All language subtitles for Novocaine Weprip 2001

** [ Choir Vocalizing ]

[ Man Narrating ]
A PERSON CAN LOSE
A LOT OF THINGS.

HE CAN LOSE HIS SOUL.
HE CAN LOSE HIS LIFE.

BUT I'VE ALWAYS SAID
THE WORST THING A MAN
CAN LOSE IS HIS TEETH.

IT'S TRUE.
I SHOULD KNOW.

ARE YOU LISTENING
TO ME, MIKE ? BECAUSE
I'M DEAD SERIOUS HERE.

AH.
[ Woman ]
COME ON, MIKE.

I AM DEFINITELY NOT PLEASED,
BIG FELLA. YOU HAVEN'T
BEEN FLOSSING, HAVE YOU ?

FRANK, I HAVE BEEN TRYING.
JEAN, HIT THE VIDEO.
I WANT TO RECORD THIS.

OKAY, DOCTOR.

THIS IS THE NEW INTER-ORAL
CAMERA WE'VE BEEN USING.
I LOVE IT.

WHY IS IT IN THAT BOX ?
FIREPROOFING.

ALL OUR DATA IS FIREPROOFED
FOR THE INSURANCE COMPANY.

I KNOW IT'S EXPENSIVE,
BUT IT'S NOT A TOY.

EYES ON THE MONITOR.
I WANT TO SHOW YOU
SOMETHING.

RELAX, MIKE. BREATHE.
MOVE THAT TONGUE
OUT OF THE WAY, MIKE.

OTHER WAY.
OUT OF THE WAY.

MIKE, JUST UNROLL IT.
UNROLL IT, MIKE.

HERE'S THE PROBLEM AREA.
THIS TENDER ?
UH--

HOW ABOUT HERE ?
[ Groans ]

THAT'S WHAT I THOUGHT.
LET'S SET HIM UP
FOR A TEMPORARY ON 21.

WE'LL FIX HIM UP NEXT WEEK.
BOOKED SOLID.

HOW ABOUT TWO WEEKS TUESDAY ?
FINE. SLIDE ME
THE TANK, PLEASE.

BY THE WAY, YOU KNOW
THAT MALPRACTICE INSURANCE
WE TALKED ABOUT--

I KNOW. YOU TOLD ME.
YOU MOVED EVERYTHING
INTO THE NEW CORPORATION.

THIS WAY YOU'RE
TOTALLY PROTECTED.

THE HOUSE, THE PRACTICE,
THE MONEY MARKET ACCOUNTS.

YOU TOLD HIM, MIKE.
HOLD ON.

THE BEAUTY OF THE THING
IS ALL OF YOUR HOLDINGS ARE
PROTECTED UNDER THE CORPORATION.

RELAX. I PROMISE
NOT TO DRILL TOO DEEP.

COME ON.
TOO DEEP ?

JUST LEAN BACK, BIG FELLA,
AND WATCH THE FILM.
IT'S ONE OF MY FAVORITES.

MOVIE'S IN.
BREATHE DEEP.

I THINK YOU'RE GONNA
LIKE THIS ONE, MIKE.

IT'S ABOUT A POSTMAN
IN THE SOUTH OF FRANCE.

RIDES AROUND ON
HIS BICYCLE ALL DAY,
DELIVERING MAIL.

BEAUTIFUL PLACE,
ROLLING HILLS, SUNFLOWERS.

SOMETIMES I REALLY ENVY HIM.
YOU KNOW WHAT I MEAN, MIKE ?
[ Bicycle Bell Rings ]

MIKE ?

MIKE ?

I'D SAY HE'S OUT,
WOULDN'T YOU ?

I'D SAY SO, DOCTOR.

ANYONE WAITING
IN THE OFFICE ?

YES, EDWIN HAMADA
IS DUE AT 11:00,
BUT HE SAID HE'LL BE LATE.

WELL, IN THAT CASE--

[ Frank Narrating ]
JEAN WAS MY FIANCEE,

THE KIND OF ALL-AMERICAN
WOMAN WHO COULD COOK
A PERFECT BANANA BREAD,

THEN TURN AROUND AND
REORGANIZE THE ENTIRE OFFICE...

AND STILL LOOK GREAT
AT THE END OF THE DAY.

PLUS, SHE WAS THE MOST
METICULOUS HYGIENIST I EVER HAD.

SHE EVEN PRACTICED
ON WEEKENDS.
PERFECT.

NEEDLESS TO SAY,
I WAS HER GUINEA PIG.

SHE WAS BRIGHT.

SHE WAS CHEERFUL.
HI !

SHE WAS VORACIOUS.

AND THEN THERE WAS
MY OFFICE MANAGER, PAT.

BETWEEN THE TWO OF THEM,
I COULDN'T MAKE A FALSE MOVE.

GOOD MORNING.

YOU MAY THINK
DENTAL ELVES COME IN AND
DO THE PAPERWORK, DOCTOR,

BUT BELIEVE ME IT IS NO
PICNIC RUNNING AN OFFICE WHEN
THE DENTIST ISN'T EVEN HERE.

PAT, YOU'RE THE ONLY
DENTAL ELF HERE. WE BOTH KNOW
I COULDN'T DO IT WITHOUT YOU.

NO, NO, NO.
[ Laughing ]

DON'T TRY TO
BUTTER ME UP EITHER.
MORNING.

NOW, THE MacARTHUR--

THE MacARTHUR TWINS
WILL BE HERE IN 15 MINUTES,

SO I SUGGEST YOU PUT DOWN
THAT COFFEE AND GET TO WORK.

WHO'S UP ?
NEW PATIENT,
SUSAN IVEY, ROOM THREE.

ROOM THREE IT IS,
AND I'LL SEE YOU AT LUNCH,
DARLING PAT.

[ Frank Narrating ]
LOOKS PRETTY PERFECT,
DOESN'T IT ?

I THOUGHT IT WAS TOO.
OOH ! OOH !

YET SOMEHOW I COULDN'T SHAKE
THE FEELING THAT PERFECT
WAS JUST AN ILLUSION.

AFTER YOU.
THEN I TURNED THE CORNER,
AND THERE SHE WAS.

I'M SORRY I'M LATE.
I HAD A LITTLE--

LITTLE, DOCTOR ?

UH, HAD A LITTLE,
UH, CAR TROUBLE.
SO, UH, WHAT CAN I DO FOR YOU ?

IT'S MY TOOTH.
I WOKE UP LAST NIGHT SCREAMING.

I THOUGHT SOMEBODY WAS
HAMMERING A NAIL INTO MY JAW.

ALL RIGHT, WELL,
LET'S HAVE A LOOK.

[ Inhales, Grunts, Exhales ]

ANYTHING THE MATTER ?
NO, IT WAS THE PERFUME.

SORRY ABOUT THAT.
I WAS SO FRAZZLED I
SPILLED IT ALL OVER MYSELF.

THAT'S ALL RIGHT.
I'LL SURVIVE.

ALL RIGHT, LET'S
TAKE A LOOK, SHALL WE ?

YOU'RE NOT GOING TO
HURT ME, ARE YOU, DOCTOR ?

OF COURSE NOT.
PROMISE ME.

ALL RIGHT, I PROMISE.
OPEN UP.

[ Inhales ]

[ Inhales ]
YOU SEE SOMETHING ?

AS A MATTER OF FACT, YES.
YOU HAVE A BAD TOOTH THERE.
DEFINITELY NEEDS A ROOT CANAL.

I KNEW SOMETHING WAS WRONG.
I HAVE SOME TIME
THIS AFTERNOON.

AFTER LUNCH ALL RIGHT ?
NO, SORRY, I CAN'T TODAY.

HOW ABOUT TOMORROW ?

IT WOULD HAVE TO BE IN
THE MORNING, SAY, 7:30 ?

7:30 WOULD BE FINE.
ALL RIGHT.

ONE MORE THING, CAN I HAVE
SOMETHING FOR THE PAIN ?
I CAN HARDLY THINK.

ABSOLUTELY.
GIVE THIS A TRY.
TWO EVERY FOUR HOURS.

THANKS. IBUPROFEN ?

NO, THIS I'M ALLERGIC TO.
WHAT REALLY WORKED BEFORE
WAS THIS OTHER THING--

I FORGET THE NAME.
DEM-- DEM--
DEM-- SOMETHING.

DEMEROL ?
RIGHT. THAT'S IT.
DEMEROL.

THAT WORKED REALLY WELL.

I'M SORRY. I'M NOT
THAT KIND OF DENTIST.
WHAT KIND OF DENTIST ?

YOU KNOW THE KIND.
I COULD LOSE MY LICENSE.

MY LAST DENTIST
PRESCRIBED IT TO ME
ALL THE TIME.

THEN GET IT FROM HIM.

PLEASE, DOCTOR.

YOU PROMISED
IT WOULDN'T HURT.

FIVE TABLETS.

TEN ? PLEASE ?

NO, FIVE WILL DO.

[ Frank Narrating ]
I TRUST PEOPLE,
BUT I'M NO DUMMY.

I KNEW SHE WAS SCAMMING ME,
AND I SHOULD HAVE
THROWN HER OUT RIGHT THEN,

BUT I DIDN'T.

YOU SEE, THAT'S
THE NATURE OF ATTRACTION.

YOU FIND YOURSELF DOING THINGS,
AND YOU HAVE NO IDEA WHY,

BUT YOU DO THEM ANYWAY.
THANKS.

GOOD NIGHT, DR. FRANK.
DON'T STAY TOO LATE.

- GOOD NIGHT, PAT.
- YOU HAVE A 7:30 TOMORROW.

- ALL RIGHT, I PROMISE.
GOOD NIGHT.
- GOOD NIGHT.

[ Rings ]
DR. SANGSTER.

HIYA, DOC. WAYNE PONCE,
LINCOLN PHARMACY.

GOT A SCRIP HERE.
NAME'S SUSAN IVEY.

IS SHE YOURS ?
YEAH, THAT'S RIGHT.
SCRIP FOR DEMEROL.

FINE. HANG ON.

THANKS.

WHOA, HEY,
SHE'S A LOOKER, HUH ?

YEAH, I GUESS.
WELL, GOOD NIGHT.

BY THE WAY, 50 TABS
IS WAY OVER THE LIMIT.
NEXT TIME I WON'T FILL IT.

YOU MEAN FIVE.
NO, I MEAN 50.

THAT'S WHAT IT SAID,
"DEMEROL, 50."

PUT HER ON A MINUTE,
WOULD YOU ?
SHE'S GONE.

IF SHE'S GONE, WAYNE,
WHY ARE YOU CALLING ME TO
CHECK ON A PRESCRIPTION ?

LOOK, FRIEND,
I'VE GOT A BUSINESS TO RUN.

WHILE YOU WERE YAMMERING,
I RANG HER UP.

IF YOU'VE GOT A PROBLEM,
YOU BETTER TELL ME SO I CAN
CALL THE AUTHORITIES.

NO. NO PROBLEM.
[ Line Clicks,
Dial Tone Hums ]

GOOD NIGHT.

PROBLEM ?
UH, NO, NO PROBLEM. JUST A
PHARMACIST CHECKING ON A SCRIP.

YOU LEAVING ?
YEAH, IF THAT'S OKAY.

I'VE GOT TO PICK UP MY GI
AT THE CLEANER'S, BECAUSE
I HAVE TAE KWON DO TOMORROW.

WANNA COME ?
NO, THANKS.

YOU SURE ? THE EXERCISE
MIGHT DO YOU GOOD.

YOU SAYING
I'M OUT OF SHAPE ?

LET'S JUST SAY
YOU COULD TONE UP A BIT.

JUST A LITTLE BIT.
SEE YOU TONIGHT.
GOOD NIGHT. HEY.

WHAT ?
TELL YOU WHAT.

MAYBE I HAVE A BETTER IDEA.

FRANK ! I THOUGHT
WE TALKED ABOUT THAT.
NOT IN THE CHAIR.

YOU SURE ? YOU NEVER KNOW.
YOU MIGHT LIKE IT.

I'M NOT HERE TO FULFILL
YOUR SECRET FANTASIES.

BUT... TONIGHT...

IF YOU'RE GOOD,
IN BED.

[ Frank Narrating ]
IT WAS THE FIRST TIME
I'D EVER LIED TO JEAN.

LYING IS A LOT LIKE
TOOTH DECAY REALLY.

A PARTICLE OF FOOD BECOMES
EMBEDDED BEHIND A TOOTH,

AND THERE IT SITS, WORKING
ITS WAY IN BEHIND THE ENAMEL,

ROTTING IT
FROM THE INSIDE OUT,

UNTIL THERE'S NOTHING
LEFT TO DO BUT PULL IT.

ONE SMALL LIE AND EVERYTHING
UNRAVELS FROM THERE.

JESUS CHRIST.

[ Grunts ]

I PAINTED YOUR FUCKIN'
CABINETS FOR YA.
GET UP !

OKAY. OKAY,
JUST GIVE ME A MINUTE.

