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Eߣ�B��B��B�B�B��matroskaB��B��S�g �M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS����M��S��T�gS�����O� I�f@�*ױ�B@M��libebml v1.4.5 + libmatroska v1.7.1WA�mkvmerge v100.0 ('Do Hot Girls Like Chords') 64-bitD��A],� Da�8>%�t� s��#u�h�dvi/Hpb�T�k���ׁsňu���ʶ�L���� �� ��S_TEXT/UTF8"���enSn�SDHU���D C�u�������� ♪ ♪��ᠭ���k [audience cheering
and applauding]��\C�u@��{����� -MICHAEL: ♪ Hee-hee! ♪
-AUDIENCE: ♪ Hee-hee! ♪��
������
-MICHAEL: ♪ Hee-hee! ♪
-AUDIENCE: ♪ Hee-hee! ♪��
bC�u@��1{����� -MICHAEL: ♪ Ow! ♪
-[audience cheering]���ɡÁ� ["Wanna Be Startin’ Somethin’"
by Michael Jackson playing]��1C�u��fV����� ♪ ♪��C�u@�炋����� MICHAEL:
♪ Ooh ♪�������� ♪ I said you wanna be
startin’ somethin’ ♪��������� ♪ You got to be
startin’ somethin’ ♪��͠���� ♪ I said you wanna be
startin’ somethin’ ♪���C�u@�炤:����� ♪ You got to be
startin’ somethin’ ♪���¡��� -♪ It’s too high to get over ♪
-♪ Yeah, yeah♪����š��� -♪ You’re too low
to get under ♪
-♪ Yeah, yeah♪��HC�u@�炻Ҡá�� -♪ You’re stuck in the middle ♪
-♪ Yeah, yeah♪��������% -♪ And the pain is thunder ♪
-♪ Yeah, yeah♪��&�¡��� -♪ It’s too high to get over ♪
-♪ Yeah, yeah♪���C�u@��Ҿ�š�� -♪ You’re too low
to get under ♪
-♪ Yeah, yeah♪��H�á��� -♪ You’re stuck in the middle ♪
-♪ Yeah, yeah♪��������� -♪ And the pain is thunder ♪
-♪ Yeah, yeah♪��sC�u@��泠���� ♪ I took my baby
to the doctor ♪��d������ ♪ With a fever,
but nothin’ he found ♪��������0 ♪ By the time
this hit the street ♪��t�����. ♪ They said
she had a breakdown ♪���C�u@��������� -♪ Someone’s always tryin’ ♪
-♪ Tryin’♪�������� -♪ To start my baby cryin’ ♪
-♪ Cryin’♪��Ҡá��� -♪ Talkin’, squealin’, lyin’ ♪
-♪ Lyin’♪��C�uA�n�ơ�� ♪ Sayin’ you just want
to be startin’ somethin’ ♪�����x ♪ I said you wanna be
startin’ somethin’ ♪��e�����g ♪ You got to be
startin’ somethin’ ♪������� ♪ I said you wanna be
startin’ somethin’ ♪���C�u��/������ ♪ You got to be
startin’ somethin’. ♪�������� ♪ ♪��C�u��JW����� [song ends]��s������ [cheering and applause]���C�u��cӠ���� [audience
chanting indistinctly]��������� AUDIENCE [chanting]:
Michael! Michael! Michael!��9C�u��~����� Michael! Michael! Michael!
Michael! Michael! Michael!��4������ Michael! Michael! Michael!�� pC�u���֠���� Michael! Michael! Michael!
Michael! Michael! Michael!���C�u�������� Michael! Michael! Michael!�� p����� � Michael! Michael! Michael!
Michael! Michael! Michael!���C�u���=����� Michael! Michael!
Michael! Michael!��E������ Michael! Michael!��C�u��ߙ����� Michael! Michael!
Michael! Michael!��
������ -[chanting fades]
-♪ ♪��C�u������� [wind blowing]��%������ -[children
chattering playfully]
-MAN: Hey.��������� All right, watch that now.��jC�u��)䠪��� -BOY: Get him.
-MAN: All right.�������� [playful chattering continues]�������� [Michael chuckles]���C�u��A}����� -JOSEPH: Mike.
