All language subtitles for The.Soul.Man.S02E02.My.Brothers.Keeper.1080p.AMZN.WEB-DL.DDP5.1.H.264-BurCyg_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek Download
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,899 --> 00:00:06,316 - THE SOUL MANIS RECORDED BEFORE A LIVE STUDIO AUDIENCE. 2 00:00:06,351 --> 00:00:08,284 - HONEY, IT'S MOMMY. 3 00:00:08,318 --> 00:00:10,251 WE WERE HALFWAY HOME WHEN I REALIZED 4 00:00:10,286 --> 00:00:13,634 YOU LEFT SOME OF YOUR SCRUNCHIES IN THE CUP HOLDER. 5 00:00:13,668 --> 00:00:15,774 - WE JUST DROPPED LYRIC OFF AT HER DORM ROOM. 6 00:00:15,808 --> 00:00:17,120 ARE YOU ON THE PHONE WITH HER AGAIN? 7 00:00:17,155 --> 00:00:19,467 - ST-- IF YOU WANT, 8 00:00:19,502 --> 00:00:21,021 I DON'T MIND RUNNING 'EM OUT THERE 9 00:00:21,055 --> 00:00:23,368 AND BRINGING 'EM TO YOU. HUH? 10 00:00:23,402 --> 00:00:24,783 NO, I CAN HOLD ON. 11 00:00:24,817 --> 00:00:28,476 - LYRIC, YOUR MOTHER IS CRAZY. 12 00:00:28,511 --> 00:00:30,789 SHE IS GOING THROUGH DAUGHTER WITHDRAWAL, 13 00:00:30,823 --> 00:00:34,862 ALL RIGHT, SO AVOID ALL CONTACT. THE FIRST 24 HOURS ARE CRITICAL. 14 00:00:36,967 --> 00:00:39,246 - BOYCE, WE JUST DROPPED OUR ONLY DAUGHTER 15 00:00:39,280 --> 00:00:40,868 OFF AT BOARDING SCHOOL. 16 00:00:40,902 --> 00:00:43,388 WHY? WHY DID WE LET HER GO? 17 00:00:43,422 --> 00:00:46,839 - WELL, BECAUSE YOU SAID, "IT'S TIME FOR LYRIC TO SEE THE WORLD, 18 00:00:46,874 --> 00:00:48,496 AND BECOME A WELL-ROUNDED WOMAN," 19 00:00:48,531 --> 00:00:50,153 AND THEN YOU WENT INTO SOMETHING 20 00:00:50,188 --> 00:00:52,500 ABOUT "I KNOW WHY A CAGED BIRD SINGS," 21 00:00:52,535 --> 00:00:54,606 AND THERE WAS OPRAH, AND SOM-- 22 00:00:54,640 --> 00:00:58,782 I JUST STOPPED LISTENING AND WROTE THE CHECK. 23 00:00:58,817 --> 00:01:01,371 - BOYCE, THINGS ARE GONNA BE SO DIFFERENT 24 00:01:01,406 --> 00:01:03,546 WITHOUT HER AROUND HERE. - [chuckles] YUP. 25 00:01:03,580 --> 00:01:08,102 SHOOT, I CAN EVEN LEAVE SPARE CHANGE AROUND. 26 00:01:08,137 --> 00:01:11,278 LOOK, IT'S STILL THERE. 27 00:01:11,312 --> 00:01:13,625 AND YOU KNOW THERE IS ANOTHER BIG UPSIDE 28 00:01:13,659 --> 00:01:16,041 TO HAVING THE HOUSE ALL TO OURSELVES. 29 00:01:16,076 --> 00:01:18,078 - [laughs] 30 00:01:18,112 --> 00:01:20,494 PASTOR BALLENTINE, ARE YOU TRYING TO SAY 31 00:01:20,528 --> 00:01:23,359 THAT WE CAN DO WHATEVER WE WANT? 32 00:01:23,393 --> 00:01:25,015 - WHATEVER EVER. 33 00:01:25,050 --> 00:01:26,914 - OOH! [laughs] 34 00:01:26,948 --> 00:01:28,778 MEET ME UPSTAIRS IN FIVE MINUTES. 35 00:01:28,812 --> 00:01:31,746 I JUST NEED TO CUT MYSELF OUT OF THESE SPANX. 36 00:01:31,781 --> 00:01:34,542 - YOU AIN'T GOT TO THREATEN ME WITH A GOOD TIME. 37 00:01:38,581 --> 00:01:39,996 WHAT IS GOING ON? 38 00:01:40,030 --> 00:01:42,171 - BUCKLE UP, SON. YOU GOT COMPANY. 39 00:01:42,205 --> 00:01:44,656 I'M THROWING STAMPS OUT, AND HE'S MOVING IN WITH YOU. 40 00:01:44,690 --> 00:01:47,452 - HE'S NOT THROWING ME OUT. I'M THROWING MYSELF OUT. 41 00:01:47,486 --> 00:01:49,730 I'M DONE LIVING WITH POPS. - OH, NO, NO. 42 00:01:49,764 --> 00:01:51,283 WHAT DOES THIS HAVE TO DO WITH ME? 43 00:01:51,318 --> 00:01:52,698 - WELL, THE ONLY THING WE AGREE ON 44 00:01:52,733 --> 00:01:55,045 IS THAT STAMPS LIVES HERE NOW. 45 00:01:55,080 --> 00:01:57,945 - WHERE DO YOU WANT ME TO PUT MY THINGS? 46 00:01:57,979 --> 00:01:59,809 - LOOK, DADDY, NOW IS NOT A GOOD TIME 47 00:01:59,843 --> 00:02:03,123 FOR US TO TAKE IN A STRAY. 48 00:02:03,157 --> 00:02:05,642 YOU KNOW, LOLLI'S BEEN UPSTAIRS CRYING ALL DAY 49 00:02:05,677 --> 00:02:09,232 SINCE WE DROPPED LYRIC OFF. SHE IS DEVASTATED. 50 00:02:09,267 --> 00:02:13,995 - BOYCE, I ACCIDENTALLY SPILLED COCONUT OIL ALL OVER ME. 51 00:02:14,030 --> 00:02:16,412 [laughs] 52 00:02:16,446 --> 00:02:20,657 CAN YOU COME AND HELP ME WIPE IT OFF? 53 00:02:20,692 --> 00:02:24,696 - SEE? DEVASTATED. 