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These are the user uploaded subtitles that are being translated: 1 00:00:11,520 --> 00:00:14,680 The balance is shifting. 2 00:00:14,680 --> 00:00:17,720 >> The city sleeps, but the library never. 3 00:00:17,720 --> 00:00:19,440 >> Then we must find our answers within its 4 00:00:19,440 --> 00:00:22,080 walls. 5 00:00:24,040 --> 00:00:27,600 >> The patterns in the sky shift tonight. 6 00:00:27,600 --> 00:00:31,520 A new chapter begins for us all. 7 00:00:33,440 --> 00:00:37,840 Knowledge is our legacy. 8 00:01:24,495 --> 00:01:26,515 >> [music] 9 00:02:47,160 --> 00:02:48,800 >> Lenore. 10 00:02:48,800 --> 00:02:50,840 >> Master Lummy. 11 00:02:50,840 --> 00:02:52,560 >> You came quickly. 12 00:02:52,560 --> 00:02:55,320 >> Your summons carried urgency. 13 00:02:55,320 --> 00:02:57,280 >> It was meant to. 14 00:02:57,280 --> 00:02:59,480 >> What has happened? 15 00:02:59,480 --> 00:03:03,239 >> A bomb exploded on Calamar. 16 00:03:03,239 --> 00:03:05,239 >> Calamar? 17 00:03:05,239 --> 00:03:08,320 >> At the temple of the Quor. 18 00:03:08,320 --> 00:03:10,760 >> Casualties? 19 00:03:10,760 --> 00:03:12,400 >> Many. 20 00:03:12,400 --> 00:03:13,880 >> Who did it? 21 00:03:13,880 --> 00:03:16,959 >> That remains unclear. 22 00:03:16,959 --> 00:03:19,160 But there is more. 23 00:03:19,160 --> 00:03:20,880 >> There always is. 24 00:03:20,880 --> 00:03:24,560 >> Your brother's name has surfaced. 25 00:03:24,560 --> 00:03:26,400 >> Dahl. 26 00:03:26,400 --> 00:03:28,920 >> Yes. 27 00:03:29,400 --> 00:03:32,280 >> That does not mean he was there. 28 00:03:32,280 --> 00:03:33,680 >> No. 29 00:03:33,680 --> 00:03:37,160 But it means he may know. 30 00:03:37,160 --> 00:03:40,200 >> Or someone wants us to think so. 31 00:03:40,200 --> 00:03:43,560 >> That is possible. 32 00:03:43,560 --> 00:03:45,280 >> Why me? 33 00:03:45,280 --> 00:03:48,680 >> Because no Ranger alive 34 00:03:48,680 --> 00:03:52,040 knows him as you do. 35 00:03:52,040 --> 00:03:54,840 >> I knew him once. 36 00:03:54,840 --> 00:03:58,080 >> Then know him again. 37 00:03:58,520 --> 00:04:00,280 >> You want me to find [music] him? 38 00:04:00,280 --> 00:04:03,360 >> Before others do. 39 00:04:03,480 --> 00:04:06,760 >> And if he is involved? 40 00:04:08,240 --> 00:04:09,880 >> Then you will face that truth when it 41 00:04:09,880 --> 00:04:13,080 stands before you. 42 00:04:33,793 --> 00:04:35,813 >> [music and singing] 43 00:04:52,788 --> 00:04:54,808 [music] 44 00:05:19,643 --> 00:05:21,663 [music] 45 00:05:41,258 --> 00:05:43,278 [music] 46 00:05:43,320 --> 00:05:45,120 >> Haha. 47 00:05:45,120 --> 00:05:46,640 Haha. 48 00:05:46,640 --> 00:05:48,800 Haha. 49 00:05:49,480 --> 00:05:50,428 Haha. 50 00:05:50,428 --> 00:05:52,448 >> [laughter] 51 00:06:04,184 --> 00:06:06,204 [music] 52 00:06:20,559 --> 00:06:22,579 [music] 53 00:08:36,960 --> 00:08:40,200 >> You made good time. 54 00:08:41,039 --> 00:08:44,680 I wasn't sure you'd come yourself. 55 00:08:44,960 --> 00:08:47,280 Thought maybe the Jedi would 56 00:08:47,280 --> 00:08:48,680 send someone 57 00:08:48,680 --> 00:08:51,200 cleaner. 58 00:08:51,839 --> 00:08:54,600 >> Traysona. 