-[gasps]��9�����
? Get back in line.���C�u@��kI����� All right. Come on, now.�������� We’re gonna take it
from the top.�� ����� And get it right this time.��\C�u���O����� -One, two, three, four.
-[snapping in rhythm]��Ġ���� N ♪ Ooh...♪���C�u��������� -[claps] Stop!
-[music stops]��Ġ���� N Breathe together!��y�����Q You got to feel it. You hear?���C�u���f����� Take it from the top.�������k -JACKIE: One, two, three, four.
-[snapping in rhythm]��栔���� ♪ Ooh♪��
bC�u���x����� JOSEPH: Michael,
I need you to look at me.��9������ ♪ Ooh♪��nC�u���
����� -♪ Fairy tales ♪
-♪ Ooh♪�������� JOSEPH:
Michael, eyes. Up here.�� �����
7 ♪ Fairy tales ♪��
?C�u��
����� ♪ I don’t enjoy ♪��
�C�u@��#������ ♪ Fairy tales ♪�������� -♪ And wishful dreams ♪
-Michael.��H�����_ I’m gonna need your eyeline.
At me.��eC�u��8蠡��� ♪ Are broken toys ♪�� ������
� ♪ ’Cause I’m a big boy now ♪��͠����� BOYS:
♪ Big boy♪��jC�u@��Q������ MICHAEL:
♪ That’s looking for ♪�� ������ BOYS:
♪ Big boy, ooh♪��������( ♪ Someone to love ♪��
@C�u��j������ -♪ Oh, yeah ♪
-♪ Ooh♪��
������ -♪ Ooh...♪
-All right,
I think that’s good.��C�u@����¡�� All right,
all right, all right,
all right, all right.�� ������ -Y’all did all right.
-[music stops]��%�����
Y It’s gonna feel better
when you get it right.���C�u��������� [children chattering playfully
in distance]��
b�����
� ["Oh How Happy"
by Shades of Blue playing]��EC�u��������� ♪ ♪���C�u��̯����� ♪ Oh, how happy ♪�� p����� � ♪ You have made me ♪��
�C�u��������� ♪ Oh, how happy ♪�������� + ♪ You have made me ♪��栬���� ♪ I have kissed your lips... ♪�� pC�u��������� KATHERINE:
Eat your food, please.��
ʠ����T Stop.��������� Mikey, why are you playing
with your food?��4C�u@��+����� You need to stop
playing with it.�������� Come on.
You know he never eats.�� �����
? -Shut up, La Toya.
-LA TOYA: You shut up.��Ҡ����� -KATHERINE:
I was not talking to you.
-[laughter]��
�C�u@��6d�¡�� -MICHAEL: Look, I made a face.
-KATHERINE: I see, baby,�� ,�ġ�� � -but you need to eat.
-Wow, that’s
a real work of art.�� �C�u��JY����� All right,
now, listen up, boys.�� ������� I know you would
never let me down.��
?C�u��eP����� And I...�������� I think you’re ready.�� qC�u@��yg����� So, I’ve booked us a few gigs.�� ������
� We start in Illinois tomorrow.
Two shows a night.��\�����k -[boys laughing and chattering]
-Wait, wait, Joseph...���C�u@���Q����� we don’t need
to work them that hard.��~����� Work? They don’t know
the first thing about work.�� ؠ����j I understand that,
but they have school.���C�u�������� Let me tell you something.��y����� In this life,�������� you’re either a winner
or you’re a loser.�� �C�u��ʓ����� You hear me?��4������ Y’all some poor Black kids
from Gary, Indiana.���C�u@��ఠ���� Shit, ain’t nothin’
gonna be handed to you.��%������ But you got to fight for it.�� p������ Y’all want to work
in the steel mill like me���C�u���ؠ���� -for the rest of your days?
-BOYS: No, sir.�������� Yeah, ’cause
I sure as hell don’t.��
bC�u�������� Unless you work harder...�� �����S ...harder than anyone else,��H�����% this is your life.�� �C�u@��?������ Y’all willing to fight for it?��&������ -BOYS: Yes, sir.
-I need to hear you
a little louder.��s������ Y’all willing to fight for it?��Q������ BOYS:
Yes, sir.��jC�u@��\������ Now, I want you to reach out,��y����� like you’re about to touch
that wall, but not quite.�����
| Like this, all right.