54 00:02:24,730 --> 00:02:27,699 [upbeat R&B music] 55 00:02:27,733 --> 00:02:33,877 ♪ 56 00:02:33,912 --> 00:02:34,878 [upbeat gospel music] 57 00:02:34,913 --> 00:02:37,018 - [vocalizing] 58 00:02:37,053 --> 00:02:40,677 - ♪ THE SOUL MAN 59 00:02:40,712 --> 00:02:42,507 SO WHAT DID STAMPS DO THIS TIME? 60 00:02:42,541 --> 00:02:44,923 - THIS TIME? ALL THE TIME. 61 00:02:44,957 --> 00:02:46,959 HE EATS UP MY ALMOND ROCA, 62 00:02:46,994 --> 00:02:50,480 USES UP ALL THE GOOD TOILET PAPER. 63 00:02:50,515 --> 00:02:53,207 AND THE LAST STRAW WAS AN INCIDENT SO HEINOUS, 64 00:02:53,242 --> 00:02:58,316 IT WILL HEREAFTER BE KNOWN ONLY AS "THE INCIDENT." 65 00:02:58,350 --> 00:03:00,110 - POP, I DIDN'T KNOW YOU WERE HOME. 66 00:03:00,145 --> 00:03:02,354 LET IT GO. 67 00:03:02,389 --> 00:03:05,081 - LET IT GO? THIS IS DADDY WE TALKING ABOUT. 68 00:03:05,115 --> 00:03:06,979 I LOST A LUNCHBOX IN THE THIRD GRADE, 69 00:03:07,014 --> 00:03:09,499 AND I'M STILL HEARING ABOUT IT. 70 00:03:09,534 --> 00:03:11,639 - THAT WAS A GOOD LUNCHBOX. 71 00:03:11,674 --> 00:03:14,849 HAD THE CAST OF THE WIZON IT. 72 00:03:14,884 --> 00:03:20,096 LOOK, BOYCE, THE GOOD BOOK SAYS "YOU ARE YOUR BROTHER'S KEEPER." 73 00:03:20,130 --> 00:03:23,479 STAMPS IS YOUR BROTHER. YOU KEEPING HIM. 74 00:03:23,513 --> 00:03:26,551 - LOOK, DADDY, NOW-- - "DADDY" NOTHING, HE'S STAYING, 75 00:03:26,585 --> 00:03:29,278 AND HERE'S SOME ADVICE: PUT A LOCK ON YOUR FRIDGE, 76 00:03:29,312 --> 00:03:31,487 KEEP HIM AWAY FROM YOUR TUBE SOCKS, 77 00:03:31,521 --> 00:03:35,353 AND WHATEVER YOU DO, HIDE YOUR SOAP. 78 00:03:35,387 --> 00:03:36,802 - HIDE MY SOAP? 79 00:03:36,837 --> 00:03:38,597 - STAMPS USED MY SOAP, 80 00:03:38,632 --> 00:03:42,808 AND IT HASN'T FELT THE SAME SINCE. 81 00:03:42,843 --> 00:03:45,949 I DON'T KNOW WHAT HE DID. IT'S SOAP. 82 00:03:49,229 --> 00:03:51,092 - I MEAN, REALLY? YOU HAVEN'T LEARNED 83 00:03:51,127 --> 00:03:54,372 HOW TO GET ALONG WITH POPS YET, AFTER ALL THESE YEARS? 84 00:03:54,406 --> 00:03:56,374 I MEAN, YOU JUST GOTTA STAY OUT OF HIS EYE LINE 85 00:03:56,408 --> 00:03:59,169 AND NOT BE CLOSE ENOUGH FOR HIM TO GRAB YOU. 86 00:03:59,204 --> 00:04:02,172 - I GOT TOO MUCH SELF-RESPECT TO BE DODGING POPS ALL THE TIME. 87 00:04:02,207 --> 00:04:05,141 YOU KNOW, I'M A GROWN MAN, BOYCE, A GROWN MAN. 88 00:04:05,175 --> 00:04:07,350 LET ME HIDE HERE. 89 00:04:07,385 --> 00:04:09,697 - FORGET IT. YOU GONNA GET YOUR BAGS 90 00:04:09,732 --> 00:04:11,009 AND YOU'RE GOING BACK OVER TO DAD'S. 91 00:04:11,043 --> 00:04:12,182 I MEAN, HE TALKS A BIG GAME, 92 00:04:12,217 --> 00:04:13,598 BUT YOU KNOW THAT'S GONNA BLOW OVER. 93 00:04:13,632 --> 00:04:15,703 - NO, MAN, I AIN'T GOING BACK THERE. 94 00:04:15,738 --> 00:04:18,258 POP, HE'S BEING UNREASONABLE. I MEAN, DID YOU KNOW 95 00:04:18,292 --> 00:04:20,225 THAT HE GAVE ME A LOUSY TWO-YEAR DEADLINE 96 00:04:20,260 --> 00:04:22,400 TO GET MY MONEY TOGETHER? TWO YEARS! 97 00:04:22,434 --> 00:04:25,023 - THAT JERK. - RIGHT? 98 00:04:25,057 --> 00:04:26,300 SO I WAS THINKING, MAN, IF YOU COULD JUST 99 00:04:26,335 --> 00:04:27,888 LET ME STAY HERE FOR THREE MONTHS, 100 00:04:27,922 --> 00:04:30,373 I COULD SAVE UP ENOUGH MONEY TO GET MY OWN PLACE. 101 00:04:30,408 --> 00:04:31,719 - WELL, HOW MUCH DO YOU HAVE NOW? 102 00:04:31,754 --> 00:04:33,790 - NOTHING. 103 00:04:33,825 --> 00:04:35,689 BUT CHECK IT. I GOT A DEAL COOKING UP 104 00:04:35,723 --> 00:04:38,381 WITH ME AND MY BOYS, CORNELIUS AND HIGH TOP. 105 00:04:38,416 --> 00:04:40,003 - WHY DO I GET THE FEELING 106 00:04:40,038 --> 00:04:43,248 YOU'RE ABOUT TO GET THROWN OFF A RIVERBOAT? 107 00:04:43,283 --> 00:04:46,458 - THE POINT IS, MAN, THE SOONER I GET THE CASH, 108 00:04:46,493 --> 00:04:48,253 THE SOONER I'LL GET OUT OF YOUR HAIR. 109 00:04:48,288 --> 00:04:49,737 - [sighs] - PLEASE? 110 00:04:49,772 --> 00:04:52,326 - LET ME SEE WHAT LOLLI HAS TO SAY, ALL RIGHT? 