OOH. AH.

COME ON. GIVE ME YOUR HAND.

COME ON. HELP ME.
WATCH THE SUIT.

HELP ME UP.
[ Laughs ]

GOT YA.
COME ON !

I TOLD YA.
I CAN'T GET UP.

WHAT THE HELL'S
THE MATTER WITH YOU ?

I TOOK SOME SHIT FROM
THE CABINET OVER THERE.

HOW MANY ?
I DON'T KNOW, FIVE, TEN.

COME ON !
IT'S ALL MEDICINE.
RIGHT, YOU ASSHOLE ?

YEAH ! WHO'S THE ASSHOLE NOW,
HUH, FRIEND ? COME ON !

[ Frank Narrating ]
THEY SAY HOME IS THE PLACE
WHERE WHEN YOU GET THERE...

THEY CAN'T TURN YOU AWAY.

I GUESS FOR MY BROTHER HARLAN
I WAS HOME.

I'D NEVER DONE ANYTHING WRONG
TO HIM, BUT SOMEHOW I ALWAYS
FELT I OWED HIM SOMETHING.

GIVE ME A COUPLE OF SHOTS
OF JACK STRAIGHT UP
AND TWO ROLLING ROCKS.

ONE DRINK, HARLAN.
IT'S A REUNION. COME ON.
MAKE THEM DOUBLES.

YOU GOT IT.
THANKS.

AH !

THIS IS NICE,

VERY NICE.

YOU KNOW WHAT, FRANK.
I BLEW IT.

YOU DIDN'T BLOW IT.
YOU JUST SCREWED UP
A LITTLE.

THANK YOU. AH.

TO BROTHERS.

ONE A SUCCESS
AND ONE A LOSER.

EASE UP ON YOURSELF,
WOULD YA, HARLAN ?

YOU KNOW, I KNOW
I'VE BEEN A REAL JERK.

CHRIST, I DESERVE
WHERE I AM RIGHT NOW.
BUT THAT'S TRUE, ISN'T IT ?

I STARTED OFF SAME AS YOU.
SAME PARENTS, SAME GENES.

RELAX. I ALREADY SAID
YOU COULD STAY.

IF I FOLLOW THE RULES.

HEY, CHRIST, HEY.
MAYBE IT'S SUPPOSED
TO BE LIKE THIS, RIGHT ?

LIKE WHAT ?
YOU WITH EVERYTHING,
ME WITH NOTHING.

BUT WHAT AM I GOING
TO DO ABOUT IT, CRY ?

SOMETIMES YOU ACT LIKE
EVERYTHING JUST FELL
INTO MY LAP.

YOU MEAN LIKE JEAN ?

YOU STEER WAY CLEAR
OF HER, UNDERSTAND ?
KEEP YOUR DISTANCE.

WHY DOESN'T SHE LIKE ME ?
WHY DO YOU THINK ?

[ Crashing ]

YOU GOT THREE SECONDS
TO GET OUT.
ALL RIGHT !

JUST SHUT THE FUCK UP.
ALL RIGHT,
I'LL SHUT THE FUCK UP.

OH, YOU LITTLE FUCK !
GET THE FUCK--
WHOA !

I DON'T WANNA SEE YOU
AROUND HERE AGAIN !

OKAY. ALL RIGHT.
GET THE FUCK OUTTA HERE.

SORRY.
GET OUTTA HERE !

FUCKIN' LITTLE GUY-- OW !
[ Groans ]

ASSHOLE !

HEY ! OKAY !
ENOUGH ! YOU WON !

RELAX !
HUH ?

YOU FUCKIN' TELLIN' ME
TO RELAX ?

HUH ?
TAKE IT EASY,
FRIEND.

FRIEND ? YOU DON'T WANT ME
TO HIT HIM, FRIEND ?

YOU MY FRIEND ?
DON'T LOOK AT ME, MAN.

MAYBE YOU BETTER GET GOIN'
BEFORE THE SPACESHIP TAKES OFF.
WHAT ?

[ Sirens Wailing ]
THE COPS ARE COMING.
SIRENS.

YOU JUST GOT LUCKY, FRIEND.
THAT'S FUCKIN' FRIENDLY.

[ Frank Narrating ]
THE NEXT DAY WAS A DISASTER
THE MINUTE I WALKED INTO WORK.

SO, PLEASE, CALL HER !
SHE'S DRIVING ME CRAZY.
I WILL.

MR. SMITH IS NOT
HAVING A GREAT DAY.
LET ME TAKE A LOOK.

WE GOT A SIX-MILLIMETER
POCKET ON 29.
LET ME LOOK.

WANT ME TO
IRRIGATE THAT ?
YES, PLEASE.

WOULD YOU MIND OPENING ?
IT'S GONNA BE FINE, DAD.

LET'S SEE WHAT'S IN THERE.
OKAY. WAIT. OKAY, YEAH.

YOU GOT--
JUST LET GO. OUCH.

IT'S OKAY, MR. SMITH.
SALLY--

WILL YOU TAKE CARE--
YEAH. SALLY--
SOMEBODY'S IN THREE.

SALLY !
THIS ISN'T THE PRICE
THAT YOU QUOTED ME.

WHAT'S THE PROBLEM ?
THIS IS NOT THE PRICE
THAT YOU QUOTED ME.

$3,500 FOR TWO VENEERS ?
YOU GOTTA BE CRAZY.
THAT'S OUR REGULAR PRICE.

CAN I GET BACK TO THIS ?
YOU GOTTA BE
OUT OF YOUR MIND.

IT'S GONE. THE BILL IS--
[ Pat ]
NO, HE DIDN'T MEAN THAT.

[ Pat ]
YOU STILL OWE THAT.
NO, I DON'T.

WHAT'S THE PROBLEM HERE ?
JOYCE HAS A PROBLEM.

OKAY, HERE WE ARE.
YOUR GLOVE HERE.

YEP, NOW WHAT
IS THE PROBLEM ?
[ Whispers ]

NOT SET, OKAY.
WE GOT A-- ALL RIGHT.

JUST PULL IT OUT LIKE THAT.
I SEE WHAT YOU MEAN.

THAT IS TIGHT.
THAT IS TIGHT.

I CAN GET THAT-- PULL IT.

[ Frank Narrating ]
NORMALLY I DON'T MIND WHEN
A PATIENT MISSES AN APPOINTMENT,

BUT THIS TIME I DID.

TWO, FOUR, SIX, EIGHT, TEN.
SO WHAT HAPPENED, FRANK ?
WHEN ?

WHEN DO YOU THINK ?
WAS SOMETHING
SUPPOSED TO HAPPEN ?

OH, I GUESS NOT.

JEAN, WHAT ARE WE
TALKING ABOUT HERE ?

I GUESS YOU FORGOT,
BUT WE DID HAVE A DATE
LAST NIGHT. FOUR, SIX--

CHRIST. I'M SORRY.
I'M SO SORRY, SWEETHEART.

MY BROTHER
SHOWED UP LAST NIGHT.

YOUR BROTHER ?
ARE YOU KIDDING ?

HE PAINTED MY BATHROOM RED,
AND I FOUND HIM OUT OF IT
ON THE FLOOR.

I TOLD HIM IF HE SAYS
ONE WORD HE'S OUT.
I MADE THAT VERY CLEAR.

HE'S STAYING WITH YOU ?

YEAH.

AFTER WHAT HE DID ?
HE PRACTICALLY MOLESTED ME.

I KNOW, BUT HE WAS DRUNK.

OH, OKAY.
HE'S MY BROTHER.
I JUST CAN'T PUT HIM OUT.

EVERYTHING IS GONNA BE FINE.
EVERYTHING IS GONNA
BE ALL RIGHT.

COME ON.
GIVE ME A SMILE, PLEASE.
NO.

COME ON. PLEASE.
I NEED IT.
NO.

** [ Person Whistles ]

HELLO ?
[ Door Clatters ]

HI. HOPE I'M NOT LATE.

- FOR WHAT ?
- MY APPOINTMENT, SILLY.

HOPE YOU DON'T MIND,
BUT I BROUGHT A FEW THINGS.
I CAN'T STAND PAIN.

[ Sighs ]
WHY ARE YOU SHAKING YOUR HEAD ?

YOU WERE SUPPOSED TO BE
HERE AT 7:30 THIS MORNING.

THIS MORNING ? I THOUGHT
YOU MEANT 7:30 AT NIGHT.

I'M NOT GIVING YOU
ANY MORE PRESCRIPTIONS, SO
YOU MIGHT AS WELL GO HOME.

[ Sighs ]
I CAME HERE FOR YOU
TO FIX MY TOOTH.

THAT'S ALL. NOW, ARE YOU
GOING TO DO THIS OR NOT ?

CAN I AT LEAST
HAVE A BEER FIRST ?

NO, ROOT CANALS
AND BEER DON'T MIX.

WOULD YOU PLEASE
NOT PLAY WITH THAT ?

YOU'RE REALLY
BY THE BOOK, AREN'T YOU ?

DON'T YOU EVER
BREAK THE RULES ?
NO BEER.

LEAN BACK
AND BITE ON THIS.

BET YOU THINK YOU'RE
A REAL BAD BOY, DON'T YOU ?

DO YOU WANT ME TO DO THIS
OR DON'T YOU ?

OKAY, BITE DOWN. EASY.

OKAY.

KEEP YOUR HEAD STILL.
MM-HMM.

[ Groans ]

[ Whirs ]

DID YOU MOVE
DURING THE X RAY ?
NO.

PUT THIS BACK
AND DON'T PLAY WITH THAT.
OKAY.

AREN'T YOU
FORGETTING SOMETHING ?
SORRY.

OPEN UP.
CAN I ASK YOU SOMETHING ?

GO AHEAD.
EVER DATE ANY
OF YOUR PATIENTS ?

PLEASE, NO MORE
PERSONAL QUESTIONS.
JUST OPEN YOUR MOUTH.

CAN I ASK YOU
A PROFESSIONAL QUESTION ?
IF YOU ABSOLUTELY HAVE TO.

EVER DO IT IN THE CHAIR ?

TELL YOU WHAT.
LET'S RESCHEDULE THIS
FOR ANOTHER DAY.

- DO I MAKE YOU UNCOMFORTABLE ?
- YES.

I DON'T THINK YOU'RE
VERY HAPPY WITH ANY OF THIS.

IS THAT A FACT ?

LEAN FORWARD, PLEASE.

TELL ME SOMETHING.
IT'S 9:00 AT NIGHT. WHAT ARE
YOU STILL DOING HERE, FRANK ?

WORKING ON YOUR TEETH.
MM-HMM.

PEOPLE'S MOUTHS
ARE IMPORTANT TO ME.

AND MINE ?

YOURS TOO.
MM-HMM.

[ Chair Whirring ]
KNOW WHAT I THINK ?

WHAT IS IT YOU THINK ?

I THINK MAYBE YOU CAN USE
THAT DRINK, AFTER ALL.

[ Thudding ]

[ Grunting ]

[ Jean's Voice Grunts ]

[ Man Groans ]

[ Jean's Voice Grunting ]

[ Screams ]

[ Man On TV ]
HYENAS OUT ON THE SERENGETI--

OH, BABY.
[ Door Opens ]

COME ON.
[ Door Closes ]

HEY. WONDERFUL WORLD OF HYENAS.
YOU EVER WATCH THIS ?

I MISSED IT.
IT'S FUCKIN' HILARIOUS.
THEY'RE GNAWING AT THE BIT.

WHERE YOU BEEN ?
I HAD A MEETING.

IT WENT PRETTY LATE, HUH ?

YOU MIND IF I ASK YOU
A PERSONAL QUESTION ?
WHAT'S THAT ?

YOU WOULDN'T BE STEPPING OUT
ON YOUR PRETTY LITTLE FIANCEE,
WOULD YOU ?

WHAT DO YOU MEAN
BY THAT, HARLAN ?

YOU BLEW HER OFF
TWO NIGHTS IN A ROW.

HOW DO YOU KNOW THAT ?

WELL, SHE CAME BY
LOOKIN' FOR YOU, FRANK.

LET ME TELL YOU SOMETHING.
RIGHT NOW THERE IS NO GREATER
WRATH THAN A WOMAN SCORNED.

[ Phone Ringing ]

[ Ringing ]

[ Phone Ringing ]
I'M NOT ANSWERING.

I'M NOT.
[ Ringing Continues ]

[ Ringing Continues ]
[ Grunts ]

[ Ringing Continues ]

[ Grunts ]

JEAN, ABOUT LAST NIGHT--

* NA, NA, NA, NA, NA

YOU A PAINTER,
MRS. LANGSTON ? SALLY,
GET ME TWO CC'S PROCAINE...

AND AN AMPULE OF
COCAINE HYDROCHLORIDE.

RIGHT AWAY, DOCTOR.
AND A HALF A DOZEN
LONG SWABS.

OKAY.
WE'RE GONNA FIX YOU UP
IN ONE MINUTE.