59 00:08:54,800 --> 00:08:56,240 When your message mentioned my brother, 60 00:08:56,240 --> 00:08:59,960 there wasn't going to be anyone else. 61 00:09:00,800 --> 00:09:03,680 The reports were incomplete. 62 00:09:03,680 --> 00:09:05,680 They say it was contained. 63 00:09:05,680 --> 00:09:07,839 >> They lied. 64 00:09:07,839 --> 00:09:10,480 Half this sector felt it. The dead are 65 00:09:10,480 --> 00:09:13,160 still being counted. 66 00:09:13,160 --> 00:09:15,560 Come. 67 00:09:25,560 --> 00:09:28,200 >> What exactly happened here? 68 00:09:28,200 --> 00:09:31,400 >> A detonation inside the temple district. 69 00:09:31,400 --> 00:09:35,920 Fast, precise, deliberate. 70 00:09:35,920 --> 00:09:38,160 >> Not 71 00:09:38,360 --> 00:09:40,800 Doll. 72 00:09:41,080 --> 00:09:42,400 >> I know what your brother's involved 73 00:09:42,400 --> 00:09:44,680 with. 74 00:09:44,680 --> 00:09:47,800 I know who he's been moving with. 75 00:09:47,800 --> 00:09:51,160 And if half of what I've heard is true, 76 00:09:51,160 --> 00:09:53,440 this is only the beginning. 77 00:09:53,440 --> 00:09:56,520 >> You should have told me sooner. 78 00:09:56,560 --> 00:09:58,800 >> I don't survive long by choosing sides 79 00:09:58,800 --> 00:10:00,000 too early. 80 00:10:00,000 --> 00:10:02,160 >> And yet here you are. 81 00:10:02,160 --> 00:10:05,520 >> And yet here I am. 82 00:10:07,240 --> 00:10:08,280 >> The Stargazers. [music] 83 00:10:08,280 --> 00:10:11,000 >> They've changed. This isn't obsession 84 00:10:11,000 --> 00:10:12,080 anymore. 85 00:10:12,080 --> 00:10:13,800 It's devotion. 86 00:10:13,800 --> 00:10:17,360 They believe they found something. 87 00:10:17,360 --> 00:10:19,200 >> What? 88 00:10:19,200 --> 00:10:21,080 >> That's why you're here. 89 00:10:21,080 --> 00:10:22,600 >> Take me to them. 90 00:10:22,600 --> 00:10:25,360 >> That's not how this works. 91 00:10:25,360 --> 00:10:27,120 >> It is now. 92 00:10:27,120 --> 00:10:28,960 >> Hm. 93 00:10:28,960 --> 00:10:31,600 You always were your brother's opposite. 94 00:10:31,600 --> 00:10:35,200 The blast was only the opening move. 95 00:10:35,200 --> 00:10:37,720 >> Then we're already late. 96 00:10:37,720 --> 00:10:39,880 >> Whatever Doll found, they were willing 97 00:10:39,880 --> 00:10:41,440 to kill for it. 98 00:10:41,440 --> 00:10:44,640 >> Then he's still part of this. 99 00:10:48,320 --> 00:10:50,920 This is Stargazer territory? 100 00:10:50,920 --> 00:10:53,200 >> Yes. 101 00:10:53,200 --> 00:10:56,320 He didn't stay in the temple district. 102 00:10:56,320 --> 00:10:57,839 >> Where did he go? 103 00:10:57,839 --> 00:10:58,560 >> Down. 104 00:10:58,560 --> 00:10:59,920 >> How far down? 105 00:10:59,920 --> 00:11:03,400 >> Far enough that most don't come back. 106 00:11:03,400 --> 00:11:05,600 >> And Doll went this way? 107 00:11:05,600 --> 00:11:07,560 >> With the Stargazers. 108 00:11:07,560 --> 00:11:08,800 >> Then we follow. 109 00:11:08,800 --> 00:11:10,320 >> Stay close. 110 00:11:10,320 --> 00:11:12,960 >> Keep moving. 111 00:11:14,280 --> 00:11:16,880 How far? 112 00:11:16,880 --> 00:11:19,040 >> Far enough. 113 00:11:19,040 --> 00:11:21,640 >> You've been here before. 