All language subtitles for 1x03 - Deadly Nitrate - Part One.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:08,780 --> 00:00:15,637 We simply must be brave, mustn't we? Heaven knows it'll be hard. It'll be 2 00:00:15,661 --> 00:00:19,877 beastly. But we're strong people, Tony. You and. 3 00:00:19,901 --> 00:00:27,636 I. And what we feel for each other, it'll endure. It will endure. 4 00:00:27,660 --> 00:00:32,677 So I shall stay in my shop, 5 00:00:32,701 --> 00:00:37,397 you amin yours. And all I ask is that you don't grow to 6 00:00:37,421 --> 00:00:41,317 hate me. How could I hate you, Madeline? You mean 7 00:00:41,341 --> 00:00:48,117 everything to me. What the hell was that? 8 00:00:48,141 --> 00:00:52,718 Billy, what was that? Just a car backfiring, I think, miss Dare. 9 00:00:52,742 --> 00:00:56,478 That sounded like a pistol. It didn't sound like a ruddy pistol. 10 00:00:56,502 --> 00:01:00,518 You alright my bet. Yeah, I'm fine. I think I'm just a bit tired. 11 00:01:00,542 --> 00:01:04,917 Of course, darling. You must be. Tell you what, how about a proper dinner 12 00:01:04,941 --> 00:01:08,118 after this like we used to before the war? 13 00:01:08,142 --> 00:01:13,318 Oh, yeah. That would be wonderful. None of this canteen muck. No offence. 14 00:01:13,342 --> 00:01:17,158 Sandra, are you okay? Yes. Yes, Jesse. I'm fine. Don't fuss. 15 00:01:17,182 --> 00:01:21,940 How was my pout at the end? Was it? I could do with a dab, actually. 16 00:01:22,141 --> 00:01:27,157 M only wears victory red. Besame, please. Can we just stop faffing and get 17 00:01:27,181 --> 00:01:30,357 on with it? Mary, thank you. Yes, we do. Right. 18 00:01:30,381 --> 00:01:35,876 Right. 'Ad astra per aspera', we must have bodies. 19 00:01:35,900 --> 00:01:41,477 Stu, stop it. I've got to concentrate. Have quiet. 20 00:01:41,501 --> 00:01:45,637 Lovelorn in London. Scene 28. Take three. 21 00:01:45,661 --> 00:01:51,317 Action. We simply must be brave, mustn't we? 22 00:01:51,341 --> 00:01:55,236 Heaven knows it'll be hard. It'll be beastly. 23 00:01:55,260 --> 00:02:01,861 I must be strong for my future. 24 00:02:05,421 --> 00:02:08,821 Oh my. 25 00:02:09,181 --> 00:02:16,517 And this is on his bedroom wall. Rose red and rolled gold. I said to him, 26 00:02:16,541 --> 00:02:22,676 Stewart, Stu, I said, you are just like this paper. You're so strong and modern. 27 00:02:22,700 --> 00:02:27,140 He handled this very roll. 28 00:02:27,341 --> 00:02:31,557 Can I touch it? Uh, 29 00:02:31,581 --> 00:02:39,060 I shouldn't really, but um Well, since your extras in my cake shop, 30 00:02:44,780 --> 00:02:50,357 this is the last thing he sees when he gets into bed. Yes. And the first thing 31 00:02:50,381 --> 00:02:55,897 he sees when he gets up in the morning and his hair's all disarranged. 32 00:02:55,921 --> 00:02:57,700 It's 14 shillings. 33 00:03:00,861 --> 00:03:05,396 Tell you what, it's a bit irregular, but um 34 00:03:05,420 --> 00:03:10,756 I could let you have a sample for well six pence, say, and then you could keep 35 00:03:10,780 --> 00:03:15,218 a little reminder of him wherever you go. 36 00:03:15,242 --> 00:03:17,381 Oh, yes. 37 00:03:33,821 --> 00:03:35,637 Keep the change. Thank you, 38 00:03:35,661 --> 00:03:41,118 Mr. Book. Didn't expect a welcoming committee. I thought I'd better prepare 39 00:03:41,142 --> 00:03:45,438 you for what? There have been some changes since you went away on your long 40 00:03:45,462 --> 00:03:50,198 errand, Jack. Oh, by the way, Lord Belborough's first folio. What did they say? 41 00:03:50,222 --> 00:03:52,437 Is it genuine? As his teeth. 42 00:03:52,461 --> 00:03:55,700 Oh dear. 43 00:03:58,461 --> 00:04:01,396 What the hell? Close. 44 00:04:01,420 --> 00:04:07,316 Hollywood. Or rather, the nearest England can get to it. Yes, Jack. We're 45 00:04:07,340 --> 00:04:11,797 going to be in pictures. All right, then. Let's hear it whenever 46 00:04:11,821 --> 00:04:17,556 you're ready. Life and death. The whole world is here 47 00:04:17,580 --> 00:04:24,740 in this little patch of London town. You going to do it like that? 48 00:04:25,661 --> 00:04:29,558 Life and death. The whole world here in this little. 49 00:04:29,582 --> 00:04:35,077 No, I think we'll just lose the line. I'm already worried about the moustache. 50 00:04:35,101 --> 00:04:38,478 You'll be smashing in the background there. 51 00:04:38,502 --> 00:04:42,436 Let's take 10. 10 minutes all 10 minutes. Billy. 52 00:04:42,460 --> 00:04:45,797 Nerina. Rather jumpy this morning, isn't she? 53 00:04:45,821 --> 00:04:49,237 Our dear Sandra. We worked on hours in the picture 54 00:04:49,261 --> 00:04:52,878 business. Nerina. Oh, don't I know it. And it must be so 55 00:04:52,902 --> 00:04:56,837 hard to keep that from telling on the faces of your stars. 56 00:04:56,861 --> 00:05:01,716 If you'll excuse me. Just the exteriors are being done here. 57 00:05:01,740 --> 00:05:06,637 You understand? The rest is at LadyHurst. That's the studios. You see, I 58 00:05:06,661 --> 00:05:11,238 know all the jargon. Who's in it? Morning, Mr. B. Good morning. 