LOOK AT THAT COUNTRYSIDE.
THAT'S BEAUTIFUL, ISN'T IT ?

HAVE YOU EVER
BEEN TO FRANCE ?
NO, NEVER BEEN.

ONE DAY. I LOVE THIS FILM.

HOLY SHIT.
WHAT ?

NOTHING, MRS. LANGSTON.
JUST, UH--

JUST KEEP YOUR EYES CLOSED.
THAT'S VERY IMPORTANT IN THIS.

[ Grunts, Mutters ]

WHAT ARE YOU DOING ?
I'M JUST GETTING
AN INSTRUMENT, MRS. LANGSTON.

IT'S ALL PART
OF THE PROCEDURE.

IT'S VERY CRUCIAL THAT
YOU KEEP YOUR EYES CLOSED,

BECAUSE IT CAN
AFFECT THE TEETH.

[ Footsteps Approaching ]
I'M GONNA GO TALK
TO DOCTOR RIGHT NOW.

EXCUSE ME, DOCTOR.
COULD I SPEAK TO YOU
FOR A MOMENT ?

YES, ABSOLUTELY.
I'LL BE RIGHT THERE.
COULD YOU TAKE OVER, PLEASE ?

FRANK, IT'S GONNA BE OKAY,
BUT WE HAVE A PROBLEM.

JEAN, I KNOW,
BUT WE NEED TO TALK--

I'M NOT TALKING
ABOUT THAT. HAS HARLAN
BEEN INTO THE OFFICE ?

NO, WHY ?
ARE YOU SURE ?

YOU'RE ABSOLUTELY SURE ?
YES, DEFINITELY.
WHAT'S GOING ON ?

WE'RE MISSING NARCOTICS.

WHAT DO YOU MEAN ?

I LOOKED IN THE FRIDGE.
WE'VE BEEN CLEANED OUT.

FRANK. FRANK, FRANK,
FRANK, FRANK, HONEY,
THAT'S NOT ALL.

WHAT ELSE ?
THERE'S A MAN HERE,

UM, FROM THE D.E.A.,
AND HE'S IN YOUR OFFICE.

HE WANTS TO SPEAK TO YOU.
HERE'S WHAT YOU DO.

JUST BREATHE.
JUST LET IT GO.

LET GO, FRANK, OKAY ?
DON'T TALK TOO MUCH.
HONEY, YOU LOOK GOOD.

DR. SANGSTER, MELVIN GELDING,
DRUG ENFORCEMENT AGENCY.

OUR RECORDS INDICATE THAT
YOU HAVE 2,000 CC'S OF VALIUM,

800 MILLIGRAMS OF
COCAINE HYDROCHLORIDE...

AND 3,000 MILLIGRAMS
OF VARIOUS OTHER NARCOTICS.

IS THAT CORRECT ?
THAT SOUNDS ABOUT RIGHT.

EXCUSE ME FOR ASKING THIS,
BUT DO YOU ALWAYS KEEP SUCH A
LARGE AMOUNT OF DRUGS ON HAND ?

I DO A LOT OF RECONSTRUCTIVE
SURGERY, AND I ALSO HAVE A PAIN
CLINIC HERE ON THE WEEKENDS.

MIND IF I ASK WHY ?
OOF !

WE HAD AN 18-YEAR-OLD KID
DRIVE HIS MOTHER'S CAR
OFF A CLIFF LAST NIGHT.

BE IN A WHEELCHAIR
FOR LIFE.
I'M SORRY TO HEAR THAT.

YEAH, REALLY SAD.

UNFORTUNATELY,

HE WAS CARRYING THIS.

ANY IDEA HOW HE MIGHT
HAVE GOTTEN AHOLD OF THAT ?

[ Frank Narrating ]
IT WOULD HAVE BEEN SO EASY
JUST TO TELL HIM RIGHT THERE,

BUT THEN I NEVER
WOULD HAVE SEEN HER AGAIN.

I HAVE NO IDEA.

YOU DIDN'T HAPPEN TO
SELL IT TO HIM, DID YA ?

MAYBE BY ACCIDENT.
OF COURSE NOT.

SUPER. YOU DON'T
SEEM THE TYPE.

WOULD YOU MIND IF
I JUST HAD A TEENY PEEK
AT YOUR NARCOTICS SUPPLY ?

WELL, ACTUALLY,
THAT'S IMPOSSIBLE.
OH, SURE.

COULD I ASK WHY ?
THEY'VE ALL BEEN DISPENSED.

WE'VE HAD A LOT OF THOSE
NARCOTICS ON OUR SHELVES
FOR BETTER PART OF A YEAR.

THAT MAKES SENSE.
IN THAT CASE, COULD I SEE
THE EMPTY CONTAINERS ?

I'M SORRY, BUT WE DON'T KEEP
THE EMPTY CONTAINERS HERE.
THEY'RE IN STORAGE.

THIS IS A BIT
OF A PICKLE, HUH ?

I HATE TO REMIND YOU
OF THE TERRIBLE PREDICAMENT
YOU'D FIND YOURSELF IN...

IF WE WERE TO DISCOVER
YOU WERE SELLING DRUGS.

I WASN'T.
I ALREADY TOLD YOU THAT.

YEAH, JUST THE SAME,
IF YOU WERE,

WE'D HAVE TO GO AHEAD
AND PULL YOUR LICENSE...

AND THEN PROSECUTE YOU TO
THE FULLEST EXTENT OF THE LAW.

I'M SURE YOU UNDERSTAND.
SURE.

OH, I'M GONNA NEED
THOSE EMPTY VIALS, SO, UH,

I'LL SWING BACK IN,
SAY, TWO DAYS,

AND, UH, YOU HAVE
THEM READY, OKAY ?

OKAY.

HAVE A SUPER DAY, DOC.

THANKS.
I'LL LET MYSELF OUT.

DR. FRANK ?

IT'S NOTHING TO WORRY ABOUT.
IT'S JUST A MISUNDERSTANDING.

COULD YOU GET ME
MR. ROSENBERG'S FILE,
PLEASE ? THANK YOU.

I-- WHAT HAPPENED
ABOUT THE NARCOTICS ?

THAT WAS MY FAULT.
I DIDN'T TELL YOU.

I TOOK ALL THE STUFF BACK
TO THE PHARMACY LAST NIGHT.

YOU DID ?
APPARENTLY THEY
RECALLED THE WHOLE BATCH.

IT SEEMS THEY'D ALL GONE BAD.
THAT'S WHAT HE AND I
WERE JUST TALKING ABOUT.

BUT, FRANK, I JUST TALKED
TO PAT, AND SHE DIDN'T
TELL ME ANYTHING--

PAT DIDN'T KNOW,
BECAUSE THE CALL CAME IN
AFTER PAT HAD GONE HOME.

OH.
WE'RE GETTING A WHOLE FRESH
INVENTORY TOMORROW.

IT'S STUPID
OF ME NOT TO TELL.
I SHOULD HAVE TOLD YOU.

IT WAS STUPID OF YOU--
THAT'S WHERE
I WAS LAST NIGHT.

I WENT TO THE PHARMACY,
AND AFTERWARDS I HAD DRINKS WITH
WAYNE PONCE, THE PHARMACIST.

I HAD ONE TOO MANY.
I COULD TELL. I COULD
SMELL IT ON YOUR BREATH.

[ Sighs ]
PLUS YOU LOOK LIKE HELL.
I KNOW. I DO.

SO, YOU THINK
YOU CAN FORGIVE ME ?
NO.

COME ON.
NO.

I KNOW YOU DO.
I KNOW.
I KNOW YOU KNOW I DO.

HONEY, YOU NEED TO GET
THAT HAIRCUT TODAY, OKAY ?
OKAY.

REMEMBER ?
ALL RIGHT.

I GOT LIPSTICK ON YOU.
IT'S OKAY. BYE.

NOW I GOT TO GO
WASH MY HANDS.
BYE.

[ Frank Narrating ]
THERE WAS THAT DECAY AGAIN,
JUST LIKE A CAVITY.

THE LIES WERE DEEPENING,
AND THE ROT WAS SPREADING.

WHAT DO YOU NEED ?
I'M JUST LOOKING FOR SOMETHING.

I'LL GET IT FOR YOU.
NO, I CAN FIND IT.

IT'S JUST A FILE. YOU CAN
KEEP DOING WHAT YOU'RE DOING.

YOUR HANDKERCHIEF'S
FALLING OUT.
WHAT HANDKERCHIEF ?

YOUR LITTLE RED HANKY--

DON'T YOU HAVE
ANYTHING BETTER TO DO THAN
TO WATCH MY EVERY MOVE ?

I'M SORRY.
FINE.

I THINK I'LL TAKE MY BREAK.

[ Ringing ]
HELLO ?

HELLO !
I'M LOOKING FOR SUSAN IVEY.
IS SHE THERE ?

[ Speaking In Foreign Language ]
[ Speaking In
Foreign Language ]

WHO YOU LOOKING FOR ?

NOPE. JIMMY, MY SON-IN-LAW,
HE WAS ON LAST NIGHT.

ANY WAY TO GET
IN TOUCH WITH HIM ?

YOU FROM
THE ALCOHOL BUREAU ?

NO, JUST A FRIEND.
IF YOU'RE JUST A FRIEND,

HOW COME YOU DON'T KNOW
WHERE SHE'S AT ?

LOOK, UH, ANY WAY
TO CALL JIMMY AND ASK HIM ?

THERE'S A FIGHT ON
PAY-PER-VIEW TONIGHT.

MAYBE I CAN
CATCH HIM AT HOME.
GREAT. THANKS.

YOU GOT PAY-PER-VIEW
AT HOME ?
NO.

I DIDN'T THINK SO.

JIMMY.
JIMMY ? THAT YOU ?

YEAH.
I GOT A GUY LOOKIN' AFTER
A CUSTOMER FROM LAST NIGHT.

A LITTLE GAL. SHE HAD
A FUR COLLAR ON HER COAT.

TRY THE MOTEL.
ALL RIGHT.
I'LL SEE YOU LATER.

TRY THE MOTEL
JUST PAST THE OFF-RAMP.

THE GOLDEN SLUMBER,
I THINK IT'S CALLED.

IF IT'S THE SAME GIRL,
HE THINKS SHE WAS
STAYIN' THERE.

** [ Rock ]

I WANNA PLAY
A LITTLE GAME.
YEAH ?

YEAH.

[ Coughs, Sniffs ]
OH.

I WANNA PLAY A LITTLE GAME
WHERE WE DANCE A LITTLE BIT.
NO.

JUST A LITTLE BIT.
WE'RE NOT DOING ANYTHING,
JUST DANCIN'.

OKAY, QUICK.
* I LOVE YOU

* MORE THAN THE WORLD, YOU

WHAT ARE YOU DOING ?
STAY WITH ME.
[ Murmurs ]

I'M SENSING, LIKE,
YOU'RE PUSHING ME AWAY.

I'M NOT PUSHING
YOU AWAY.

JUST DON'T WANT TO DO THIS
ANYMORE. YOU'RE MY BROTHER.

COME HERE.
WHY ARE YOU ACTING LIKE THIS ?
NO-- OW !

PLEASE DON'T DO THIS.
YOU KNOW I HATE THIS.
WHY ARE YOU ACTING LIKE THIS ?

NO ? DO YOU LOVE ME ?
OF COURSE.

THEN ACT LIKE IT.
I LOVE YOU.

I LOVE YOU TOO.
GIVE ME A LITTLE KISS.

GIVE ME A LITTLE KISS.

NO ! GET AWAY !

WHAT ARE YOU DOING RIGHT NOW ?
WHAT ARE YOU DOING ?

WE'RE NOT DOING
THIS ANYMORE.
YOU'RE MY BROTHER !

[ Growls ]
YOU BE HERE WHEN I GET BACK !

HELLO ?
IT'S ME, FRANK SANGSTER.

WHO ?
IT'S FRANK--
IT'S THE DENTIST.

SO, YOU FINALLY MADE IT.

WHAT HAPPENED TO YOUR NOSE ?
I BUMPED INTO THE DOOR.

CLOSE IT, WOULD YOU ?

I WANT YOU TO GIVE BACK
WHAT YOU TOOK FROM ME.

SORRY ?
YOU KNOW WHAT
I'M TALKING ABOUT.

NO, I REALLY DON'T.
DID YOU LOSE SOMETHING ?

GIVE BACK WHAT YOU TOOK
AND I PROMISE I WON'T
SAY A WORD TO ANYBODY.

- I DIDN'T TAKE ANYTHING.
- BULLSHIT.

LOOK, I THOUGHT YOU CAME HERE
FOR SOMETHING ELSE.

YOU BETTER GO NOW.

ALL RIGHT, ENOUGH.
LOOK, YOU'RE A DRUG ADDICT.
YOU KNOW IT. I KNOW IT.

LAST NIGHT I HAD
A FRIDGE FULL OF NARCOTICS.
THIS MORNING THEY WERE GONE.

