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1
00:00:03,438 --> 00:00:06,049
YO-O-O, JOE!
2
00:00:06,136 --> 00:00:08,834
♪ HE'LL FIGHT FOR FREEDOM
WHEREVER THERE'S TROUBLE ♪
3
00:00:08,921 --> 00:00:10,662
♪ G.I. JOE IS THERE
4
00:00:10,749 --> 00:00:14,014
♪ G.I. JOE
A REAL AMERICAN HERO ♪
5
00:00:14,101 --> 00:00:16,277
♪ G.I. JOE IS THERE
6
00:00:16,364 --> 00:00:19,236
♪ IT'S G.I. JOE
AGAINST COBRA THE ENEMY ♪
7
00:00:19,323 --> 00:00:21,586
♪ FIGHTING TO SAVE THE DAY
8
00:00:21,673 --> 00:00:24,459
♪ HE NEVER GIVES UP,
HE'S ALWAYS THERE ♪
9
00:00:24,546 --> 00:00:27,679
♪ FIGHTING FOR FREEDOM
OVER LAND AND AIR ♪
10
00:00:27,766 --> 00:00:31,118
♪ G.I. JOE
A REAL AMERICAN HERO ♪
11
00:00:31,205 --> 00:00:34,208
♪ G.I. JOE IS THERE
12
00:00:34,295 --> 00:00:36,210
G.I. JOE IS THE CODE NAME
13
00:00:36,297 --> 00:00:39,691
FOR AMERICA'S DARING, HIGHLY
TRAINED SPECIAL-MISSION FORCE.
14
00:00:39,778 --> 00:00:42,825
ITS PURPOSE -- TO DEFEND
HUMAN FREEDOM AGAINST COBRA,
15
00:00:42,912 --> 00:00:44,870
A RUTHLESS
TERRORIST ORGANIZATION
16
00:00:44,957 --> 00:00:47,308
DETERMINED TO RULE THE WORLD.
17
00:00:47,395 --> 00:00:48,657
♪ HE NEVER GIVES UP
18
00:00:48,744 --> 00:00:50,398
♪ HE'LL STAY
TILL THE FIGHT'S WON ♪
19
00:00:50,485 --> 00:00:52,269
♪ G.I. JOE WILL DARE
20
00:00:52,356 --> 00:00:55,620
♪ G.I. JOE
A REAL AMERICAN HERO ♪
21
00:00:55,707 --> 00:01:00,321
♪ G.I. JOE
22
00:01:05,804 --> 00:01:07,850
PLEASE, LET ME GO!
23
00:01:07,937 --> 00:01:09,199
OH, PLEASE!
24
00:01:11,201 --> 00:01:14,900
JUST WHAT DO YOU HAVE
GOING ON HERE, DR. MINDBENDER?
25
00:01:14,987 --> 00:01:17,512
PATIENCE,
MY DEAR COMMANDER.
26
00:01:17,599 --> 00:01:18,469
YOU SHALL SEE.
27
00:01:18,556 --> 00:01:19,992
[ BEEPING ]
28
00:01:20,080 --> 00:01:23,344
NO! N-O-O-O-O-O-O!
29
00:01:23,431 --> 00:01:24,301
[ GASPS ]
30
00:01:28,000 --> 00:01:29,698
GOR BLIMEY!
31
00:01:29,785 --> 00:01:30,655
DID YOU SEE THAT?
32
00:01:32,744 --> 00:01:35,399
I'M YOUNG AND BEAUTIFUL.
33
00:01:35,486 --> 00:01:38,968
THAT COMPLETES
OUR COMPUTER SIMULATION.
34
00:01:39,055 --> 00:01:42,014
VERY INTERESTING,
MINDBENDER.
35
00:01:42,102 --> 00:01:45,105
YES. THAT IS QUITE
A DEMONSTRATION, DOCTOR.
36
00:01:45,192 --> 00:01:47,803
BUT WHY WASTE OUR TIME
IF IT DOESN'T REALLY EXIST?
37
00:01:47,890 --> 00:01:50,240
AU CONTRAIRE.
38
00:01:50,327 --> 00:01:55,202
MADAME VAIL, INTERNATIONALLY
FAMOUS COSMETIC TYCOON
39
00:01:55,289 --> 00:01:59,380
HAS PERFECTED
THE FACIAL TRANSFERENCE MACHINE.
40
00:01:59,467 --> 00:02:03,688
WHY SHOULD WE CARE ABOUT SOME
BABBLING, SENILE WOMAN'S VANITY?
41
00:02:03,775 --> 00:02:05,516
BECAUSE I WILL IT!
42
00:02:05,603 --> 00:02:08,911
I MUST POSSESS THIS PROCESS!
43
00:02:08,998 --> 00:02:12,132
ITS VALUE TO COBRA IS LIMITLESS.
44
00:02:12,219 --> 00:02:14,482
YES. I COULD LEAD
AN ASSAULT FORCE.
45
00:02:14,569 --> 00:02:16,048
WE'LL BREAK IN
AND STEAL IT.
46
00:02:16,136 --> 00:02:20,357
NO NEED FOR ANY
UNDUE HEROISM, COBRA COMMANDER.
47
00:02:20,444 --> 00:02:23,708
SHE WILL SHARE HER SECRET
FOR A PRICE.
48
00:02:23,795 --> 00:02:28,060
I DRAW YOUR ATTENTION
TO OPERATION HIGH FASHION.
49
00:02:28,148 --> 00:02:31,847
MADAME VAIL NEEDS AN ABUNDANCE
OF BEAUTIFUL YOUNG WOMEN
50
00:02:31,934 --> 00:02:33,675
TO KEEP HER OPERATION GOING.
51
00:02:33,762 --> 00:02:35,938
SHE WILL EXCHANGE HER SECRET
52
00:02:36,025 --> 00:02:38,984
FOR THE MOST BEAUTIFUL FACES
IN THE WORLD.
53
00:02:39,071 --> 00:02:42,162
AND WE WILL SUPPLY THE FACES.
54
00:02:42,249 --> 00:02:47,602
DIAL TONE, DARLING, DON'T CARRY
SO MANY MAGAZINES AT ONCE!
