All language subtitles for somm.2012.dvdrip.x264-wide english

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese Download
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:20,368 --> 00:00:22,500 Man: WE'RE ALL SO BUSY WITH OUR LIVES, 2 00:00:22,544 --> 00:00:24,415 HOW OFTEN DO YOU STOP AND LOOK AT SOMETHING? 3 00:00:24,459 --> 00:00:27,070 HOW OFTEN DO YOU SMELL SOMETHING? 4 00:00:27,114 --> 00:00:29,464 IT'S JUST LIKE WE GO THROUGH LIFE 5 00:00:29,507 --> 00:00:31,292 WITH THIS DAY-TO-DAY ROUTINE, 6 00:00:31,335 --> 00:00:33,294 AND YOU DON'T REALLY STOP AND EXPERIENCE AND BREATHE, 7 00:00:33,337 --> 00:00:35,252 AND THEN JUST APPRECIATE WHAT'S THERE. 8 00:00:35,296 --> 00:00:37,124 I THINK THAT'S ONE THING THAT WINE HAS ENABLED ME TO DO, 9 00:00:37,167 --> 00:00:39,430 IS YOU STOP AND YOU TAKE IT AND YOU LOOK AT IT, 10 00:00:39,474 --> 00:00:42,259 AND YOU SMELL IT, AND YOU LIVE LIFE THROUGH YOUR SENSES 11 00:00:42,303 --> 00:00:44,131 FOR THAT QUICK 25 MINUTES. 12 00:00:44,174 --> 00:00:45,741 IT'S LIKE NOTHING ELSE MATTERS, OTHER THAN THIS LIQUID. 13 00:00:52,313 --> 00:00:55,403 ♪ FILL UP OUR CUPS 14 00:00:55,446 --> 00:00:58,319 ♪ WE MUST TALK SOME MORE 15 00:00:58,362 --> 00:01:01,539 ♪ YOU CAN SLEEP ON MY BED ♪ 16 00:01:01,583 --> 00:01:04,368 ♪ I'M FINE ON THE FLOOR ♪ 17 00:01:04,412 --> 00:01:08,242 ♪ ALL THE ANSWERS YOU HAVE ♪ 18 00:01:08,285 --> 00:01:11,636 ♪ WILL BE QUESTIONED TONIGHT ♪ 19 00:01:11,680 --> 00:01:14,117 ♪ BOTH WRONG, YET BOTH RIGHT ♪ 20 00:01:14,161 --> 00:01:18,600 ♪ THERE'S NO BLACK OR WHITE ♪ 21 00:01:23,300 --> 00:01:26,651 ♪ DRINK WITH ME, TALK TO ME ♪ 22 00:01:26,695 --> 00:01:29,393 ♪ TELL ME YOUR SCORES 23 00:01:29,437 --> 00:01:31,830 ♪ LET'S WORK PAST THE PAST ♪ 24 00:01:31,874 --> 00:01:35,791 ♪ I'M NOT DONE BEING YOURS ♪ 25 00:01:35,834 --> 00:01:38,794 ♪ YOU'RE PERFECTLY FLAWED 26 00:01:38,837 --> 00:01:42,145 ♪ AND I'VE WATCHED YOU GROW ♪ 27 00:01:42,189 --> 00:01:45,235 ♪ YOUR VINTAGE IS RARE 28 00:01:45,279 --> 00:01:48,151 ♪ I HOPE THAT YOU KNOW 29 00:01:53,809 --> 00:01:56,855 ♪ SUN SHINES SOME DAYS 30 00:01:56,899 --> 00:02:00,294 ♪ BUT NIGHT ALWAYS FALLS 31 00:02:00,337 --> 00:02:03,732 ♪ YOU DREAM LIFE IN COUNTRYSIDE ♪ 32 00:02:03,775 --> 00:02:06,169 ♪ LIVE IN WHITE WALLS 33 00:02:06,213 --> 00:02:09,868 ♪ YOUR POTENTIAL REMAINS 34 00:02:09,912 --> 00:02:13,176 ♪ BUT YOUR DOUBT STILL SUSTAINS ♪ 35 00:02:13,220 --> 00:02:16,179 ♪ UNLATCH THE GATE 36 00:02:16,223 --> 00:02:19,530 ♪ AND UNEARTH YOUR FATE 37 00:02:19,574 --> 00:02:22,229 ♪ PLEASE DRINK WITH ME NOW ♪ 38 00:02:22,272 --> 00:02:25,841 ♪ WE MUST TALK SOME MORE 39 00:02:25,884 --> 00:02:29,323 ♪ YOU CAN SLEEP ON MY BED ♪ 40 00:02:29,366 --> 00:02:32,456 ♪ I'M FINE ON THE FLOOR 41 00:02:32,500 --> 00:02:35,459 ♪ ALL THE ANSWERS YOU HAVE ♪ 42 00:02:35,503 --> 00:02:38,593 ♪ WILL BE QUESTIONED TONIGHT ♪ 43 00:02:38,636 --> 00:02:42,379 ♪ BOTH WRONG, YET BOTH RIGHT ♪ 44 00:02:42,423 --> 00:02:46,514 ♪ THERE'S NO BLACK OR WHITE ♪ 45 00:02:48,255 --> 00:02:50,213 Cauble: I THINK IT'S AN INTERESTING-- 46 00:02:50,257 --> 00:02:52,563 INTERESTING PASSION THAT WE'VE ALL DEVELOPED, YOU KNOW? 47 00:02:52,607 --> 00:02:54,609 I MEAN, YOU HAVE THIS PLANT 48 00:02:54,652 --> 00:02:56,524 FOR THOUSANDS AND THOUSANDS OF YEARS. 49 00:02:56,567 --> 00:02:58,700 PEOPLE HAVE BEEN DEDICATING THEIR LIFE 50 00:02:58,743 --> 00:03:00,919 TO MAKE SOMETHING AMAZING OUT OF IT, YOU KNOW? 51 00:03:00,963 --> 00:03:03,226 WE'RE AT THE CULMINATION OF THE BEST-- 52 00:03:03,270 --> 00:03:05,402 THE BEST KNOWLEDGE ABOUT THE BEST WINEMAKING. 53 00:03:05,446 --> 00:03:07,622 SOMMELIERS ARE PROFESSIONALS THAT ARE SUPPOSEDLY EXPERTS 54 00:03:07,665 --> 00:03:09,711 ABOUT KNOWING ABOUT BEVERAGE AND WINE, 55 00:03:09,754 --> 00:03:11,234 SO IT'S AN AMAZING ART 56 00:03:11,278 --> 00:03:12,757 TO BE ABLE TO UNDERSTAND THE WHOLE WORLD, 57 00:03:12,801 --> 00:03:15,282 AND IT'S AN AMAZING THING TO SHOW IT TO PEOPLE. 58 00:03:19,721 --> 00:03:21,766 I THOUGHT THAT THE CHEF HAD IT FIGURED OUT. 59 00:03:21,810 --> 00:03:25,030 SOMMS NOW HAVE BECOME THE NEW ROCK STARS OF OUR INDUSTRY, 60 00:03:25,074 --> 00:03:27,032 AND YOU HAVE A WHOLE, YOU KNOW, 61 00:03:27,076 --> 00:03:30,253 A COMPLETELY DIFFERENT LEVEL OF PERSON NOW WANTING TO BE A SOMM. 62 00:03:30,297 --> 00:03:32,386 WINES TODAY MUST HAVE STORIES, 63 00:03:32,429 --> 00:03:34,953 AND THOSE STORIES WE TELL THE GUESTS BY FLAVOR, 64 00:03:34,997 --> 00:03:37,260 AND THE STORY OF THE WINE, 65 00:03:37,304 --> 00:03:40,263 NOT THE BRAND OF THE WINE, NOT THE LABEL OF THE WINE. 66 00:03:40,307 --> 00:03:42,787 ONE THING ABOUT THE SOMM THAT'S IMPORTANT, 67 00:03:42,831 --> 00:03:45,399 IT'S LIKE GOING TO THE RACETRACK AND YOU GET THE TOUT SHEET. 68 00:03:45,442 --> 00:03:48,358 BUYING A NEW BOTTLE OF WINE IS ALWAYS A WAGER. 69 00:03:48,402 --> 00:03:51,361 I BET MY 50 BUCKS, MY TEN BUCKS, MY 100 BUCKS-- 70 00:03:51,405 --> 00:03:54,669 I BET 100 BUCKS I LIKE THIS BOTTLE OF WINE. 71 00:03:54,712 --> 00:03:56,888 YOU FEEL A LOT BETTER ON THAT BET IF SOMEBODY, 72 00:03:56,932 --> 00:03:59,282 SAY, AT THE RACETRACK, SAYS, 73 00:03:59,326 --> 00:04:01,284 "OH, I KNOW THIS HORSE, I KNOW THAT JOCKEY. THEY'RE GONNA DO GOOD." 74 00:04:01,328 --> 00:04:02,633 SO THAT HELPS THE PEOPLE WITH THEIR WAGER 75 00:04:02,677 --> 00:04:04,548 TO BUY THAT BOTTLE OF WINE. 76 00:04:04,592 --> 00:04:06,768 IS IT GONNA BE A FINISHER FOR 'EM? 77 00:04:06,811 --> 00:04:08,291 IS THE BET GONNA PAY OFF? 78 00:04:08,335 --> 00:04:10,424 AND THEY HELP PEOPLE MAKE GOOD BETS. 79 00:04:12,730 --> 00:04:15,472 USUALLY, PEOPLE WITH A SPORTS BACKGROUND 80 00:04:15,516 --> 00:04:17,474 OR SOME HIGHLY COMPETITIVE NATURE 81 00:04:17,518 --> 00:04:20,477 TEND TO FIND THEIR WAY INTO THE SOMM PROFESSION. 82 00:04:20,521 --> 00:04:23,828 THEY WANT TO BE EXPERTS IN A GIVEN FIELD. 83 00:04:23,872 --> 00:04:26,570 THEY WANT TO BE THE BEST THEY CAN BE IN A GIVEN FIELD. 84 00:04:26,614 --> 00:04:32,663 SO THERE'S THIS DIPLOMA CALLED THE MASTER SOMMELIER DIPLOMA. 85 00:04:32,707 --> 00:04:36,014 IT'S THE HIGHEST ACHIEVEMENT YOU CAN MAKE 86 00:04:36,058 --> 00:04:38,016 IN THE WORLD OF WINE. 87 00:04:38,060 --> 00:04:43,065 OVER 40 YEARS, THERE'S ONLY BEEN, LIKE, 170 IN THE WORLD. 88 00:04:43,108 --> 00:04:45,110 - FORTY YEARS! - WHEN SOMEONE TELLS YOU, 89 00:04:45,154 --> 00:04:47,025 "THIS IS SOMETHING THAT A LOT OF PEOPLE CAN'T DO," 90 00:04:47,069 --> 00:04:49,027 PEOPLE WILL EITHER GO, "WOW, THAT'S IMPRESSIVE," 91 00:04:49,071 --> 00:04:51,029 OR THEY SAY, "WOW, I WANT TO DO THAT." 92 00:04:51,073 --> 00:04:54,859 THIS IS NOT PRACTICE ANYMORE, YOU KNOW? 93 00:04:54,903 --> 00:04:58,341 IT'S LIKE, THIS IS WHY YOU TRAIN, IS FOR THIS DAY. 94 00:04:58,385 --> 00:05:01,605 I CRIED WHEN MY PARENTS DIED. 95 00:05:01,649 --> 00:05:04,347 I CRIED WHEN MY CHILDREN WERE BORN. 96 00:05:04,391 --> 00:05:06,436 THE ONLY OTHER TIME OUTSIDE OF THAT THAT I CRIED 97 00:05:06,480 --> 00:05:08,351 WAS WHEN I PASSED THIS EXAM. 98 00:05:08,395 --> 00:05:10,353 THE EXAM IS THREE PARTS. 99 00:05:10,397 --> 00:05:12,529 THERE IS A THEORY EXAM. 100 00:05:12,573 --> 00:05:16,446 IT'S A COMPREHENSIVE KNOWLEDGE OF WINE LAWS, WINE REGIONS. 101 00:05:16,490 --> 00:05:18,361 NAME A WINERY FROM UKRAINE. 102 00:05:18,405 --> 00:05:21,451 IT'S PRETTY AMAZING, THE AMOUNT OF INFORMATION YOU HAVE TO KNOW. 103 00:05:21,495 --> 00:05:27,065 THE ENTIRE WORLD OF WINE, SPIRITS, SAKE, BEER, CIGARS, 104 00:05:27,109 --> 00:05:29,764 THE REGIONS, THE SUBREGIONS, THE DISTRICTS, THE VILLAGES. 105 00:05:29,807 --> 00:05:31,766 IT'S IN FIVE LANGUAGES: 106 00:05:31,809 --> 00:05:35,073 PORTUGUESE, SPANISH, ITALIAN, GERMAN, FRENCH, HUNGARIAN. 107 00:05:35,117 --> 00:05:37,075 AND YOU'VE GOT SERVICE. 108 00:05:37,119 --> 00:05:39,121 THE SERVICE PORTION OF THE EXAM, 109 00:05:39,164 --> 00:05:41,384 WE SET UP A MOCK RESTAURANT ENVIRONMENT. 110 00:05:41,428 --> 00:05:43,473 YOU HAVE TO DEMONSTRATE COOL, CALM, COLLECT, 111 00:05:43,517 --> 00:05:45,083 PROFESSIONAL BEHAVIOR 112 00:05:45,127 --> 00:05:48,522 IN THIS RADICALLY BIZARRE ENVIRONMENT, 113 00:05:48,565 --> 00:05:50,567 AND IT'S VERY DIFFICULT. 114 00:05:50,611 --> 00:05:52,787 AND THEN THERE'S THE TASTING. 115 00:05:52,830 --> 00:05:55,180 YOU HAVE THREE WHITES, THREE REDS-- 116 00:05:55,224 --> 00:05:57,922 BASICALLY FOUR MINUTES, TEN SECONDS PER WINE-- 117 00:05:57,966 --> 00:06:02,971 AND YOU NEED TO DESCRIBE THE WINE ACCURATELY. 118 00:06:03,014 --> 00:06:06,714 YOU'RE DESCRIBING THE STRUCTURE, THE BODY, THE ALCOHOL, 119 00:06:06,757 --> 00:06:08,803 WHETHER THE WINE'S FROM A WARM CLIMATE OR A COOL CLIMATE, 120 00:06:08,846 --> 00:06:10,718 NEW WORLD, OLD WORLD, 121 00:06:10,761 --> 00:06:12,937 POSSIBLE VARIETALS, POSSIBLE AGE RANGE, 122 00:06:12,981 --> 00:06:16,419 AND TAKE A DEEP BREATH AND SAY WHAT YOU THINK THE WINE IS. 123 00:06:24,558 --> 00:06:26,124 I'VE NEVER WORKED HARDER AT ANYTHING, YOU KNOW, 124 00:06:26,168 --> 00:06:28,431 COMING UP TO THIS, 125 00:06:28,475 --> 00:06:30,564 SO... EVERY MOMENT OF MY LIFE HAS BEEN, YOU KNOW, 126 00:06:30,607 --> 00:06:32,827 WAKING UP, HOW AM I GONNA PREPARE FOR THIS EXAM? 127 00:06:32,870 --> 00:06:35,133 BEFORE I GO TO BED, I'M GONNA STAY AN EXTRA THREE HOURS UP, 128 00:06:35,177 --> 00:06:37,005 AND SLEEP LESS TO PREPARE FOR THIS EXAM. 129 00:06:37,048 --> 00:06:39,573 YOU KNOW, I'M GONNA CHOOSE NOT TO GO OUT, 130 00:06:39,616 --> 00:06:42,140 AND STAY HOME AND STUDY, YOU KNOW? 131 00:06:42,184 --> 00:06:45,448 IAN IS ABOUT AS TALENTED OF AN INDIVIDUAL 132 00:06:45,492 --> 00:06:47,798 AS YOU'LL SEE IN THIS PROFESSION. 133 00:06:47,842 --> 00:06:49,974 HE'S THE RUDD SCHOLAR OF OUR LAST ADVANCED EXAM, 134 00:06:50,018 --> 00:06:51,976 WHICH IS THE HIGHEST SCORER. 135 00:06:52,020 --> 00:06:54,718 I THINK IAN GRAVITATED TOWARDS WINE 136 00:06:54,762 --> 00:06:57,808 BECAUSE, FIRST OF ALL, IT'S AN INTOXICANT. 137 00:06:57,852 --> 00:06:59,810 AND IT'S FUN. 138 00:06:59,854 --> 00:07:02,204 SO IT GOES INTO THAT VALVE, 139 00:07:02,247 --> 00:07:04,249 - AND THEN IT JUST GOES FREE-RUN-- GRAVITY-- DOWN. - YEAH, DOWN THERE. 140 00:07:04,293 --> 00:07:07,470 AND SOME PEOPLE LIKE TO PUT ALL THE JUICE INTO A TANK 141 00:07:07,514 --> 00:07:09,603 AND LET IT SETTLE OVERNIGHT. 142 00:07:09,646 --> 00:07:11,605 I JUST GO STRAIGHT INTO THE BARREL. 143 00:07:11,648 --> 00:07:15,870 I THINK THE MOST IMPORTANT THING IN IAN'S LIFE IS WINE. 144 00:07:15,913 --> 00:07:18,916 IF... AND THEN FAMILY, 145 00:07:18,960 --> 00:07:21,223 AND THEN, OF COURSE, ME. 146 00:07:21,266 --> 00:07:25,749 I HAVE SOME VINTAGE FOOTAGE OF WHEN HE WAS A LITTLE KNUCKLEHEAD 147 00:07:25,793 --> 00:07:27,795 AT EIGHT AND TEN YEARS OLD, 148 00:07:27,838 --> 00:07:32,843 AND HE'S HOLDING A GLASS OF WINE AT A THANKSGIVING DINNER, 149 00:07:32,887 --> 00:07:36,020 AND TALKING ABOUT THE NUANCES OF THE WINE. 150 00:07:36,064 --> 00:07:38,196 TASTES LIKE IT HAS NO ALCOHOL. 151 00:07:38,240 --> 00:07:40,808 BUT I DON'T KNOW WHERE THAT CAME FROM, 152 00:07:40,851 --> 00:07:42,592 BECAUSE AT THAT POINT IN TIME, 153 00:07:42,636 --> 00:07:46,161 NO ONE IN OUR FAMILY WAS INTO DESCRIBING WINE, 154 00:07:46,204 --> 00:07:49,686 AND GOING OVER THE FLAVOR PROFILES. 155 00:07:49,730 --> 00:07:51,775 WINE ONE IS A WHITE WINE, CLEAR STAR BRIGHT. 156 00:07:51,819 --> 00:07:53,211 THERE'S NO EVIDENCE OF GAS OR FLOCCULATION. 157 00:07:53,255 --> 00:07:55,213 THE WINE HAS A LIGHT STRAW CORE, 158 00:07:55,257 --> 00:07:56,911 CONSISTENT DEGREE AND REFLECTIONS IN THE EDGE, 159 00:07:56,954 --> 00:07:59,217 MEDIUM CONCENTRATION OF COLOR. 160 00:07:59,261 --> 00:08:03,221 AROMA'S COMING OUT OF, LIKE, THIS LIME CANDY, LIME ZEST. 161 00:08:03,265 --> 00:08:07,051 [ deep breath ] CRUSHED APPLES... UNDERRIPE GREEN MANGO. 162 00:08:07,095 --> 00:08:08,879 UNDERRIPE MELON, MELON SKIN. 163 00:08:08,923 --> 00:08:11,795 - GREEN PINEAPPLE. - AND PALATE? 164 00:08:16,844 --> 00:08:18,585 WINE IS BONE DRY. 165 00:08:18,628 --> 00:08:21,239 REALLY THIS CRUSHED SLATE AND CRUSHED CHALKY NOTE. 166 00:08:21,283 --> 00:08:23,111 LIKE, CRUSHED HILLSIDE. 167 00:08:23,154 --> 00:08:25,809 THERE'S WHITE FLORALS, ALMOST LIKE A FRESH-CUT FLOWER-- 168 00:08:25,853 --> 00:08:28,769 WHITE FLOWERS, WHITE LILIES. NO EVIDENCE OF OAK. 169 00:08:28,812 --> 00:08:31,249 THERE'S A... KIND OF A FRESH... 170 00:08:31,293 --> 00:08:33,817 LIKE, A FRESHLY OPENED CAN OF TENNIS BALLS, 171 00:08:33,861 --> 00:08:36,080 AND, LIKE, A... SERIOUSLY. 172 00:08:36,124 --> 00:08:38,256 AND A FRESH NEW RUBBER HOSE, I GET. 173 00:08:38,300 --> 00:08:40,302 THAT'S A NEW ONE. GOOD. I LIKE THAT. 174 00:08:40,345 --> 00:08:42,043 STRUCTURE. 175 00:08:45,960 --> 00:08:48,005 ACID'S MEDIUM PLUS. 176 00:08:48,049 --> 00:08:50,268 ALCOHOL'S MEDIUM. 177 00:08:50,312 --> 00:08:52,227 COMPLEXITY'S MEDIUM PLUS. 178 00:08:52,270 --> 00:08:55,012 IN CONCLUSION, THIS WINE IS FROM THE NEW WORLD, 179 00:08:55,056 --> 00:08:56,840 FROM A TEMPERATE CLIMATE. 180 00:08:56,884 --> 00:08:58,799 POSSIBLE GRAPES ARE RIESLING. 181 00:08:58,842 --> 00:09:00,191 POSSIBLE COUNTRIES ARE AUSTRALIA. 182 00:09:00,235 --> 00:09:02,672 AGE RANGE IS ONE TO THREE YEARS. 183 00:09:02,716 --> 00:09:04,587 I THINK THIS CAN ONLY BE ONE THING. 184 00:09:04,631 --> 00:09:05,936 UH, THIS WINE IS FROM AUSTRALIA, 185 00:09:05,980 --> 00:09:07,590 THIS WINE IS FROM SOUTH AUSTRALIA, 186 00:09:07,634 --> 00:09:10,071 THIS WINE IS, UH, FROM CLARE VALLEY, 187 00:09:10,114 --> 00:09:13,291 2009, RIESLING, HIGH-QUALITY PRODUCER. 188 00:09:13,335 --> 00:09:16,773 - WINE ONE IS CLARE VALLEY RIESLING. - GOOD. 189 00:09:16,817 --> 00:09:18,819 IF YOU'RE REALLY SERIOUS, 190 00:09:18,862 --> 00:09:21,299 IF YOU REALLY WANT TO BECOME AN M.S., YOU CAN'T DO IT ALONE. 191 00:09:21,343 --> 00:09:24,955 YOU HAVE TO-- YOU HAVE TO FIND A GREAT SUPPORT GROUP, A MENTOR, 192 00:09:24,999 --> 00:09:27,610 AND YOU NEED TO BE IN AN ENVIRONMENT 193 00:09:27,654 --> 00:09:29,046 WHERE THERE'S WINE AROUND YOU ALL THE TIME. 194 00:09:29,090 --> 00:09:31,614 SO, UH, WHENEVER YOU'RE READY. 195 00:09:31,658 --> 00:09:34,704 WINE NUMBER TWO IS A CLEAR, STAR BRIGHT WHITE WINE 196 00:09:34,748 --> 00:09:36,358 OF, UH, MEDIUM CONCENTRATION. 197 00:09:36,401 --> 00:09:39,970 UH, AGAIN, GOT A PALER YELLOW HERE WITH GLINTS OF GREEN. 198 00:09:40,014 --> 00:09:42,625 UM, NO EVIDENCE OF GAS OR SEDIMENT. 199 00:09:42,669 --> 00:09:46,063 WINE VISCOSITY IS... 200 00:09:46,107 --> 00:09:47,543 AGAIN, WE'LL CALL THAT MEDIUM. 201 00:09:47,587 --> 00:09:50,067 I GOT INTO WINE BECAUSE I WAS WORKING IN A RESTAURANT 202 00:09:50,111 --> 00:09:51,895 TO GET THROUGH COLLEGE. 203 00:09:51,939 --> 00:09:53,723 IT WAS A RESTAURANT THAT SERVED A LOT OF WINE. 204 00:09:53,767 --> 00:09:55,377 MY DEGREE WAS IN GEOGRAPHY. 205 00:09:55,420 --> 00:09:59,076 HE STARTED IN WINE PRETTY MUCH RIGHT WHEN WE MET, 206 00:09:59,120 --> 00:10:01,644 UH, STARTING GOING THROUGH THE COURT. 207 00:10:01,688 --> 00:10:03,646 OUR RELATIONSHIP HAS BEEN CONGRUENT 208 00:10:03,690 --> 00:10:06,083 WITH HIS TESTIMONIALS THROUGH THE TEST. 209 00:10:06,127 --> 00:10:08,346 WHEN YOU DIG INTO A SPECIFIC REGION OF THE WORLD, 210 00:10:08,390 --> 00:10:11,088 YOU'RE NOT JUST LEARNING ABOUT THE GRAPES OR THE VINES, 211 00:10:11,132 --> 00:10:13,221 YOU'RE LEARNING ABOUT THE PEOPLE, 212 00:10:13,264 --> 00:10:16,180 YOU'RE LEARNING ABOUT THE HISTORY OF THE CULTURE, THE FOOD. 213 00:10:16,224 --> 00:10:19,053 IT'S ALMOST A WAY OF TRAVELING THROUGH THE WORLD. 214 00:10:22,186 --> 00:10:24,667 WINE NUMBER THREE IS MORE OF A MEDIUM GOLD, 215 00:10:24,711 --> 00:10:27,365 WITH GREEN REFLECTIONS, MOVING INTO A WATERY MENISCUS. 216 00:10:27,409 --> 00:10:29,280 WINE IS DAY BRIGHT, 217 00:10:29,324 --> 00:10:31,239 NO EVIDENCE OF GAS, FLOCCULANTS, OR SEDIMENT. 218 00:10:31,282 --> 00:10:32,849 CONCENTRATION IS MEDIUM. 219 00:10:32,893 --> 00:10:35,156 MY HUSBAND'S A BULL IN A CHINA SHOP. 220 00:10:35,199 --> 00:10:39,856 HE'S A, YOU KNOW, LIKE A MAN'S MAN, ATHLETIC. 221 00:10:39,900 --> 00:10:42,119 I BASICALLY WAS A BASEBALL PLAYER 222 00:10:42,163 --> 00:10:44,992 WHO SUPPLEMENTED COLLEGE WITH RESTAURANT JOBS. 223 00:10:45,035 --> 00:10:47,777 HE WAS NEVER GONNA MAKE IT AS A PROFESSIONAL ATHLETE, 224 00:10:47,821 --> 00:10:50,171 SO, UH, AND... 225 00:10:50,214 --> 00:10:53,391 SO HE ENDED UP EVALUATING WINE. 226 00:10:53,435 --> 00:10:56,917 I'VE GOT INTO THIS RELATIVELY RECENTLY, 227 00:10:56,960 --> 00:10:59,963 SO I HAVE VERY LITTLE SEASONING, VERY LITTLE EXPERIENCE. 