SO ?
SO DON'T MAKE ME
CALL THE POLICE.

GO AHEAD AND CALL.

[ Phone Clatters From Cradle,
Buttons Clicking ]

YES, THIS IS
DR. FRANK SANGSTER--

[ Phone Slams In Cradle ]
OKAY, YOU WIN.

SUSAN, LOOK, I DON'T
WANT TO THREATEN YOU.

I JUST NEED
THE DRUGS BACK.

MY BROTHER TOOK IT ALL.

WHERE IS HE ?
WHO KNOWS ?

SELLING IT SOMEWHERE.

SELLING IT--
WHAT'S THE DRIFT ?

YOU ROLL INTO TOWN.
YOU LINE UP A FEW DENTISTS--
OR DO YOU HIT DOCTORS TOO ?

DENTISTS ARE EASIER.
THEY'RE DUMBER. NO OFFENSE.

GEE, THANKS.

LOOK, IT'S NOTHING PERSONAL.

IT'S--
IT'S JUST WHAT I DO.

IT'S NOT LIKE I LIKE IT.
SO WHY DO YOU DO IT ?

LIKE I SAID,
I HAVE A BROTHER.

LEAVE HIM.
HE FINDS ME.

IS THAT WHAT HAPPENED
TO YOUR NOSE ?

DON'T TRY AND SOLVE
MY PROBLEMS, ALL RIGHT ?
I CAN DO THAT MYSELF.

YEAH, I CAN TELL.

WHEN'S HE COMING BACK ?
WHO KNOWS ?

MAYBE A DAY OR TWO.

WELL, LISTEN TO ME.
YOU TELL HIM HE HAS TWO DAYS.

IF I DON'T GET THE STUFF
BACK BY THEN, I'M SORRY.

I'M GONNA HAVE
TO CALL THE COPS.

- YOU GOING ?
- I HAVE TO.

COULD YOU JUST--

COULD YOU JUST STAY
UNTIL I FALL ASLEEP ?

PLEASE.

YOU KNOW,
YOU'RE KIND OF SWEET...
IN A DENTIST SORT OF A WAY.

GEE, THANKS.

KNOW WHAT I WISH ?
WHAT'S THAT ?

MY BROTHER--
I JUST WISH HE'D GO AWAY.

JUST DISAPPEAR...
AND LEAVE ME ALONE.

KNOW WHAT ELSE ?
WHAT ?

I SORT OF LIKE YOU TOO.

MAYBE.

[ Frank Narrating ]
THAT NIGHT I COULDN'T
KEEP MY MIND FROM WANDERING.

HEY. WHERE ARE YOU ?

WHAT DO YOU MEAN ?
YOU SEEM A LITTLE
FAR AWAY TONIGHT.

NO, NO, I'M RIGHT HERE.

[ Frank Narrating ]
IT WENT OUT THE WINDOW,

DOWN THE RAIN-SLICKENED
INTERSTATE...

TO A CRUMBLING
CINDER-BLOCK MOTEL.

OH, PERFECT.

[ Frank Narrating ]
JEAN NEVER KNEW THE DIFFERENCE.

AT LEAST
I DIDN'T THINK SHE DID.

[ Boy's Voice Echoing ]
DR. SANGSTER ?

[ Slurred ]
WHAT IS IT, BILLY ?

[ Regular Voice ]
SCALER, PLEASE.

YOU HAVE A MILLION TINY HAIRS
GROWING OUT OF YOUR FACE.

DO I ?
[ Crashing ]

DR. SANGSTER, I THINK
YOU BETTER COME QUICK.

[ Man Shouting ]
IT'S OKAY, BILLY.

I KNOW I'M NOT
SUPPOSED TO BOTHER YOU,
BUT THIS MAN CAME IN.

WHEN PAT SAID THAT YOU
COULDN'T SEE HIM RIGHT AWAY, HE
STARTED THROWING FILES AROUND.

CHRIST ! NOW SHUT UP !
I WANT YOU
OUT OF HERE RIGHT NOW !

SHUT UP !
DON'T YOU TELL ME
TO SHUT UP !

YOU THE DENTIST ?
THAT'S RIGHT !

YOU'RE THE GUY FROM THE BAR.
I REMEM--
WHAT ARE YOU DOING HERE ?

LISTEN--
NO, YOU LISTEN.

I WANT YOU OUT NOW.

SHUT THE FUCK UP. LISTEN.
I'M NOT GONNA SAY THIS AGAIN.

STAY THE FUCK AWAY
FROM MY SISTER.
I DON'T KNOW WHO YOUR SISTER IS.

I THINK YOU DO, AND I DON'T
APPRECIATE YOUR THREATS.

- WHAT'S GOING ON ?
- YOUR BOSS IS MAKING THREATS
TO MY SISTER.

WHAT SISTER ? FRANK ?

SHUT THE FUCK UP.
YOU HAVE NO RIGHT TO TALK
TO HER THAT WAY, ANIMAL !

YOU SHUT
THE FUCK UP TOO !
I AM CALLING THE POLICE.

JUST COME BACK TO MY OFFICE.
WE CAN TALK IN PRIVATE.

I'M NOT GONNA TALK TO YOU
IN PRIVATE, YOU FUCKIN' HOMO !

THAT'S IT ! PLEASE LEAVE.

NO ! I WON'T !
YOU GONNA MAKE ME GO ?
BACK UP AND GET BEHIND ME.

YOU GOT A PROBLEM ?
[ Grunts ]

- WHOA, HEY !
- [ Pat ]
JEAN, TAKE IT EASY.

- YOU'RE TALL.
- MM-HMM.

I LIKE TALL WOMEN.
THEN STAND UP.
OH, I'M SORRY.

THAT'S ENOUGH.
JUST GIVE US A MOMENT.

FRANK ?
GIVE US A MINUTE.

HEY !
WHAT ?

LAY ONE FINGER ON HIM, I SWEAR
TO GOD I'LL MAKE YOU PAY.

CAN'T WAIT.
LEAVE US ALONE
A FEW MINUTES.

GIVE US A FEW SECONDS,
ALL RIGHT ? PLEASE ! PLEASE !

ALL RIGHT. YOU BETTER
WATCH YOURSELF.
YEAH.

GO AWAY ! WHAT THE FUCK
ARE YOU LOOKING AT ?
GO AWAY !

JUST GO IN THE BACK ! YOUR
SISTER TOLD ME WHAT'S GOING ON.

JESUS CHRIST !
WHAT DID SHE DO ? BLOW YOU ?
FUCK YOU A COUPLE TIMES ?

THAT'S WHAT SHE DOES
TO GET DRUGS, STUPID !

[ Jean ]
PERFECT. JUST WHAT I NEED.
HARLAN, GET OUT !

[ Brother ]
ANYWAY, WHO GIVES A FUCK ?
IT'S A VICTIMLESS CRIME !

[ Frank ]
HOW ABOUT BEATING HER UP ?
IS THAT WHAT SHE TOLD YOU ?

[ Frank, Indistinct ]
JUST SHUT UP. I DO NOT KNOW
WHAT YOUR PROBLEM IS.

[ Frank ]
I THINK I KNEW--
[ Continues, Indistinct ]

[ Arguing Continues ]

I DON'T KNOW WHAT'S
GOING ON WITH YOU.

[ Frank, Indistinct ]

FORGET IT.
[ Brother, Indistinct ]

THEY'VE BEEN THROWN AWAY,
OKAY ?

YOU WANT YOUR
PRECIOUS LITTLE VIALS
WITH YOUR NAME ON 'EM ?

IT'S TOO BAD,
BECAUSE THEY'RE ALREADY GONE.
FUCK.

YEAH, FUCK !
JESUS, YOU'RE STUPID.
JESUS CHRIST !

WAIT A MINUTE.

I DON'T EVER, EVER
WANT TO SEE YOU AGAIN, OKAY ?

BECAUSE IF I DO--
IF I DO, I'M GONNA HAVE
TO HURT YOU, OKAY ?

YOU UNDERSTAND ?
YOU UNDERSTAND.

I'M GONNA TAKE
YOUR PEN, OKAY ?

I CAN'T BELIEVE
YOU LIED TO ME, FRANK.

I DIDN'T KNOW
IF YOU'D BELIEVE ME.

YOU'D THINK I'D SUSPECT
YOU OF STEALING DRUGS ?

I DIDN'T KNOW WHAT YOU'D THINK.
ALL I KNOW IS, THE NARCOTICS
WERE THERE THE DAY BEFORE.

SO YOU LIED TO ME, AND THEN YOU
WENT TO THIS GIRL'S HOTEL ROOM
TO THREATEN HER ?

I DIDN'T THREATEN HER. I TOLD
HER I WANTED THE NARCOTICS BACK
OR I WAS GONNA GO TO THE COPS.

WHY DIDN'T YOU JUST
CALL THEM FROM THE START ?

YOU KNOW WHAT HAPPENS
WHEN YOU BRING IN THE COPS.

SUDDENLY THE THING SPINS
OUT OF CONTROL. I'M TRYING
TO PROTECT MY LICENSE.

YOU'RE IN SOME KIND
OF TROUBLE, RIGHT ?
NO, I'M NOT.

FRANK--
HOW MANY TIMES DO I HAVE TO
TELL YOU I'M NOT IN TROUBLE ?

COME ON.

THAT GUY REALLY
SCARED ME TODAY.
I KNOW.

THAT PISSED ME OFF.
I KNOW, BUT WE'RE NEVER GONNA
SEE THAT GUY AGAIN. I PROMISE.

I'LL CALL YOU TONIGHT.
BE CAREFUL.

OKAY.

BYE.
BE SAFE, FRANK.
SERIOUSLY.

[ Engine Starts ]

[ Frank ]
LOOK, I AM--
I'M JUST A DENTIST.

I'M JUST A DENTIST.

LOOK, I'M JUST A DENTIST.

LOOK, I DON'T THINK WE SHOULD
SEE EACH OTHER ANYMORE.

LOOK-- LOOK--
I DON'T THINK WE SHOULD
SEE EACH OTHER--

LOOK, JUST--
JUST DON'T-- OKAY.

SUSAN ?

HMM ?
YOUR BROTHER CAME BY
MY OFFICE TODAY.

I GUESS YOU TOLD HIM
ABOUT ME COMING HERE.

BAD DAY TODAY.
REALLY BAD DAY.

YOU KNOW, I'VE HAD
A LOT OF QUESTIONS LATELY.

ARE YOU THE DUMBEST
MOTHERFUCKER OR WHAT ?

SHIT !

OH, SHIT IS RIGHT,
YOU DUMB FUCK.

DIDN'T I TELL YOU I DIDN'T
WANT TO SEE YOU AGAIN ?

I MADE AN HONEST MISTAKE.
I'M LEAVING.

YOU'RE NOT LEAVING,
BECAUSE THEN I WOULD HAVE
MADE AN EMPTY THREAT.

I DON'T MAKE EMPTY THREATS.
STAY WHERE YOU ARE.
STAY BACK.

[ Laughs ]
GONNA STAB ME ?

PUT 'EM DOWN BEFORE
YOU HURT YOURSELF.
I'M SERIOUS ! STAY BACK !

PUT 'EM DOWN,
YOU FUCKIN' ASSHOLE !

[ Groaning ]

I'M GONNA FUCKIN' KILL YOU !

[ Screaming ]

[ Groaning ]

[ Horn Honking ]

[ Honking Continues ]

[ Honking ]

[ Jukebox ]
* I MAY BE CLIMBING
ON RAINBOWS *

HEY THERE, PAL.
WHAT WILL YOU HAVE ?

SHOT OF BOURBON.
ANY PARTICULAR BRAND ?

DOESN'T MATTER.
WE GOT FOUR ROSES, V.O.,
JIM BLACK, SEAGRAM'S.

JUST POUR THE SHOT, OKAY ?
SURE, PAL.

* LIFE IS FOR US TO KEEP

THREE MORE.
ROUGH DAY, HUH, PAL ?

THAT'S RIGHT.
IT WAS A ROUGH DAY. POUR.

* I WANNA MAKE IT WITH YOU
[ Mouthing Words ]

* I REALLY THINK THAT
WE COULD MAKE IT, GIRL *

BLOOD, SWEAT AND TEARS.
YOU SAID IT.

I HATE WHEN I RUIN
A GOOD SHIRT LIKE THAT.

HOW DO YOU MEAN ?

ON THE SHOULDER.
BELIEVE ME, PAL, YOU'RE NEVER
GONNA GET STAINS LIKE THAT OUT.

WHAT HAPPENED ?
YOU CUT YOURSELF ?
YEAH.

* YOU BELIEVE THE THINGS
THAT I DO **

[ Light Switch Clicks ]
SHIT !

WHOA !
[ Groans ]

OH. AH.
[ Grunts ]

PAINT.

HARLAN.

HARLAN !

HARLAN !

OH, MY GOD. OH, MY GOD !
OH, MY GOD !

