Original subtitles

Loader three, visibility dropping on pad

C.

Acknowledged. I'll redirect cargo

through tunnel 2.

>> People here don't care much for

uniforms, titles, or temples. I noticed.

>> Good.

>> You said you knew someone here.

>> Maybe.

>> Comforting.

>> If he still owes me money,

>> he'll talk.

>> Who exactly are we meeting?

>> A Zabrack named Dom.

>> Friend.

>> Let's call him professionally

disappointed in me.

>> Tell me about Dom.

Zabro smuggler when he can be

information broker when he has to be.

>> Can we trust him?

>> No.

But he'll know who can find Max Hogan.

>> Maxigan runs this part of Greenwood.

>> Nobody runs Greenwood. But if someone

wants weapons moved, information buried,

or people hidden, eventually they end up

paying Max again.

And Dom works for him.

>> Works with him sometimes.

>> Difference

>> on Knox. Working for someone means dying

for them.

>> Working with them means you can still

negotiate.

>> So Dom points us to Max Hagen.

>> If we're lucky.

>> And if we're not,

>> then Greenwood learns a ranger is asking

questions about a gangster who prefers

not to be found.

>> That sounds unfortunate

>> for everyone involved.

Tresana

>> Dome, you brought a ranger into [music]

my workshop.

She isn't here for you.

That somehow makes me feel worse.

>> We're looking for Max again.

>> You walked into Greenwood asking about

Max again.

>> Tell me you didn't actually do that.

We need information.

Then you're definitely in the wrong

district.

[laughter]

>> We're looking for someone.

>> Greenwood is full of someone's. Max

Hogan.

>> You walked in here saying that name out

loud.

Tell me you haven't been asking around.

>> Not yet.

>> Good. Because if you start asking

questions about Max Hogan in the wrong

places,

you won't find him.

>> What will we find?

>> The people he pays to [music] make

problems disappear.

>> Can you get us to him?

>> No. No, you can't. Or no, you won't.

>> Both men like Maxhagen survive because

everyone knows about them and nobody

knows where they are.

>> But you know where [music] to start.

>> Maybe

>> we don't have the luxury of stopping.

>> You find the market. You keep your heads

down. You let him find you.

>> There he is. District 6 market.

pan deep.

>> You're already further into this than I

thought.

>> And if he doesn't,

>> then be grateful.

You just saved us a lot of time.

>> No, I probably shortened your lives

>> by flesh and mind together. Let this

path grow silent.

What exactly did you do to him?

>> Flesh alchemy.

>> That looked considerably [music] less

pleasant than the stories.

>> I did not remove his memory. I damaged

the pathway leading back to our

conversation.

>> Damaged?

>> Temporarily. [music] You knew Pandeep

immediately.

>> I spent enough years moving cargo

through Greenwood to know which places

polite people avoid.

Pandeep sits underneath everything else.

>> You know Greedwood better than I

expected.

>> I knew Greenwood before anyone cared

whether I was balanced in the force or

not.

Places like this don't ask what temple

you came from.

Only what you're worth.

>> And Max Hagen operates between Greenwood

and Pandeep.

>> Men like Max Hagen survive by standing

exactly where two worlds overlap.

Too respectable for criminals.

Too useful for the authorities.

>> Everyone is watching everyone else.

>> They're pretending not to.

>> Difference

>> on Knox. Noticing people [music] is

dangerous.

Being noticed is worse. If Max Hagen

wants to find us, this is where he'll

hear about us first.

>> And if he doesn't,

>> then Dom was wrong.

Let's hope that's not the first thing

he's been wrong about.

>> Something wrong?

>> Maybe.

>> Water.

>> What about it?

>> Nobody negotiates.

Nobody cares about the price.

>> That's him.

Trey Santa

>> Max Hagen.

>> You bring unusual customers to my style.

>> She pays better than most. Credits are

rarely the interesting part.

>> What is the cost of truly clean water

here?

>> What exactly are you buying?

>> We're searching for someone.

>> Finding people is my business. Narrowing

the list is yours.

>> Daily and Brock.