228 00:11:00,007 --> 00:11:03,880 HE WENT FROM REALLY KNOWING NOTHING ABOUT WINE, 229 00:11:03,924 --> 00:11:06,753 OTHER THAN HE WANTED TO BE IN THIS INDUSTRY, 230 00:11:06,796 --> 00:11:08,493 TO PASSING HIS ADVANCED IN A YEAR. 231 00:11:08,537 --> 00:11:10,713 I WASN'T ENTRENCHED IN THIS WORLD 232 00:11:10,757 --> 00:11:13,150 LIKE A LOT OF PEOPLE IN MY INDUSTRY ARE. 233 00:11:13,194 --> 00:11:15,413 IN SOME RESPECTS, I FEEL KIND OF LIKE A BLACK SHEEP, 234 00:11:15,457 --> 00:11:17,894 LIKE THE PHILISTINE OF THE COURT. 235 00:11:17,938 --> 00:11:20,723 YOU KNOW WHY I LIKE PEARL JAM? 236 00:11:20,767 --> 00:11:23,030 BECAUSE I DON'T KNOW LYRICS VERY WELL, 237 00:11:23,073 --> 00:11:25,162 AND I CAN JUST MAKE 'EM UP, AND IT STILL SOUNDS GOOD. 238 00:11:25,206 --> 00:11:27,295 HIGH ENERGY. I MEAN... 239 00:11:27,338 --> 00:11:30,385 [ imitating Pearl Jam lyrics ] 240 00:11:33,475 --> 00:11:35,738 PEOPLE THAT MEET HIM FOR THE FIRST TIME ARE LIKE, 241 00:11:35,782 --> 00:11:38,262 "IS HE ALWAYS LIKE THIS?" IT'S LIKE, "YEAH, HE IS." 242 00:11:38,306 --> 00:11:40,177 WINE NUMBER FOUR IS A RED WINE. 243 00:11:40,221 --> 00:11:41,526 THIS WINE IS... STAR BRIGHT. 244 00:11:41,570 --> 00:11:43,180 THIS WINE IS A BRIGHT RED RUBY COLOR, 245 00:11:43,224 --> 00:11:44,442 FIT INTO A HOT PINK VIN VARIATION. 246 00:11:44,486 --> 00:11:46,270 MEDIUM CONCENTRATION. 247 00:11:46,314 --> 00:11:48,533 VERY, VERY LIGHT STANDING IN THE TEARS. 248 00:11:48,577 --> 00:11:52,189 VISCOSITY IS MEDIUM-PLUS. NO GAS, NO SEDIMENT. 249 00:11:52,233 --> 00:11:54,931 ON THE NOSE, WINE IS CLEAN, NO OBVIOUS FLAWS. 250 00:11:54,975 --> 00:11:56,933 THIS WINE HAS A MODERATE-PLUS INTENSITY, 251 00:11:56,977 --> 00:11:59,240 MODERATE-PLUS POWER ON THE NOSE. 252 00:11:59,283 --> 00:12:01,721 THIS WINE IS VERY YOUNG, VERY BRIGHT, VERY YOUTHFUL. 253 00:12:04,549 --> 00:12:07,204 WINE EXPERIENCEMAGAZINE HAD JUST NAMED ME 254 00:12:07,248 --> 00:12:09,467 BEST NEW SOMMELIER IN AMERICA, 255 00:12:09,511 --> 00:12:12,122 ALONG WITH MY GOOD BUDDY IAN CAUBLE. 256 00:12:12,166 --> 00:12:14,777 I WANTED TO BE A PARTICULAR PERSON 257 00:12:14,821 --> 00:12:16,823 THAT I SAW IN A RESTAURANT: 258 00:12:16,866 --> 00:12:20,000 DAPPER, ITALIAN-CUT SUIT, 259 00:12:20,043 --> 00:12:22,480 POINTED-TOE SHOES, 260 00:12:22,524 --> 00:12:25,353 WONDERFUL BLACK SERVIETTE DRAPED OVER HIS FOREARM, 261 00:12:25,396 --> 00:12:27,529 BOTTLE HELD HIGH. 262 00:12:27,572 --> 00:12:30,053 I TOLD MYSELF, I CAN BE HIM, 263 00:12:30,097 --> 00:12:31,968 I HAVE TO BE HIM, I WILL BE HIM. 264 00:12:32,012 --> 00:12:34,231 WHEN I FIRST MET DLYNN, 265 00:12:34,275 --> 00:12:37,974 I KNEW THAT HE WAS GONNA BE ONE OF THOSE RISING STARS, 266 00:12:38,018 --> 00:12:41,804 BECAUSE HE HAD THOSE INTANGIBLES, YOU KNOW? 267 00:12:41,848 --> 00:12:45,460 HE WAS ENGAGING, HE WAS PERSONABLE, HE'S SMART. 268 00:12:45,503 --> 00:12:47,984 DLYNN'S AN ACTOR, AND HE HAS A BEAUTIFUL FORM, MAN. 269 00:12:48,028 --> 00:12:49,986 WE CALL HIM SEÑOR SMOOTH. 270 00:12:50,030 --> 00:12:52,293 WHEN YOU LOOK GOOD, 271 00:12:52,336 --> 00:12:54,861 YOU'RE CONFIDENT, YOU FEEL GOOD. 272 00:12:54,904 --> 00:12:58,865 THE BEST WAY TO TAKE CARE OF YOUR GUESTS, BY LOOKING GOOD. 273 00:12:58,908 --> 00:13:02,607 YOU'RE FOLLOWING SOME OF THE MOST DEDICATED, OBSESSED PEOPLE. 274 00:13:02,651 --> 00:13:07,177 SAGE, TRUFFLE, WET FOREST FLOOR, 275 00:13:07,221 --> 00:13:12,356 DECAYING SOIL, DECAYING DRIED RED ROSE PETALS. 276 00:13:12,400 --> 00:13:15,229 THAT-- THAT DECAYING ANIMAL SKIN. 277 00:13:19,102 --> 00:13:21,583 WINE ON ITS OWN IS NOT A COMPLICATED THING. 278 00:13:21,626 --> 00:13:26,196 WE'RE TALKING ABOUT FERMENTED GRAPE JUICE, RIGHT? 279 00:13:26,240 --> 00:13:29,069 THERE'S BASICALLY ONLY ONE SPECIES OF GRAPE VINE 280 00:13:29,112 --> 00:13:30,984 THAT WE USE TO MAKE WINE, 281 00:13:31,027 --> 00:13:32,986 AND THAT'S CALLED VITIS VINIFERA. 282 00:13:34,509 --> 00:13:36,946 THE HISTORY OF WINE IS FASCINATING. 283 00:13:36,990 --> 00:13:40,254 IT'S BEEN SPREAD BY HUMANS SINCE THE NEOLITHIC PERIOD, 284 00:13:40,297 --> 00:13:43,300 IT'S BEEN WRITTEN ABOUT SINCE THE THIRD MILLENNIUM B.C. 285 00:13:44,911 --> 00:13:46,869 WHEN YOU STUDY WINE, YOU STUDY HISTORY, 286 00:13:46,913 --> 00:13:48,566 BECAUSE IT'S ALL HOOKED UP. 287 00:13:48,610 --> 00:13:50,568 IF YOU'VE EVER BOTHERED TO READ THE BIBLE, 288 00:13:50,612 --> 00:13:52,962 IT TENDS TO BE PART OF THE SACRAMENT. 289 00:13:57,227 --> 00:13:59,403 [ speaking Italian ] 290 00:14:03,625 --> 00:14:05,453 McClintic: THE ANCIENT GREEKS BROUGHT IT TO ITALY. 291 00:14:05,496 --> 00:14:09,674 THE ROMANS BROUGHT IT TO FRANCE, GERMANY, SPAIN, 292 00:14:09,718 --> 00:14:11,981 AND MOST OF EUROPE, 293 00:14:12,025 --> 00:14:14,462 WHERE THE OLDEST VINEYARDS STILL MAKE WINE TODAY. 294 00:14:17,378 --> 00:14:19,902 THE ROMAN ARMY MARCHED ON WINE. 295 00:14:19,946 --> 00:14:23,036 THEY DIDN'T DRINK WATER-- TOO DANGEROUS TO DRINK WATER, SO THEY DRANK WINE. 296 00:14:23,079 --> 00:14:25,865 [ speaking French ] 297 00:14:37,224 --> 00:14:39,139 THE ROMANS DID ALL THE ORIGINAL PLANTINGS, 298 00:14:39,182 --> 00:14:41,054 AND THEN, IN THE DARK AGES, 299 00:14:41,097 --> 00:14:42,620 WHAT CAME OUT OF IT WERE THE MONKS, 300 00:14:42,664 --> 00:14:44,318 AND OBVIOUSLY, IN THEIR WORLD, 301 00:14:44,361 --> 00:14:46,363 WHAT ARE THE THINGS THEY DID ALL DAY? 302 00:14:46,407 --> 00:14:48,931 EAT, SLEEP, PRAY, WORK, DRINK. 303 00:14:48,975 --> 00:14:52,065 OUT OF THOSE FIVE, WHAT SOUNDS LIKE THE MOST FUN? 304 00:15:00,290 --> 00:15:06,253 THE BOTTLE I'M SHOWING YOU IS JOHANNESBURG RIESLING FROM 1735, 305 00:15:06,296 --> 00:15:08,646 WHICH IS ONE OF THE OLDEST, 306 00:15:08,690 --> 00:15:12,607 IF NOT THE OLDEST STILL-EXISTING WHITE WINES IN THE WORLD. 307 00:15:12,650 --> 00:15:15,392 McClintic: WHEN THE SPANISH DISCOVERED THE NEW WORLD, 308 00:15:15,436 --> 00:15:17,438 THEY BROUGHT VITIS VINIFERA. 309 00:15:20,006 --> 00:15:24,010 NOW IT GROWS IN CHILE, ARGENTINA, MEXICO, CALIFORNIA. 310 00:15:24,053 --> 00:15:26,577 THE DUTCH, THE FRENCH, AND THE BRITISH 311 00:15:26,621 --> 00:15:28,971 SPREAD IT TO THEIR EMPIRES: 312 00:15:29,015 --> 00:15:31,669 THE EASTERN UNITED STATES, AUSTRALIA, NEW ZEALAND, 313 00:15:31,713 --> 00:15:34,672 SOUTH AFRICA, CANADA, AND SO ON. 314 00:15:34,716 --> 00:15:38,459 IF YOU THINK ABOUT WINE, IT'S ABOUT WHERE MEN WENT. 315 00:15:38,502 --> 00:15:40,678 IT'S ABOUT HISTORY, RIVERS. 316 00:15:40,722 --> 00:15:42,637 IT'S ABOUT GEOLOGY, GEOGRAPHY, 317 00:15:42,680 --> 00:15:44,769 AND ALL THESE THINGS ARE OPENED UP TO YOUR MIND 318 00:15:44,813 --> 00:15:48,338 AS YOU TASTE, YOU KNOW? IT'S SUCH A COOL THING. 319 00:15:48,382 --> 00:15:50,471 THE WORLD OF WINE IS ALWAYS GROWING. 320 00:15:50,514 --> 00:15:52,516 HOW COULD SOMEONE POSSIBLY KNOW EVERYTHING ABOUT IT? 321 00:15:52,560 --> 00:15:54,388 IT'S NOT JUST HISTORY. 322 00:15:54,431 --> 00:15:56,694 IT'S THE WAY IT'S GROWN, IT'S THE WAY IT'S MADE, 323 00:15:56,738 --> 00:15:59,436 HOW IT'S STORED, WHY CERTAIN YEARS WERE GOOD, 324 00:15:59,480 --> 00:16:01,308 HOW TO SERVE IT, 325 00:16:01,351 --> 00:16:03,310 WHAT TO EAT WITH EVERY DIFFERENT KIND OF WINE. 326 00:16:06,443 --> 00:16:09,577 THAT'S WHY THE COURT OF MASTER SOMMELIERS EXISTS. 327 00:16:09,620 --> 00:16:13,189 THE HIGHEST LEVEL IS CALLED THE MASTER EXAM. 328 00:16:13,233 --> 00:16:16,453 IT'S A THREE-DAY TEST THAT CAN ONLY BE TAKEN ONCE A YEAR, 329 00:16:16,497 --> 00:16:20,588 AND IT COVERS JUST ABOUT EVERYTHING. 330 00:16:20,631 --> 00:16:25,549 THE FIRST EXAM WAS HELD IN THE U.K. IN 1969. 331 00:16:25,593 --> 00:16:30,511 IN 1984, AN AMERICAN PASSED ALL THREE PARTS ON HIS FIRST TRY. 332 00:16:30,554 --> 00:16:33,296 THAT WAS FRED DAME. 333 00:16:33,340 --> 00:16:36,082 SO NOW I HAVE A GLASS OF WINE, I'M LIKE, IS THIS IT? AM I DONE? 334 00:16:36,125 --> 00:16:38,345 ALL THAT. ALL THAT. 335 00:16:38,388 --> 00:16:41,087 THERE'S THE DIPLOMA, I'VE GOT THIS, THAT. 336 00:16:41,130 --> 00:16:45,613 I'VE GOT ONE OF THE GREATEST WINE CELLARS IN AMERICA. 337 00:16:45,656 --> 00:16:49,225 THIS IS AS FAR AS WE GO? I DON'T THINK SO. 338 00:16:49,269 --> 00:16:50,792 I THINK WE'LL BRING THIS TO AMERICA. 339 00:16:50,835 --> 00:16:53,055 WE ALL OWE FRED, PERIOD. 340 00:16:53,099 --> 00:16:54,752 WE WOULDN'T BE HERE IF IT WASN'T FOR HIM. 341 00:16:54,796 --> 00:16:57,668 YOU ALWAYS WANT TO HAVE A CHANCE TO BE BETTER THAN YOU ARE, 342 00:16:57,712 --> 00:17:00,715 AND YOU DO THAT BY SETTING INCREDIBLY HARD LEVELS 343 00:17:00,758 --> 00:17:05,111 FOR PEOPLE TO... NOT ONLY TO PREPARE THEMSELVES FOR IT, 344 00:17:05,154 --> 00:17:07,374 BUT TO UNDERSTAND WHO THEY ARE. 345 00:17:07,417 --> 00:17:09,767 IF I DIDN'T HAVE CHILDREN, I NEVER WOULD HAVE PASSED THE MASTER'S. 346 00:17:09,811 --> 00:17:11,639 I NEVER WOULD HAVE WORKED THAT HARD. 347 00:17:11,682 --> 00:17:14,294 HANDS DOWN, THE MOST DIFFICULT THING I'VE EVER DONE IN MY LIFE. 348 00:17:14,337 --> 00:17:16,470 NO QUESTION, IT'S THE HARDEST THING I'VE EVER DONE, PERIOD. 349 00:17:16,513 --> 00:17:18,428 I SEE THESE YOUNG KIDS NOW, 350 00:17:18,472 --> 00:17:20,474 THEY TELL ME THEY'RE GONNA BE A MASTER, 351 00:17:20,517 --> 00:17:23,216 I LAUGH AND I GO, "GOOD LUCK WITH THAT!" 352 00:17:35,532 --> 00:17:38,361 TO BE AN OUTSTANDING SOMMELIER, 353 00:17:38,405 --> 00:17:42,148 YOU HAVE TO BE INCREDIBLE-- AN INCREDIBLE TASTER, 354 00:17:42,191 --> 00:17:44,411 AND NOT ONLY JUST TO TASTE WINE, 355 00:17:44,454 --> 00:17:47,109 BUT ALSO TO IDENTIFY WINE WITHOUT KNOWING THE LABEL, 356 00:17:47,153 --> 00:17:49,720 'CAUSE THAT'S THE WAY YOU CAN EXPLAIN TO A GUEST. 357 00:17:49,764 --> 00:17:52,506 WHAT HAPPENS WHEN YOU LEARN TO BLIND TASTE 358 00:17:52,549 --> 00:17:55,552 IS IT INCREASES YOUR PERCEPTION. 359 00:17:55,596 --> 00:17:57,424 YOU KNOW WHAT'S GOING ON IN THE WINE, 360 00:17:57,467 --> 00:17:58,816 SO YOU CAN EVALUATE THE WINE BETTER. 361 00:17:58,860 --> 00:18:00,731 YOU UNDERSTAND WHAT'S IN THE GLASS, 362 00:18:00,775 --> 00:18:03,256 AND THE ONLY WAY WE CAN EXPLAIN THAT TO THE GUESTS 363 00:18:03,299 --> 00:18:05,301 IS BY KNOWING THE WINE OURSELVES. 364 00:18:05,345 --> 00:18:07,303 WHEN YOU GET TO THAT POINT 365 00:18:07,347 --> 00:18:10,741 OF BEING ABLE TO VERY REGULARLY IDENTIFY, YOU KNOW, THE WINE, 366 00:18:10,785 --> 00:18:13,309 YOU KNOW THAT YOUR SENSES AND YOUR UNDERSTANDING OF THE WINE 367 00:18:13,353 --> 00:18:15,442 ARE TO THE POINT WHERE YOU REALLY GET IT. 368 00:18:15,485 --> 00:18:18,358 ALL RIGHT, GENTLEMEN, YOU'VE GOT TWO WEEKS LEFT. 369 00:18:18,401 --> 00:18:20,316 YOU'RE EACH GONNA DO TWO WINES. 370 00:18:20,360 --> 00:18:22,144 THEY'RE FAST BALLS, THEY'RE READY TO GO. 371 00:18:22,188 --> 00:18:24,364 I JUST WANT YOU TO GET 'EM RIGHT. 372 00:18:24,407 --> 00:18:26,844 DESCRIBE 'EM WELL, DO 'EM IN TIME, YOU KNOW YOUR FORMAT, 373 00:18:26,888 --> 00:18:29,151 BUT THE WINES ARE THERE TO BE GOTTEN, 374 00:18:29,195 --> 00:18:31,197 SO FIGURE OUT WHAT'S IMPORTANT IN THE WINE, 375 00:18:31,240 --> 00:18:34,330 AND WHAT YOU NEED TO KNOW, AND GET THE WINE RIGHT. 376 00:18:34,374 --> 00:18:35,940 GET THE WINE RIGHT. 377 00:18:35,984 --> 00:18:38,247 YOU'VE GOT ABOUT EIGHT MINUTES TO DO THESE TWO WINES, 378 00:18:38,291 --> 00:18:40,293 - AND THEY'RE READY FOR YOU. - AM I GOING THROUGH THE GRID? 379 00:18:40,336 --> 00:18:42,469 YOU'RE GOING THROUGH THE GRID. 380 00:18:46,429 --> 00:18:47,909 SUGAR, ACID, TANNINS. HOW'S THE ALCOHOL BODY? 381 00:18:47,952 --> 00:18:50,607 FRUIT, EARTH, WOOD. NON-FRUIT, NON-EARTH, NON-WOOD. 382 00:18:50,651 --> 00:18:53,349 COMPLEXITY, BALANCE, FINISH. THERE WAS THE GRID, RIGHT? THAT'S THE TASTING GRID. 383 00:18:53,393 --> 00:18:56,483 ALL RIGHT, WINE NUMBER ONE IS A MEDIUM STRAW 384 00:18:56,526 --> 00:18:58,746 KIND OF LEMON YELLOW WITH GOLDEN GREEN REFLECTIONS 385 00:18:58,789 --> 00:19:00,182 MOVING INTO A WATERY MENISCUS. 386 00:19:00,226 --> 00:19:02,489 NOSE IS CLEAN, UH, YOUTHFUL. 387 00:19:02,532 --> 00:19:04,491 HIGH-INTENSITY AROMAS. 388 00:19:04,534 --> 00:19:07,581 MAYBE A LITTLE LANOLIN, WET WOOL, 389 00:19:07,624 --> 00:19:09,539 CHALKY LIMESTONE MINERALITY. 390 00:19:11,889 --> 00:19:15,980 MANDARIN. TANGERINE PEEL. HAWTHORNE. ACACIA. 391 00:19:16,024 --> 00:19:19,245 GET SOME CHAMOMILE ON IT-- WANT TO CONFIRM THE SALINITY. 392 00:19:19,288 --> 00:19:22,509 CHARACTER IS COMING OUT OF GRAPEFRUIT PITH, 393 00:19:22,552 --> 00:19:26,513 UH, UH, LEMON SEEDS, LITTLE BIT OF LIME SKIN. 394 00:19:26,556 --> 00:19:28,645 THE SKILL OF BLIND TASTING 395 00:19:28,689 --> 00:19:31,605 OR WHAT I'D RATHER CALL DEDUCTIVE TASTING, IT'S LEARNED. 396 00:19:31,648 --> 00:19:33,650 YOU'RE DRIVING DOWN THIS ROAD, 397 00:19:33,694 --> 00:19:35,696 AND IT GOES IN TWO DIRECTIONS, RIGHT? 398 00:19:35,739 --> 00:19:37,959 AND YOU'RE SEEING TWO WINES, CAB FRANC AND SYRAH. 399 00:19:38,002 --> 00:19:39,743 ONE PATH TAKES YOU TO CHINON, 400 00:19:39,787 --> 00:19:42,746 ONE PATH TAKES YOU TO THE NORTHERN RHONE, ALL RIGHT? 401 00:19:42,790 --> 00:19:45,227 WHEN YOU HIT THAT POINT AND YOU'RE LOOKING AT, 402 00:19:45,271 --> 00:19:48,230 IS THAT OLIVE, OR IS THAT GREEN BELL PEPPER? 403 00:19:48,274 --> 00:19:51,799 RIGHT? IS THAT TOBACCO, OR IS THAT SMOKED MEAT? 404 00:19:51,842 --> 00:19:53,931 - AND WHAT DID YOU DECIDE? - SMOKED MEAT. 405 00:19:53,975 --> 00:19:56,412 WHO MAKES GREAT SAMURAI SWORDS? 406 00:19:56,456 --> 00:19:58,806 THE PERSON THAT'S GONNA MAKE A GREAT SAMURAI SWORD 407 00:19:58,849 --> 00:20:01,417 IS THE PERSON WHO HAD A TEACHER 408 00:20:01,461 --> 00:20:03,593 WHO HAD A TEACHER WHO HAD A TEACHER. 409 00:20:03,637 --> 00:20:05,595 WE ALWAYS THINK OF THIS WITH WINE: 410 00:20:05,639 --> 00:20:07,684 "OH, HE MUST BE A NATURAL WINE TASTER." 411 00:20:07,728 --> 00:20:09,730 NOBODY EVER SAYS, "THEY MUST BE A NATURAL SAMURAI SWORD MAKER." 412 00:20:09,773 --> 00:20:11,775 EVERY WEEK, HAS TO GO TO THE FARMERS' MARKET. 413 00:20:11,819 --> 00:20:13,429 EVEN TODAY, I GO. I SMELL EVERYTHING. 414 00:20:13,473 --> 00:20:15,431 I SMELL THE HERBS, I SMELL THE PLANTS, 415 00:20:15,475 --> 00:20:17,564 I SMELL ALL THE DISHES I EAT, 416 00:20:17,607 --> 00:20:19,870 BECAUSE YOU HAVE TO KEEP YOUR PALATE ALIVE. 417 00:20:19,914 --> 00:20:21,829 IT'S SOMETHING YOU HAVE TO JUST KEEP ON DOING, 418 00:20:21,872 --> 00:20:23,961 SO THAT WHEN YOU GET TO A WINE GLASS AND YOU SMELL IT, 419 00:20:24,005 --> 00:20:26,616 AUTOMATICALLY YOU THINK, 420 00:20:26,660 --> 00:20:28,444 "OKAY, THAT'S WHAT JASMINE SMELLS LIKE. 421 00:20:28,488 --> 00:20:30,838 THAT'S WHAT KEY LIME SMELLS LIKE." 422 00:20:30,881 --> 00:20:32,840 HOW MANY PEOPLE HAVE ACTUALLY SMELLED 423 00:20:32,883 --> 00:20:35,756 A DRIED VIOLET VERSUS A ROTTEN VIOLET 424 00:20:35,799 --> 00:20:37,801 VERSUS A FRESH VIOLET? 425 00:20:37,845 --> 00:20:39,977 AND THOSE ARE CHARACTERS IN WINE YOU SMELL. 426 00:20:40,021 --> 00:20:42,458 A YOUNG NEBBIOLO WILL HAVE THAT VIOLET AND RASPBERRY FLAVOR, 427 00:20:42,502 --> 00:20:44,808 AN OLD NEBBIOLO IS GONNA HAVE A DRIED VIOLET FLAVOR. 428 00:20:44,852 --> 00:20:47,289 IF YOU'VE NEVER SMELLED A DRIED VIOLET, 429 00:20:47,333 --> 00:20:48,943 HOW ARE YOU GONNA KNOW WHAT'S IN THE WINE? 430 00:20:48,986 --> 00:20:51,293 "WELL, IT HAS A LEMON PEEL NOTE." 431 00:20:51,337 --> 00:20:53,339 OH, WELL, WHERE DID THEY GET THE LEMON PEELS? 432 00:20:53,382 --> 00:20:55,732 IS THAT FROM THE SAME VINEYARD? NO WAY. 433 00:20:55,776 --> 00:20:57,865 THE STUFF IS NOT IN THE WINE, 434 00:20:57,908 --> 00:21:01,303 BUT ALL OF THE-- ALL OF THE CHEMICAL COMPOUNDS 435 00:21:01,347 --> 00:21:04,480 THAT MAKE ANYTHING SMELL LIKE IT SMELLS, 436 00:21:04,524 --> 00:21:07,875 UM, CAN BE CREATED BY FERMENTATION. 437 00:21:07,918 --> 00:21:10,486 BASICALLY, IT'S JUST A COMBINATION OF YEAST, 438 00:21:10,530 --> 00:21:12,749 AND THEN AGING, AND THEN THE FRUIT IN THE VINEYARD. 439 00:21:12,793 --> 00:21:15,099 SMELL IS A REALLY FUNNY THING. 440 00:21:15,143 --> 00:21:17,493 IT'S-- IT'S SO PERSONAL, 441 00:21:17,537 --> 00:21:19,495 AND WE ALL HAVE THESE SMELLS THAT COME UP, 442 00:21:19,539 --> 00:21:21,497 WHERE YOU'RE, LIKE, "OH, MY GOD, I KNOW THAT SMELL." 