59 00:05:11,262 --> 00:05:14,118 Stewart Howard. Yes, ma'am. 60 00:05:14,142 --> 00:05:19,198 I like him. He’s passed me by entirely, I'm afraid. He plays the hero. The 61 00:05:19,222 --> 00:05:23,398 idealistic young bookshop owner in love with the girl next door. Did you never 62 00:05:23,422 --> 00:05:27,798 see him in that submarine picture? He went mad and tried to throttle everyone. I 63 00:05:27,822 --> 00:05:30,398 mean, it was proper sweaty. A lash. 64 00:05:30,422 --> 00:05:34,678 Well, who else? Patience. You've literally arrived halfway through this 65 00:05:34,702 --> 00:05:41,398 picture, and you've yet to set eyes on our leading lady, who's also Stuart's 66 00:05:41,422 --> 00:05:44,158 fiancée. His real life fiancée. Sandra Dare. 67 00:05:44,182 --> 00:05:49,798 She's using my room. Decantered my things so she can do her mascara, sip 68 00:05:49,822 --> 00:05:55,318 her, Vichy water, whatever it is these people do. I had a cigarette card of her 69 00:05:55,342 --> 00:05:58,117 before the war, of course. Ah, 70 00:05:58,141 --> 00:06:01,797 Mr. Book. Ah, Not getting too much in your way, I 71 00:06:01,821 --> 00:06:04,757 trust. Not at all. Certainly an education. 72 00:06:04,781 --> 00:06:09,957 Larry Olivier calls film an anaemic little medium and such a crashing snob. 73 00:06:09,981 --> 00:06:14,996 For he today would shed his blood with me shall be my brother. Be he e'er so vile. 74 00:06:15,020 --> 00:06:18,998 Churlish when they gave him the Oscar. Jack, this is Mr. Mckendrick. 75 00:06:19,022 --> 00:06:21,958 Delighted. Oh, and here's Nora. The gang's all 76 00:06:21,982 --> 00:06:24,037 here. So, you're the director 77 00:06:24,061 --> 00:06:27,518 and the writer. I thought you'd be older with a monocle 78 00:06:27,542 --> 00:06:31,398 and a riding crop. Must believe everything you read in the 79 00:06:31,422 --> 00:06:34,758 film magazines, young lady. I've seen you before. 80 00:06:34,782 --> 00:06:37,918 Mr. Mckendrick had a lot of green penguins from us last summer. 81 00:06:37,942 --> 00:06:40,836 Oh yeah, you look different. It's the shorts. 82 00:06:40,860 --> 00:06:44,798 I'm not wearing shorts. That's why you look different. Yes, you 83 00:06:44,822 --> 00:06:47,878 a very busy bee. As I recall, you're always running about the place, weren't 84 00:06:47,902 --> 00:06:50,996 you, Mr. McKendrick? Jesse. Jesse. 85 00:06:51,020 --> 00:06:55,317 Ah, hello, Nerina. In search of material for your next article. 86 00:06:55,341 --> 00:07:00,020 Always. Well, the bin's around the back. 87 00:07:00,221 --> 00:07:03,877 Aren't you going to introduce me? This is Mr. Book from... 88 00:07:03,901 --> 00:07:08,517 Oh, the apostrophe man. They subbed your sign. 89 00:07:08,541 --> 00:07:13,557 I'm trying not to look. Would you by any chance be a member of His Majesty's. 90 00:07:13,581 --> 00:07:16,677 Press? Nerina Bean, Picturegoer. If you have 91 00:07:16,701 --> 00:07:23,140 juicy titbits, my door is open. I'll bear that in mind. 92 00:07:28,061 --> 00:07:33,821 Ice fingers, but they're not real. Don't break a tooth. 93 00:07:42,781 --> 00:07:47,077 It's lovely. And he has this 94 00:07:47,101 --> 00:07:54,676 from his ceiling all the way down to his skirting boards. 95 00:07:54,700 --> 00:07:58,436 Does he talk about her, fiancée? 96 00:07:58,460 --> 00:08:02,598 Does he say, "I don't like her anymore. She's too old for me." 97 00:08:02,622 --> 00:08:05,878 No. Does he say she's so old it's like 98 00:08:05,902 --> 00:08:09,957 kissing a leg of mutton? No. She's only 45. Thank you very much. 99 00:08:09,981 --> 00:08:14,838 He says he was very excited about Lovelorn in London from the moment he saw 100 00:08:14,862 --> 00:08:20,197 the script. And he's very excited about married life. Though he also adds, "One" 101 00:08:20,221 --> 00:08:26,518 "must keep an open mind because who knows what fate may throw your way." Hear 102 00:08:26,542 --> 00:08:34,020 that, Barbara? Heavens go it back. Barbara 103 00:08:34,701 --> 00:08:40,581 home is the hunter. Oh my god. 104 00:10:01,981 --> 00:10:04,981 Inspector, 105 00:10:05,021 --> 00:10:10,758 is this a sad one, Morris? Well, cuz I've been up all night with the razor 106 00:10:10,782 --> 00:10:14,277 blade case. So, all right, let's have it. Film struck 107 00:10:14,301 --> 00:10:19,237 girl, extra, dead on the counter. It's suspicious. I've shut down filming for 108 00:10:19,261 --> 00:10:22,918 the time being. Have the parents been informed? 109 00:10:22,942 --> 00:10:28,197 Yes, sir. Uh, she and her family didn't get on. Her friend said that's why she 110 00:10:28,221 --> 00:10:31,220 spent so much time at the, uh, pictures. 111 00:10:32,701 --> 00:10:36,997 Inspector book. 112 00:10:37,021 --> 00:10:41,780 We are at home to death, it seems. 113 00:10:41,981 --> 00:10:46,021 Oh, they're upstairs. 114 00:10:55,261 --> 00:11:00,196 Royal appointment. What are they keeping from us, Stuart? 115 00:11:00,220 --> 00:11:07,557 All this waiting is making me tired. Perhaps one should have a mask made. 116 00:11:07,581 --> 00:11:14,117 A mask? The permanent rictus smile. 117 00:11:14,141 --> 00:11:22,141 They can do wonders with makeup. Now have Boris Carlo's number if you'd like. 118 00:11:24,541 --> 00:11:32,541 Dearest Miss Dare, you don't know me, but I'm your most devoted admirer. 119 00:11:33,900 --> 00:11:37,876 I wonder what they'll think. Lovelorn in London. 120 00:11:37,900 --> 00:11:39,797 Who? Them. 121 00:11:39,821 --> 00:11:43,636 They'll buy it. They love us, don't they? Both of us. 122 00:11:43,660 --> 00:11:48,021 They'll throw bottles at the screen. 123 00:11:52,780 --> 00:11:56,997 Do you know what they shouted at the test of Brief Encounter? 124 00:11:57,021 --> 00:12:02,517 Why doesn't she just kiss him? Only they didn't say kiss. 125 00:12:02,641 --> 00:12:07,736 Relax, darling. There'll be another smash by the nation's most blissfully 126 00:12:07,760 --> 00:12:15,337 engaged couple. Remember? And what a long engagement it's been. 127 00:12:15,361 --> 00:12:19,977 Oh god, I can't wait to be back at the studio. Haven't you enjoyed a little 128 00:12:20,001 --> 00:12:23,218 field trip? If we're back at Lady House, it gets 129 00:12:23,242 --> 00:12:27,578 that dreadful Nerina Bean out of my hair. The studio has gates. 