111 00:04:52,361 --> 00:04:53,672 BUT IN THE MEANTIME, 112 00:04:53,707 --> 00:04:58,919 YOU SHOULD START GOOGLING "NICE PARKS TO SLEEP IN." 113 00:04:58,953 --> 00:05:01,577 WELL, EITHER DAD KICKED STAMPS OUT 114 00:05:01,611 --> 00:05:05,891 OR STAMPS KICKED HIMSELF OUT, BUT EITHER WAY, HE'S HOMELESS. 115 00:05:05,926 --> 00:05:07,583 - YOU KNOW, IF YOU WEREN'T IN THE MOOD, 116 00:05:07,617 --> 00:05:12,104 YOU COULD HAVE JUST TOLD ME BEFORE I GOT ALL GREASED UP. 117 00:05:12,139 --> 00:05:15,315 WELL, MAYBE IT'S TIME FOR STAMPS TO FIND HIM A NEW PLACE. 118 00:05:15,349 --> 00:05:18,387 - YOU KNOW, ABOUT THAT, UH, 119 00:05:18,421 --> 00:05:23,184 I WAS THINKING THAT MAYBE HE CAN LIVE HERE WITH US. 120 00:05:25,428 --> 00:05:27,327 WELL? 121 00:05:27,361 --> 00:05:30,606 - I'M SORRY, IN MY MIND, I JUST SLAPPED YOU. 122 00:05:35,576 --> 00:05:38,407 - YOU KNOW, I SEE THAT LOOK ON YOUR FACE ALL THE TIME. 123 00:05:38,441 --> 00:05:42,272 HOW OFTEN DO YOU THINK ABOUT SLAPPING ME IN YOUR HEAD? 124 00:05:42,307 --> 00:05:44,585 - YOU KNOW WHAT? I LOVE STAMPS, OKAY, 125 00:05:44,620 --> 00:05:47,036 BUT YOU AND YOUR DAD CODDLE HIM. 126 00:05:47,070 --> 00:05:49,279 I MEAN, HE MAKES ROYALTIES FROM THAT ONE SONG 127 00:05:49,314 --> 00:05:52,766 HE WROTE FOR YOU, BUT HE ALWAYS GOES OUT AND BLOWS HIS MONEY 128 00:05:52,800 --> 00:05:55,493 BECAUSE YOU GUYS DON'T MAKE HIM BE RESPONSIBLE FOR HIMSELF. 129 00:05:55,527 --> 00:05:57,564 - BABE, IT'S MY LITTLE BROTHER. 130 00:05:57,598 --> 00:06:00,601 IT'S LIKE THE SON I NEVER WANTED. 131 00:06:00,636 --> 00:06:03,570 YOU KNOW, BESIDES, DAD JUST PUT HIM OUT WITHOUT ANY WARNING. 132 00:06:03,604 --> 00:06:05,019 - WHOA, LET'S BE REAL. 133 00:06:05,054 --> 00:06:07,746 YOUR DAD DIDN'T PUT HIM OUT, HE PUT HIM HERE, RIGHT? 134 00:06:07,781 --> 00:06:09,403 AND WE HAVEN'T HAD THIS HOUSE TO OURSELVES 135 00:06:09,438 --> 00:06:10,749 FOR MORE THAN TEN MINUTES. 136 00:06:10,784 --> 00:06:12,958 - I KNOW, BABY, BUT I'M JUST THINKING, 137 00:06:12,993 --> 00:06:15,513 MAYBE WE CAN LET HIM STAY HERE LONG ENOUGH 138 00:06:15,547 --> 00:06:17,825 TO SAVE ENOUGH MONEY TO GET HIS OWN PLACE. 139 00:06:17,860 --> 00:06:19,896 I PROMISE, YOU WON'T EVEN KNOW HE'S HERE. 140 00:06:19,931 --> 00:06:22,830 - HE CAN STAY FOR THREE WEEKS. 141 00:06:22,865 --> 00:06:24,349 - WELL, HE'S GONNA NEED A LITTLE LONGER THAN THAT, 142 00:06:24,384 --> 00:06:26,696 SO YOU KNOW, TWO MONTHS. 143 00:06:26,731 --> 00:06:27,801 - THREE WEEKS. - ALL RIGHT, 144 00:06:27,835 --> 00:06:30,320 FOUR WEEKS AND A WEEKEND. 145 00:06:30,355 --> 00:06:32,184 - THREE WEEKS. 146 00:06:32,219 --> 00:06:35,981 - YOU KNOW THIS IS NOT HOW NEGOTIATION WORKS, RIGHT? 147 00:06:36,016 --> 00:06:38,605 - I'M NOT NEGOTIATING. 148 00:06:38,639 --> 00:06:41,539 BOOM. 149 00:06:44,990 --> 00:06:48,373 [dramatic music on TV] 150 00:06:48,408 --> 00:06:51,652 - CLAUDINEIS STILL ONE OF MY FAVORITE MOVIES. 151 00:06:51,687 --> 00:06:56,761 JAMES EARL JONES IS SO FINE, EVEN FOR A GARBAGE MAN. 152 00:06:56,795 --> 00:07:01,179 AND HIS VOICE MELTS ME EVERY TIME. 153 00:07:01,213 --> 00:07:03,837 - YEAH, THAT DIAHANN CARROLL, SHE GOT A NICE... 154 00:07:05,114 --> 00:07:09,601 VOICE TOO. 155 00:07:09,636 --> 00:07:10,913 SHH. 156 00:07:10,947 --> 00:07:12,362 BABE, YOU HEAR THAT? 157 00:07:12,397 --> 00:07:13,674 [silence] 158 00:07:13,709 --> 00:07:15,814 THAT'S THE SOUND OF LYRIC AT BOARDING SCHOOL 159 00:07:15,849 --> 00:07:17,540 AND STAMPS AT THE MOVIES. 160 00:07:17,575 --> 00:07:19,439 - OOH! [laughs] 161 00:07:19,473 --> 00:07:23,477 A HOUSE THIS QUIET CAN ONLY LEAD TO TROUBLE. 162 00:07:23,512 --> 00:07:25,306 - [chuckles] AND YOU KNOW 163 00:07:25,341 --> 00:07:28,171 WHAT A GARBAGE MAN LIKE TO DO WHEN HE COME HOME ALL DIRTY? 164 00:07:29,483 --> 00:07:31,865 - OOH. GO TAKE A SHOWER. 165 00:07:31,899 --> 00:07:35,765 [both chuckling] 166 00:07:35,800 --> 00:07:39,631 - YEAH, LET'S GO UPSTAIRS AND SAVE SOME WATER. 