THIS WASN'T ME, JEAN.
I DIDN'T DO THIS.

UM, WHO IS THAT ?
IT'S THE GUY FROM YESTERDAY.

WHO ?
THE INSANE GUY
WHO CAME IN THE OFFICE.

WE-- WE GOTTA
CALL THE POLICE.

HANG ON. LET ME
JUST THINK ABOUT THIS.
NO ! WHAT FOR ?

DAMN IT ! JUST PUT DOWN
THE PHONE SO I CAN THINK !

I'M JUST NOT 100% SURE
THEY'RE GOING TO BELIEVE ME.
THAT'S ALL.

WHY WOULDN'T THEY ?

I WENT TO HIS MOTEL ROOM AND--
I STABBED HIM IN THE HAND.

WHAT ?
HE WAS COMING AFTER ME.

I-- OH !

WHY WERE YOU
STABBING SOMEBODY ?

WOULD YOU JUST LET ME
THINK FOR A MINUTE ?
[ Phone Clatters On Floor ]

I COULD LEAVE RIGHT AWAY.

THEN YOU'D REALLY
LOOK GUILTY.

I COULD GO TO THE AIRPORT
AND GET A TICKET.

OH, FRANK, HONEY,
YOU'RE SCARING ME.

YOU'RE ACTING LIKE
A CRIMINAL, AND YOU'RE NOT.
YOU'RE INNOCENT.

[ Chatter On Police Radio ]

[ Man ]
JOE, WHAT DO WE GOT ?
NO WEAPON FOUND YET,

BUT DEFINITELY A SHOTGUN
BLAST TO THE HEAD.

JIMMY, PUT DOWN THAT DAMN CASE
AND GIVE ME A HAND WITH THIS.

HOW LONG DOES SOMETHING
LIKE THIS TAKE ?

ARE THE POLICE GOING TO BE
HERE ALL NIGHT OR WHAT ?

HERE WE GO.
GREAT. PERFECT.
TAKE THAT. I'LL TAKE THOSE.

THANK YOU, SIR. ONE PAIR
OF MEN'S SHOES, SIZE ?

TWELVE.
SIZE 12.

DR. SANGSTER,
DETECTIVE LARRY LUNT.
HI.

THIS IS YOUR HOUSE ?
YES, IT IS.

I UNDERSTAND
YOU FOUND THE BODY.
I WAS COMING HOME--

LANCE, COME HERE.
I WANT YOU TO MEET SOMEONE.

WHAT'S UP ?

LANCE, MEET DR. SANGSTER.
THIS IS THE GUY
THAT FOUND THE BODY.

DOC, THIS IS
LANCE PHELPS, THE ACTOR.

HE'S FOLLOWING ME AROUND,
DOING RESEARCH
FOR HIS NEXT MOVIE.

LOOKS LIKE THE REAL THING,
DOESN'T HE ?

WHY DON'T YOU ASK HIM
SOME QUESTIONS ?

- OKAY.
- I'D RATHER SPEAK WITH YOU.

DON'T WORRY.
IT'S JUST RESEARCH.
GO AHEAD.

WHEN DID YOU FIND THE BODY ?

WELL, UH, IT WAS
ABOUT AN HOUR AGO.

- DID YOU KNOW HIM ?
- I'VE SEEN HIM.

- WHERE ?
- IN MY OFFICE. I'M A DENTIST.

- HE A PATIENT ?
- HIS SISTER CAME IN
FOR A ROOT CANAL.

- YOU SCREWIN' HER ?
- SORRY ?

THE SISTER--
ARE YOU HAVING SEX WITH HER ?

THIS IS RIDICULOUS !
PRETEND I'M NOT HERE.

I JUST DON'T WANT
TO TALK WITH THIS GUY.

UH, DID YOU DO IT ?
NO, I DEFINITELY DIDN'T.

THEN THERE'S NOTHING
TO WORRY ABOUT.
IT'S JUST RESEARCH.

IT'S NOT LIKE HE'S GOING TO PUT
IT IN A MOVIE, RIGHT, LANCE ?

OH, NO.
SEE ?

HUMOR HIM.

ALL RIGHT. NO, I WASN'T
HAVING SEX WITH HER.

- DID YOU HAVE ANY IDEA
WHO DID THIS ?
- NO.

- WHAT HAPPENED TO HIS HAND ?
- NO IDEA.

HE'S LYIN'.

HEY, LOOK !
THIS IS NOT REALLY RIGHT.
HANG ON.

NOT BAD, NOT BAD.
YEAH.

ONLY TRY NOT TO SHOW
WHAT YOU'RE THINKING.
YOU'RE GIVING AWAY TOO MUCH.

OH. I GOTTA SHOW SOMETHIN',

'CAUSE OTHERWISE
PEOPLE AREN'T GONNA KNOW
WHAT'S GOIN' ON UP HERE.

HMM. I SEE WHAT YOU MEAN.

LET'S GO OVER THIS LATER.

GO HAVE A LOOK AROUND.
SEE WHAT YOU FIND OUT.

COOL. COOL.

NOT BAD, HUH, DOC ?

YOU SEE,
THIS IS REALLY GREAT.
YOU'RE HELPING ME--

WORKING WITH
THE DEAD GUYS.

I'M REALLY SORRY ABOUT
ALL THE INCONVENIENCE.

WE REALLY APPRECIATE
THE HELP.
THAT'S FINE, DETECTIVE.

WE'LL WANT TO ASK YOU A FEW MORE
QUESTIONS. IF YOU COULD STICK
AROUND FOR THE NEXT FEW DAYS ?

DOES THAT MEAN I'M A SUSPECT ?
SUSPECT ? YOU SAID
YOU DIDN'T DO IT.

THAT'S RIGHT.

SO THERE'S NOTHING
TO WORRY ABOUT, RIGHT ?

YEAH.

YOU KNOW, UH,
THERE IS ONE MORE THING.

WHAT'S THAT ?

ARE THESE YOURS, MISS NOBLE ?

OF COURSE THEY ARE.
WHERE'D YOU FIND THEM ?

SORRY ABOUT THAT.

SOMEONE FOUND THEM IN ONE
OF DOCTOR'S SPORTS COATS...

AND WAS WONDERING--

THERE YOU GO.
LISTEN, I GOT TO RUN.

BUT, UH,
YOU TWO TAKE IT EASY,

AND, UH, THANKS AGAIN
FOR YOUR HELP.

[ Woman ]
ARE YOU PARTICIPATING
IN THE INVESTIGATION ?

ARE THEY HERS, FRANK,
THE GIRL FROM THE MOTEL ?
JEAN--

ARE THEY HERS ?

[ Exhales ]

YEAH. YEAH. I'M SORRY.
[ Siren Wails ]

OKAY, FRANK, YOU KNOW WHAT--
I'M GONNA-- I'M GONNA GO HOME.

NO, I'M GONNA--
I'M GONNA GO HOME.

[ Engine Starting ]

[ Frank Narrating ]
FOR THE FIRST TIME,

IT OCCURRED TO ME THAT
I'D BEEN LIVING THE WRONG LIFE.

I DIDN'T BELONG HERE WITH
THE SCHEDULES AND THE CAVITIES
AND THE APPOINTMENTS.

I WAS SUPPOSED
TO BE SOMEWHERE ELSE.

[ Man ]
* MAIS OUI, MADAME

* C'EST LA QUE J'AI LAISSE
MON COEUR *

* C'EST LA QUE J'VIENS-- *

THIS IS A BIT OF A PICKLE.

I WENT AND HAD A CHAT WITH
WAYNE PONCE, THE PHARMACIST
AT LINCOLN PHARMACY.

HE SAID HE CALLED HERE
ABOUT A PRESCRIPTION--

I'M NOT HERE.

DONE.

[ Paper Rustling ]

- DR. SANGSTER. HI !
- HI.

LILY PONS, FORENSIC INVESTIGATOR
FROM LAST NIGHT ?

OH, YEAH, HELLO.

- THINK YOU COULD GIVE ME
A HAND HERE ?
- SURE.

GOOD.
WHAT ARE YOU DOING
IN THE DUMPSTER ?

NOTHING MUCH.
JUST ROUTINE.

HERE.

POKING AROUND, YOU KNOW.
THERE. THANKS.

ALL RIGHT, COME ON.
LET'S GO INSIDE.

INSIDE ?
YEAH, IF YOU DON'T MIND.
IT'LL JUST TAKE A MOMENT.

YOU RUN A NICE OPERATION HERE,
DOC, NICE AND TIGHT.

THAT'S THE WAY
WE LIKE IT.
I BET YOU DO.

DOCTOR--
NOT RIGHT NOW, SALLY.

I JUST HAVE A QUESTION--
NO SMOKING. WE HAVE
EXTREMELY FLAMMABLE GAS.

DON'T WE ALL.

[ Whispers ]
HE'S GONE.

- PAT, WHO'S UP NEXT ?
- ANDREW PAYNE AT 11:30.

ASK HIM TO TAKE
HIS TIME COMING IN.
WILL DO.

HOW CAN I HELP YOU ?
I'M GONNA NEED YOUR TEETH.

SORRY ?
TEETH.

I NEED A SET OF IMPRESSIONS.

WHAT FOR ?
IT'S JUST ROUTINE.

IT DOESN'T SOUND
VERY ROUTINE TO ME.

ARE YOU A FORENSIC
PATHOLOGIST ?

WE HAVE A PERFECTLY GOOD SET
OF IMPRESSIONS ALREADY MADE.
YOU CAN USE THOSE.

SORRY. I NEED A NEW SET.

I DON'T WANT TO
OFFEND YOU, BUT I HAVE
A PRACTICE TO RUN.

I UNDERSTAND. I DO,
BUT ALL THE SAME,
I NEED A NEW SET.

DO YOU WANT TO GET ONE OF YOUR
PEOPLE TO DO IT OR SHOULD I ?
SALLY.

CAN I LEAVE
FOR THREE MINUTES ?
SUIT YOURSELF.

SO...

WOULD YOU CONSIDER
YOURSELF A BITER ?

WHAT ?
YOU KNOW, LIKE TO BITE
OR CHEW THINGS ?

[ Mumbling ]
NO. WHAT ARE YOU
TALKING ABOUT ?

HMM. MIND IF I ASK YOU
A PERSONAL QUESTION ?

[ Mumbles ]
GO AHEAD.

IS IT POSSIBLE THAT YOU HAVE
ANY PECCADILLOS, LET'S SAY,
YOU MIGHT WANT TO TELL ME ?

[ Mumbles ]

[ Frank Narrating ]
PECCADILLOS. LITTLE SINS.

MAYBE THAT'S ALL
I WAS GUILTY OF.

ALL I HAD TO DO WAS STRAIGHTEN
EVERYTHING OUT ONCE AND FOR ALL.

LEAVE ME ALONE !
SUSAN !

SUSAN !
HARLAN ?

I DON'T UNDERSTAND WHY--
WHY WOULD HE--
LISTEN. LISTEN.

[ Harlan, Indistinct ]
NO !

[ Train Horn Blows ]

HE DOESN'T WANT YOU
TO GO TO THE COPS--

[ Footsteps Approaching ]
[ Susan ]
I-- I--

- ARE YOU A GUEST HERE
WITH US TONIGHT, SIR ?
- NOT EXACTLY.

- WOULD YOU FOLLOW ME, PLEASE ?
- WHAT FOR ?

- SO WE CAN CALL THE POLICE.
- OH, OH, NO.

YOU MISUNDERSTAND.
I'M A DENTIST.
LET'S GO.

OW !
I DO UNDERSTAND.

COME ON. LET'S GO.
ALL RIGHT, ALL RIGHT.

GET YOU OUTTA HERE.
LISTEN. HEY, HEY.

WOULD YOU TAKE $100
TO LET ME GO ?

HOW MUCH ?
A HUNDRED.

HMM. YES, I WOULD.

[ Knocking ]
[ Man On TV, Indistinct ]

[ Gasps ]
WHERE IS HE ?

YOU BASTARD !
I SAW HIM IN HERE.

I DIDN'T ASK YOU TO KILL HIM !
I ONLY SAID I WISHED
HE'D DISAPPEAR.

HARLAN, GET OUT HERE !
YOU KILLED HIM,
YOU ASSHOLE !

I SAW HIM IN HERE
FIVE MINUTES AGO.
MY BROTHER, IDIOT, NOT YOURS.

YOU KNOW I DIDN'T
HAVE ANYTHING TO DO
WITH YOUR BROTHER.

WHY CAN'T YOU ADMIT IT
LIKE A MAN ? I TOLD YOU I
WANTED HIM GONE, SO YOU DID IT !

I THINK YOU KILLED HIM.
YOU KILLED HIM !
YOU KILLED HIM !

STOP IT ! STOP IT.
STOP IT. STOP IT.

WHAT WAS HE DOING HERE ?
HE CAME TO TELL ME.

TELL YOU WHAT ?
WHAT YOU DID.

HARLAN TOLD YOU
I MURDERED YOUR BROTHER ?

