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(MUSIC)

(AMBIENT MUSIC)

(MUSIC)

(MUSIC)

Hello

A little bit late

Where's the food?

Ah, here comes the Sauerbraten.

It's a German speciality.

And I'm really - thanks - I'm really addicted

not only to art, also to food.

This...

...is half cooked potatoes and half uncooked potatoes

and they are put together and they’re formed to a little ball…

It almost looks like a heavy tennis ball,

a little bit bigger, and then they put it in hot water.

And this here, this is the…

in Cologne, you say “Suurbrode,”

which means “sour,” because it is of the vinegar.

You see?

It looks almost like a hamburger from McDonald’s,

but it is the meat.

I like art and as an actor I am also very jealous of painters.

For example – there is a famous painter,

his name is Paul Thek and he was living in Paris,

and he did not have money for to buy paper.

So he painted on newspaper which he found.

He made islands, and they were going away and away,

and today they’re in every museum in the world.

When you are a painter,

you always find something to express yourself.

As an actor I need camera, I need sound, I need light.

I need everything, but if you’re an artist

you will always find a pen.

And if you don’t have a pen you could start painting

with this Sauerkraut or whatever.

Let’s say this is just a kind of white.

Now with your hand, not with your for you take something,

you see, and you take this here,

and you make a little, one eye there, one eye there,

and you do a little happy thing.

And then you do a little hair, you see a little hair.

Because the meat is very tender,

you put the meat here for the shoulders.

Now you have a little face.

Let’s drink to that. Cheers.

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(MUSIC)

Strange.

Very strange.

Really strange.

Whenever I'm in Cologne

I go to the cathedral and light two candles.

I light one candle for my living friends

and one for my deceased friends.

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Once upon a time

and a very good time it was there,

a little boy went down the road alone

and he met a nicens little boy named baby tuckoo.

His father told him this story.

He looked at him through a glass.

He had a hairy face.

His mother was selling lemons down the road.

Pardon, Monsieur?

Centre Pompidou?

You speak English?

I'm looking for the Centre Pompidou,

must be nearby here.

Monsieur?

Centre

Pompidou

Art, art.

Ah.

Thank you very much.

(MUSIC)

Goodbye

So, now Elizabeth

Andy Warhol.

Elizabeth Taylor.

Basel.

Dinner.

You are so beautiful.

You're really beautiful.

I'm crossing!

I came to Paris, I was sixteen.

With your family, I guess?

No! By myself. And going...

By yourself? With sixteen?

Yes, with sixteen, with the train,

with people going to Café de Flore

and everybody liked me, because

I was a very good looking young man, and everybody...

nervous vibration at Café de Flore.

Then they told me that in Les Deux Magots there was Klaus Mann

and Artaud and I didn’t care, I wanted to go Café de Flore.

You found the right place, I guess for you, I mean.

Sitting there I had a good time and then I went to

Champs-Élysées to the premier of Frankenstein

and I went there with Polanski and then we went to a nightclub

and in the nightclub somebody said:

“Hello excusez-moi, we would like to offer you the part,

the main part in Story of O, Histoire d´O.”

And I had read the book in Germany.

Somebody told me about it and I said: “I’m not

going to do porno-film.” And Polanski

and everybody kicked me under the table. They said:

“You’re crazy, it’s the biggest erotic book, there's going to be

a big big film." And then I did, I did the film.

And we met, which is this wonderful project

I just saw him with his wife, Kim,

Guy Maddin a few weeks ago we had dinner together

and I did ask him because you were the first person who

understood this whole project of one hundred short films,

four minutes spiritisme.

Four minutes each and you started,

you were very brave of making in the museum,

which was for me at the beginning a hard time

because we actors don’t like to be photographed.

And there you are: Internet, world-wide, every day.

And I was lying in bed and I looked up and

all the tourists in the Centre were taking pictures and films.

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(MUSIC)

What Guy wanted to do here in the Pompidou,

for me was definitely like crossing cinema and theatre.

And bringing something informal, which I like.

I like the fact that Guy, who is a great artist,

wanted to install let’s say, the cinema

in the middle of Centre Pompidou,

which is a quite cinematic place.

(MUSIC)

One day you were the Japanese potter with the long beard.

And then you were a pimp and you were in the casino.

It was almost like an actor's exercise

where you felt well.

(MUSIC)

What I do and what I’m trying to do, in a way with the artist,

who I bring into Centre Pompidou is maybe to, how do we say,

abolish in this distinction.

To reduce, let’s say the gap between real life...

and the cinema.

Salut, Tschüss, Bye!

Au revoir! Au revoir, Bernard!

(MUSIC)

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Frankfurt.

Known as the city of money in Germany.

But not only money – also art.

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(TALKING IN REVERSE)

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(BACKGROUND CHATTERING)

(BACKGROUND CHATTERING)

Kirkeby

Kirkeby

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(HIGH PITCHED NOISES)

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(HIGH PITCHED NOISES)

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(SINGING, IN WOMAN'S VOICE: ) "Gentlemen, ladies...

The big strip tease.

I've done it again,

One year in every ten.

Comeback in broad day,

To the same place, the same face,

The same brute amused shout:

'A Miracle!' That knocks me out.

Dying is an art, like everything else.

I do it exceptionally well.

I do it so it feels like hell.

I do it so it feels real.

I guess you could say I've a call.

Time is money.

Charlie.

How is life, Charlie?

I know...

I suffered too.

You're happy now, eh?

The sky is so blue,

and I have a glass of red wine,

and I don’t care any more...

(MUSIC)

Andy Warhol

Christo

David Hockney, Carsten Höller

Marcel Odenbach

Frankfurt

Udo

Art

Berlin

Rosemarie Trockel

Art

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