Original subtitles

- THE SOUL MANIS RECORDED BEFORE A LIVE STUDIO AUDIENCE.

- HONEY, IT'S MOMMY.

WE WERE HALFWAY HOME WHEN I REALIZED

YOU LEFT SOME OF YOUR SCRUNCHIES IN THE CUP HOLDER.

- WE JUST DROPPED LYRIC OFF AT HER DORM ROOM.

ARE YOU ON THE PHONE WITH HER AGAIN?

- ST-- IF YOU WANT,

I DON'T MIND RUNNING 'EM OUT THERE

AND BRINGING 'EM TO YOU. HUH?

NO, I CAN HOLD ON.

- LYRIC, YOUR MOTHER IS CRAZY.

SHE IS GOING THROUGH DAUGHTER WITHDRAWAL,

ALL RIGHT, SO AVOID ALL CONTACT. THE FIRST 24 HOURS ARE CRITICAL.

- BOYCE, WE JUST DROPPED OUR ONLY DAUGHTER

OFF AT BOARDING SCHOOL.

WHY? WHY DID WE LET HER GO?

- WELL, BECAUSE YOU SAID, "IT'S TIME FOR LYRIC TO SEE THE WORLD,

AND BECOME A WELL-ROUNDED WOMAN,"

AND THEN YOU WENT INTO SOMETHING

ABOUT "I KNOW WHY A CAGED BIRD SINGS,"

AND THERE WAS OPRAH, AND SOM--

I JUST STOPPED LISTENING AND WROTE THE CHECK.

- BOYCE, THINGS ARE GONNA BE SO DIFFERENT

WITHOUT HER AROUND HERE. - [chuckles] YUP.

SHOOT, I CAN EVEN LEAVE SPARE CHANGE AROUND.

LOOK, IT'S STILL THERE.

AND YOU KNOW THERE IS ANOTHER BIG UPSIDE

TO HAVING THE HOUSE ALL TO OURSELVES.

- [laughs]

PASTOR BALLENTINE, ARE YOU TRYING TO SAY

THAT WE CAN DO WHATEVER WE WANT?

- WHATEVER EVER.

- OOH! [laughs]

MEET ME UPSTAIRS IN FIVE MINUTES.

I JUST NEED TO CUT MYSELF OUT OF THESE SPANX.

- YOU AIN'T GOT TO THREATEN ME WITH A GOOD TIME.

WHAT IS GOING ON?

- BUCKLE UP, SON. YOU GOT COMPANY.

I'M THROWING STAMPS OUT, AND HE'S MOVING IN WITH YOU.

- HE'S NOT THROWING ME OUT. I'M THROWING MYSELF OUT.

I'M DONE LIVING WITH POPS. - OH, NO, NO.

WHAT DOES THIS HAVE TO DO WITH ME?

- WELL, THE ONLY THING WE AGREE ON

IS THAT STAMPS LIVES HERE NOW.

- WHERE DO YOU WANT ME TO PUT MY THINGS?

- LOOK, DADDY, NOW IS NOT A GOOD TIME

FOR US TO TAKE IN A STRAY.

YOU KNOW, LOLLI'S BEEN UPSTAIRS CRYING ALL DAY

SINCE WE DROPPED LYRIC OFF. SHE IS DEVASTATED.

- BOYCE, I ACCIDENTALLY SPILLED COCONUT OIL ALL OVER ME.

[laughs]

CAN YOU COME AND HELP ME WIPE IT OFF?

- SEE? DEVASTATED.

[upbeat R&B music]

♪

[upbeat gospel music]

- [vocalizing]

- ♪ THE SOUL MAN

SO WHAT DID STAMPS DO THIS TIME?

- THIS TIME? ALL THE TIME.

HE EATS UP MY ALMOND ROCA,

USES UP ALL THE GOOD TOILET PAPER.

AND THE LAST STRAW WAS AN INCIDENT SO HEINOUS,

IT WILL HEREAFTER BE KNOWN ONLY AS "THE INCIDENT."

- POP, I DIDN'T KNOW YOU WERE HOME.

LET IT GO.