167 00:07:39,666 --> 00:07:42,807 [laughing] YEAH. 168 00:07:44,636 --> 00:07:46,845 [laughing] 169 00:07:46,880 --> 00:07:48,433 - YOU NASTY! 170 00:07:48,468 --> 00:07:51,712 [both laughing] 171 00:07:51,747 --> 00:07:53,300 - [deep voice] COME ON, CLAUDINE, 172 00:07:53,334 --> 00:07:55,026 LET'S GO GET CLEAN BEFORE WE GET DIRTY. 173 00:07:55,060 --> 00:07:56,993 [both laugh] 174 00:07:58,374 --> 00:08:01,239 - [screams] - OW! 175 00:08:01,273 --> 00:08:04,207 SWEET MARY J. BLIGE! 176 00:08:04,242 --> 00:08:05,485 OH, HEY, Y'ALL. 177 00:08:05,519 --> 00:08:08,211 - I GOT SO MANY QUESTIONS RIGHT NOW. 178 00:08:08,246 --> 00:08:11,629 STARTING WITH WHAT THE HELL ARE YOU DOING IN MY BATHROOM? 179 00:08:11,663 --> 00:08:13,976 - OH, MY BAD, BOYCE. MY BATHROOM DOESN'T HAVE 180 00:08:14,010 --> 00:08:16,875 THE APPROPRIATE LIGHT FOR MANSCAPING. 181 00:08:16,910 --> 00:08:18,428 - I THOUGHT YOU WERE AT THE MOVIES. 182 00:08:18,463 --> 00:08:22,225 - YOU KNOW MY DATE DIDN'T WANT TO PAY FOR HER TICKET? 183 00:08:22,260 --> 00:08:24,434 - LOOK AT MY SINK! 184 00:08:24,469 --> 00:08:27,334 STAMPS, YOU GOT ALL THIS HAIR OFF YOUR CHEST? 185 00:08:27,368 --> 00:08:30,371 - NO. - [gags] 186 00:08:32,926 --> 00:08:35,445 - AW, STAMPS. 187 00:08:35,480 --> 00:08:37,655 COME ON, MAN, NOW, IF SOMEBODY BUYS THIS HOUSE, 188 00:08:37,689 --> 00:08:40,899 I'MA HAVE TO DISCLOSE THAT. 189 00:08:40,934 --> 00:08:46,042 - BOYCE, THERE IS HAIR OF AN UNKNOWN ORIGIN IN MY SINK. 190 00:08:49,183 --> 00:08:52,877 - YOU SLAPPING ME IN YOUR HEAD RIGHT NOW, RIGHT? 191 00:08:52,911 --> 00:08:55,431 - AND STAMPS TOO! 192 00:08:56,950 --> 00:08:59,642 - LOOK, MAN, IF THIS IS GONNA WORK OUT-- 193 00:08:59,677 --> 00:09:04,302 AND BASED ON WHAT YOU DID TO LOLLI'S SINK, I AM DUBIOUS-- 194 00:09:04,336 --> 00:09:06,649 YOU NEED TO LEARN TO LAY LOW, CHILL, 195 00:09:06,684 --> 00:09:10,998 AND KEEP YOUR HAIRLESS BUTT OUT MY BATHROOM. 196 00:09:11,033 --> 00:09:14,001 STAMPS! WHAT YOU DO TO MY SOAP? 197 00:09:15,693 --> 00:09:21,526 [distant conversation and laughter] 198 00:09:21,561 --> 00:09:22,838 [muffled shushing] 199 00:09:22,872 --> 00:09:26,876 - MMM, JAMES EARL JONES. 200 00:09:29,016 --> 00:09:30,328 [conversation continues] 201 00:09:30,362 --> 00:09:33,745 - SHH! SHH! SHH! [whispering] QUIET, QUIET. 202 00:09:33,780 --> 00:09:37,404 [giggling] 203 00:09:37,438 --> 00:09:38,957 OH. 204 00:09:38,992 --> 00:09:40,096 YEAH? 205 00:09:40,131 --> 00:09:41,995 - "YEAH"? WHAT THE HELL YOU MEAN, "YEAH"? 206 00:09:42,029 --> 00:09:43,099 AND WHO ARE YOU? 207 00:09:43,134 --> 00:09:44,963 - CORNELIUS. 208 00:09:44,998 --> 00:09:46,620 - WHERE'S STAMPS? 209 00:09:48,967 --> 00:09:51,073 - WHO WANTS TO KNOW? - MAN, MOVE. 210 00:09:51,107 --> 00:09:52,453 - OH, IT'S JUST BOYCE. 211 00:09:52,488 --> 00:09:54,007 - LOOK, I HEARD GIGGLING. 212 00:09:54,041 --> 00:09:55,802 I THOUGHT THERE WAS A GIRL IN HERE. 213 00:09:55,836 --> 00:09:59,184 - [high voice] I WISH THERE WAS. 214 00:09:59,219 --> 00:10:01,462 - THESE ARE MY BOYS. YOU MET CORNELIUS, 215 00:10:01,497 --> 00:10:04,293 THIS IS HIGH TOP. - HI. 216 00:10:04,327 --> 00:10:09,332 - OKAY, LOOK, IT IS 3:00 A.M. MY WIFE IS SLEEPING IN THERE. 217 00:10:09,367 --> 00:10:11,300 WHAT THE HELL IS THIS ANYWAY? 218 00:10:11,334 --> 00:10:13,923 - HIGH STAKES, NO-LIMIT TAFFY TOWN. 219 00:10:13,958 --> 00:10:16,512 - OKAY, FIRST OF ALL, ALL THIS IS WEIRD, 220 00:10:16,546 --> 00:10:18,445 AND SECONDLY, YOU'RE GONNA PUT THOSE GINGERBREAD MEN 221 00:10:18,479 --> 00:10:20,585 BACK IN THE BOX AND PUT IT ON THE FUN SHELF 222 00:10:20,620 --> 00:10:23,415 WHERE IT BELONGS. IT'S A FAMILY GAME, DAMN IT. 223 00:10:23,450 --> 00:10:24,658 I'M SHUTTING THIS DOWN. 224 00:10:24,693 --> 00:10:26,004 - EXCUSE ME, Y'ALL. 225 00:10:26,039 --> 00:10:29,214 BOYCE, LET ME HOLLA AT YOU REAL QUICK. 