All language subtitles for The Immortal Story (1968)

MAN (narrating): In China,
in the Portuguese island of Macao,

there lived,
towards the end of the last century,

an immensely rich merchant

whose name was Mr. Clay.

He had a magnificent house

and a splendid equipage,

and he sat in the midst of both,

erect, silent and alone.

Among the other Europeans
he had the name of an iron-hard man

who had broken with his partner,
a man called Louis Ducrot,

and then bankrupted him and thrown
him and his family into the street.

There had been
a little matter of 300 guineas.

Louis Ducrot couldn't pay,
and that was the end of it.

It was the end of Louis.

He committed suicide.

- And the family?
- Well, there was a daughter someplace.

But she ran away with a sea captain.

Then, of course, old Clay
had taken over the house.

Poor Louis.
He'd been proud of that house.

Proud !

The objects of art in it, he smashed and
burnt up every one of them before he left.

He said that nothing made
for the embellishment of life

would ever consent to live
with the new master of that house.

Except the looking glasses,
the ones he brought from France.

Those mirrors had reflected
only happy and affectionate scenes.

It would be his murderer's
punishment, he said,

to meet wherever he went
the portrait of the hangman.

NARRATOR:
Mr. Clay sat down to dine in solitude,

face to face with his portrait.

He was not aware of any lack
of friendliness in his surroundings.

The idea of friendliness

had never entered his scheme of life.

It was only natural that things
should be as they were,

because he had willed them to be so.

When he was 70,
he'd fallen ill with the gout.

He couldn't sleep at night,

and his head clerk would sit up with him
and read aloud the bills,

estimates and contracts of his business.

(cricket chirping)

I've read to you
all of the old account books twice over.

Shall I start again?

There are other kinds of books.

Haven't you heard of them?

Other kinds of books?

Besides account books.

There are other things
which people sometimes read.

What's that?

In the party of Jews who took me
with them fleeing from Poland,

there was a very old man.

Before he died, he gave me this.

Here, Mr. Clay,

is something that I shall read to you.

"The wilderness
and the solitary places shall be glad,

and the desert shall rejoice and blossom,

and sing even with joy, and ―"

That's not a book.

-"Strengthen ye the weak hands."
- That's not a book at all.

It's what you have asked for.
Something beside the account books.

"Strengthen ye the weak hands
and confirm the feeble knees."

Where did you get it?

"Say to them that are of a fearful heart,

'Behold, your God
will come with a recompense,

and in the wilderness
shall waters break out."'

What was all that?

Has it happened?

No.

Is it happening now?

No.

Who put that thing together?

The prophet Isaiah.

(scoffs)

The prophet. (grumbles)

I don't like prophecies.

People should only record things which...

have already happened.

This prophet of yours, when did he live?

Oh, about a thousand years ago, Mr. Clay.

People...

(exhales)

People can record things

which have already happened.

You know what such a record is called?

- A story.
- Yes, Mr. Clay.

I heard a story once
when I first came out here to China.

One of the sailors told the others

about a thing which had happened to him.

He told them a ― a story.

A sailor was walking by himself
near a harbor

when a carriage drove up
and a rich old gentleman said to him,

"You are a fine-looking sailor.

Would you like to earn five guineas?"

The sailor naturally answered yes,

and the rich old gentleman drove him
to his house, gave him food and wine

and said to him, "I am very rich

and very old, and I ...

don't trust the people who will inherit
what I've saved up all my life.

Three years ago, I married a young wife,

but she's been no good to me.

I've got no child."

With your permission, Mr. Clay,
I also can tell that story.

What's that?

The old gentleman led the sailor
to a bedroom

which was lighted
with candlesticks of pure gold.

Was it not so, Mr. Clay?

In the room there was a bed,
and in the bed there was a lady.

The old gentleman took from his purse
a piece of gold ―

a five-guinea piece, Mr. Clay ―

and handed it to the sailor.

How do you come to know this story?

Coming here to China, Mr. Clay,

you traveled on only one ship,
so you've heard this story only once.

What's that got to do with my story?