114 00:11:21,640 --> 00:11:24,160 >> Once. 115 00:11:24,360 --> 00:11:25,120 >> With Doll? 116 00:11:25,120 --> 00:11:26,600 >> No. 117 00:11:26,600 --> 00:11:28,560 This is how they move. 118 00:11:28,560 --> 00:11:30,000 Below the city. 119 00:11:30,000 --> 00:11:31,240 Out of sight. 120 00:11:31,240 --> 00:11:33,000 Not long ago. [music] 121 00:11:33,000 --> 00:11:35,280 >> Multiple crossings. 122 00:11:35,280 --> 00:11:36,920 Heavy movement. 123 00:11:36,920 --> 00:11:38,640 >> They were carrying something. 124 00:11:38,640 --> 00:11:39,880 They marked their path. 125 00:11:39,880 --> 00:11:42,080 >> No. 126 00:11:42,080 --> 00:11:45,040 This is a warning. 127 00:11:45,800 --> 00:11:48,080 They went [music] deeper. 128 00:11:48,080 --> 00:11:51,360 And Dal was leading them. 129 00:12:01,163 --> 00:12:03,183 >> [music] 130 00:12:03,400 --> 00:12:05,920 >> He came through here more than once. 131 00:12:05,920 --> 00:12:07,360 >> This wasn't a refuge. 132 00:12:07,360 --> 00:12:10,160 >> No, a staging ground. 133 00:12:10,160 --> 00:12:12,240 Coordinates. 134 00:12:12,240 --> 00:12:13,920 >> Can you read them? 135 00:12:13,920 --> 00:12:15,840 >> Not fully. 136 00:12:15,840 --> 00:12:18,080 But they're plotting routes. 137 00:12:18,080 --> 00:12:19,480 >> He spent time here. 138 00:12:19,480 --> 00:12:21,320 >> Long enough to prepare. 139 00:12:21,320 --> 00:12:22,240 Departure. 140 00:12:22,240 --> 00:12:23,360 >> For what? 141 00:12:23,360 --> 00:12:26,320 >> There's an imprint [music] here. 142 00:12:26,320 --> 00:12:27,600 >> Dal? 143 00:12:27,600 --> 00:12:29,440 >> Yes. 144 00:12:29,440 --> 00:12:30,840 And others. 145 00:12:30,840 --> 00:12:33,000 These aren't observations. [music] 146 00:12:33,000 --> 00:12:35,600 >> Then what? 147 00:12:35,720 --> 00:12:38,320 >> Routes. 148 00:12:41,000 --> 00:12:44,480 He wasn't searching for knowledge. 149 00:12:44,520 --> 00:12:47,760 He was trying to find [music] it. 150 00:12:49,480 --> 00:12:52,120 We're late. 151 00:12:56,880 --> 00:12:58,600 These are his tracks. [music] 152 00:12:58,600 --> 00:13:00,240 We're close. 153 00:13:00,240 --> 00:13:04,000 >> He used the lower access rings. 154 00:13:04,520 --> 00:13:06,720 Toward the central chamber? 155 00:13:06,720 --> 00:13:10,000 That's where all routes lead. 156 00:13:12,720 --> 00:13:15,640 >> They're still moving. 157 00:13:15,880 --> 00:13:19,120 >> Then we're not far behind. 158 00:13:26,880 --> 00:13:27,880 >> There. 159 00:13:27,880 --> 00:13:29,360 They're gathered around something. 160 00:13:29,360 --> 00:13:31,800 >> That's no assembly. 161 00:13:31,800 --> 00:13:34,640 They're preparing. 162 00:13:34,920 --> 00:13:37,200 >> Doll is here. 163 00:13:37,200 --> 00:13:40,160 I can feel him. 164 00:13:41,480 --> 00:13:44,120 >> Stay low. 165 00:13:44,600 --> 00:13:47,280 >> I see him. 166 00:14:16,640 --> 00:14:17,800 It's him. 167 00:14:17,800 --> 00:14:20,760 >> Too exposed. 168 00:14:20,760 --> 00:14:23,600 >> I'm going down. 169 00:14:23,600 --> 00:14:25,600 >> If they see you, this ends here. 170 00:14:25,600 --> 00:14:27,560 >> If we wait, he's gone. 171 00:14:27,560 --> 00:14:29,560 He's distracted. Now's our chance. 172 00:14:29,560 --> 00:14:32,400 >> Wait for the signal. 