226 00:10:29,249 --> 00:10:30,768 ALL RIGHT, NOW, DON'T SCREW THIS UP FOR ME. 227 00:10:30,802 --> 00:10:32,770 I THINK I CAN WIN ALL MY MONEY FOR THE APARTMENT 228 00:10:32,804 --> 00:10:33,943 AND GET OUT FASTER. 229 00:10:33,978 --> 00:10:36,912 - REALLY? 230 00:10:36,946 --> 00:10:40,018 IN THAT CASE, LET ME GO TO MY EMERGENCY STASH. 231 00:10:40,053 --> 00:10:41,744 - MY BROTHER. 232 00:10:41,779 --> 00:10:44,333 [both laugh] - YEAH. 233 00:10:44,367 --> 00:10:46,922 ALL RIGHT, DEAL ME IN. 234 00:10:46,956 --> 00:10:51,167 NO, I'M THE BLUE MAN. I'M ALWAYS THE BLUE MAN. 235 00:10:51,202 --> 00:10:53,480 - OKAY, PURPLE CARDS ARE WILD. 236 00:10:53,514 --> 00:10:56,103 EVERY TIME YOU GET TAFFY CARD, YOU GOTTA TAKE A SHOT. 237 00:10:56,138 --> 00:10:58,312 I'M GONNA LAY DOWN SOME PRINCESS GUMDROP. 238 00:10:58,347 --> 00:10:59,624 [laughter] 239 00:10:59,659 --> 00:11:01,937 - IF I HAD A DOLLAR FOR EVERY TIME I HEARD THAT, 240 00:11:01,971 --> 00:11:04,456 RIGHT? [laughter] 241 00:11:04,491 --> 00:11:06,562 HEY, HEY, SHH. 242 00:11:06,596 --> 00:11:10,877 COME ON, NOW, LET'S PLAY SOME TAFFY TOWN. 243 00:11:10,911 --> 00:11:13,603 - NO TAFFY, NO TAFFY, NO TA-- 244 00:11:13,638 --> 00:11:15,778 DAMN, TAFFY! - OOH, DRINK. 245 00:11:15,813 --> 00:11:16,986 [laughter] - DRINK. 246 00:11:17,021 --> 00:11:18,332 - DRINK UP, BOY. - DRINK, DRINK, DRINK, DRINK. 247 00:11:18,367 --> 00:11:19,575 - DRINK IT UP. both: DRINK, DRINK, DRINK. 248 00:11:19,609 --> 00:11:20,956 - GOTTA DRINK THAT SHOT. GONNA DRINK THAT SHOT. 249 00:11:20,990 --> 00:11:22,060 - DRINK, DRINK, DRINK, DRINK, DRINK. 250 00:11:22,095 --> 00:11:25,615 [laughter] 251 00:11:28,170 --> 00:11:30,448 - MM-HMM. 252 00:11:30,482 --> 00:11:33,485 ALL RIGHT. 253 00:11:35,211 --> 00:11:38,318 - OOH, YOU IN TROUBLE. 254 00:11:38,352 --> 00:11:40,216 - AND WITH THAT VOICE, YOU'LL BE IN TROUBLE 255 00:11:40,251 --> 00:11:42,736 IF YOU EVER GO TO JAIL. 256 00:11:42,771 --> 00:11:45,049 CLEAN THIS MESS UP. 257 00:11:45,083 --> 00:11:48,190 - ISAIAH, JEREMIAH-- JEREMI--I-- 258 00:11:48,224 --> 00:11:52,021 THERE AIN'T NOTHING IN HERE ABOUT JEREMIAH BEING A BULLFROG. 259 00:11:53,954 --> 00:11:55,887 HEY, BABY. - OH. 260 00:11:55,922 --> 00:11:59,788 - OH, WELL, I SEE YOU GOT YOURSELF A LITTLE SOMETHING. 261 00:11:59,822 --> 00:12:03,274 - WELL, YOU KNOW WHEN I'M UPSET, NOTHING MAKES ME FEEL BETTER 262 00:12:03,308 --> 00:12:05,863 LIKE A LITTLE RETAIL THERAPY. 263 00:12:05,897 --> 00:12:09,038 - LOOK, BABE, I'M SORRY, OKAY? 264 00:12:09,073 --> 00:12:11,523 BUT THE GOOD NEWS IS, STAMPS IS MOVING OUT. 265 00:12:11,558 --> 00:12:13,594 - WAIT A MINUTE, HE-- HE IS? 266 00:12:13,629 --> 00:12:16,011 - YEAH, I MADE SURE HE WON ENOUGH MONEY LAST NIGHT 267 00:12:16,045 --> 00:12:19,152 TO GET HIS OWN APARTMENT. YOUR MAN IS SMART, BABY. 268 00:12:19,186 --> 00:12:21,810 - AW, HONEY, HE SURE IS-- 269 00:12:21,844 --> 00:12:24,640 BABE, NOW I FEEL BAD ABOUT BUYING ALL THIS STUFF. 270 00:12:24,674 --> 00:12:26,504 - WELL, YOU CAN ALWAYS TAKE IT BACK. 271 00:12:26,538 --> 00:12:28,540 - MY MAN IS FUNNY TOO. - [laughs] 272 00:12:28,575 --> 00:12:30,922 COME, HERE. - MMM. 273 00:12:30,957 --> 00:12:33,649 - HEY, HEY, HEY, Y'ALL. I JUST MADE 274 00:12:33,683 --> 00:12:35,996 THE ULTIMATE INVESTMENT. CHECK IT OUT. 275 00:12:36,031 --> 00:12:38,861 CORNELIUS KNEW A GUY WHO NEEDED SOME FAST CASH, 276 00:12:38,896 --> 00:12:42,071 SO HE SOLD ME THESE FOR 1/10 OF WHAT THEY'RE WORTH. 277 00:12:42,106 --> 00:12:44,971 I GOT THESE BABIES FOR 1,500 HUNNY. 278 00:12:45,005 --> 00:12:48,388 - DOLLARS? - NO, BOYCE, 1,500 SKY MILES. 279 00:12:48,422 --> 00:12:50,597 OF COURSE, DOLLARS. YEAH, MAN. 280 00:12:50,631 --> 00:12:52,668 - OKAY, WHY--WHY ARE YOU WEARING GLOVES 281 00:12:52,702 --> 00:12:54,290 FOR SOMETHING THAT'S GONNA GO ON YOUR FEET? 282 00:12:54,325 --> 00:12:56,292 - AIN'T NOBODY PUTTING THEIR FEET IN THESE. 