- LET IT GO? THIS IS DADDY WE TALKING ABOUT.

I LOST A LUNCHBOX IN THE THIRD GRADE,

AND I'M STILL HEARING ABOUT IT.

- THAT WAS A GOOD LUNCHBOX.

HAD THE CAST OF THE WIZON IT.

LOOK, BOYCE, THE GOOD BOOK SAYS "YOU ARE YOUR BROTHER'S KEEPER."

STAMPS IS YOUR BROTHER. YOU KEEPING HIM.

- LOOK, DADDY, NOW-- - "DADDY" NOTHING, HE'S STAYING,

AND HERE'S SOME ADVICE: PUT A LOCK ON YOUR FRIDGE,

KEEP HIM AWAY FROM YOUR TUBE SOCKS,

AND WHATEVER YOU DO, HIDE YOUR SOAP.

- HIDE MY SOAP?

- STAMPS USED MY SOAP,

AND IT HASN'T FELT THE SAME SINCE.

I DON'T KNOW WHAT HE DID. IT'S SOAP.

- I MEAN, REALLY? YOU HAVEN'T LEARNED

HOW TO GET ALONG WITH POPS YET, AFTER ALL THESE YEARS?

I MEAN, YOU JUST GOTTA STAY OUT OF HIS EYE LINE

AND NOT BE CLOSE ENOUGH FOR HIM TO GRAB YOU.

- I GOT TOO MUCH SELF-RESPECT TO BE DODGING POPS ALL THE TIME.

YOU KNOW, I'M A GROWN MAN, BOYCE, A GROWN MAN.

LET ME HIDE HERE.

- FORGET IT. YOU GONNA GET YOUR BAGS

AND YOU'RE GOING BACK OVER TO DAD'S.

I MEAN, HE TALKS A BIG GAME,

BUT YOU KNOW THAT'S GONNA BLOW OVER.

- NO, MAN, I AIN'T GOING BACK THERE.

POP, HE'S BEING UNREASONABLE. I MEAN, DID YOU KNOW

THAT HE GAVE ME A LOUSY TWO-YEAR DEADLINE

TO GET MY MONEY TOGETHER? TWO YEARS!

- THAT JERK. - RIGHT?

SO I WAS THINKING, MAN, IF YOU COULD JUST

LET ME STAY HERE FOR THREE MONTHS,

I COULD SAVE UP ENOUGH MONEY TO GET MY OWN PLACE.

- WELL, HOW MUCH DO YOU HAVE NOW?

- NOTHING.

BUT CHECK IT. I GOT A DEAL COOKING UP

WITH ME AND MY BOYS, CORNELIUS AND HIGH TOP.

- WHY DO I GET THE FEELING

YOU'RE ABOUT TO GET THROWN OFF A RIVERBOAT?

- THE POINT IS, MAN, THE SOONER I GET THE CASH,

THE SOONER I'LL GET OUT OF YOUR HAIR.

- [sighs] - PLEASE?

- LET ME SEE WHAT LOLLI HAS TO SAY, ALL RIGHT?

BUT IN THE MEANTIME,

YOU SHOULD START GOOGLING "NICE PARKS TO SLEEP IN."

WELL, EITHER DAD KICKED STAMPS OUT

OR STAMPS KICKED HIMSELF OUT, BUT EITHER WAY, HE'S HOMELESS.

- YOU KNOW, IF YOU WEREN'T IN THE MOOD,

YOU COULD HAVE JUST TOLD ME BEFORE I GOT ALL GREASED UP.

WELL, MAYBE IT'S TIME FOR STAMPS TO FIND HIM A NEW PLACE.

- YOU KNOW, ABOUT THAT, UH,

I WAS THINKING THAT MAYBE HE CAN LIVE HERE WITH US.

WELL?

- I'M SORRY, IN MY MIND, I JUST SLAPPED YOU.

- YOU KNOW, I SEE THAT LOOK ON YOUR FACE ALL THE TIME.

HOW OFTEN DO YOU THINK ABOUT SLAPPING ME IN YOUR HEAD?