55
00:02:47,689 --> 00:02:49,691
SORRY. YOU KNOW,
IT'S NOT EVERY DAY
56
00:02:49,778 --> 00:02:51,693
I HELP A FAMOUS
FASHION MODEL MOVE.
57
00:02:51,780 --> 00:02:55,697
HEY, DIAL TONE, DON'T FORGET
SOON-TO-BE-A-SUPERSTAR SATIN.
58
00:02:55,784 --> 00:02:57,438
DON'T LIKE
THIS NEIGHBORHOOD.
59
00:02:57,525 --> 00:02:59,266
FULL OF
PUNKS AND CRAZIES.
60
00:02:59,353 --> 00:03:01,311
DON'T WORRY ABOUT ME,
LOW-LIGHT.
61
00:03:01,398 --> 00:03:03,705
YOUR LITTLE SISTER KNOWS
ALL ABOUT PUNKS AND CRAZIES.
62
00:03:03,792 --> 00:03:06,098
YEAH! SHE GREW UP WITH YOU,
DIDN'T SHE?
63
00:03:10,146 --> 00:03:11,321
WHAT'S THAT?
64
00:03:11,408 --> 00:03:13,410
IT'S A LETTER,
SATIN, WITH OUR NAMES ON IT.
65
00:03:13,497 --> 00:03:15,673
SOMEBODY MUST HAVE
SLIPPED IT UNDER THE DOOR.
66
00:03:15,760 --> 00:03:17,458
OH!
I CAN'T BELIEVE IT!
67
00:03:17,545 --> 00:03:19,503
THIS IS TOO GOOD
TO BE TRUE!
68
00:03:19,590 --> 00:03:20,896
LET ME SEE THAT.
69
00:03:20,983 --> 00:03:24,073
"DEAR UNA AND SATIN,
GLAMOUR GIRLS MAGAZINE SEEKS
70
00:03:24,160 --> 00:03:26,728
"MOST BEAUTIFUL AND EXCITING
NEW CELEBRITIES AS MODELS.
71
00:03:26,815 --> 00:03:28,556
"PHOTO SESSIONS TOMORROW."
72
00:03:28,643 --> 00:03:30,471
SOUNDS BOGUS TO ME.
73
00:03:30,558 --> 00:03:33,648
LIKE, HOW CAN YOU BE
SO TOTALLY UNCOOL, LOW-LIGHT?
74
00:03:33,735 --> 00:03:35,998
ONLY EVERYBODY KNOWS
GLAMOUR GIRLS
75
00:03:36,085 --> 00:03:38,740
IS THE MOST PRESTIGIOUS
FASHION MAGAZINE IN THE WORLD.
76
00:03:38,827 --> 00:03:39,871
ONLY EVERYBODY!
77
00:03:39,958 --> 00:03:41,656
STILL
DON'T LIKE IT.
78
00:03:41,743 --> 00:03:46,138
WELL, SATIN AND I ARE DOING IT,
LOW-LIGHT, AND THAT IS THAT.
79
00:03:48,228 --> 00:03:50,839
WATCH IT, RIPPER!
THE BLOODY THING'S FALLING!
80
00:03:50,926 --> 00:03:53,450
BE CAREFUL WITH THE EQUIPMENT,
YOU BUMBLING FOOLS!
81
00:03:53,537 --> 00:03:55,191
THE WHOLE OPERATION
HINGES ON IT.
82
00:03:55,278 --> 00:03:57,019
WHAT'S THIS ALL ABOUT,
ZARTAN?
83
00:03:57,106 --> 00:03:58,455
HERE -- LET ME SHOW YOU.
84
00:03:58,542 --> 00:04:01,241
WE SEND SUBLIMINAL
HYPNOTIC SUGGESTIONS
85
00:04:01,328 --> 00:04:02,851
THROUGH THE CAMERA'S FLASH.
86
00:04:02,938 --> 00:04:04,722
UH, HOW DO I LOOK,
BOSS?
87
00:04:04,809 --> 00:04:08,378
GREAT! JUST GREAT.
88
00:04:08,465 --> 00:04:10,250
HOW DO YOU FEEL,
TORCH?
89
00:04:10,337 --> 00:04:11,251
OH, GREAT.
90
00:04:11,338 --> 00:04:12,556
JUST GREAT, ZARTAN.
91
00:04:12,643 --> 00:04:15,342
GOOD. THEN YOU WON'T MIND
WORKING THROUGH LUNCH
92
00:04:15,429 --> 00:04:18,301
AND LETTING ME HAVE
YOUR SHARE OF THE BOOTY.
93
00:04:18,388 --> 00:04:19,868
SURE THING, MATE.
94
00:04:19,955 --> 00:04:21,043
I'LL GET RIGHT TO IT.
95
00:04:21,130 --> 00:04:23,175
[ WHISTLING ]
96
00:04:23,263 --> 00:04:25,439
GOR! HAS HE LOST HIS MIND?
97
00:04:25,526 --> 00:04:26,657
[ LAUGHS ]
98
00:04:26,744 --> 00:04:28,920
NO, HE'S MERELY HYPNOTIZED,
99
00:04:29,007 --> 00:04:30,922
JUST AS OUR CELEBRITIES WILL BE
WHEN WE --
100
00:04:31,009 --> 00:04:33,011
TAKE THEIR PICTURES.
101
00:04:33,098 --> 00:04:35,971
THEN THEY SHALL WILLINGLY
BE TRANSPORTED
102
00:04:36,058 --> 00:04:38,452
TO MADAME VAIL'S TROPICAL
ISLAND.
103
00:04:38,539 --> 00:04:39,670
[ LAUGHS ]
104
00:04:39,757 --> 00:04:42,194
HOPE THEY DON'T MIND
LOSING A LITTLE FACE.
105
00:04:42,282 --> 00:04:43,935
WHAT?!
106
00:04:44,022 --> 00:04:45,850
STILL NOT SET UP?
107
00:04:45,937 --> 00:04:49,985
THE FIRST CELEBRITIES
WILL BE HERE BEFORE YOU KNOW IT!
108
00:04:50,072 --> 00:04:51,682
ZARANA, YOU TAKE OVER.
109
00:04:51,769 --> 00:04:54,859
THE BARONESS AND I MUST ATTEND
TO SOME OTHER MATTERS.