Reach out. Come on.��1C�u@��uР���� But don’t touch it.�������� All right. Good.
That’s it. [chuckles]�� ������ Keep your arms up.
Keep your arms up.���C�u���h����� Now, I want you
to look at that wall.��T������ All right.��4������ Close your eyes.��%C�u��������� We’re gonna
reach out together...��������E ...as one.��&C�u�������� As a family.��~������ No more Jackie...���C�u����� ...Tito...�������� Jermaine...��������� Marlon...��������3 and Michael.��yC�u���ʠ���� From now on...��k�����_ ...you’re the Jackson 5.���C�u@��Z����� ["You’ve Changed"
by Jackson 5 playing]��������: [cheering and applause]��V����� -♪ Now when I look at you ♪
-♪ Ooh♪��
C�u��/5����� ♪ All my love come
running through ♪��ՠ����_ ♪ You’ve changed
and it’s showing♪��
�C�u@��Mi�ǡ�� -♪ My love for you is growing♪
-♪ My love, my love ♪�������� ♪ My love is growing ♪�������. ♪ You’ve changed
and it’s showing♪���C�u��p2����� [cheering, whistling]������� MARLON:
Ooh.��e������ ♪ Yeah ♪���C�u���w����� ♪ Yeah, yeah, yeah,
yeah, yeah, yeah, yeah ♪��������W ♪ Your looks♪��BC�u��������� ♪ Ooh, my honey sugar ♪��
?�����
� ♪ Your eyes♪��.������ ♪ Ooh, now you hypnotize. ♪��
�C�u���o����� -[song ends]
-[cheering]��1C�u����ġ�� -[excited shouts from audience]
-MAN: All right, Michael.�� �C�u@����� MICHAEL:
Tito, you were amazing.��Ҡ����\ -Hi, boys.
-MARLON: That was crazy.�������� -Hey, Mother.
-MARLON: Hi, Mother.��jC�u@��ߠȡ Why don’t you wash your hands
and get your nightclothes on?��������: -It’s getting late.
-Hold up. No, no, no.��̠����� No. No, no, no, no, no, no.��4C�u@��"-����� Set up your instruments.
Come on.��4������ They have school in the
morning. What do you mean?��y�����
� Ain’t no time for no
nighty night and sweet dreams.��VC�u@��6���� We need to rehearse so
we can get it right. Come on.��.������ Come on. [claps] Set them up.��B�����
� -Come on.
-MICHAEL: Why? We’re tired.��������� -And-And we did good.
-Mikey, it’s-it’s fine.���C�u��P������ You tired?��������. And you think you did good?�������� Is that right, Michael?�������� Yes, Joseph.���C�u��i������ We did good.�����x Michael, come over here.
Come here.�� ,C�u��{����� You lookin’ at me like
I ain’t talking to you?��H������ Boy, you come over here
when I call!��
?C�u��������� What?�������� My opinion don’t matter
around here... boy?�� �C�u@��������� [Michael screaming]��y����� -KATHERINE: Joseph, stop it.
-You gonna mind me, boy!�� ؠ����e [Michael continues screaming]���C�u�������� Ow!��y����� Ow.��������� We’ll rehearse
till you get it right.��
ZC�u@��������� -[breath trembling]
-In this life,�������� you’re either a winner...��%������ -BOYS: Or a loser.
-JOSEPH: That’s right.��C�u������� You gonna cry? Go on and cry.��H�����
� Go on, big nose.�������� Set it up.���C�u��%������ [stifled crying]�� ������ [belt clatters]��WC�u��K������ [crying quietly]��������� [soft knock on door]��%C�u��e<����� Michael, it’s Mother.�� q����� � [stifled crying]�� C�u��������� [stifled crying continues]���C�u@�������� MICHAEL [quietly]: "Old foes
slowly circle each other��������# "for a long moment.��������k "Neither spoke.���C�u@������ "Captain Hook met his fate
in the jaws of his old enemy,��#������ "the Crocodile.�������H Neverland was finally free."��
�C�u�������� [chuckles softly]���C�u���N����� MICHAEL:
Five, six,��
|����� five, six, seven, eight.��9C�u�� ����� -[rhythmic snapping]
-[harmonized vocalizing]��hC�u@�� + ����� Michael, keep your eyes
right here.��������H -Michael, right here.