443 00:21:21,541 --> 00:21:24,500 SAUVIGNON BLANC, PEOPLE... SMELLS LIKE CAT PEE AND IT DOES. 444 00:21:24,544 --> 00:21:26,633 ACTUALLY, YOU KNOW, YOU GET A SAUVIGNON BLANC 445 00:21:26,676 --> 00:21:28,635 FROM NEW ZEALAND, AND IT DOES SMELL A LITTLE LIKE CAT PEE. 446 00:21:28,678 --> 00:21:31,072 WE USE THE WORD "BLACK CURRANT BUD." 447 00:21:31,115 --> 00:21:33,727 THAT'S KIND OF OUR CODE. THAT'S THE WAY WE DESCRIBE CAT PEE. 448 00:21:33,770 --> 00:21:35,816 ONE OF OUR FAVORITES FOR RIESLING 449 00:21:35,859 --> 00:21:37,905 IS "POOL TOY," YOU KNOW? 450 00:21:37,948 --> 00:21:40,516 IT'S LIKE THE BRAND-NEW PLASTIC 451 00:21:40,560 --> 00:21:43,345 THAT YOU'RE BLOWING UP FOR YOUR CHILD TO GO PLAY WITH IN THE POOL. 452 00:21:43,389 --> 00:21:46,087 CLARE VALLEY RIESLING, YOU ACTUALLY PUT YOUR NOSE IN THERE, 453 00:21:46,130 --> 00:21:48,437 AND IT SMELLS A LITTLE BIT LIKE A FRESHLY OPENED TENNIS BALL, 454 00:21:48,481 --> 00:21:50,352 AND A LITTLE BIT OF SYNTHETIC RUBBER, 455 00:21:50,396 --> 00:21:52,136 LIKE JUST-OPENED RUBBER HOSE. 456 00:21:52,180 --> 00:21:54,835 IAN'S FRESH TENNIS BALL IS A NEW ONE, 457 00:21:54,878 --> 00:21:57,141 BUT IT'S, LIKE, THE THIRD TIME I'VE HEARD IT NOW. 458 00:21:57,185 --> 00:21:59,535 I DON'T THINK I'LL EVER USE IT, 'CAUSE I THINK IT'S RIDICULOUS. 459 00:21:59,579 --> 00:22:04,148 ONE OF MY FAVORITE DESCRIPTORS IS, UM, UH, "GRANNY PURSE." 460 00:22:04,192 --> 00:22:06,934 OR YOUR GRANDMOTHER'S CLOSET. 461 00:22:06,977 --> 00:22:09,371 IT'S, LIKE, "FIRST OF ALL, I DON'T KNOW YOUR GRANDMOTHER. 462 00:22:09,415 --> 00:22:12,374 SECOND OF ALL, I DON'T KNOW WHAT THE HELL HER CLOSET SMELLS LIKE." 463 00:22:12,418 --> 00:22:14,507 YOU CAN PICTURE THIS KIND OF DUSTY OLD LEATHER SMELL, 464 00:22:14,550 --> 00:22:16,726 MAYBE A LITTLE BIT OF PERFUME OR LIPSTICK OR SOMETHING. 465 00:22:16,770 --> 00:22:18,380 AN IMPORTANT DESCRIPTOR IN WINE 466 00:22:18,424 --> 00:22:19,816 IS BEING ABLE TO DESCRIBE THE EARTH. 467 00:22:19,860 --> 00:22:21,949 SOME WINES AREN'T EARTHY AT ALL. 468 00:22:21,992 --> 00:22:24,908 SOME ARE ORGANIC, AND TASTE LIKE COMPOST OR GARDEN SOIL. 469 00:22:24,952 --> 00:22:27,433 SOME ARE MORE LIKE WET ROCKS OR SLATE. 470 00:22:27,476 --> 00:22:30,697 IT'S LIKE A SIDEWALK ON A HOT DAY, AFTER THERE'S WATER ON IT. 471 00:22:30,740 --> 00:22:33,569 YOU KNOW HOW ROCKS OR MINERALS ARE A COMMON SMELL 472 00:22:33,613 --> 00:22:35,658 IN A LOT OF WINES? 473 00:22:35,702 --> 00:22:37,747 START LICKING ROCKS. NO, CUT THAT! 474 00:22:37,791 --> 00:22:39,923 NO, BUT IF YOU START-- YOU'VE NEVER DONE THAT? 475 00:22:39,967 --> 00:22:41,838 YEAH, LIKE, YOU, LIKE, LICK ROCKS, 476 00:22:41,882 --> 00:22:43,666 OR, LIKE, JUST TO UNDERSTAND WHAT THAT IS. 477 00:22:43,710 --> 00:22:45,755 TO BECOME SO OBSESSED WITH THE SUBJECT 478 00:22:45,799 --> 00:22:48,105 THAT YOU'RE GONNA DEDICATE SO MUCH ENERGY AND PASSION 479 00:22:48,149 --> 00:22:50,151 AND TIME AND EMOTIONAL-- YOU KNOW, HEARTBREAK-- 480 00:22:50,194 --> 00:22:52,588 INTO IT THAT YOU HAVE TO BE, 481 00:22:52,632 --> 00:22:55,809 JUST, YOU KNOW, MAYBE A LITTLE BIT OFF. 482 00:23:01,467 --> 00:23:04,687 - TAKE IT HOME. - OKAY, THERE'S MEAT ON THIS WINE. 483 00:23:04,731 --> 00:23:06,950 THIS WINE IS FROM FRANCE, THIS WINE IS FROM THE RHONE VALLEY, 484 00:23:06,994 --> 00:23:10,606 THIS WINE IS FROM THE NORTHERN RHONE. THIS IS SAINT-JOSEPH, 2008, 485 00:23:10,650 --> 00:23:12,826 COLD VINTAGE, HIGH-QUALITY PRODUCER. 486 00:23:12,869 --> 00:23:15,045 GREAT JOB. I MEAN, YOU'RE IN THE ZONE, RIGHT? 487 00:23:15,089 --> 00:23:17,004 YOU'RE DOING EXACTLY WHAT YOU NEED TO DO. 488 00:23:17,047 --> 00:23:19,746 - IT'S EXACTLY THE WAY YOU NEED TO TASTE. - FANTASTIC. 489 00:23:19,789 --> 00:23:22,749 SO YOU'RE-- YOU WERE-- YOU'RE THERE. 490 00:23:22,792 --> 00:23:23,750 WAY TO GO, DAD! 491 00:23:23,793 --> 00:23:26,100 - All: DAD! - DEAR OLD DAD. 492 00:23:26,143 --> 00:23:28,624 OH, "DAD." WE CALL HIM DAD. 493 00:23:28,668 --> 00:23:32,628 WE CALL IAN DAD BECAUSE HE, UH, HE LOVES TO BE THE FATHER. 494 00:23:32,672 --> 00:23:35,152 LIKE, HE LIKES TO SIT YOU DOWN, 495 00:23:35,196 --> 00:23:37,720 TELL YOU EXACTLY WHAT YOU'RE DOING WRONG, WHY YOU'RE DOING IT. 496 00:23:37,764 --> 00:23:39,461 HERE'S TO DAD. 497 00:23:39,505 --> 00:23:40,941 - HERE'S TO DAD. - TO DAD. 498 00:23:46,512 --> 00:23:48,165 THERE'S TWO WAYS TO APPROACH IT. 499 00:23:48,209 --> 00:23:50,037 YOU CAN EITHER, YOU KNOW, HAVE THE SPIT CUPS OUT, 500 00:23:50,080 --> 00:23:52,648 HAVE THE TIMER OUT, AND BE DOING LIKE VERY FORMAL TASTINGS, 501 00:23:52,692 --> 00:23:56,173 UM, OR YOU CAN KIND OF JUST, YOU KNOW, 502 00:23:56,217 --> 00:24:00,917 HAVE A RELAXED NIGHT, AND HAVE A COUPLE OF DRINKS. 503 00:24:00,961 --> 00:24:02,876 WHEN THE GUYS GET TOGETHER, 504 00:24:02,919 --> 00:24:04,834 IT'S LIKE A STORM COMES THROUGH HERE. 505 00:24:04,878 --> 00:24:07,489 THERE'S A LOT OF TRASH-TALKING, 506 00:24:07,533 --> 00:24:10,536 - THERE'S A LOT OF MAKING FUN OF EACH OTHER. - IT'S LIKE WINE GEEKS UNITE. 507 00:24:10,579 --> 00:24:13,103 [ imitating hobbits ] "I LOVE YOU, SAM." "I LOVE YOU, FRODO." 508 00:24:13,147 --> 00:24:15,628 "AW, SAM." 509 00:24:15,671 --> 00:24:19,022 I KNOW! EVERY SCENE, RIGHT? 510 00:24:19,066 --> 00:24:21,938 - "SAM! FRODO!" - "MR. FRODO!" 511 00:24:21,982 --> 00:24:24,071 WAIT, WHAT IS THAT FROM? 512 00:24:24,114 --> 00:24:26,203 [ laughing ] OH, MY GOD! 513 00:24:26,247 --> 00:24:28,205 YEAH, THEY HOUND EACH OTHER PRETTY HARD, 514 00:24:28,249 --> 00:24:30,686 BUT I THINK, MORE THAN ANYTHING ELSE, 515 00:24:30,730 --> 00:24:33,080 IT'S JUST TO MOTIVATE EACH OTHER. 516 00:24:33,123 --> 00:24:36,039 THE COMPETITIVE NATURE, THEY ALL FEED OFF OF IT. 517 00:24:36,083 --> 00:24:38,041 IT'S KIND OF NECESSARY IN THIS ENVIRONMENT. 518 00:24:38,085 --> 00:24:39,956 IT PUSHES ONE ANOTHER FORWARD. 519 00:24:40,000 --> 00:24:41,697 THEY'LL SPEND THE WHOLE EVENING 520 00:24:41,741 --> 00:24:43,220 JUST GIVING EACH OTHER A HARD TIME. 521 00:24:43,264 --> 00:24:47,747 THE WINE IS... CLEARLY... RIPE... 522 00:24:50,053 --> 00:24:52,273 BUT HAS ACID, TOO, AND A LOT OF HERBACIOUSNESS. 523 00:24:52,316 --> 00:24:54,318 IT'S GOT BLACK PEPPER AND SMOKY MEAT. 524 00:24:54,362 --> 00:24:55,972 IT IS UNOAKED. 525 00:24:56,016 --> 00:24:59,802 TAKES ME TO ONE PLACE: NORTHERN RHONE. 526 00:24:59,846 --> 00:25:01,717 I THINK THIS IS SOUTHERN RHONE. 527 00:25:01,761 --> 00:25:03,719 I THINK THIS IS SOUTHERN RHONE WITH A LOT OF SYRAH. 528 00:25:03,763 --> 00:25:08,898 I'M GONNA CALL '04, UH... '04 VACQUEYRAS. 529 00:25:08,942 --> 00:25:12,293 THAT IS A BALLSY CALL, DUDE. '04 VACQUEYRAS? WHY? 530 00:25:12,336 --> 00:25:14,121 ALL RIGHT, YOU LAY YOUR BALLS ON THE TABLE. 531 00:25:14,164 --> 00:25:16,993 I LAID MY BALLS OUT, AND SAID COTE ROTIE '08. 532 00:25:17,037 --> 00:25:20,780 - ARE YOU STICKIN' WITH YOUR NORTHERN RHONE CALL, OR...? - OF COURSE! I CAN'T CALL-- 533 00:25:20,823 --> 00:25:22,999 I CAN'T GO BACK NOW JUST 'CAUSE 534 00:25:23,043 --> 00:25:25,785 - CAUBLER'S TRYING TO TALK ME OUT OF IT. - SHIT'S NORTHERN RHONE. 535 00:25:25,828 --> 00:25:27,003 - IS IT NORTHERN? - IT'S NORTHERN RHONE. 536 00:25:27,047 --> 00:25:28,701 - WHO IS IT? - OGIER. 537 00:25:28,744 --> 00:25:31,268 IT'S FUNNY. THEY'RE LIKE-- 538 00:25:31,312 --> 00:25:35,011 THEY'RE LIKE GUYS IN A LOCKER ROOM, WITH WINE BOTTLES. 539 00:25:35,055 --> 00:25:36,796 IAN, WHAT'S A FRESH-CUT GARDEN HOSE? 540 00:25:36,839 --> 00:25:39,015 YOU'VE NEVER SMELLED THAT BEFORE? 541 00:25:39,059 --> 00:25:40,756 WHY DO YOU CUT YOUR GARDEN HOSE IN THE FIRST PLACE? 542 00:25:40,800 --> 00:25:42,279 YEAH, WILLY-- WILLY-- WILLY SHARROT 543 00:25:42,323 --> 00:25:44,586 ACTUALLY TAUGHT ME THAT. WILLY SHARROT. 544 00:25:44,630 --> 00:25:47,284 Liz: I SAY THAT ALL THE TIME-- NEW WATER HOSE. 545 00:25:47,328 --> 00:25:49,896 - YEAH, WATER HOSE. - FRESH-CUT WATER HOSE. I SAY THAT ALL THE TIME. 546 00:25:49,939 --> 00:25:52,333 - YOU CAN'T FRESHLY CUT A GARDEN HOSE. - JUST SAY SYNTHETIC RUBBER. 547 00:25:52,376 --> 00:25:54,291 SO WHO TAUGHT YOU THAT? 548 00:25:54,335 --> 00:25:56,772 WHY DON'T YOU TELL ME HOW TO TASTE, THEN? I MEAN, SHIT, FUCK. 549 00:25:56,816 --> 00:26:01,560 IT'S NOT LIKE THEY'RE CONSUMING, YOU KNOW, PELLEGRINO ALL NIGHT. 550 00:26:05,085 --> 00:26:07,217 SO, AS IT GOES ON, 551 00:26:07,261 --> 00:26:10,612 I THINK THAT OPENING MORE BOTTLES SOUNDS LIKE A GREAT IDEA-- 552 00:26:10,656 --> 00:26:13,093 THOSE GREAT IDEAS YOU HAVE AT 2:00 IN THE MORNING. 553 00:26:13,136 --> 00:26:15,095 [ faux Australian accent ] HEY, MATE, YOU WANT ANOTHER WINE, 554 00:26:15,138 --> 00:26:17,053 OR YOU DONE, OR HOW DO YOU FEEL? 555 00:26:17,097 --> 00:26:19,621 THEY DO IT UNTIL THEY ARE JUST, LIKE, EXHAUSTED. 556 00:26:19,665 --> 00:26:24,278 I COULD NEVER IMAGINE KEEPING A FRIEND IF I... 557 00:26:26,106 --> 00:26:28,891 PLAYED WITH THEM LIKE THEY PLAY WITH EACH OTHER. 558 00:26:28,935 --> 00:26:33,679 IAN'S DEFINITELY THE MOST SERIOUS ONE, 559 00:26:33,722 --> 00:26:35,898 I WANT TO SAY. 560 00:26:35,942 --> 00:26:40,381 - [ tapping glass ] - DAD HAS THE FLOOR. 561 00:26:40,424 --> 00:26:43,993 - DOES SHE WANNA STEP IT UP? - YOU WANT THE WHOLE THING? 562 00:26:44,037 --> 00:26:47,170 - I WANT YOU TO FUCKIN' GO FOR IT. - OKAY, IT'S A RED WINE. 563 00:26:47,214 --> 00:26:49,433 THIS WINE IS MEDIUM CLEAR. THE WINE IS BRIGHT. 564 00:26:49,477 --> 00:26:51,174 THERE'S NO EVIDENCE OF GAS OR FLOCCULATION. 565 00:26:51,218 --> 00:26:53,307 THE WINE HAS A DARK RUBY CORE, CONSISTENT TO THE EDGE, 566 00:26:53,350 --> 00:26:55,004 WHERE THERE IS AN ORANGE RIM. 567 00:26:55,048 --> 00:26:57,137 I'LL CALL THE VISCOSITY MEDIUM-PLUS. 568 00:26:57,180 --> 00:26:59,835 - MEDIUM-PLUS? - DO YOU WANT TO CHANGE MY CALL? 569 00:26:59,879 --> 00:27:02,359 - I WAS JUST REPEATING IT. - WHY DON'T YOU FINISH IT UP? 570 00:27:02,403 --> 00:27:04,318 - GO WITH YOUR HEART, DUDE. - I'M NOT GONNA CONTINUE. 571 00:27:04,361 --> 00:27:07,016 - WHAT?! - OH, MY GOD! 572 00:27:07,060 --> 00:27:10,063 - NO, NO, NO. IF HE WANTS TO CONTINUE, HE CAN CALL IT. - LET HIM ROCK THE WINE. 573 00:27:10,106 --> 00:27:13,022 - DO YOU WANT TO DO THE WINE? - LET HIM ROCK THE WINE. LET IAN ROCK THE WINE. 574 00:27:13,066 --> 00:27:15,111 NO, I JUST DON'T NEED THE WHOLE PEANUT GALLERY. 575 00:27:15,155 --> 00:27:18,114 - IF YOU WANNA DO IT, YOU CAN DO IT. - THE CHILDREN ARE ACTING UP. 576 00:27:18,158 --> 00:27:21,335 I'VE HAD A LONG DAY, AND I'M GONNA DO THE WINE OR WHAT? 577 00:27:21,378 --> 00:27:23,859 WE'RE TRYING TO FOCUS FOR THE EXAM, 578 00:27:23,903 --> 00:27:25,382 AND I THINK THAT'S MY POINT. 579 00:27:25,426 --> 00:27:27,689 THAT'S WHAT I LOVE ABOUT YOU, 580 00:27:27,733 --> 00:27:30,300 IS YOU GET UPSET AND THEN, IMMEDIATELY, YOU'RE OVER IT. 581 00:27:30,344 --> 00:27:34,130 YOU'VE GOT THAT THING. YEAH. YOU'RE NOT QUITE OVER IT NOW, BUT YOU'RE GONNA BE THERE. 582 00:27:34,174 --> 00:27:36,393 YEAH, I KIND OF DON'T WANT TO DO THE WINE NOW. 583 00:27:36,437 --> 00:27:38,874 YOU HAVE TO DO THE WINE AFTER YOU DID THAT WHOLE BIT, MAN, 584 00:27:38,918 --> 00:27:40,484 THERE'S NO WAY OF GETTIN' OUT OF THAT SHIT. 585 00:27:40,528 --> 00:27:43,009 I THINK IT'S JUST, AFTER THE LAST 25 MINUTES OF, 586 00:27:43,052 --> 00:27:45,881 LIKE, CONSTANTLY FUCKIN' WITH ME, 587 00:27:45,925 --> 00:27:48,754 AND I'VE JUST HIT A POINT OF, LIKE, NOT WANTING TO TAKE ANY MORE. 588 00:27:48,797 --> 00:27:50,712 YOU GUYS ARE ALL MY BEST FRIENDS, AND YOU UNDERSTAND. 589 00:27:50,756 --> 00:27:53,889 AND, UH, UNTUCK IT, TASTE THE WINE, 590 00:27:53,933 --> 00:27:56,283 AND LET'S GO AHEAD AND DO IT. 591 00:27:56,326 --> 00:27:59,721 WINE'S CLEAN, DEVELOPING... 592 00:27:59,765 --> 00:28:01,854 MEDIUM-PLUS INTENSITY AROMAS. 593 00:28:01,897 --> 00:28:03,899 [ laughing ] 594 00:28:08,469 --> 00:28:11,428 [ faux Australian accent ] HEY, MATE, STAY FOCUSED. 595 00:28:11,472 --> 00:28:13,387 DUDE, THIS IS JUST GONNA GO TO THE NEXT PERSON. 596 00:28:13,430 --> 00:28:15,737 I'M JUST TOO IRRITATED RIGHT NOW. 597 00:28:15,781 --> 00:28:19,001 I CAN UNDERSTAND IT, BUT YOU DISH IT OUT A LOT, BROTHER. 598 00:28:19,045 --> 00:28:21,047 - I KNOW. HEY-- - WE BRING IT ON EACH OTHER. 599 00:28:21,090 --> 00:28:23,484 I UNDERSTAND THAT. IT JUST GETS TO A POINT SOMETIMES... 600 00:28:23,527 --> 00:28:26,748 - DUDE, IT'S ALL GOOD. - IT JUST GETS TO A POINT WHEN IT'S JUST IRRITATING. 601 00:28:26,792 --> 00:28:29,359 WELL, LET'S SHOW IAN SOME RESPECT. 602 00:28:29,403 --> 00:28:31,535 - TO DAD? - TO DAD. 603 00:28:31,579 --> 00:28:33,929 I'M NOT EVEN IN ON THAT, BECAUSE YOU'LL GET PISSED AT ME. 604 00:28:33,973 --> 00:28:35,452 - NO, IT'S ALL GOOD. - NO, HE LIKES "DAD." HE KNOWS HE'S DAD. 605 00:28:35,496 --> 00:28:37,280 I'M ALL GOOD WITH IT. 606 00:28:37,324 --> 00:28:39,456 A LOT OF TIMES, THEY'LL LEAVE THEIR SPIT BUCKETS OUT, 607 00:28:39,500 --> 00:28:41,110 AND I END UP CLEANING 'EM. 608 00:28:41,154 --> 00:28:45,549 THE SPIT BUCKET IS THIS THING THAT I FIND 609 00:28:45,593 --> 00:28:47,943 AT 8:00 IN THE MORNING. 610 00:28:47,987 --> 00:28:51,468 YOU KNOW, IT'S LIKE WHEN THEY DON'T WANT TO DRINK THE WINE, 611 00:28:51,512 --> 00:28:54,036 THEY SPIT IT IN THE SPIT BUCKET, AND I COME HOME, 612 00:28:54,080 --> 00:28:57,953 AND THERE'S ACTUAL SPIT WINE THAT'S, LIKE, A PINK SHADE, 613 00:28:57,997 --> 00:29:00,129 AND I HAVE TO CLEAN IT OUT, 614 00:29:00,173 --> 00:29:02,479 AND THEY OFTEN USE OUR DISHWARE-- 615 00:29:02,523 --> 00:29:05,308 YOU KNOW, LIKE, OUR CUPS, OR BACK INTO A WINE GLASS. 616 00:29:05,352 --> 00:29:07,963 YEAH. THE SPIT BUCKET'S GROSS. 617 00:29:08,007 --> 00:29:10,400 THE HAPPIEST PERSON WHEN YOU PASS IS NOT YOU, 618 00:29:10,444 --> 00:29:12,489 IT'S YOUR SPOUSE. 619 00:29:12,533 --> 00:29:14,796 AND THEY'RE JUST LIKE, "THANK GOD." 620 00:29:14,840 --> 00:29:17,973 LIKE, YOU KNOW, "CAN-- CAN WE BE DONE WITH THIS?" 621 00:29:18,017 --> 00:29:20,193 SOMETIMES I'M LIKE, "WOW, THIS IS SUCH A COOL WORLD 622 00:29:20,236 --> 00:29:22,456 THAT I GET TO BE A PART OF AND SEE," 623 00:29:22,499 --> 00:29:24,501 AND THEY ARE SO BRILLIANT, AND THEN, AT THE SAME TIME, 624 00:29:24,545 --> 00:29:27,983 THEY ARE JUST EGOMANIACS WHO ARE SO SELF-ABSORBED. 625 00:29:28,027 --> 00:29:30,551 YOUR HUSBAND OR BOYFRIEND DISAPPEARS, 626 00:29:30,594 --> 00:29:35,991 BECOMES A SHELL OF THEMSELVES FOR... MONTHS ON END, 627 00:29:36,035 --> 00:29:40,822 ONLY TO PROBABLY, 95% CHANCE, GET DEFEATED. 628 00:29:40,866 --> 00:29:43,346 IT'S HARD! 629 00:29:43,390 --> 00:29:45,522 MY WIFE BASICALLY TOLD ME, 630 00:29:45,566 --> 00:29:48,482 UPON MY FOURTH ATTEMPT AT THE M.S. EXAM, 631 00:29:48,525 --> 00:29:52,529 "HONEY, IF YOU DON'T PASS IT THIS TIME, WE NEED TO TALK." 632 00:29:52,573 --> 00:29:56,142 YOU MISS A LOT OF-- A LOT OF LIFE MOMENTS GO BY 633 00:29:56,185 --> 00:29:58,622 WHEN YOU'RE PREPARING FOR THIS, AND I'LL BE HONEST, IT'S TOUGH, 634 00:29:58,666 --> 00:30:00,624 AND IT'S WORTH IT IN THE END. 635 00:30:00,668 --> 00:30:03,410 I TELL EVERYONE, "LISTEN, EVERYTHING THAT YOU'VE MISSED 636 00:30:03,453 --> 00:30:06,021 COMES BACK TENFOLD." 637 00:30:06,065 --> 00:30:08,110 THEORY PROBABLY TAKES THE MOST TIME, 638 00:30:08,154 --> 00:30:10,373 JUST BECAUSE YOU HAVE SO MUCH TO GO THROUGH. 639 00:30:10,417 --> 00:30:13,246 THE THEORY EXAM IS AN ORAL EXAMINATION 640 00:30:13,289 --> 00:30:15,291 WHERE A PANEL OF THE MASTERS BARRAGE YOU 641 00:30:15,335 --> 00:30:17,380 WITH SOME OF THE MOST OBSCURE QUESTIONS 642 00:30:17,424 --> 00:30:19,469 YOU COULD POSSIBLY IMAGINE ABOUT WINE. 643 00:30:19,513 --> 00:30:26,215 WHAT ARE THE APPROVED QWPSR REGIONS OF ROMANIA? BULGARIA? 644 00:30:26,259 --> 00:30:29,871 EVEN THE LANGUAGE ALONE-- KLOSTERNEUBURGER MOSTWAAGE-- 645 00:30:29,915 --> 00:30:32,482 I MEAN, PRONOUNCING THESE WORDS. 646 00:30:32,526 --> 00:30:34,571 GERMANY SEEMS TO BE HARD FOR PEOPLE, 647 00:30:34,615 --> 00:30:37,357 AND YES, YES, IT'S GOT BIG, LONG WORDS, 648 00:30:37,400 --> 00:30:39,402 AND AN INTERESTING LANGUAGE, AND... 649 00:30:39,446 --> 00:30:42,623 [ German accent ] WE START WITH THE... [ speaks German phrase ] 650 00:30:42,666 --> 00:30:44,451 [ speaking German ] 651 00:30:44,494 --> 00:30:48,194 THEN WE HAVE... [ speaking German phrases ] 652 00:30:48,237 --> 00:30:51,066 - [ speaking German ] - [ speaking German phrase ] 653 00:30:51,110 --> 00:30:53,242 - [ speaking German ] - [ speaking German phrase ] 654 00:30:53,286 --> 00:30:54,896 [ speaking German ] 655 00:30:54,940 --> 00:30:58,552 [ speaking German ] 656 00:31:04,297 --> 00:31:06,603 YOU HAVE... WHAT DID I FORGET? 