From Gravesend to Lisbon,
there was a sailor on that ship

who told the story.

On my way to Singapore,
I heard another sailor tell that story.

The story they tell never happened.

And that's why it is told.

It never will happen, Mr. Clay.

I don't like prophecies.

Yes, Mr. Clay.

Good night, Mr. Clay.

(cane rapping on floor)

(rapping)

I don't like pretense.

I don't like prophecies.

I like facts.

If this story has never happened, now ―

Yes, Mr. Clay.

I want it to happen in real life,

to real people.

Yes, Mr. Clay. To real people.

- Where do you want it to happen?
- Here.

In my own house.

I want to see it all with my own eyes.

I want to dine with the sailor
in my dining room.

I want to pick him up myself,

in the street by the harbor.

It will involve expenses.

Yes, it's going to cost us some money.

You remember
there's a woman in the story.

And a young miss
I shall not be able to get you.

I'm paying you to do this work for me.

It will be part of your work
to find me this woman.

Yes, Mr. Clay.

NARRATOR: This clerk might well
have been a highly dangerous person,

except that ambition, desire in any form,

had been washed and bleached
and burnt out of him.

He was like some kind of insect ―

hard to crush, even to the heel of a boot.

And yet there were things
not yet to be recounted

which moved, like big, deep-water fish,

in the depths of his dark mind.

He had only one passion ―

a craving to be left alone.

His soul was concentrated
upon this one request,

that he might enter his little room
and shut his door

with the security that here no one
in the world could possibly follow him.

By the next day, he had decided
on the heroine of the story.

In the town she was called Virginie.

She was the mistress of another clerk
in Mr. Clay's establishment,

a young man named Simpson.

Charlie?

You remember
he asked me to buy you a shawl,

so I brought you some of them
so you could choose the one you liked.

Yes. Charlie didn't want to be seen in
the shops buying such things for a woman.

Word of that might have got back
to his family in Europe, so he sent you.

I don't suppose you've got a family
in Europe. What's your name?

Levinsky.

Elishama Levinsky.

I won't ask what you want of me.
You'll tell me when you feel like it.

If you know Charlie, I suppose
you work with him at the office

for the old American.

- Yes, Miss Virginie.
- How is he? The old man?

I heard he was sick.

He's not well, Miss Virginie.
He does not leave his house.

Good.

- Is he going to die?
- Oh, no.

And he's even strong enough
to make up new schemes.

With your permission,
I'll tell you one of them.

He dislikes pretense.
He dislikes prophecies.

- He likes facts.
- Facts?

Yes, but 50 years ago, on a ship,
he heard a story told.

A sailor was walking by himself
near the harbor

when a rich old gentleman
drove up in a carriage and said to him,

"You are a fine-looking sailor.
Do you want to earn five guineas tonight?"

That was in Penang.

- Yes?
- Not here in Macao.

I heard it from a friend of mine.
An Englishman. A merchant captain.

It happened to a sailor that he knew
when he first went to sea.

Miss Virginie,
this is a story that lives on ships.

All sailors have told it.

It might have been left on the sea
and never come ashore

if it hadn't been for Mr. Clay.

He made up his mind to have it
happen in real life, to real people,

in order that one sailor in the world

shall be able to tell it
from beginning to end,

as it actually happened to him.

If he wants to play a comedy,
a comedy with the devil,

it's a matter between the two of them.

- What's it to me?
- Yes, a comedy. I'd forgotten the word.

There are three people
in Mr. Clay's comedy.

The old gentleman he will play himself,

and the young sailor
he will himself find by the harbor.

But if an English merchant captain
has told you this, Miss Virginie,

he will have told you
that besides these two

there is also a beautiful young lady in it.

On Mr. Clay's behalf, I am now looking
for this beautiful young lady.

If she will come into this comedy
and finish it for him,

Mr. Clay will pay her 100 guineas.

(speaking Cantonese)

(chattering in Cantonese)

Old Clay's got some
pretty strange ideas of a comedy.

In a comedy, the actors pretend
to kill one another or to die,

or to go to bed with their lovers.