-♪ Stand ♪��������
| ♪ In the end
you’ll still be you ♪��mC�u@�� G|����� ♪ One that’s done
all the things ♪�� ������
@ ♪ You set out to do ♪��Ҡ����� JERMAINE:
♪ Stand ♪��C�u@� _������ ♪ There’s a cross
for you to bear ♪��n�¡��� ♪ Things to go through
if you’re going anywhere ♪��pC�u�� ������� ♪ Everybody say stand ♪�������� ♪ For the things
you know are right ♪��
�C�u@�� �:����� ♪ It’s the truth
that the truth ♪�� ,����� � ♪ Makes them uptight ♪��������4 JERMAINE:
♪ Stand ♪���C�u�� ������� ♪ All the things
you want are real ♪��������� ♪ It’s just you to complete ♪�� �C�u�� �c����� ♪ And there is no deal ♪�� p�����
6 -♪ Yeah, yeah, yeah... ♪
-[grunts]�� C�u�� �,����� MICHAEL:
Try it, Marlon.�� ؠ����) [both chuckling]��dC�u@��
����� Sharp. That’s it.
Get those arms up.�� +����� � [vocalizing]:
♪ Stand ♪�������P That’s the audience.
Right here, right here.��eC�u��
I����� ["Stand!" continues playing]���C�u@��
6�� ♪ Stand ♪��%������ ♪ Yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah ♪��H������ -♪ Yeah, yeah, yeah ♪
-[thunder rumbling]�� �C�u��
Xc����� ♪ Stand ♪��e������ ♪ They will try
to make you crawl ♪��
7C�u��
l�̡Ɓ ♪ And they know what they’re
saying makes no sense at all ♪�������� ♪ Stand ♪���C�u��
������� ♪ Don’t you know
that you are free? ♪��Ϡ����
Y [all laughing]��yC�u��
������ ♪ Well, at least in your mind
if you want to be ♪��ࠟ���j ♪ Everybody say ♪�� +C�u@��
������ ♪ Huh! Hah! ♪�������j ♪ Yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah ♪�� p�����d ♪ Yeah, yeah, yeah ♪���C�u@��
̝����� ♪ Yeah, yeah
yeah, yeah, huh! ♪��1������ -♪ Hah! ♪
-[TV playing indistinctly]�������� ♪ Yeah, yeah, yeah, yeah... ♪���C�u��
屠���� That’s it.�������� ♪ Yeah, yeah, yeah ♪��VC�u@��
������� ♪ Ooh! ♪��4������ GLADYS KNIGHT:
♪ Losing you
would end my life ♪�������� -♪ You see ♪
-♪ Oh♪���C�u��9����� ♪ Because you mean
that much to me ♪��
������( ♪ You could have
told me yourself ♪�� �C�u@��*������ ♪ That you love somebody else ♪��:������ ♪ Instead, I heard it
through the grapevine ♪��j�ġ��� -♪ Oh, I heard it through
the grapevine♪
-♪ Oh ♪���C�u@��B������ ♪ Not much longer
would you be mine ♪�� ����� � ♪ Don’t you know
that I heard it ♪�� ,�����H ♪ Yes, I heard it, oh ♪��\C�u��^Ơʡā ♪ Just about, just about, just
about to lose my mind, oh. ♪��.C�u@��sD����� [song ends]��C������ [cheering]�������h -GLADYS: Thank you so much.
-[whooping]������� We gonna get ready
to take a little break,�� pC�u@���B�ɡÁ so, I want to introduce you all
to some handsome young fellas.����
{ Now, ladies, don’t let them
break your heart.�� pC�u��������� Ladies and gentlemen,
let’s give it up��%������ for the Jackson 5!��%�����_ [cheering and applause]�� +C�u���S����� -Hi, boys.