130 00:12:27,602 --> 00:12:33,178 The Fire breather of Picturegoer. You know when you lift a stone or a 131 00:12:33,202 --> 00:12:38,938 branch and suddenly all these ghastly, filthy, damp little monstrosities are 132 00:12:38,962 --> 00:12:44,297 exposed to the daylight, scrabbling back into the shadows. Well, beneath them are 133 00:12:44,321 --> 00:12:49,658 even worse filthy, damp little monstrosities. 134 00:12:49,682 --> 00:12:54,137 And under there is Nerina Bean she's been rather sweet to me. 135 00:12:54,161 --> 00:12:57,097 Mhm. Well, 136 00:12:57,121 --> 00:13:00,377 we got good news for her, don't we? Do we? 137 00:13:00,401 --> 00:13:02,658 Deliveries. Oh, 138 00:13:02,682 --> 00:13:07,078 our new three picture deal. Picturegoer exclusive. 139 00:13:07,102 --> 00:13:08,601 Well, 140 00:13:09,041 --> 00:13:16,361 what do you want? Barley sugar boy. I'm afraid there's been an accident. 141 00:13:25,921 --> 00:13:31,176 The contents of a handbag. Melancholy, isn't it? Evidence of a 142 00:13:31,200 --> 00:13:36,200 little life spilled on the floor. 143 00:13:38,401 --> 00:13:44,457 Oh, what's this? You kiss your excess lipstick onto your 144 00:13:44,481 --> 00:13:47,976 favorite star. It takes all sorts. 145 00:13:48,000 --> 00:13:52,296 This interests me. May I? Mhm. 146 00:13:52,320 --> 00:13:58,777 Very carefully rammed. Tenderly, I'd say. 147 00:13:58,801 --> 00:14:03,736 Well, they are still on the ration. They look expensive. There are only 148 00:14:03,760 --> 00:14:05,976 coppers in this purse. Trottie. Yes. 149 00:14:06,000 --> 00:14:12,377 Did they have money, these girls? Very little. So they didn't buy them. 150 00:14:12,401 --> 00:14:17,096 I didn't notice the production reviving fancy confectionery. 151 00:14:17,120 --> 00:14:22,217 No, the fans bring them. Letters and presents. Sad little things 152 00:14:22,241 --> 00:14:27,897 they've knitted. They're left through there. Billy brings them up to them. 153 00:14:27,921 --> 00:14:33,481 Actually, he had a box of chocolates with him just now. 154 00:14:34,481 --> 00:14:39,176 Puncture mark. Barbara was breathless. Trottie. Yes? 155 00:14:39,200 --> 00:14:42,841 Yes. And twitchy 156 00:14:43,440 --> 00:14:49,560 Strychnine. Oh, hell's bells. 157 00:14:57,281 --> 00:15:01,257 Poor girl. Someone's been at these. 158 00:15:01,281 --> 00:15:06,138 Oh, darling. You shouldn't, You You don't know where they've been. 159 00:15:06,162 --> 00:15:08,698 Drop it. It's poison. Don't be absurd. They're by royal 160 00:15:08,722 --> 00:15:12,138 appointment. I'm afraid it's true, sir. You You You didn't have any, did you, 161 00:15:12,162 --> 00:15:14,178 mister? Oh, uh, no. No. 162 00:15:14,202 --> 00:15:18,857 What about you, Mr. Howard? No. Not good. Have you ever received chocolates 163 00:15:18,881 --> 00:15:22,038 like this before, mister? Uh, yes. All the time. My fans know 164 00:15:22,062 --> 00:15:25,077 they're my favourite, but I never eat them. 165 00:15:25,101 --> 00:15:29,838 It seems reasonable to assume then that you were the intended victim. 166 00:15:29,862 --> 00:15:33,918 Intended victim? What does he mean, intended victim? 167 00:15:33,942 --> 00:15:38,838 We're investigating the death of Barbara Malcolm. Yes, that unfortunate young 168 00:15:38,862 --> 00:15:40,436 woman. Yes. 169 00:15:40,460 --> 00:15:46,196 Oh my god. I have been sent some strange things in my time, but why would anyone 170 00:15:46,220 --> 00:15:50,478 want to kill me? Billy, who gave you these chocolates? 171 00:15:50,502 --> 00:15:55,798 Nobody. They were just with the usual mail. I always have to deal with it. 172 00:15:55,822 --> 00:15:59,358 Well, anyone could have got to them. And Barbara and her friend presumably did. 173 00:15:59,382 --> 00:16:02,518 Jesus Christ. We could have both died. What were you thinking about bringing 174 00:16:02,542 --> 00:16:04,918 that muck up here? Sorry, Mr. Howard, but you told me to 175 00:16:04,942 --> 00:16:07,636 Don't answer me back. 176 00:16:07,660 --> 00:16:12,020 Going need to find myself a new assistant. 177 00:16:13,261 --> 00:16:18,277 You all right, my love? It's a brutal question, Miss Dare, but I'm 178 00:16:18,301 --> 00:16:22,597 afraid it must be asked. Do you have any idea who might want to 179 00:16:22,621 --> 00:16:25,957 kill you? Can't this wait? 180 00:16:25,981 --> 00:16:31,797 Yes, of course. Excuse us. Sir, out. I need to remind you that this 181 00:16:31,821 --> 00:16:38,421 is an official murder investigation. Don't talk to the press. 182 00:16:56,301 --> 00:17:02,517 There once was an actress called Dare whose allure was exceedingly rare. Her 183 00:17:02,541 --> 00:17:08,037 chocolates were spiked with strychnine, not nice. But 'twas Barbara that ate 184 00:17:08,061 --> 00:17:13,797 them. Not fair. I hope we did the right thing letting 185 00:17:13,821 --> 00:17:16,756 those people into the lane. Why did you? 186 00:17:16,780 --> 00:17:21,636 I'm afraid it was money. Yes, my love. Those little pieces of 187 00:17:21,660 --> 00:17:25,318 paper that keep us out of the small claims courts. 188 00:17:25,342 --> 00:17:27,557 How much? 20 guineas 189 00:17:27,581 --> 00:17:29,797 per week per diem 190 00:17:29,821 --> 00:17:33,781 for 10 diems. 191 00:17:35,500 --> 00:17:40,758 The devil's going on out there? Bobby's swimming about like the cup final. 