They don't really do any of these things.

Your master's like
the Emperor Nero of Rome,

who had people eaten up by lions.

- Yes?
- Yes.

Just to amuse himself.

But since then it hasn't been done.

And was the Emperor Nero very rich?

Oh, he owned all the world.

- And were his comedies good?
- He liked them himself, I suppose.

But nowadays,
who would he get to play in them?

If he owned all the world,
he would get people to play in them.

What does he pay you?
Thirty pieces of silver?

I am in Mr. Clay's employ.

I cannot take on work
anywhere but with him.

But you, Miss Virginie,
you can go wherever you like.

- Yes, I suppose so.
- Yes, you suppose so.

And you have been able to go
wherever you've liked all your life.

I was so angry with my life today
that I was planning to end it.

And now you're angry with me.

Miss Virginie,

Mr. Clay is prepared to pay
a hundred guineas

if, on a night appointed by him,
you will come to his house.

His house?

Yes. To his house.

Do you know what house that is?

It's my father's house.
I played in it when I was a little girl.

That house was the only thing left me

from the time when I was
rich and pretty and innocent.

The heroine of Mr. Clay's story
is rich and pretty and innocent.

All these years, whenever I walked past it,
I've dreamt of how I'd enter it once more.

You are to enter it again, Miss Virginie.

No.

I will not go to this house, Mr. Levinsky.

VIRGINIE: You've been here before.

- It's not very much of a place, is it?
- No.

I shouldn't think
you'd be used to much better.

I live by the harbor,
near the company godown.

Mr. Clay's company.

It's true.

- You're an important man.
- No, Miss Virginie.

You run the old man's office for him.

You have all of his affairs
in your own hands.

- You live in a house on the Praya Grande.
- A room.

A room.

I wonder what it's like.

Did you have a home
when you were a child?

No.

I thought so.

You knew him, didn't you?

- No, Miss Virginie.
- His name was Ducrot.

He was my father.

It is not the name you use now,
Miss Virginie.

Your father died before I came to China.

He killed himself.

And that's not my mother.

It's the Empress Eugenie of France.

We used to talk, my father and I ,

of great, splendid, noble things.

He told me how the empress wore
her white satin shoes one single time only,

then made a present of them
to the convent schools

for the little girls to wear
to their first communion.

I was to have done the same thing.

Papa was so proud of my small feet.

The empress
made a great career for herself.

She said to the emperor

that the way to her bedroom

ran through the cathedral of Notre-Dame.

And the way to my bedroom...

(scoffs)

Lately it's run through offices
and counting houses.

We go where we are told, Miss Virginie.

What does he really want, the old man?

To demonstrate his omnipotence.
To do the thing which cannot be done.

And yet. . . you said the emperor
of Rome owned all the world.

But the people down there
going north, south, east, west ―

How many would be going at all

if they hadn't been told to go by Mr. Clay

and the other rich merchants like him?

Now Mr. Clay has told you
to go to his house,

and you will have to go.

I suppose that nobody could insult you
even if they tried.

Why should I let them?

And if I told you
to get out of this house?

When I'd gone, you'd sit here and think
of the things for which you sent me away.

Didn't you say
you had no family in Europe?

There was a pogrom, Miss Virginie.
They were killed in the pogrom.

But you escaped and came to China.

I was in many places first ―
Frankfurt, London, Amsterdam, Lisbon.

Well, you're here now.

Yes, Miss Virginie.

I see now who you are.

I thought you were a small rat
out of Mr. Clay's storehouse.

Mais toi, tu es le Juiferrant.

I traveled once myself, for a while.

Takes money though.

-(match strikes)
- An English captain ―

The one who told me your story.

He took me to Japan.

On our first night,
there was an earthquake.

(chuckles)

The earth trembled and shook
at the loss of my innocence.

In the shawls, Miss Virginie.

- In the shawl?
- Yes.

In the others I once brought here
for you to choose from,

in each there is a pattern,
a pattern in all of them.

Only sometimes the line goes
the other way from what you expect,

as in a looking glass.

