LIVE WITH.

- OH.

- YOU KNOW WHAT?

I'M NOT SURPRISED THAT BOYCE IS MISERABLE,

BECAUSE YOU JUST CAN'T STAY

OUT OF OTHER PEOPLE'S BUSINESS, LOLLI.

ESPECIALLY MINE.

- REALLY, KIM? YOU GONNA TAKE HIS SIDE?

YOU WANT ME TO TELL YOU WHAT HE SAID ABOUT YOU?

- OOH, I DON'T SEE HOW THIS IS GONNA BE RELEVANT

TO WHAT WE TALKING ABOUT RIGHT NOW.

- HE SAID THAT YOU'RE ARROGANT AND CONTROLLING.

THEN HE CALLED OUR DADDY A DRUNK.

- [gasps] REALLY, BOYCE?

YOU WENT THERE?

- SO WHAT, Y'ALL DADDY DON'T DRINK?

both: YOU DON'T WANT IT, BOYCE!

[overlapping shouting] - ALL RIGHT, GIMME ANOTHER ONE!

[muttering, gulping]

- EVERYBODY, QUIET!

- OH, I'M DRINKIN'.

- NOW, LOLLI, LOOK.

I KNOW YOU THINK YOUR SISTER IS TOO GOOD FOR ME,

BUT WHAT YOU THINK DOESN'T MATTER,

'CAUSE I LOVE HER, AND SHE LOVES ME.

AND WE ARE MOVING IN TOGETHER.

SO IF YOU GOT A PROBLEM WITH IT,

SAVE IT FOR THE NEXT EPISODE.

- I THINK MY BRA JUST UNDID ITSELF.

- MM-HMM.

- I DON'T GIVE A DAMN WHAT YOUR BRA JUST DID.

I'M HAVING A FREAKIN' BABY OVER HERE.

REALLY?

- OH, THAT'S RIGHT.

WE HAVING A BABY--OKAY-- - [moans]

- NOW I ONLY GOT 20 MINUTES TILL THE SHOW!

- OKAY, GO, GO, GO! - OKAY, HEY, KIM, YOU A DOCTOR.

GET OVER HERE AND CATCH THIS BABY!

- OKAY! - SOMEBODY BOIL SOME WATER!

STAMPS, DO SOMETHING WITH YOURSELF!

SOMEBODY TURN MY POT ROAST OFF!

- SHE HAVING A BABY! - AY, DIOS MIO!

[overlapping shouting]

- STAMPS!

LADIES, IF YOU'RE NOT IN THE CAR,

YOU'RE NOT IN THE SHOW!

LET'S GO! - OKAY.

- [groans] - OKAY.

YOU CAN DO THIS.

- WHO ARE YOU?

WHO ARE YOU?

- ♪ MI MI MI MI MI MI MI

- BOYCE?

[audience cheers]

- ELKA!

HOW YOU DOING?

ELKA, I KNOW YOU DIDN'T COME ALL THE WAY

FROM CLEVELAND TO SEE MY SHOW.

- NO, I CAME FOR THE BAR MITZVAH.

- YOU KNOW GARY?

- OF COURSE! [chuckles]

I BROUGHT HIM A PRESENT. - OKAY.

OKAY.

- DON'T TELL HIS PARENTS.

THEY'RE NOT JEWISH. - OH. YEAH, ALL RIGHT.

GOOD TO SEE YOU. - BOYCE.

BOYCE, I MADE IT, BABY.

I'M HERE. I MADE IT. WHAT'S--

- WHOA, RUDY, WHAT ARE YOU DOING HERE, MAN?

- I-I TOLD YOU I'D BE HERE, DIDN'T I?

OR DID--OR DIDN'T I?

ANYWAY, THANKS FOR COMING.

- HOLD ON, RUDY.

B.O.B., WHAT UP, MAN?

- WHAT'S UP, MAN? HOW YOU DOING?

- MY MAN. [audience cheering]

HEY, MAN, THANK YOU SO MUCH FOR DOING THIS, MAN.

I'M EXCITED ABOUT IT.

YOU KNOW, I'M A BIG FAN

OF THAT SONG YOU GOT WITH BRUNO MARS.