- YOU KNOW WHAT? I LOVE STAMPS, OKAY,

BUT YOU AND YOUR DAD CODDLE HIM.

I MEAN, HE MAKES ROYALTIES FROM THAT ONE SONG

HE WROTE FOR YOU, BUT HE ALWAYS GOES OUT AND BLOWS HIS MONEY

BECAUSE YOU GUYS DON'T MAKE HIM BE RESPONSIBLE FOR HIMSELF.

- BABE, IT'S MY LITTLE BROTHER.

IT'S LIKE THE SON I NEVER WANTED.

YOU KNOW, BESIDES, DAD JUST PUT HIM OUT WITHOUT ANY WARNING.

- WHOA, LET'S BE REAL.

YOUR DAD DIDN'T PUT HIM OUT, HE PUT HIM HERE, RIGHT?

AND WE HAVEN'T HAD THIS HOUSE TO OURSELVES

FOR MORE THAN TEN MINUTES.

- I KNOW, BABY, BUT I'M JUST THINKING,

MAYBE WE CAN LET HIM STAY HERE LONG ENOUGH

TO SAVE ENOUGH MONEY TO GET HIS OWN PLACE.

I PROMISE, YOU WON'T EVEN KNOW HE'S HERE.

- HE CAN STAY FOR THREE WEEKS.

- WELL, HE'S GONNA NEED A LITTLE LONGER THAN THAT,

SO YOU KNOW, TWO MONTHS.

- THREE WEEKS. - ALL RIGHT,

FOUR WEEKS AND A WEEKEND.

- THREE WEEKS.

- YOU KNOW THIS IS NOT HOW NEGOTIATION WORKS, RIGHT?

- I'M NOT NEGOTIATING.

BOOM.

[dramatic music on TV]

- CLAUDINEIS STILL ONE OF MY FAVORITE MOVIES.

JAMES EARL JONES IS SO FINE, EVEN FOR A GARBAGE MAN.

AND HIS VOICE MELTS ME EVERY TIME.

- YEAH, THAT DIAHANN CARROLL, SHE GOT A NICE...

VOICE TOO.

SHH.

BABE, YOU HEAR THAT?

[silence]

THAT'S THE SOUND OF LYRIC AT BOARDING SCHOOL

AND STAMPS AT THE MOVIES.

- OOH! [laughs]

A HOUSE THIS QUIET CAN ONLY LEAD TO TROUBLE.

- [chuckles] AND YOU KNOW

WHAT A GARBAGE MAN LIKE TO DO WHEN HE COME HOME ALL DIRTY?

- OOH. GO TAKE A SHOWER.

[both chuckling]

- YEAH, LET'S GO UPSTAIRS AND SAVE SOME WATER.

[laughing] YEAH.

[laughing]

- YOU NASTY!

[both laughing]

- [deep voice] COME ON, CLAUDINE,

LET'S GO GET CLEAN BEFORE WE GET DIRTY.

[both laugh]

- [screams] - OW!

SWEET MARY J. BLIGE!

OH, HEY, Y'ALL.

- I GOT SO MANY QUESTIONS RIGHT NOW.

STARTING WITH WHAT THE HELL ARE YOU DOING IN MY BATHROOM?

- OH, MY BAD, BOYCE. MY BATHROOM DOESN'T HAVE

THE APPROPRIATE LIGHT FOR MANSCAPING.

- I THOUGHT YOU WERE AT THE MOVIES.

- YOU KNOW MY DATE DIDN'T WANT TO PAY FOR HER TICKET?

- LOOK AT MY SINK!

STAMPS, YOU GOT ALL THIS HAIR OFF YOUR CHEST?

- NO. - [gags]

- AW, STAMPS.

COME ON, MAN, NOW, IF SOMEBODY BUYS THIS HOUSE,

I'MA HAVE TO DISCLOSE THAT.

- BOYCE, THERE IS HAIR OF AN UNKNOWN ORIGIN IN MY SINK.

- YOU SLAPPING ME IN YOUR HEAD RIGHT NOW, RIGHT?

- AND STAMPS TOO!