With money to travel with,

you can make a career for yourself

no less than the empress of France.

Only on this pattern,

the road runs round the other way.

And why not, Miss Virginie?

And you said you didn't know my father
or anything about him?

This is the motto
on our family's coat of arms ―

Porquoipas?

That means "why not," Miss Virginie?

(bell clanging)

Tell Mr. Clay from me that I won't come
for the price he's offered me.

My price is 300 guineas.

That's the pattern.

Or, in the terms he'll understand,
an old debt.

- Is that your last word, Miss Virginie?
- Yes.

- Your very last word?
- Yes.

Here is 300 guineas.

He was sure to go mad at the end,
with all his sins.

Rich traders and merchants,
they're all mad.

And one way or another,
this thing will be the end of him.

- Yes?
- Yes, Miss Virginie.

But now he may think that the pursuit
of a story is even more interesting

than the pursuit of money.

Do you want a receipt?

No, Miss Virginie.

(dog barking)

(hoof beats)

Young sailor.

My master here in this carriage
wishes to speak to you.

He says, "Would you like to
earn five guineas tonight?"

Come.

Come.

You're a fine-looking sailor.

Would you like to earn
five guineas tonight?

You're a fine-looking sailor,
my young friend.

Would you like to earn
five guineas tonight?

Yes, I want to earn five guineas.

I was thinking about it just now.
In what way I was to earn five guineas?

Get into my carriage.
I'll tell you more at my house.

No. Your carriage is too fine.

My clothes are all dirty and tarred.

I shall run beside.

And I can go as fast as you can.

He's young, eh, Levinsky?

He's full of the juices of life.

He has blood in him.

I suppose he's got tears.

He longs and yearns for the things

which dissolve people ―

for friendship,

for love.

In such things a man's...

bones are dissolved.

Once I broke with a partner of mine

because I wouldn't allow him
to become my friend

and dissolve my bones.

CLAY: Do you think he's ever seen gold?

- He will have heard of it.
- CLAY: Hold out your hand.

That's what you're going to earn tonight.
It's a five-guinea piece.

It's gold.

And gold, my young sailor,
is solid, it's hard.

It's proof against...

dissolution.

You're a poor sailor,
and I am a rich old man.

My name in China is worth more money
than you've ever heard of.

In America, when they name me,
they name a million dollars.

That million dollars...

is me, myself,

my days, my years,

my life.

And soon the time will come

when one half of me must go
and the other half, my million dollars,

will live on.

But where?

It occurs to me
that it might give me pleasure

to leave my possessions to a child,

a child which I , myself,

had caused to exist ―

caused to exist ―

as I've begotten my fortune.

The starving coolies in the tea fields,

they didn't know they were
contributing to the making of it.

For them it was only
the pain in their hands

and the poor copper coins of their wages.

In my brain and by my will,
many things were brought together

to make up one single thing ―

a million dollars.

I'm not just now in the habit
of talking to rich old people.

To tell you the truth, old master,

I'm not just now in the habit
of talking to anyone at all.

A fortnight ago,
when the schooner picked me up,

I hadn't spoken a word for a whole year.

My own ship went down in a storm,

and of all her crew, I alone
was cast ashore on an island.

Tonight, it's no more than three weeks

since I walked there
on the beach of my island.

Then...

all of this must be a change for you.

Yes. This house is very different
from my island.

Oh, I'll soon get used to talking again.

I've talked before.
I'm not such a fool as I look.

Now, my young friend,

I'm going to tell you
why I've fetched you here.

I know. I know what you're
going to tell me, old master.

I've heard it before ― every word.

It's hard on you being so old and dry.

But I shall know well enough
what I am doing.

- He's very young, isn't he?
- The sailor boy? Oh, yes.

Mr. Clay is highly satisfied with his catch
out of the harbor of Macao.

Very likely there's not another fish
of just that kind to be caught there.

But if he stays until dawn,
he will see the truth on my face ―

that it's old.

Mr. Clay and his sailor boy
are making ready.

Old and powdered and rouged.

They are entertaining one another,

just as you are now preparing yourself
for your own part ―

the heroine's part in Mr. Clay's story.

