All language subtitles for Waking the Dead - 06x08 - Mask Of Sanity (2).WS.PDTV.Xvid.English.HI.edit.Addic7ed.com

HAMMERING ON DOOR
Open up! Open the door!

WOOD SPLINTERS

OK, get him on the floor.

Grace? Yeah.
DIALS MOBILE

We need an ambulance,
right away, please.

HE SCREAMS

What a mess. Messy, not dirty.
What do you mean?

There's a few dirty plates there
and some in the sink,

but these on the rack there,
they're clean. And then...

I mean, look...
the milk's not out of date.

So? So? Look, they've got
some nice pressed shirts there...

Hi. All right?
..and trousers, you know. Hi.

You OK?

Yeah.

Why did Jenson get beaten up?

I dunno, but it was Harris Wall's
security guys that did it.

Harris Wall?
We gonna bring him in?

Yeah.

There's some fresh blood here but
I don't think it was Alan Pierce's.

I mean, there's no evidence of
open wounds or gashes on the corpse.

Also, there's some dried blood on
this bag. And that pre-dates it?

Yeah, it would seem to.
I'll take it back to the lab
and get some DNA tests on it. OK.

You OK? Good. Good.

Bye. Bye.

I didn't mean it.

I'm sorry.

I...want my mummy.

I know.

DOOR OPENS

Hey. You're not supposed to be here,
you'll get in trouble. No.

..Ah!

Want a story?
Yes, please.

Once upon a time there were four
little rabbits.

Their names were Flopsy, Mopsy,
Cottontail and Peter.

They lived with their mother
in a big sandbank,

underneath the root
of a very big fir tree...

Stop the investigation
right in the middle?
Would that be the sensible thing?

Just drop it. OK, this is big news.

The fresh blood from the crime scene
is a match to James Jenson.

James Jenson. ..Have you checked
the degraded blood in the the bag?

No, I've not had a chance...
Could you get on with that, check
the other stuff in the bag please.

I'm running tests.

Grace?

What's this about Jenson being a
blitz attacker? There's no sign

of a beating. This is the same
as victims two and three, so Jenson
could've done all of them. No.

But Pierce has been killed in the
same way as Goss and Reilly. No,
this is a copy cat killing. Oh, God.

He killed him, yes, but he killed him
in the only way he knew how,

the way he'd seen it done
in the past,
but with a crucial difference.

He bound his victim's face
with a tape so he couldn't see
his eyes when he died.

It's a different situation.
So the binding around the eyes
is the only different thing,

but Valentine's different to Goss
and Reilly. YOU want this to be
an isolated incident, don't you?

I'll leave you... You stay where you
are. You want me to be responsible
for the fact that James Jenson

killed Alan Pierce? OK, it's my
fault, does it make you feel better?

Happy now? Yeah, I've failed. I hope
I fail better next time! Yes, do.

I'm not interested, stick whatever
you got up on the board.

Stella, I'll come with you.

I've not even had a chance to do
a preliminary examination yet,

but just at a cursory glance,
I discovered...these.

Scar tissue, welt marks.

Probably administered
during childhood.

You wanna go
another couple of rounds?

Then I suggest
you move out of my way.

Can I help you?

No, you can't. But you better tell me
why your security guards
beat the hell out of James Jenson.

Ah, you must be the person
who was caught up in it...

I'll tell you who I am.
I'm the person

who can put you behind bars.

Look, you got it all wrong.
We had some reports
of an intruder on the property

and when my security went
to check it out, THEY were
set upon by...two black men.

- You're coming with me.
- Don't be ridiculous.

- Look, all right,
I'll walk out with you.
- I know you will.

Hey, what's your problem?

Let's go.

Sir, I've got it all up,
it's a web of connection.

Sophie knows Jenson,
she's the woman who intervened

to stop him at the reception...
Ricardo's her brother. Exactly.

She is married to Harris Wall.
And Harris Wall and James Jenson...

...and Alan Pierce were all
at the Hickley Children's Home.

Sophie and Ricardo grew up there
because they're Bruno Rivelli's
children. I'm trying to show you!

I don't know where I am now. Harry
Valentine worked for the home,

and Dr Reilly
was Rivelli's private doctor.

And Goss was on the council's
committee for the home.

Now, we know from the original
investigation

that Bruno Rivelli
was the last person to see
Goss alive. I don't need that.

Grace showed me something
this morning.

This is the triangle where the
bodies were found,

and there is the Hickley Home.