110
00:04:54,946 --> 00:04:57,993
I'LL GET SOME WORK
OUT OF THESE SHIFTLESS BUMS
111
00:04:58,080 --> 00:04:59,995
IF IT'S THE LAST THING I DO.
112
00:05:02,998 --> 00:05:05,740
HOW IS THE WORK COMING,
DR. MINDBENDER?
113
00:05:05,827 --> 00:05:07,481
WONDERFULLY, MADAME VAIL.
114
00:05:07,568 --> 00:05:10,222
YOUR TRANSFERENCE MACHINE
WILL WORK LIKE A CHARM.
115
00:05:10,310 --> 00:05:12,181
OF COURSE IT WILL.
116
00:05:12,268 --> 00:05:14,444
I'VE INVESTED A FORTUNE
TO PERFECT IT,
117
00:05:14,531 --> 00:05:17,273
JUST AS I'VE SPENT A FORTUNE
TO PERFECT ME.
118
00:05:17,360 --> 00:05:20,929
DON'T YOU FIND ME ATTRACTIVE,
DOCTOR?
119
00:05:21,016 --> 00:05:24,324
YOU -- YOU'RE
ABSOLUTELY RAVISHING.
120
00:05:24,411 --> 00:05:26,543
LIAR! UGH!
121
00:05:26,630 --> 00:05:30,242
I AM OLD AND UGLY AND REPULSIVE.
122
00:05:30,330 --> 00:05:34,725
BUT I OWN THE MACHINE THAT CAN
RESTORE ME, DR. MINDBENDER.
123
00:05:34,812 --> 00:05:36,858
AND COBRA SHALL NOT HAVE IT
124
00:05:36,945 --> 00:05:39,600
UNLESS YOU FULFILL
THEIR BARGAIN.
125
00:05:39,687 --> 00:05:42,342
NO YOUNG BEAUTIES,
NO MACHINE.
126
00:05:42,429 --> 00:05:44,909
MADAME VAIL,
LOOK AT THESE PHOTOS.
127
00:05:44,996 --> 00:05:48,957
THESE CELEBRITIES ARE INVITED
TO BE GLAMOUR GIRLS.
128
00:05:49,044 --> 00:05:52,569
YOU SHALL PICK THE CREAM
OF THE CROP FOR YOUR OPERATION.
129
00:05:52,656 --> 00:05:54,397
PERFECT.
130
00:05:54,484 --> 00:05:57,618
BEAUTY IS SO OFTEN WASTED
ON THE YOUNG.
131
00:05:57,705 --> 00:06:00,577
UNA, CUT IT OUT!
YOU'RE MAKING DIAL TONE SICK!
132
00:06:00,664 --> 00:06:02,579
OH, COME ON, LOW-LIGHT!
133
00:06:02,666 --> 00:06:05,016
SATIN AND I DON'T WANT
TO BE LATE FOR OUR APPOINTMENT
134
00:06:05,103 --> 00:06:06,322
AT GLAMOUR GIRLS.
135
00:06:06,409 --> 00:06:09,325
YOU DON'T MIND THE DRIVE,
DO YOU, DIAL TONE?
136
00:06:09,412 --> 00:06:10,631
I-I GUESS NOT.
137
00:06:10,718 --> 00:06:12,154
[ TIRES SCREECHING ]
138
00:06:12,241 --> 00:06:14,330
WE'LL HANG AROUND
AND DRIVE YOU HOME.
139
00:06:14,417 --> 00:06:17,072
LOW-LIGHT,
THIS SESSION COULD TAKE HOURS.
140
00:06:18,813 --> 00:06:20,075
I'M A BIG GIRL,
YOU KNOW.
141
00:06:20,162 --> 00:06:21,337
BUT --
142
00:06:21,424 --> 00:06:23,687
DON'T WAIT!
I'LL CALL LATER!
143
00:06:23,774 --> 00:06:25,950
OOH! WONDERFUL!
144
00:06:26,037 --> 00:06:27,735
MARVELOUS!
145
00:06:27,822 --> 00:06:29,345
[ CAMERA SHUTTER CLICKS ]
146
00:06:29,432 --> 00:06:33,349
AREN'T THEY SIMPLY DIVINE,
FRANCO, DARLING?
147
00:06:33,436 --> 00:06:35,177
MAIS NATURALEMENT.
148
00:06:35,264 --> 00:06:36,308
SUPERB!
149
00:06:38,528 --> 00:06:41,836
NOW THERE IS JUST
ONE MORE THING, DARLINGS.
150
00:06:41,923 --> 00:06:44,360
WE ARE GOING TO GIVE YOU
INSTRUCTIONS,
151
00:06:44,447 --> 00:06:47,842
AND YOU WILL FOLLOW THEM.
DO YOU UNDERSTAND?
152
00:06:47,929 --> 00:06:49,017
SURE.
OF COURSE.
153
00:06:49,104 --> 00:06:51,367
ABOUT TIME YOU FINISHED.
154
00:06:51,454 --> 00:06:53,325
HEY! WHERE
YOU GALS GOING?
155
00:06:53,413 --> 00:06:54,936
WE'RE INVITED TO A PARTY.
156
00:06:55,023 --> 00:06:56,764
YOU AIN'T FINISHED
MOVING YET!
157
00:06:56,851 --> 00:06:58,635
CIAO!
158
00:06:58,722 --> 00:07:00,289
WOMEN.
159
00:07:00,376 --> 00:07:02,073
[ LAUGHING ]
160
00:07:02,160 --> 00:07:05,599
CAN'T LIVE WITH 'EM,
CAN'T LIVE WITHOUT 'EM.
161
00:07:09,037 --> 00:07:10,778
LET'S HOPE THEY'RE PROMPT.
162
00:07:10,865 --> 00:07:15,217
THE HYPNOTIC SUGGESTION
WEARS OFF EXACTLY AT MIDNIGHT.
163
00:07:18,046 --> 00:07:19,917
CAN YOU BELIEVE
OUR LUCK?
164
00:07:20,004 --> 00:07:22,267
I COULD JUST DIE!
165
00:07:22,354 --> 00:07:24,095
FABULOUS!
166
00:07:24,182 --> 00:07:26,097
I FEEL JUST LIKE
CINDERELLA.