Yes?

This story is making headway.

But one way or another, you said,
it's going to be the end of him.

No man in the world can take a story
which people have invented and told

and make it happen.

Do you think he's going to die tonight,
in his malice?

Add up a column of figures.

You start with the lowest figure
and move left.

But if a man took it into his head
to add up a column the other way ―

from the left ―

what would he find?

His total would come out wrong,
Miss Virginie, hmm?

His account books would be worth nothing.

Mr. Clay's total will come out wrong
and be worth nothing.

These shells.

I picked them up every morning
along the shore.

I'm going to take them to Denmark.

They're the only things I've got
to take home with me.

Some are beautiful, perhaps even rare.

What did you think about at night?

Of a boat, mostly.

A good, strong, seaworthy boat.

She needn't be big.
No more than five lastage.

And when I met you tonight,
old gentleman,

and you asked me if I'd earn five guineas,

that was why I went with you.

Didn't you think about women?

Yes.

On the ships I've sailed on,
the others talked about their girls.

I know. I know very well
what you're paying me to do tonight.

I'm as good as any sailor.

You'd have no reason to complain of me.

Your lady waiting here for me, she would
have no reason to complain of me.

All the same, I may as well now
go back to my ship.

And you, my old gentleman,
will take on another sailor for your job.

No, I don't want you
to go back to your ship.

You, you've been cast away
on a desert island.

You haven't spoken
to a human being for a year.

I like to think about that.

I'll take no other sailor for my job.

And your boat?

Thank you, old master,
for the food and the wine.

The boat you want to buy.

Good night, old gentleman.

How are you going to buy it, now you're
giving back your five-guinea piece

and going away?

That boat will never come to be launched.

It will never come to sail.

This was my father's bedroom.

I was allowed to play here
on Sunday mornings.

He seemed so far away, my father.

But he's back with me tonight.

I've entered this old house
with his consent.

I was a little girl
the last time I looked in this mirror.

I used to ask it to show me
what I'd be like in years to come.

Well―

I think, for the first time in his life,

Mr. Clay will be impressed
by a woman's beauty.

He mustn't look at me!

- How can he help it?
- I mustn't look at him.

It is the time for it in the story.

He will be coming soon.

No, no. I cannot.

Let me go. Please let me go.

He's paid you, Miss Virginie.

Mr. Levinsky!

My father ―

On the last day of his life,

an hour or so before he killed himself,

he called me to him.

All our misery had arisen
from the moment he first set eyes

on the face of Mr. Clay.

So he bound me by a solemn vow ―

Never, in any place,

or under any circumstance,

to look into that face again.

You will not have to look at him.

The downcast eyes
of the heroine in the story

will bear witness to her modesty.

Who knows?

The prophet Isaiah may now
have laid his hand on his head

and turned Mr. Clay into a child.

Perhaps he's beginning
to play with his story.

I may play with it too.

How do you know I won't set fire
to this house in the morning

before I leave it again,

and burn your master in it?

I know this much ―

I've been with him for seven years,
and now I lose my situation.

You're so sure that this comedy of his

will be the end of him?

I'm sure of it too.

He was my father's deadly enemy.

This night will bring about
the final judgment.

My humiliation, my disgrace

will provide the conclusive evidence
against him.

You're the most beautiful girl
in the world.

How old are you?

Are you 17?

Yes.

Then you and I are the same age.

You're young.

Both of you, young.

You're in fine health.
Your limbs don't ache.

You sleep at night
because you move without pain.

You think you move at your own will.

Not so.

You move at my bidding.

You're two young, strong
and lusty jumping jacks

in this old hand of mine.

I've got something to tell you.

Never ―

I've never till tonight slept with a girl.

I've thought about it often.

I've meant to do it many times,

but I've never done it.

It wasn't all my own fault.

I've been away for a long time
in a place a long way off,

where there weren't any girls.

What's your name?

Virginie.

Virginie.

Virginie.

When I was on that island, far from here,

I sometimes fancied
I had a girl with me who was mine.