What I was saying about
the childhood scarring...

the thing is, in order to present
in this condition,
they must have been...

Treated by a doctor. Yeah.

Bring in Bruno Rivelli.

I know it hurts,

but it'll make it better.

Have you learned your lesson now?

Yes, sir.

Good.

Change the dressings once a day,
apply this antiseptic.

If you see any signs
of an infection, call me.

Thank you.
Want a piece of advice?

Tell Valentine...to calm down.

Bruno Rivelli was lying.
He was lying when he said Goss
was writing a report.

He was actually
conducting an inquiry. Into what?

Abuse at Hickley Children's Home.

Hickley Children's home.
Bruno Rivelli's in one and
Harris Wa... Hey, hey, hey, hey!

Bruno Rivelli's in one

and Harris Wall is in two.
OK, and Ricardo Rivelli?

No idea, sorry. I have the
results on Alan Pierce's scars...

Form a queue there, would you?

All the relevant names
have been blacked out.
Yeah, so what do you want?

Do you want Eve to find out the
names underneath the black?

Well, ask Eve, she's right there.
Eve...

Yeah? This is Goss's enquiry into
abuse at Hickley Children's Home.

Anything that can identify
the victims' names has
been blacked out. Can you help me?

Well, I'll have a look at it.
Of course I will.
But I can't do it now.

What have you got? Well, OK, the
results on Alan Pierce's scars.

It's very difficult to be precise
because once the process of fibrosis
is complete, very little changes.

And what I can tell you is that
they were inflicted at different
times and over a sustained period.

What, like during his childhood?

Possibly during his childhood
and that they seem to fall
into two broad categories

with two sets of injury patterns.

If you look at these pictures you'll
see there are two apparent types
of scarring -

these smaller,
fainter striations, with the
tramlined effect down the edges,

and then these broader scars with
a greater degree of hypoatrophy

and depigmentation. What age? Five?

Possibly,
it's very difficult to be exact.

The most important thing
to note is the overall appearance
of these scars,

the criss-cross pattern,
overlaying scar
on scar which...

indicates a severe form
of maltreatment

inflicted with a long
cylindrical object like these.

Why do you think...

Valentine, Reilly
and Goss were killed?

Valentine was a sadistic monster.

I've no doubt that he was killed
by one of the boys who fell victim
to him. He didn't beat you? No.

What was so special about you?
I wasn't, that's the point.

It was the special ones
who got the special treatment.

You knew he beat Alan?
He did before I arrived.
What happened when you arrived?

What's your problem, then?
No problem. Good.

Basically Valentine knew
that if he laid a hand on me,
I'd lay hands on him.

So James and Alan were under
your wing, were they, so to speak?
Something like that. Yeah.

And Reilly?

You probably already know
that he was a cover for Valentine.
Well, who killed him?

One of the boys. What, because he
just lied about the wounds they got

and said that they weren't anything
to do with the beatings? Yeah.

Goss?

Goss was a nice guy. I've no idea
about what happened to him.

Worked for you though, didn't it?
He gets killed and you
take his place on the council.

I was elected.
Yeah, I know, I read your PR.

Local boy makes good, it's a good
story. True story. Neat story.

Bruno Rivelli.
What do you think of him?
Don't really care that much for him.

But I love his daughter,
so I'll live with it.

Sophie. When did you and her meet?

When I was a kid.
Never been anyone else for me.

Grace, Sophie's in the office.

Sophie Wall? Yes. She's very upset.
She wants to know what's going
on with her dad and husband.

You'd better come with me.

Hello, Dr...
What's happened to my dad?

Oh, um, everything's fine, it's fine.

I, er...want to see my husband.
OK, would you
mind making us some tea, Stella?

Are they OK?

Yes, yes, would you sit down, please.

I'd like your opinion, please....

Dr Rivelli.
What do you think of these?

It depends on how they're used.
But I doubt you've brought me
here to seek my opinion on canes.

Strip. ..Strip.

Bend over and don't move.

Is that what you said to the
boys before you beat them?

How hard do you have to hit
a child with something like this
before you break the skin?

And give them scars that are gonna
be there for 20 years.
I've no idea.

You must have become quite
an expert, running Hickley
Children's Home.

I've never used a cane on
a child in my life.
No? Then who's responsible for this?

These photographs of the damage
done to one Alan Pierce that
were with him till he died.

Alan Pierce's backside and his back.