I DIDN'T. DID YOU ?

NO !

WHAT ELSE DID HE SAY ?

UM, HE TOLD ME, UM,

THAT I SHOULD
GET YOU TO GET ME MONEY,

SO I WOULDN'T
GO TO THE COPS.

HOW DID YOU MEET HIM ?
HARLAN ?

UM, WE WERE IN DETROIT.

DUANE WAS GONE,
SO I WENT DOWN TO THE BAR.

AND THERE HE WAS.

WE DRANK SOME AND THEN
WENT UP TO MY ROOM AND...

DID SOME DRUGS.

WHAT ELSE ?

TOLD ME ABOUT YOU.

HE SAID YOU HAD
A LOT OF NARCOTICS ON HAND.

DID HARLAN KNOW
ABOUT YOUR BROTHER ?

DIDN'T WANT THEM TO MEET.
DUANE GETS JEALOUS
WHEN I TALK TO OTHER MEN.

WHY IS THAT ?

BECAUSE HE DOES, OKAY ? DID.

WHY ARE YOU LOOKING
AT ME LIKE THAT ?

SO HARLAN STEERED YOU
RIGHT INTO ME, IS THAT IT ?

DON'T THINK
HE LIKES YOU VERY MUCH.

NO, I GUESS HE DOESN'T.

BUT FOR SOME STUPID REASON,
I GUESS I DO.

[ Woman On TV, Indistinct ]

AREA POLICE HAVE LINKED
A LOCAL DENTIST TO THE GRISLY
SLAYING OF A DETROIT LOCAL.

DR. FRANK SANGSTER OF MERVIN'S
GROVE IS BEING WANTED NOW...

IN CONNECTION WITH
THE BRUTAL MURDER OF DUANE IVEY.

POLICE SAY THEY DISCOVERED
IVEY'S BODY IN THE DENTIST'S...

CHRIST.
MULTIMILLION-DOLLAR HOME
EARLIER TODAY.

IF YOU HAVE ANY INFORMATION
ON THE WHEREABOUTS
OF DR. FRANK SANGSTER,

PLEASE CALL--
[ Knocking ]

WHO IS IT ?
[ Man ]
POLICE.

JUST A MINUTE.
GETTING DRESSED.

[ Man ]
SUSAN IVEY, DETECTIVE LANG
WITH CHICAGO POLICE DEPARTMENT.

[ Continues, Indistinct ]

ALL RIGHT ?
[ Continues, Indistinct ]

[ Susan, Indistinct ]

[ Lang Continues, Indistinct ]

[ Susan ]
WAIT. YOU CAN'T JUST
BARGE INTO MY BATHROOM.

AT LEAST LET ME
CLEAN UP A LITTLE.

FIVE, FOUR,
THREE, TWO, ONE.

OKAY, THAT'S IT.
I'M COMIN' IN.

[ Yawns ]

[ Susan ]
SEE ? NO ONE HERE.

NOW, LOOK, IF YOU
DON'T HAVE A WARRANT--

SHUT IT, LITTLE MISSY,
OR I'LL SHUT IT FOR YA.

SIT DOWN AND
WATCH YOUR MOUTH.

[ Moaning ]

[ Moaning ]
I LOVE YOUR ASS.

OHH ! PINCH IT.
MMM. PINCH IT.
PINCH IT.

[ Moaning ]

THAT'S IT.

[ Woman Moaning ]
MMM. PINCH IT.

[ Man ]
COVER THAT FRONT DOOR
LIKE I TOLD YOU.

[ Dog Barking ]
[ Man ] YOU TALKING TO US ?
SORRY, THE DOG'S BARKING.

- MAKE UP YOUR MIND ALREADY.
- I WANT YOU GUYS TO COVER
THAT FRONT ENTRANCE.

SHUT UP THIS GODDAMN DOG.

[ Dog Barking ]

[ Engine Starts ]

[ Men Chattering ]
[ Train Whistle Blaring ]

[ Man ]
DON'T MAKE ME COME DOWN.

[ Man ]
SORRY, I CAN'T HEAR YOU.
[ Man #2 ] I'M COMING DOWN.

[ Train Whistle Blaring ]

HEY ! MOVE THIS CAR
TO THE FRONT ENTRANCE.

LOOK, WE'RE ONLY DOING
WHAT OUR SUPERVISOR ASKED--

I'M TELLIN' YA
TO MOVE THIS CAR
TO THE FRONT ENTRANCE !

[ Groans ]
WHAT THE--
OH, SHIT.

[ Distorted Voice ]

[ Frank ]
THIS FEELS LIKE NOVOCAINE.
THIS FEELS LIKE NOVOCAINE.

[ Distorted ]
THIS FEELS LIKE NOVOCAINE.
NOVOCAINE. NOVOCAINE.

ALL RIGHT, PAL.
ON YOUR FEET.
THIS AIN'T NO COUNTRY CLUB.

YOU GOT A LADY--
OH, SHIT.

YOU GOT A HANDKERCHIEF ?
SORRY ?

A HANDKERCHIEF.
MY DAMN NOSE
BLEEDING AGAIN.

NO, I DON'T.
CRAP.

LET'S GO.
YOU GOT A VISITOR.

[ Chuckles ]
HEY THERE, CHOPPER.
[ Clicks Teeth ]

YOUR GIRLFRIEND'S
WAITING FOR YA.
[ Chattering ]

FRANK, WHAT THE HELL
IS GOING ON ?

APPARENTLY,
I'M BEING HELD FOR MURDER.
PRETTY FUNNY, HUH ?

NO, FRANK.
IT'S NOT.

FRANK, WHAT HAPPENED
TO YOUR FACE ?
I FELL.

DID THEY BEAT YOU UP, FRANK ?
SO HELP ME, GOD,
IF I FIND OUT, I'LL KICK--

NOBODY BEAT ME UP.
I FELL.

I DON'T KNOW WHY
I SHOULD EVEN CARE.

OH, FRANK. HOW COULD
YOU DO THAT TO ME ?
JEAN,

I'M THE ONE IN JAIL
HERE, NOT YOU.
YEAH, WELL, IS THAT MY FAULT ?

GODDAMN IT.
SOMEONE IS TRYING
TO SET ME UP !

WHY DON'T YOU TALK
TO YOUR LITTLE FRIEND
WITH THE RED PANTIES, HUH ?

I BET SHE KNOWS MORE
THAN I DO.
ALL RIGHT, CALM DOWN.

THERE'S PLENTY OF TIME
TO ARGUE ABOUT THIS LATER.
LIKE THE NEXT 50 YEARS.

- AIN'T THAT RIGHT, CHOPPER ?
- "CHOPPER" ? WHY DO YOU
KEEP CALLING ME THAT ?

WHY DO YOU THINK, "BITEY BOY" ?
LOOK, DON'T TRY TO PRETEND.
WE ALREADY GOT THE TEETH MARKS.

WHAT TEETH MARKS ?
THE MARKS YOU LEFT
ALL OVER THE BODY.

CHEWED 'IM UP REAL GOOD,
DIDN'T YOU, CHOPPER ?
[ Clicks Teeth ]

SHUT UP, HOWARD.
YOU SHUT UP, ANDY.

WILL YOU BOTH SHUT UP ?
WE'RE TRYING TO SPEAK,
THANK YOU.

WHAT IS IT, FRANK ?
THAT'S WHY SHE WANTED
THE IMPRESSIONS.

ALL RIGHT, THAT'S IT.
THE VISIT'S OVER.
WHAT IMPRESSIONS ?

WAIT A SECOND.
YOU SAID 15 MINUTES.

SORRY. YOU SAID SHUT UP,
SAY GOOD-BYE.

[ Sighs ]
WHERE ARE YOU TAKING HIM ?
ARRAIGNMENT.

CALL MIKE. HAVE HIM
GET ME A LAWYER.
WILL YOU DO THAT ?

OH, SORRY.
CAN'T GO IN THERE.
CLOSED HEARING.

I'M SUPPOSED TO GET
THIS ONE TO ARRAIGNMENT.
GONNA BE AT LEAST 20 MINUTES.

SOME MOB GUY IN THERE.
HAVE A SEAT.

[ Phones Ringing
In The Distance ]

WHEW.

[ Chattering ]

LISTEN, PAL.
STAY RIGHT THERE.

DO NOT MOVE. GET ME ?

FRANK !
HEY, FRANK.

- HEY.
- WOW, AM I GLAD
TO SEE YOU.

HOW'S IT GOING, MAN ?
FINE.

YEAH, I WAS JUST SITTING IN
ON AN INTERROGATION ?
[ Exhales ] GOOD SHIT.

ALL TOTALLY USABLE.
HA-HAVE YOU SEEN LUNT ?

UH, NOT YET. NO.
NO ? YOU HAVEN'T HEARD ?

HEARD WHAT ?
THEY CALLED
FROM THE STUDIO.

WE'RE, LIKE, TOTALLY GREEN-LIT.
WE'RE GOING AHEAD
WITH THE PICTURE.

GEE, THAT'S REALLY GREAT.
YEAH, YOU'RE FUCKING "A"
RIGHT IT'S GREAT.

IT'S AN AMAZING PART.
LISTEN,

YOU THINK I COULD ASK YOU
A FEW MORE QUESTIONS
LIKE HOW WE DID THE OTHER DAY ?

FORGET IT.
OH, COME ON, MAN.
COME ON.

YOURS IS THE BEST CASE.
YOU WOULD REALLY
BE HELPING ME OUT.

LISTEN, FRANKIE,
YOU DO THIS FOR ME, MAN,
AND I WILL NEVER FORGET IT.

THAT IS
A LANCE PHELPS PROMISE.
N-NOT RIGHT NOW, LANCE.

I'LL TAKE YOU ACROSS THE STREET.
I'LL BUY YOU A LATTE.
FIFTEEN MINUTES, TOPS.

LOOK, LANCE--
WHAT, YOU MEAN RIGHT NOW ?

FIFTEEN MINUTES,
RIGHT ACROSS THE STREET.

WELL, ALL RIGHT.
BUT ONLY FOR 15 MINUTES.
YES ! THANK YOU.

YEAH !

YOU ARE NOT GOING
TO REGRET THIS.
I SWEAR TO GOD.

[ Chattering ]

HOLD IT, GUYS.
I CAN'T LET YOU
OUT OF HERE...

WHAT'S UP ?
TILL I GET
YOUR AUTOGRAPH.

GOD, I KNEW IT.
THIS GUY'S LANCE PHELPS.

I'VE SEEN EVERY ONE
OF YOUR MOVIES.
I LOVE THIS GUY.

THANKS.
IS HE SOMEBODY ?

THIS GUY ? NO, NAH.
LAY OFF THE TWINKIES,
ALL RIGHT ?

NOBODY LIKES A FAT COP.
[ Laughs ]

YEAH, SO I'M LIKE
MULLING IT OVER AND OVER
AND OVER IN MY HEAD, YOU KNOW ?

AND I'M THINKING, NO WAY--
THERE'S JUST NO WAY
THAT YOU DID IT.

YEAH, I DIDN'T.
YEAH, OF COURSE NOT,
BECAUSE IT'S WAY TOO OBVIOUS.

THE AUDIENCE WOULD NEVER
BELIEVE IT.
WHAT AUDIENCE ?

YOU KNOW. YOU KNOW.
LIKE IF THIS WAS A MOVIE.

THIS IS NOT A MOVIE, LANCE.
IT'S REAL LIFE.

I KNOW THAT.
BUT DO THEY KNOW THAT ?

WHO ?
YOU KNOW, THE AUDIENCE.

HEY, YOU KNOW WHAT ?
I'M GOING TO MAKE A PHONE CALL.

THEN I'M GOING TO
MEET YOU IN TWO MINUTES.
YOU JUST ORDER FOR ME, OKAY ?

I WISH I HAD MY CELL.
I DON'T NEED A CELL.
I'LL USE THE PAY PHONE.

ORDER ME A COFFEE.
I'LL BE RIGHT THERE.

OKAY, COOL. BUT LISTEN.
DON'T SAY MY NAME
WHEN YOU COME IN, OKAY ?

I DON'T WANT ANYBODY
TO KNOW IT'S ME.
OKAY.

ALL RIGHT ?
SEE YA, LANCE.

** [ Man Singing On Radio,
Indistinct ]

HEY !

HEY !
WHERE ARE YOU GOING ?

I THOUGHT THEY CAUGHT YOU
LAST NIGHT.

I GOT AWAY.
OH, GEE.
ISN'T THAT GREAT ?

I NEED YOUR HELP.
I GUESS YOU'RE
SHIT OUT OF LUCK.

LOOK, WHAT'S THE--
WHAT'S THE PROBLEM HERE ?

YOU WANNA KNOW THE PROBLEM ?
YEAH !

I'VE HAD COPS IN MY FACE
THE LAST 72 HOURS !
LIKE I HAVEN'T--

YOU SHUT UP ! I'M OUT
OF DRUGS. I'M OUT OF MONEY.