- LOOK, MAN, IF THIS IS GONNA WORK OUT--

AND BASED ON WHAT YOU DID TO LOLLI'S SINK, I AM DUBIOUS--

YOU NEED TO LEARN TO LAY LOW, CHILL,

AND KEEP YOUR HAIRLESS BUTT OUT MY BATHROOM.

STAMPS! WHAT YOU DO TO MY SOAP?

[distant conversation and laughter]

[muffled shushing]

- MMM, JAMES EARL JONES.

[conversation continues]

- SHH! SHH! SHH! [whispering] QUIET, QUIET.

[giggling]

OH.

YEAH?

- "YEAH"? WHAT THE HELL YOU MEAN, "YEAH"?

AND WHO ARE YOU?

- CORNELIUS.

- WHERE'S STAMPS?

- WHO WANTS TO KNOW? - MAN, MOVE.

- OH, IT'S JUST BOYCE.

- LOOK, I HEARD GIGGLING.

I THOUGHT THERE WAS A GIRL IN HERE.

- [high voice] I WISH THERE WAS.

- THESE ARE MY BOYS. YOU MET CORNELIUS,

THIS IS HIGH TOP. - HI.

- OKAY, LOOK, IT IS 3:00 A.M. MY WIFE IS SLEEPING IN THERE.

WHAT THE HELL IS THIS ANYWAY?

- HIGH STAKES, NO-LIMIT TAFFY TOWN.

- OKAY, FIRST OF ALL, ALL THIS IS WEIRD,

AND SECONDLY, YOU'RE GONNA PUT THOSE GINGERBREAD MEN

BACK IN THE BOX AND PUT IT ON THE FUN SHELF

WHERE IT BELONGS. IT'S A FAMILY GAME, DAMN IT.

I'M SHUTTING THIS DOWN.

- EXCUSE ME, Y'ALL.

BOYCE, LET ME HOLLA AT YOU REAL QUICK.

ALL RIGHT, NOW, DON'T SCREW THIS UP FOR ME.

I THINK I CAN WIN ALL MY MONEY FOR THE APARTMENT

AND GET OUT FASTER.

- REALLY?

IN THAT CASE, LET ME GO TO MY EMERGENCY STASH.

- MY BROTHER.

[both laugh] - YEAH.

ALL RIGHT, DEAL ME IN.

NO, I'M THE BLUE MAN. I'M ALWAYS THE BLUE MAN.

- OKAY, PURPLE CARDS ARE WILD.

EVERY TIME YOU GET TAFFY CARD, YOU GOTTA TAKE A SHOT.

I'M GONNA LAY DOWN SOME PRINCESS GUMDROP.

[laughter]

- IF I HAD A DOLLAR FOR EVERY TIME I HEARD THAT,

RIGHT? [laughter]

HEY, HEY, SHH.

COME ON, NOW, LET'S PLAY SOME TAFFY TOWN.

- NO TAFFY, NO TAFFY, NO TA--

DAMN, TAFFY! - OOH, DRINK.

[laughter] - DRINK.

- DRINK UP, BOY. - DRINK, DRINK, DRINK, DRINK.

- DRINK IT UP. both: DRINK, DRINK, DRINK.

- GOTTA DRINK THAT SHOT. GONNA DRINK THAT SHOT.

- DRINK, DRINK, DRINK, DRINK, DRINK.

[laughter]

- MM-HMM.

ALL RIGHT.

- OOH, YOU IN TROUBLE.

- AND WITH THAT VOICE, YOU'LL BE IN TROUBLE

IF YOU EVER GO TO JAIL.

CLEAN THIS MESS UP.

- ISAIAH, JEREMIAH-- JEREMI--I--

THERE AIN'T NOTHING IN HERE ABOUT JEREMIAH BEING A BULLFROG.

HEY, BABY. - OH.

- OH, WELL, I SEE YOU GOT YOURSELF A LITTLE SOMETHING.

- WELL, YOU KNOW WHEN I'M UPSET, NOTHING MAKES ME FEEL BETTER

LIKE A LITTLE RETAIL THERAPY.

- LOOK, BABE, I'M SORRY, OKAY?