-Hi.��������1 GLADYS:
He’s adorable.��������y Come on. Come on,
come on, come on.��9C�u��Ꮰ���� [cheering and applause]�� ������ [guitar strums]��HC�u��ɠ���� ["Never Can Say Goodbye"
playing]��
������B ♪ Ooh-ooh, ooh-ooh ♪���C�u��'������ ♪ Never can say goodbye ♪��k������ ♪ Never can say goodbye, girl♪��������
7 ♪ No, no, no, I ♪��yC�u@��;栧��� ♪ Never can say goodbye ♪�� ������
♪ Never can say goodbye, girl♪��9������ ♪ Even though
the pain and heartache ♪��
�C�u��Z����� ♪ Seems to follow me
wherever I go ♪�� ؠ����
b ♪ Though I try and try
to hide my feelings ♪���C�u��q������ ♪ They always seem to show ♪��%������ ♪ Then you try to say
you’re leaving me ♪��#C�u���젭��� ♪ And I always have to say no ♪��
b�����
� -♪ Tell me why ♪
-♪ Tell me why...♪��
C�u�������� You like my boys?�� ������
? Are you their manager?��%C�u�������� Joseph Jackson.��&������ Suzanne de Passe from Motown.��"C�u���s����� Motown?��������: [chuckles]��������n ♪ Every time
I think I’ve had enough ♪��%C�u��ݐ����� ♪ I start heading
for the door ♪�� ؠ����
b ♪ There’s a very
strange vibration... ♪��
�C�u��� ����� That’s God-given talent
right there.�� N������ Perfect pitch.��.C�u��
������ Perfect pitch?�� ,�����
� -We ain’t there yet.
-♪ Tell me why ♪��kC�u��
C����� ♪ Tell me why♪�������� ♪ Is it so... ♪�������" The things he could do
with that voice.��:C�u@��
1)����� ♪ I never can say
goodbye, girl ♪��Ҡ����\ ♪ I never can
say goodbye, girl♪��4����� ♪ Oh, no, no ♪��HC�u@��
H����� -♪ Hey, baby♪
-♪ Never can say goodbye ♪��%������ [audience chatters excitedly]��
������� ♪ No, no, no, no, no, no... ♪��dC�u��
`������ I’ll be in touch, Mr. Jackson.������� ♪ I never can say
goodbye, girl ♪��1C�u@��
u������ JERMAINE: ♪ I’m never gonna
say goodbye, baby ♪��T������ MICHAEL: ♪ I never can say
goodbye, girl, yeah ♪��\C�u��
�I����� JERMAINE:
♪ I’m never gonna say ♪�������� ♪ No, no, no, no, no, no ♪��
C�u@��
������� ♪ No, no, no, no, no, no. ♪�� N����� � -[song ends]
-[cheering and applause]���š��e ["Money [That’s What I Want]"
by Barrett Strong playing]�� C�u@��
������� ♪ The best things in life
are free ♪��4������ ♪ But you can give them
to the birds and bees ♪��
?������ -♪ I need money ♪
-♪ That’s what I want♪��#C�u@��
�٠���� -♪ That’s what I want ♪
-♪ That’s...♪�� +����� � -JOSEPH: All right, boys,
look alive.
-Hi, Mr. Gordy.��������� -JOSEPH: Mr. Gordy’s here.
-GORDY: Suzanne.���C�u@��
�'����� Boys, good to see you again.�����x Y’all been learning
the song we gave you?����¡��
� -Practicing night and day.
-We’ll start with Michael.���C�u@��
������ -["I Want You Back" playing]
-MICHAEL: ♪ Uh-huh ♪��Ġ���� N ♪ Let me tell you now ♪��4����� ♪ Uh-huh ♪��
�C�u@������� ♪ When I had you to myself ♪�������� -♪ I didn’t want you around ♪
-[music stops]��������k GORDY:
Michael, um,��jC�u��:`����� you’re moving too much.��H������ [over speaker]:
All right, here we go.�� +C�u��N����� [music resumes playing]��
?�����e [music playing
through headphones]���C�u��{蠧��� ♪ Uh-huh, huh, huh, huh ♪��̠����V [music stops]���C�u�����á�� -[clicks button]
-Uh, Michael,
you’re doing it again.��
������1 Take a step closer
to the microphone.���C�u@���^�ɡÁ That’s it. And I’m gonna need
you to keep your feet still.��
제���v You understand me?��̠����� Give me the same lead-up.�� C�u��ƽ����� [whirring]��ࠝ���j GORDY:
Here we go.��۠����� [music resumes playing]���C�u�������� ♪ Uh-huh, huh, huh, huh ♪��m������ ♪ Let me tell you now ♪���C�u��9����� ♪ Huh, huh ♪��\�ơ��� ♪ When I had you to myself
I didn’t want you around ♪���C�u@��3j����� ♪ Those pretty faces
always made you ♪��9������ -Let me talk to him.