What, was he 14 years old when these
were inflicted? These heavy ones?

And these lighter ones when he was
seven years old.

And these little ones here, right?

How old was he when these were done?
Was he about five years old?

Pierce was particularly disobedient.
He was a child.
A disobedient child.

So if you didn't do this, who did?
My housemaster, Harry Valentine.

Yes, but you approved it,
you condoned this.

You're being
a little dramatic, don't you think?

We're talking about
beating a child until he bleeds.

Oh, dear me, dear me. I'm glad
you're getting it off your chest,

but apart from the therapeutic
value to you, is there a point
you'd like to make?

Just trying to understand why you
would beat a child then bring
in a doctor to repair the damage.

So you can beat him all over again?

Why are you so intent in couching
your questions as accusations?

Please answer the question
I've just put to you.

Are you aware
of how confrontational you are?

You have no idea how confrontational
I can be, Dr Rivelli.

You don't understand, Mr Boyd.
Corporal punishment
was entirely within the law

and was considered
an appropriate method
for disciplining children.

Councillor Goss was conducting an
enquiry into levels of abuse

that went far beyond
what anyone would consider being
an acceptable form of punishment.

If there is such a thing!

That's what the enquiry was about.
Isn't it? Yes. But I must admit,
you've completely lost me.

Is this interview
about the death of Henry Goss?

It's about the death of Henry Goss.
It's about the deaths of Harry
Valentine, of Frank Reilly.

Then I'd like my lawyer present.

That is your human right.

But I don't think human
rights mean much to you, do they?

So you must have been
very close to Alan?

He was, um...
well, he was like a brother.

Did you have much contact with him?

I looked in on him at least once a
week, made sure the place was OK,
that he had enough to eat.

He never had two pennies to rub
together. He was a gambler.

So, why do you think James
would want to kill him?

Where is James now? We don't know.

Can you tell me about
James' relationship with
Ricardo, your brother?

Sorry.
I don't understand.

Oh, the incident, we witnessed it.

When you had to protect Ricardo
from James.
Oh, that was my fault.

Yours? Mmm. I sent Ricardo round
with some money to help him out.

James got the wrong idea,
thought my husband had sent it.

I'm an idiot.
Why would that make him angry?

Um, well, it's complicated.

James was very attached
to me when we were kids.

It was hard for him when
I fell in love with Harris.

In what way?

It was hard for him to understand,
you know? We were kids.

He's never forgiven Harris
for marrying me.

What are we gonna do?

It's gonna be OK. How?

We'll find a way.
What if my dad finds out?

He's not gonna find out.
We'll go before anyone knows.

Go? Where?

I don't know. I don't care.

I love you.

James. James is a child.

In here and especially in here.
What's going to happen to him?

Well, we need to find him
as soon as possible.

I don't suppose you've got any idea
where he might be?

Before he went,
before he was...put away,

he'd always come to me
if he was in trouble, or my dad.

But since he's come out, he hasn't
been to see either of us. I don't
know what they did to him in there,

why would he turn against people
who love him? I don't know.

Why have you arrested my
husband and my father?

Well, they're helping us with our
investigations. Into what?

Into the deaths of three men, Harry
Valentine, Frank Reilly, Henry Goss.

I remember.

Oh, God, the children.

I'm sorry, I didn't
realise you had children.

We don't yet. We're waiting for the
paperwork to go wherever it goes.

Ah, you're adopting?
Yeah, there are a lot of
children who need a good home.

Who'd know that better than us?
How, um...

will you be keeping my father long?
I'm sorry, I can't say, why?

Well, he has a children's therapy
session booked in 20 minutes.

Oh, well I'm sorry. I've no idea.

Well, I should let
the children know. Of course.

If James should contact you,
would you let us know?
Yes, of course.

Thank you. Could I see
my husband before I go?

I'll see what I can do.
D'you want to come with me?

It's OK.

I need information on the
bag that killed Alan Pierce.
I thought you wanted me...

Drop everything and
concentrate on Pierce.

All right. Easy, well, we know
for certain that it's not the
first time the bag has been used.

I did a pyrolysis GC test
and it showed the bag to be
approximately 30 years old

of non-biodegradable material.

Wait, wait, wait, this bag is 30
years old? Yeah, approximately.

I've also managed to ID Alan
Pierce's saliva sample there.

There are two older saliva traces
here and here, plus the degraded
blood

which I'm working on being
Harry Valentine's.

That gives us one
unidentified saliva sample.