167
00:07:26,184 --> 00:07:28,099
[ BELL TOLLS ]
168
00:07:28,186 --> 00:07:29,100
[ GASPS ]
169
00:07:29,187 --> 00:07:30,493
I THINK I SPOKE TOO SOON.
170
00:07:30,580 --> 00:07:35,803
UNA, I GOT A FEELING
WE'RE NOT IN KANSAS ANYMORE.
171
00:07:55,605 --> 00:07:58,303
GIVE IT A BREAK, MY MAN!
172
00:07:58,390 --> 00:07:59,653
[ TIRES SCREECHING ]
173
00:07:59,740 --> 00:08:00,871
BLAST IT, LOW-LIGHT!
174
00:08:00,958 --> 00:08:03,091
THOSE WERE SUPPOSED TO LAST
ALL WEEK!
175
00:08:03,178 --> 00:08:04,701
[ GRUMBLES ]
176
00:08:07,008 --> 00:08:09,140
HEY, LOW-LIGHT, PHONE CALL!
177
00:08:09,227 --> 00:08:10,794
DIAL TONE
WANTS TO TALK TO YOU.
178
00:08:10,881 --> 00:08:12,230
SAYS IT'S IMPORTANT.
179
00:08:12,317 --> 00:08:13,754
YO, DIAL TONE.
180
00:08:13,841 --> 00:08:16,670
YEAH, LOW-LIGHT, I GOT ROBIN,
UNA'S AGENT, ON THE LINE.
181
00:08:16,757 --> 00:08:17,975
SHE WANTS TO TALK TO YOU.
182
00:08:18,062 --> 00:08:19,411
YEAH.
183
00:08:19,499 --> 00:08:22,806
YOUR SISTER HASN'T
MADE A SESSION IN THREE DAYS.
184
00:08:22,893 --> 00:08:23,981
WHERE ARE YOU HIDING HER?
185
00:08:24,068 --> 00:08:25,809
DON'T ASK ME.
YOU'RE HER AGENT.
186
00:08:25,896 --> 00:08:28,638
I'VE GOT A DOZEN
ART DIRECTORS SCREAMING AT ME!
187
00:08:28,725 --> 00:08:29,813
YOU HELPED HER MOVE!
188
00:08:29,900 --> 00:08:31,336
WHERE DID SHE SAY
SHE WAS GOING?!
189
00:08:31,423 --> 00:08:33,991
SHE DIDN'T. HAVEN'T SEEN HER
SINCE SHE MOVED.
190
00:08:34,078 --> 00:08:36,820
WELL, SHE AND HALF THE
CELEBRITY MODELS IN THIS TOWN
191
00:08:36,907 --> 00:08:38,039
MUST BE TAKING A POWDER.
192
00:08:38,126 --> 00:08:40,302
I CAN'T GET ANYBODY
ON THE PHONE!
193
00:08:40,389 --> 00:08:42,173
YOU GOT ME, DIDN'T YOU?
194
00:08:42,260 --> 00:08:44,480
YES. BUT I DON'T THINK
YOU'D LOOK TOO GOOD
195
00:08:44,567 --> 00:08:46,830
IN A STRING BIKINI!
196
00:08:46,917 --> 00:08:49,180
[ LAUGHING ]
197
00:08:49,267 --> 00:08:52,532
DIAL TONE, MEET ME
AT MAINFRAME'S COMPUTER LAB.
198
00:08:52,619 --> 00:08:54,098
NOW LET ME GET THIS STRAIGHT.
199
00:08:54,185 --> 00:08:56,231
YOU WANT ME
TO CHECK ALL THESE MAGAZINES
200
00:08:56,318 --> 00:08:58,886
AND GIVE YOU THE NAMES OF EVERY
MODEL WORKING IN THIS TOWN?
201
00:08:58,973 --> 00:08:59,887
THAT'S RIGHT.
202
00:08:59,974 --> 00:09:01,105
BUT THAT'LL TAKE WEEKS!
203
00:09:01,192 --> 00:09:04,195
DO IT NOW!
204
00:09:04,282 --> 00:09:05,545
SURE, PAL.
205
00:09:06,241 --> 00:09:07,503
WHAT'S THIS?
206
00:09:07,590 --> 00:09:10,288
JUST THE DARNEDEST MYSTERY
I EVER LAID EYES ON.
207
00:09:10,375 --> 00:09:12,203
SEE, LOW-LIGHT AND I
HELPED HIS SISTER
208
00:09:12,290 --> 00:09:13,944
MOVE IN
TO A NEW APARTMENT.
209
00:09:14,031 --> 00:09:15,816
YES, I'VE BEEN MEANING
TO TALK TO YOU
210
00:09:15,903 --> 00:09:18,340
ABOUT THE UNAUTHORIZED USE
OF AN A.W.E. STRIKER.
211
00:09:18,427 --> 00:09:19,863
FLINT,
LISTEN TO DIAL TONE!
212
00:09:19,950 --> 00:09:21,343
HE'S GOT
SOMETHING IMPORTANT!
213
00:09:21,430 --> 00:09:24,346
ALL RIGHT, DIAL TONE.
IT'S ALL YOURS.
214
00:09:24,433 --> 00:09:27,741
UM, UH, ANYWAY, SHE AND SATIN
GOT THIS INVITATION
215
00:09:27,828 --> 00:09:30,874
TO POSE FOR A FASHION MAGAZINE
CALLED GLAMOUR GIRLS.
216
00:09:30,961 --> 00:09:33,181
NOW UNA AND SATIN
HAVE DISAPPEARED
217
00:09:33,268 --> 00:09:34,835
ALONG WITH
THESE OTHER CELEBRITIES.
218
00:09:34,922 --> 00:09:37,620
MODEL CANDY HUNTLY,
SINGER SHERRY EASTMAN,
219
00:09:37,707 --> 00:09:39,187
ACTRESS TARA DAWSET,
220
00:09:39,274 --> 00:09:42,059
AND MODEL CAROL LEAGUES
JUST DISAPPEARED TODAY.
221
00:09:42,146 --> 00:09:45,193
SOUNDS LIKE A JOB
FOR THE POLICE, NOT G.I. JOE.
222
00:09:45,280 --> 00:09:48,370
CHECK OUT THAT MAG.