192 00:17:40,782 --> 00:17:43,958 Ah, Mrs. Goodwin. Yes. I'm afraid there's been an 193 00:17:43,982 --> 00:17:47,637 accident. Oh. Oh, nothing to do with Sandra Dare. 194 00:17:47,661 --> 00:17:51,558 I hope. I heard she was in the neighbourhood. Oh, so that's why we're 195 00:17:51,582 --> 00:17:53,678 here. Always been a fan. 196 00:17:53,702 --> 00:17:57,357 They don't want to hear about your juvenile antics, woman. 197 00:17:57,381 --> 00:18:00,718 Miss Dare is perfectly sound, I'm happy to say. The Scarlet Pimpernel you had 198 00:18:00,742 --> 00:18:03,717 from us last time, wasn't it? I trust you enjoy it. 199 00:18:03,741 --> 00:18:07,477 Oh, very much. I promised you the sequel. 200 00:18:07,501 --> 00:18:10,518 I'm teeing off at quarter 2. Sorry. 201 00:18:10,542 --> 00:18:12,438 Thinking I will repay. 202 00:18:12,462 --> 00:18:15,278 What? That's the sequel to The Scarlet. 203 00:18:15,302 --> 00:18:17,637 Pimpernel. Jack. Oh. Um, 204 00:18:17,661 --> 00:18:22,357 underneath Hardy Perennials, the biography of Danton and the stack of 205 00:18:22,381 --> 00:18:26,358 unpaid bills. Got anything on, uh, how to cook? 206 00:18:26,382 --> 00:18:31,476 I beg your pardon. That's what she needs. Can hardly boil a ruddy egg. 207 00:18:31,500 --> 00:18:34,437 How are your feet? Oh, how much better. 208 00:18:34,461 --> 00:18:38,740 Oh, I'll wait in the car. 209 00:18:39,021 --> 00:18:44,517 Ah, that's just a bob. Oh, and I put this to one side, too. Uh, on the house. 210 00:18:44,541 --> 00:18:49,476 What is it? Oh, just a little play. Ibsen, A Doll's House. It's about a 211 00:18:49,500 --> 00:18:55,221 woman who realises she's rather trapped, unfulfilled. 212 00:18:55,261 --> 00:18:59,476 Thought you might find it enlightening. Thank you, 213 00:18:59,500 --> 00:19:02,500 Cheerio. 214 00:19:04,541 --> 00:19:07,877 How's business been? Booming. 215 00:19:07,901 --> 00:19:12,117 Goodbye to Berlin. All the Stewart Howard fans are mad for it. 216 00:19:12,141 --> 00:19:18,261 Is he in the film version? That's what I'm telling them. 217 00:19:18,541 --> 00:19:23,317 I, uh, better unpack. Oh, Jack, be a darling and fetch my bag 218 00:19:23,341 --> 00:19:29,716 from my room, would you? It's the green one with the amber clasp. 219 00:19:29,740 --> 00:19:32,740 Right. 220 00:21:10,781 --> 00:21:14,278 You really think someone tried to kill me? 221 00:21:14,302 --> 00:21:18,917 It really looks that way. Good God. At least we'll be back at Lady. 222 00:21:18,941 --> 00:21:22,958 Hurst tonight. You sure you're okay to shoot? 223 00:21:22,982 --> 00:21:27,956 Have to be, won't I? Deirdre, silly me. My memory. Sandra, are you 224 00:21:27,980 --> 00:21:35,237 ready? Ready? My exclusive. Oh, excuse me. Um, I promised an 225 00:21:35,261 --> 00:21:41,397 interview, Harold. Um, Nerina, I can give you two minutes. 226 00:21:41,421 --> 00:21:48,181 Necessary evil. I suppose one must feed the machine. Mr. 227 00:21:48,461 --> 00:21:53,541 Ah, finally. 228 00:21:54,960 --> 00:21:59,337 If you'd be so kind, you know my motto. If you've nothing nice to 229 00:21:59,361 --> 00:22:06,456 say, come and sit by me. And here you are, sitting by me. 230 00:22:06,480 --> 00:22:10,217 Ah, yes, but I do have something nice to say. Nerina. 231 00:22:10,241 --> 00:22:17,737 Oh, Lovelorn in London is the first of a new three picture deal. 232 00:22:17,761 --> 00:22:22,297 A deal Stewart and I have signed on for. Isn't that marvelous? 233 00:22:22,321 --> 00:22:26,137 Marvelous. And you're shooting interiors at Lady. 234 00:22:26,161 --> 00:22:31,497 House, aren't you? Not exactly MGM, is it? Ped. Oh, it'll 235 00:22:31,521 --> 00:22:35,497 do nicely. You know the place though, don't you? 236 00:22:35,521 --> 00:22:41,218 Made plenty of pictures there in the past. Like the one where you played the 237 00:22:41,242 --> 00:22:43,577 simple crofter's daughter who married a duke. 238 00:22:43,601 --> 00:22:47,258 Yes. And the one where you played a simple 239 00:22:47,282 --> 00:22:51,577 fisherman's daughter who married a jute magnet. 240 00:22:51,601 --> 00:22:56,858 Yes. I always forget what dude is. It's a kind of fibre. People make bags with 241 00:22:56,882 --> 00:23:00,978 it. What's the first film you made there, 242 00:23:01,002 --> 00:23:08,456 Sandra? At LadyHurst. H um I don't know. Uh 243 00:23:08,480 --> 00:23:13,178 Springtime for Mary, I think. Oh, about a simple blacksmith's daughter 244 00:23:13,202 --> 00:23:16,361 who married. All right. 245 00:23:16,480 --> 00:23:21,497 I think it was quite a bit before that. Do you know our readers would be 246 00:23:21,521 --> 00:23:27,337 fascinated to learn that not all Sandra Dare's pictures were talking pictures? 247 00:23:27,461 --> 00:23:33,757 I love those old inter titles. Came the dawn and all that. 248 00:23:33,781 --> 00:23:39,597 Or I can check the date later. Deirdre, that is your real name, isn't it? The 249 00:23:39,621 --> 00:23:45,997 one you used to go by. Dear Piddock, perhaps you should 250 00:23:46,021 --> 00:23:50,717 concentrate on the present Nerina. Where? 251 00:23:50,741 --> 00:23:55,180 Someone is trying to kill me. 252 00:24:05,060 --> 00:24:10,358 Jesse and I are taking Sandra for supper. Try to take her mind off things. 253 00:24:10,382 --> 00:24:14,157 If that's not inappropriate under the circumstances. 254 00:24:14,181 --> 00:24:18,398 Well, one must eat. Where are you going? Wheelers? 255 00:24:18,422 --> 00:24:21,738 No, Camille's on the Strand. Good choice. 256 00:24:21,762 --> 00:24:23,501 Don't have the oysters. 257 00:24:23,781 --> 00:24:28,077 I saw them taking that girl away. I assumed it was an accident. 