657 00:31:06,647 --> 00:31:08,475 [ speaks German word ] DID I SAY THAT? 658 00:31:08,518 --> 00:31:10,999 PEOPLE HAVE A DIFFICULTY WITH ITALY, FOR SOME REASON. 659 00:31:11,043 --> 00:31:13,523 THE NAMES OF THE GRAPES, THERE'S 3,000 IN ITALY ALONE. 660 00:31:31,541 --> 00:31:33,587 IT'S NOT UNCOMMON THAT THESE GUYS ARE SPENDING 661 00:31:33,630 --> 00:31:35,502 EIGHT, TEN HOURS A DAY EVERY DAY 662 00:31:35,545 --> 00:31:37,547 LIVING AND BREATHING THIS STUFF. 663 00:31:37,591 --> 00:31:40,637 THE OTHER WIVES THAT I KNOW DREAD THE NOTE CARDS, 664 00:31:40,681 --> 00:31:42,639 AND THE HOURS AND HOURS OF STUDYING 665 00:31:42,683 --> 00:31:45,425 WHERE THEY JUST HAVE TO BE-- IT'S LIKE ANOTHER JOB. 666 00:31:45,468 --> 00:31:48,123 FLASH CARDS EVERYWHERE. 667 00:31:48,167 --> 00:31:50,125 I THINK I'VE GOT SOMEWHERE 668 00:31:50,169 --> 00:31:51,648 PROBABLY IN THE VICINITY OF 4,000 FLASH CARDS. 669 00:31:51,692 --> 00:31:53,607 STANDING IN THE LINE AT THE GROCERY STORE, 670 00:31:53,650 --> 00:31:55,304 GOING THROUGH MY FLASH CARDS, AT A STOP LIGHT. 671 00:31:55,348 --> 00:31:57,263 - NOTE CARDS. - FLASH CARDS. 672 00:31:57,306 --> 00:32:00,483 WE ARE GOING TO HAVE A BONFIRE WITH ALL OF HIS NOTE CARDS. 673 00:32:00,527 --> 00:32:03,138 AND I GO TO BED IF I CAN, BUT SOMETIMES I'LL BE LIKE, 674 00:32:03,182 --> 00:32:05,140 "YOU CAN'T REMEMBER THAT FLASH CARD." 675 00:32:05,184 --> 00:32:07,055 YOU GO BACK TO THE DESK FOR A QUICK SECOND. 676 00:32:07,099 --> 00:32:08,361 YOU'RE JUST MANIC. IT'S CRAZY. 677 00:32:11,059 --> 00:32:13,192 IT'S A BLANK ONE. 678 00:32:13,235 --> 00:32:16,108 SOMETIMES YOU GET SO TIRED THAT YOU FORGET TO WRITE THE ANSWER ON IT. 679 00:32:16,151 --> 00:32:18,153 THAT'S THE WORST PART. 680 00:32:32,646 --> 00:32:34,691 ♪ THE FIRST THING IN THE MORNING ♪ 681 00:32:34,735 --> 00:32:36,084 ♪ THE LAST THING AT NIGHT ♪ 682 00:32:36,128 --> 00:32:38,260 ♪ I CONTEMPLATE MY REASONS ♪ 683 00:32:38,304 --> 00:32:40,349 ♪ 'CAUSE I WANNA KNOW IT'S RIGHT ♪ 684 00:32:40,393 --> 00:32:42,134 ♪ I MIGHT JUST BE DEMENTED 685 00:32:42,177 --> 00:32:43,700 ♪ BUT I'LL STAY HERE AND FIGHT ♪ 686 00:32:43,744 --> 00:32:46,094 ♪ 'CAUSE I WANT YOU 687 00:32:47,617 --> 00:32:49,576 ♪ WITHOUT YOU I GET LONELY ♪ 688 00:32:49,619 --> 00:32:51,447 ♪ AND STUCK IN MY HEAD 689 00:32:51,491 --> 00:32:53,188 ♪ OBSESSION IS THE REASON ♪ 690 00:32:53,232 --> 00:32:55,103 ♪ THAT I LAY AWAKE IN BED ♪ 691 00:32:55,147 --> 00:32:56,757 ♪ I KICK MYSELF FOR BALKING ♪ 692 00:32:56,800 --> 00:33:00,326 ♪ WHEN I SHOULD HAVE SAID THAT I WANT YOU ♪ 693 00:33:00,369 --> 00:33:02,371 IAN'S DAY IS DEFINITELY DIFFERENT. 694 00:33:02,415 --> 00:33:04,460 HE, UH, HE SLEEPS IN VERY LATE. 695 00:33:04,504 --> 00:33:06,462 HE'S MORE OF A NIGHT GUY, 696 00:33:06,506 --> 00:33:08,421 SO HE DOES HIS STUDYING AT LATE NIGHT. 697 00:33:08,464 --> 00:33:10,162 IAN'S BIG AT TRACING MAPS. 698 00:33:10,205 --> 00:33:12,555 BEFORE YOU CAN STUDY A SPECIFIC REGION OF THE WORLD, 699 00:33:12,599 --> 00:33:14,731 YOU HAVE TO UNDERSTAND THE GEOGRAPHY OF IT, 700 00:33:14,775 --> 00:33:19,562 SO I'VE FOUND THAT, UM, TRACING MAPS HAS BEEN A HUGE HELP. 701 00:33:21,651 --> 00:33:24,698 WHAT I DO IS, I'LL TAKE A MAJOR MAP AREA 702 00:33:24,741 --> 00:33:28,528 FROM SOME PROFESSIONAL SITE AND LAY IT OVER THE TOP, 703 00:33:28,571 --> 00:33:31,052 AND THEN TRACE IT, 704 00:33:31,096 --> 00:33:33,359 AND THEN BASICALLY LOOK AT A NUMBER, 705 00:33:33,402 --> 00:33:35,361 AND I SHOULD KNOW WHERE THAT REGION IS 706 00:33:35,404 --> 00:33:37,537 AND HOW IT REFERS TO THE WORLD OF WINE. 707 00:33:37,580 --> 00:33:39,756 AND I SHOULD KNOW THE LAWS ABOUT IT, 708 00:33:39,800 --> 00:33:43,543 SO, YOU KNOW, MENTRIDA OR WHEREVER IT MIGHT BE, 709 00:33:43,586 --> 00:33:46,067 OR RIOJA, WHAT THE SUBREGIONS ARE, 710 00:33:46,111 --> 00:33:50,202 OR CANTABRIA... [ lists Spanish regions ], OR WHEREVER IT MIGHT BE. 711 00:33:50,245 --> 00:33:52,508 YOU KNOW, IF YOU TRY TO REMEMBER SOMETHING, 712 00:33:52,552 --> 00:33:56,251 AND YOU DON'T HAVE A SPECIFIC REFERENCE TO WHERE THAT AREA IS, 713 00:33:56,295 --> 00:33:58,210 IT DOESN'T REALLY MAKE ANY SENSE. 714 00:34:21,450 --> 00:34:23,409 NOW, WHEN I GET A QUESTION, 715 00:34:23,452 --> 00:34:26,107 IMMEDIATELY, MY MIND GOES TO A SPECIFIC AREA OF THE WORLD, 716 00:34:26,151 --> 00:34:29,284 I CAN SEE A MAP AND SEE THE REGION, 717 00:34:29,328 --> 00:34:31,765 AND THEN, THE INFORMATION UNFOLDS IN MY BRAIN, 718 00:34:31,808 --> 00:34:35,638 AND THAT'S HOW I KIND OF, UM, NOW MEMORIZE INFORMATION 719 00:34:35,682 --> 00:34:37,466 AND CATALOGUE IT IN MY BRAIN, 720 00:34:37,510 --> 00:34:39,773 BECAUSE, YOU KNOW, THE MIND'S WEIRD, 721 00:34:39,816 --> 00:34:43,124 AND... AND IF YOU CREATE THESE GEOGRAPHICAL LOCATIONS, 722 00:34:43,168 --> 00:34:45,431 YOU CAN THEN STORE INFORMATION THERE. 723 00:34:45,474 --> 00:34:47,607 I DON'T KNOW HOW THAT WORKS, 724 00:34:47,650 --> 00:34:50,131 BUT, UH, IT, UH, IT DOES. IT DOES. 725 00:34:50,175 --> 00:34:53,134 - IAN... - IAN IS... IS TRACING MAPS AND... 726 00:34:53,178 --> 00:34:56,920 - [ laughing ] IAN IS, UH... - SITTING IN FRONT OF SKYPE, WAITING FOR ME TO CALL HIM. 727 00:34:56,964 --> 00:34:59,358 IAN IS HARD TO BE AROUND RIGHT NOW. 728 00:34:59,401 --> 00:35:02,143 I'M ABOUT TO CALL DUSTIN WILSON ON SKYPE IN ABOUT 20 MINUTES, 729 00:35:02,187 --> 00:35:05,320 AND TRYING TO, YOU KNOW, MAKE SURE I KNOW MY FLASH CARDS, 730 00:35:05,364 --> 00:35:08,497 OR ELSE HE'S GONNA, YOU KNOW, BREAK ME DOWN AND, UH... 731 00:35:08,541 --> 00:35:10,673 I THINK HE FEELS LIKE 732 00:35:10,717 --> 00:35:13,328 IF HE DOESN'T PUT ENOUGH PRESSURE ON HIMSELF, THEN HE'S NOT DOING IT RIGHT. 733 00:35:13,372 --> 00:35:16,723 YOU WAKE UP, AND WHAT IS YOUR FIRST THOUGHT? 734 00:35:16,766 --> 00:35:18,855 YOU KNOW, IT'S... 735 00:35:18,899 --> 00:35:21,336 THE FLASH CARDS YOU HAVEN'T REMEMBERED. 736 00:35:21,380 --> 00:35:24,209 IT'S THE WINES THAT COULD POSSIBLY COME UP ON THE EXAM 737 00:35:24,252 --> 00:35:26,733 THAT YOU DON'T COMPLETELY FEEL, YOU KNOW, CONFIDENT WITH. 738 00:35:26,776 --> 00:35:28,691 IF DUSTIN AND I DID THAT TO OURSELVES, 739 00:35:28,735 --> 00:35:31,259 WE'D BE, LIKE, CRYING IN THE FETAL POSITION. 740 00:35:31,303 --> 00:35:33,479 THIS IS JUST-- IT'S JUST PURE DEDICATION. 741 00:35:33,522 --> 00:35:35,611 IT'S JUST PURE OBSESSION. THERE'S NO OTHER WAY AROUND IT. 742 00:35:35,655 --> 00:35:38,310 BUT SOMEHOW, HE PUTS HIMSELF THROUGH HELL, 743 00:35:38,353 --> 00:35:41,356 AND MANAGES TO SHOW UP ON GAME DAY AND PERFORM. 744 00:35:41,400 --> 00:35:43,445 I'VE SEEN IT TIME AND TIME AGAIN, 745 00:35:43,489 --> 00:35:45,708 AT COMPETITIONS AND EXAMS. WE LOVE THE GUY. 746 00:35:45,752 --> 00:35:47,971 WE WANT TO SEE HIM CRUSH, BUT WE DON'T-- 747 00:35:48,015 --> 00:35:50,409 HE'S NOT DOING HIMSELF ANY FAVORS RIGHT NOW. 748 00:35:50,452 --> 00:35:52,585 IT'S THE ONLY WAY HE KNOWS HOW TO BE FOR THIS STUFF. 749 00:35:52,628 --> 00:35:54,848 I THINK SLEEP'S VERY IMPORTANT. 750 00:35:54,891 --> 00:35:56,980 SLEEP'S INCREDIBLY IMPORTANT 751 00:35:57,024 --> 00:36:00,419 FOR YOU TO BE ABLE TO RETAIN KNOWLEDGE AND-- AND DO THIS. 752 00:36:00,462 --> 00:36:03,204 UM... 753 00:36:03,248 --> 00:36:05,772 WHERE WAS I... WHAT WAS I TALKING ABOUT? 754 00:36:05,815 --> 00:36:09,210 HE'S THE ONLY PERSON THAT CAN BE THAT WAY AND STILL PULL IT OUT. 755 00:36:09,254 --> 00:36:11,734 IT'S POSSIBLE THAT IT'LL NEVER STOP, 756 00:36:11,778 --> 00:36:13,867 BUT THEN IT'S POSSIBLE THAT, NINE DAYS FROM NOW, 757 00:36:13,910 --> 00:36:15,738 IT'LL BE OVER, 758 00:36:15,782 --> 00:36:18,393 AND THE THOUGHT OF THAT IS JUST SO AMAZING-- 759 00:36:18,437 --> 00:36:20,787 THE THOUGHT OF, LIKE, WHEN I SIT THERE AND THINK ABOUT, 760 00:36:20,830 --> 00:36:23,355 THE FEELING IF I DO PASS THIS EXAM. 761 00:36:23,398 --> 00:36:25,922 IT WILL JUST BE THE MOST GLORIOUS THING 762 00:36:25,966 --> 00:36:28,490 EVER TO HAVE HAPPENED, YOU KNOW? 763 00:36:28,534 --> 00:36:31,711 AND IT'S, LIKE, ALL I WANT, IS TO PASS THIS, SO BAD. 764 00:36:31,754 --> 00:36:33,234 I WANT IT TO BE DONE. 765 00:36:33,278 --> 00:36:35,671 I DREAM ABOUT BEING ON A BEACH 766 00:36:35,715 --> 00:36:38,500 WITHOUT A THOUGHT OF A FLASH CARD. 767 00:36:38,544 --> 00:36:42,417 I DREAM ABOUT, LIKE, YOU KNOW, DRINKING A BEER, 768 00:36:42,461 --> 00:36:46,291 AND, LIKE, JUST NOT THINKING ABOUT WINE FOR A LITTLE BIT. 769 00:36:46,334 --> 00:36:50,295 I WONDER IF I CAN. LIKE, I JUST DOUBT I CAN. 770 00:36:50,338 --> 00:36:52,688 I-I WANT TO PASS THIS AND BE DONE WITH IT, 771 00:36:52,732 --> 00:36:56,649 AND I WANT MY LIFE TO START, AND MY MARRIAGE TO BE COOL. 772 00:36:56,692 --> 00:36:59,826 TO GET BACK TO A NORMAL LIFE WOULD BE PHENOMENAL. 773 00:36:59,869 --> 00:37:03,569 YOU KNOW? I DO HAVE A WIFE, I'VE BEEN TOLD. 774 00:37:03,612 --> 00:37:06,572 YOU KNOW, RACHEL'S BEEN WATCHING ME DO THIS 775 00:37:06,615 --> 00:37:08,965 FOR OUR ENTIRE RELATIONSHIP. 776 00:37:09,009 --> 00:37:12,447 WE'RE GONNA HAVE A TON OF TIME TO ACTUALLY GO ON A DATE. 777 00:37:12,491 --> 00:37:14,449 ALL THE WORK THAT I'VE DONE, WHAT I'VE LEARNED, 778 00:37:14,493 --> 00:37:18,801 I JUST HAVE TO LET IT-- LET IT HAPPEN, REALLY. 779 00:37:18,845 --> 00:37:21,891 THE OTHER THING THAT WILL TAKE TREMENDOUS FOCUS 780 00:37:21,935 --> 00:37:24,067 IS TRYING TO STEER CLEAR OF IAN-- 781 00:37:24,111 --> 00:37:26,853 SORRY, BUDDY, TO SAY THIS-- 782 00:37:26,896 --> 00:37:29,290 STEERING CLEAR OF HIM AT THE EXAM, 783 00:37:29,334 --> 00:37:32,293 'CAUSE HE IS GOING TO WANT TO JUST POUND FLASH CARDS, 784 00:37:32,337 --> 00:37:34,991 AND JUST SIT THERE AND DO THEORY ALL DAY. 785 00:37:35,035 --> 00:37:37,733 [ inhales deeply ] 786 00:37:40,954 --> 00:37:43,609 ALL RIGHT, YEAH, I NEED ABOUT TWO MINUTES TO GET SET UP HERE. 787 00:37:43,652 --> 00:37:46,916 YOU KNOW, USUALLY WE TAKE OUR CLOTHES OFF, 788 00:37:46,960 --> 00:37:51,356 UM, BUT, UH, TONIGHT, WE'RE GONNA LEAVE OUR CLOTHES ON. 789 00:38:14,074 --> 00:38:15,684 UH... BOUTAGE. 790 00:38:15,728 --> 00:38:20,428 BOUTAGE IS, UH, TAKING THE DIRT AND COVERING THE STUMP 791 00:38:20,472 --> 00:38:24,389 AND THE BASE OF THE ROOTS, USUALLY PROTECTING FROM FROST. 792 00:38:24,432 --> 00:38:26,913 GOOD. THE NAME OF THE BACTERIA...? 793 00:38:26,956 --> 00:38:29,959 THAT CAUSES PIERCE'S DISEASE. 794 00:38:30,003 --> 00:38:33,833 OH, IT'S SPREAD BY THE GLASSY WINGED SHARPSHOOTER. 795 00:38:33,876 --> 00:38:35,835 OH, WE TALKED ABOUT THIS ONE. 796 00:38:35,878 --> 00:38:38,707 SO IF I SAID, "NAME THREE BACTERIAL DISEASES," 797 00:38:38,751 --> 00:38:41,580 YOU WOULD SAY, "THREE BACTERIAL DISEASES ARE, 798 00:38:41,623 --> 00:38:45,758 [1] PIERCE'S DISEASE, [2] CROWN GALL, [3] BACTERIAL BLIGHT." 799 00:38:45,801 --> 00:38:47,629 ALL RIGHT, BUDDY, WELL, LISTEN, UH, 800 00:38:47,673 --> 00:38:49,152 TOMORROW NIGHT, MIDNIGHT, SEE YOU THEN. 801 00:38:49,196 --> 00:38:50,850 - OKAY. - LATER, BUDDY. 802 00:38:50,893 --> 00:38:53,635 - GOOD NIGHT. - ALL RIGHT, GOOD WORK. 'BYE. 803 00:38:59,206 --> 00:39:01,556 WHEN YOU WORK IN A RESTAURANT, IF YOU HAVE A TOUGH TABLE 804 00:39:01,600 --> 00:39:03,645 OR UNCOOPERATIVE CLIENTS, 805 00:39:03,689 --> 00:39:05,821 OR PEOPLE THAT ARE JUST PLAIN NASTY, 806 00:39:05,865 --> 00:39:08,607 YOU DON'T JUST THROW UP YOUR HANDS, PACK YOUR BAGS, AND LEAVE. 807 00:39:17,180 --> 00:39:19,531 LET'S GO DO SERVICE. 808 00:39:21,620 --> 00:39:24,579 DLYNN, YOU'RE GONNA START AT NUMBER THREE, IN THE BACK WITH FRED. 809 00:39:24,623 --> 00:39:27,582 WHAT WE SET UP WAS AN ALMOST IMPOSSIBLE SITUATION-- 810 00:39:27,626 --> 00:39:29,410 AND IT WAS PLANNED THAT WAY-- 811 00:39:29,454 --> 00:39:31,543 TO SEE HOW THESE CANDIDATES RESPONDED 812 00:39:31,586 --> 00:39:34,981 UNDER A TREMENDOUS PRESSURE FROM TWO VERY DIFFICULT CUSTOMERS. 813 00:39:35,024 --> 00:39:36,591 YOU LIKE...? 814 00:39:36,635 --> 00:39:38,680 - PINK WINE. - PINK WINE. WONDERFUL. 815 00:39:41,466 --> 00:39:43,119 - HOW DO WE LIKE IT, GENE? - COLD! 816 00:39:43,163 --> 00:39:45,121 - VERY COLD. - COLD. 817 00:39:45,165 --> 00:39:46,862 - YOU KNOW HOW YOU SPELL COLD, SON? - C-O-L-D. 818 00:39:55,654 --> 00:39:57,873 OKAY. IT'S COLD NOW. 819 00:39:57,917 --> 00:40:00,093 YOU WOULD PROBABLY LIKE YOUR WHITE WINE OR ROSEÉ WINE 820 00:40:00,136 --> 00:40:02,748 TO BE AT-- AT ABOUT 48 TO 53 DEGREES. 821 00:40:02,791 --> 00:40:05,098 - YOU KNOW WHAT CONVERSION IS? - PARDON? 822 00:40:05,141 --> 00:40:07,622 CONVERSION. I WANT YOU TO CONVERT THIS WINE. 823 00:40:07,666 --> 00:40:09,450 - TO-- TO CELSIUS? - COLD. 824 00:40:09,494 --> 00:40:11,800 COLD, COLD, COLD. COLD. COLD. 825 00:40:11,844 --> 00:40:14,760 WELL, UH, YES, INDEED, UH... 826 00:40:14,803 --> 00:40:17,893 CO-OO-OLD. 827 00:40:17,937 --> 00:40:21,027 I CAN'T EXPRESS MYSELF ANY MORE CLEARLY. 828 00:40:21,070 --> 00:40:23,464 BECAUSE-- BECAUSE I'M MAKING YOU WAIT, 829 00:40:23,508 --> 00:40:25,901 I WILL TAKE CARE OF THE COCKTAILS FOR YOU. 830 00:40:25,945 --> 00:40:28,687 - I JUST WANT COLD WINE. - NOW HE'S TRYING TO BRIBE US WITH FREE DRINKS! 831 00:40:28,730 --> 00:40:31,472 WHAT KIND OF OPERATION YOU RUNNIN' HERE, SON? COLD! 832 00:40:31,516 --> 00:40:33,996 WE WANT COLD WINE. 833 00:40:34,040 --> 00:40:37,739 MAYBE WE SHOULD SPELL IT OUT AND HOLD IT UP. "COLD." 834 00:40:37,783 --> 00:40:41,787 - MAYBE. - LET ME TRY THAT. SEE, CO-OO-OLD. COLD. 835 00:40:44,224 --> 00:40:46,705 GENTLEMEN, I BELIEVE THIS MAY DO IT FOR YOU. 836 00:40:46,748 --> 00:40:48,924 AND I APOLOGIZE, I'M CURRENTLY OUT OF THE 1998. 837 00:40:48,968 --> 00:40:51,840 I DO HAVE THE 1997 LITTORAI, 1997 VIN GRIS. 838 00:40:51,884 --> 00:40:54,016 OKAY. LET'S DO IT. 839 00:40:54,060 --> 00:40:56,149 LET'S HAVE SOME. THAT'S AS COLD AS IT'S GONNA GET, RIGHT? 840 00:40:56,192 --> 00:40:57,629 YES, INDEED. 841 00:41:02,938 --> 00:41:05,201 BRUTAL. ABSOLUTELY BRUTAL. 842 00:41:05,245 --> 00:41:07,073 CHILLING WINE IS A VERY TOUGH THING TO DO, 843 00:41:07,116 --> 00:41:09,162 BUT THERE ARE SOME REALLY GREAT TRICKS TO IT 844 00:41:09,205 --> 00:41:11,207 IF YOU KNOW WHAT YOU'RE DOING, AND NOT VERY MANY OF THEM DID, 845 00:41:11,251 --> 00:41:12,861 SO AS A RESULT, IT WAS A TOTAL FAILURE. 846 00:41:12,905 --> 00:41:15,037 IF YOU DON'T KNOW IT, GET OUT, 847 00:41:15,081 --> 00:41:17,170 YOU DON'T DESERVE TO BE A SOMM. 848 00:41:17,213 --> 00:41:20,173 FIX IT, LEARN IT, DO IT, GO. 849 00:41:23,698 --> 00:41:26,048 OKAY, TODAY'S TASTING IS FOR BRIAN McCLINTIC. 850 00:41:26,092 --> 00:41:28,747 I SEE HIM AT HIS EXAM IN A COUPLE OF WEEKS, 851 00:41:28,790 --> 00:41:31,706 AND, UH, THE REDS I PICKED ARE PRETTY STRAIGHTFORWARD-- 852 00:41:31,750 --> 00:41:34,274 JUST A COUPLE OF LITTLE TWISTS TODAY, SEE IF HE'S ON HIS GAME. 853 00:41:34,317 --> 00:41:37,103 FRED DAME IS... HE'S LARGER THAN LIFE. 854 00:41:37,146 --> 00:41:39,235 HE IS-- HE IS SUCH A PERSONALITY. 855 00:41:39,279 --> 00:41:41,281 I THINK THAT MOST OTHER CANDIDATES 856 00:41:41,324 --> 00:41:43,936 AS WELL AS MOST OTHER MASTERS WOULD PROBABLY AGREE WITH ME 857 00:41:43,979 --> 00:41:46,068 THAT FRED IS PROBABLY ONE OF THE MOST INTIMIDATING PEOPLE 858 00:41:46,112 --> 00:41:47,722 IN THE ENTIRE COURT. 859 00:41:47,766 --> 00:41:49,550 I WAS AFRAID OF FRED. 860 00:41:49,594 --> 00:41:51,247 THE WHITES ARE KIND OF FUNNY TODAY, 861 00:41:51,291 --> 00:41:53,728 BECAUSE I PICKED, UH, AROMATIC WHITES-- 862 00:41:53,772 --> 00:41:55,904 TWO AROMATIC WHITES TO START, WHICH ARE ALWAYS DIFFICULT. 863 00:41:55,948 --> 00:41:59,691 FRED DAME IS SUPPOSED TO INSTILL THE FEAR OF GOD IN PEOPLE. 864 00:41:59,734 --> 00:42:03,564 WE'LL SEE IF MR. McCLINTIC HAS HIS, UH, HAS HIS WITS ABOUT HIM. 865 00:42:03,608 --> 00:42:05,566 I'VE HEARD LEGENDS ABOUT HIS TASTING ABILITIES. 866 00:42:05,610 --> 00:42:07,263 THE LEGEND OF HIM "DAMING" THE EXAM. 867 00:42:07,307 --> 00:42:09,875 I'VE HEARD THE STORY THAT HE WENT TO HIS M.S. EXAM. 868 00:42:09,918 --> 00:42:13,139 "DAMING" IT MEANS THAT YOU JUST SMELL IT, 869 00:42:13,182 --> 00:42:15,576 AND YOU KNOW THE VINTAGE, THE GRAPE VARIETY, THE COUNTRY, 870 00:42:15,620 --> 00:42:17,360 THE SUBREGION, JUST ON THE NOSE. 871 00:42:17,404 --> 00:42:20,712 SO, UH, YOU KNOW, IT'S KIND OF LIKE THREE SECONDS, 872 00:42:20,755 --> 00:42:22,931 SAY, "WHAT IS IT?" 873 00:42:22,975 --> 00:42:25,020 YOU'VE GOT HOW MANY DAYS LEFT THERE, CHAMP? 