173 00:14:45,920 --> 00:14:48,440 >> Now. 174 00:14:52,760 --> 00:14:55,360 >> Doll. 175 00:15:07,640 --> 00:15:10,160 Doll. 176 00:15:13,680 --> 00:15:16,120 Doll. 177 00:15:34,240 --> 00:15:35,640 >> Doll. 178 00:15:35,640 --> 00:15:36,880 >> Lanary. 179 00:15:36,880 --> 00:15:39,640 >> I came to [music] bring you home. 180 00:15:39,640 --> 00:15:42,160 >> Home? 181 00:15:42,840 --> 00:15:44,040 There's no home left for me. 182 00:15:44,040 --> 00:15:45,600 >> You vanished. 183 00:15:45,600 --> 00:15:47,640 You killed people. 184 00:15:47,640 --> 00:15:51,960 You tore worlds apart looking for this. 185 00:15:52,040 --> 00:15:53,960 >> Not for this. 186 00:15:53,960 --> 00:15:55,920 For what lies beyond it. 187 00:15:55,920 --> 00:15:58,200 The Infinity [music] Gate. 188 00:15:58,200 --> 00:16:02,400 >> You still don't understand what it is. 189 00:16:02,400 --> 00:16:05,560 >> I understand enough. 190 00:16:05,600 --> 00:16:08,720 Enough to know they were afraid of it. 191 00:16:08,720 --> 00:16:10,960 Enough to hide it. 192 00:16:10,960 --> 00:16:12,360 >> And that 193 00:16:12,360 --> 00:16:15,360 makes you think you should open it? 194 00:16:15,360 --> 00:16:18,200 >> It makes me think they were small. 195 00:16:18,200 --> 00:16:20,280 And afraid of what waited. 196 00:16:20,280 --> 00:16:21,400 >> This isn't you. 197 00:16:21,400 --> 00:16:23,400 >> No. 198 00:16:23,400 --> 00:16:26,000 It's exactly me. 199 00:16:26,000 --> 00:16:28,520 For the first time. 200 00:16:28,520 --> 00:16:31,240 You always looked inward. 201 00:16:31,240 --> 00:16:34,360 I looked outward. 202 00:16:34,440 --> 00:16:36,760 That was always the difference. 203 00:16:36,760 --> 00:16:39,280 >> The difference is I knew when to stop. 204 00:16:39,280 --> 00:16:42,480 >> Stopping is why they stagnated. 205 00:16:42,480 --> 00:16:45,720 Why all of this died. 206 00:16:46,839 --> 00:16:48,720 >> People died following you. 207 00:16:48,720 --> 00:16:50,080 >> People always [music] die following 208 00:16:50,080 --> 00:16:52,640 change. 209 00:16:55,320 --> 00:16:57,160 >> Doll, listen to me. Whatever this is, 210 00:16:57,160 --> 00:16:59,480 walk away now. Before there's no way 211 00:16:59,480 --> 00:16:59,960 back. 212 00:16:59,960 --> 00:17:03,040 >> There was never a way [music] back. 213 00:17:03,040 --> 00:17:06,360 You should leave. Now. 214 00:17:10,720 --> 00:17:12,280 >> Sana. 215 00:17:12,280 --> 00:17:14,800 Come. 216 00:17:19,839 --> 00:17:22,160 >> They activating it. 217 00:17:22,160 --> 00:17:25,079 They're starting it. 218 00:17:25,120 --> 00:17:28,000 >> Then we stop it. 219 00:17:32,800 --> 00:17:35,200 Dell. 220 00:17:36,520 --> 00:17:38,600 What have you done? 221 00:17:38,600 --> 00:17:41,280 >> Open the way. 222 00:18:04,680 --> 00:18:05,960 >> Stay here. 223 00:18:05,960 --> 00:18:08,160 Watch the stargazers. If they move, warn 224 00:18:08,160 --> 00:18:09,360 me. 225 00:18:09,360 --> 00:18:10,680 >> You won't get a second chance. 226 00:18:10,680 --> 00:18:13,520 >> I only need one. 227 00:18:27,880 --> 00:18:30,320 Dell? 228 00:18:38,760 --> 00:18:42,000 Dell, don't do this. 229 00:18:42,760 --> 00:18:45,280 >> You came. 230 00:18:45,280 --> 00:18:46,920 >> I came to stop you. 231 00:18:46,920 --> 00:18:48,280 >> No. 232 00:18:48,280 --> 00:18:49,520 You came because part [music] of you 233 00:18:49,520 --> 00:18:50,160 wanted to see. 234 00:18:50,160 --> 00:18:52,400 >> People are dead. 235 00:18:52,400 --> 00:18:55,000 >> They chose their path. 236 00:18:55,000 --> 00:18:58,200 >> You made that choice for [music] them. 237 00:18:58,200 --> 00:19:00,360 >> And now I make it for everyone. 