258 00:24:28,101 --> 00:24:31,197 Poison chocolates. Really? 259 00:24:31,221 --> 00:24:37,276 And they were intended for me. And that poor sad girl intercepted them. Oh god, 260 00:24:37,300 --> 00:24:43,276 how's that for an exclusive? Tragic. And what an angle. 261 00:24:43,300 --> 00:24:48,397 Oh, sorry. That was crass of me. But still, 262 00:24:48,421 --> 00:24:52,637 what an angle. Well, there's your story, Nerina. 263 00:24:52,661 --> 00:24:56,958 Are you ready, darling? Oh, yeah. I was just leaving. 264 00:24:56,982 --> 00:25:00,796 Congratulations on the new contract, Stewart. 265 00:25:00,820 --> 00:25:04,060 Thank you. 266 00:25:04,341 --> 00:25:11,261 Much to chew on. Always lovely to see you. 267 00:25:12,421 --> 00:25:17,357 Bus to LadyHurst leaves in 5 minutes. 5 minutes everyone. 268 00:25:17,381 --> 00:25:21,580 What are you waiting for? The last post. 269 00:25:21,621 --> 00:25:25,997 Mr. Masterson son, what a pleasure to see you again. 270 00:25:26,021 --> 00:25:33,421 Nerina Bean, looking lovely as ever. What can I do for you? 271 00:25:37,621 --> 00:25:42,060 Here we go. Ta. 272 00:25:46,521 --> 00:25:51,297 We met through um Picturegoer. Me and Barbara, I mean there's lots of 273 00:25:51,321 --> 00:25:55,538 correspondents. You see, like minded folk finding each other. 274 00:25:55,562 --> 00:25:59,857 Some aren't to their fans. Some and the other big names, too. 275 00:25:59,881 --> 00:26:05,258 There's a hairdresser I know who's potty on James Mason. 276 00:26:05,282 --> 00:26:11,418 But you know, Stuart was our favorite. That's why we Why we chose to get jobs 277 00:26:11,442 --> 00:26:16,016 as extras to get close? You're doing very well, my dear. 278 00:26:16,040 --> 00:26:20,321 You admit to taking the chocolates? 279 00:26:21,400 --> 00:26:24,896 Yeah. I'm awfully sorry. We just couldn't 280 00:26:24,920 --> 00:26:30,337 resist them. We saw them there on the table in the bookshop. And I mean, 281 00:26:30,361 --> 00:26:35,457 chocs, come on. It's been years. They were through there. 282 00:26:35,481 --> 00:26:41,841 Yeah, just through there. What did you do with the note? 283 00:26:42,841 --> 00:26:46,256 Note? Well, there was obviously an enclosure 284 00:26:46,280 --> 00:26:50,817 of some kind. It's not there now. What did you do with it? 285 00:26:50,841 --> 00:26:56,481 I, I, I, I didn't see any note. 286 00:26:59,001 --> 00:27:03,361 It was over there. Look on the table. 287 00:27:03,561 --> 00:27:07,217 It's funny how easy it is to get close to them. 288 00:27:07,241 --> 00:27:12,781 Sally Gray once brushed past me in the powder room at the Walsingham. 289 00:27:12,806 --> 00:27:19,737 You opened the box. Maybe the card fell out. Do you have back issues? 290 00:27:21,561 --> 00:27:23,857 Picturegoer. I mean, of course. 291 00:27:23,881 --> 00:27:30,641 January 35 onwards. Would you be so good as to let us have them? Of course. 292 00:27:35,241 --> 00:27:39,121 I know that look. 293 00:27:43,081 --> 00:27:48,081 Oh, dog. You are a naughty boy. 294 00:27:48,280 --> 00:27:51,857 This succession. 295 00:27:51,881 --> 00:27:57,617 Well, I wouldn't say session, sir. He gives you full pay for that. 296 00:27:57,641 --> 00:28:04,417 He does. He really can't. You're sure he knows about that? Yeah, 297 00:28:04,441 --> 00:28:08,978 he does know where we are. Thank you, Miss Bruce. You've been most 298 00:28:09,002 --> 00:28:12,977 helpful., uh, uh, Constable. 299 00:28:13,001 --> 00:28:16,241 Thank you. 300 00:28:22,361 --> 00:28:25,361 Well? 301 00:28:25,800 --> 00:28:31,297 oh Stewart, oh Stewart, my love, there's so much I want to say to you. From that 302 00:28:31,321 --> 00:28:37,057 moment on the submarine, I knew your look of concentration, your strength, we 303 00:28:37,081 --> 00:28:43,457 were destined to love each other. Ship of Shame. Good picture, that one. 304 00:28:43,481 --> 00:28:47,361 They were meant for him. 305 00:28:47,561 --> 00:28:53,776 We imagine we control our passions, but they direct us to the stars. We strive 306 00:28:53,800 --> 00:28:58,817 despite adversity. They drive ordinary people to extraordinary actions like… 307 00:28:58,841 --> 00:29:03,697 like injecting strychnine into strawberry creams. 308 00:29:03,721 --> 00:29:09,537 So Stuart, my own best darling, I implore you not to try. Follow your 309 00:29:09,561 --> 00:29:15,617 heart. Break off your engagement and we can be together, you and I, my sweetest 310 00:29:15,641 --> 00:29:23,641 boy, in life or in the cold, cold tomb of death. And if one proves impossible, 311 00:29:23,800 --> 00:29:28,737 I'll take the other joyously. Well, that seems pretty clear. If the 312 00:29:28,761 --> 00:29:33,298 writer can't have him, nobody can. So, we're looking for a film fanatic. 313 00:29:33,322 --> 00:29:38,058 Fanatic being the word. That would be the obvious explanation. 314 00:29:38,082 --> 00:29:43,280 All right, then. Bring me up to speed. What do we know about this film mob? 315 00:29:43,481 --> 00:29:47,376 Stewart Howard, proof that smouldering Latin looks 316 00:29:47,400 --> 00:29:50,817 sometimes occur spontaneously in Bermondsey. 317 00:29:50,841 --> 00:29:55,697 He and Sandra have bound their careers together, the nation's sweethearts. 318 00:29:55,721 --> 00:30:01,778 But hope can know the truth of it. He's an actor and he's young and ruthless and 319 00:30:01,802 --> 00:30:06,978 rather over rewarded and appears to be hopelessly in love with someone else. 320 00:30:07,002 --> 00:30:08,737 Who? Himself. 