>> Family.

>> My brother.

Family searches rarely end the way

people hope.

>> I'm not looking for hope.

>> Finding people cost money. Finding

people who actively wish not to be found

cost considerably more.

>> We're aware of your rates.

My rates change depending on who is

hiding.

>> Name your price.

>> Not here. Information travels faster

than freight in Greenwood.

A ranger looking for her brother. That

means either your brother is very

dangerous or very important.

>> Both.

>> If your brother exists anywhere inside

[music] Greenwood Station,

my network will eventually [music] hear

him breathing. How long? Network's

answer to opportunities, not clocks.

Helpful

as always.

>> Return later.

>> You'll find him.

>> I'll look. Finding him is a different

business transaction.

Who is he? I don't know.

>> He's watching us.

>> Then we should leave.

>> No, I think he's waiting.

>> For what?

>> Maybe for us.

You are angry.

>> Who are you?

>> You carry [music] conflict inside you.

>> You know nothing about him.

>> I know enough.

You do not belong where you are.

>> Who are you?

>> Names matter less than paths.

>> Yours is changing.

>> You speak as if you know me.

>> I know what you seek.

>> Then perhaps you should tell us what

that is.

>> Freedom.

You stand where roads divide.

Most people never realize they have

arrived at such place.

>> I speak of choices. One path asks what

the force requires of you. The other ask

what you require of the force.

>> You talking riddles.

The force is not a chain. Remember that.

Dian Brock,

>> how do you know my name?

>> Names travel before people do.

Especially

names that carry storms behind them.

>> You still haven't answered who you are.

>> Who I am matters less than what he

becomes.

>> What am I supposed to become?

>> That is the first worthwhile question

you have asked yourself.

>> Doll, we should go

>> in a minute.

>> Most people spend their lives obeying

roads they never chose.

Some never discover there were other

directions available.

>> When the moment comes,

>> choose your own path.

>> You shouldn't listen to people like

that.

>> What if he wasn't wrong?

>> Sometimes the truth sounds beautiful

because it tells us exactly what we want

to hear.

Maybe.

Or maybe that's how you know it's true.

Your brother wasn't easy to find, but he

wasn't hiding nearly as well as he

believed.

He's below Greenwood.

>> Far below. The place is called Pandeep

under the central tower.

>> Why I'm not surprised. Pandeep.

That's not somewhere people simply

wander into. Most people don't come back

from Pandeep.

Those who belong there rarely leave.

>> Then that's where we're going.

>> He isn't alone. There are people around

him. Organized, armed.

>> How many?

>> If you intend to reach him, don't waste

time. Greenwood has its own rules down

there. Those rules belong to someone

else.

Looks like we're finished asking

questions.

>> Now we find my brother.

I've been inside Greenwood more times

than I can count, but never this far.

>> Then today is new for both of us.

>> Places like this aren't built to welcome

visitors.

>> They're built to hide what matters. If

Max Hagen's information is right, pan

deep starts somewhere below us.

>> Then we stop searching and start closing

in.

>> Feels like the city's swallowing us

>> or leading us exactly where we need to

go.

>> Whatever's waiting down there, we're

almost on top of it.

>> Stay focused. Once we reach Pandeep,

every step matter.

>> Pandeep.

>> Stay alert.

Once this platform reaches the bottom,

we're in Doll's world.

I've crossed Greenwood more times than I

care to remember.

Never imagined most of it was hidden

beneath us.

>> Cities always reveal their true nature

below the surface.

>> Everything above us is resting on this

place.

>> Which means anything hidden here was

never meant to be found easily.

We're being noticed.

This place wasn't built for

manufacturing.

They're perfecting something.

>> Whatever doll came here for, it's close.

>> Then we don't have much time. Greenwood

keeps its secrets well. The more hidden

a place is, the more valuable what's

inside.

I don't like how quiet it's become.

>> Neither do the people who built places

like this. Stay alert.

>> That's no maintenance access.

>> That's where Greenwood ends.

>> Stay here.

>> Waiting.

>> Someone has to use that door.