283 00:12:56,327 --> 00:12:57,777 THEY WEREN'T MADE TO BE WORN. 284 00:12:57,811 --> 00:13:00,469 THEY'RE LIMITED EDITION NIKE BACK TO THE FUTUREMAGS. 285 00:13:00,503 --> 00:13:01,953 THEY'RE IMPOSSIBLE TO FIND. 286 00:13:01,988 --> 00:13:03,403 - [scoffs] - DON'T LOOK AT ME. 287 00:13:03,437 --> 00:13:07,372 [laughs] I WEAR MY EXPENSIVE SHOES. 288 00:13:07,407 --> 00:13:11,169 - STAMPS, WE HAD A DEAL. I LET YOU MOVE IN HERE 289 00:13:11,204 --> 00:13:13,378 SO YOU COULD SAVE ENOUGH MONEY TO MOVE OUT. 290 00:13:13,413 --> 00:13:17,141 LIKE, I MEAN, I EVEN LOST $1,500 TO YOU ON PURPOSE 291 00:13:17,175 --> 00:13:18,590 SO YOU CAN GET YOUR OWN PLACE. 292 00:13:18,625 --> 00:13:19,971 - WHOA, YOU LOST HOW MUCH? 293 00:13:20,006 --> 00:13:22,456 - NO, NO, LOLLI, COME ON, NOW. LET'S STAY FOCUSED. 294 00:13:24,700 --> 00:13:26,184 I GAVE YOU ALL THAT MONEY, 295 00:13:26,219 --> 00:13:29,325 AND YOU GO OUT AND BLOW IT ON A STUPID PAIR OF SHOES? 296 00:13:29,360 --> 00:13:31,051 - THEY'RE NOT STUPID. THEY'RE AN INVESTMENT. 297 00:13:31,086 --> 00:13:34,020 - AN INVESTMENT IN STUPIDITY. 298 00:13:34,054 --> 00:13:36,954 AND AFTER ALL I'VE DONE FOR YOU, THIS IS HOW YOU REPAY ME? 299 00:13:36,988 --> 00:13:38,196 YOU'RE IRRESPONSIBLE. 300 00:13:38,231 --> 00:13:39,335 - OH, I'M IRRESPONSIBLE? 301 00:13:39,370 --> 00:13:40,405 - THAT'S RIGHT. THAT'S WHAT I SAID. 302 00:13:40,440 --> 00:13:42,718 YOU'RE IRRESPONSIBLE AND UNGRATEFUL. 303 00:13:42,752 --> 00:13:44,685 - WELL, THAT'S FUNNY. YOU KNOW, I REMEMBER 304 00:13:44,720 --> 00:13:46,308 WHEN YOU CONVINCED ME TO GIVE UP COLLEGE 305 00:13:46,342 --> 00:13:48,103 TO BE YOUR ROAD MANAGER, YOU DIDN'T THINK THAT. 306 00:13:48,137 --> 00:13:51,831 IN FACT, YOU MADE ME RESPONSIBLE FOR EVERY PART OF YOUR LIFE. 307 00:13:51,865 --> 00:13:53,556 NOW, I SACRIFICED A LOT FOR YOU. 308 00:13:53,591 --> 00:13:55,835 AND IT WAS YOU, BOYCE, YOU WHO DECIDED 309 00:13:55,869 --> 00:13:57,491 TO GIVE IT ALL UP TO BE A PREACHER, 310 00:13:57,526 --> 00:13:59,597 NOT THINKING ABOUT HOW IT WOULD AFFECT EVERYBODY ELSE. 311 00:13:59,631 --> 00:14:02,048 SO I'M SORRY IF I HAVEN'T GOTTEN MY LIFE TOGETHER 312 00:14:02,082 --> 00:14:04,084 AS FAST AS YOU, PASTOR BALLENTINE! 313 00:14:04,119 --> 00:14:06,224 NO, I'LL BE BACK FOR MY THINGS, MAN. 314 00:14:12,575 --> 00:14:13,922 - YOU GOTTA LIFT AND PULL, STAMPS. 315 00:14:13,956 --> 00:14:16,165 - [stuttering] JIGGLE IT. 316 00:14:16,200 --> 00:14:18,961 - NO... both: DO IT AT THE SAME TIME. 317 00:14:29,938 --> 00:14:31,525 - OH, WELL, KEEP YOUR HEAD UP, BABY GIRL, 318 00:14:31,560 --> 00:14:34,735 AND I'LL CALL YOU LATER. BYE-BYE. 319 00:14:34,770 --> 00:14:37,221 LYRIC'S HAVING A TOUGH TIME. 320 00:14:37,255 --> 00:14:40,086 THE FOOD IS TERRIBLE, THE BOYS AREN'T CUTE, 321 00:14:40,120 --> 00:14:44,262 AND HER ROOMMATE SLEEPS WITH HER EYES OPEN. 322 00:14:44,297 --> 00:14:46,023 - SHE SHOULD HAVE GONE TO MY SCHOOL. 323 00:14:46,057 --> 00:14:48,991 WE STUDIED VIET CONG 101. 324 00:14:49,026 --> 00:14:52,788 CHARLIE DON'T GRADE ON A CURVE. 325 00:14:52,822 --> 00:14:55,239 - BOYCE, WHAT'S WRONG? YOU'RE NOT EATING. 326 00:14:55,273 --> 00:14:58,242 - BABE, STAMPS HASN'T RETURNED ANY OF MY CALLS. 327 00:14:58,276 --> 00:15:00,209 I'M JUST KIND OF THINKING ABOUT WHAT HE SAID, 328 00:15:00,244 --> 00:15:02,418 YOU KNOW, ABOUT ME PULLING THE RUG OUT FROM UP UNDER HIM. 329 00:15:02,453 --> 00:15:04,938 - WELL, THE ONLY TIME HE WAS EVER REALLY FOCUSED 330 00:15:04,973 --> 00:15:06,457 WAS WHEN HE WAS WORKING FOR YOU. 331 00:15:06,491 --> 00:15:09,322 I MEAN, HE WAS THE BEST ROAD MANAGER YOU EVER HAD. 332 00:15:09,356 --> 00:15:11,496 - YEAH. NEVER MISSED A SOUND CHECK. 333 00:15:11,531 --> 00:15:12,912 - NEVER. - ALWAYS THREW 334 00:15:12,946 --> 00:15:14,914 THE BEST AFTER-PARTIES. - THE BEST. 335 00:15:14,948 --> 00:15:16,501 - HE EVEN GAVE ME MY TRADEMARK LOOK. 336 00:15:16,536 --> 00:15:18,365 - WELL... 337 00:15:22,852 --> 00:15:24,233 - YOU KNOW WHO GAVE ME MY LOOK? 338 00:15:24,268 --> 00:15:26,926 UNCLE SAM. 339 00:15:26,960 --> 00:15:30,274 - DADDY, WE'RE TALKING ABOUT STAMPS. 