321 00:30:08,761 --> 00:30:13,418 Then there's the Honourable Jesse Mckendrick. He lived in rooms on the 322 00:30:13,442 --> 00:30:17,098 lane last year just for a few weeks. Rich boy slumbing it for the summer. 323 00:30:17,122 --> 00:30:20,057 Ran up and down like a billy goat. He was always pounding the streets in his 324 00:30:20,281 --> 00:30:23,738 plimsolls. Left when it got cold, ran straight back 325 00:30:23,762 --> 00:30:27,818 to daddy's place in Wiltshire, I think. I'm sure I looked it up. 326 00:30:27,842 --> 00:30:32,497 And then we must presume wrote his script on the private lives of the 327 00:30:32,521 --> 00:30:34,618 proletariat. Thank you so much for joining. 328 00:30:34,642 --> 00:30:38,218 Good neighbour, was he? Didn't pay much attention to be honest. 329 00:30:38,242 --> 00:30:41,938 I find that hard to believe. Well, he was obviously taking notes on 330 00:30:41,962 --> 00:30:45,218 how to run a bookshop. And Miss Dare, she had a rich husband 331 00:30:45,242 --> 00:30:49,018 who died, didn't she? Italian national. Is that why they went to the States? 332 00:30:49,042 --> 00:30:52,858 Well, if they'd stayed, he'd have been interned as an enemy alien, so I suppose 333 00:30:52,882 --> 00:30:56,738 they preferred the California sunshine. That's made me think rather better of 334 00:30:56,762 --> 00:31:00,258 her. I thought she was just running away from the bombs. 335 00:31:00,282 --> 00:31:02,318 What about Billy? Clapper boy. 336 00:31:02,342 --> 00:31:06,958 Positions, please. And from the look of it, Stewart Howard's 337 00:31:06,982 --> 00:31:12,238 now ex-whipping boy. Doesn't seem to be much love lost there. They pose a lot, 338 00:31:12,262 --> 00:31:17,676 don't they, these film stars? Why is he marrying her? Do you think to 339 00:31:17,700 --> 00:31:21,341 shows she's still here? 340 00:31:24,420 --> 00:31:28,077 Thank you. Uh to show she knows what the audience 341 00:31:28,101 --> 00:31:33,276 wants. Stewart Howard's just arrived at the top, ain't he? Sergeant's been there 342 00:31:33,300 --> 00:31:37,036 for years, but she can only stay there for so long. 343 00:31:37,060 --> 00:31:41,261 Very perceptive of you, Jack. 344 00:31:41,381 --> 00:31:47,036 What a brutal business this is. It captures people in time, then they 345 00:31:47,060 --> 00:31:50,060 change, 346 00:31:50,180 --> 00:31:55,518 and it mocks them for it. Right. I'm going to get on to the film 347 00:31:55,542 --> 00:32:00,398 security people. See if anyone saw who dropped the chocolates off. What will 348 00:32:00,422 --> 00:32:04,317 you do now? Jack and I are taking this note to 349 00:32:04,341 --> 00:32:07,341 dinner. 350 00:32:38,180 --> 00:32:43,501 Jesus Christ. Me? You. 351 00:32:43,781 --> 00:32:47,676 You have no idea how draining it is, Mr. Book. 352 00:32:47,700 --> 00:32:51,837 Glad handing. Scribbling one's autograph. Failing to 353 00:32:51,861 --> 00:32:56,878 recognise someone whom you apparently met at a village fete 10 years ago. And 354 00:32:56,902 --> 00:33:01,518 the smiling. Great god. The smiling. This is simply the next step. They can 355 00:33:01,542 --> 00:33:06,060 only love one so much. And there's only one way to go from there. 356 00:33:12,680 --> 00:33:17,418 How can I bloody well eat after that? Well, a crazed fan is only the most 357 00:33:17,442 --> 00:33:21,658 obvious theory, but we don't like to be obvious, do we, Jack? 358 00:33:21,682 --> 00:33:25,978 What? Oh, uh, no. No, we don't. So, if I might repurpose the inspector's 359 00:33:26,002 --> 00:33:29,617 earlier question, can you think of anyone who might want to kill you, Mr. 360 00:33:29,641 --> 00:33:31,857 Howard? Take your ruddy pick. 361 00:33:31,881 --> 00:33:37,698 There's quite a lot of angry ladies out there, not to mention their husbands. 362 00:33:37,722 --> 00:33:42,618 Saville Row tailors, producers, directors, writers, my ex-agent, my 363 00:33:42,642 --> 00:33:46,977 ex-ex-agent, uncle Tom Conway and all. What about prison? 364 00:33:47,001 --> 00:33:50,658 What? You started to eat your dinner with your 365 00:33:50,682 --> 00:33:53,937 spoon. Ah, old habits. 366 00:33:53,961 --> 00:33:59,776 Dead giveaway. Takes one to no one. 367 00:33:59,800 --> 00:34:06,258 I was younger than you. Nothing too terrible. But I shouldn't like it to get 368 00:34:06,282 --> 00:34:11,760 into the popular press, Mr. Book. I should think not. 369 00:34:12,441 --> 00:34:15,777 What'd they get you for? I went for a drive. 370 00:34:15,801 --> 00:34:19,456 Where? Through a furrier's window in Mayfair. You 371 00:34:19,480 --> 00:34:25,358 went to the bank to make a withdrawal. With a stocking over your face? 372 00:34:25,382 --> 00:34:27,200 Yeah. My mother's. 373 00:34:27,240 --> 00:34:31,537 I'm a Bermondsey boy, Jack. Rough as a sailor's arse 374 00:34:31,561 --> 00:34:35,601 despite all of this. 375 00:34:36,040 --> 00:34:40,977 Do you think it could have something to do with that? The prison? 376 00:34:41,001 --> 00:34:45,058 Well, as you've indicated, it's a wide field. Tell you what, why not take on 377 00:34:45,082 --> 00:34:47,338 young Jack here as your new factotum? Huh? 378 00:34:47,362 --> 00:34:50,338 No harm in having a strapping young fellow like him hanging around. And you 379 00:34:50,362 --> 00:34:54,098 are looking for a new assistant. Yeah, I can't. I've already got a job at 380 00:34:54,122 --> 00:34:56,937 the bookshop. I'm sure I can spare you for a few days. 381 00:34:56,961 --> 00:34:59,217 And you know how Nora loves to help out. Well, 382 00:34:59,241 --> 00:35:02,498 splendid. Yes, it's a good idea. You know, Mr. 383 00:35:02,522 --> 00:35:07,858 Book, you should all come to Ladyhurst. Help us get the details right and uh 384 00:35:07,882 --> 00:35:12,598 keep an eye on things. We'll be delighted. Thank you for these. 