The resonance pattern continues to drift

beyond acceptable tolerance. That was

always expected.

We are study Greegineering,

not attempting to equal it. Yet every

translated inscription describes

flawless stability, no measurable

deviation

because the Gree mastered principles

that remain beyond our mathematics. Do

you truly believe this device will

activate the gate?

If every calibration remains within

tolerance,

whether anyone survives the activation

is an entirely different calculation.

Move now.

go

is finally stabilizing.

Remarkable. [music]

Dark matter responds exactly as the Gree

equations predicted.

Once calibration is complete, this

device should generate the harmonic

sequence required to activate the

infinity gate.

Alignment complete. The device is

responding exactly as predicted.

Dark matter remains within acceptable

limits. Energy transfer remains within

tolerance. The device is ready. It will

generate the harmonic sequence required

to activate the infinity gate.

>> Then our work is [music] finished. The

stargazers can begin their operation.

We have we have to stop them before it's

too late.

>> You

go.

Intruders security.

>> Run

back.

>> They're everywhere.

Lenor,

this way. After them. Don't let them

escape. They're right behind us.

>> Don't stop.

[music]

>> Don't move.

Leave it.

>> Don't move.

On your knees.

Stay focused. We're almost there.

Copy that.

>> Your final assessments.

Every verification cycle is complete.

The activation device is fully stable.

It is ready for transport.

>> Then our work here is finished.

>> Begin preparing the device. We leave

[music] immediately.

>> Disconnect the calibration couplings.

Begin transport configuration.

>> Move

down.

So,

after all this time,

>> I was hoping I wouldn't find you here.

>> And yet you did.

>> Look around you.

This isn't what you once believed in.

>> It's what I came to believe in.

>> You're gambling with lives you can't

begin to measure.

I'm opening a door

no one else has the courage to open.

>> You don't know what's beyond that gate.

>> Neither did those who first crossed an

ocean or climbed a mountain.

Discovery has always demanded risk.

>> Risk is one thing.

Catastrophe is another.

>> Every generation calls the future a

catastrophe until it becomes history.

[music] You're not doing this for the

future.

>> I am.

>> You're doing it because you couldn't

accept limits.

>> The only limits worth fearing are the

ones we place on ourselves.

>> You've surrounded [music] yourself with

people who tell you what you want to

hear.

>> They followed

because they saw what I saw.

>> It doesn't have to end this way.

>> You still believe I can simply walk

away.

I believe you're still my brother.

>> I won't kill you,

>> but I [music] won't stop either.

>> Doll,

please

>> prepare the device.

We're leaving

after we've departed.

Finish this.

>> Understood,

>> Doll.

Please

be ready.

[groaning]

[groaning]

LENORY,

[groaning]

do your thing now.

[screaming]

[groaning]

God.

[groaning and screaming]

A

you [groaning and screaming]

[groaning and screaming]

[screaming]

[ __ ] you. [groaning]

All

>> [screaming]

[groaning]

[screaming]

>> right. Stay with me.

[screaming]

[groaning]

Run.

>> [panting]

>> Stay with me.

>> Trey,

>> he's gone.

Yes,

but I know where he's going.

>> What?

>> I tagged him.

>> You actually did it.

>> We need to move.

>> Let's finish this.

Wait,

do you hear that?

>> That's not pan deep.

Something's happening above us.

>> This wasn't happening before.

>> We need to see.

>> Stay close.

>> Something's very wrong.

>> I know.

>> Greenwood's falling apart.

>> It happened fast.

This started after Pandep. [music]

>> You think this is connected?

>> I think it was planned. He needed

everyone looking somewhere else.

>> He started a war

>> to hide his escape.

Peacemaker.

Almost there.

Heat.

Heat.

Please proceed inside. Medical treatment

is ready. Both treatment stations have

been prepared. Please take your places

so healing procedures may begin.

Remain still and conserve your strength.

I will begin the healing procedures

immediately.

Medical systems [music] online.

Calibrating treatment instruments.

[music]

Biological stabilization in progress.

Tissue repair initiated. Damage [music]

responding within expected parameters.

Please remain completely still.