340 00:15:30,308 --> 00:15:33,484 - FINE, LET'S TALK ABOUT STAMPS. 341 00:15:33,518 --> 00:15:35,831 SHAME ON YOU, RUNNING HIM OFF. 342 00:15:35,865 --> 00:15:37,626 AFTER ALL HE'S DONE FOR YOU! 343 00:15:37,660 --> 00:15:40,318 - [scoffs] YOU ONE TO TALK. YOU RAN HIM OUT FIRST. 344 00:15:40,353 --> 00:15:44,288 - HE'S NEVER DID DIDDLY FOR ME. 345 00:15:44,322 --> 00:15:46,462 - WELL, I MEAN, HE'S OUT THE HOUSE, 346 00:15:46,497 --> 00:15:47,912 AND THAT'S WHAT YOU WANTED, RIGHT? 347 00:15:47,947 --> 00:15:50,673 - WELL, I DIDN'T WANT TO SEE YOU GUYS FIGHTING. 348 00:15:50,708 --> 00:15:52,848 YOU REMEMBER WHEN ME AND MY SISTER HAD THAT BIG FIGHT? 349 00:15:52,882 --> 00:15:54,746 WE DIDN'T SPEAK FOR, LIKE, THREE YEARS. 350 00:15:54,781 --> 00:15:58,888 - YEAH, I REMEMBER OUR PHONE BILL BEING CUT IN HALF. 351 00:15:58,923 --> 00:16:01,615 - BOYCE. IT'S TIME YOU CAN'T GET BACK, ALL RIGHT, 352 00:16:01,650 --> 00:16:03,479 AND I DIDN'T WANT THAT FOR YOU AND STAMPS. 353 00:16:03,514 --> 00:16:04,929 YOU NEED TO TALK TO YOUR BROTHER. 354 00:16:04,964 --> 00:16:07,035 - HE'S STAYING WITH THAT KNUCKLEHEAD CORNELIUS 355 00:16:07,069 --> 00:16:09,796 OVER IN EAST ST. LOUIS. - CORNELIUS? 356 00:16:09,830 --> 00:16:11,832 YOU KNOW, I MET HIM LAST NIGHT. 357 00:16:11,867 --> 00:16:16,423 DO Y'ALL KNOW HIS GRANDMAMA ONLY 48? 358 00:16:16,458 --> 00:16:19,461 HIS GRANDMOTHER. 359 00:16:28,125 --> 00:16:31,611 - YEAH? - WHERE'S STAMPS? 360 00:16:31,645 --> 00:16:33,647 - WHO WANTS TO KNOW? 361 00:16:33,682 --> 00:16:35,960 - MAN, YOU BETTER OPEN THIS DOOR. 362 00:16:35,995 --> 00:16:39,619 - HI, LOLLI. BOYCE, WHAT ARE YOU DOING HERE? 363 00:16:39,653 --> 00:16:41,483 - LOOK, STAMPS-- - HEY, HEY! 364 00:16:41,517 --> 00:16:44,279 DROP YOUR RIMS, PLEASE. DROP YOUR RIMS. 365 00:16:44,313 --> 00:16:46,453 - WHAT? - TAKE YOUR SHOES OFF. 366 00:16:46,488 --> 00:16:49,180 CORNELIUS DOESN'T LIKE PEOPLE WITH THEIR SHOES ON HIS FLOORS. 367 00:16:49,215 --> 00:16:51,113 - SHOOT, Y'ALL GOT YOUR OWN SHOES ON. 368 00:16:51,148 --> 00:16:54,254 - YEAH, BUT THESE HOUSE SHOES. 369 00:16:54,289 --> 00:16:56,325 - I'M NOT TAKING MY SHOES OFF. 370 00:16:56,360 --> 00:16:58,672 THIS PLACE LOOK LIKE A CRIME SCENE. 371 00:16:58,707 --> 00:17:00,881 - Y'ALL WANT SOMETHING TO EAT? 372 00:17:00,916 --> 00:17:02,366 I GOT SOME LUNCH MEAT, 373 00:17:02,400 --> 00:17:05,576 GOT A LITTLE BIT OF POPCORN, BABY ASPIRINS. 374 00:17:05,610 --> 00:17:08,027 - UH, NO, WE GOOD. JUST GIVE IT 375 00:17:08,061 --> 00:17:11,961 TO WHATEVER THAT WAS THAT JUST RAN UNDER YOUR STOVE. 376 00:17:11,996 --> 00:17:13,756 - STAMPS, WE BROUGHT YOU A PLANT. 377 00:17:13,791 --> 00:17:15,448 BOYCE PICKED IT OUT HISSELF. 378 00:17:15,482 --> 00:17:19,141 - AH, MY FAVORITE: CACTUS. 379 00:17:19,176 --> 00:17:20,384 THANKS, LOLLI. 380 00:17:20,418 --> 00:17:22,351 I'LL PUT IT RIGHT HERE ON MY NIGHTSTAND. 381 00:17:22,386 --> 00:17:26,286 YOU'RE STANDING ON MY NIGHTSTAND. 382 00:17:26,321 --> 00:17:27,425 [popping and hissing] 383 00:17:27,460 --> 00:17:30,808 AH! MY BED! MY BED! 384 00:17:30,842 --> 00:17:33,500 YOU DID THIS. 385 00:17:33,535 --> 00:17:35,537 YOU DID IT ON PURPOSE. 386 00:17:35,571 --> 00:17:38,057 YOU JUST CAN'T STAND TO SEE ME HAPPY, CAN YOU? 387 00:17:38,091 --> 00:17:39,851 - THIS MAKES YOU HAPPY? 388 00:17:39,886 --> 00:17:42,992 THEY FOUND SADDAM HUSSEIN HIDING IN A BETTER HOLE THAN THIS. 389 00:17:43,027 --> 00:17:46,548 - HEY, I'M STANDING RIGHT HERE. 390 00:17:46,582 --> 00:17:48,688 - BOYCE, THIS IS AWFUL. 