385 00:35:12,622 --> 00:35:14,401 I'm a film star. 386 00:35:15,881 --> 00:35:19,777 You all right? Yeah. 387 00:35:19,801 --> 00:35:24,097 Why wouldn't I be? I'll leave you to it then. Let me know 388 00:35:24,121 --> 00:35:28,977 if anything interesting turns up. Oh, and be careful. There is a killer on the 389 00:35:29,001 --> 00:35:32,657 loose. Good night. 390 00:35:32,681 --> 00:35:39,121 Good night. Yes, sir. What's your poison? 391 00:35:51,240 --> 00:35:55,681 Varsity sporting review. 392 00:35:56,841 --> 00:36:00,321 There you are. 393 00:36:29,161 --> 00:36:33,857 What's this? Come on. It's usually around now that 394 00:36:33,881 --> 00:36:37,521 you deign to share. 395 00:36:38,521 --> 00:36:43,537 Three things then. Who would benefit from Lovelorn in London collapsing? What 396 00:36:43,561 --> 00:36:47,618 was missing from that box of chocolates was lying there with all the other fan 397 00:36:47,642 --> 00:36:49,498 mail. But no envelope. 398 00:36:49,522 --> 00:36:54,817 Top of the class, Mrs. Book. So unless the envelope was disposed of, 399 00:36:54,841 --> 00:36:58,258 the chocolates didn't arrive by post. So anyone on the film set could have put 400 00:36:58,282 --> 00:37:01,778 it there. Precisely. And finally, the chocolate 401 00:37:01,802 --> 00:37:05,937 method, haphazard though it was, has been tried and failed, which means 402 00:37:05,961 --> 00:37:09,697 whoever's behind this is going to try again. What are you 403 00:37:09,721 --> 00:37:12,738 going to do? We're invited to the film studios 404 00:37:12,762 --> 00:37:17,216 tomorrow. And Jack has a new job. The Stewart Howard stand in. 405 00:37:17,240 --> 00:37:21,200 When are we going to tell him? 406 00:37:21,240 --> 00:37:26,337 Not yet. Shall I read? 407 00:37:26,361 --> 00:37:30,417 Well, I know how you enjoy it, so I'll humour you. 408 00:37:30,441 --> 00:37:33,841 But then. 409 00:37:36,601 --> 00:37:42,417 Oh, there it is. Been fretting about that since we moved my 410 00:37:42,441 --> 00:37:48,657 stuff to accommodate the stars. Then fret not, dear. And recall our 411 00:37:48,681 --> 00:37:52,161 solemn pact 412 00:37:57,161 --> 00:38:03,777 The Cave of Fancy. I've seen some dives in my time, but this 413 00:38:03,801 --> 00:38:08,176 so dirty, so shady. 414 00:38:08,200 --> 00:38:14,641 The pansies in my garden abhor the shade. 415 00:38:15,001 --> 00:38:22,176 Right, sir. It is sir. Is it? Let's find you on my 416 00:38:22,200 --> 00:38:28,977 list. Name, occupation, marital status. 417 00:38:29,001 --> 00:38:33,057 Engaged. Who are you? 418 00:38:33,081 --> 00:38:38,978 Medical officer Strottford Perry. Trottie to my friends. Late of the Garibaldi. 419 00:38:39,002 --> 00:38:43,218 Brigade. And I don't mean the biscuits. I can pull out shrapnel. I can strip a 420 00:38:43,242 --> 00:38:46,338 toshanker in under two seconds. And I once to pull it south of the erbo, which 421 00:38:46,362 --> 00:38:51,217 I wouldn't recommend even to you, Sergeant. And I never ever leave a man 422 00:38:51,241 --> 00:38:54,178 behind. He's sitting there. And I'm getting 423 00:38:54,202 --> 00:38:59,618 married to him next Saturday. And the chief constable's daughter is one of our 424 00:38:59,642 --> 00:39:04,158 bridesmaids. So if I were you, I'd just admit the error right away and cross him 425 00:39:04,182 --> 00:39:06,480 off your list. What say you? 426 00:39:11,801 --> 00:39:15,777 Saturday all right for you? Forecast is good. 427 00:39:15,801 --> 00:39:19,441 Quite alright. Trottie 428 00:39:22,601 --> 00:39:25,601 Kiss me. 429 00:39:26,041 --> 00:39:29,041 Uh-oh. 430 00:39:29,081 --> 00:39:34,737 Where would I be without you? I think we both know the answer to that, 431 00:39:34,761 --> 00:39:38,001 my love. 432 00:39:40,200 --> 00:39:44,977 Anyway, you were going to read. 433 00:39:45,001 --> 00:39:48,240 Of course. 434 00:40:12,041 --> 00:40:17,936 She's noticed you. Yeah, they always notice me. Girls 435 00:40:17,960 --> 00:40:21,858 doesn't mean anything. It's like when kids point a dogs in the 436 00:40:21,882 --> 00:40:23,818 street and say, "Dog?" Yeah. 437 00:40:23,842 --> 00:40:27,457 Well, you’ll be getting married soon, sir. They've seen it in a column by Lerina. 438 00:40:27,481 --> 00:40:30,418 Bean. But let me tell you something, Jack. 439 00:40:30,442 --> 00:40:32,618 I've never gone down at one knee to anyone. 440 00:40:32,642 --> 00:40:35,618 Sandra popped the question then, did she? I can imagine that. 441 00:40:35,642 --> 00:40:39,938 Most of the questions are from a business manager. 442 00:40:39,962 --> 00:40:44,337 Oh, so you've got an arrangement then. 443 00:40:44,361 --> 00:40:49,738 Shouldn't drink so much, should I? Yes, an arrangement. But we all have those, 444 00:40:49,762 --> 00:40:53,858 don't we? You have one with Book. Book has one with Mrs. Book if we're talking 445 00:40:53,882 --> 00:40:58,001 about unusual marriages. Why' you say Book's marriage is unusual? 