LOOK WHO OWNS GLAMOUR GIRLS.
223
00:09:49,414 --> 00:09:51,982
EXTENSIVE ENTERPRISES.
224
00:09:52,069 --> 00:09:54,289
YOU COPIED MY DRESS!
225
00:09:54,376 --> 00:09:55,638
YOUR DRESS?!
226
00:09:55,725 --> 00:09:57,466
OH, TYPICAL MODEL.
227
00:09:57,553 --> 00:09:59,642
SOME CREEP LOCKS US
IN A DUNGEON,
228
00:09:59,729 --> 00:10:02,427
AND THEY ARGUE ABOUT
FASHION.
229
00:10:02,514 --> 00:10:06,040
ARE THE SUBJECTS
SATISFACTORY?
230
00:10:06,127 --> 00:10:08,520
THAT ONE THERE --
UNA.
231
00:10:08,608 --> 00:10:12,220
I LIKE HER.
SHE HAS SPIRIT.
232
00:10:12,307 --> 00:10:15,919
SEE THAT SHE'S THE FIRST ONE
IN THE TRANSFERENCE MACHINE.
233
00:10:16,006 --> 00:10:18,226
[ KNOCK ON DOOR ]
234
00:10:18,313 --> 00:10:22,186
OH, WHO COULD THAT BE?
235
00:10:22,273 --> 00:10:24,493
YES! MAY I HELP YOU,
DARLING?
236
00:10:24,580 --> 00:10:26,147
YEAH.
237
00:10:26,234 --> 00:10:28,758
LIKE, I'M, YOU KNOW, ALANA,
AND THIS IS, YOU KNOW, TATANYA.
238
00:10:28,845 --> 00:10:29,759
HI.
239
00:10:29,846 --> 00:10:32,153
BUT THERE MUST BE
SOME MISTAKE.
240
00:10:32,240 --> 00:10:33,415
I DON'T THINK SO.
241
00:10:33,502 --> 00:10:35,460
ROBIN FROM THE AGENCY
TOLD US TO COME OVER
242
00:10:35,547 --> 00:10:38,550
AS SOON AS WE FINISHED OUR
FASHION WORLD MAGAZINE SHOOT.
243
00:10:38,638 --> 00:10:44,426
UH, LET ME TALK TO FRANCO
FOR A MOMENT.
244
00:10:44,513 --> 00:10:46,297
NATASHA IS FAKING.
245
00:10:46,384 --> 00:10:49,083
FASHION WORLD MAGAZINE
WENT OUT OF EXISTENCE YEARS AGO.
246
00:10:49,170 --> 00:10:50,998
LET'S CHECK THE FILES.
247
00:10:55,916 --> 00:10:58,483
LOOK AT THIS -- PICTURES
OF THE MISSING GIRLS,
248
00:10:58,570 --> 00:11:00,485
INCLUDING LOW-LIGHT'S SISTER!
249
00:11:00,572 --> 00:11:03,706
SOMEONE'S COMING.
250
00:11:03,793 --> 00:11:05,316
BONJOUR, LADIES!
251
00:11:05,403 --> 00:11:08,929
NATASHA TELLS ME THERE IS SOME
CONFUSION OVER YOUR APPOINTMENT.
252
00:11:09,016 --> 00:11:13,020
LIKE, YOU KNOW, IF IT'S
A MAJOR HASSLE, WE CAN --
253
00:11:13,107 --> 00:11:14,369
TUT, TUT.
NO HASSLE,
254
00:11:14,456 --> 00:11:16,545
AS YOU AMERICANS
SO CHARMINGLY SAY.
255
00:11:16,632 --> 00:11:20,157
AS A MATTER OF FACT,
YOU'RE BOTH JUST THE TYPE
256
00:11:20,244 --> 00:11:23,291
FOR A JOB I'M PHOTOGRAPHING
RIGHT NOW.
257
00:11:23,378 --> 00:11:25,162
C'EST MAGNIFIQUE!
258
00:11:25,249 --> 00:11:28,296
TRULY, YOU ARE TWO
OF THE MOST BEAUTIFUL MODELS
259
00:11:28,383 --> 00:11:29,993
I HAVE EVER PHOTOGRAPHED!
260
00:11:30,080 --> 00:11:31,299
PERFECT!
261
00:11:31,386 --> 00:11:32,822
WONDERFUL!
262
00:11:32,909 --> 00:11:34,171
BALONEY.
263
00:11:34,258 --> 00:11:36,957
WELL, AT LEAST COVER GIRL
AND LADY JAYE ARE OKAY.
264
00:11:37,044 --> 00:11:39,002
BUT THE BUG I PLANTED
IN LADY JAYE'S PURSE
265
00:11:39,089 --> 00:11:41,526
IS PICKING UP
SOME STRANGE ELECTRONIC SIGNAL.
266
00:11:41,613 --> 00:11:43,485
HOLD IT RIGHT THERE.
267
00:11:43,572 --> 00:11:44,312
PERFECT!
268
00:11:44,399 --> 00:11:45,792
[ CAMERA SHUTTER CLICKS ]
269
00:11:45,879 --> 00:11:48,795
GOOD. KEEP MOVING.
270
00:11:48,882 --> 00:11:50,057
MARVELOUS!
271
00:11:50,144 --> 00:11:51,493
BEAUTIFUL!
272
00:11:51,580 --> 00:11:53,582
LOVELY!
273
00:11:53,669 --> 00:11:57,107
WONDERFUL. PERFECT.
JUST WHAT I NEEDED.
274
00:11:57,194 --> 00:11:59,414
AND NOW NATASHA
WILL SHOW YOU OUT.
275
00:11:59,501 --> 00:12:02,983
BUT REMEMBER, DARLINGS,
THE PARTY TONIGHT --
276
00:12:03,070 --> 00:12:05,072
WE INSIST ON SEEING YOU.
277
00:12:05,159 --> 00:12:06,726
OH! LIKE,
RIGHT.
278
00:12:06,813 --> 00:12:08,466
WOULDN'T MISS IT
FOR THE WORLD.
279
00:12:08,553 --> 00:12:09,554
BYE.
280
00:12:12,862 --> 00:12:14,821
HEY,
TOOK YOUR OWN SWEET TIME.