Yeah, which may be another victim.
OK, well forget that.

This bag that killed Alan Pierce
is the same one that killed
Valentine, 27 years ago.

Possibly it is,
but there's nothing conclusive.

Grace, the bag that killed Alan
Pierce is the same bag that
killed Valentine 27 years ago.

No, I said possibly. Yes.

So it could've been Jenson. Exactly.
Well, no, maybe Pierce did.

Oh, I really think Pierce takes
his own bag to his own killing(?)

Well, maybe they both did it
together. Well, maybe they did.

I've got Wall sitting in
there sucking his thumb. Sophie?

Right, well, they were all very
close. Sophie says that Jenson
was very keen on her. Yeah, yeah.

But I think it goes a lot deeper.
Also they're adopting a child.

What's that got to do with anything?
I've sent for the adoption files.

So? Because they'll contain a
psychological evaluation that
will be very useful to me.

He wants us to keep a
trace on Sophie. Why?

He thinks Jenson may harm her.

I'll carry on with the report.

And Peter just goes anyway,
cos he's greedy.

And Peter saw a wall,

and it had a door.

The man was about to stamp on Peter.

And Mr McGregor tried to put his
foot upon Peter, who jumped out of
a window, upsetting three plants.

The window was
too small for Mr McGregor

and he was tired after
running after Peter.

So he went back to his work.

Peter sat down to rest,

but he was out of breath and...

It's all right, children.

James, I can't talk now,

we're having storytime.

Wait outside and I'll come out
in a minute, OK? Go on.

Peter sat down to rest.

He was out of breath
and trembling with fright.

Peter sat down to rest. He was out
of breath and trembling with fright.

He'd not the least idea
which way to go.

Also he was very damp
with sitting in that can.

Here, James, you read for a bit.

No. You're very good
at reading, go on.

After a time, he began to won...

Wonder. Wonder about

going lib... Going lib...

Liberty.

Liberty.

But there was no room.

But there was no room.

For a fat... For a fat...

Little rabbit. Little rabbit.

What's the relationship between
Jenson and Sophie?

It's a very deep-felt childhood bond.

Now that they're adults,
what's their relationship? She
hasn't seen him for 20 years.

Yeah, it's strange that.
I mean, she didn't visit him once
the whole time he was inside

and yet they have this what,
this deep-felt bond.

We thought it was best, considering.
Your political career? No. No?

We had some trouble with James.
I'm listening.

Well, Sophie looked after him
in the home,

when they were both five years old.

He clung to her, then I came along.
And he couldn't let go.

It wasn't about letting go, it was
about accepting he had to share her.

Has he ever accepted that? He's had
lots of help, so I imagine he has.

Maybe he hasn't.

OK, Sophie, where is James?

Are the children OK?

Oh, Stella!

Just go back in the room and keep the
children safe - we'll be right there.

What's up? We need to go.

Did you know that Goss,
Councillor Goss, was conducting
an enquiry into the home?

Sure. I was elected to the council
after he died.

But the council didn't continue
the enquiry.

The guilty parties were dead,
it would serve no purpose.
Your father-in-law ran the home,

he was running the home, he was
responsible. He's not guilty
of beating young boys.

He was complicit.

Now, you were there,
you know what went on.

Don't you think the boys are
entitled to some form of justice?
Justice, yeah.

Revenge, no.
KNOCK AT DOOR

Oh, come on.

You haven't got your earpiece in.
I need a word. Something wrong?

No, just hang on.

Sophie called. James Jenson
is at the Rivelli Institute

and there's half a dozen children
there.

Has anybody been hurt?
Well, not yet, but she's panicking.

OK. ..Um. I'll be right back.

Look, where's Sophie?
Just wait there, would you, please?

Dr Rivelli, James Jenson
has taken your daughter Sophie
and a number of children hostage.

What do you mean? The Rivelli
Institute. Are they safe?

It's difficult to know
at the moment, but Jenson
is a very dangerous man

and we're monitoring the situation.
You can't keep me here.

I think that's my decision,
don't you?

It'll do you good anyway,
you'll have time to reflect

on your involvement
in all this. Excuse me.

Put them both on time lock,
all right, and watch them.

Hello?

Look, can someone tell me
what's going on?

I need to know that she's all right.
If something's happened to...

HELLO!

He was so tired.

That he flopped down upon...
That he flopped down upon...

That's very good.

You read.

OK.

And shut his eyes. His mother was...