BUT THE GOOD NEWS IS, STAMPS IS MOVING OUT.

- WAIT A MINUTE, HE-- HE IS?

- YEAH, I MADE SURE HE WON ENOUGH MONEY LAST NIGHT

TO GET HIS OWN APARTMENT. YOUR MAN IS SMART, BABY.

- AW, HONEY, HE SURE IS--

BABE, NOW I FEEL BAD ABOUT BUYING ALL THIS STUFF.

- WELL, YOU CAN ALWAYS TAKE IT BACK.

- MY MAN IS FUNNY TOO. - [laughs]

COME, HERE. - MMM.

- HEY, HEY, HEY, Y'ALL. I JUST MADE

THE ULTIMATE INVESTMENT. CHECK IT OUT.

CORNELIUS KNEW A GUY WHO NEEDED SOME FAST CASH,

SO HE SOLD ME THESE FOR 1/10 OF WHAT THEY'RE WORTH.

I GOT THESE BABIES FOR 1,500 HUNNY.

- DOLLARS? - NO, BOYCE, 1,500 SKY MILES.

OF COURSE, DOLLARS. YEAH, MAN.

- OKAY, WHY--WHY ARE YOU WEARING GLOVES

FOR SOMETHING THAT'S GONNA GO ON YOUR FEET?

- AIN'T NOBODY PUTTING THEIR FEET IN THESE.

THEY WEREN'T MADE TO BE WORN.

THEY'RE LIMITED EDITION NIKE BACK TO THE FUTUREMAGS.

THEY'RE IMPOSSIBLE TO FIND.

- [scoffs] - DON'T LOOK AT ME.

[laughs] I WEAR MY EXPENSIVE SHOES.

- STAMPS, WE HAD A DEAL. I LET YOU MOVE IN HERE

SO YOU COULD SAVE ENOUGH MONEY TO MOVE OUT.

LIKE, I MEAN, I EVEN LOST $1,500 TO YOU ON PURPOSE

SO YOU CAN GET YOUR OWN PLACE.

- WHOA, YOU LOST HOW MUCH?

- NO, NO, LOLLI, COME ON, NOW. LET'S STAY FOCUSED.

I GAVE YOU ALL THAT MONEY,

AND YOU GO OUT AND BLOW IT ON A STUPID PAIR OF SHOES?

- THEY'RE NOT STUPID. THEY'RE AN INVESTMENT.

- AN INVESTMENT IN STUPIDITY.

AND AFTER ALL I'VE DONE FOR YOU, THIS IS HOW YOU REPAY ME?

YOU'RE IRRESPONSIBLE.

- OH, I'M IRRESPONSIBLE?

- THAT'S RIGHT. THAT'S WHAT I SAID.

YOU'RE IRRESPONSIBLE AND UNGRATEFUL.

- WELL, THAT'S FUNNY. YOU KNOW, I REMEMBER

WHEN YOU CONVINCED ME TO GIVE UP COLLEGE

TO BE YOUR ROAD MANAGER, YOU DIDN'T THINK THAT.

IN FACT, YOU MADE ME RESPONSIBLE FOR EVERY PART OF YOUR LIFE.

NOW, I SACRIFICED A LOT FOR YOU.

AND IT WAS YOU, BOYCE, YOU WHO DECIDED

TO GIVE IT ALL UP TO BE A PREACHER,

NOT THINKING ABOUT HOW IT WOULD AFFECT EVERYBODY ELSE.

SO I'M SORRY IF I HAVEN'T GOTTEN MY LIFE TOGETHER

AS FAST AS YOU, PASTOR BALLENTINE!

NO, I'LL BE BACK FOR MY THINGS, MAN.

- YOU GOTTA LIFT AND PULL, STAMPS.

- [stuttering] JIGGLE IT.

- NO... both: DO IT AT THE SAME TIME.

- OH, WELL, KEEP YOUR HEAD UP, BABY GIRL,

AND I'LL CALL YOU LATER. BYE-BYE.

LYRIC'S HAVING A TOUGH TIME.