- YEAH, MAN, I WANTED TO ACTUALLY PERFORM

THAT SONG TONIGHT.

UH, MATTER OF FACT, WHY DON'T YOU BE BRUNO?

- HA! I'M WITH IT! I'M WITH THAT, BABY.

THAT'S NICE!

- [pounds drum] HEY, MAN, WHAT ABOUT ME, BRO?

DO YOU KNOW HOW HARD IT IS

TO GET A CONGO ON A BUS?

THIS AIN'T NO HARMONICA, BRO.

IS THAT BETTY WHITE?

YO, BETTY!

- LADIES AND GENTLEMEN,

THE FIRST CHURCH OF ST. LOUIS,

IN ASSOCIATION WITH GARY ROTHSTEIN PRODUCTIONS,

PROUDLY PRESENTS B.O.B.,

FEATURING BOYCE "THE VOICE" BALLENTINE!

[cheers and applause]

- ♪ BEAUTIFUL GIRLS

♪ ALL OVER THE WORLD

♪ I COULD BE CHASIN'

♪ BUT MY TIME WOULD BE WASTED

♪ THEY GOT NOTHING ON YOU

- ♪ YO, YO, YO - ♪ BABY

- ♪ YO, YO, YO

- ♪ NOTHING ON YOU, BABY

- ♪ NAW, NUH-NUH-NOTHING ON YOU, BABE ♪

♪ NUH-NOTHING ON YOU - ♪ HEY

- ♪ I KNOW YOU FEEL WHERE I'M COMIN' FROM ♪

♪ REGARDLESS OF THE THINGS IN MY PAST THAT I'VE DONE ♪

♪ MOST OF IT REALLY WAS FOR THE HELL OF THE FUN ♪

♪ ON THE CAROUSEL SO AROUND I SPUN ♪

♪ WITH NO DIRECTION, JUST TRYING TO GET SOME ♪

♪ TRYING TO CHASE SKIRTS, LIVING IN THE SUMMER SUN ♪

♪ AND SO I LOST MORE THAN I HAD EVER WON ♪

♪ AND HONESTLY I ENDED UP WITH NONE, YEAH ♪

- HEY! - ♪ THERE'S SO MUCH CONSCIENCE

♪ IT'S ON MY CONSCIENCE

♪ I'M THINKING MAYBE I SHOULD GET IT OUT ♪

- ♪ GET IT OUT - ♪ AND I DON'T WANNA SOUND

♪ REDUNDANT BUT I WAS WONDERING ♪

- ♪ OOH, YEAH - ♪ OOH EE

- ♪ BUT NEVER MIND THAT, WE SHOULD LET IT GO ♪

- ♪ SHOOBY DOOBY DWEE DWEE DWEE DWEE ♪

- ♪ AND ALL THE BAD THOUGHTS JUST LET 'EM ALL GO ♪

♪ GO, HERE I GO HEY!

- ♪ BEAUTIFUL GIRLS

♪ ALL OVER THE WORLD

- ♪ I COULD BE CHASIN'

- ♪ CHASIN'

- ♪ BUT MY TIME WOULD BE WASTED ♪

- ♪ WASTED

- ♪ THEY GOT NOTHING ON YOU, BABY ♪

- ♪ NUH-NUH-NUH- NOTHING ON YOU, BABE ♪

♪ NUH-NOTHING ON YOU

- ♪ NOTHING ON YOU, BABE

- ♪ NUH-NUH-NUH- NOTHING ON YOU, BABE ♪

♪ AIN'T NOTHING ON YOU

- ♪ THEY MIGHT SAY HI - ♪ HI

- ♪ AND I MIGHT SAY HEY - ♪ HELLO, HELLO

- ♪ BUT YOU SHOULDN'T WORRY

♪ ABOUT WHAT THEY SAY

♪ 'CAUSE THEY GOT NOTHING ON YOU, BABE ♪

- ♪ NUH-NUH-NUH- NOTHING ON YOU, BABE ♪

- ♪ NOTHING ON YOU - ♪ NUH-NOTHING ON YOU

- ♪ NOTHING ON YOU, BABE - HANDS UP!

♪

- ♪ THE SOUL MAN