-♪ Stand out in a crowd... ♪����¡��� -No, he’s just getting it.
-I just need five minutes.��dC�u@��IA����� Say, Joseph,
why don’t you worry��k������ about keeping the boys
on schedule, huh?��ࠠ���_ We got this over here.��&C�u��`P����� ♪ For me
to take a second look ♪��S������ ♪ Oh, baby,
give me one more chance ♪��1C�u��w蠬��� ♪ To show you that I love you♪��������H ♪ Won’t you please
let me back in your heart? ♪��&C�u@���࠭��� ♪ Oh, darling, I was blind... ♪�������� -What did I tell you?
-[laughs]��
젺��� ♪ But now, since I see you
in his arms... ♪���C�u�������� ♪ When ♪��1������ ♪ I ♪��"C�u���x����� ♪ Had you ♪��
䠣���n ♪ I treated you bad ♪��YC�u���ɠ���� ♪ And wrong, my dear ♪�������� ♪ And, girl, since ♪�� �C�u��à���� ♪ Since you went away ♪��:C�u��!������ ♪ Don’t you know I sit around ♪��4������ ♪ With my head hanging down ♪��sC�u��EB����� ♪ And I wonder ♪��
ʠ����T ♪ Who’s loving you ♪��
YC�u��a ����� [fading]:
♪ I, I, I, I... ♪���C�u��v4����� GORDY:
Let me tell you something, son.��~����� I’ve been doing this
a long time.��
?C�u���s����� I’ve never heard a voice
quite like yours.�������� � You sang that song
better than Smokey himself.��SC�u���K����� Really?��������� You’re special.��4C�u��������� You have something to say.��j����� � That’s rare, Michael.��yC�u@�������� GORDY: Yeah, this is
the fader. Come on, try it.�������� Here, this fader
goes up and down�� p����� -and it sets the levels
-Wow.���C�u@���Ġ���� -to the volume.
-["I Want You Back" playing]�������� It can make your voice
sound... [loudly]: louder...�������� [softly]:
...or softer.��eC�u@���͠���� -All right?
-Yeah.��̠����V And these knobs up here,
that’s for your EQ.��H�����( What’s EQ?��������H Equalization.���C�u@��]����� You see, when we record,��������B we split things up
in tracks, right?��������S JOSEPH: Excuse me, uh,
time to go, Michael.��۠����� Mr. Gordy’s a very busy man.��yC�u@��,����� I’m sure you’ve taken up
enough of his time.��������� [chuckles]����̡Ɓ MICHAEL [recording]: ♪ Back in
your heart? Oh, darlin’... ♪���C�u@��AC����� Go ahead on, Michael.
I can show you this stuff�������� some other time, right?�������( -Okay, Mr. Gordy. Thank you.
-All right. Mm-hmm.�� �C�u��Y������ MICHAEL [recording]:
♪ In his arms, uh-huh ♪��
C�u�������� Hey, Michael.�������� You can ask me anything...��\������ anytime you want.��C�u���C����� [vocalizing]
♪ All I want ♪�������� + [vocalizing]��������Q ♪ All I need... ♪�� +C�u���I����� ["ABC" by Jackson 5 playing]���C�u@��å����� ♪ A, B, C ♪����á�� -♪ Easy as one, two, three ♪
-♪ One, two, three♪������� -♪ Or simple as do-re-mi ♪
-♪ Do-re-mi♪��VC�u@��ڑ����� ♪ A, B, C, one, two, three ♪�� ������
-♪ Baby, you and me, girl ♪
-♪ You and me♪��������� -♪ A, B, C♪
-♪ Easy as ♪���C�u@��������� ♪ One, two, three ♪��%������ -♪ Or simple as do-re-mi ♪
-♪ Do-re-mi♪��W������ ♪ A, B, C, one, two, three ♪��~C�u@��
C����� -♪ Baby, you and me, girl ♪
-♪ You and me♪��H������ ♪ Come on, let me love you
just a little bit...♪��.������ All right, so, how old are you?��\C�u@��"������ Ten.�������� No, you’re not ten.