THE FOOD IS TERRIBLE, THE BOYS AREN'T CUTE,

AND HER ROOMMATE SLEEPS WITH HER EYES OPEN.

- SHE SHOULD HAVE GONE TO MY SCHOOL.

WE STUDIED VIET CONG 101.

CHARLIE DON'T GRADE ON A CURVE.

- BOYCE, WHAT'S WRONG? YOU'RE NOT EATING.

- BABE, STAMPS HASN'T RETURNED ANY OF MY CALLS.

I'M JUST KIND OF THINKING ABOUT WHAT HE SAID,

YOU KNOW, ABOUT ME PULLING THE RUG OUT FROM UP UNDER HIM.

- WELL, THE ONLY TIME HE WAS EVER REALLY FOCUSED

WAS WHEN HE WAS WORKING FOR YOU.

I MEAN, HE WAS THE BEST ROAD MANAGER YOU EVER HAD.

- YEAH. NEVER MISSED A SOUND CHECK.

- NEVER. - ALWAYS THREW

THE BEST AFTER-PARTIES. - THE BEST.

- HE EVEN GAVE ME MY TRADEMARK LOOK.

- WELL...

- YOU KNOW WHO GAVE ME MY LOOK?

UNCLE SAM.

- DADDY, WE'RE TALKING ABOUT STAMPS.

- FINE, LET'S TALK ABOUT STAMPS.

SHAME ON YOU, RUNNING HIM OFF.

AFTER ALL HE'S DONE FOR YOU!

- [scoffs] YOU ONE TO TALK. YOU RAN HIM OUT FIRST.

- HE'S NEVER DID DIDDLY FOR ME.

- WELL, I MEAN, HE'S OUT THE HOUSE,

AND THAT'S WHAT YOU WANTED, RIGHT?

- WELL, I DIDN'T WANT TO SEE YOU GUYS FIGHTING.

YOU REMEMBER WHEN ME AND MY SISTER HAD THAT BIG FIGHT?

WE DIDN'T SPEAK FOR, LIKE, THREE YEARS.

- YEAH, I REMEMBER OUR PHONE BILL BEING CUT IN HALF.

- BOYCE. IT'S TIME YOU CAN'T GET BACK, ALL RIGHT,

AND I DIDN'T WANT THAT FOR YOU AND STAMPS.

YOU NEED TO TALK TO YOUR BROTHER.

- HE'S STAYING WITH THAT KNUCKLEHEAD CORNELIUS

OVER IN EAST ST. LOUIS. - CORNELIUS?

YOU KNOW, I MET HIM LAST NIGHT.

DO Y'ALL KNOW HIS GRANDMAMA ONLY 48?

HIS GRANDMOTHER.

- YEAH? - WHERE'S STAMPS?

- WHO WANTS TO KNOW?

- MAN, YOU BETTER OPEN THIS DOOR.

- HI, LOLLI. BOYCE, WHAT ARE YOU DOING HERE?

- LOOK, STAMPS-- - HEY, HEY!

DROP YOUR RIMS, PLEASE. DROP YOUR RIMS.

- WHAT? - TAKE YOUR SHOES OFF.

CORNELIUS DOESN'T LIKE PEOPLE WITH THEIR SHOES ON HIS FLOORS.

- SHOOT, Y'ALL GOT YOUR OWN SHOES ON.

- YEAH, BUT THESE HOUSE SHOES.

- I'M NOT TAKING MY SHOES OFF.

THIS PLACE LOOK LIKE A CRIME SCENE.

- Y'ALL WANT SOMETHING TO EAT?

I GOT SOME LUNCH MEAT,

GOT A LITTLE BIT OF POPCORN, BABY ASPIRINS.

- UH, NO, WE GOOD. JUST GIVE IT

TO WHATEVER THAT WAS THAT JUST RAN UNDER YOUR STOVE.

- STAMPS, WE BROUGHT YOU A PLANT.

BOYCE PICKED IT OUT HISSELF.

- AH, MY FAVORITE: CACTUS.

THANKS, LOLLI.

I'LL PUT IT RIGHT HERE ON MY NIGHTSTAND.

YOU'RE STANDING ON MY NIGHTSTAND.