446 00:40:58,121 --> 00:41:01,377 You're like him, Book. How? 447 00:41:01,401 --> 00:41:06,801 Cuz you read. Just go on, read me. 448 00:41:08,041 --> 00:41:12,081 Well, um, 449 00:41:12,361 --> 00:41:17,538 you keep coming here cuz you think this is the sort of place that film stars go, 450 00:41:17,562 --> 00:41:23,018 but here's the thing. You don't like it here. You hate it. And you hate that 451 00:41:23,042 --> 00:41:26,737 drink, too. It's like a pudding from the war. 452 00:41:26,761 --> 00:41:32,258 So, you're thinking, "How can I be the chap I was?" You know, before I knew 453 00:41:32,282 --> 00:41:36,018 that the camera loved me, which is a terrible thing to know. It's not all it’s cracked 454 00:41:36,042 --> 00:41:39,218 up to be. Can you believe that? Yeah, I wouldn't mind a bit of it. 455 00:41:39,242 --> 00:41:43,358 Careful what you wish for, son. Got someone sending me poison in the post. 456 00:41:43,382 --> 00:41:44,881 Remember, 457 00:41:44,921 --> 00:41:51,297 I was a bit stuck when I met Sandra. Typecast, not officer material. They 458 00:41:51,321 --> 00:41:56,257 said it was a problem, Kid. Sandra changed that. She pulled strings, 459 00:41:56,281 --> 00:42:01,216 whispered in ears. Producers started casting us as lovers. We were lovers by 460 00:42:01,240 --> 00:42:05,057 then, of course. Do you love her now? 461 00:42:05,081 --> 00:42:09,121 Well, I don't hate her. 462 00:42:10,281 --> 00:42:12,337 You want to be your own man? 463 00:42:12,361 --> 00:42:17,098 Of course I do. But it's impossible, isn't it? We're a pair like Hope and 464 00:42:17,122 --> 00:42:20,138 Crosby, Fred and Ginger, Garbo and Gilbert. 465 00:42:20,162 --> 00:42:25,818 Except he left, didn't he? What? John Gilbert didn't survive when the talkies 466 00:42:25,842 --> 00:42:30,737 came. Yeah. So it's all an act then. You and her? 467 00:42:30,761 --> 00:42:34,817 golden couple. All an act as much an artifice as Stewart 468 00:42:34,841 --> 00:42:38,321 Howard himself. 469 00:42:38,440 --> 00:42:44,017 Film is for dreamers. You see Jack, when you sit there in the dark has to be 470 00:42:44,041 --> 00:42:50,817 space for you up there in that kiss. No scenes in the moonlight standing by 471 00:42:50,841 --> 00:42:56,098 the rail of a ship. You just read in the fan mags that the screen lovers have 472 00:42:56,122 --> 00:43:00,337 broken off the engagement. Can't stand to be in a room together 473 00:43:00,361 --> 00:43:04,720 and there's no space to dream. 474 00:44:45,641 --> 00:44:51,617 Scene 49, take eight and 475 00:44:51,641 --> 00:44:55,377 action. It was then I knew we had fallen in love 476 00:44:55,401 --> 00:45:00,817 from the pages of a book. But was that love strong enough to thrive out in the 477 00:45:00,841 --> 00:45:05,857 teeming world? Uh, can we, um, try it again without him reading it? I can do 478 00:45:05,881 --> 00:45:11,841 it in time. Yes, of course. Reset. 479 00:45:13,001 --> 00:45:17,137 Rolling. Sandra and 480 00:45:17,161 --> 00:45:20,161 action. 481 00:45:28,681 --> 00:45:34,817 I'm so sorry, Jesse. Uh, can I beg 10 minutes? A ciggie will sort me out. 482 00:45:34,841 --> 00:45:39,057 Cut it there. Cutting it there. 483 00:45:39,081 --> 00:45:44,001 10 minutes hold. Back at five. 484 00:45:44,681 --> 00:45:49,681 Is that coffee, sir? No. Thank you. 485 00:46:25,960 --> 00:46:29,041 Come along. 486 00:47:26,200 --> 00:47:32,720 Eric Percival Banks. She's she's been married before. 487 00:47:51,081 --> 00:47:56,337 Good morning. You're up early. Oh, 488 00:47:56,361 --> 00:48:00,161 I thought you might want a tea. 489 00:48:20,281 --> 00:48:25,361 Hey kid, you want to be in pictures? 490 00:48:27,561 --> 00:48:30,337 Your name's not on the list. Who are you? 491 00:48:30,361 --> 00:48:33,898 We're antiquarian book sellers. Isn't it obvious? 492 00:48:33,922 --> 00:48:38,656 And I know we're being extra vigilant, Jerry Love, but bear with me. 493 00:48:38,680 --> 00:48:41,841 All right. 494 00:49:07,881 --> 00:49:11,738 What's this? The address of Barbara Markham's 495 00:49:11,762 --> 00:49:14,176 parents. I'll go visit them. 496 00:49:14,200 --> 00:49:19,216 No, no. There's the inquest first. Just write them a kind letter. 497 00:49:19,240 --> 00:49:23,377 I will. Thanks, Book. 498 00:49:23,401 --> 00:49:28,881 You boys are in for the biggest surprise of your lives. 499 00:49:29,401 --> 00:49:36,497 Keep going. Better this way. More dramatic. 500 00:49:36,521 --> 00:49:42,401 Geordie, can I get some lights on, please? Yes. 501 00:49:47,321 --> 00:49:51,936 Amazing. It's absurd. 502 00:49:51,960 --> 00:49:57,216 Ridiculous, A bizarre exaggeration of reality. 503 00:49:57,240 --> 00:50:02,017 It is wonderful. What a thrillingly peculiar life you 504 00:50:02,041 --> 00:50:06,017 lead, Mr. Howard. It's an imitation of life. 505 00:50:06,041 --> 00:50:10,257 Dog's blanket, but no dog. 506 00:50:10,281 --> 00:50:15,777 Is dog cast yet? Yeah. But she’s not much cop. No screen presence. 507 00:50:15,801 --> 00:50:22,761 Think of a good replacement. Yeah, I can. 508 00:50:25,081 --> 00:50:30,577 Cans of cash. Your Tony's a better book seller than I am. 509 00:50:30,601 --> 00:50:36,817 He's fake. Like everything in here. Well, I'm glad you had a chance to look 510 00:50:36,841 --> 00:50:40,898 before the hordes arrived. Let's get some breakfast. Canteen's in the next 511 00:50:40,922 --> 00:50:44,321 block. Lead on, McDuff. 512 00:50:49,881 --> 00:50:52,737 It's just past the dressing rooms. 513 00:50:52,761 --> 00:50:57,778 Do you know what you're doing next? Or another Robin Hood remake? I mean, I've 514 00:50:57,802 --> 00:51:01,601 got the pins, right? Oh my god. What? 515 00:51:06,601 --> 00:51:10,240 It's one of the extras. 516 00:51:18,921 --> 00:51:24,960 No, I think not. 517 00:51:25,641 --> 00:51:29,440 It's Nerina Bean. 518 00:51:37,881 --> 00:51:42,240 The girl with the poison pen. 519 00:51:45,240 --> 00:51:49,240 Preuzeto sa www.titlovi.com 47770

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