I brought her birds' eggs and fish

and some big sweet fruits that grew there.

And she was kind to me.

We slept together in a cave that I found.

When the full moon rose, it shone into it.

But I couldn't think of a name for her.
I didn't remember any girl's name.

Virginie.

Virginie.

Virginie.

For God's sake! Get up.
We must get up. There's an earthquake.

Don't you feel the earthquake?

No, it's not an earthquake.

Tonight,

in that room,

that bed,

they themselves,

with that same young, hot blood in them.

It's all nothing but a...

story.

My story.

(bird squawking)

(bird tweeting)

(birds chirping)

Listen.

The birds are singing.

Yes, they're singing.

On the boats, I sometimes made a song.

What were your songs about?

About the sea and the life of the sailors.

And their death.

Say one of them to me.

As I was keeping the middle watch,
and the night was cold,

three swans flew across the moon,
over her round face of gold.

Gold.

A five-guinea piece is like the moon,
and then not at all like her.

Did you make other songs?

When the sky is brown
and the sea yawns 3,000 fathoms down,

and the boat runs downward like a whale,

still Paul Veiling will not turn pale.

Then your name is Paul?

Yes, Paul. It's not a bad name.

My father was named Paul,
and his father too.

It's the name of good seamen
faithful to their ship.

My father drowned
six months before I was born.

He's down there, in the sea.

But you're not going to drown,
are you, Paul?

No, maybe not.

But I've many times wondered
what my father thought of

when the sea took him at last, altogether.

- Do you like to think of that sort of thing?
- Yes.

It's good to think of the storms
and the high seas.

It's not bad to think of death.

I have to go back to my ship
as soon as it grows light.

Now there's one sailor

who can tell the story
from beginning to end

as it's actually happened.

But what about those other sailors?

It never happened to them.
So why did they tell it?

Huh?

Maybe it's like that prophecy of yours.

How does it go?

"In the wilderness shall waters break out
and streams in the desert.

The parched ground shall become a pool."

He must have lived in a country
where it didn't rain very much.

In England, where the ground is nearly
always a pool, they wouldn't appreciate it.

Tell me the rest.

"Behold, your God
will come with a recompense,

and sorrow and sighing shall flee away."

Prophecies.

Get up a new financial scheme,
and you must prove on paper

that the shareholders are going
to double their money, or triple it.

That never happens,
but you've got to prove it,

or people aren't going to invest.

It's like that with the sailors.

They're poor,
so they tell about a rich house.

They're lonely,
so they tell about a beautiful lady.

The story couldn't happen.

But it's happened tonight.

Say that again about the lame man.

"Then shall the lame man leap as a hart,
and the eyes of the blind shall be opened."

Prophecies.

You're coming home with me.
We'll sleep together every night.

Like tonight.

Like tonight.

You can't do that. He's paid you.

What?

The old man has paid you.

He's paid you to go away at dawn,

and you took his money.

You'll have your boat.

Yes, I shall have the boat.

Was that what you said?

But you?

What is going to happen to you, my girl?

Old gentleman, will you remember
to do something for me?

She's got so many fine things, she would
not care to have a lot of shells lying about.

But this one is rare, I think.

Perhaps there's not another one
like it in all the world.

It's as smooth and silky as a knee.

When you hold it to your ear,
there is a sound in it.

A song.

You'll remember to tell her
to hold it to her ear?

Thank you, old gentleman.

And good-bye.

- Now you can tell your story.
- What story?

All that's happened to you,
from yesterday evening till now.

All that I've seen and done?

Why do you call it a story?

You are the one sailor in the world
who can tell the story truthfully,

as it happened to you.

To whom would I tell it?

Who in the world
would believe me it if I told it?

I would not tell it
for a hundred times five guineas.

He's dead, Miss Virginie.

He's been waiting at sunrise
to drink of the cup of his triumph.

But the cup has been too strong for him.

It's very hard on people
who want things so badly

that they can't do without them.

If they can't get these things,
it is hard.

And when they do get them,
surely it is very hard.

I have heard it before...

long ago.

But where?