874 00:42:25,064 --> 00:42:27,109 WE HAVE TEN DAYS LEFT. 875 00:42:27,153 --> 00:42:29,721 - YOU READY? - READY AS I'M GONNA BE. 876 00:42:29,764 --> 00:42:33,072 - THAT'S NOT GOOD ENOUGH. - YES, I'M READY. 877 00:42:33,115 --> 00:42:35,161 THAT'S A BETTER ANSWER. I DON'T WANT TO HEAR THAT OTHER KIND OF ANSWER. 878 00:42:35,204 --> 00:42:38,120 - [ chuckling ] - VERY INTRIGUING. WHY DO YOU-- 879 00:42:38,164 --> 00:42:40,601 YOU FIND THIS AMUSING? THIS IS IT. 880 00:42:40,645 --> 00:42:42,821 - YOU'VE GOT TEN DAYS. - ALL RIGHT. 881 00:42:42,864 --> 00:42:45,911 - OTHERWISE IT'S ANOTHER YEAR. WANNA WAIT ANOTHER YEAR? - NO. 882 00:42:45,954 --> 00:42:48,130 - NO, THAT WOULD SUCK, WOULDN'T IT? - THAT WOULD SUCK. 883 00:42:48,174 --> 00:42:51,612 HE STILL, TO SOME DEGREE, INTIMIDATES ME. 884 00:42:51,656 --> 00:42:54,615 SIX WINES, 25 MINUTES. 885 00:42:54,659 --> 00:42:56,791 AND I NEED YOUR BEST EFFORT. 886 00:42:56,835 --> 00:43:00,316 - GIVE YOU EVERYTHING I GOT. - THAT'S WHAT I EXPECT. 887 00:43:00,360 --> 00:43:02,144 FRED DAME'S GOT A PHOTOGRAPHIC MEMORY. 888 00:43:02,188 --> 00:43:04,233 YOU CAN CLICK DOWN FIVE DOMINOES, 889 00:43:04,277 --> 00:43:07,062 AND REALIZE WHERE THOSE DOMINOES ARE GONNA GO. FRED CAN DO A THOUSAND. 890 00:43:07,106 --> 00:43:10,326 YOU LIKE THE LITTLE TRAP I LAID FOR YOU? YOU SURE FELL FOR IT. 891 00:43:10,370 --> 00:43:12,633 DID I? THAT DOESN'T SOUND GOOD. 892 00:43:12,677 --> 00:43:15,418 - TWO AND THREE. - DID I FLIP-FLOP 'EM? 893 00:43:15,462 --> 00:43:17,420 NO, THE MINUTE YOU CALLED CHARDONNAY, I KNEW YOU WERE DOOMED, 894 00:43:17,464 --> 00:43:20,728 'CAUSE THE THIRD ONE IS A CHARDONNAY. 895 00:43:20,772 --> 00:43:22,774 HE CAN BE REALLY SCARY. 896 00:43:22,817 --> 00:43:25,646 I'VE SEEN HIM YELL AT PEOPLE DURING THEIR TASTINGS. 897 00:43:25,690 --> 00:43:27,822 YOU PUNISHED YOURSELF BECAUSE YOU WENT TO THE OLD WORLD. 898 00:43:27,866 --> 00:43:29,824 - REMEMBER, THIS IS THE MASTERS. - RIGHT. 899 00:43:29,868 --> 00:43:32,827 - CAN'T DO THAT. - THAT HURT. [ chuckles ] HERE. 900 00:43:32,871 --> 00:43:36,091 HE'S A LOT MORE FUN AFTER A GLASS OF WINE. 901 00:43:36,135 --> 00:43:38,398 EVEN MORE FUN AFTER TWO. 902 00:43:38,441 --> 00:43:40,661 YOUR COMMENT, "THE ONLY THING THAT COMES TO MIND..." 903 00:43:40,705 --> 00:43:43,011 POSSIBLE GRAPE VARIETALS INCLUDE... 904 00:43:43,055 --> 00:43:45,274 I CONSIDER MUSCADET NEUTRAL. 905 00:43:45,318 --> 00:43:48,669 PINOT GRIGIO'S NEUTRAL, CHABLIS. 906 00:43:48,713 --> 00:43:50,192 THE ONLY THINGS THAT ARE COMING TO MIND. 907 00:43:50,236 --> 00:43:53,326 I DON'T GIVE A SQUAT WHAT COMES TO YOUR MIND. 908 00:43:53,369 --> 00:43:55,415 NEITHER DOES ANYBODY ELSE. 909 00:43:55,458 --> 00:43:58,374 AND ALL THIS "I THINK" AND ALL, IS JUST WASTING TIME, ALL RIGHT? 910 00:43:58,418 --> 00:44:01,813 GET RID OF IT. NOW, NUMBER FIVE. 911 00:44:06,078 --> 00:44:08,254 THIS SUCKS. 912 00:44:08,297 --> 00:44:11,344 HE SAID, "LET'S GO PLAY SOME POOL. I'M REALLY GOOD AT IT." 913 00:44:11,387 --> 00:44:14,695 AND, UH, I WENT, "THIS GUY DOES EVERYTHING!" 914 00:44:14,739 --> 00:44:18,394 I MEAN, AND YOU KNOW, I WAS WISCONSIN JUNIOR STATE CHAMPION, 915 00:44:18,438 --> 00:44:20,396 AND I WAS A ROAD PLAYER, RIGHT? 916 00:44:20,440 --> 00:44:24,096 I PLAYED-- I'M-- I'M FAIRLY PROFICIENT IN POCKET BILLIARDS, 917 00:44:24,139 --> 00:44:27,316 AND I WENT, "FRED PLAYS-- THIS GUY IS A GOD, RIGHT?" 918 00:44:27,360 --> 00:44:29,884 AND THEN, WE WENT FISHING, AND I BROUGHT UP ALL THIS WINE 919 00:44:29,928 --> 00:44:31,407 TO IMPRESS THE GREAT FRED DAME, RIGHT? 920 00:44:31,451 --> 00:44:33,409 SO I BROUGHT UP THESE REALLY FANCY WINES, 921 00:44:33,453 --> 00:44:35,803 AND SO, WE'RE GOING HALIBUT FISHING-- 922 00:44:35,847 --> 00:44:37,979 PRETTY BLOODY, GUTTY KIND OF FISHING. 923 00:44:38,023 --> 00:44:41,766 THERE'S A LOT OF SHOOTING THE HALIBUT IN THE BRAIN SO IT DIES... 924 00:44:41,809 --> 00:44:44,507 AND WE WENT TO THIS LITTLE UPSCALE POOLROOM IN ASPEN. 925 00:44:44,551 --> 00:44:48,511 AND HE GOES, "MR. BJORNHOLM, BRING THE 1990 JAMET COTE ROTIE. 926 00:44:48,555 --> 00:44:51,036 IT'S FANTASTIC STUFF." 927 00:44:51,079 --> 00:44:53,038 I SAID, "WELL, FRED, YOU KNOW, COME ON, 928 00:44:53,081 --> 00:44:55,170 WE'RE OUT IN THE MIDDLE OF THE OCEAN, 929 00:44:55,214 --> 00:44:57,782 AND WE CAN'T BRING GLASS ON THE BOAT AND, YOU KNOW, 930 00:44:57,825 --> 00:44:59,740 THERE'S BLOOD AND GUTS EVERY--" 931 00:44:59,784 --> 00:45:01,437 AND HE'S LIKE, "MR. BJORNHOLM..." 932 00:45:01,481 --> 00:45:03,744 BUT I WAS SO SCARED, I DRANK WINE LIKE IT WAS WATER, 933 00:45:03,788 --> 00:45:06,921 WHICH I'VE NEVER DONE IN MY LIFE TILL THAT POINT THEN, 934 00:45:06,965 --> 00:45:08,749 AND I'VE NEVER DONE IT AGAIN. 935 00:45:08,793 --> 00:45:10,751 I DRANK IT LIKE A GLASS OF WATER. GLUG GLUG GLUG. 936 00:45:10,795 --> 00:45:12,274 I WAS SCARED OF FRED DAME. 937 00:45:12,318 --> 00:45:15,321 OH, MAN, THERE WAS, LIKE, OCTOPUS, YOU KNOW, 938 00:45:15,364 --> 00:45:18,324 WRAPPING AROUND MY LEG AND GRIPPING ONTO ME, 939 00:45:18,367 --> 00:45:20,761 AND I'M SITTING THERE WITH THIS STYROFOAM CUP 940 00:45:20,805 --> 00:45:22,328 OF ONE OF THE GREATEST WINES, 941 00:45:22,371 --> 00:45:24,286 ONE OF THE GREATEST VINTAGES OF COTE ROTIE, 942 00:45:24,330 --> 00:45:25,940 FROM ONE OF THE GREATEST PRODUCERS. 943 00:45:25,984 --> 00:45:27,463 AND FRED'S LIKE, "MR. BJORNHOLM, POUR ME SOME!" 944 00:45:27,507 --> 00:45:30,075 I PUT A CUE IN HIS HAND, 945 00:45:30,118 --> 00:45:32,773 AND IN TWO SECONDS, I WENT, "THIS GUY IS A MAN," 946 00:45:32,817 --> 00:45:35,428 BECAUSE HE COULDN'T PLAY AT ALL! HA HA! 947 00:45:35,471 --> 00:45:37,430 AND TO THIS DAY, 948 00:45:37,473 --> 00:45:40,346 IT REMAINS THE GREATEST "GLASS" OF WINE I'VE EVER HAD. 949 00:45:40,389 --> 00:45:43,305 BACK TO THE DRAWING BOARD. COULDN'T GET 'EM OUT NOW. 950 00:45:43,349 --> 00:45:46,308 NO, NO. NOW, THAT-- THAT IS ABSOLUTELY THE WRONG ATTITUDE. 951 00:45:46,352 --> 00:45:49,529 THAT-- YOU HAVE NO CHANCE. DON'T EVEN BOTHER GOING. SAVE THE MONEY. 952 00:45:49,572 --> 00:45:52,227 YOU'RE NOT GOING BACK TO THE DRAWING BOARD. 953 00:45:52,271 --> 00:45:54,447 YOU'RE DOING EXACTLY WHAT YOU DID, ALL RIGHT? 954 00:45:54,490 --> 00:45:57,319 YOU'RE A VERY GOOD TASTER. ALL THE THINGS ARE THERE. 955 00:45:57,363 --> 00:45:59,539 - JUST DON'T MAKE IT HARDER THAN IT IS. - THANK YOU. 956 00:45:59,582 --> 00:46:02,107 - NICE JOB. - THANKS FOR TAKING THE TIME. 957 00:46:02,150 --> 00:46:04,196 - THIS IS HELPFUL. - YOU'RE GONNA BE OKAY. 958 00:46:10,506 --> 00:46:12,813 BELIEVE ME, WHEN I WAS ACTUALLY 959 00:46:12,857 --> 00:46:15,511 GOING THROUGH THE WHOLE PROCESS, THERE WERE A NUMBER OF TIMES 960 00:46:15,555 --> 00:46:18,514 WHERE I ASKED MYSELF WHETHER I WAS ACTUALLY-- WHY I WAS DOING IT. 961 00:46:18,558 --> 00:46:20,299 SIX MONTHS LATER, 962 00:46:20,342 --> 00:46:22,867 SUDDENLY THE PHONE STARTS RINGING FOR OPPORTUNITIES-- 963 00:46:22,910 --> 00:46:26,131 UM, TO TRAVEL, TO SPEAK, UM, TO TEACH. 964 00:46:26,174 --> 00:46:28,176 SLOWLY BUT SURELY, 965 00:46:28,220 --> 00:46:30,265 YOUR LIFE GETS BETTER AND BETTER AND BETTER, 966 00:46:30,309 --> 00:46:32,311 AND I'M A GREAT EXAMPLE OF THAT. 967 00:46:32,354 --> 00:46:34,530 WHEN I FIRST STARTED IN THIS PROGRAM, I DIDN'T EVEN OWN A SUIT. 968 00:46:34,574 --> 00:46:37,533 I BORROWED A SUIT FOR THE MASTER'S EXAM. 969 00:46:37,577 --> 00:46:39,840 IT HAS BEEN VALUABLE BEYOND WORDS FOR ME, 970 00:46:39,884 --> 00:46:42,408 FOR MY BUSINESS, 971 00:46:42,451 --> 00:46:46,020 AND I'M SURE THAT THESE GUYS WILL PROBABLY FIGURE THAT OUT WHEN THEY PASS AS WELL. 972 00:46:46,064 --> 00:46:49,284 YOUR HEAD LOOKS LIKE IT'S IN GOOD SHAPE, NICE AND SHAVED. 973 00:46:49,328 --> 00:46:52,897 - IT'S A LITTLE SCRUFFLY TODAY. - A LITTLE SCRUFFY TODAY? 974 00:46:52,940 --> 00:46:56,248 - I'LL BE NICE AND POLISHED UP FOR THE EXAM, THOUGH. - EXCELLENT. 975 00:46:56,291 --> 00:46:58,598 YOUR TASTINGS HAVE ALWAYS BEEN VERY FLUID. 976 00:46:58,641 --> 00:47:02,297 THEY HAVE GREAT PACING, WITH A LOT OF GREAT DESCRIPTORS, 977 00:47:02,341 --> 00:47:04,473 AND I SUSPECT THAT TODAY WILL BE NO DIFFERENT. 978 00:47:04,517 --> 00:47:07,215 IAN, HAVEN'T SEEN YOU IN A LITTLE BIT, 979 00:47:07,259 --> 00:47:09,391 BUT YOU'VE BEEN TASTING WELL, I HEAR. 980 00:47:09,435 --> 00:47:13,874 SO, WE'LL GO THROUGH THIS TASTING, AND REMEMBER, UM, 981 00:47:13,918 --> 00:47:16,050 IT'S A TIMED TASTING. 982 00:47:16,094 --> 00:47:19,053 - ARE YOU DOING RELAXATION TECHNIQUES? - ABSOLUTELY NOT. 983 00:47:19,097 --> 00:47:22,317 I DRINK COFFEE ALL THE TIME AND STAY UP LATE AND STUDY. 984 00:47:22,361 --> 00:47:23,971 WELL, RELAX. TAKE CARE OF YOURSELF. 985 00:47:24,015 --> 00:47:26,060 EAT RIGHT. SLEEP RIGHT. 986 00:47:26,104 --> 00:47:29,107 GO WATCH A MOVIE, GO HAVE A MASSAGE. 987 00:47:29,150 --> 00:47:30,586 DO THE THINGS THAT'LL HELP YOU RELAX. 988 00:47:30,630 --> 00:47:33,024 - DOESN'T THAT SOUND GOOD? - SOUNDS GOOD. 989 00:47:33,067 --> 00:47:35,200 BUT I REALLY THINK THAT THAT'S A KEY THING, 990 00:47:35,243 --> 00:47:38,116 BUT ABOVE ALL, ESPECIALLY NOW, AS YOU GET CLOSER, 991 00:47:38,159 --> 00:47:40,422 AND YOU CAN TELL THAT THERE'S KIND OF LIKE 992 00:47:40,466 --> 00:47:42,337 THE LIGHT AT THE END OF THE TUNNEL, SO TO SPEAK, 993 00:47:42,381 --> 00:47:46,254 UM, ANXIETY AND NERVOUSNESS MANIFESTS ITSELF 994 00:47:46,298 --> 00:47:48,343 IN DIFFERENT WAYS WITH DIFFERENT PEOPLE. 995 00:47:48,387 --> 00:47:51,477 SO JUST, YOU KNOW, MAYBE FOR THE NEXT WEEK OR SO, 996 00:47:51,520 --> 00:47:54,915 UM, MAYBE DO ONE OR TWO MORE TASTINGS AND RELAX. 997 00:47:54,959 --> 00:47:57,178 SO WHEN YOU GET TO THE FIRST ONE, 998 00:47:57,222 --> 00:48:00,138 I'LL GO AHEAD AND START TIMING YOU. 999 00:48:00,181 --> 00:48:02,575 - READY? - YEP. WHEN YOU'RE READY, YOU'RE READY. 1000 00:48:23,509 --> 00:48:26,120 WINE ONE IS A WHITE WINE. THE WINE IS CLEAR. THE WINE IS DAY BRIGHT. 1001 00:48:26,164 --> 00:48:28,209 THERE IS NO EVIDENCE OF GAS OR FLOCCULATION IN MY GLASS. 1002 00:48:28,253 --> 00:48:32,387 NOSE IS CLEAN, YOUTHFUL. MEDIUM-PLUS INTENSITY OF AROMAS. 1003 00:48:32,431 --> 00:48:34,520 WE'VE GOT KIND OF CANDIED CITRUS HERE. 1004 00:48:34,563 --> 00:48:37,131 - LEMON CURD. - REALLY RIPE LEMON, CANDIED LEMON. 1005 00:48:37,175 --> 00:48:38,567 PALATE? 1006 00:48:43,311 --> 00:48:47,968 DRY WINE. MEDIUM-PLUS BODY. 1007 00:48:48,012 --> 00:48:50,275 [ inhales sharply ] ALCOHOL. 1008 00:48:50,318 --> 00:48:53,974 [ breathes audibly ] 1009 00:48:54,018 --> 00:48:56,324 WINE'S DRY. MEDIUM-PLUS BODY. 1010 00:48:56,368 --> 00:48:59,153 WINE IS DRY. FULL BODY. 1011 00:48:59,197 --> 00:49:01,677 NO SIGNS OF NEW OAK ON THE WINE. 1012 00:49:01,721 --> 00:49:03,984 THERE'S A LOT OF NEW FRENCH OAK ON THIS WINE. 1013 00:49:04,028 --> 00:49:06,334 APPEARS TO BE SOME OAK ON THIS WINE, 1014 00:49:06,378 --> 00:49:08,423 SOME VANILLA, SOME CLOVE, CINNAMON, BAKING SPICES. 1015 00:49:08,467 --> 00:49:10,991 CINNAMON, NUTMEG, CARDAMOM, BAKING SPICES. 1016 00:49:11,035 --> 00:49:12,688 I WANT TO CHANGE THAT. 1017 00:49:12,732 --> 00:49:14,777 THERE IS CINNAMON, NUTMEG, CLOVE, VANILLA, SOME BAKING SPICES. 1018 00:49:14,821 --> 00:49:16,692 ACID'S MEDIUM. 1019 00:49:16,736 --> 00:49:21,697 ACIDITY ON THE WINE IS... [ smacking lips ]... MEDIUM. 1020 00:49:21,741 --> 00:49:23,525 ACID IS, UH, MEDIUM-PLUS. 1021 00:49:23,569 --> 00:49:26,354 IN ITS CONCLUSION, THIS IS AN OLD WORLD WINE... 1022 00:49:26,398 --> 00:49:29,444 POSSIBLE GRAPE VARIETALS INCLUDE CHARDONNAY, MARSANNE-ROUSSANNE. 1023 00:49:29,488 --> 00:49:31,707 THIS WINE IS FROM THE NEW WORLD, FROM A WARM CLIMATE, 1024 00:49:31,751 --> 00:49:33,753 DUE TO THE MEDIUM ACID AND THE HIGH ALCOHOL. 1025 00:49:33,796 --> 00:49:35,711 VERY GLOSSY, VERY EXTRACTED, LOTS OF GLYCEROL. 1026 00:49:35,755 --> 00:49:37,713 CHARDONNAY FROM BURGUNDY. 1027 00:49:37,757 --> 00:49:40,020 IT'S POSSIBLE THIS IS A VERY RIPE, MODERN BURGUNDY AS WELL, 1028 00:49:40,064 --> 00:49:42,327 BUT I HAVE TO GO WITH MY GUT HERE. 1029 00:49:42,370 --> 00:49:45,721 FINAL CONCLUSION, THIS IS CHARDONNAY, FROM FRANCE. 1030 00:49:45,765 --> 00:49:47,767 IT'S FROM BURGUNDY. 1031 00:49:47,810 --> 00:49:50,552 I'M GONNA SAY OLD WORLD, FRANCE. 1032 00:49:50,596 --> 00:49:53,251 UM, IT'S BURGUNDY. 1033 00:49:53,294 --> 00:49:57,429 UH... I'LL CALL THIS 2006. 1034 00:49:57,472 --> 00:50:00,040 FINAL CONCLUSION, THIS WINE IS FROM THE UNITED STATES. 1035 00:50:00,084 --> 00:50:02,738 THIS WINE IS FROM CALIFORNIA. 1036 00:50:02,782 --> 00:50:05,350 THIS WINE IS FROM SONOMA COUNTY. 1037 00:50:05,393 --> 00:50:07,439 THIS WINE IS FROM THE RUSSIAN RIVER VALLEY. 1038 00:50:07,482 --> 00:50:10,659 THE GRAPE IS CHARDONNAY, UM, FROM THE 2008 VINTAGE, 1039 00:50:10,703 --> 00:50:13,053 FROM A HIGH-QUALITY PRODUCER. 1040 00:50:13,097 --> 00:50:14,228 WINE NUMBER TWO IS A... 1041 00:50:14,272 --> 00:50:15,577 WHITE WINE. THE WINE IS CLEAR. 1042 00:50:15,621 --> 00:50:17,579 - VISCOSITY IS... - MEDIUM-PLUS. 1043 00:50:17,623 --> 00:50:20,104 - MEDIUM-PLUS. - I'D CALL VISCOSITY HIGH ON THIS AS WELL. 1044 00:50:20,147 --> 00:50:22,628 - THE NOSE OF THE WINE IS CLEAN... - CLEAN, YOUTHFUL. 1045 00:50:22,671 --> 00:50:26,240 FIRST THING THAT'S COMING OUT HERE IS SOME PEACHY APRICOT NOTES. 1046 00:50:26,284 --> 00:50:30,114 - CANNED PEACHES. - LITTLE BIT OF PEACH-- SLIGHTLY OXIDIZED WHITE PEACH. 1047 00:50:30,157 --> 00:50:32,072 DOESN'T APPEAR TO BE ANY NEW OAK ON THE WINE. 1048 00:50:32,116 --> 00:50:36,076 - NO SIGNS OF OAK. - LIGHT HINT OF OAK ON THE PALATE. 1049 00:50:36,120 --> 00:50:39,340 - WELL, THIS WINE IS DRY. - THE WINE IS DRY. 1050 00:50:39,384 --> 00:50:41,125 THE ACID IS MEDIUM-MINUS. 1051 00:50:41,168 --> 00:50:42,648 - MEDIUM-MINUS. - MEDIUM. 1052 00:50:42,691 --> 00:50:44,519 - ALCOHOL IS HIGH. - HIGH. 1053 00:50:44,563 --> 00:50:46,391 - HIGH. - THIS IS VIOGNIER FROM FRANCE, 1054 00:50:46,434 --> 00:50:49,437 FROM RHONE VALLEY, NORTHERN RHONE. 1055 00:50:49,481 --> 00:50:51,613 - THIS IS CONDRIEU. - I THINK THIS WINE IS FROM FRANCE. 1056 00:50:51,657 --> 00:50:53,311 THIS WINE IS FROM THE RHONE VALLEY. 1057 00:50:53,354 --> 00:50:55,443 THIS WINE IS FROM THE NORTHERN RHONE VALLEY. 1058 00:50:55,487 --> 00:50:58,403 THIS IS A ROUSANNE-MARSANNE BLEND FROM THE HILL OF HERMITAGE. 1059 00:50:58,446 --> 00:51:01,536 NEW WORLD. NORTH AMERICA. CALIFORNIA. 1060 00:51:01,580 --> 00:51:04,626 CLOS VIOGNIER, FROM SONOMA COUNTY, 1061 00:51:04,670 --> 00:51:07,281 TWO THOUSAND AND... 2009 VINTAGE. 1062 00:51:07,325 --> 00:51:11,285 WINE NUMBER THREE IS A CLEAR, STAR BRIGHT WHITE WINE. 1063 00:51:11,329 --> 00:51:14,549 IT IS CLEAN, YOUTHFUL, UH, AGAIN, 1064 00:51:14,593 --> 00:51:16,769 HIGH INTENSITY OF AROMAS. 1065 00:51:16,812 --> 00:51:20,642 FANTASTIC. NOT SURE WHERE TO GO WITH THIS. 1066 00:51:20,686 --> 00:51:23,645 I'M GONNA GO BACK THAT WINE. WHEW. WINE NUMBER FIVE... 1067 00:51:25,343 --> 00:51:27,519 [EXHALES] FLAILING HERE. UM... 1068 00:51:27,562 --> 00:51:31,131 WINE IS WELL BALANCED, UH, WITH A MEDIUM-PLUS LENGTH, 1069 00:51:31,175 --> 00:51:33,090 MEDIUM-PLUS COMPLEXITY. INITIAL CONCLUSION 1070 00:51:35,527 --> 00:51:38,443 [ exhales heavily ] UH, FALLING APART HERE. 1071 00:51:38,486 --> 00:51:40,314 UM... 1072 00:51:48,192 --> 00:51:50,498 CALL IT A BRUNELLO DI MONTALCINO, 2004... 1073 00:51:50,542 --> 00:51:54,502 STOP. STOP THE TIME. WHEN YOU GO IN AND YOU TAKE THAT TEST, 1074 00:51:54,546 --> 00:51:55,851 YOU'RE GONNA HAVE EXACTLY THE SAME KIND OF FEELINGS, 1075 00:51:55,895 --> 00:51:57,462 - RIGHT? - YEAH. 1076 00:51:57,505 --> 00:51:59,464 IT'S GONNA BE THIS FEELING OF HELPLESSNESS, 1077 00:51:59,507 --> 00:52:01,727 THAT IF I TAKE A LEFT TURN, 1078 00:52:01,770 --> 00:52:04,338 MY BACK'S GONNA BE AGAINST THE WALL, SO THIS IS A GOOD THING. 1079 00:52:04,382 --> 00:52:07,733 AT THIS POINT, YOU KNOW, BEING SO CLOSE TO THE EXAM, 1080 00:52:07,776 --> 00:52:10,605 I WAS KIND OF KEEPING MY FINGERS CROSSED FOR A CONFIDENCE BOOSTER. 