281
00:12:14,908 --> 00:12:16,387
SORRY, LOW-LIGHT.
282
00:12:16,474 --> 00:12:18,825
IT'S CLEAN -- JUST A
REGULAR PHOTOGRAPHY STUDIO.
283
00:12:18,912 --> 00:12:20,696
HEY! DON'T YOU WANT TO RIDE
WITH US?!
284
00:12:20,783 --> 00:12:24,482
THANKS, DIAL TONE,
BUT WE'VE GOT A PARTY TO GO TO!
285
00:12:24,569 --> 00:12:25,962
HOLY --
286
00:12:26,049 --> 00:12:28,965
THAT'S WHAT UNA AND SATIN SAID
BEFORE THEY DISAPPEARED.
287
00:12:29,052 --> 00:12:31,185
LIFT-TICKET,
LADY JAYE AND COVER GIRL
288
00:12:31,272 --> 00:12:33,404
ARE UNDER SOME KIND OF
HYPNOTIC SUGGESTION.
289
00:12:33,491 --> 00:12:35,232
RELAX, LOW-LIGHT.
290
00:12:35,319 --> 00:12:38,758
I'M FOLLOWING THE TRACER
LADY JAYE HAS IN HER PURSE.
291
00:12:38,845 --> 00:12:40,803
ALL RIGHT,
YOU BLEEDING DINGOS --
292
00:12:40,890 --> 00:12:44,285
PUT YOUR BACKS INTO IT!
293
00:12:44,372 --> 00:12:47,114
[ GRUNTING ]
294
00:12:47,201 --> 00:12:52,380
HEY, MATES, WHAT SAY WE MAKE
ZARANA TAKE ORDERS FROM US, EH?
295
00:12:52,467 --> 00:12:54,077
FIRE AWAY, MATE.
296
00:12:54,164 --> 00:12:55,775
LOOK AT THE BIRDY!
297
00:12:55,862 --> 00:12:57,994
THAT'S DELICATE EQUIPMENT,
MONKEY BRAIN.
298
00:12:58,081 --> 00:12:59,169
[ CAMERA SHUTTER CLICKS ]
299
00:12:59,256 --> 00:13:01,432
SAY CHEESE!
300
00:13:01,519 --> 00:13:05,306
STOP TAKING
ME BLOOMIN' PICTURE!
301
00:13:05,393 --> 00:13:07,438
[ GLASS SHATTERS ]
302
00:13:07,525 --> 00:13:09,876
NOW, YOU BUMS --
ARE YOU GONNA WORK,
303
00:13:09,963 --> 00:13:12,443
OR DO I HAVE TO
SLAP YOU AROUND SOME MORE?
304
00:13:12,530 --> 00:13:16,273
AW, NO, YOU AIN'T GONNA HURT US,
ARE YOU, ZARANA?
305
00:13:16,360 --> 00:13:18,145
WHY -- WHY, NO.
306
00:13:18,232 --> 00:13:20,843
I'D NEVER HURT YOU CHAPS.
307
00:13:20,930 --> 00:13:23,280
YEAH, BOYS,
LET'S HAVE SOME FUN.
308
00:13:23,367 --> 00:13:26,153
AIN'T YOU GOT SOMEPLACE
TO BE, HMM?
309
00:13:26,240 --> 00:13:30,113
OOH! YOU'RE RIGHT.
I'VE GOT A PARTY TO GO TO.
310
00:13:30,200 --> 00:13:32,246
[ LAUGHING ]
311
00:13:32,333 --> 00:13:34,378
THE MAGIC
OF PHOTOGRAPHY.
312
00:13:34,465 --> 00:13:35,510
[ LAUGHING ]
313
00:13:42,430 --> 00:13:43,866
THERE THEY GO.
314
00:13:43,953 --> 00:13:46,086
WHAT KIND OF PARTY COULD THEY
BE HAVING ON A TUGBOAT?
315
00:13:46,173 --> 00:13:47,217
EXACTLY.
316
00:13:50,568 --> 00:13:52,179
A COBRA MORAY.
317
00:13:52,266 --> 00:13:53,658
COME ON, LADIES.
318
00:13:53,745 --> 00:13:55,922
MUSTN'T KEEP MADAME VAIL
WAITING.
319
00:13:56,009 --> 00:13:57,619
HEY! WAIT UP!
320
00:13:57,706 --> 00:13:59,926
YOU CAN'T LEAVE
WITHOUT ME!
321
00:14:00,013 --> 00:14:00,970
IT'S ZARANA.
322
00:14:01,057 --> 00:14:02,537
WHAT'S THIS ALL ABOUT?
323
00:14:02,624 --> 00:14:04,931
WHO CARES?!
LET'S SHAKE 'EM DOWN!
324
00:14:05,018 --> 00:14:08,673
All: YO-O-O JOE!
325
00:14:08,760 --> 00:14:10,850
COBRA!
326
00:14:10,937 --> 00:14:13,069
COBRA STUNS!
327
00:14:13,156 --> 00:14:14,201
SCATTER!
328
00:14:14,288 --> 00:14:16,638
FIND SOME COVER!
329
00:14:16,725 --> 00:14:19,249
LOOKS LIKE WE'RE TRAPPED...
330
00:14:19,336 --> 00:14:22,818
BETWEEN THE DEVIL
AND THE DEEP BLUE SEA.
331
00:14:40,140 --> 00:14:42,533
LET'S SEE HOW YOU DO
IN THE DARK!
332
00:14:51,064 --> 00:14:52,021
WATCH IT!
333
00:14:53,631 --> 00:14:54,850
YAAH!
334
00:14:54,937 --> 00:14:57,853
[ ALL GRUNTING ]
335
00:15:02,989 --> 00:15:05,339
[ GRUNTING ]
336
00:15:08,690 --> 00:15:11,693
WHO'S GONNA TELL THE BOSS
ABOUT ZARANA?
337
00:15:11,780 --> 00:15:15,001
DON'T WORRY.
JUST TREAT IT LIKE A JOKE.
338
00:15:16,393 --> 00:15:17,699
YOU WHAT?!
339
00:15:17,786 --> 00:15:21,137
WE JUST MEANT IT AS A JOKE,
GOVERNOR -- HONEST!