391 00:17:48,722 --> 00:17:50,552 OOH! SOMETHING JUST BIT ME. 392 00:17:50,586 --> 00:17:56,213 WHY, WHY DID YOU LET ME WEAR OPEN-TOED SHOES TO THE HOOD? 393 00:17:56,247 --> 00:17:59,561 - STAMPS, MAN, I KNOW I SAID SOME THINGS YESTERDAY 394 00:17:59,595 --> 00:18:01,908 I SHOULDN'T HAVE, ALL RIGHT? AND I'M SORRY 395 00:18:01,942 --> 00:18:04,083 FOR TAKING YOU FOR GRANTED, MAN, BUT WE BROTHERS, MAN, WE-- 396 00:18:04,117 --> 00:18:06,292 [loud popping] all: WHOA! WHOA! 397 00:18:06,326 --> 00:18:08,225 - WERE THOSE GUNSHOTS? 398 00:18:08,259 --> 00:18:10,330 - NO, BABE, I'M SURE IT'S JUST A CAR BACKFIRING. 399 00:18:10,365 --> 00:18:12,021 - NO, ACTUALLY, YOU BOTH WERE RIGHT. 400 00:18:12,056 --> 00:18:14,162 THE FIRST ONE, THAT WAS A CAR BACKFIRING. 401 00:18:14,196 --> 00:18:17,372 THE SECOND ONE, THAT WAS A BERETTA 92A1 402 00:18:17,406 --> 00:18:19,788 FIRING 90 GRAIN AMMO. 403 00:18:19,822 --> 00:18:20,961 - WHAT? 404 00:18:20,996 --> 00:18:24,172 - YEAH, I'M ALMOST CERTAIN. 405 00:18:24,206 --> 00:18:28,866 - YO, GAINO! YO, CHILL, MAN, I GOT COMPANY! 406 00:18:28,900 --> 00:18:30,661 [laughs] NONE OF YOUR BUSINESS! 407 00:18:30,695 --> 00:18:31,869 OH! [laughs] 408 00:18:31,903 --> 00:18:33,767 ALL RIGHT, MAN, I'LL CALL YOU LATER! 409 00:18:33,802 --> 00:18:35,769 - OH, OH, YOU KNOW WHAT? THAT IS IT. 410 00:18:35,804 --> 00:18:38,462 EVERYBODY FORGIVES EVERYBODY. STAMPS, YOU'RE COMING WITH US. 411 00:18:38,496 --> 00:18:41,775 Y'ALL CAN HUG IT OUT AT HOME. I'M GONE! 412 00:18:41,810 --> 00:18:43,363 - GET YOUR STUFF, ALL RIGHT? WE GETTING READY 413 00:18:43,398 --> 00:18:44,571 TO GET OUTTA HERE. HEY, GRAB THAT PLANT. 414 00:18:44,606 --> 00:18:47,574 WE MIGHT HAVE TO STAB OUR WAY OUTTA HERE. 415 00:18:50,577 --> 00:18:53,270 - HEY, YO, GAINO! YO, CHILL OUT, THEY COMING! 416 00:18:53,304 --> 00:18:55,134 [gunshots] [siren wailing] 417 00:18:55,168 --> 00:18:58,033 MAN, I SAID CHILL OUT, MAN-- RUN, PASTOR, RUN! 418 00:18:58,067 --> 00:19:01,070 [gunshots] 419 00:19:03,866 --> 00:19:05,351 - MM-HMM. 420 00:19:05,385 --> 00:19:07,180 [chuckles] - I GOT MY MONEY. 421 00:19:07,215 --> 00:19:09,078 - SO DUDE REALLY BOUGHT THOSE SHOES, HUH? 422 00:19:09,113 --> 00:19:10,839 - SURE DID, TOOK IT OUT OF HIS DAUGHTER'S 423 00:19:10,873 --> 00:19:12,392 COLLEGE FUND, BUT IT'S COOL. 424 00:19:12,427 --> 00:19:14,567 SHE'S IN JAIL ANYWAY. 425 00:19:14,601 --> 00:19:16,224 - HEY, STAMPS, YOU KNOW, 426 00:19:16,258 --> 00:19:18,191 I TOURED ALL AROUND THE WORLD IN THESE. 427 00:19:18,226 --> 00:19:19,917 YOU THINK I CAN GET MONEY FOR THESE? 428 00:19:19,951 --> 00:19:21,677 - [scoffs] IF YOU CAN FIND A PIMP 429 00:19:21,712 --> 00:19:23,610 WHO DOESN'T MIND OTHER PIMPS MAKING FUN OF HIM, 430 00:19:23,645 --> 00:19:24,680 YOU IN BUSINESS. 431 00:19:24,715 --> 00:19:26,855 - MAN, WHAT DO YOU KNOW ANYWAY? 432 00:19:26,889 --> 00:19:29,961 - I KNOW I GOT $2,500. [chuckles] 433 00:19:29,996 --> 00:19:31,756 - NOT AFTER I TAKE MY CUT. 434 00:19:31,791 --> 00:19:32,792 - WHAT CUT? 435 00:19:32,826 --> 00:19:35,243 - [scoffs] LOLLI'S DISTRESS, 436 00:19:35,277 --> 00:19:38,177 MY DISTRESS OVER LOLLI'S DISTRESS, 437 00:19:38,211 --> 00:19:40,040 THAT BOTTLE OF MY WHISKEY YOU AND YOUR FRIENDS 438 00:19:40,075 --> 00:19:41,732 DRANK IN MY DAUGHTER'S ROOM-- 439 00:19:41,766 --> 00:19:43,941 OH, WHICH REMINDS ME, THERE IS A FINE 440 00:19:43,975 --> 00:19:46,012 FOR HAVING MEN IN MY DAUGHTER'S ROOM... 441 00:19:46,046 --> 00:19:47,427 - WHOA. - AND FINALLY, 442 00:19:47,462 --> 00:19:49,740 FOR THE INCIDENT WITH THE SINK, 443 00:19:49,774 --> 00:19:53,916 THAT SHALL HEREAFTER BE KNOWN ONLY AS "THE OTHER INCIDENT." 444 00:19:53,951 --> 00:19:55,918 - WAIT, I WASHED IT OUT! 445 00:19:55,953 --> 00:19:57,886 - OH, YEAH, THANKS FOR REMINDING ME. 446 00:19:57,920 --> 00:20:00,923 I NEED NEW SOAP. 447 00:20:03,616 --> 00:20:06,550 [upbeat R&B music] 448 00:20:06,584 --> 00:20:12,590 ♪ 449 00:20:25,534 --> 00:20:28,779 - ♪ THE SOUL MAN 450 00:20:28,813 --> 00:20:30,884 - [vocalizing] 33622

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.