SICK AND TIRED OF LIVING
IN SHIT-HOLES LIKE THIS.

MY BROTHER IS DEAD,
AND YOU KILLED HIM !
YOU KNOW I DIDN'T HAVE--

YOU CAN DROP THE ACT. THEY
IDENTIFIED YOUR TEETH MARKS.
IT'S ALL OVER THE NEWS.

SOMEONE IS TRYING
TO SET ME UP !

- BULLSHIT ! THEY ALREADY
MADE A POSITIVE I.D.
- [ Siren Wailing ]

GET DOWN !

DID THEY SEE ME ?
DON'T KNOW.
GET IN THE TRUNK.

GET IN THE TRUNK !

- SUSAN IVEY ?
- YEP ?

LIKE TO ASK YOU
A COUPLE OF QUESTIONS.

WHY DON'T YOU JUST ASK
YOUR PALS DOWN AT THE STATION ?
THEY ALREADY KNOW EVERYTHING.

HAVE YOU SEEN THIS MAN
SINCE YOUR BROTHER WAS KILLED ?
NO, LIKE I TOLD THE OFFICERS,

I DON'T EVEN KNOW THE MAN.

GOING SOMEWHERE ?
YEP.

WHERE ?
MICHIGAN.

I HAVE AN UNCLE THERE.
NEEDS SOME HELP
IN HIS RESTAURANT.

WELL, NOW, MISS IVEY.
HOW'D YOU LIKE TO
HELP US OUT ?

STICK AROUND JUST IN CASE
HE DECIDES TO SHOW UP ?

GEE, I'M REAL SORRY.
I WISH I COULD, BUT,

MY UNCLE'S ALREADY EXPECTING ME
AND I SHOULD PROBABLY
GET STARTED.

IT'S A LONG DRIVE.
[ Car Door Opens ]

I'LL TELL YOU WHAT.
[ Car Door Closes ]

YOU STICK AROUND,
AND I WON'T ARREST YOU.

[ Static ]
GEE, LOOK AT
THIS PIECE OF CRAP.

[ Sighs ]
THEY DON'T MAKE 'EM
LIKE THEY USED TO, DO THEY ?

HUNGRY ?

NO.

THIRSTY ?

YEAH, WELL, I AM.
I'M GONNA GO DOWN TO THAT
RIB HOUSE ON THE CORNER.

YOU'RE GONNA STAY PUT ?
I HAVE TO, RIGHT ?

EXACTLY.
DON'T MAKE ME COME
AFTER YOU, YOU HEAR ?

[ Groaning ]

[ Echoing ]
FRANK ? BONSOIR.
JE T'ADORE.

GET UP. COME ON.
COME ON.
HUH ? [ Groans ]

AAH !
WE DON'T HAVE
MUCH TIME.

COME ON. COME ON.
THIS WAY.
QUICK. QUICK.

COME ON. IN.
[ Straining ]

YOU OKAY ?
S-SOME WATER.

WATER.

[ Groaning ]

HERE, HERE, HERE.
DRINK IT.

MMM. MMM.
OKAY ?
[ Mutters ]

LOOK, HERE'S
37 BUCKS.

THAT'S ALL I GOT.
TAKE IT AND GO.
I'M NOT LEAVING WITHOUT YOU.

LOOK, THAT COP IS GONNA
BE BACK HERE ANY SECOND.

WE HAVE A THING.
WE DON'T HAVE A THING.

WE FUCKED.
THERE'S A DIFFERENCE.

THAT'S NOT TRUE
AND YOU KNOW IT.

CHRIST ! LOOK !
GET UNDER THE BED, QUICK !

WHAT ARE YOU DOING
DOWN THERE ?

STRETCHES.
I TAKE YOGA.
OH.

SO, DID HE COME BACK
WHILE I WAS GONE ?

[ Panting ]
NO.

WELL, LUCKY HIM.
TELL YOU WHAT, THOUGH.

THE GUY EVER SHOWS UP,
HE'S DOG CHOW. YOU WOULDN'T
BELIEVE THE EVIDENCE.

WHAT EVIDENCE ?
WELL, YOU ALREADY KNOW
ABOUT THE TEETH MARKS, RIGHT ?

NOW THEY GOT A PAIR
OF SCISSORS. SOMEBODY
SENT THEM IN THE MAIL.

- SCISSORS ?
- USED TO STAB YOUR BROTHER
IN THE HAND.

WE GOT, LIKE,
SEVEN CLEAN PRINTS OFF 'EM.

[ Whispering ]
SCISSORS ?
YOU DIDN'T TELL ME THAT.

MM-MM-MM.
[ Inhales ]

PLUS, THE FACT THE GUY
WAS CLEARLY SELLING DRUGS
RIGHT OUT OF HIS OFFICE.

FORGET ABOUT IT.
HE'S DEAD MEAT.

[ Woman On TV ]
ONE MORE TIME.

OH, YEAH.
THIS BED'S PRETTY NICE.

[ Woman On TV ]
THIS IS THE UNDER-EYE CREAM.

[ Woman On TV ]
ACTUALLY, IT'S AN EYE CREAM
ALL OVER. UNDER-EYE, OVER-EYE.

[ Woman #2 On TV ]
I SEE. AND THIS IS
THE MOISTURIZER.

[ Woman On TV ]
THE MOISTURIZER.

[ Women Continue, Indistinct ]

[ Whispering ]
OKAY. COME ON.

GIVE ME ONE GOOD REASON
WHY I SHOULDN'T JUST SCREAM
RIGHT NOW...

AND WAKE UP THAT
FAT PIECE OF SHIT IN THERE.
BECAUSE YOU KNOW THE TRUTH.

THE TRUTH. WHAT ABOUT
ALL THE OTHER EVIDENCE ?
WHERE'D THAT COME FROM ?

THE SCISSORS ?
HONESTLY, I DON'T KNOW.
HONESTLY.

DID YOU STAB HIM ?
YES. YES.
BUT ONLY IN THE HAND.

LOOK, YOU GONNA HELP ME
OR NOT ?

YOU'RE UNBELIEVABLE,
YOU KNOW THAT ?
WHY SHOULD I ?

BECAUSE YOU LIKE ME.
ON TOP OF WHICH YOU'RE
TIRED OF ALL THIS.

ALL THE LYING
AND STEALING FOR DRUGS.
IS THAT WHAT YOU WANT ?

YOU'RE GOING TO SAVE ME
FROM THAT ?
THAT'S RIGHT.

GET REAL. YOU'RE
A WANTED MAN. THEY'RE
GOING TO HUNT YOU DOWN.

NO, THEY'RE NOT.
BECAUSE YOU'RE GOING
TO HELP ME.

LOOK AT ME.
TAKE A GOOD LOOK.

I CAN'T EVEN HELP MYSELF.
SO HOW CAN I HELP YOU ?

ALL YOU HAVE TO DO
IS BELIEVE ME.

OKAY, FRANK.
YOU WIN.

WHAT DO YOU WANT ME TO DO ?
LET'S GET OUT OF HERE.

THE KEYS.

WAIT. WAIT. WAIT.
YEAH, GO AHEAD.

[ Man On TV ]
AUNT WILENE'S DENTURE CREAM
HOLDS ALL DAY LONG,

GIVING YOUR DENTURES
A BOND WITH REAL STAYING POWER.

[ Woman On TV ]
THANKS TO AUNT WILENE.

[ Man On TV ]
YOU JUST ADD A FEW DROPS
OF AUNT WILENE'S DENTURE CREAM,

AND YOU'RE GOOD TO GO,
SECURE IN THE KNOWLEDGE
THAT YOUR DENTURES WILL HOLD.

MOST LEADING
DENTURE CREAMS STAIN--
[ Continues, Indistinct ]

WHERE ARE WE ?
THIS IS JEAN'S HOUSE.

WHAT ARE WE DOING HERE ?
WE'RE LOOKING.

FOR WHAT ?
TEETH.

BUT DIDN'T YOU KIND OF WONDER
WHY SHE WANTED DENTURES
OF YOUR TEETH ?

SHE TOLD ME SHE WANTED
TO LEARN TO MAKE DENTURES.

YEAH, BUT, WEREN'T YOU JUST
A TINY BIT SUSPICIOUS ?

NO. SHE WAS VERY METICULOUS
ABOUT HER WORK.

LOOK AROUND,
SEE IF YOU SEE ANYTHING.

PROBABLY HIDDEN
IN SOME WEIRD PLACE.

GOOD GOD. IS THIS WOMAN
ANAL OR WHAT ?

BET SHE MAKES
A HELL OF A TUNA CASSEROLE.

THAT'S JEAN, ALL RIGHT.
SHE LIKES TO KEEP THINGS
IN STRICT ORDER.

SHE'S VERY, VERY,
VERY ORGANIZED.

WAIT, WAIT A MINUTE. I KNOW
IT'S GOT TO BE SOMETHING--

AHA. CERTAINLY DON'T
LIKE THE LOOK OF THIS.

I DIDN'T WRITE THIS.

YOU DON'T HAPPEN TO HAVE
ANY KIND OF LIFE INSURANCE
OR WILL DRAWN UP, DO YOU ?

NO, JUST THE NOR--
HOLD IT. WE DID JUST SET UP
A NEW CORPORATION.

[ Dialing Phone ]

[ Phone Ringing ]
[ Girls ]
* Q, R, S

BARBIE'S BAKERY,
THIS IS MR. MUFFIN SPEAKING.

- MIKE, IT'S FRANK.
- WHERE ARE YOU ?
YOU'RE ALL OVER THE NEWS--

THAT CORPORATION
YOU SET UP FOR THE OFFICE.

WAS THERE A RIDER,
OR ANY FINE PRINT
OR ANYTHING THAT SAID...

IF I'M EVER CONVICTED OF
A FELONY THEN EVERYTHING WOULD--
OF COURSE THERE WAS.

DON'T BE RIDICULOUS. YOU'RE
THE ONE THAT SUGGESTED IT.

I TRIED TO TELL YOU ABOUT THAT
THE OTHER DAY IN THE OFFICE.
NO, I DIDN'T.

YES, YOU DID.
I DID NOT.

MAYBE IT WAS JEAN.
JUST LET ME CALL THE POLICE.

THANKS, MIKE.
NO, NO. THANKS. THANKS.

LET ME GUESS.
SHE WAS AN OFFICER
OF THE CORPORATION, RIGHT ?

PERFECT.
[ Susan's Voice ]
NEXT IN LINE.

DON'T FEEL TOO BAD, FRANK.
YOU'RE NOT THE FIRST.

FRANK, WHAT'S WRONG
WITH THAT--
THAT STUFFED ANIMAL ?

WHICH ?
THE BUNNY OVER THERE.
IT'S--

IT'S GRINNING.

GEEZ, HERE THEY ARE.

ARE THOSE YOUR TEETH ?
THEY'RE MINE, ALL RIGHT.

[ Door Opens, Closes ]
OUT THE WINDOW !

NO, NO.
IT'S TOO FAR DOWN.
WHERE ?

HERE, COME ON.
NO, WAIT ! THE LIGHT.

[ Whispering Together ]
THE DENTURES !

COME ON, FRANK. COME ON !
SHE'S COMING UP THE STEPS.

COME ON. QUICKLY.

[ Jean ]
YEAH, IT'S ME. WAIT A SECOND.
JUST CALM DOWN FOR A SECOND.

THIS IS VERY SIMPLE, OKAY ?
YOU NEED TO JUST BRING IT,
OKAY, TO THE OFFICE.

I'VE GOT IT ALL
FIGURED OUT. NO.
WHO'S SHE TALKING TO ?

NO. JUST BRING THE GUN
TO THE OFFICE. WE'RE GOING
TO PLANT IT THERE, GOT IT ?

WHAT ?

YOU GOTTA SAY SOMETHING TO HER.
WE'VE GOTTA FOLLOW HER
TO THE OFFICE.

[ Jean, Indistinct ]
THAT'S THE
DUMBEST IDEA YET.

- SHH.
- YEAH, I'M GOING
TO TALK TO HIM.

AHH. WHAT THE--
OH, SHOOT.

YES, I'LL BE NICE
TO THE LITTLE MAN.

WHAT ?

PUT IT IN A DUFFEL BAG !
YOU BRING IT TO ME
IN 15 MINUTES AT THE OFFICE.

[ Whispering ]
YOU. YOU.

[ Footsteps Descending Stairs ]

I'M TELLING YOU, FRANK,
LET'S JUST GET AWAY
FROM HERE FAST !

I GOTTA FIND OUT
WHO SHE WAS TALKING TO.
SHIT ! NO REDIAL.

YOU ALREADY KNOW.
NO WAY ! I KNOW MY BROTHER.
HE WOULDN'T KILL ANYBODY.

UH-OH, HERE'S
ANOTHER PROBLEM.
WHAT ?

SHE TOOK THE TEETH.

[ Whirring ]

THERE'S NOBODY BEHIND US.