You’re eight.��Q�����
� ♪ Come on, come on, come on ♪�������� ♪ Let me show you
what it’s all about ♪���C�u@��:*����� ♪ Reading, writing,
’rithmetic... ♪��������H In this business, you can
make up just about anything,��\�����. especially your age.���C�u@��Oߠ���� ♪ Your education
ain’t complete ♪��e������ ♪ T-T-T,
teacher’s gonna show you ♪�������� ♪ Show you, show you♪��t������ ♪ How to get an "A" ♪���C�u@��gߠ���� -♪ How to get an "A"♪
-[reporters clamoring]�������� ♪ You add the two♪����ˡŁ� JERMAINE: ♪ Listen to me, baby,
that’s all you got to do ♪��yC�u@��}������ -MICHAEL: ♪ Oh, A, B, C ♪
-♪ A, B, C♪��������B ♪ It’s easy as ♪��������� -♪ One, two, three ♪
-[clamoring]������� ♪ Or simple as do-re-mi ♪���C�u@�������� ♪ A, B, C, one, two, three ♪��à���� M -♪ Baby, you and me, girl ♪
-♪ You and me...♪��H����� -[reporters clamoring]
-REPORTER: Michael.��\C�u@�������� Michael. How old are you?�������� -♪ Sing a simple melody ♪
-♪ Do-re-mi♪��%������ ♪ A, B, C, that’s how easy... ♪���C�u@����� I’m, uh, I’m eight, sir.��k�ɡÁ� -[reporters clamoring]
-♪ That’s how easy
love can be ♪���ϡɁ� -♪ Sing a simple melody ♪
-♪ That’s how easy
love can be♪���C�u���*����� [cheering]��e������ MICHAEL:
♪ Sit down, girl ♪�������� ♪ I think I love ya ♪��
aC�u@���
����� ♪ No, get up, girl ♪�� ����� � ♪ Show me what you can do ♪��������� ♪ Shake it, shake it, baby ♪��C�u��a����� ♪ Come on now,
shake it, shake it, baby ♪��
|������ ♪ Huh ♪���C�u��+ɠ���� ♪ ♪��������B ♪ Ooh-ooh, A, B, C, baby ♪�� +������ ♪ Nah, nah, do-re-mi,
baby, ow! ♪���C�u��G������ [music fades]��Ҡš��\ -[boys laughing, chattering]
-[peacock cawing in distance]�� MC�u@��f+����� MICHAEL: And I’ve been reading
about the Serengeti.��
ɠ����S Learning about all different
types of lions, tigers,��VC�u���^����� monkeys, giraffes.�� q�¡�� One day, you and I will have
more friends to play with.���C�u���ڠ���� Wouldn’t that be fun?�������� � Look at this picture.
You like it?���C�u��������� [rat squeaking]��4������ Come on, Michael,
Joseph wants you.��j������ [rat squeaking]���C�u���Ϡ���� And make sure you put your rat
in the cage this time.��������" It’s disgusting.��C�u���E����� Come on now.��
?�����
� [clock chiming]��k������ Meet Bill Bray.���C�u@���|����� He’s your new
head of security, all right?��%������ Now, he’s gonna
be around a lot.��e�����
� Make sure you mind him.��~C�u@�������� Nice to meet you, Mr. Bray.�������� It’s very nice to meet you,
too, young man.��H�����m You can call me Bill, okay?�� C�u��+ՠ���� Okay, Bill.��ࠔ���j All right.��C�u@��BY�ɡÁ -Guard him with your life.
-["Singin’
in the Rain" playing]�� ؠ����
b [tap dancing over TV]�� ����� KATHERINE:
Michael.��.C�u��W����� You’re missing the best part.��V������ ["Singin’ in the Rain"
continues over TV]�� +C�u���Ġ���� ♪ ♪�� C�u@���頳��� MICHAEL:
And llamas have three stomachs,��y����� so they can digest their food��۠����h because all they eat
is vegetables.��:C�u@����¡�� And they’re really smart,
very intelligent creatures.�� +����� � -And best of all,
they never ever bite.