Hello?

It's OK, James.
Why don't you come and sit down?

OK.

Hello, everyone.

Thank you. Is that for me?

That's very kind. I'll share this
with you then.

Hello, James.
Hello.

Who's your friend, James? It's Kate.

Hello, Kate. Hello.
You all right? Yes.

What are we doing? Has James
been reading to you all? Yes.

Was he good, Kate? Yes, very.
I'm trying to be good.

You are good, James.

James, there's nothing
that can't be made better.

OK?

Now James, you don't want to hurt
anybody here, do you? No. No.

These lovely boys and girls.
SIRENS

They're coming!

ALL: James, James, James!

James, look at me! James, James,
look at me, look at me.

Put down the child.

Put down Kate
and you can leave through that door.

I'm not gonna arrest you James,
he's telling you the truth.

Put the child down,
walk out of the door.

Trust me, James, just put down
the child and you can go.

SIRENS ARE CLOSER

PHONE RINGS
Oh, come on.

Is he coming back? Sophie,
I think you should come back with us

when they've all been picked up,
into protective custody.

I can't possibly leave until...
When they've been picked up.

You should come with us
into protective custody.

He won't come back here to you.

You're all right, James.
He wouldn't have hurt you.

James Jenson, age 42, 6'5...

I was quite surprised by Sophie's
reaction when we got here.

I thought she'd be hysterical,
but she was very much in control.

I thought she was very calm and
dealt with the children very well.

You know, she didn't deal
with all the other children,

she dealt with Kate.

In fact, almost the reverse. I'd
say Kate dealt with her very well.

I've no idea
who called these guys in.

Why don't you ask them?
I have done.

They don't know anything.

It was you.

They should have kept you in,
James, should've kept you in.

The wallets, you sent them.
Why did you do that to me?

You're a danger, James,
you know you are.

You wouldn't be here
if they'd listened to me.

"Go and talk to him, Riccy."
"Go and give him his money, Riccy."

"Listen to Harris, Riccy.
He knows what he's doing."

And Sophie, Sophie's pet.
Sophie? Yeah, Sophie.

She, er...
She asked me to give you this.

Why? Because I hate you.

I don't know, James.

Some people
are a problem to the world

from the moment they're born.

Play it again.

"There's a mad man
holding a woman and kids hostage

"at the Rivelli Institute in Hickley.
"I saw a gun - come quickly."

Why would Ricardo Rivelli make
an emergency call and then
lie about what was happening?

He sounds stressed. Yeah,
but look at the graphics.

I mean, it never leaves the blue.
Exactly, why would he do that?

Grace, Ricardo Rivelli
made the call. Listen.

OK, wait. Goss's report didn't
just show beatings in the home.

It also unearthed an investigation
into a statutory rape

by a 17-year-old boy
on a 14-year-old girl,

resulting in a pregnancy,

and their two names were
Harris Wall and Sophie Rivelli.

We know Sophie applied to adopt
a child and was turned down.

However, she had to cite
her reasons in the application form

for not being able to conceive.

It appears that at 14
she had an abortion.

As a result of that rape. Yeah.
She picked up an infection,

she wasn't looked after properly,
and the result was
that she was left infertile.

KNOCK ON DOOR
Come in.

I've given her a sedative, so she
should sleep through the night.

Make sure she gets
plenty of bed rest.

It's possible when she wakes,
she'll be traumatised.

One of these every four hours
should help keep her calm.

Thank you.

How much do I owe you?

That's OK.

Oh, my darling girl.

Daddy's here now.

Everything's gonna be OK, I promise.

DOOR OPENS

Where's my daughter, what's
happened? She's perfectly safe.
She's safe and she's here.

She's all right, he hasn't hurt her?
No, he hasn't hurt her.

He hasn't hurt her at all.

You obviously love her,
your daughter... Of course I do.

I have here the report
from Councillor Goss's enquiry

into your home...
Hickley Children's Home.

So we know the extent
of the brutality that went on there.

In fact, we know everything.

We know that you are a liar.

We know that you are a fraud.

And we know that you...

condoned the excessive beatings

on boys as young
as five years of age.

Five years of age.

We also know that you
arranged the illegal abortion

for a girl of 14 years of age.

That girl of 14
was your own daughter.

Daddy? I'm here my love,
Daddy's here. It burns.

I know, I know it does.

I want to go to the hospital.

We can't go to hospital.

Don't worry,

everything's gonna be all right.
Dr Reilly said it will pass, OK?