340
00:15:21,224 --> 00:15:22,269
HYAH!
341
00:15:22,356 --> 00:15:23,096
UNH!
342
00:15:24,140 --> 00:15:25,359
HYAH!
343
00:15:25,446 --> 00:15:26,447
OHH!
344
00:15:27,883 --> 00:15:28,797
HYAH!
345
00:15:28,884 --> 00:15:29,798
OW!
346
00:15:29,885 --> 00:15:33,106
YOU BLASTED FOOLS!
347
00:15:35,543 --> 00:15:37,719
WHAT IS IT, ZARTAN?
348
00:15:37,806 --> 00:15:39,764
THOSE MORONS, THE DREADNOKS,
349
00:15:39,851 --> 00:15:43,246
HYPNOTIZED ZARANA
AND SENT HER TO MADAME VAIL!
350
00:15:43,333 --> 00:15:45,901
AH, YES, ZARANA.
351
00:15:45,988 --> 00:15:47,947
WHAT A PLEASANT SURPRISE.
352
00:15:48,034 --> 00:15:52,125
MADAME VAIL LIKES HER FACE
VERY, VERY MUCH.
353
00:15:52,212 --> 00:15:53,735
SET HER FREE!
354
00:15:53,822 --> 00:15:54,997
I DEMAND IT!
355
00:15:55,084 --> 00:15:56,738
OH, NO, ZARTAN.
356
00:15:56,825 --> 00:15:58,914
THE TRANSFERENCE MACHINE
357
00:15:59,001 --> 00:16:03,005
IS FAR MORE IMPORTANT THAN
MERE FAMILY TIES.
358
00:16:03,092 --> 00:16:06,574
AAAAAAAAAAH!
359
00:16:06,661 --> 00:16:07,749
[ LAUGHS ] TA-TA!
360
00:16:07,836 --> 00:16:10,795
NICE TALKING TO YOU, ZARTAN.
361
00:16:10,882 --> 00:16:14,277
ALL RIGHT, YOU'RE RELIEVED.
I'M TAKING OVER NOW.
362
00:16:14,364 --> 00:16:16,627
BUT I NEED AUTHORIZATION
FROM COBRA COMMANDER.
363
00:16:16,714 --> 00:16:18,542
THERE HE IS. ASK HIM.
364
00:16:18,629 --> 00:16:20,109
HYAH!
365
00:16:20,196 --> 00:16:22,416
HEH. SO MUCH FOR TEAM SPIRIT.
366
00:16:23,243 --> 00:16:24,505
ZARTAN!
367
00:16:24,592 --> 00:16:27,856
YES, AND I'LL RELEASE YOU
UNDER ONE CONDITION --
368
00:16:27,943 --> 00:16:30,032
YOU RESCUE MY SISTER,
ZARANA.
369
00:16:30,119 --> 00:16:32,643
LOOK, JOES DON'T BARGAIN
WITH COBRA.
370
00:16:32,730 --> 00:16:34,123
THIS TIME, YOU MUST.
371
00:16:34,210 --> 00:16:37,213
YOUR SISTER AND MINE
ARE IN GREAT DANGER.
372
00:16:37,300 --> 00:16:38,736
WHERE?!
373
00:16:38,823 --> 00:16:42,001
MADAME VAIL'S
ISLAND RETREAT!
374
00:16:42,088 --> 00:16:46,266
I'M RISKING MY LIFE BY PROVIDING
YOU WITH WEAPONS AND A MORAY.
375
00:16:49,356 --> 00:16:52,489
SAVE ZARANA!
376
00:16:52,576 --> 00:16:54,970
THIS IS FOR UNA.
377
00:16:55,057 --> 00:16:56,798
OHH! UNH!
378
00:17:00,280 --> 00:17:02,630
MADAME VAIL WANTS UNA FIRST.
379
00:17:02,717 --> 00:17:04,632
GET HIM, GIRLS!
380
00:17:06,590 --> 00:17:07,939
UNH!
381
00:17:08,027 --> 00:17:10,333
LET GO OF ME!
382
00:17:10,420 --> 00:17:13,597
TO THE TRANSFERENCE MACHINE
WITH HER!
383
00:17:19,734 --> 00:17:22,345
THAT WILL BE QUITE ENOUGH,
LADIES.
384
00:17:22,432 --> 00:17:25,305
I THINK THEY'VE WON
THIS ROUND, GIRLS.
385
00:17:29,874 --> 00:17:31,789
All: YO-O-O JOE!
386
00:17:32,834 --> 00:17:33,835
HEY!
387
00:17:38,448 --> 00:17:40,320
LET'S GET GOING!
388
00:17:40,407 --> 00:17:41,712
COBRA!
389
00:17:41,799 --> 00:17:43,540
TOO LATE.
WE'VE GOT COMPANY!
390
00:17:43,627 --> 00:17:45,238
VIPERS -- THEY'RE
ALWAYS FUN.
391
00:17:47,631 --> 00:17:49,938
OH, BOY -- TARGET PRACTICE.
392
00:17:53,768 --> 00:17:55,030
GOOD SHOOTING!
393
00:17:55,117 --> 00:17:57,815
JUST GET US
TO MADAME VAIL'S ISLAND!
394
00:17:57,902 --> 00:18:00,775
HURRY UP!
UNA'S IN A LOT OF TROUBLE!
395
00:18:00,862 --> 00:18:02,298
I'M TRYING!
396
00:18:02,385 --> 00:18:04,953
IT'S ALWAYS SO EASY
IN MY MOVIES.
397
00:18:05,040 --> 00:18:06,650
LET ME OUT OF HERE!
398
00:18:06,737 --> 00:18:09,218
ACTIVATE
THE TRANSFERENCE MACHINE!
399
00:18:09,305 --> 00:18:10,611
YES, MADAME!
400
00:18:10,698 --> 00:18:15,355
AAAAAAAAH!
401
00:18:15,442 --> 00:18:17,139
IT'S NOT WORKING!
402
00:18:17,226 --> 00:18:21,230
I MUST HAVE HER FACE!
TRY IT AGAIN!
403
00:18:21,317 --> 00:18:22,623
WHAT HAPPENED?!