238 00:19:00,360 --> 00:19:02,720 >> You don't know what this is. 239 00:19:02,720 --> 00:19:04,880 >> I know enough. 240 00:19:04,880 --> 00:19:07,680 >> Enough to tear reality apart? 241 00:19:07,680 --> 00:19:09,480 >> Reality is too small. 242 00:19:09,480 --> 00:19:11,960 >> This isn't discovery. 243 00:19:11,960 --> 00:19:14,960 This is obsession. 244 00:19:14,960 --> 00:19:16,640 >> Every great truth looked like obsession 245 00:19:16,640 --> 00:19:19,880 before it was understood. 246 00:19:20,880 --> 00:19:22,040 >> Listen to yourself. 247 00:19:22,040 --> 00:19:24,920 >> I spent my life listening 248 00:19:24,920 --> 00:19:26,880 to doctrine, 249 00:19:26,880 --> 00:19:29,880 to limits, and I'm done. 250 00:19:29,880 --> 00:19:31,920 >> Then come with me. 251 00:19:31,920 --> 00:19:33,040 >> You still think there's somewhere to 252 00:19:33,040 --> 00:19:35,040 return to. 253 00:19:35,040 --> 00:19:37,520 There isn't. 254 00:19:49,720 --> 00:19:51,840 >> Lenore! 255 00:19:51,840 --> 00:19:54,640 They're coming! 256 00:20:06,080 --> 00:20:08,840 >> Don't! 257 00:20:20,240 --> 00:20:23,400 Don't! Please! 258 00:20:25,280 --> 00:20:26,160 Don't! 259 00:20:26,160 --> 00:20:27,240 No! 260 00:20:27,240 --> 00:20:30,080 >> Stay out. 261 00:20:44,560 --> 00:20:47,680 Force restraint. 262 00:21:11,369 --> 00:21:13,389 >> [music] 263 00:21:19,600 --> 00:21:20,680 >> Lana, 264 00:21:20,680 --> 00:21:23,480 move. It's too late. This whole PLACE IS 265 00:21:23,480 --> 00:21:26,360 COLLAPSING. 266 00:21:46,280 --> 00:21:49,240 Don't look back. 267 00:22:24,320 --> 00:22:26,920 >> He made his choice. 268 00:22:26,920 --> 00:22:29,080 You couldn't stop him. 269 00:22:29,080 --> 00:22:30,560 >> I had him. 270 00:22:30,560 --> 00:22:32,560 I was holding him. 271 00:22:32,560 --> 00:22:34,200 >> And he let go. 272 00:22:34,200 --> 00:22:37,280 >> No, he pushed me away. 273 00:22:37,280 --> 00:22:40,680 >> Because he was [music] already gone. 274 00:22:41,000 --> 00:22:42,120 >> No. 275 00:22:42,120 --> 00:22:44,520 I felt him. 276 00:22:44,520 --> 00:22:47,520 >> Across the gate? 277 00:22:48,040 --> 00:22:50,330 >> For a moment. [music] 278 00:22:51,480 --> 00:22:54,080 >> Then where? 279 00:22:54,280 --> 00:22:59,160 >> Somewhere we were never meant to reach. 280 00:23:00,720 --> 00:23:03,080 >> And now? 281 00:23:03,080 --> 00:23:06,120 >> Now we find out what he opened. 282 00:23:06,120 --> 00:23:07,560 >> You'll be all right. 283 00:23:07,560 --> 00:23:08,920 >> Thank you. 284 00:23:08,920 --> 00:23:11,480 Tressana. 285 00:23:11,760 --> 00:23:13,840 >> If you need me, 286 00:23:13,840 --> 00:23:16,680 you know where to find me. 287 00:23:23,681 --> 00:23:25,701 >> [music] 288 00:23:29,576 --> 00:23:31,596 [music] 289 00:23:44,641 --> 00:23:46,661 [laughter] 290 00:23:49,881 --> 00:23:51,901 [music] 291 00:24:06,911 --> 00:24:08,931 [music]16355

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