Here, take a couple of these
for Daddy.

I don't want to. Come on, my love.
Be a good girl.

Be a good girl for Daddy.

Here we go, bit of water. Come on.

There we go.

Good girl.

You got Dr Reilly to do
this to avoid a scandal.

A scandal, no. I did it for them -

for Harris and Sophie.
His life would have been ruined

and he had such a promising future
ahead of him,

and that's what I was trying
to protect.

Goss's enquiry was threatening
to destroy that.

Yes, that's why I killed him.

You killed him? Yes.

How? How? How did you kill him?

That's irrelevant. I did it.
So you can charge me and stop.

Stop what?
Whatever it is you're doing.

All right, I'll stop.

I've stopped.

You do understand, Dr Rivelli,
that whoever killed Goss,
killed Reilly and Valentine.

Yes, I did them all.

You did them all?
Yes.

Why did you do Reilly?

Well, he botched it, didn't he?
Well, why did you do Valentine?

Because he... Because...

You don't have a motive, do you?
Because he told me.

If he hadn't told me then...
About the pregnancy, then it
would be taken out of your hands.

Damn it, man, I did it.

OK.

I think it's about time you either
charged me or released me.
I think so too.

Would you rather that
Sophie wasn't here?

I'm staying. OK. When I asked you
if you knew any of the boys

who were identified in Goss's
report, you said you didn't,

which I found surprising because
you were there, as I said,

and you knew what went on.

And there was a particular incident

that involved a 17-year-old boy
and a 14-year-old girl.

Does that sound familiar?

Well, that was, um...
None of it was true, waste of time.

Because Dr Rivelli told me
everything,

and he said that Valentine informed
him of your pregnancy

and that Dr Reilly
carried out the procedure.

Oh, my God. It's OK.

No, don't lie to her, it's not OK.
I've got the report here.

Councillor Goss's report,
where the names were blacked out

and we've had them cleaned up,

and in reference to that incident,
there are two names.

One of which is your name,

and the other one is your name.

Now we've got the murder weapon
that killed Valentine,

and the killer's DNA is on that.
Do I need to go on? No. Good.

I'd like to make a full confession.

What?

I'd like you to leave...please.

I'm sorry.

No.

Sophie, will you come with me,
please?

Sophie?

I killed them.

Jenson held them for me.

Pierce and Ricardo Rivelli
were accomplices.

"Peter...

"never stopped...

"running."

OK, I've now managed to ID
all three saliva samples.

Remember there was
one that I wasn't sure about? Yeah.

The first
one is Alan Pierce, as we know.

The second one
I can confirm is Harry Valentine,

and the third one...

..is Sophie Wall.

Hit him!

Hit him!

Harris! Harris!

You've done it now, haven't you?
You'll go down for this.

No, he won't.

What you gonna do, you brat?
Daddy can't cover this up.

Right, joke's over,
let me go. Let me go!

Sophie.

Sophie,
we need your help to find James.

I don't know where he is, I'm sorry.

HE MUMBLES

"..Go to the..."

Sophie, what are you holding out for?

We have DNA evidence linking
you with these three murders.

Joke's over!

Let me go! No!

It's all over for you.

This is your application
to the adoption agency.

I'm afraid they've turned you down.

What?

No.

No, there must be some mistake.

No, Sophie, there is no mistake.

They're not going to give you a baby.

In a moment, Sophie, Boyd is
going to come in here and arrest
you for those three murders.

He'd been digging and digging.

Who? Councillor Goss.

We followed him.

We knew what he was looking for,
knew where he was going.

Once he'd been in...
ECHOES OF WHIPPING AND CRYING

..that room.

'I want to go to hospital.'

'Can't go to the hospital.

'Don't worry, everything's
going to be all right, Dr Reilly
said it's going to pass.'

We couldn't let him out.

So we stopped him.

Will you takes us to James?

Explain to him that it's finished.

Yeah.

I'm sorry.

It's OK, Daddy.

I tried.

I know.

It's over.

Are you cold?

Yes.

Am I gonna see my mummy?

Yes, my mummy's coming soon.

I'm frightened.

It's all right.

No need to be afraid.

James?

Oh, my God.

OK. It's OK. It's going to be OK.

You came...

Yeah. I love you. Stay with me.

I'm here. You hold on,

hold on, OK?

You hang on.

No.

James.

James.

James.

SHE SOBS

James!

That's it, thank you.