1081 00:52:10,649 --> 00:52:12,477 THIS IS WHAT WINE NUMBER TWO IS, 1082 00:52:12,520 --> 00:52:14,305 AND YOU MIGHT BE FAMILIAR WITH THIS. 1083 00:52:14,348 --> 00:52:16,611 OH, MY GOD. OH, MY GOD! 1084 00:52:16,655 --> 00:52:19,788 THIS IS A WINE THAT, FOR YOU, DIDN'T HAVE MUCH OAK ON IT. 1085 00:52:22,574 --> 00:52:24,880 - IS THIS PO-- IS THIS HAPPENING RIGHT NOW? - I DON'T KNOW. YOU TELL ME. 1086 00:52:24,924 --> 00:52:28,884 NOT A PERFECT FLIGHT TODAY. I WOULDN'T HAVE PASSED MY M.S. 1087 00:52:28,928 --> 00:52:32,888 - THIS IS WHAT THIS WINE IS. - IT'S NEW WORLD, CHARD. YEP. 1088 00:52:32,932 --> 00:52:34,890 DID IT SMELL LIKE CHARDONNAY? 1089 00:52:34,934 --> 00:52:37,545 IT DOES SMELL LIKE CHARDONNAY. 1090 00:52:37,589 --> 00:52:39,547 DID IT TASTE LIKE CHARDONNAY? 1091 00:52:39,591 --> 00:52:41,549 IT DOES TASTE LIKE CHARDONNAY. 1092 00:52:41,593 --> 00:52:44,204 KIND OF THE SAME THING WE HAD 1093 00:52:44,248 --> 00:52:46,293 WHEN WE HAD THE OLDER WHITE BURGUNDY BEFORE, RIGHT? 1094 00:52:46,337 --> 00:52:48,991 DOES IT LOOK LIKE BURGUNDY? DOES IT TASTE LIKE BURGUNDY? 1095 00:52:49,035 --> 00:52:51,385 IT DOES NOT TASTE LIKE BURGUNDY. 1096 00:52:51,429 --> 00:52:53,431 AT THIS POINT, I NEED TO-- 1097 00:52:53,474 --> 00:52:56,477 I NEED TO CHILL, 'CAUSE I'M WAY TOO WORKED UP. 1098 00:52:56,521 --> 00:52:59,915 THIS IS WHAT WINE NUMBER... TWO IS. 1099 00:52:59,959 --> 00:53:03,223 I THINK, UH... WILL YOU SMELL THIS WINE? 1100 00:53:03,267 --> 00:53:05,921 THIS IS MY WINE ONE. I THINK THAT YOU HAD SWITCHED THEM. 1101 00:53:05,965 --> 00:53:08,663 I DIDN'T POUR THE WINE, SO... 1102 00:53:08,707 --> 00:53:10,448 Woman: I POURED THE REDS, BUT-- 1103 00:53:10,491 --> 00:53:12,885 THAT'S CALIFORNIA CHARDONNAY. THIS IS HERMITAGE. 1104 00:53:15,627 --> 00:53:19,283 - NO. WE GOT IT RIGHT. - REALLY? COULD YOU SHOW ME--? 1105 00:53:19,326 --> 00:53:22,547 - Woman: EVERYBODY STRUGGLED WITH THIS. - REALLY? 1106 00:53:22,590 --> 00:53:24,984 WINE NUMBER TWO IS SWEETER THAN WINE NUMBER ONE. 1107 00:53:29,989 --> 00:53:32,426 I'M TASTING THIS RIGHT NOW, AND I TASTE BERINGER. 1108 00:53:32,470 --> 00:53:36,822 I SELL A LOT OF IT. I'M TASTING THIS, AND... SO YOU GUYS POURED THESE? 1109 00:53:36,865 --> 00:53:39,433 - LET'S LEAVE IT AT THAT FOR NOW. YOU CAN REVISIT IT-- - OKAY, THAT'S NO PROBLEM. 1110 00:53:39,477 --> 00:53:43,045 WE'LL TASTE THEM IN A MINUTE. I'M JUST VERY CONFUSED. I GO BACK TO THEM. 1111 00:53:43,089 --> 00:53:45,483 BUT THERE'S A REASON WHY I PUT 'EM SIDE BY SIDE. 1112 00:53:45,526 --> 00:53:47,659 OKAY? SO LET'S GO TO WINE NUMBER THREE. 1113 00:53:47,702 --> 00:53:50,879 BUT I THINK YOU WOULD HAVE AGREED, 1114 00:53:50,923 --> 00:53:54,970 AND I THINK YOU EVEN SAID THIS, BUT IT'S LIKE DRIED RED FRUIT. 1115 00:53:55,014 --> 00:53:57,843 IT'S DRIED RED FRUIT. YOU KEEP GOING BACK TO WINE NUMBER ONE. 1116 00:53:57,886 --> 00:54:00,802 YEAH, I JUST-- I JUST-- IT'S JUST INTERESTING. 1117 00:54:00,846 --> 00:54:04,937 SO, DRIED, UH-- SO DRIED RED FRUIT, UM, POMEGRANATE, SO... 1118 00:54:04,980 --> 00:54:07,809 COULD YOU PASS ME THAT BOTTLE, OF HERMITAGE? 1119 00:54:07,853 --> 00:54:10,725 Woman: HERE. NOW YOU CAN DEFINITIVELY... 1120 00:54:10,769 --> 00:54:13,728 SO, IAN, WHAT I WOULD SAY IS, 1121 00:54:13,772 --> 00:54:16,383 'CAUSE I THOUGHT YOU DID A GREAT JOB. 1122 00:54:16,427 --> 00:54:18,777 I WOULD FOCUS A LITTLE BIT ON MY NON-FRUIT AROMAS, 1123 00:54:18,820 --> 00:54:20,996 ESPECIALLY SOME OF THOSE OTHER ONES, YOU KNOW, 1124 00:54:21,040 --> 00:54:24,478 AND WHETHER IT BE HONEY, WHETHER IT BE TAR OR SPICE. 1125 00:54:24,522 --> 00:54:28,917 AND THEN, UM, SOME OF THE WOOD INDICATORS, 1126 00:54:28,961 --> 00:54:33,008 BECAUSE I THINK THAT NUMBER-- WINE NUMBER TWO HAS SOME DEFINITIVE OAK INDICATORS 1127 00:54:33,052 --> 00:54:35,663 IN THERE THAT, UH, IS VERY, VERY STRONG, 1128 00:54:35,707 --> 00:54:37,709 AS WELL AS ALL THREE OF THE WHITE WINES, 1129 00:54:37,752 --> 00:54:40,494 TO BE HONEST WITH YOU. UM... 1130 00:54:40,538 --> 00:54:42,888 BUT OTHER THAN THAT, I REALLY DON'T HAVE MUCH TO-- 1131 00:54:42,931 --> 00:54:45,891 TO CRITICIZE YOU FOR, BECAUSE I THOUGHT YOU DID A GREAT JOB. 1132 00:54:45,934 --> 00:54:48,328 GOING BACK TO THEM AFTERWARDS, YOU KNOW, 1133 00:54:48,372 --> 00:54:51,505 I THINK I CALLED THE RIGHT WINES, WINE ONE AND TWO, SO... 1134 00:54:51,549 --> 00:54:54,421 I KNOW THAT IAN THOUGHT THAT THE WINES WERE SWITCHED UP, 1135 00:54:54,465 --> 00:54:56,728 AND HE PROBABLY THINKS THAT AS HE'S DRIVING AWAY, 1136 00:54:56,771 --> 00:54:58,469 BUT I DID SMELL THE WINES, 1137 00:54:58,512 --> 00:55:00,340 AND THE WINES WERE CORRECTLY POURED. 1138 00:55:00,384 --> 00:55:02,473 I JUST DIDN'T BELIEVE IT. 1139 00:55:02,516 --> 00:55:04,779 IT WAS LIKE SOMEBODY TOLD ME THAT I HAD BROWN HAIR. 1140 00:55:04,823 --> 00:55:06,912 IT'S LIKE, I KNOW I DON'T. 1141 00:55:06,955 --> 00:55:08,870 THAT'S WHAT YOU SEE, YOU KNOW? 1142 00:55:08,914 --> 00:55:11,046 I'M SURE A LOT OF THAT WAS PREDICATED ON THE ANXIETY 1143 00:55:11,090 --> 00:55:13,048 AND THE NERVOUSNESS THAT HE'S STARTING TO FEEL NOW, 1144 00:55:13,092 --> 00:55:14,920 AND I'M SURE THAT AS THE WEEK GOES ON, 1145 00:55:14,963 --> 00:55:16,835 IT'LL PROBABLY JUST GET WORSE. 1146 00:55:26,584 --> 00:55:29,804 WITH REGARDS TO IAN, DUSTIN, AND MYSELF, 1147 00:55:29,848 --> 00:55:34,896 I THINK THE BEST-CASE SCENARIO IS OBVIOUS. 1148 00:55:34,940 --> 00:55:38,639 IT'S ...THE, UH, THE WORST-CASE SCENARIO THAT'S NOT SO OBVIOUS. 1149 00:55:40,598 --> 00:55:43,775 HOW DO I PUT THIS? WE, UH... IAN, DUSTIN, AND I 1150 00:55:43,818 --> 00:55:45,994 ARE LIKE, UH, 1151 00:55:46,038 --> 00:55:48,693 ABOUT AS CLOSE AS THREE PEOPLE COULD BE RIGHT NOW. 1152 00:55:48,736 --> 00:55:50,825 WE... I DON'T KNOW. 1153 00:55:50,869 --> 00:55:53,393 DUSTIN AND I MOVED IN TOGETHER. 1154 00:55:53,437 --> 00:55:55,961 IAN AND I HAVE STUDIED FOR THE ADVANCED TOGETHER, 1155 00:55:56,004 --> 00:55:59,573 AND WE SPEND PRETTY MUCH ALL OF OUR WAKING TIME TOGETHER. 1156 00:55:59,617 --> 00:56:02,097 WE'RE COMPLETELY DEPENDENT ON EACH OTHER, 1157 00:56:02,141 --> 00:56:06,798 AND... IF ALL OF US DON'T GET THROUGH, 1158 00:56:06,841 --> 00:56:09,583 IT'S ALL GOOD, 1159 00:56:09,627 --> 00:56:12,107 BECAUSE WE STILL HAVE EACH OTHER, 1160 00:56:12,151 --> 00:56:14,588 WE STILL HAVE THE CORE INTACT. 1161 00:56:14,632 --> 00:56:17,983 BUT IF ONE OF US PASSES, IT'S STILL ALL GOOD, 1162 00:56:18,026 --> 00:56:21,073 'CAUSE TWO OF US ARE HAPPY FOR THAT PERSON, 1163 00:56:21,116 --> 00:56:25,947 AND, YOU KNOW, 1164 00:56:25,991 --> 00:56:28,950 THE TWO PEOPLE STILL HAVE EACH OTHER. 1165 00:56:28,994 --> 00:56:33,128 BUT THE WORST-CASE SCENARIO IS... 1166 00:56:33,172 --> 00:56:37,742 IF TWO OF US PASS, AND ONE OF US DOESN'T. 1167 00:56:37,785 --> 00:56:40,440 AND I'VE THOUGHT A LOT ABOUT THAT, 1168 00:56:40,484 --> 00:56:42,877 AND THE REASON WHY IT'D BE BAD IS BECAUSE 1169 00:56:42,921 --> 00:56:46,446 THAT ONE PERSON IS ALL ALONE, COMPLETELY ALONE. 1170 00:56:46,490 --> 00:56:49,449 HE'S ALL BY HIMSELF. 1171 00:56:49,493 --> 00:56:53,148 AND WHEN THOSE OTHER TWO GET THROUGH, HE'S HAPPY FOR THEM, 1172 00:56:53,192 --> 00:56:55,977 BUT HE'S PRETTY MUCH CLAPPING BY HIMSELF 1173 00:56:56,021 --> 00:56:58,458 WHEN THEY GET ANNOUNCED AS MASTERS. 1174 00:56:58,502 --> 00:57:01,592 AND... WHEN THE OTHER TWO GET THROUGH, 1175 00:57:01,635 --> 00:57:03,637 THEIR-- THEIR JOB IS DONE. 1176 00:57:03,681 --> 00:57:05,596 THEY'RE NOT GONNA GO BACK TO THAT COURT. 1177 00:57:05,639 --> 00:57:07,598 IT'LL BE COMPLETELY DONE, 1178 00:57:07,641 --> 00:57:09,469 AND THAT PERSON WILL HAVE TO... 1179 00:57:09,513 --> 00:57:11,689 THAT PERSON WILL HAVE TO, LIKE, HIKE EVEREST BY THEMSELF, 1180 00:57:11,732 --> 00:57:16,650 OR FIND ANOTHER GROUP TO LATCH ONTO, BECAUSE THIS TEST IS... 1181 00:57:16,694 --> 00:57:21,176 IT--IT'S ALMOST IMPOSSIBLE TO PASS, BUT WITHOUT PEOPLE, 1182 00:57:21,220 --> 00:57:26,007 IT'S-- IT'S INCOMPREHENSIBLE. 1183 00:57:26,051 --> 00:57:28,183 NOW THESE GUYS NOW, THERE'S FEAR. 1184 00:57:28,227 --> 00:57:31,273 THERE'S FEAR IN THEIR HEART OF FAILURE. 1185 00:57:31,317 --> 00:57:33,493 THERE'S FEAR OF, OF SOMEONE TELLING YOU 1186 00:57:33,537 --> 00:57:35,495 THAT YOU'RE NOT GOOD ENOUGH. 1187 00:57:35,539 --> 00:57:39,194 THE MASTERS HAVE PRETTY MUCH ALREADY ACCEPTED ME AS FAMILY, 1188 00:57:39,238 --> 00:57:41,980 SO I HAVE TO DELIVER. 1189 00:57:42,023 --> 00:57:44,852 THERE IS HOPE IN THEIR HEARTS RIGHT NOW, 1190 00:57:44,896 --> 00:57:48,029 THAT THEY WILL PASS THIS EXAM AND NOT HAVE TO STUDY ANYMORE. 1191 00:57:48,073 --> 00:57:50,684 WE WANT TO LIVE OUR LIVES AGAIN, 1192 00:57:50,728 --> 00:57:54,514 AND WE CAN'T UNTIL THIS IS OVER. 1193 00:57:54,558 --> 00:58:00,781 AND, UH, THAT THOUGHT IS ALWAYS THERE, YOU KNOW? 1194 00:58:00,825 --> 00:58:03,871 AND I KEEP THINKING ABOUT, IF I DON'T GET THROUGH, YOU KNOW, 1195 00:58:03,915 --> 00:58:06,047 IT'S ALL GOOD, YOU KNOW, I'LL LEARN MORE, 1196 00:58:06,091 --> 00:58:08,659 BUT I'M A MARRIED MAN, YOU KNOW. I WANT TO BE A HUSBAND. 1197 00:58:08,702 --> 00:58:11,836 THERE'S A LITTLE BIT OF, UH, SELF-DOUBT. 1198 00:58:11,879 --> 00:58:13,968 I'M GLAD THAT I'M KIND OF WORKED UP 1199 00:58:14,012 --> 00:58:16,536 AND FALLING APART RIGHT NOW, 1200 00:58:16,580 --> 00:58:19,060 BECAUSE IT ALLOWS ME THE CHANCE TO REBUILD. 1201 00:58:19,104 --> 00:58:21,715 THERE'S A LOT OF SELF-CONFIDENCE. 1202 00:58:21,759 --> 00:58:24,675 I HAVE BEEN, YOU KNOW, TASTING INCREDIBLY WELL 1203 00:58:24,718 --> 00:58:27,112 FOR THE LAST SIX WEEKS, THE BEST I'VE EVER TASTED IN MY LIFE, 1204 00:58:27,155 --> 00:58:30,637 AND IF I JUST CONTINUE THIS GOING AND, I THINK, USE MY GUT, 1205 00:58:30,681 --> 00:58:33,553 UM... UH... IT'S GOOD. 1206 00:58:33,597 --> 00:58:38,819 WHAT I TRIED TO INSPIRE IS THAT YOU ARE A WARRIOR, 1207 00:58:38,863 --> 00:58:41,213 AND THAT YOU MUST GO IN AND FIGHT, 1208 00:58:41,256 --> 00:58:43,084 AND THAT YOU'RE NOT AFRAID. 1209 00:58:43,128 --> 00:58:46,827 YOU HAVE TO FIGHT THE GOOD FIGHT AT EVERY OPPORTUNITY YOU HAVE 1210 00:58:46,871 --> 00:58:49,221 TO PASS THIS EXAMINATION. 1211 00:59:00,798 --> 00:59:02,713 YOU HAVE YOUR PASSPORT? 1212 00:59:02,756 --> 00:59:04,758 PASSPORT? GOT IT. IT'S IN MY BACK POCKET. 1213 00:59:04,802 --> 00:59:07,065 Woman: DUSTIN REALIZED HE DIDN'T HAVE AN I.D. 1214 00:59:07,108 --> 00:59:10,242 HEY! GRAB YOUR LUNCH SACK, DUSTIN WILSON! 1215 00:59:14,768 --> 00:59:16,640 - DO YOU FEEL READY? - I FEEL READY. 1216 00:59:16,683 --> 00:59:17,945 - I FEEL READY. - YEAH. 1217 00:59:17,989 --> 00:59:20,644 I FEEL 100% READY. 1218 00:59:20,687 --> 00:59:22,602 I DON'T FEEL LIKE WE'VE WASTED ANY TIME SINCE WE'VE MOVED HERE. 1219 00:59:24,648 --> 00:59:27,999 IT'S ALMOST SURREAL, TELL YOU THE TRUTH. 1220 00:59:28,042 --> 00:59:33,004 I'M READY TO-- TO, UH... FOR THIS WEEK TO HAPPEN. 1221 00:59:35,093 --> 00:59:39,053 THE EXTRA 16 POUNDS OF WINE, AND... 1222 00:59:39,097 --> 00:59:42,013 HAVE A GOOD DAY AT WORK. CALL YOU WHEN I GET THERE. 1223 00:59:43,971 --> 00:59:45,407 I'M GOING TO DALLAS. 1224 00:59:45,451 --> 00:59:47,671 - WHAT FLIGHT, SIR? - UH, 305. 1225 00:59:47,714 --> 00:59:51,413 IT'S WEIRD, DROP-- DROPPING HIM OFF AT THE AIRPORT, AND... 1226 00:59:51,457 --> 00:59:53,981 I'M ACTUALLY REALLY NERVOUS. 1227 00:59:54,025 --> 00:59:59,247 I WANT TO SAY HE WILL PASS, BUT... JUST NERVOUS. 1228 00:59:59,291 --> 01:00:03,382 CAN'T WAIT TILL FRIDAY COMES, AND... THEN I CAN JUST... 1229 01:00:03,425 --> 01:00:05,906 I WANT TO KNOW RIGHT NOW. 1230 01:00:09,867 --> 01:00:12,739 OH, MY GOD. THEY'RE DISGUSTING. 1231 01:00:15,089 --> 01:00:17,309 THIS IS CRAZY. IT IS CRAZY. 1232 01:00:17,352 --> 01:00:20,312 THIS FIVE DAYS IS GONNA BE HORRIBLE, I CAN TELL. 1233 01:00:29,887 --> 01:00:33,368 DUSTIN'S DREAMIN' ABOUT TAKIN' HIS THEORY EXAM 1234 01:00:33,412 --> 01:00:36,328 AND ANSWERING EVERY SINGLE QUESTION RIGHT. 1235 01:00:38,939 --> 01:00:41,681 HE'S THINKING ABOUT LINING UP A FLIGHT OF WINES 1236 01:00:41,725 --> 01:00:44,162 AND JUST KNOCKIN' 'EM BACK. 1237 01:00:46,251 --> 01:00:48,122 NOT A CARE IN THE WORLD. 1238 01:00:48,166 --> 01:00:50,472 THIS IS HOW YOU HANDLE STRESS BEFORE A BIG TEST, 1239 01:00:50,516 --> 01:00:51,996 RIGHT HERE, LADIES AND GENTLEMEN. 1240 01:00:52,039 --> 01:00:56,174 IS THAT IAN? YEP. 1241 01:00:56,217 --> 01:00:58,785 - OH, YOU READY FOR THIS? - HELL YEAH, MAN. LET'S DO IT. 1242 01:01:03,398 --> 01:01:05,879 I'M FEELING MORE RELAXED THAN I WAS LAST WEEK. 1243 01:01:05,923 --> 01:01:08,273 YEAH? 1244 01:01:08,316 --> 01:01:10,449 YEAH, IT'S NICE TO BE HERE. 1245 01:01:10,492 --> 01:01:14,235 JUST GOTTA LET IT FLOW, LET THINGS HAPPEN. 1246 01:01:14,279 --> 01:01:17,412 I KNOW THAT-- I KNOW IT'S GONNA BE A FAIR TEST THIS YEAR. 1247 01:01:17,456 --> 01:01:20,154 THAT'S WHAT THEY'VE MADE IT VERY CLEAR. 1248 01:01:20,198 --> 01:01:22,853 THEY KNOW THAT A LOT OF US GOT THAT EXAM LAST YEAR 1249 01:01:22,896 --> 01:01:25,420 THAT WAS, I THINK, A LITTLE BIT AGGRESSIVE, 1250 01:01:25,464 --> 01:01:27,771 IN TERMS OF DIFFICULTY. 1251 01:01:48,487 --> 01:01:50,881 [ dramatic Australian accent ] THE REGIONS OF ALSACE-LORRAINE 1252 01:01:50,924 --> 01:01:53,231 SHARE A TURBULENT HISTORY AS A BUFFER 1253 01:01:53,274 --> 01:01:55,755 BETWEEN FRANCE AND GERMANY. 1254 01:01:55,799 --> 01:01:58,410 THE ALSATIAN CULTURE REFLECTS CUMULATIVE ELEMENTS 1255 01:01:58,453 --> 01:02:00,760 OF BOTH SOCIETIES. 1256 01:02:00,804 --> 01:02:03,110 [ normal voice ] THIS IS FUN STUFF. 1257 01:02:03,154 --> 01:02:05,809 IT'S 1:20 IN THE AFTERNOON RIGHT NOW, 1258 01:02:05,852 --> 01:02:08,376 THE DAY BEFORE THE TASTING EXAM. 1259 01:02:08,420 --> 01:02:11,902 OUR FEARLESS FATHER IS OVER THERE ASLEEP. 1260 01:02:15,079 --> 01:02:17,342 HE'S ON A STRANGE SLEEPING SCHEDULE. 1261 01:02:19,474 --> 01:02:23,261 HOW MANY HOURS DO YOU PLAN TO STUDY BETWEEN NOW AND TOMORROW? 1262 01:02:23,304 --> 01:02:27,961 I'LL PROBABLY DO SIX HOURS OF CARDS TONIGHT. JUST REVIEW. 1263 01:02:28,005 --> 01:02:30,224 AND THEN, I'LL PROBABLY DO A LOT, LIKE, TEN HOURS TOMORROW. 1264 01:02:30,268 --> 01:02:32,574 SOME SERIOUS INTENSITY, DUDE. 1265 01:02:32,618 --> 01:02:35,099 DUDE, I DON'T WANT TO TAKE THIS THING AGAIN. 1266 01:02:35,142 --> 01:02:40,931 OH, SORRY. P-R-O-C-T-O-R. PROCTOR. PROCTOR, LAST NAME. 1267 01:02:40,974 --> 01:02:45,109 I JUST HUNG UP WITH MY DOC, DR. CALLEY. 1268 01:02:45,152 --> 01:02:50,854 I WANT TO MAKE SURE MY NOSE IS-- IS A, A-OKAY. 1269 01:02:50,897 --> 01:02:54,379 MAN, I HAVE GOT TO MAKE SURE THERE'S NO DRYNESS. 1270 01:02:54,422 --> 01:02:56,990 THIS SIDE'S WORKING, THIS SIDE'S CLOGGED, 1271 01:02:57,034 --> 01:02:59,166 THEN IT HOPS OVER HERE, THIS SIDE'S CLOGGED, THAT SIDE'S WORKING. 1272 01:02:59,210 --> 01:03:02,169 PEOPLE ALWAYS TALK ABOUT THE HYPE OF TASTING 1273 01:03:02,213 --> 01:03:05,303 BEING 85% NOSE. 1274 01:03:05,346 --> 01:03:07,827 WELL, AT THE END OF THE DAY, IT'S TRUE. 1275 01:03:07,871 --> 01:03:10,264 RIGHT NOW, I'M AT THE DOCTOR'S OFFICE 1276 01:03:10,308 --> 01:03:12,266 SO SHE CAN CHECK ON MY LEFT NOSTRIL, MAN, 1277 01:03:12,310 --> 01:03:14,965 AND MAKE SURE IT'S GOOD TO GO. 1278 01:03:15,008 --> 01:03:16,270 MY RIGHT ONE'S CLEAR, MY LEFT ONE'S CLOSED. 1279 01:03:16,314 --> 01:03:19,143 THAT KIND OF SUCKS FOR A SOMM, 1280 01:03:19,186 --> 01:03:22,276 WHEN YOU CAN'T SMELL ANYTHING, YOU KNOW WHAT I MEAN? 1281 01:03:22,320 --> 01:03:25,105 THAT'S LIKE A-- A RUNNER WITHOUT ANY LEGS. 1282 01:03:27,673 --> 01:03:31,285 I WANTED, LIKE, JUST ONE STEROID THAT I COULD SLEEP ON OVERNIGHT, 1283 01:03:31,329 --> 01:03:33,853 AND WHEN I WOKE UP, THE STEROID WILL HAVE KICKED IN 1284 01:03:33,897 --> 01:03:35,942 IF I TOOK IT NOW. 1285 01:03:35,986 --> 01:03:37,857 BUT SHE WAS LIKE, "HONESTLY, YOU DON'T NEED THAT. 1286 01:03:37,901 --> 01:03:39,598 YOUR NOSE IS NOT BAD ENOUGH." 1287 01:03:39,641 --> 01:03:42,035 SO I'M JUST GONNA CLEAN IT WITH A NETI POT IN THE MORNING, 1288 01:03:42,079 --> 01:03:47,214 AND TONIGHT, I AM GOING TO HIT ONE DOSE OF AFRIN 1289 01:03:47,258 --> 01:03:49,347 IN THE LEFT NOSTRIL, 1290 01:03:49,390 --> 01:03:51,566 WAKE UP IN THE MORNING, ONE MORE DOSE, 1291 01:03:51,610 --> 01:03:54,874 AND IT'S DONE. AND ALSO, SHE TOOK A LOOK AT MY FINGER 1292 01:03:54,918 --> 01:03:57,311 THAT I CUT THE TIP OFF OF, BASICALLY, 1293 01:03:57,355 --> 01:03:59,444 AND SHE WAS LIKE, "UH, YOU NEEDED STITCHES." 1294 01:03:59,487 --> 01:04:01,533 AND I WAS LIKE, "I DON'T NEED NO STINKIN' STITCHES," 1295 01:04:01,576 --> 01:04:03,840 BUT, YEAH, I NEEDED STITCHES. 