HOW ABOUT STEPPING ON IT
A LITTLE BIT ?

THIS IS A
'73 SHITBOX, FRANK.
THIS IS AS FAST AS WE GO.

[ Whirring Continues ]

[ Door Closing ]
JEAN ?

OH, HEY, JEAN.
CHECK IT OUT.
GOT A LITTLE MAN ON TV.

OH, GROSS, HARLAN ! PLEASE.
THAT HAS TO BE CLEANED.
HEY, HEY, HEY ! WATCH IT.

[ Sighs ]
YOU ALMOST HURT
THE LITTLE MAN.

HARLAN ! YOU JUST
DON'T GET IT.
AH, REALLY ?

WHAT IS IT THAT
I DON'T GET ?

THAT'S THE POINT,
HARLAN. IF I HAVE
TO EXPLAIN TO YOU...

WHAT YOU DON'T GET,
YOU DON'T GET IT.
CHRIST.

THERE WAS A VERY CLEAR PLAN.
A SIMPLE, PERFECT PLAN.

YEAH, WE HAD A SIMPLE PLAN.
YOU MADE ME GO THROUGH IT
EIGHT MILLION TIMES !

[ Jean ]
WHOA, WHOA, WHOA !

COME ON. HOLD ON.
HOLD ON. LOOK AT ME.

WHAT ? WHAT ?
SLOW DOWN. TELL ME AGAIN.
ONE MORE TIME. YOU'RE GONNA--

OKAY. I'M GONNA GO FIND
THIS JUNKHEAD GIRL IN DETROIT.
RIGHT. MM-HMM.

BRING HER BACK HERE. GET HER
TO STEAL FRANK'S DRUGS, SO
IT LOOKS LIKE HE'S SELLING 'EM.

GOOD BOY, HARLAN.
[ Harlan ]
I DID EXACTLY AS YOU WANTED.

FOUND YOU THE PERFECT GIRL.
[ Jean ] YOU DIDN'T DO
EXACTLY AS I WANTED, DID YOU ?

BECAUSE YOU BROUGHT BACK
TWO JUNKIES, HARLAN, NOT ONE.

AND THEN THE GUY
SHOWED UP IN THE OFFICE.

[ Door Slams Shut ]
DO YOU HAVE ANY IDEA
WHAT YOU'VE DONE ?

WHAT'D I DO ?
THAT'S HER BROTHER
IN THERE !

I DIDN'T BRING HIM OUT HERE.
I DIDN'T BRING HIM OUT HERE !
JUST SHUT UP ! SHUT UP !

BRING HIM TO FRANK'S HOUSE
TONIGHT. YOU GOT IT,
YOU DUMB, STUPID--

[ Gunshot ]
[ Harlan ]
YOU DOUBLE-CROSSED ME.

YOU KILLED THAT FUCKING GUY !
[ Harlan ] NOBODY
WAS SUPPOSED TO GET KILLED.

TAKE IT ! TAKE THE GUN !
WHAT ? I DON'T WANT
THIS GUN !

FRANK'S GOING TO BE HERE ANY
SECOND. TAKE THE GUN AND GO !

I DON'T KNOW HOW YOU
GOT ME INVOLVED IN ALL THIS.
OH, PLEASE, HARLAN !

FACE IT. YOU WANTED WHAT
YOUR BROTHER HAD AND YOU
COULDN'T GET IT BY YOURSELF.

WHY DIDN'T YOU MARRY HIM ?
WHAT ?

WHY DIDN'T YOU
JUST FUCKING MARRY HIM ?
HARLAN, LISTEN.

I'VE TAKEN CARE OF
EVERYBODY MY WHOLE LIFE.
AND I'M FUCKING TIRED !

I HAVE ORGANIZED EVERYTHING.
I HAVE MADE EVERYTHING PERFECT.

I'VE MADE EVERYBODY'S LIVES
WORK SMOOTHLY.

I'M TIRED OF
BEING A CARETAKER.
CODEPENDENT NO MORE !

DO YOU KNOW HOW HARD IT IS
TO BE PERFECT ?

WHEN EVERYBODY NEEDS YOU
TO TAKE CARE OF THEM ?

HAS ANYBODY EVER
DONE THAT FOR ME ?
WHEW.

NOBODY'S EVER DONE THAT
FOR ME. NOBODY ! NOBODY !

AND YOU KNOW WHAT ?
I'M TIRED OF EVERYBODY ELSE
GETTING ALL THE STUFF.

I WANT TO BE THE BOSS !
I WANT TO BE ON TOP !

BECAUSE I DESERVE IT ALL,
AND I'M GONNA GET IT.

AND IF YOU DON'T UNDERSTAND
THAT, YOU'RE REALLY
A FUCKING IDIOT !

RIGHT. SEE, YOU KEEP
CALLING ME THAT.

AHH, BUT YOU'RE THE ONE
WHO KILLED THAT GUY.

[ Gasps ]
WHO'S THE IDIOT ?
[ Gasps ]

YOU'RE RIGHT. I'LL TAKE IT.
DOES THAT MAKE YOU FEEL BETTER ?
YOU'RE RIGHT.

LISTEN--
YOU'RE RIGHT. ALL RIGHT.

I DON'T KNOW--
YOU KNOW WHAT, YOU'RE RIGHT.

YEAH.
YOU'RE DAMN RIGHT I'M RIGHT.
I'M REALLY SORRY.

WE BOTH GOT SCREWED.
YOU KNOW WHAT,
COME HERE.

WE BOTH GOT SCREWED.
I'M SORRY, TOO, BABY.

I'M GONNA-- I'M GONNA
MAKE SURE WE BOTH GET
WHAT WE DESERVE, OKAY ?

GO LIE DOWN.

YOU TAKE CARE
OF THE LITTLE MAN ?
AS YOU TAKE CARE OF ME ?

DID YOU REMEMBER TO BRING
WHAT I ASKED YOU TO BRING ?
YEAH, I BROUGHT IT.

OKAY, GO LIE DOWN.
COME ON.

LAY DOWN IN THE CHAIR.
GO ON, GET COMFY.

OKAY. OKAY, RELAX.
JUST LAY BACK.

OKAY.
[ Whirring ]

OKAY, I'M JUST
GETTING MYSELF READY.

WHAT ARE YOU DOING ?

I'M JUST GETTING
ORGANIZED FOR YOU.

COME ON. I'M DYING, NURSE.
IT HURTS. COME HERE.
OH, I KNOW.

JUST ONE MORE SEC.
WHAT ARE YOU DOING ?
WHAT ARE YOU DOING-- NO !

[ Gun Cocks,
Bullets Clatter On Floor ]

I'M TELLING YOU, FRANK,
THIS IS A REALLY BAD IDEA.

NO, EVERYTHING'S GONNA
BE ALL RIGHT. NOW LISTEN,
THE DOUGHNUT SHOP IN AN HOUR.

YOU'LL BE THERE ?
I'LL BE THERE.

[ Whispers ]
HEY--

BE CAREFUL.

[ Car Drives Away ]

HARLAN, WHAT ARE YOU
DOING IN THE-- WHOA !

[ Breathing Heavily ]

[ Frank Narrating ]
SUDDENLY, THERE I WAS,

SEEING IT ALL
FOR THE FIRST TIME.

OH, SHE'D SET ME UP,
ALL RIGHT.

NOT JUST FOR DUANE'S MURDER,
SHE'D GOTTEN ME
FOR HARLAN'S TOO.

MY TEETH MARKS
WERE ALL OVER THE BODY.

THEN I SAW THE SOLUTION.

IT WAS RIGHT THERE
IN FRONT OF ME.

FRANK SANGSTER HAD TO DIE...

AND HIS WHOLE, PERFECT WORLD
ALONG WITH HIM.

STRANGE AS IT MAY SEEM,
IT DIDN'T HURT
LIKE I THOUGHT IT WOULD.

IN FACT, WITH EACH TOOTH
I PULLED, I FELT
A LITTLE BETTER,

A LITTLE LESS TRAPPED,
A LITTLE MORE FREE,

UNTIL I FELT SO FREE,

THAT WHAT I HAD TO DO
DIDN'T SEEM SO BAD AT ALL.

[ Hissing ]

[ Explosions ]

[ Man ]
OVER HERE, MORE WATER.
[ Continues, Indistinct ]

I GOT IT.
GOOD, GOOD, GOOD.

[ Frank Narrating ]
AND EARLY THE NEXT MORNING
WHEN THEY FOUND THE REMAINS,

THERE WOULD BE
ONLY ONE THING LEFT: TEETH.

FRANK SANGSTER'S TEETH.

JEAN STEERED ME RIGHT
IN ONE WAY, THOUGH.

IT WAS SHE WHO PUSHED
FOR THE FLAME-RETARDANT
CABINETS FOR THE VIDEOTAPES.

[ Lily ]
GET IN HERE !

HOLD ON, SWEETIE.
I'M JUST GETTING
ORGANIZED FOR YOU.

[ Man ]
OKAY, LET'S LOOK AT IT
ANOTHER WAY.

WE HAVE YOU RECORDED
ON CAMERA SHOOTING
THE DENTIST IN THE HEAD.

LET'S CUT TO THE CHASE.
YOU KNOW WHAT
WE WANT TO KNOW--

[ Jean ] I AM CUTTING TO
THE CHASE. YOU'RE ASKING ME
THE SAME QUESTIONS.

YOU KEEP GIVING US
FOUR DIFFERENT ANSWERS.
THE TRUTH.

AND WHEN YOU TELL US
WHAT THE FUCK WE WANT
TO KNOW, THEN MAYBE--

I'M BEING HONEST WITH YOU !
YOU'RE BEING HONEST ?

THIS IS VERBAL ABUSE.
I DO NOT TOLERATE
THIS KIND OF BEHAVIOR.

YOU KNOW WHAT THIS IS ?
THE REST OF YOUR FUCKING LIFE.
LET ME GO !

YOU'RE NOT GOING ANYWHERE.
YOU'RE GOING DOWN
TO THE FUCKING CAN.

THAT'S RIGHT. NOWHERE.
ALL RIGHT, THIS IS
FUCKING BULLSHIT.

I KNOW HOW TO GET
THIS FUCKING CONFESSION.

[ Lily ]
WE GOT IT ALL ON VIDEOTAPE.
MIGHT AS WELL TELL THE TRUTH.

THEY GET REALLY CRUNCHY
WHEN YOU DON'T COOPERATE.

COME ON. GIVE IT UP.
SHE'S--
[ Stammering ]

TELL ME WHAT THE FUCK
I WANT TO KNOW !

I'M GONNA COUNT TO ONE !

ONE !
[ Frank Narrating ]
I NEVER DID SEE JEAN AGAIN.

BUT SHE'S AN OUTGOING GIRL.
I'M SURE SHE'S MADE
A LOT OF NEW FRIENDS.

BIG BOY GOES THERE,
AND FUZZY GOES THERE,

AND TEDDY GOES THERE,
AND PIGGY GOES THERE,
AND MONKEY GOES THERE...

AND LITTLE SKIPPY GOES THERE.

[ Frank Narrating ]
SUSAN AND I,

WE MADE IT TO THE AIRPORT
LATE THAT NIGHT AND QUIETLY
SLIPPED OUT OF THE COUNTRY.

IT TOOK A LITTLE WHILE,
BUT WITH THE MONEY
FROM THE BOOK,

WRITTEN UNDER THE PEN NAME
HARLAN SANGSTER,

WE WERE ABLE TO BUY
A PRETTY LITTLE VILLA
IN THE FRENCH COUNTRYSIDE.

BUT I'M, UH,
NOT TELLING YOU WHERE.

AND A FEW MONTHS AGO,
I SLIPPED SUSAN INTO
THE LOCAL DENTIST OFFICE...

HERE IN TOWN
AND FINALLY GAVE HER
THAT ROOT CANAL SHE NEEDED.

SHE SAID IT WAS
THE BEST ONE SHE EVER HAD.

[ Speaking In French ]

A DEMAIN,
MONSIEUR SANGSTER.
A DEMAIN.

BONJOUR.
BONJOUR.

MADAM.

[ French, Indistinct ]

TRES BIEN ET TOI ?
COMMENT CA VA ?

QU'EST-CE QUE C'EST ?
QU'EST-CE QUE C'EST ?
C'EST TOI.

[ Frank Narrating ]
I STILL BELIEVE
WHAT I'VE ALWAYS SAID.

THE WORST THING THAT
CAN HAPPEN TO A MAN
IS TO LOSE HIS TEETH,

UNLESS, OF COURSE,
HE PULLS THEM OUT HIMSELF.

** [ Man Vocalizing ]

** [ Continues ]

[ Man Speaking In French ]

** [ Vocalizing Continues ]

[ Man Continues In French ]

** [ Vocalizing Continues ]

[ Man Talking In French ]
** [ Man Vocalizing ]

[ Continues In French ]
* SHE WAS THE ONE

** [ Whistling ]
** [ Vocalizing ]

[ Continues In French ]