404
00:18:22,710 --> 00:18:23,972
GOOD WORK, TARA.
405
00:18:24,059 --> 00:18:26,975
YOU SHORTED OUT
THE ENTIRE ELECTRICAL SYSTEM.
406
00:18:27,062 --> 00:18:28,890
JUST LIKE
IN ONE OF MY PICTURES!
407
00:18:28,977 --> 00:18:30,631
GEE!
408
00:18:33,677 --> 00:18:35,331
LET ME OUT!
409
00:18:36,419 --> 00:18:39,857
UH-OH. BETTER HURRY.
410
00:18:39,944 --> 00:18:43,513
ALERT THE VIPERS!
THE CELEBRITIES HAVE ESCAPED!
411
00:18:43,600 --> 00:18:45,167
[ ALL GASP ]
412
00:18:45,254 --> 00:18:46,690
No weapons!
413
00:18:46,777 --> 00:18:49,519
We want them unharmed!
414
00:18:52,957 --> 00:18:55,351
YOU HEARD DR. MINDBENDER,
BOYS.
415
00:18:55,438 --> 00:18:56,874
HE SAID NOT TO HARM US.
416
00:18:56,961 --> 00:19:00,182
UNFORTUNATELY, THOUGH,
WE CAN HARM YOU.
417
00:19:00,269 --> 00:19:03,533
[ INDISTINCT SHOUTING ]
418
00:19:03,620 --> 00:19:07,233
AND NOW FOR EVERYONE'S FAVORITE
-- MOVE NUMBER 8!
419
00:19:07,320 --> 00:19:09,191
YAAH!
420
00:19:10,192 --> 00:19:13,239
UNH!
421
00:19:13,326 --> 00:19:14,109
WHAA!
422
00:19:15,893 --> 00:19:18,418
WANT ME TO SHOW YOU
MOVE NUMBER 7?
423
00:19:22,378 --> 00:19:23,292
[ PANTING ]
424
00:19:23,379 --> 00:19:24,902
YOU GOT HERE JUST IN TIME!
425
00:19:24,989 --> 00:19:27,078
THE WOMEN ARE ESCAPING!
426
00:19:27,166 --> 00:19:29,733
HEY, YOU'RE NOT --
427
00:19:29,820 --> 00:19:31,170
UH-OH.
428
00:19:31,257 --> 00:19:33,955
AAAAAAH!
429
00:19:34,042 --> 00:19:36,871
OKAY, LET'S FIND THE GIRLS!
430
00:19:36,958 --> 00:19:40,614
All: YO-O-O JOE!
431
00:19:40,701 --> 00:19:43,486
UNBELIEVABLE!
432
00:19:43,573 --> 00:19:47,490
NICE OF YOU GUYS TO DROP IN.
433
00:19:47,577 --> 00:19:54,149
WELL, UH...GLAD YOU LADIES
ARE ON OUR SIDE.
434
00:19:54,236 --> 00:19:56,586
ALL RIGHT, REPTILE --
UNA --
435
00:19:56,673 --> 00:19:57,805
WHERE IS SHE?
436
00:19:57,892 --> 00:20:01,112
I-IN THE LAB.
437
00:20:01,200 --> 00:20:02,592
LOW-LIGHT, WAIT!
438
00:20:02,679 --> 00:20:04,203
HURRY!
439
00:20:04,290 --> 00:20:07,467
PUT ME THROUGH THE TRANSFERENCE
BEFORE THE JOES GET HERE!
440
00:20:07,554 --> 00:20:09,512
PULL THE LEVER NOW!
441
00:20:15,170 --> 00:20:18,434
THE TRANSFERENCE --
DO IT NOW!
442
00:20:19,783 --> 00:20:24,962
HERE'S ONE FOR LADY JAYE.
443
00:20:25,049 --> 00:20:26,660
UNA, ARE YOU ALL RIGHT?
444
00:20:26,747 --> 00:20:28,401
YES!
445
00:20:28,488 --> 00:20:29,750
COOPER, LOOK OUT!
446
00:20:29,837 --> 00:20:31,795
YAAAH!
447
00:20:31,882 --> 00:20:36,844
NOW! DO IT NOW!
448
00:20:36,931 --> 00:20:39,542
[ GROANS ]
449
00:20:39,629 --> 00:20:41,196
UNA, SHIELD YOUR EYES!
450
00:20:41,283 --> 00:20:45,635
[ ELECTRICITY CRACKLING ]
451
00:20:47,463 --> 00:20:48,508
DIAL TONE, GET SOME LIGHT.
452
00:20:48,595 --> 00:20:50,988
UNA. UNA, ARE YOU OKAY?
453
00:20:51,075 --> 00:20:53,252
I -- I THINK SO.
454
00:20:53,339 --> 00:20:54,688
WHERE'S MINDBENDER?
455
00:20:54,775 --> 00:20:56,559
I THINK SOMEBODY
SLIPPED BY IN THE DARK.
456
00:20:56,646 --> 00:20:59,432
I GUESS --
GOOD LORD.
457
00:20:59,519 --> 00:21:02,130
LOW-LIGHT,
DID YOU REACH UNA IN TIME?
458
00:21:02,217 --> 00:21:03,436
OH!
459
00:21:03,523 --> 00:21:05,133
OH, NO.
460
00:21:05,220 --> 00:21:06,700
IT'S HORRIBLE!
461
00:21:06,787 --> 00:21:10,704
LET ME SEE MY FACE!
462
00:21:10,791 --> 00:21:14,142
[ SOBBING ]
463
00:21:14,229 --> 00:21:18,146
THERE'S NOTHING TO LOOK AT.
NOTHING AT ALL.
464
00:21:18,233 --> 00:21:22,281
[ SCREAMING ]
465
00:21:22,368 --> 00:21:24,021
MY FACE!
466
00:21:24,108 --> 00:21:26,415
MY FACE!
467
00:21:26,502 --> 00:21:27,634
[ SOBBING CONTINUES ]
468
00:21:27,721 --> 00:21:29,200
SEE WHAT YOU CAN DO
FOR HER.
469
00:21:29,288 --> 00:21:31,246
I'LL TRY.
470
00:21:31,333 --> 00:21:33,509
BUT THERE'S NOT MUCH
TO WORK WITH.
31812
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