1296 01:04:08,453 --> 01:04:10,890 DUSTY'S IN A FUNNY PLACE RIGHT NOW. 1297 01:04:10,934 --> 01:04:13,327 IT'S LIKE... I FEEL, LIKE, ABANDONED. 1298 01:04:13,371 --> 01:04:16,156 LIKE, HE'S MY MAN-WIFE, AND I FEEL ABANDONED, 1299 01:04:16,200 --> 01:04:18,376 LIKE HE WENT TO THE DARK SIDE WITH SABATO, 1300 01:04:18,419 --> 01:04:20,421 AND THEY'RE JUST, LIKE, STUDYING TOGETHER. 1301 01:04:25,252 --> 01:04:27,167 HOW ABOUT THE RULES FOR MOELLEUX? 1302 01:04:27,211 --> 01:04:28,995 WHICH OF THESE IS LONGER: SPECIAL RESERVE OR EXTRA RESERVE? 1303 01:04:29,039 --> 01:04:33,913 UH, VILLAGE IN ANJOU THAT CAN ADD ITS NAME TO ANJOU-VILLAGES. 1304 01:04:35,393 --> 01:04:37,264 WANNA HAVE A COFFEE-CHUGGING CONTEST? 1305 01:04:39,310 --> 01:04:41,181 I THINK PART OF IT MIGHT BE 1306 01:04:41,225 --> 01:04:43,270 HE JUST WANTS TO GET AWAY FROM CAUBLE, 1307 01:04:43,314 --> 01:04:45,098 AND I'M KIND OF LUMPED INTO THAT EQUATION, 1308 01:04:45,142 --> 01:04:46,578 'CAUSE I'M ROOMIN' WITH CAUBLE. 1309 01:04:58,633 --> 01:05:00,592 IT ALL COMES DOWN TO TASTING. 1310 01:05:00,635 --> 01:05:02,637 IF YOU'RE A BETTING MAN, 1311 01:05:02,681 --> 01:05:05,379 YOU CAN BET ON THEORY-- YOU CAN BET ON SERVICE, TOO-- 1312 01:05:05,423 --> 01:05:07,381 AND FEEL LIKE, YOU KNOW, THAT'S A GOOD BET, 1313 01:05:07,425 --> 01:05:09,644 BUT VERY FEW PEOPLE CAN YOU BET ON IN TASTING. 1314 01:05:09,688 --> 01:05:12,256 YOU JUST DON'T KNOW HOW IT'S GONNA PLAY OUT. 1315 01:05:12,299 --> 01:05:14,693 ON THE NOSE, THIS WINE IS CLEAN, NO OBVIOUS FLAWS. 1316 01:05:14,736 --> 01:05:16,695 THIS WINE HAS A MODERATE-PLUS INTENSITY. 1317 01:05:16,738 --> 01:05:19,045 THIS WINE IS YOUTHFUL. 1318 01:05:19,089 --> 01:05:21,352 IT'S SHOWING BRUISED AROMAS: BRUISED APPLE, BRUISED PEAR, 1319 01:05:21,395 --> 01:05:24,137 BRUISED PEACH. HONEYSUCKLE, CHAMOMILE, LAVENDER, 1320 01:05:24,181 --> 01:05:26,661 SLIGHT BOTRYTIS, LIMESTONE, WET WOOL. 1321 01:05:26,705 --> 01:05:29,577 HAY, PISTACHIO, TEA. 1322 01:05:31,710 --> 01:05:34,321 YOU GUYS PUMPED? "WHOA, TEAM," ANYBODY? 1323 01:05:34,365 --> 01:05:37,324 OH. UH, THAT'S TWO. 1324 01:05:37,368 --> 01:05:40,675 OH! LOOK WHAT HAPPENED! LOOK WHAT HAPPENED! 1325 01:05:40,719 --> 01:05:43,156 AND... WHAT SHOULD WE SAY? DAD. HERE'S TO DAD. 1326 01:05:43,200 --> 01:05:44,679 - HERE'S TO DAD. - ONE, TWO, THREE. 1327 01:05:44,723 --> 01:05:47,465 - All: DAD! - I'M GETTING EMOTIONAL. 1328 01:05:47,508 --> 01:05:49,510 WE'RE YOUR CHILDREN. WE ALWAYS WILL BE. 1329 01:05:49,554 --> 01:05:51,991 THANK YOU. EVEN THOUGH I'M THE YOUNGEST. 1330 01:05:52,035 --> 01:05:54,689 IT'S KIND OF WEIRD, BUT... 1331 01:05:54,733 --> 01:05:57,170 SOME PEOPLE ARE JUST OLD SOULS. 1332 01:05:57,214 --> 01:06:00,130 THEY'RE BORN TO BE FATHERS, YOU KNOW? 1333 01:06:00,173 --> 01:06:02,306 THE METAMORPHOSIS BEGINS. 1334 01:06:04,656 --> 01:06:07,485 I'VE ALREADY GOT THE HAIRCUT. 1335 01:06:07,528 --> 01:06:10,749 TIME TO CLEAN IT UP FROM, UH, 1336 01:06:10,792 --> 01:06:13,317 THE UNKEMPT MOUNTAIN MAN LOOK. 1337 01:06:13,360 --> 01:06:16,973 SO... BEARD IS GOIN' BYE-BYE. 1338 01:06:33,076 --> 01:06:35,382 DADDY'S A YOUNG KID AGAIN! 1339 01:06:35,426 --> 01:06:37,515 BUT THAT'S ESSENTIALLY THE BARE BONES 1340 01:06:37,558 --> 01:06:40,997 OF WHAT I'M GONNA LOOK LIKE MAÑANAFOR THE TEST. 1341 01:06:48,439 --> 01:06:50,658 YOU'RE NOT IRONING YOUR TIE. 1342 01:06:50,702 --> 01:06:53,313 YOU THINK I'M GONNA WEAR A WRINKLED TIE? 1343 01:06:53,357 --> 01:06:57,448 - YEAH. - WELL, MAYBE NOT TODAY. 1344 01:07:53,591 --> 01:07:55,810 - GENTLEMEN, GOOD MORNING. - GOOD MORNING. 1345 01:07:55,854 --> 01:07:58,204 MR. CAUBLE. 1346 01:07:58,248 --> 01:08:00,815 - HAD A FEELING YOU WERE COMING FOR ME. - WHY? 1347 01:08:00,859 --> 01:08:04,123 I DON'T KNOW. JUST 'CAUSE YOU HAD THAT SMILE ON YOUR FACE. 1348 01:08:04,167 --> 01:08:08,127 I ALWAYS HAVE A SMILE ON MY FACE. GOOD TO SEE YOU TOO. 1349 01:08:08,171 --> 01:08:11,435 SO, YOU WALK WITH THEM, 1350 01:08:11,478 --> 01:08:15,178 WHICH FEELS LIKE YOU'RE WALKING, LIKE, FROM HANDS ACROSS AMERICA, 1351 01:08:15,221 --> 01:08:17,528 COAST TO COAST, WHICH IS ESSENTIALLY JUST A ROOM 1352 01:08:17,571 --> 01:08:19,269 THAT'S 200 YARDS AWAY, 1353 01:08:19,312 --> 01:08:21,706 BUT IT'S LIKE THE DEATH ROW WALK. 1354 01:08:21,749 --> 01:08:24,317 AND THE M.S. IS TALKING TO YOU, AND THEY'RE-- 1355 01:08:24,361 --> 01:08:26,711 THEY'RE GIVING YOU-- THEY'RE LIKE, "SO, HOW YOU FEEL?" 1356 01:08:26,754 --> 01:08:29,279 AND THEY KNOW DARN WELL THAT YOU'RE, YOU KNOW, 1357 01:08:29,322 --> 01:08:31,759 FOR LACK OF A BETTER WORD, CRAPPIN' BRICKS. 1358 01:08:31,803 --> 01:08:34,240 AND YOU REALLY DON'T EVEN WANT TO TALK TO THEM. 1359 01:08:34,284 --> 01:08:36,460 YOU JUST WANT TO GET IN THERE AND GET IT OVER WITH, 1360 01:08:36,503 --> 01:08:39,463 AND YOU WALK IN THIS ROOM, AND THE FIRST THING 1361 01:08:39,506 --> 01:08:42,422 YOU USUALLY SEE ARE YOUR WINES SITTIN' THERE, 1362 01:08:42,466 --> 01:08:45,686 THREE WHITES AND THREE REDS... 1363 01:08:45,730 --> 01:08:50,909 AND FOUR M.S.'s LOOKING ACROSS A TABLE FROM YOU, 1364 01:08:50,952 --> 01:08:54,304 AND SO, YOU SIT DOWN, AND EVERYTHING'S SUPER FORMAL, 1365 01:08:54,347 --> 01:08:58,438 AND, UH, THEY SAY SOMETHING TO THE EFFECT OF, 1366 01:08:58,482 --> 01:09:01,963 "WELL, THANK YOU FOR COMING HERE. HOW DO YOU FEEL?" 1367 01:09:02,007 --> 01:09:03,965 AND YOU SAY SOMETHING LIKE, 1368 01:09:04,009 --> 01:09:06,359 "IT'S BEEN AN HONOR," WHICH IT HAS. 1369 01:09:06,403 --> 01:09:09,667 AND THEN, THEY'RE LIKE, "YOU HAVE 25 MINUTES. 1370 01:09:09,710 --> 01:09:11,712 "I WILL START THE CLOCK WHEN YOU TOUCH YOUR FIRST WINE. 1371 01:09:11,756 --> 01:09:13,497 WE'LL START WHEN YOU'RE READY." 1372 01:09:13,540 --> 01:09:15,368 I DON'T KNOW WHAT I CAN COMPARE IT TO, 1373 01:09:15,412 --> 01:09:17,457 BUT I'VE FELT THAT BEFORE. I'VE FELT THAT MOMENT 1374 01:09:17,501 --> 01:09:19,720 WHERE IT'S ALMOST LIKE AN OUT-OF-BODY EXPERIENCE. 1375 01:09:19,764 --> 01:09:22,462 IT USUALLY HAPPENED IN SPORTS, WHEN THE GAME'S ON THE LINE. 1376 01:09:22,506 --> 01:09:24,856 IN THE BOTTOM OF THE NINTH, WITH TWO OUTS, 1377 01:09:24,899 --> 01:09:27,511 AND YOU'RE STANDING IN THE PLATE, 1378 01:09:27,554 --> 01:09:29,904 AND YOU'RE ALMOST NOT EVEN IN YOUR OWN BODY BECAUSE IT'S SO SURREAL. 1379 01:09:29,948 --> 01:09:31,906 YOU DON'T HEAR THE CROWD, YOU DON'T HEAR ANYTHING. 1380 01:09:31,950 --> 01:09:33,604 YOU DON'T EVEN REALLY REMEMBER ANYTHING. 1381 01:09:33,647 --> 01:09:35,519 I CAN'T BELIEVE THIS IS SO SURREAL. 1382 01:09:53,798 --> 01:09:56,235 IT'S MEDIUM-MINUS ACID. 1383 01:09:56,279 --> 01:09:59,804 I'M NERVOUS, BUT THINK HOW NERVOUS MY WINES ARE RIGHT NOW, 1384 01:09:59,847 --> 01:10:02,807 JUST SITTING THERE IN A GLASS RIGHT NOW, 1385 01:10:02,850 --> 01:10:05,418 TREMBLING AS I'M ABOUT TO DEVOUR 'EM. 1386 01:10:05,462 --> 01:10:07,507 HOW NERVOUS ARE MY WINES? 1387 01:10:10,293 --> 01:10:14,862 I WANNA DO IT FOR MY WIFE... MORE THAN ANYTHING. 1388 01:10:14,906 --> 01:10:17,648 MORE THAN ANYTHING. 1389 01:10:17,691 --> 01:10:20,259 'CAUSE SHE IS, UH... 1390 01:10:20,303 --> 01:10:22,653 SHE-- SHE DESERVES TO HAVE ME 1391 01:10:22,696 --> 01:10:25,917 NOT BURIED IN A WINE BOOK OR BURIED IN NOTE CARDS 1392 01:10:25,960 --> 01:10:28,876 OR BURIED IN WINE GLASSES. 1393 01:10:28,920 --> 01:10:31,488 YOU KNOW, SHE DESERVES A HUSBAND. 1394 01:10:31,531 --> 01:10:36,014 IT'S TIME, SO... THAT'D BE A PRETTY COOL GIFT TO GIVE HER. 1395 01:10:46,329 --> 01:10:49,549 ICE ON THE GROUND. WOW. 1396 01:10:58,906 --> 01:11:01,561 MEDIUM-PLUS ACID. 1397 01:11:18,361 --> 01:11:22,321 IT'S 11:00. THOSE GUYS HAVE ALREADY TASTED, IAN AND BRIAN. 1398 01:11:22,365 --> 01:11:25,324 DUSTIN HASN'T. HE'S RIGHT AFTER ME. 1399 01:11:25,368 --> 01:11:27,848 THIS IS ALL A SHEET OF ICE. THAT'S FUN. 1400 01:11:27,892 --> 01:11:30,503 WHY DON'T PEOPLE KNOW HOW TO DRIVE IN THIS, MAN? 1401 01:11:30,547 --> 01:11:34,986 SERIOUSLY. YOU CAN'T-- YOU HAVE TO HAVE MOMENTUM, DUDE. 1402 01:11:35,029 --> 01:11:38,119 HIGH GEAR! HIGH GEAR! 1403 01:11:38,163 --> 01:11:39,947 WE ARE HERE, BROTHER. 1404 01:11:59,489 --> 01:12:01,578 THIS IS THE SECOND YEAR DUSTIN AND I HAVE TAKEN IT TOGETHER, 1405 01:12:01,621 --> 01:12:04,058 AND WE USUALLY KIND OF REMOVE OURSELVES 1406 01:12:04,102 --> 01:12:06,365 FROM THE REST OF THE WORLD. 1407 01:12:06,409 --> 01:12:08,367 IT'S NICE TO KIND OF ESCAPE THAT CHAOS, 1408 01:12:08,411 --> 01:12:10,064 AND ALL THE PANDEMONIUM THAT GOES ON AROUND IT, 1409 01:12:10,108 --> 01:12:12,676 SO WE CAN KIND OF RELAX BEFOREHAND, 1410 01:12:12,719 --> 01:12:14,547 'CAUSE THERE'S ENOUGH STRESS 1411 01:12:14,591 --> 01:12:16,723 WITHOUT ALL THOSE PEOPLE AROUND, SO WE DO OUR THING HERE, 1412 01:12:16,767 --> 01:12:19,944 AND THEN GO OVER AND TASTE SIX WINES, 1413 01:12:19,987 --> 01:12:23,513 COME BACK AND REGROUP AND GET READY FOR THE NEXT STAGE. 1414 01:12:38,179 --> 01:12:41,618 THE FIRST THING THAT HAPPENS WHEN EVERYBODY GETS OUT OF THE TASTING 1415 01:12:41,661 --> 01:12:43,968 IS THEY WANT TO FIND THE OTHER PEOPLE THAT WERE TASTING 1416 01:12:44,011 --> 01:12:46,927 SIMULTANEOUSLY IN ANOTHER ROOM. 1417 01:12:46,971 --> 01:12:51,541 AND YOU BEAT YOURSELF UP BECAUSE SOMEONE CALLED THIS, OR SOMEONE CALLED THAT. 1418 01:12:51,584 --> 01:12:53,804 THERE WERE TWO WINES I KNEW, AND THERE WERE 1419 01:12:53,847 --> 01:12:57,590 FOUR WINES THAT IT CAME DOWN TO TWO THINGS ON, 1420 01:12:57,634 --> 01:13:00,811 AND I COULD HAVE FLIP-FLOPPED ALL OF THOSE, 1421 01:13:00,854 --> 01:13:03,596 I COULD HAVE HIT ALL OF 'EM. 1422 01:13:03,640 --> 01:13:06,947 IT'S GONNA BE REALLY INTERESTING TO SEE WHAT IAN CALLED, 1423 01:13:06,991 --> 01:13:09,428 AND SOME OTHER PEOPLE, TALKIN' TO THEM. 1424 01:13:09,472 --> 01:13:11,604 I THINK EITHER MY HEART WILL SINK OR MY HEART WILL BE HAPPY 1425 01:13:11,648 --> 01:13:13,476 AFTER TALKING TO THEM. 1426 01:13:13,519 --> 01:13:15,042 CAUBLE, IT'S ME. 1427 01:13:15,086 --> 01:13:17,131 JUST OPEN THE DOOR, DUDE. 1428 01:13:19,830 --> 01:13:22,789 I WAS SLEEPING RIGHT NOW. I ASSUMED YOU HAD A KEY. 1429 01:13:22,833 --> 01:13:25,009 YOU'VE SLEPT, LIKE, 15 HOURS. 1430 01:13:25,052 --> 01:13:28,621 - YEAH, I'M STRESSED OUT. - HAVE YOU TALKED TO ANYONE? 1431 01:13:28,665 --> 01:13:31,450 NO, DUDE, I'VE BEEN FREAKING, LIKE, JUST TOTALLY GOING NUTS HERE. 1432 01:13:31,494 --> 01:13:35,454 - WINE THREE. - UH, WINE THREE, I CALLED ALBARIÑO. 1433 01:13:35,498 --> 01:13:37,717 - REALLY? - WHAT'D YOU CALL IT? 1434 01:13:37,761 --> 01:13:40,459 SAINT-CYR. 1435 01:13:40,503 --> 01:13:43,854 I DIDN'T PICK UP ON THE PYRAZINE. 1436 01:13:43,897 --> 01:13:48,511 DUDE, WINE THREE WAS SUPER-PEACHY, AND IT WAS BITTER AS FUCK. 1437 01:13:48,554 --> 01:13:51,905 I MAY HAVE GOOFED THAT ONE, DUDE. WINE FIVE? 1438 01:13:51,949 --> 01:13:54,168 WINE FIVE, I WAS TORN, DUDE. 1439 01:13:54,212 --> 01:13:56,170 I FIRST CALLED IT BAROLO, 1440 01:13:56,214 --> 01:13:58,912 AND I CHANGED IT TO BRUNELLO, '95. 1441 01:13:58,956 --> 01:14:02,960 - OKAY. I CALLED IT BAROLO. - WINE SIX I CALLED BAROLO. 1442 01:14:03,003 --> 01:14:05,179 OH, REALLY? 1443 01:14:05,223 --> 01:14:08,139 WINE SIX HAD TANNIN THAT RIPPED MY FACE OFF. 1444 01:14:08,182 --> 01:14:10,663 - WHAT'D YOU CALL THAT? - I CALLED IT RIOJA. 1445 01:14:10,707 --> 01:14:12,970 IT WAS TRANSLUCENT, IT WAS LIFTED. 1446 01:14:13,013 --> 01:14:15,842 I THOUGHT IT WAS CLASSIC BAROLO ON WINE FIVE, AND THE TANNIN-- 1447 01:14:15,886 --> 01:14:19,803 - SIX, DID YOU REALLY SMELL AMERICAN OAK? - NO. [ chuckles ] 1448 01:14:19,846 --> 01:14:23,197 JESUS, DUDE. I WAS HOPING YOU WERE GONNA CALL THE SAME WINES. 1449 01:14:23,241 --> 01:14:26,026 I WAS GONNA HOPE YOU WERE LIKE, 1450 01:14:26,070 --> 01:14:29,029 "OH, BRIAN'S GONNA COME UP AND CALL THE SAME WINES! WE'RE GONNA FEEL GREAT!" 1451 01:14:29,073 --> 01:14:31,858 WHY THAT'S BAD-- WHY THAT'S-- 1452 01:14:31,902 --> 01:14:35,035 WHY THAT'S GOOD AND WHY IT'S BAD THAT WE'RE DOING THIS IS, LIKE, 1453 01:14:35,079 --> 01:14:37,821 I HOPE BOTH OF US PASS, YOU KNOW, 'CAUSE WE... 1454 01:14:37,864 --> 01:14:39,779 THAT'S THE WORST PART ABOUT IT. 1455 01:14:39,823 --> 01:14:42,695 ...WE CALLED COMPLETELY DIFFERENT THINGS ON THREE WINES. 1456 01:14:42,739 --> 01:14:45,698 AND NOW, THE WORST PART IS, I DON'T THINK IT'S POSSIBLE WE BOTH PASSED, 1457 01:14:45,742 --> 01:14:47,700 'CAUSE ONE OF US CAN'T BE RIGHT, 1458 01:14:47,744 --> 01:14:49,876 NOT UNLESS WE SPLIT THE DIFFERENCE, 1459 01:14:49,920 --> 01:14:52,009 AND WE BOTH GET ENOUGH POINTS TO GET THROUGH. 1460 01:14:52,052 --> 01:14:53,837 - THAT SUCKS,DUDE. - DUDE, SHIT! 1461 01:14:53,880 --> 01:14:56,970 WELL, I'M READY TO GET UP, QUIT BEING A-- 1462 01:14:57,014 --> 01:14:59,320 DUDE, I HAD A FUCKIN' CRAZY-- I HAD CRAZY DREAMS. 1463 01:14:59,364 --> 01:15:02,062 I HAD A DREAM THAT I WAS WALKING BY THE TASTING ROOM, 1464 01:15:02,106 --> 01:15:04,978 AND, LIKE, I SAW A BOTTLE OF OLD RIOJA. I'M LIKE, "OH, NO!" 1465 01:15:05,022 --> 01:15:08,025 DUDE, YOU LOOK LIKE MICHAEL DOUGLAS IN FALLING DOWN. 1466 01:15:08,068 --> 01:15:12,203 I MEAN, IT'S RETARDED. LET'S SEE WHAT OTHER PEOPLE CALLED. 1467 01:15:18,035 --> 01:15:20,124 IT IS WHAT IT IS NOW. 1468 01:15:35,182 --> 01:15:37,837 IF I COULD HIGH-FIVE THE CAMERA, I WOULD HIGH-FIVE THE CAMERA. 1469 01:15:37,881 --> 01:15:41,014 WHAT ELSE DO YOU DO? YOU JUST CALL 'EM AND GO. 1470 01:15:41,058 --> 01:15:44,017 IT'S A LOVELY TASTING. HEY, WHAT DO YOU DO? I'M HAPPY. 1471 01:15:44,061 --> 01:15:46,716 - WHAT'D YOU CALL IT? - ONE, I CALLED BEAUJOLAIS. 1472 01:15:46,759 --> 01:15:48,587 FUCK! I CALLED CHINON. 1473 01:15:48,631 --> 01:15:50,850 DID YOU? I NEVER CALL CHINON! 1474 01:15:50,894 --> 01:15:53,070 THAT WAS CHINON, MAN. 1475 01:15:53,113 --> 01:15:55,768 THAT WAS TOURAINE CHINON '09 CABERNET FRANC. IT WAS BEAUTIFUL. 1476 01:15:55,812 --> 01:15:59,206 THE NEXT RED, UM, WAS, UH, TANNIC. WHAT'D YOU CALL--? 1477 01:15:59,250 --> 01:16:00,991 - NEBBIOLO. - I CALLED NEBBIOLO. 1478 01:16:01,034 --> 01:16:02,775 - I CALLED BAROLO. - WHAT YEAR? 1479 01:16:02,819 --> 01:16:04,211 - '01. - I CALLED '01 TOO. 1480 01:16:04,255 --> 01:16:07,301 I CALLED FIVE BAROLO RISERVA FROM 2000, 1481 01:16:07,345 --> 01:16:12,959 AND I CALLED SIX LEFT BANK THIRD GROWTH BORDEAUX 2000, 1482 01:16:13,003 --> 01:16:15,745 UH, 1855 CLASSIFICATION CABERNET SAUVIGNON. 1483 01:16:15,788 --> 01:16:19,313 - I CALLED RIOJA. - DID YOU? I DIDN'T GET AMERICAN OAK. 1484 01:16:19,357 --> 01:16:21,315 WINE NUMBER ONE, I'M LIKE, IS THIS PINOT GRIGIO, 1485 01:16:21,359 --> 01:16:23,970 - IS THIS CHENIN? - I CALLED CHENIN ON WINE ONE. 1486 01:16:24,014 --> 01:16:26,364 OOH, I CALLED, UH, GRAND CRU ALSATIAN RIESLING ON IT. 1487 01:16:26,407 --> 01:16:28,627 IT'S CHENIN, DUDE. IT'S SAUVENIEÈRE. THE WINE SPOKE. 1488 01:16:28,671 --> 01:16:31,108 IT WAS WOOLY, IT WAS FUNKY, IT WAS WONDERFUL, IT WAS NASTY, 1489 01:16:31,151 --> 01:16:33,327 IT WAS GREAT, ALL AT THE SAME TIME. 1490 01:16:33,371 --> 01:16:35,199 AUSSIE RIESLING FOR TWO. 1491 01:16:35,242 --> 01:16:37,331 NO. IT'S DEFINITELY NOT AUSSIE RIESLING. 1492 01:16:37,375 --> 01:16:39,682 ESPECIALLY WHEN YOU CALLED ALSATIAN RIESLING FOR THE FIRST ONE. 1493 01:16:39,725 --> 01:16:41,814 CAN OF GREEN BEANS, MAN. IT WAS GRUÜNER. 1494 01:16:41,858 --> 01:16:43,642 IT WAS FLOWERY. 1495 01:16:43,686 --> 01:16:45,339 THERE WAS PETULANCE IN IT, AND I ENDED UP CALLING, UM... 1496 01:16:45,383 --> 01:16:47,646 - DID YOU CALL ALBARIÑO? - ALBARIÑO, YEAH. 1497 01:16:47,690 --> 01:16:49,343 - IT WAS SUPER-LIMEY TO ME. - I WANT TO GO PLAY FLAG FOOTBALL 1498 01:16:49,387 --> 01:16:51,650 WITH THOSE GUYS RIGHT NOW, I'LL TELL YOU THAT, THOUGH. 1499 01:16:51,694 --> 01:16:53,652 - WE'RE TOTALLY LOST NOW. - WE'RE MORE CONFUSED THAN BEFORE. 1500 01:16:53,696 --> 01:16:55,349 WE'VE GOT TO GO TALK TO THE OTHER BOYS. 1501 01:16:55,393 --> 01:16:57,221 SEE WHAT EVERYBODY ELSE CALLED. 1502 01:16:57,264 --> 01:16:59,353 THE REALITY IS, 1503 01:16:59,397 --> 01:17:02,139 YOU HAVE NO CLUE WHAT THE WINES ARE, EVEN WHEN YOU THINK YOU DO. 1504 01:17:02,182 --> 01:17:04,010 SO YOU TORTURE YOURSELF, 1505 01:17:04,054 --> 01:17:06,012 AND THAT'S VERY IMPORTANT TO DO. 1506 01:17:06,056 --> 01:17:08,101 THE IMPORTANT THING TO DO IS TO TORTURE YOURSELF 1507 01:17:08,145 --> 01:17:10,016 OVER THE NEXT 36 HOURS AND SAY, 1508 01:17:10,060 --> 01:17:12,105 "WELL, BUT IT COULD HAVE BEEN GRUÜNER. 