[popping and hissing]

AH! MY BED! MY BED!

YOU DID THIS.

YOU DID IT ON PURPOSE.

YOU JUST CAN'T STAND TO SEE ME HAPPY, CAN YOU?

- THIS MAKES YOU HAPPY?

THEY FOUND SADDAM HUSSEIN HIDING IN A BETTER HOLE THAN THIS.

- HEY, I'M STANDING RIGHT HERE.

- BOYCE, THIS IS AWFUL.

OOH! SOMETHING JUST BIT ME.

WHY, WHY DID YOU LET ME WEAR OPEN-TOED SHOES TO THE HOOD?

- STAMPS, MAN, I KNOW I SAID SOME THINGS YESTERDAY

I SHOULDN'T HAVE, ALL RIGHT? AND I'M SORRY

FOR TAKING YOU FOR GRANTED, MAN, BUT WE BROTHERS, MAN, WE--

[loud popping] all: WHOA! WHOA!

- WERE THOSE GUNSHOTS?

- NO, BABE, I'M SURE IT'S JUST A CAR BACKFIRING.

- NO, ACTUALLY, YOU BOTH WERE RIGHT.

THE FIRST ONE, THAT WAS A CAR BACKFIRING.

THE SECOND ONE, THAT WAS A BERETTA 92A1

FIRING 90 GRAIN AMMO.

- WHAT?

- YEAH, I'M ALMOST CERTAIN.

- YO, GAINO! YO, CHILL, MAN, I GOT COMPANY!

[laughs] NONE OF YOUR BUSINESS!

OH! [laughs]

ALL RIGHT, MAN, I'LL CALL YOU LATER!

- OH, OH, YOU KNOW WHAT? THAT IS IT.

EVERYBODY FORGIVES EVERYBODY. STAMPS, YOU'RE COMING WITH US.

Y'ALL CAN HUG IT OUT AT HOME. I'M GONE!

- GET YOUR STUFF, ALL RIGHT? WE GETTING READY

TO GET OUTTA HERE. HEY, GRAB THAT PLANT.

WE MIGHT HAVE TO STAB OUR WAY OUTTA HERE.

- HEY, YO, GAINO! YO, CHILL OUT, THEY COMING!

[gunshots] [siren wailing]

MAN, I SAID CHILL OUT, MAN-- RUN, PASTOR, RUN!

[gunshots]

- MM-HMM.

[chuckles] - I GOT MY MONEY.

- SO DUDE REALLY BOUGHT THOSE SHOES, HUH?

- SURE DID, TOOK IT OUT OF HIS DAUGHTER'S

COLLEGE FUND, BUT IT'S COOL.

SHE'S IN JAIL ANYWAY.

- HEY, STAMPS, YOU KNOW,

I TOURED ALL AROUND THE WORLD IN THESE.

YOU THINK I CAN GET MONEY FOR THESE?

- [scoffs] IF YOU CAN FIND A PIMP

WHO DOESN'T MIND OTHER PIMPS MAKING FUN OF HIM,

YOU IN BUSINESS.

- MAN, WHAT DO YOU KNOW ANYWAY?

- I KNOW I GOT $2,500. [chuckles]

- NOT AFTER I TAKE MY CUT.

- WHAT CUT?

- [scoffs] LOLLI'S DISTRESS,

MY DISTRESS OVER LOLLI'S DISTRESS,

THAT BOTTLE OF MY WHISKEY YOU AND YOUR FRIENDS

DRANK IN MY DAUGHTER'S ROOM--

OH, WHICH REMINDS ME, THERE IS A FINE

FOR HAVING MEN IN MY DAUGHTER'S ROOM...

- WHOA. - AND FINALLY,

FOR THE INCIDENT WITH THE SINK,

THAT SHALL HEREAFTER BE KNOWN ONLY AS "THE OTHER INCIDENT."

- WAIT, I WASHED IT OUT!

- OH, YEAH, THANKS FOR REMINDING ME.

I NEED NEW SOAP.

[upbeat R&B music]

♪

- ♪ THE SOUL MAN

- [vocalizing]