-[chuckles]��
C�u@���q����� That’s what you said
about the rats.�������� No, really. Llamas never bite.��%������ They only spit
when they’re agitated.�� NC�u@�� ����� So, you want me to bring
some spitting,��%������ -agitated animal into my house?
-[chuckles]��&�����_ He’ll live outside.
Come on, please.���C�u@�������� -Please say yes.
-No.�������� -I’ll look after him.
-Absolutely not, Michael.��������� Mother has enough things
to worry about.��
bC�u��1F����� And you don’t need another pet.��B������ They’re not my pets.��̠����" They’re my friends.��&C�u��HT����� [Katherine inhales]������� Well... [sighs]��\C�u@��d������ I do understand that.��à���� N But don’t you want
to meet real friends,��3����� like, kids your own age?��C�u���I����� I would like that for you.��1������ I do sometimes,
but I’m not
like the other kids.��mC�u��������� They don’t treat me
like a real person.��
젫���v And all they want
to do is stare��C�u���w����� and take pictures of me.��HC�u��ؼ����� You look at me, Michael.��
������ I knew you were different
the moment you were born.���C�u@��������� I knew you were different
from your brothers,�� p����� � and that’s okay.��\������ You have a very special light.��vC�u��/����� And you know what Jehovah says.��:������ He says, "Let your light shine
unto the world."���C�u��3����� Now, you let your light shine.��
{����� Do you understand me?��
?C�u��Qi����� Yeah.�����y Don’t you ever let anyone
take that away from you.���C�u��hߠ���� Not even yourself.��\������ Come here.�� C�u���$����� ["I’ll Be There"
by Jackson 5 playing]��Ҡ����� [people chattering,
screaming happily]���C�u@����¡�� MICHAEL [over speakers]:
The next song we’re gonna do��j������ is one of our favorites.
You guys ready?��
?������ [cheering, whooping]�� �C�u���a����� ♪ ♪��à����� ♪ You and I must make a pact ♪��SC�u���'����� ♪ We must
bring salvation back ♪���C�u���d����� ♪ Where there is love ♪��
㠻���m -♪ I’ll be there ♪
-♪ I’ll be there♪��_C�u�������� ♪ Oh, oh, yeah ♪��Ҡ����
� ♪ I’ll be there
to protect you ♪���C�u@�3������ ♪ Yeah, baby♪�������� ♪ With an unselfish love ♪��à����m -♪ That respects you ♪
-[cheering]�� �C�u��LV����� Michael!�������� ♪ Just call my name ♪��sC�u��a蠥��� ♪ And I’ll be there ♪������� ♪ And, oh ♪��#C�u��|������ ♪ I’ll be there
to comfort you ♪��������� ♪ Build my world of dreams
around you ♪�� C�u��������� ♪ I’m so glad
that I found you, baby ♪�������� ♪ I’ll be there
with a love that’s strong ♪���C�u���V����� ♪ I’ll be your strength ♪��Ġ����� ♪ I’ll keep holding on♪��EC�u���ࠕ��� ♪ Ooh ♪���C�u���.����� -♪ Yes, I will ♪
-♪ If you should ever find ♪��
������( -♪ Someone new ♪
-[cheering]��
C�u�������� ♪ I know he better be
good to you ♪��NC�u������� ♪ ’Cause if he doesn’t then ♪��K������ -♪ I’ll be there ♪
-♪ I’ll be there♪���C�u��9_����� ♪ Don’t you know, baby,
yeah, yeah ♪��������B ♪ I’ll be there ♪���C�u��a&����� [fading]:
♪ I’ll be there... ♪�������� [music fades]��C�u��������� MAN: Shedding the past,
embracing freedom...��Ԡ����3 That’s your album
right there, brother.�� NC�u��������� MAN:
That’s what people want.��%�����S Pure escapism, Quincy.��H�����% -That’s it.
-Yeah.���C�u���C����� So...��%������ how are you gonna tell your
father about a solo album?��nC�u���7����� Breaking away
from the family...�������� he’s not gonna like that.�� C�u�������� I’m not a kid anymore, Q.��������<