1509 01:17:12,149 --> 01:17:13,933 NO, WAIT A MINUTE-- I THINK IT WAS ALBARIÑO." 1510 01:17:13,977 --> 01:17:15,674 IT WASN'T RHONE. 1511 01:17:15,718 --> 01:17:17,981 IT WASN'T ALBARIÑO IF IT WAS PALE LIKE THAT, 1512 01:17:18,024 --> 01:17:20,244 SO, WHERE DO YOU GO? DO YOU GO SAINT-CYR? 1513 01:17:20,287 --> 01:17:22,376 YOU CALLED PYRAZINES. I WAS LOOKING FOR PYRAZINES. 1514 01:17:22,420 --> 01:17:25,858 - I GOT GRAPEFRUIT. - I DIDN'T LOOK FOR IT. THEY HIT ME IN THE FACE. 1515 01:17:25,902 --> 01:17:28,208 OKAY, THEY HIT YOU. YEAH, YEAH. 1516 01:17:28,252 --> 01:17:30,950 SAUVIGNON BLANC IS SO GETTABLE, 1517 01:17:30,994 --> 01:17:33,213 THAT THE FACT THAT NO ONE IN THIS ROOM CALLED SAUVIGNON BLANC SCARES THE CRAP OUT OF ME. 1518 01:17:33,257 --> 01:17:35,389 - THAT WAS A CRUEL FLIGHT. - IT WAS. 1519 01:17:35,433 --> 01:17:38,349 - I THOUGHT IT WAS A FUN FLIGHT. - IT'S DIABOLICAL. 1520 01:17:38,392 --> 01:17:42,353 IT SOUNDS SO RIDICULOUS, BECAUSE, YOU KNOW, 1521 01:17:42,396 --> 01:17:45,269 IT'S FERMENTED GRAPE JUICE. I MEAN, YOU KNOW WHAT I MEAN? 1522 01:17:45,312 --> 01:17:48,402 - ARE WE IN AGREEMENT THAT SIX IS AN OLDER WINE? - YEAH. 1523 01:17:48,446 --> 01:17:50,100 I CALLED ITALIAN, ITALIAN. 1524 01:17:50,143 --> 01:17:52,276 I CALLED BRUNELL-- BAROLO, BRUNELLO. 1525 01:17:52,319 --> 01:17:54,931 AND THEN I WAS LIKE... JUST GOTTA ROLL WITH IT. 1526 01:17:54,974 --> 01:17:57,020 FIVE AND SIX, YOU CALLED ITALIAN BOTH? 1527 01:17:57,063 --> 01:17:59,152 - I CALLED FOUR AND FIVE BOTH ITALIAN, ACTUALLY. - THAT WHAT YOU DID? 1528 01:17:59,196 --> 01:18:02,025 THE GOOD NEWS IS IF EVERYBODY'S ALL OVER THE PLACE, 1529 01:18:02,068 --> 01:18:04,157 PROBABLY SOMEONE PASSED. 1530 01:18:04,201 --> 01:18:06,029 IT'S JUST COMBINATIONS. 1531 01:18:06,072 --> 01:18:10,947 PASS OR FAIL, THEY WILL NEVER TELL YOU WHAT THE WINES WERE. 1532 01:19:02,520 --> 01:19:04,957 YOU KNOW, YOU'VE JUST-- YOU'VE GOT TO STAY IN IT 1533 01:19:05,001 --> 01:19:07,917 IF YOU REALLY WANT IT, YOU KNOW? 1534 01:19:07,960 --> 01:19:10,093 IT'S A TEST OF DEDICATION. 1535 01:19:10,136 --> 01:19:12,356 THIS WHOLE PROCESS, YOU KNOW, 1536 01:19:12,399 --> 01:19:14,575 IT'S-- IT'S FULL OF CONFIDENCE AND DOUBT 1537 01:19:14,619 --> 01:19:16,795 WITHIN THE SAME TEN MINUTES, 1538 01:19:16,839 --> 01:19:19,798 AND, LIKE, YOU KNOW, IT'S LIKE IT JUST DOESN'T STOP. 1539 01:19:19,842 --> 01:19:22,018 [ reciting quietly ] 1540 01:19:57,880 --> 01:20:01,144 [ reciting quietly ] 1541 01:20:07,498 --> 01:20:12,895 I HAD A MARATHON DAY LAST NIGHT AT DUSTIN AND SABATO'S HOUSE... 1542 01:20:12,938 --> 01:20:15,245 OR ROOM. 1543 01:20:15,288 --> 01:20:19,640 WE HAD, LIKE, 13 OR 14 HOURS OF JUST STRAIGHT REVIEW. [ sighs ] 1544 01:20:19,684 --> 01:20:25,472 AND I CAME HOME ABOUT 12:30 OR 1:00, AND, UH... 1545 01:20:25,516 --> 01:20:28,127 I COULDN'T SLEEP TILL 5:00. 1546 01:20:28,171 --> 01:20:30,564 I JUST KEPT ON GOING THROUGH REGIONS IN MY HEAD. 1547 01:20:30,608 --> 01:20:32,871 IT WAS CRAZY. 1548 01:20:32,915 --> 01:20:35,134 TODAY IT'S POSSIBLE I BECOME A MASTER SOMMELIER. 1549 01:20:40,618 --> 01:20:42,663 WE ALL HAVE A FEAR OF FAILURE. 1550 01:20:42,707 --> 01:20:45,057 WE ALL HAVE A FEAR OF BEING JUDGED. 1551 01:20:45,101 --> 01:20:47,538 YOU'RE WORKING SO HARD, PEOPLE TELL YOU, YOU DIDN'T MAKE IT. 1552 01:20:47,581 --> 01:20:49,627 WELL, THERE'S SO MUCH HONOR IN TRYING. 1553 01:20:49,670 --> 01:20:52,456 BEING IN THE ROOM WHEN SOMEONE HASN'T PASSED 1554 01:20:52,499 --> 01:20:55,241 IS THE REASON I DON'T DO THIS ANYMORE. 1555 01:20:55,285 --> 01:20:57,591 I DO THE MASTERS EVERY THREE YEARS BECAUSE I HAVE TO. 1556 01:20:57,635 --> 01:20:59,593 I'VE DONE IT FOR OVER 25 YEARS. 1557 01:20:59,637 --> 01:21:01,595 I'VE PROBABLY FAILED MORE PEOPLE 1558 01:21:01,639 --> 01:21:03,423 THAN ANY OTHER HUMAN BEING ON THE PLANET, 1559 01:21:03,467 --> 01:21:05,338 BUT IT IS ONE OF THE HARDEST THINGS IN MY LIFE 1560 01:21:05,382 --> 01:21:09,212 I'VE EVER HAD TO DO, EVERY YEAR, OVER AND OVER AGAIN. 1561 01:21:09,255 --> 01:21:11,692 AND AFTER A WHILE, IT JUST GETS TO YOU, 1562 01:21:11,736 --> 01:21:13,694 BECAUSE YOU KNOW HOW HARD THEY WORKED. 1563 01:21:13,738 --> 01:21:15,348 THEY COME THROUGH YOUR HOUSE, AND THEY TASTE, 1564 01:21:15,392 --> 01:21:17,481 AND YOU GET TO KNOW THEM AS PEOPLE AND ALL THAT, 1565 01:21:17,524 --> 01:21:19,178 BUT, YOU KNOW, EXAM DAY'S EXAM DAY. 1566 01:21:19,222 --> 01:21:21,006 IT'S LIKE GAME DAY. YOU KNOW, 1567 01:21:21,050 --> 01:21:23,443 THERE'S ONLY GONNA BE ONE OUTCOME. 1568 01:21:23,487 --> 01:21:26,185 AND WHAT COULD HAVE HAPPENED, DID. 1569 01:21:37,283 --> 01:21:39,546 WHY DO WE KEEP FINDING OURSELVES IN THIS POSITION, 1570 01:21:39,590 --> 01:21:44,943 YOU AND ME? HMM? DIDN'T I JUST SEE YOU A COUPLE OF WEEKS AGO? 1571 01:21:44,987 --> 01:21:47,511 - YEAH. - DIDN'T WE HAVE A VERY HARD CONVERSATION? 1572 01:21:47,554 --> 01:21:50,644 - YEAH. - YEAH? HOW DO YOU FEEL ABOUT IT? 1573 01:21:50,688 --> 01:21:54,257 - DON'T KNOW. - YOU DON'T KNOW? YOU'RE NOT CONFIDENT? 1574 01:21:54,300 --> 01:21:58,261 - I'M CONFIDENT, BUT I DON'T KNOW. - OKAY. FAIR ENOUGH. 1575 01:21:58,304 --> 01:22:04,484 WELL, THIS IS ONE OF THOSE INTERESTING MOMENTS IN A CAREER. 1576 01:22:08,010 --> 01:22:09,663 SO I'M PLEASED TO TELL YOU, SIR, 1577 01:22:09,707 --> 01:22:13,450 THAT YOU'LL BE WEARING THE RED BADGE... FROM THEN ON. 1578 01:22:13,493 --> 01:22:16,975 AND, MASTER, IT IS AN HONOR, AN HONORTO WORK WITH YOU. 1579 01:22:17,019 --> 01:22:19,151 THANK YOU. 1580 01:22:21,023 --> 01:22:22,676 - WELL DONE. - THANKS, MAN. 1581 01:22:22,720 --> 01:22:24,330 - WELL DONE. - APPRECIATE IT. 1582 01:22:24,374 --> 01:22:26,289 PUT A SMILE ON THAT FACE AND GO OUT THERE, HUH? 1583 01:22:26,332 --> 01:22:28,508 SHOW THOSE PEARLY WHITES. LEAST SHE MADE YOU BRUSH YOUR TEETH, 1584 01:22:28,552 --> 01:22:32,164 AS WELL AS SHAVE AND CLEAN UP. DON'T YOU LOVE HIM? 1585 01:22:32,208 --> 01:22:34,210 [ applause ] 1586 01:22:47,223 --> 01:22:49,268 [ all laughing ] 1587 01:22:52,837 --> 01:22:55,709 - WELL, HAVE A SEAT. - THANK YOU. 1588 01:22:55,753 --> 01:22:58,364 THAT'S KIND OF LIKE THE GUNFIGHTER COAT. I KIND OF LIKE THAT. 1589 01:22:58,408 --> 01:23:00,192 THANK YOU. 1590 01:23:00,236 --> 01:23:02,194 - SO, HOW ARE YOU THIS WEEK? - I'M OKAY. 1591 01:23:02,238 --> 01:23:04,457 - COME ON. - NO, I'M OKAY. 1592 01:23:04,501 --> 01:23:06,546 AT THE END OF THE DAY, I'M OKAY. 1593 01:23:06,590 --> 01:23:10,333 - 'KAY. - WE ALL WORK OUR BUTTS OFF, SERIOUSLY. 1594 01:23:10,376 --> 01:23:12,030 LET ME GIVE YOU THE RESULTS. 1595 01:23:12,074 --> 01:23:17,731 UM... IT-- IT-- YOU HAD ONE PART COMING IN, 1596 01:23:17,775 --> 01:23:22,736 AND, UH, I'M SORRY TO TELL YOU THAT, UH, WE DIDN'T PICK ANYTHING UP. 1597 01:23:22,780 --> 01:23:27,741 HOWEVER, I... THAT IS... THAT BEING SAID, 1598 01:23:27,785 --> 01:23:30,222 WE'RE GONNA HAVE A VERY SERIOUS CONVERSATION, 1599 01:23:30,266 --> 01:23:32,572 BECAUSE YOU WERE IMMENSELY CLOSE, UM, 1600 01:23:32,616 --> 01:23:35,227 AND DRAMATIC IMPROVEMENT. 1601 01:23:35,271 --> 01:23:37,403 SO, WE'LL HAVE THAT CONVERSATION. 1602 01:23:37,447 --> 01:23:41,103 I DON'T WANT YOU TO, UH, THINK THAT YOU HAVEN'T IMPROVED. 1603 01:23:41,146 --> 01:23:44,106 YOU'VE IMPROVED DRAMATICALLY. THAT'S WHAT'S IMPORTANT. 1604 01:23:44,149 --> 01:23:46,543 I WAS IMPRESSED. 1605 01:23:46,586 --> 01:23:49,241 AND I THINK YOU HAVE THE GREATEST POTENTIAL AND A GREAT FUTURE. 1606 01:23:49,285 --> 01:23:52,505 SO... KEEP THAT HEAD UP. WE STILL HAVE WORK TO DO. 1607 01:23:52,549 --> 01:23:55,117 - WE'LL DO IT AGAIN. - WE'LL DO IT AGAIN. 1608 01:24:07,825 --> 01:24:12,264 UM... YOU DID OKAY THIS TIME. 1609 01:24:12,308 --> 01:24:15,354 DID ALL RIGHT HERE. 1610 01:24:15,398 --> 01:24:17,748 WE, UH... WE GOT THROUGH THAT THEORY PART, 1611 01:24:17,791 --> 01:24:20,142 WHICH IS GREAT, YOU KNOW? THIS IS AWESOME. 1612 01:24:20,185 --> 01:24:24,711 YOU DID AN AWESOME JOB ON THAT THEORY, AND, UM, 1613 01:24:24,755 --> 01:24:26,452 YOU KNOW, TASTING, YOU'RE GONNA HAVE TO-- 1614 01:24:26,496 --> 01:24:28,628 YOU'RE GONNA HAVE TO BE WORKING WITH TASTING. 1615 01:24:31,588 --> 01:24:34,504 YOU'RE GONNA HAVE TO BE WORKING WITH THOSE, UH, 1616 01:24:34,547 --> 01:24:38,203 WITH THOSE CANDIDATES THAT YOU'RE GONNA BE TRAINING FROM NOW ON, MASTER. OKAY? 1617 01:24:38,247 --> 01:24:41,511 [INHALES SHARPLY] WHOO! 1618 01:24:41,554 --> 01:24:44,775 CONGRATULATIONS, BROTHER. 1619 01:24:44,818 --> 01:24:48,561 [LAUGHING] YOU MADE IT. ALL THAT HARD WORK. 1620 01:24:48,605 --> 01:24:51,564 AND YOU FINALLY-- YOU FINALLY BROUGHT IT TO 1621 01:24:51,608 --> 01:24:54,306 THE PROMISED LAND THERE, RIGHT? 1622 01:24:54,350 --> 01:24:58,136 - OHH! THANKS, JAY. - YOU'RE WELCOME, BROTHER. 1623 01:24:58,180 --> 01:24:59,920 I'LL TALK TO YOU A LITTLE BIT MORE ABOUT, 1624 01:24:59,964 --> 01:25:02,140 UH, A LITTLE BIT MORE ABOUT IT LATER, ALL RIGHT? 1625 01:25:07,885 --> 01:25:10,366 WHEW. 1626 01:25:16,807 --> 01:25:18,765 - [ sighs ] - HOW ARE YOU? 1627 01:25:18,809 --> 01:25:20,637 - I'M ALL RIGHT, MAN. - HOW YOU FEELIN'? 1628 01:25:20,680 --> 01:25:22,334 - FEEL GOOD. - GLAD IT'S OVER? 1629 01:25:22,378 --> 01:25:24,771 - VERY. - HOW'D YOU THINK YOU DID THERE? 1630 01:25:24,815 --> 01:25:28,384 THEORY FELT GOOD, TASTING, I THINK I WAS ON THE BORDER. 1631 01:25:30,560 --> 01:25:34,868 YOU PASSED THEORY. WE GOT THAT OUT OF THE WAY. 1632 01:25:34,912 --> 01:25:37,915 YOUR TASTING, YOU STILL NEED TO TAKE AGAIN, UNFORTUNATELY. 1633 01:25:37,958 --> 01:25:42,180 WE, UH, YOU KNOW, WE CAME CLOSE. WE GOT ONE MORE PIECE. 1634 01:25:42,224 --> 01:25:44,617 KEEP UP THE GOOD WORK, AND JUST KEEP, UH, 1635 01:25:44,661 --> 01:25:46,793 YOU JUST GOT TASTING TO BANG ON NOW. 1636 01:25:46,837 --> 01:25:48,969 YOU DON'T HAVE TO STUDY THOSE BOOKS, SO THAT'S A GOOD THING, RIGHT? 1637 01:25:49,013 --> 01:25:50,884 - THAT'S SO REFRESHING, - ALL RIGHT, EXCELLENT. 1638 01:25:50,928 --> 01:25:53,322 - THANK YOU SO MUCH. - YOU'RE WELCOME. 1639 01:26:27,051 --> 01:26:29,662 COME ON AND GRAB A GLASS, BABE. 1640 01:26:45,765 --> 01:26:47,985 I WAS THE FIRST ONE TO GO IN, HUH? 1641 01:26:48,028 --> 01:26:51,728 MY HEART WAS GOING FREAKING CRAZY, WALKING INTO THAT ROOM. 1642 01:26:51,771 --> 01:26:56,254 UM, I HAD AN OUT-OF-BODY EXPERIENCE. 1643 01:26:56,298 --> 01:26:58,952 I WAS WATCHING MYSELF IN THE CHAIR, WITH DAME. 1644 01:26:58,996 --> 01:27:01,607 - HE WAS MESSING WITH ME, AS USUAL. - RIGHT. 1645 01:27:01,651 --> 01:27:06,525 I'M TRYING TO REMEMBER WHAT HE SAID. SOME CLINK. 1646 01:27:08,919 --> 01:27:10,573 SO NOW WHAT? WHAT ARE WE GONNA DO? 1647 01:27:10,616 --> 01:27:13,532 BURN THE NOTE CARDS, DUDE. WE'RE HAVING A BONFIRE. 1648 01:27:13,576 --> 01:27:15,665 BRIAN-- BRIAN McCLINTIC?! 1649 01:27:15,708 --> 01:27:18,755 [ shouting and chattering ] 1650 01:27:21,061 --> 01:27:26,632 YOU KNOW, BRIAN USED TO BE... HE WAS KIND OF A COLORADO BOY. 1651 01:27:26,676 --> 01:27:28,982 YOU KNOW, HE WAS THERE IN MY TOWN, IN ASPEN, 1652 01:27:29,026 --> 01:27:31,985 FOR A LITTLE WHILE, BUT, UH, HE'S BACK IN CALIFORNIA, 1653 01:27:32,029 --> 01:27:34,336 WHERE HE BELONGS. CONGRATULATIONS. 1654 01:27:34,379 --> 01:27:36,338 - THANKS. - HERE'S YOUR TIE AND YOUR PIN, SIR. 1655 01:27:36,381 --> 01:27:39,906 - CONGRATULATIONS. - THANK YOU. ALL RIGHT. 1656 01:27:39,950 --> 01:27:41,865 PICTURE WITH DMITRI AND I. 1657 01:27:41,908 --> 01:27:43,954 HOLD THE DIPLOMA UP, BRO. 1658 01:27:49,481 --> 01:27:52,702 THE NEW MASTER SOMMELIER, WE HAVE MR. DUSTIN WILSON. 1659 01:27:52,745 --> 01:27:55,270 [ shouting and cheering ] 1660 01:27:58,360 --> 01:28:01,319 FORMERLY OF THE LITTLE NELL HOTEL IN ASPEN, COLORADO. 1661 01:28:01,363 --> 01:28:05,062 NOWRN74 IN SAN FRANCISCO. 1662 01:28:05,105 --> 01:28:07,325 HE'S HANGING OUT WITH BIG GUYS 1663 01:28:07,369 --> 01:28:09,022 LIKE RAJ PARR AND WHATNOT, RIGHT? 1664 01:28:09,066 --> 01:28:11,677 - [ chuckling ] - SO HE'S THERE TODAY, 1665 01:28:11,721 --> 01:28:14,593 AND HERE HE IS TODAY WITH HIS MASTER DIPLOMA. CONGRATULATIONS, DUSTIN. 1666 01:28:14,637 --> 01:28:16,987 [ cheers and applause ] 1667 01:28:21,557 --> 01:28:26,344 I KNOW I WAS NERVOUS, UM, BEFORE HE... LIKE, 1668 01:28:26,388 --> 01:28:28,912 BEFORE HE LEFT FOR THE EXAM, 1669 01:28:28,955 --> 01:28:32,524 BUT... IT'S WHEN I GOT THE PHONE CALL FROM MY SISTER, 1670 01:28:32,568 --> 01:28:36,876 AND TELLING ME THAT BRIAN AND DUSTIN PASSED, BUT IAN DIDN'T. 1671 01:28:36,920 --> 01:28:40,750 I WAS AT WORK. I STILL REMEMBER, IT WAS ON A FRIDAY. 1672 01:28:40,793 --> 01:28:43,056 SO THAT WHOLE AFTERNOON, 1673 01:28:43,100 --> 01:28:45,798 I WAS JUST SITTING IN THE BREAK ROOM, CRYING, THE WHOLE ENTIRE AFTERNOON. 1674 01:28:54,807 --> 01:28:56,722 [ sighs ] UH, WHEN DUSTIN AND I PASSED, 1675 01:28:56,766 --> 01:28:59,812 UH, IT WAS A BIG DEAL FOR BOTH OF US. 1676 01:28:59,856 --> 01:29:03,468 YOU KNOW, WE... GOT TO GO HOME TO OUR WIVES, 1677 01:29:03,512 --> 01:29:06,906 WE CELEBRATED, WE PARTIED. 1678 01:29:06,950 --> 01:29:10,736 IAN, I HAVE TO IMAGINE, FOR HIM, 1679 01:29:10,780 --> 01:29:13,609 IT WAS EXACTLY THE OPPOSITE, YOU KNOW? 1680 01:29:13,652 --> 01:29:15,611 HE PROBABLY DREADED COMING HOME, 1681 01:29:15,654 --> 01:29:18,744 HAVING TO FACE HIS FRIENDS, HIS GIRLFRIEND. 1682 01:29:18,788 --> 01:29:21,181 HE REALLY, REALLY WANTED TO GET THROUGH. 1683 01:29:21,225 --> 01:29:23,923 WHATEVER ISSUES YOU HAVE IN YOUR LIFE, 1684 01:29:23,967 --> 01:29:27,100 WHATEVER YOU HOLD INSIDE YOU THAT'S NOT GOOD, 1685 01:29:27,144 --> 01:29:30,800 IT WILL BE DRAWN OUT BY THIS EXAM. 1686 01:29:30,843 --> 01:29:33,106 IT JUST HAPPENS BY ATTRITION. 1687 01:29:33,150 --> 01:29:35,065 IF YOU DON'T FACE THOSE THINGS, 1688 01:29:35,108 --> 01:29:37,110 YOU'RE GONNA HAVE A VERY, VERY DIFFICULT TIME 1689 01:29:37,154 --> 01:29:39,199 PASSING THIS EXAM. 1690 01:29:39,243 --> 01:29:42,942 IF IAN FACES THOSE DEMONS, HE WILL BE SUCCESSFUL. 1691 01:29:52,169 --> 01:29:53,866 REALLY, IF ANYTHING, 1692 01:29:53,910 --> 01:29:56,695 WHAT I'VE LEARNED IS THAT YOU FINISH THAT UP, 1693 01:29:56,739 --> 01:29:59,132 AND THEN, IT'S EVEN HARDER. 1694 01:29:59,176 --> 01:30:02,745 THE PRESSURE'S EVEN MORE SO, BECAUSE YOU HAVE TO STAY ON TOP. 1695 01:30:02,788 --> 01:30:05,225 YOU'RE A MASTER SOMMELIER AT THIS POINT. 1696 01:30:05,269 --> 01:30:07,924 YOU HAVE TO BE A MASTER SOMMELIER AT ALL TIMES. 1697 01:30:07,967 --> 01:30:10,230 YOU HAVE TO STAY ON TOP OF YOUR KNOWLEDGE, 1698 01:30:10,274 --> 01:30:12,494 AND TO STAY ON TOP OF TASTING. 1699 01:30:12,537 --> 01:30:14,713 YOU HAVE TO STAY ON TOP OF CONTINUING TO LEARN, 1700 01:30:14,757 --> 01:30:16,802 BECAUSE THERE'S, ALL OF A SUDDEN, 1701 01:30:16,846 --> 01:30:18,978 LOTS OF PEOPLE THAT ARE LOOKING UP TO YOU 1702 01:30:19,022 --> 01:30:20,937 AND LOOKING AT YOU IN A DIFFERENT LIGHT. 1703 01:30:35,821 --> 01:30:38,911 DO YOU KNOW HOW MANY BRILLIANT PEOPLE THERE ARE 1704 01:30:38,955 --> 01:30:41,827 WHO HAVE TAKEN THE EXAM AND ARE STILL NOT M.S.'s? 1705 01:30:41,871 --> 01:30:44,003 FIVE, SIX, SEVEN TIMES. 1706 01:30:44,047 --> 01:30:45,962 BRILLIANT, BUT THEY'RE NOT M.S.'s. 1707 01:30:50,532 --> 01:30:53,926 NO. I-I DON'T GIVE UP. 1708 01:30:53,970 --> 01:30:56,102 I CAN'T. 1709 01:31:11,640 --> 01:31:13,903 - HEY, BABY. - HI. 1710 01:31:13,946 --> 01:31:17,689 I HAVE TO BURN ALL MY FLASH CARDS, 'CAUSE I PASSED! 1711 01:31:17,733 --> 01:31:18,995 [ laughing ] 1712 01:31:19,038 --> 01:31:21,606 [ laughing ] YEAH, I DID. 1713 01:31:21,650 --> 01:31:23,739 YEAH, I DID IT. 1714 01:31:23,782 --> 01:31:26,219 OH, MY GOD, SO... OKAY! 1715 01:31:26,263 --> 01:31:29,266 [ tearful, emotional laughter ] 1716 01:31:32,138 --> 01:31:36,578 OH, MY GOD. OKAY. BYE. [ laughter ] BYE. 1717 01:31:36,621 --> 01:31:40,059 OH, WOW! HE DID IT! 1718 01:31:40,103 --> 01:31:43,106 OH, MY GOD. THANK GOD. 1719 01:31:43,149 --> 01:31:46,022 WOW. WOW, THIS IS CRAZY. 1720 01:31:46,065 --> 01:31:48,241 I'M SHAKING RIGHT NOW. 1721 01:31:48,285 --> 01:31:50,592 I'M LITERALLY SHAKING RIGHT NOW. 1722 01:31:50,635 --> 01:31:53,246 THIS IS SO UNREAL. 1723 01:31:53,290 --> 01:31:56,075 I CAN'T TELL YOU HOW HAPPY I AM RIGHT NOW. 1724 01:31:56,119 --> 01:32:00,689 I'M JUST... REALLY, REALLY SHAKING RIGHT NOW. 132798

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.